Académique Documents
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www.sitefestival.org.uk
cover image: Colin Glen Scribble 11 closeup design template: Chris J Bailey ©2008 design: SVA ©2009
site09
1s t - 3 0 t h j u n e
a festival of ar tist led projects
in stroud gloucestershire
festival programme
welcome to site09
This site festival now in its13th year, presents the work of over 300 local artists in 83 sites across the Stroud Valleys during the
whole month of June. The site festival creates a platform for artists and artist collectives to show new work, to initiate new
projects, and work collaboratively with other artists. Stroud Valleys Artspace (SVA), the festival host organisation, will be
opening its doors to invite you to a month long programme of exhibitions, open studios, film screenings, talks and performance.
site09 is working in partnership with Alias, which is celebrating its 10 year anniversary to a programme of activities.
This years site09darbyshire award exhibition at the Museum in the Park has been selected by Tom Trevor, director of the
Arnolfini and will feature contemporary artists from across the UK. Another highlight of the festival is the film screening
programme, 'Figuring Landscapes' which is a remarkable collection of moving-image works by 58 Australian and UK artists.
site09
The screening, presented by Mezzanine, focuses on landscape to address questions of ecological survival, post-industrialism,
gender, the touristic gaze, and uniquely in Australia, the status of indigenous people in a post-colonial society.
site09 makes international connections as we welcome Jamila Lamrani, a Moroccan-based artist to SVA’s studios as part of the
Arts Council England ‘ Inhabit’ artist residency scheme. Sally Hampson will be showing 'The Seven Poets' Coats' project, inspired
by pre-Islamic Arabic poetry, an ongoing site-specific project, previously shown in Qatar, Egypt and Morocco.
This year SVA is working with local businesses by making creative use of empty shops in Stroud for exhibitions and workshops.
Amongst these will be ‘Seven’ an exhibition by Unit 4 Studio group, at Stroud House and ‘Tray’ a shop window exhibition trail,
starting from SVA, John Street, of South West based artists work. An intriguing connection will be engendered between two
contrasting places; a gallery space in a busy residential part of Stroud and a woodland glade in the Forest of Dean Sculpture
Park, through Colin Glen’s project ‘The Clearing’.
One of the best things about the festival is the opportunity to meet artists living and working in the Stroud Valleys and get to
know their work. There will be two weekends of Open Studios with 116 artists inviting you to see their work within their
working environment, buy directly from them and to talk about their practice. Pick up the Open Studios Directory for all the
information you need to plan your studio visits. SVA is linked to Alias, a network of South West based artist-led groups, many of
whom will be opening their doors to the public as part of a regional 24hr open studios event.
site09 also brings you an eclectic mix of performance nights ranging from experimental music with Sarah Kenchington and
Daniel Padden, performance poetry from festival favorite John Hegley and punk jazz from The Blessing whose debut album
'All is Yes' won the coveted BBC Jazz Album of the Year last year.
We hope you enjoy the festival and will let us know that by coming back again next year.
editorial
logistics Jo Leahy, Neil Walker
design SVA ©
design template Chris Bailey ©
cover image Colin Glen
www.sva.org.uk publisher SVA ©2009
contents
introductory essay p06
exhibitions p08
exhibitions and events p10
film screenings p12
talks and discussion p13
performance p14
alias events p16
exhibition and events adverts p18
maps p24
calendar p26
further information p27
Open Studios Henri Kyriacou drawing; Open Studios Exhibition Angela Findlay photograph; John Street Open Studios Jamila Lamrani, installation;
'Painting relates to both art and life… (I try to work in that gap between the two)' (Rauschenberg, 1959, p58)
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When I first moved to Stroud three years ago I was aware that there were a lot of artists here and that the area had historical
associations with the Arts and Crafts Movement. I have subsequently come to recognise that the town is, at least partly, defined
by its artists. Certainly, art plays a considerable role in the life of the town: there is an unusual amount of activity, the exhibitions,
screenings etc. that run throughout the year, with SVA as a vital focus and the site09 festival as a celebratory high point. But there
is something else that is perhaps more significant, which is the role that artists play in the life of the town. I seem to encounter
artists everywhere, at the school gates, in the local shops, generally going about their everyday business, but also actively
participating in the community, contributing, lending a hand in one way or another.
Art theorists have long sanctioned a dialogue between art and the everyday. In the 60's Arthur Danto looked at Warhol’s
'Brillo Boxes' and concerned himself with identifying the difference between art and other kinds of things and the ‘transfiguration of
the commonplace’ through art. More recently, Nicolas Bourriaud has proposed a ‘Relational Aesthetics’, an aesthetic theory in
which artworks are judged ‘in terms of the inter-human relations which they show, produce, or give rise to’ (Bourriaud 1998, p117).
However, in all these theories art and the everyday remain conceived as a polarized duality.
Living here in Stroud, amongst so many artists, it becomes easier to see art not only as a specialized set of activities and a
category of objects that stand outside of normal experience, but as a mode of being. For many artists a sense of integration, in
which their practice does not take place in Rauschenburg’s gap, or even Kaplow’s fluid line, but is rather continuous with all other
aspects of their selves, is a central issue. Talking about her practice as a potter Carla Needleman said “A craft is not its objects; a
craft is how I am when I am making them (and eventually, one would dearly hope, how I am the rest of the time, as a result of what has
been transformed in me through craftsmanship). The objects of the craft are by-products, very essential by-products, of the way I work.”
(Needleman, 1979, p.123)
This reframes Danto’s notion of ‘transfiguration’ and suggests that creative work, leading to a transformation in the artist, has
a positive effect beyond the artist themselves. It suggests a continuity of experience in which art becomes “prefigured in the very
processes of living” (Dewey, 1934, p.24). This is an idea that has a powerful resonance with Stroud’s links with the Arts and Crafts
movement, and it is one that has recently been reiterated by Richard Sennett in his book 'The Craftsman', where he argues that
‘the capacities our bodies have to shape physical things are the same capacities we draw on in social relations.' (Sennett, 2008)
site09 reflects this vital context. It is often the case that exhibitions, concerned with selling or with curating artefacts, detach
the work from the practice and emphasise qualities that make more sense within the gallery culture. It is a common criticism of
open studios events that participating artists feel compelled to use the occasion to give their studios a good clear out and to
‘curate' or present their work in a pristine, gallery-like setting, whilst visitors come to gain some insight through access to the
04 working space, to make some more intimate connection with the work through access to the experience of the maker. The
organisers of the site festival encourage participating artists to explore this potential. Open Studios, by pulling the object back in
Seven, John Street Open Studios Matt Curtis painting, photograph by Nigel Noyes; Helen Kincaid painting; Ralph Macartney Installation; John Street Open Studios Jamila Lamrani, installation;
'The line between art and life should be kept as fluid, and perhaps indistinct, as possible' (Kaprow, 1966, p188)
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to the context of it’s making, makes explicit the way that the practice becomes part of the content of the work and opens up a
dialogue about meaning. The studios, shaped by distinctive practices and reflecting something of the occupants personalities, are
all different, and yet they are all familiar, human spaces, animated by the presence of the artist. They have evolved on a human
scale, everything within reach. They each have tools in common, and a kind of order, linked to action and purpose. There are
models, experiments, waste materials, all the detritus of making. There are images and objects that represent reference points for
the work, and, always, a radio. But more than these things, they share a sense of intimate introspection. The artists have gathered
this space around themselves to facilitate reverie as well as production.
The artist-led nature of the exhibitions and events compound this model. They seem close to home, connected in some way to
their source. Many artists will talk about the integration of art into their lives, so that their experience is not compartmentalised.
However, they often feel a disjunction at the point when the work leaves them and takes its place in the gallery. For some artists
exhibiting means simply handing over the work. Not only do they lose control of its presentation, but the work becomes
detached from the context that was essential to its invention. Without a dialogue with their audience there seems to be a void.
Exhibiting, communicating and selling the work, so vital to artists, can actually sit outside of the ongoing process in which they are
engaged. It is easy, in the void described above, to underestimate the ability of the audience to trace something of the process in
the work, to feel vicariously through the work something of the artists experience. Surely some part of the thinking and dreaming,
the looking, the drawing and the careful making, some part of the workshop and actually, of the lived experience of the artist
adheres to the work. Surely this all becomes the secret content of the work, and perhaps it is this, beyond any other quality that
lies behind the powerful and enduring appeal of things made by an individual hand, out of an individual imagination.
The site festival, crucially, facilitates a dialogue, between artists, between artists and audience, between the work and its
location. The ‘work’, seen in the site festival context, is recognised as a mere resting point in an endless process of making that is
indivisible from the maker, the making space and the wider world of it’s making.
by Paul Harper, writer and researcher
Bourriaud, N. (1998) Esthétique Relationnelle (Dijon, Presses du reel) Translation by Simon Pleasance and Fronza Woods
Danto, A. (1981) The Transformation of the Commonplace: a philosophy of art (Cambridge MA and London, Harvard University Press)
Dewey, J. (1934) Art as Experience (New York, Pedigree Books)
Needleman, C. (1979) The Work of Craft: an inquiry into craft and the nature of craftsmanship
Raushenburg, R. (1959) ‘Untitled Statement’ in Dorothy C. Miller (ed) Sixteen Americans (New York, Moma)
Kaprow, A. (1966) Assemblages, Environments and Happenings (New York, Harry N. Abrahams) 05
Sennett, R. (2008) The Craftsman (London, Allan Lane)
Site09 Darbyshire Award: Emily Smith Installation, photograph by Nigel Noyes; The Clearing, Colin Glen Installation; Seven, Matt Curtis painting; Open Studios exhibition Alison Cockcroft, sculpture
exhibitions
Site09 Darbyshire award The Clearing Seven
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06
exhibitions
Open Studios exhibition Kate Loveday Painting; Site09 Contemporary Drawing exhibition Fionna Hesketh drawing; The Seven Coats Project Sally Hampson textiles
Open Studios exhibition Site09 Contemporary Drawing The Seven Poets' Coats' Project
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exhibitions
Sketching in the Air artNucleus photograph; Quercus: Aimee Lax sculpture; Anna Usbourne drawing; Ann-Margreth Bohl stonecarving
exhibitions
Sketching in the Air Quercus: Beyond the Verge. Tray
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Saturday 13th-Sunday 14th June Saturday 13th-Sunday 14th June 30th May-30th June
Saturday 20th-Sunday 21st June Saturday 20th-Sunday 21st June Stroud Valleys Artspace,
11am-6pm 11am-6pm 4 John Street, Stroud GL5 2HA
■ Stroud Valleys Artspace, ■ The Courtyard ■ Shop windows in Stroud town centre
4 John Street, Stroud GL5 2HA Stroud Valleys Artspace, ■ www.jackgibbon.co.uk/tray
■ www.artnucleus.org 4 John Street, Stroud GL5 2HA Tray is a month long exhibition of works
A chance to look behind the scenes of a A collaborative response to the rural and by 15 Southwest based artists. All the
two-year (2008–10) residency by urban margins. works in the show incorporate in some
artNucleus (aka Reinhild Beuther & Simon "The verge is both the vertical measure way a 72cm x 86cm x 3cm large old
Ryder) as they work in the Academic & and the horizontal measure, the boundary wooden paper tray. These trays came into
Pathology departments of the North marker and the greensward within, both the artists' hands as the result of a recent
Bristol NHS Trust. 'Sketching in the Air' is spindle of time and stretch of space; both local business premises clearance. The
a work-in-progress exhibition, including woman and man; paper and pen; hesitation trays, made suddenly redundant have been
sketchbooks, proposals and photos that and wickedness." rethought and adapted by the artists and
focus on such diverse subjects as French (Of Memory, Reminiscence and Writing: On are now presented in shop window spaces
soldiers from the Napoleonic wars, DNA the Verge. D. Farell Krell.) left empty in the streets of Stroud.
analysis, deep freezing horsetail ferns and Quercus is Ann-Margreth Bohl, Alison As well as Tray works suspended and
a massive koy carp. The artists will be Cockroft, Aimee Lax, Emily Smith and exhibited in the shop window frontages,
present on all four days to answer any Anna Usborne. the show also includes a space hidden
questions. behind the Trays and boards in the SVA
John street shop space. This space will be
■ used as a gallery / project space / shop for
small artworks using ready-mades and
found objects and will be open during the
Saturdays of the festival and for the Open
Studio weekends. The exhibition will host
a readymade related event on 13th June.
For more details and map visit website.
08 Supported in kind by Andrew Wattons
exhibitions
Tray Rebecca Hiscocks painting; Kevin Storrar painting; Stroud College Arts Academy, On View; Live and Dead Art Rapunzel painting
exhibitions
Stroud College Arts Academy Stroud College Arts Academy in Live and Dead Art
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Wednesday-Friday 9am-5pm 1-2 Kings Street, Stroud, GL5 3BU The Rapunzels are a group of 10 artists
■ Stroud College in Gloucestershire ■ email: on_view@btinternet.com based in Woodchester. They live and work
Stratford Road, Stroud GL5 4AH On View is an artist led initiative that together in an old tumbledown mansion
■ Tel: 01453 763424 recognises the creative opportunities of with a tower. They share meals and
■ www.stroud.ac.uk vacant shop premises. Its aim is twofold, materials as well as thoughts and
Stroud College has a highly successful Art to aid regeneration and provide a high inspiration.
Academy that has been recognised in the street location for artists to create and They have all gravitated to this place,
last three successive inspections as being show work. some arriving and others returning. They
“grade 1” outstanding. It has a diverse The work on view for the whole of June want to live communally and work
range of courses from single days to two is from the Foundation Degree in Creative alongside other creative people.
years; from fine art, to design, music Practice Year 1, at Stroud College. The This is the first time they will be letting
technology, multimedia and more. The course gives students two years of down their long hair and inviting you to
element that unites this whole variety is exploring a range of art and craft see what they’ve been up to.
the quality of the teaching. The staff in the disciplines with the opportunity to go on The exhibition 'Live and Dead Art',
Arts Academy are passionate about their to a final third year at the University of includes interactive installation,
own varied subjects, and totally committed the West of England to make it up to a full performance, jewellery, illustration, fashion
to the idea of Arts education. honours degree. These students are on textiles, photography, fine art and writing.
The students have access to the wide their way to developing a sustainable
range of facilities and workshops at the personal practice rooted in intellectual
college, including; photography darkroom, and practical creativity.
3D workshop, Mac and PC computer
suites, print workshop, crafts workshop,
music and video production suites,
extensive Arts library and purpose built
studios. 09
exhibitions
Thinking about...food Kel Portman photograph; John Street Open Studios Jamila Lamrani installation;
■ ■ ■
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Saturday 13th-Sunday 14th June ■ Stratford Park, Stroud Friday June 12th 8pm
Saturday 20th-Sunday 21st June Saturday 20th June ■ Stroud Valleys Artspace,
■ 11am-6pm 10am-12.30pm, 2pm-4.30pm 4 John Street, Stroud GL5 2HA
Stroud Valleys Artspace, w: walkingtheland.org.uk A short film by Barney and Lucy Heywood
■ 4 John Street, Stroud GL5 2HA ■ Walking the Land artists invite you to join shot in a single static take in an entirely
SVA studio members will be opening their them in making art work that celebrates, fabricated set. With photographs from the
spaces to the public. Visitors will be reflects and responds to the trees in the shoot by Sam Hofman.
encouraged to fully explore the studio tree collection in Stratford Park. As part "I live my whole life in this place. I know
working environment and to engage with of an ongoing study and observation of this town and the forest better than the
artists in conversation. how artists and non-artists value trees, veins on the back of my hand, and yet I am
The studios provide a collaborative Walking the Land offer support in studying feeling, here, I don't belong."
working environment and home for artist the trees, considering their biology, Ernest Samson is trapped by a rare
groups including Quercus, artNucleus, aesthetics and cultural significance and in condition that causes him to speak in a
Studio Seven and Unit 4. identifying what it is about them that foreign accent. Alienated by his fellow
Jamila Lamrani, a Moroccan-based artist resonates with us. elderly residents, he finds the familiar
will in be residence at SVA during the Using these studies you will be landscape of home has been altered and
festival. This project is part of the Inhabit encouraged to complete a piece of work his precious memories corrupted.
International Artists Residency Scheme on the day that can be incorporated into His saviour comes in the unlikely form
funded by the Arts Council. Jamila Lamrani a temporary ‘Tree Gallery in the Park’. of Amir, a young Muslim care worker who
makes installations and sculptures which In addition, a selection of the resulting reveals an unexpected affinity with
explore the tensions and textures of artworks will form an exhibition to be Ernest’s situation and offers him a key to
materials to reveal relationships between arranged later in the year and also feature the peace he so desires.
symmetry and dissymmetry, balance and on Walking the Land’s website eGallery The End is about home, limbo and
imbalance, the laws of gravitation and Participants will need to bring their self discovery.
upward attraction. own choice of materials, cameras and £4.00
This is a great opportunity to see what equipment. For booking tel: 01453 751440
takes place at SVA and find out more Free
about the future plans. For booking tel: 01452 812224 &
01453 756064 11
film screenings
Figuring Landscapes the vernacular, takes a boat upstream in 04 Enactment (70 mins)
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Tuesdays throughout June 7.30pm Jaunt; while in Petrolia Emily Richardson Tue 23rd June 7.30pm
■ Stroud Valleys Artspace, uses time lapse techniques to look at the Figures in the landscape: human presence
4 John Street, Stroud GL5 2HA oil industry on the Scottish coast. writes and performs the landscape as
Figuring Landscapes is a remarkable much as the landscape inscribes and enacts
1a collection of moving-image works by 58 1a 02 Encounter (60 mins) 1a human presence. In Margaret Tait’s Portrait
Australian and UK artists. The screenings
■ ■ Tue 9th June 7.30pm ■of Ga, the fragmented impressions of her
focus on landscape to address questions of
■ ■ The political and cultural engagement with ■mother (an elderly Orcadian) form a "film
ecological survival, post-industrialism,
■ ■ place and being on the land are unpacked ■poem". Australian artist Patricia Piccinini
gender, the touristic gaze, and uniquely in
■ ■ and imaginatively reinvigorated in this ■makes immersive computer-generated
Australia, the status of indigenous people screening. The programme includes Ann environments which, in her film Sandman,
in a post-colonial society. Donnelly’s Political Landscape, a video creates a sense of terror as a girl drifts in
Recently shown at Tate Modern, the interpreting Northern Ireland’s conflicted a tempestous ocean.
first screening in the series will be landscape from the perspective of personal
introduced by Figuring Landscapes curator family history, and Vernon Ah Kee’s Cant 05 Anti-Terrain (120 mins)
Steven Ball (British Artists' Film and Video Cant (Wegrewhere) in which the iconic Tue 30th June 7.30pm
Study Collection). surfing beach of white mythology is Landscape is shaped by our relationship to
This is the first in a series of events to reappropriated by Aborginal surfers. it. Custodianship of the land and its
be presented by Mezzanine efficacy transcends a human lifetime. Esther
www.mezz.info 03 Surroundings (70 mins) Johnson's Hinterland plays as a poem to
Tue 16th June 7.30pm the people who inhabit Europe’s fastest
01 Engagement (65 mins) This programme explores the ambiance of eroding coastline. In Semiconductor’s All
Tue 2nd June 7.30pm place as it resonates from the broad scope the Time in the World, the siesmic activity
A selection of films in which landscape is of the horizon to the intimacy of the beneath Northumbria is reanimated to
experienced as a spatial encounter with closely observed. In Shaun Gladwell’s sculpt and bring to life the constantly
specific places, journeying across distance Approach to Mundi Mundi, the sublime shifting geography.
and memory, custom and industry, on land, immensity of the Outback acts as the
on water and through the air. Amongst the backdrop to a black-leather-clad biker. In £3.00 or £12.00 for all five screenings
artists featured is Andrew Kötting who, contrast Mike Marshall’s Days Like These is £12 full colour catalogue
12 with his folklorist's ear for the humour of about the space of an English garden. For booking tel: 01453 751440
film screenings
Thinking Landscape Paul Caffell photography; In the Mind's Eye Carolyn White painting; Joseph Beuys photograph by Cliff Gorman
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Tuesday 23rd June 2am-5.30pm Sunday 7th June 11am and his world view
■ Stroud Valleys Artspace* ■ Stroud Valleys Artspace* Wednesday 17th June 8pm
4 John Street, Stroud GL5 2HA An exploration into the process of healing ■ Stroud Valleys Artspace*
■ 01453 751440 lies at the heart of this talk by artist Cliff Gorman will explore Joseph Beuys’
1a www.sva.org.uk
■ 1a Carolyn White and herbalist and healer, 1a influences and influence. Beuys was one of
■ The landscape genre, in the visual arts, Nathan Hughes. A series of paintings and
■ ■the most important artists in the
■ performance and writing, continues to pastels from 'visualisations' arising out of
■ ■1970/80's. His solo exhibition, 30 years
■ reinvent and extend itself conceptually Nathan's treatment at Ruskin Mill
■ ■ago, at the Guggenheim Museum in New
■ into agendas around space, place and Apothecary heralds a new creative
■ ■York, created such a furore that patrons
identity. It is developing ever-more landscape for Carolyn White. swarmed the sales desk demanding their
complex, cross-disciplinary methodologies, £3 For bookings tel: 01453 751440 money back, after seeing what they
in the wider context of sustainability and considered fraudulent art. At the same
climate change. This seminar will explore time in Germany 'Der Spiegel’s' cover was
some of the emerging contours, layers and devoted to a picture of Beuys (a rare
boundaries of the field, focusing on the occurrence for a living artist) that led with
thinking, approaches and work of local the question: "Beuys, charlatan or genius?"
artists, writers and arts groups, in advance Today his ideas still have the power to
of a major symposium on landscape create waves. Beuys was a founder
planned for Stroud, in October. A member of the German Green Party, an
collaboration between PhotoStroud, SVA environmental artist and campaigner. His
and Stroud College in Gloucestershire, the statement 'Everyone is an Artist'
seminar builds on new initatives in the encapsulates the importance he gave to
Stroud Valleys and precedes one of the art. He wanted to expand the very notion
‘Figuring Landscapes’ evening screenings of art and considered his teaching as his
presented by Mezzanine for site09 most important art. Beuys studied the
£6/£4 (c) limited places. works of Rudolf Steiner. Some argue that
Includes light refreshments all his art was influenced by Steiner.
For bookings tel: 01453 824212 £3 For bookings tel: 01453 751440
email: info@photostroud.co.uk 13
performance
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performance
John Hegley; The Blessing; Johnny Quiz; Jade Hamzelou
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■ ■ ■
Saturday 13th June 10pm Thursday 11th June 8pm Saturday 20th June 9pm-3am
■ Stroud Valleys Artspace* ■ Stroud Valleys Artspace* ■ Stroud Valleys Artspace*
Punk-jazz in the Acoustic Ladyland vein Jade has a sublime collection of songs, Real life weight sound system with DJ
from musicians who have played with both written and peformed by her. She presenters Jah Messengers from
Portishead, Super Furry Animals and Roni feels the harp is so much more than a Gloucester. Spiritual music with a reggae
Size. Their debut album 'All is Yes' won the lyrical instrument; using mediaeval and stepper dub warrior. Featuring djs:
coveted BBC Jazz Album of the Year last techniques with fingernails she transforms Kulchalee Slector and Mic Chanter, Slector
year and they went on to perform the harp into a rhythmic and percussive Mighty BT and Ras head Slector and Mic
triumphant sets at Glastonbury and the instrument. Jade started working with Chanter. £4.00 or £3.00 before 10pm
Big Chill. Graeme Owen, on double bass which has Tickets are available on the door entry
Mixing hard edged bass riffs, blasting proved to be a very good match, both of
horns, electronic trickery with massive instruments and styles. Working with ■ Disco Sucks
drumming. An explosion of jazz from double bass gives a strong groove to Saturday 27th June 9pm-3am
musicians of inarguable rock pedigree, all the harp. ■ Stroud Valleys Artspace*
wrapped up in a rather unusual sense of £3.50 The Disco Sucks crew return, having
humour. Their amazing new album ‘Bugs in Tickets are available on the door scoured the region's charity shops and
the Amber’ has just been released and car boot sales for any records with
available to buy at the festival. ■ Johnny Quiz spaceships, muscular bearded men,
'The grooves make your spine tingle' Thursday 18th June 8pm stonewash denim on the cover.
Guardian ■ Stroud Valleys Artspace* Uninhibited by notions of good taste,
£8.00/£6.50 (c) Question one: "what do you get when you they'll be playing disco, funk, early house
Tickets are available from Kanes records mix a variety show with daytime TV and and other strange delights on the
or tel: 01453 751440 get to fight with all the useless knowledge legendary Black Box sound system.
you can muster?" With adult themes, hand Deejays on the night to include Tim
puppets, live music and homemade special Telling, Stroud Disco Council and DJ Dino.
effects, Jonny Quiz and a host of Heavy facial hair is optional but
characters redefine the pub quiz. encouraged.
£1.00 £5.00 or £4.00 before 10pm
Tickets are available on the door Tickets are available on the door 15
performance
The Cholmondeley Ladies circa 1600-10 Hut; Alias seminar art radio 2007 Vernon and Burns;
10 years of Alias
This year Alias celabrates it's 10 year information and giving advice. opening up The 2003 Shed Summit, organised by
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aniversary and to mark this event it the possibility of generating reciprocal Annabel Other, took place at Welcombe
is inviting artists to participate in a projects, promoting collaborations and Barton, home of the Yarner Trust, a
series of programmed activities. cross-fertilisation of artists practice across medieval farmhouse in Devon. This three-
The Artist Led Initiative Advisory the county and creating further day event celebrated the shed in all its
Service is run by artists for artists. opportunities to network. forms with experts from the length and
Alias seminars are at the heart of it's breadth of the country and examples of
Alias has worked with over 130 groups activities providing opportunities for shed building from across the globe. There
from across the South West region during networking and collaboration. The was expert building advice for shed virgins
the past 10 years. Groups advised by Alias programme of seminars is organised each and the ribboned silver cup up for grabs
vary widely in the nature of their practice year by artists involved in the scheme in for shed excellence.
and structure. The process by which a direct response to the needs of artists.
group describes itself can help the group There have been over 40 Alias seminars ■ Alias Celebratory Events
to define achievable objectives. which have taken place over the last 10 w Alias 24 hour studio
Alias advisory service draws upon a pool years across the South West region. Two 19th June 8pm-20th June 8pm
of knowledge and experience already examples of these seminars are Creative 24 hour studio is a an inclusive event,
existing in the community of artists in the Footprints and Shed Summit. intended to allow contributions from all
South West. It is vital that Alias contacts SVA in Stroud, worked with many kinds of artists and groups whatever their
are also artists, as, whatever the needs of artists groups to host some of these practice. 24 hour studio will take place in
a group are, the emphasis is always on the events. Creative Footprints, which was various locations across the South West
development of a creative practice, in organised in 2008 in partnership with the region. The programme might include a
terms of quality and integrity. Alias is Last Gallery. With ecology increasingly conventional gallery or studio space or it
unique in providing a flexible, open-ended taking central stage in all areas of life this might be a virtual space, a website,
and bespoke relationship lasting for seminar focussed on re-examining the arts fictional space, front room, bus stop,
sustained lengths of time. ‘footprint'.The discussions outlined areas potting shed or pub. The invitation to
Alias contacts work with a group not of research and practice with speakers, contribute to 24 hour studio has been
in order to achieve predetermined including Shelley Sacks from the Social extended to everyone who has worked
outcomes, but so that they might enter Sculpture Research Unit, providing artistic within Alias, as a collective celebration of
into a dialogue with other artists. This and theoretical perspectives on this it's diversity and depth.
16 dialogue may include passing on burgeoning area of interest.
aAl Li aI A
s S
ALIAS
Alias seminar 2003 Shed Summit Tommy Angel; Mothshadowmovie Louise Short; Mona Lisa Annabel Other; Alias Art Camp Westley Farm; 145Collectiveatwindows204 bristol
Alias Art Camp improbable propositions, the scultural aim of the series has been to foster a
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■
Friday 26th - Sunday 28th June object and the mechanics of an unknown supportive critical community of makers,
■ Westley Farm Chalford GL6 8HP purpose. Teams should be a maximum of to develop a positive forum for
■ Stroud Valleys Artspace, eight people. Fantastic prizes. The evening practitioners to engage with current
4 John Street, Stroud GL5 2HA will be interdispersed with refreshment debates in the crafts and to explore ways
To mark the 10 year aniversary of Alias a 1a and light musical entertainment. 1a in which theory could be more closely
celabration has been planned. Coordinated ■ ■informed by practice. This year we will be
by Annabel Other, Louise Short, Neil ■ Alias Art Camp ■building on the foundations laid by the
Walker, SVA and Art Quercus,. The ■ Saturday 27th June ■series so far and expand the dialogue
residential weekend will take in a breadth ■ Westley Farm ■beyond the forum. With this aspiration in
of activity including walks, interventions, This days programme will include: mind practice and reflection will be
presentations and club nights. The art Culturalnental Breakfast holding a pub discussion, with real ale, in
camp will be based at Westley Farm, an 80 Art Quercus walk Hega's Hut, Westley Farm. Led by Russell
acre hill farm set in a rich tapestry of Carrot Carving competition, judged by Martin, Helen Carnac
green rolling hills in the Cotswolds and resident donkeys Teddy and Chester
classified as "an area of outstanding natural Tin can pinhole camera photo doc ■ Culturalnental Breakfast
beauty". Halcyon Cafe running buffet Sunday 28th June
The weekend programme of activities is Trial Pit Cinema movie house featuring ■ Westley Farm
split over two sites and kicks off with 'reconstruction artwork' Continental breakfast, Sunday morning
an Art Quiz at SVA. Combovertoes Cocktail Bar artspeak and prize giving.
Practice and Reflection presentation and
■ The Cabinet of Curosities Pub Quiz group discussion. Price £15.00 per person includes
Friday 26th June Mothshadowmovie two nights camping and breakfast.
■ Stroud Valleys Artspace, Disco Sucks club night, SVA john Street For more information on posh
Join us for the ultimate pub quiz! After the camping and holiday cottages visit:
tour of the contemporary pub quiz ■ Practice and Reflection www.westleyfarm.co.uk
compere Louis Short has devised a weird Saturday 27th June Booking essential as places are limited.
and wonderful quiz especially for Alias. ■ Westley Farm email: admin@aliasarts.org
This event is for everyone with an interest The Alias practice and reflection seminar
in mystifying curios, kitsch artefacts, series has been running since 2003. The w w w. a l i a s a r t s . o r g 17
alias
Tray
site09
site09
Horsley Woods, Paul Caffell
Thinking Landscape
Tuesday 23rd June,
2.00-5.30pm
Stroud Valleys Artspace
4 John Street, Stroud. GL5 2HA
t: 01453 824212
e: info@photostroud.co.uk
01453 549133
admin@kingshillhouse.org.uk
www.kingshillhouse.org.uk
site09
BEE INSPIRED
The Global Bee Project
A new figure
has been created in Stroud
THE BEE GUARDIAN
site09
thinking of Trees...
Stratford Park, Stroud
20th June from 10:00-12:30 & 14:00-16:30
Join with Walking the Land artists to make art-
work that celebrates and responds to the trees
in our local landscape and greenspaces.
thinking of Food...
The Old Passage Inn, Arlingham
1st - 30th June. from 11:00 (closed Mondays)
t: 01452 740547
e: oldpassage@ukonline.co.uk
Walking the Land join with The Old Passage
to select works by painters, printmakers,
sculptors and photographers whose artwork
examines and celebrates the delight of food.
• Special Old Passsage ‘Artists’ menu available
River Severn ArtWalk
guided, creative walks with Walking the Land
6th, 13th & 27th June
These morning ‘ArtWalks’ of around 5 Km
along the magnificent River Severn start from
The Old Passage Inn. As you photograph and
sketch, our artists will offer creative guidance
about subject choice, technique and process.
£7:50 per person. Booking essential
21
ADELE LAMBERT
ANDY LOVELL
ANGELA CASH
C L A I R E N AY E G O N
JANE GARBETT
JENNIFER SHONK
site09
JOANNE CASLING
opening night
Friday 12 June 5-7pm JOHANNES STEUCK
June 13 & 14, 20 & 21 MARK KELLAND
11am–6pm
PRINTMAKING/PAINTING
Springhill Cohousing (ABSTRACTION/LANDSCAPE)
Uplands Stroud S TA I N E D G L A S S / T E X T I L E S
GL5 1TN
01453 758731 t 07900 606234
www.springhillart.com www.artinpainswick.com
23
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map information
Birmingham
Exhibition locations are marked and numbered on the maps. However it is advisable to use more
detailed maps of the town and district which are available from Tourist Information or www.multimap.
M5 com
Cheltenham
Gloucester
Cirencester
Stroud
Swindon
Gloucester Forest of Dean Cheltenham
B4070
Bristol M4
The Midlands South Wales A46
Cardiff
A38
Bath
Arlingham A4173
M5
14
site06
B4071
12
route 02 Painswick
Valley & Vale
15
B4008
Valley
A46
B4060 Bath
Bristol South West B4058
A4135
25 25
information
festival calendar Date Title Location map key
30th May-14th June site09 Contemporary Drawing exhibition exhibition Ruskin Mill 12
31st May Daniel Padden and Sarah Kenchington performance SVA 1
30th May-30th June Tray exhibition SVA and shop windows 1
1st-30th June Open Studios exhibition exhibition Subscription Rooms 4
Seven exhibition Stroud House 7
The Seven Coats Project exhibition 33 High Street 8
Tray exhibition SVA and shop windows 1
Stroud College Arts Academy exhibition 1-2 Kings Street 3
Global Bee Project exhibition 4 Kendrick Street 9
Art and Craft exhibition exhibition Kingshill House 13
Special members exhibition exhibition Guild Gallery 15
Yola Quinn exhibition Kendrick Street Gallery 5
site09
calendar
further information S VA
disability access
It is advisable to ring venues before you visit to check disability access
website
Visit the site festival website : www.sitefestival.org.uk
For more info on SVA visit www.sva.org.uk
more information
For more free site09 programmes, open studio directories, free town
and district maps, accommodation and places to eat contact:
Tourist Information
Subscription Rooms, George Street, Stroud, Gloucestershire GL5 1AE
tel: 01453 760960
or
Site09, Stroud Valleys Artspace
John Street, Stroud, Gloucestershire GL5 2HA
tel: 01453 751440
email: site@sva.org.uk
editorial
logistics Jo Leahy, Neil Walker, Peter Shaw liability
design SVA © The organisers of site09 festival cannot accept liability for any loss, damage or injury sustained
design template Chris Bailey © by any member of the public visiting any site08 open studios, events or exhibitions.
cover image Aimee Lax
publisher SVA ©2008
site09
1s t - 3 0 t h j u n e
site09 festival artist’s open studios*
weekend one: 13th-14th june 11.00am - 6.00pm
weekend two: 20st-21st june 11.00am - 6.00pm
free guide artists studios are also open at other times in the week: please ring artists
s t ro u d v a l l ey s o p e n s t u d i o s d i rec to r y
weekend one: 1 3 t h - 1 4 t h j u n e weekend two: 2 0 t h - 2 1 s t j u n e directly to check individual opening times
* pick up the separate site09 open studios directory for further site festival information