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site09

www.sitefestival.org.uk

cover image: Colin Glen Scribble 11 closeup design template: Chris J Bailey ©2008 design: SVA ©2009
site09
1s t - 3 0 t h j u n e
a festival of ar tist led projects
in stroud gloucestershire

festival programme
welcome to site09
This site festival now in its13th year, presents the work of over 300 local artists in 83 sites across the Stroud Valleys during the
whole month of June. The site festival creates a platform for artists and artist collectives to show new work, to initiate new
projects, and work collaboratively with other artists. Stroud Valleys Artspace (SVA), the festival host organisation, will be
opening its doors to invite you to a month long programme of exhibitions, open studios, film screenings, talks and performance.
site09 is working in partnership with Alias, which is celebrating its 10 year anniversary to a programme of activities.
This years site09darbyshire award exhibition at the Museum in the Park has been selected by Tom Trevor, director of the
Arnolfini and will feature contemporary artists from across the UK. Another highlight of the festival is the film screening
programme, 'Figuring Landscapes' which is a remarkable collection of moving-image works by 58 Australian and UK artists.
site09

The screening, presented by Mezzanine, focuses on landscape to address questions of ecological survival, post-industrialism,
gender, the touristic gaze, and uniquely in Australia, the status of indigenous people in a post-colonial society.
site09 makes international connections as we welcome Jamila Lamrani, a Moroccan-based artist to SVA’s studios as part of the
Arts Council England ‘ Inhabit’ artist residency scheme. Sally Hampson will be showing 'The Seven Poets' Coats' project, inspired
by pre-Islamic Arabic poetry, an ongoing site-specific project, previously shown in Qatar, Egypt and Morocco.
This year SVA is working with local businesses by making creative use of empty shops in Stroud for exhibitions and workshops.
Amongst these will be ‘Seven’ an exhibition by Unit 4 Studio group, at Stroud House and ‘Tray’ a shop window exhibition trail,
starting from SVA, John Street, of South West based artists work. An intriguing connection will be engendered between two
contrasting places; a gallery space in a busy residential part of Stroud and a woodland glade in the Forest of Dean Sculpture
Park, through Colin Glen’s project ‘The Clearing’.
One of the best things about the festival is the opportunity to meet artists living and working in the Stroud Valleys and get to
know their work. There will be two weekends of Open Studios with 116 artists inviting you to see their work within their
working environment, buy directly from them and to talk about their practice. Pick up the Open Studios Directory for all the
information you need to plan your studio visits. SVA is linked to Alias, a network of South West based artist-led groups, many of
whom will be opening their doors to the public as part of a regional 24hr open studios event.
site09 also brings you an eclectic mix of performance nights ranging from experimental music with Sarah Kenchington and
Daniel Padden, performance poetry from festival favorite John Hegley and punk jazz from The Blessing whose debut album
'All is Yes' won the coveted BBC Jazz Album of the Year last year.

We hope you enjoy the festival and will let us know that by coming back again next year.

editorial
logistics Jo Leahy, Neil Walker
design SVA ©
design template Chris Bailey ©
cover image Colin Glen
www.sva.org.uk publisher SVA ©2009

www.sitefestival.org.uk Figuring Landscapes Stroud Valleys Artspace:

Image by Shaun Gladwell


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contents
introductory essay p06
exhibitions p08
exhibitions and events p10
film screenings p12
talks and discussion p13
performance p14
alias events p16
exhibition and events adverts p18
maps p24
calendar p26
further information p27
Open Studios Henri Kyriacou drawing; Open Studios Exhibition Angela Findlay photograph; John Street Open Studios Jamila Lamrani, installation;

'Painting relates to both art and life… (I try to work in that gap between the two)' (Rauschenberg, 1959, p58)
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When I first moved to Stroud three years ago I was aware that there were a lot of artists here and that the area had historical
associations with the Arts and Crafts Movement. I have subsequently come to recognise that the town is, at least partly, defined
by its artists. Certainly, art plays a considerable role in the life of the town: there is an unusual amount of activity, the exhibitions,
screenings etc. that run throughout the year, with SVA as a vital focus and the site09 festival as a celebratory high point. But there
is something else that is perhaps more significant, which is the role that artists play in the life of the town. I seem to encounter
artists everywhere, at the school gates, in the local shops, generally going about their everyday business, but also actively
participating in the community, contributing, lending a hand in one way or another.
Art theorists have long sanctioned a dialogue between art and the everyday. In the 60's Arthur Danto looked at Warhol’s
'Brillo Boxes' and concerned himself with identifying the difference between art and other kinds of things and the ‘transfiguration of
the commonplace’ through art. More recently, Nicolas Bourriaud has proposed a ‘Relational Aesthetics’, an aesthetic theory in
which artworks are judged ‘in terms of the inter-human relations which they show, produce, or give rise to’ (Bourriaud 1998, p117).
However, in all these theories art and the everyday remain conceived as a polarized duality.
Living here in Stroud, amongst so many artists, it becomes easier to see art not only as a specialized set of activities and a
category of objects that stand outside of normal experience, but as a mode of being. For many artists a sense of integration, in
which their practice does not take place in Rauschenburg’s gap, or even Kaplow’s fluid line, but is rather continuous with all other
aspects of their selves, is a central issue. Talking about her practice as a potter Carla Needleman said “A craft is not its objects; a
craft is how I am when I am making them (and eventually, one would dearly hope, how I am the rest of the time, as a result of what has
been transformed in me through craftsmanship). The objects of the craft are by-products, very essential by-products, of the way I work.”
(Needleman, 1979, p.123)
This reframes Danto’s notion of ‘transfiguration’ and suggests that creative work, leading to a transformation in the artist, has
a positive effect beyond the artist themselves. It suggests a continuity of experience in which art becomes “prefigured in the very
processes of living” (Dewey, 1934, p.24). This is an idea that has a powerful resonance with Stroud’s links with the Arts and Crafts
movement, and it is one that has recently been reiterated by Richard Sennett in his book 'The Craftsman', where he argues that
‘the capacities our bodies have to shape physical things are the same capacities we draw on in social relations.' (Sennett, 2008)
site09 reflects this vital context. It is often the case that exhibitions, concerned with selling or with curating artefacts, detach
the work from the practice and emphasise qualities that make more sense within the gallery culture. It is a common criticism of
open studios events that participating artists feel compelled to use the occasion to give their studios a good clear out and to
‘curate' or present their work in a pristine, gallery-like setting, whilst visitors come to gain some insight through access to the
04 working space, to make some more intimate connection with the work through access to the experience of the maker. The
organisers of the site festival encourage participating artists to explore this potential. Open Studios, by pulling the object back in
Seven, John Street Open Studios Matt Curtis painting, photograph by Nigel Noyes; Helen Kincaid painting; Ralph Macartney Installation; John Street Open Studios Jamila Lamrani, installation;

'The line between art and life should be kept as fluid, and perhaps indistinct, as possible' (Kaprow, 1966, p188)

site09
to the context of it’s making, makes explicit the way that the practice becomes part of the content of the work and opens up a
dialogue about meaning. The studios, shaped by distinctive practices and reflecting something of the occupants personalities, are
all different, and yet they are all familiar, human spaces, animated by the presence of the artist. They have evolved on a human
scale, everything within reach. They each have tools in common, and a kind of order, linked to action and purpose. There are
models, experiments, waste materials, all the detritus of making. There are images and objects that represent reference points for
the work, and, always, a radio. But more than these things, they share a sense of intimate introspection. The artists have gathered
this space around themselves to facilitate reverie as well as production.
The artist-led nature of the exhibitions and events compound this model. They seem close to home, connected in some way to
their source. Many artists will talk about the integration of art into their lives, so that their experience is not compartmentalised.
However, they often feel a disjunction at the point when the work leaves them and takes its place in the gallery. For some artists
exhibiting means simply handing over the work. Not only do they lose control of its presentation, but the work becomes
detached from the context that was essential to its invention. Without a dialogue with their audience there seems to be a void.
Exhibiting, communicating and selling the work, so vital to artists, can actually sit outside of the ongoing process in which they are
engaged. It is easy, in the void described above, to underestimate the ability of the audience to trace something of the process in
the work, to feel vicariously through the work something of the artists experience. Surely some part of the thinking and dreaming,
the looking, the drawing and the careful making, some part of the workshop and actually, of the lived experience of the artist
adheres to the work. Surely this all becomes the secret content of the work, and perhaps it is this, beyond any other quality that
lies behind the powerful and enduring appeal of things made by an individual hand, out of an individual imagination.
The site festival, crucially, facilitates a dialogue, between artists, between artists and audience, between the work and its
location. The ‘work’, seen in the site festival context, is recognised as a mere resting point in an endless process of making that is
indivisible from the maker, the making space and the wider world of it’s making.
by Paul Harper, writer and researcher

Bourriaud, N. (1998) Esthétique Relationnelle (Dijon, Presses du reel) Translation by Simon Pleasance and Fronza Woods
Danto, A. (1981) The Transformation of the Commonplace: a philosophy of art (Cambridge MA and London, Harvard University Press)
Dewey, J. (1934) Art as Experience (New York, Pedigree Books)
Needleman, C. (1979) The Work of Craft: an inquiry into craft and the nature of craftsmanship
Raushenburg, R. (1959) ‘Untitled Statement’ in Dorothy C. Miller (ed) Sixteen Americans (New York, Moma)
Kaprow, A. (1966) Assemblages, Environments and Happenings (New York, Harry N. Abrahams) 05
Sennett, R. (2008) The Craftsman (London, Allan Lane)
Site09 Darbyshire Award: Emily Smith Installation, photograph by Nigel Noyes; The Clearing, Colin Glen Installation; Seven, Matt Curtis painting; Open Studios exhibition Alison Cockcroft, sculpture

exhibitions
Site09 Darbyshire award The Clearing Seven
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6th-30th June 3rd-27th June 1st-30th June


Tuesday-Friday 10am-5pm Wednesday-Saturday 10am-5pm Wed - Sat 11am to 5pm
Saturday & Sunday 11am-5pm ■ No.1 Middle Street, Stroud, GL5 1DZ or by appointment
■ The Museum in the Park Forest of Dean Sculpture Trust ■ Stroud House, Station Road,
Stratford Park, Stroud GL5 4AF Beechenhurst Lodge, Coleford Stroud, GL5 2HH
■ tel: 01453 763394 ■ www.jelf.com ■ www.unit4studio.com
■ www.stroud.gov.uk/museum ■ www.forestofdean-sculpture.org.uk This year Unit 4 Studio artists create a
The site09 darbyshire award exhibition Colin Glen’s new work for Jelf Projects will show of individual and collaborative
will present selected work from an open engender an intriguing connection artworks in the recently vacated Stroud
submission by UK based contemporary between two contrasting places; a gallery House Gallery space. The Unit 4 artists
artists shortlisted by Tom Trevor, director space in a busy residential part of Stroud - are Helen Kinkaid (Painter), Matt Curtis
of the Arnolfini in Bristol. At the heart of the ultimate symbol of the cultured, built (Painter), Ralph Macartney (Sound, video
Bristol's harbourside, Arnolfini is one of environment - and the eerie stillness of a and drawing), Mat Moran (Mixed media
Europe's leading centres for the woodland glade in the Forest of Dean graphics), Dan Sparkes (Mixed media
contemporary arts. Sculpture Park. A skeletal construction in graphics), Nadine Faye James (Illustrator)
Tom Trevor will select one of the exhibiting whitened timber framework, recreating and Genevieve Frosch (Photographer/
artists for the darbyshire award. Darbyshire the internal dimensions of the gallery Painter).
Framers are offering a prize of framing space, will be placed in a clearing in the The new home of the Unit 4 Studio is
services to the winner and SVA will also host Forest whilst on the walls of the space will in the front building of Stroud Valleys
a solo exhibition of the selected artist at John hang photographs of views from the Artspace.The studio environment is a
Street, Stroud in the following spring. sculpture out into the surrounding fertile creative hub, which allows the
Darbyshire Framers is a leading framer woodland. The work is intended to act as coming together of a diverse range of
and art fabricator in the contemporary art the starting point for a series of discussion studio practices encouraging unique and
world and has attracted a range of high- events as part of Glen’s ongoing ‘in exciting collaborations.
profile artists to commercial and public negotiation’ project which encourages Supported in kind by Griffiths Clark.
galleries such as Gagosian and White Cube opinion, conversation and conflict as an
Galleries essential element of critical process.

06

exhibitions
Open Studios exhibition Kate Loveday Painting; Site09 Contemporary Drawing exhibition Fionna Hesketh drawing; The Seven Coats Project Sally Hampson textiles

Open Studios exhibition Site09 Contemporary Drawing The Seven Poets' Coats' Project

site09
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1st-30th June exhibition 1st-30th June


Monday-Saturday 10am-5pm 30th May-14th June Fridays and Saturdays 10am-6pm
Sundays 14th and 21st June 12-4pm Daily 10am-5pm Sundays 14th and 21st June 12-4pm
■ The Subscription Rooms, ■ Ruskin Mill ■ 33 High Street, Stroud
George Street, Stroud GL5 1AE Old Bristol Road, Nailsworth GL6 OLA International artist Sally Hampson will be
■ tel: 01453 760999 ■ tel: 01453 837537 showing 'The Seven Poets' Coats' project,
■ www.stroud.gov.uk ■ www.rmet.co.uk an ongoing site-specific project, previously
The Open Studios exhibition brings This year’s site09 contemporary drawing shown in Qatar, Egypt and Morocco.
together the artists inviting you into their show is curated by Noela Bewry, Sue Rae Inspired by pre-Islamic Arabic poetry of
homes, studios and workshops around and Maggie Shaw. the sixth and seventh centuries, this
Stroud giving an overview of the exciting In keeping with an emerging tradition project explores a collection of poems
art on offer. It is the perfect opportunity within the festival, the show provides an known as the Mu'allaqat, or 'suspended
to plan a route around the valleys so you opportunity to see the drawing practice of poems'. Through colour, texture and
don’t have to miss a thing. New for this a group of artists who work in various fragments of script, the poets and their
year is the public vote where you can disciplines such as sculpture, jewellery, poems are brought back from the desert
support your favourite artists and show ceramics, textiles and painting for a brief glimpse, summoning them into
your support for the art in Stroud. A the present. Sally has worked on projects
perfect way to start and end your tour of in Egypt and Sinai with Bedouin women,
Stroud’s varied and inspired art which has taken her out into remote parts
community. of the desert and more recently to
Ethiopia and Kenya. The richness of these
cultures continues to inspire and influence
her work. Combining these journeys with
research and collaboration with the
anthropologist and explorer Kitty Lake,
the resulting collections have previously
been shown at both the Pitt Rivers and
Horniman Museums.
Supported in kind by Trevor Barnes 07

exhibitions
Sketching in the Air artNucleus photograph; Quercus: Aimee Lax sculpture; Anna Usbourne drawing; Ann-Margreth Bohl stonecarving

exhibitions
Sketching in the Air Quercus: Beyond the Verge. Tray
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Saturday 13th-Sunday 14th June Saturday 13th-Sunday 14th June 30th May-30th June
Saturday 20th-Sunday 21st June Saturday 20th-Sunday 21st June Stroud Valleys Artspace,
11am-6pm 11am-6pm 4 John Street, Stroud GL5 2HA
■ Stroud Valleys Artspace, ■ The Courtyard ■ Shop windows in Stroud town centre
4 John Street, Stroud GL5 2HA Stroud Valleys Artspace, ■ www.jackgibbon.co.uk/tray
■ www.artnucleus.org 4 John Street, Stroud GL5 2HA Tray is a month long exhibition of works
A chance to look behind the scenes of a A collaborative response to the rural and by 15 Southwest based artists. All the
two-year (2008–10) residency by urban margins. works in the show incorporate in some
artNucleus (aka Reinhild Beuther & Simon "The verge is both the vertical measure way a 72cm x 86cm x 3cm large old
Ryder) as they work in the Academic & and the horizontal measure, the boundary wooden paper tray. These trays came into
Pathology departments of the North marker and the greensward within, both the artists' hands as the result of a recent
Bristol NHS Trust. 'Sketching in the Air' is spindle of time and stretch of space; both local business premises clearance. The
a work-in-progress exhibition, including woman and man; paper and pen; hesitation trays, made suddenly redundant have been
sketchbooks, proposals and photos that and wickedness." rethought and adapted by the artists and
focus on such diverse subjects as French (Of Memory, Reminiscence and Writing: On are now presented in shop window spaces
soldiers from the Napoleonic wars, DNA the Verge. D. Farell Krell.) left empty in the streets of Stroud.
analysis, deep freezing horsetail ferns and Quercus is Ann-Margreth Bohl, Alison As well as Tray works suspended and
a massive koy carp. The artists will be Cockroft, Aimee Lax, Emily Smith and exhibited in the shop window frontages,
present on all four days to answer any Anna Usborne. the show also includes a space hidden
questions. behind the Trays and boards in the SVA
John street shop space. This space will be
■ used as a gallery / project space / shop for
small artworks using ready-mades and
found objects and will be open during the
Saturdays of the festival and for the Open
Studio weekends. The exhibition will host
a readymade related event on 13th June.
For more details and map visit website.
08 Supported in kind by Andrew Wattons

exhibitions
Tray Rebecca Hiscocks painting; Kevin Storrar painting; Stroud College Arts Academy, On View; Live and Dead Art Rapunzel painting

exhibitions
Stroud College Arts Academy Stroud College Arts Academy in Live and Dead Art

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6th-12th June association with 'On View' 13th-21st June


Monday-Friday 9am-5pm ■ 1st-30th June Daily 1pm-6pm
Saturday 10am-4pm Daily Tower House
24th-26th June ■ Old Woolworths ■ South Woodchester, Stroud, GL5 5NZ

Wednesday-Friday 9am-5pm 1-2 Kings Street, Stroud, GL5 3BU The Rapunzels are a group of 10 artists
■ Stroud College in Gloucestershire ■ email: on_view@btinternet.com based in Woodchester. They live and work
Stratford Road, Stroud GL5 4AH On View is an artist led initiative that together in an old tumbledown mansion
■ Tel: 01453 763424 recognises the creative opportunities of with a tower. They share meals and
■ www.stroud.ac.uk vacant shop premises. Its aim is twofold, materials as well as thoughts and
Stroud College has a highly successful Art to aid regeneration and provide a high inspiration.
Academy that has been recognised in the street location for artists to create and They have all gravitated to this place,
last three successive inspections as being show work. some arriving and others returning. They
“grade 1” outstanding. It has a diverse The work on view for the whole of June want to live communally and work
range of courses from single days to two is from the Foundation Degree in Creative alongside other creative people.
years; from fine art, to design, music Practice Year 1, at Stroud College. The This is the first time they will be letting
technology, multimedia and more. The course gives students two years of down their long hair and inviting you to
element that unites this whole variety is exploring a range of art and craft see what they’ve been up to.
the quality of the teaching. The staff in the disciplines with the opportunity to go on The exhibition 'Live and Dead Art',
Arts Academy are passionate about their to a final third year at the University of includes interactive installation,
own varied subjects, and totally committed the West of England to make it up to a full performance, jewellery, illustration, fashion
to the idea of Arts education. honours degree. These students are on textiles, photography, fine art and writing.
The students have access to the wide their way to developing a sustainable
range of facilities and workshops at the personal practice rooted in intellectual
college, including; photography darkroom, and practical creativity.
3D workshop, Mac and PC computer
suites, print workshop, crafts workshop,
music and video production suites,
extensive Arts library and purpose built
studios. 09

exhibitions
Thinking about...food Kel Portman photograph; John Street Open Studios Jamila Lamrani installation;

exhibitions and events


Thinking About…Food Roving Studio presents…The Art Global Bee project
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1st-29th June of Westley Farming 1st-30th June


from 11.00am (closed Mondays) Saturday 20th-Sunday 21st June Monday-Friday 9am-5pm
Old Passage Inn, Arlingham, GL2 7JR 10am until Sundown Saturday 10am-4pm
■ tel: 01452 740547 ■ Westley Farm, Cowcombe Hill, ■ 4 Kendrick Street, Stroud GL5 1AA
■ www.walkingtheland.org.uk Chalford, GL6 8HP. www.theglobalbeeproject.com
Artists have a long history of interest in www.rovingstudio.co.uk ■ The worldwide decline in bees is effecting
food’s visual qualities, but other subjects www.westleyfarm.co.uk/site09.htm ■ all species of bee not just honeybees. In
arise as they examine its progress from A collective cross-pollination celebrating the UK alone there are more than 250
sea, river, garden, allotment or farm ecological and creative diversity. Westley species. Bees are essential for the
through to the plate. Organised jointly by Farm has been a haven for artists, pollination of the plants that feed us. With
Sally Pearce and ‘Walking the Land’, this performers and craftspeople since 1972, support from the Princes Trust and
exhibition includes works by painters, encouraging the growth of endangered UnLTD Millenium Awards, Carlo
printmakers, poets, photographers and species from butterflies to boat-builders. Montesanti and Jessie Jowers have recently
sculptors who examine food’s visual, This year’s collaboration for site09 will set up The Global Bee Project as a “Not
cultural and ecological impact. Take part in celebrate that legacy. A rich diversity of for Profit” organisation to tackle this
voting for the winner of The Old Passage thoughtful artisans - seeds gathered by global problem on a very local level.
Art Award, the publics' favourite artwork, Roving Studio and nurtured in the creative An empty shop in Stroud will be
from the collection. compost of the farm - will bloom for you transformed into a magical and informative
in a mid-summer weekend. Weaving world of bees and plants. Jessie and Carlo
■ River Severn ArtWalk together threads from Geo-Archaeology; will use the space to design and build bee
6th, 13th, 27th June 9am-12:45pm Anthropology; Ecology, Arts and Crafts, houses, created for a non aggressive
Old Passage Inn, Arlingham, GL2 7JR Land Art and Contemporary Multi-Media variety of bee, Osmia Rufa. These bees
■ This ArtWalk of around 5 Km alongside we explore stories from the land in times can be looked after by anyone without the
the River starts from The Old Passage Inn of Transition. complications of disease, expensive
at Arlingham. Participants will be invited Park in the layby to walk down the equipment or the fear of being stung.
to make their own artwork and examine Timeline Track; disabled parking only at These bees are incredible pollinators, a
‘the walk’ and the River as their subject. the farm. Terrace and Treehouse Teas single bee pollinates the equivalent to 120
£7.50 Booking essential available, in the company of Julian honeybees.
10 tel: 01452 812224 & 01453 756064 Usborne, host and walking archive.

exhibitions and events


John Street Open Studios Maggie Shaw painting; The Art of Westley Farming Kate Raggett installation Thinking about trees Richard Keating photograph; The End Barney and Lucy Heywood photograph

John Street Open Studios Thinking About…Trees The End

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Saturday 13th-Sunday 14th June ■ Stratford Park, Stroud Friday June 12th 8pm
Saturday 20th-Sunday 21st June Saturday 20th June ■ Stroud Valleys Artspace,
■ 11am-6pm 10am-12.30pm, 2pm-4.30pm 4 John Street, Stroud GL5 2HA
Stroud Valleys Artspace, w: walkingtheland.org.uk A short film by Barney and Lucy Heywood
■ 4 John Street, Stroud GL5 2HA ■ Walking the Land artists invite you to join shot in a single static take in an entirely
SVA studio members will be opening their them in making art work that celebrates, fabricated set. With photographs from the
spaces to the public. Visitors will be reflects and responds to the trees in the shoot by Sam Hofman.
encouraged to fully explore the studio tree collection in Stratford Park. As part "I live my whole life in this place. I know
working environment and to engage with of an ongoing study and observation of this town and the forest better than the
artists in conversation. how artists and non-artists value trees, veins on the back of my hand, and yet I am
The studios provide a collaborative Walking the Land offer support in studying feeling, here, I don't belong."
working environment and home for artist the trees, considering their biology, Ernest Samson is trapped by a rare
groups including Quercus, artNucleus, aesthetics and cultural significance and in condition that causes him to speak in a
Studio Seven and Unit 4. identifying what it is about them that foreign accent. Alienated by his fellow
Jamila Lamrani, a Moroccan-based artist resonates with us. elderly residents, he finds the familiar
will in be residence at SVA during the Using these studies you will be landscape of home has been altered and
festival. This project is part of the Inhabit encouraged to complete a piece of work his precious memories corrupted.
International Artists Residency Scheme on the day that can be incorporated into His saviour comes in the unlikely form
funded by the Arts Council. Jamila Lamrani a temporary ‘Tree Gallery in the Park’. of Amir, a young Muslim care worker who
makes installations and sculptures which In addition, a selection of the resulting reveals an unexpected affinity with
explore the tensions and textures of artworks will form an exhibition to be Ernest’s situation and offers him a key to
materials to reveal relationships between arranged later in the year and also feature the peace he so desires.
symmetry and dissymmetry, balance and on Walking the Land’s website eGallery The End is about home, limbo and
imbalance, the laws of gravitation and Participants will need to bring their self discovery.
upward attraction. own choice of materials, cameras and £4.00
This is a great opportunity to see what equipment. For booking tel: 01453 751440
takes place at SVA and find out more Free
about the future plans. For booking tel: 01452 812224 &
01453 756064 11

exhibitions and events


Figuring Landscapes: Patricia Piccinini; Shaun Gladwell; Sofia Dahlgren; Andrew Kötting

film screenings
Figuring Landscapes the vernacular, takes a boat upstream in 04 Enactment (70 mins)
site09

Tuesdays throughout June 7.30pm Jaunt; while in Petrolia Emily Richardson Tue 23rd June 7.30pm
■ Stroud Valleys Artspace, uses time lapse techniques to look at the Figures in the landscape: human presence
4 John Street, Stroud GL5 2HA oil industry on the Scottish coast. writes and performs the landscape as
Figuring Landscapes is a remarkable much as the landscape inscribes and enacts
1a collection of moving-image works by 58 1a 02 Encounter (60 mins) 1a human presence. In Margaret Tait’s Portrait
Australian and UK artists. The screenings
■ ■ Tue 9th June 7.30pm ■of Ga, the fragmented impressions of her
focus on landscape to address questions of
■ ■ The political and cultural engagement with ■mother (an elderly Orcadian) form a "film
ecological survival, post-industrialism,
■ ■ place and being on the land are unpacked ■poem". Australian artist Patricia Piccinini
gender, the touristic gaze, and uniquely in
■ ■ and imaginatively reinvigorated in this ■makes immersive computer-generated
Australia, the status of indigenous people screening. The programme includes Ann environments which, in her film Sandman,
in a post-colonial society. Donnelly’s Political Landscape, a video creates a sense of terror as a girl drifts in
Recently shown at Tate Modern, the interpreting Northern Ireland’s conflicted a tempestous ocean.
first screening in the series will be landscape from the perspective of personal
introduced by Figuring Landscapes curator family history, and Vernon Ah Kee’s Cant 05 Anti-Terrain (120 mins)
Steven Ball (British Artists' Film and Video Cant (Wegrewhere) in which the iconic Tue 30th June 7.30pm
Study Collection). surfing beach of white mythology is Landscape is shaped by our relationship to
This is the first in a series of events to reappropriated by Aborginal surfers. it. Custodianship of the land and its
be presented by Mezzanine efficacy transcends a human lifetime. Esther
www.mezz.info 03 Surroundings (70 mins) Johnson's Hinterland plays as a poem to
Tue 16th June 7.30pm the people who inhabit Europe’s fastest
01 Engagement (65 mins) This programme explores the ambiance of eroding coastline. In Semiconductor’s All
Tue 2nd June 7.30pm place as it resonates from the broad scope the Time in the World, the siesmic activity
A selection of films in which landscape is of the horizon to the intimacy of the beneath Northumbria is reanimated to
experienced as a spatial encounter with closely observed. In Shaun Gladwell’s sculpt and bring to life the constantly
specific places, journeying across distance Approach to Mundi Mundi, the sublime shifting geography.
and memory, custom and industry, on land, immensity of the Outback acts as the
on water and through the air. Amongst the backdrop to a black-leather-clad biker. In £3.00 or £12.00 for all five screenings
artists featured is Andrew Kötting who, contrast Mike Marshall’s Days Like These is £12 full colour catalogue
12 with his folklorist's ear for the humour of about the space of an English garden. For booking tel: 01453 751440

film screenings
Thinking Landscape Paul Caffell photography; In the Mind's Eye Carolyn White painting; Joseph Beuys photograph by Cliff Gorman

talks and discussion


Thinking Landscape In the Mind's Eye Joseph Beuys: the man, his art

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■ ■ ■

Tuesday 23rd June 2am-5.30pm Sunday 7th June 11am and his world view
■ Stroud Valleys Artspace* ■ Stroud Valleys Artspace* Wednesday 17th June 8pm
4 John Street, Stroud GL5 2HA An exploration into the process of healing ■ Stroud Valleys Artspace*
■ 01453 751440 lies at the heart of this talk by artist Cliff Gorman will explore Joseph Beuys’
1a www.sva.org.uk
■ 1a Carolyn White and herbalist and healer, 1a influences and influence. Beuys was one of
■ The landscape genre, in the visual arts, Nathan Hughes. A series of paintings and
■ ■the most important artists in the
■ performance and writing, continues to pastels from 'visualisations' arising out of
■ ■1970/80's. His solo exhibition, 30 years
■ reinvent and extend itself conceptually Nathan's treatment at Ruskin Mill
■ ■ago, at the Guggenheim Museum in New
■ into agendas around space, place and Apothecary heralds a new creative
■ ■York, created such a furore that patrons
identity. It is developing ever-more landscape for Carolyn White. swarmed the sales desk demanding their
complex, cross-disciplinary methodologies, £3 For bookings tel: 01453 751440 money back, after seeing what they
in the wider context of sustainability and considered fraudulent art. At the same
climate change. This seminar will explore time in Germany 'Der Spiegel’s' cover was
some of the emerging contours, layers and devoted to a picture of Beuys (a rare
boundaries of the field, focusing on the occurrence for a living artist) that led with
thinking, approaches and work of local the question: "Beuys, charlatan or genius?"
artists, writers and arts groups, in advance Today his ideas still have the power to
of a major symposium on landscape create waves. Beuys was a founder
planned for Stroud, in October. A member of the German Green Party, an
collaboration between PhotoStroud, SVA environmental artist and campaigner. His
and Stroud College in Gloucestershire, the statement 'Everyone is an Artist'
seminar builds on new initatives in the encapsulates the importance he gave to
Stroud Valleys and precedes one of the art. He wanted to expand the very notion
‘Figuring Landscapes’ evening screenings of art and considered his teaching as his
presented by Mezzanine for site09 most important art. Beuys studied the
£6/£4 (c) limited places. works of Rudolf Steiner. Some argue that
Includes light refreshments all his art was influenced by Steiner.
For bookings tel: 01453 824212 £3 For bookings tel: 01453 751440
email: info@photostroud.co.uk 13

talks and discussion


Daniel Padden and Sarah Kenchington; Site Festival Carnival;

performance
site09

■ Daniel Padden and Sarah ■ Site Festival Carnival ■ John Hegley


Kenchington Saturday 6th June 1pm Saturday 13th June 7.30pm
Sunday 31st May 8pm ■ Bank Gardens, Stroud ■ Stroud Valleys Artspace*
■ Stroud Valleys Artspace* Schools and community groups have been John Hegley, a Site festival favourite and
4 John Street, Stroud GL5 2HA working over the spring on a exotic flower a scandalously talented national treasure
■ 01453 751440 theme and the results can be witnessed on with his funny, moving, musical & of
■ www.sva.org.uk the streets of Stroud when 500 course, poetic performances. Comedy,
Daniel Padden is a multi-instrumentalist participants take root in a vibrant and tragedy and more.
and member of the cult experimental colourful procession. The masquerade will Over 7's welcome for much mirth, one
band 'Volcano The Bear'. He also forms wind, hustle and shake its way through mandolin and some melancholy. No
with 'The One Ensemble', an avant- town until it finally comes to rest in a hamsters. Includes communal dog
chamber-folk group based in Scotland. colourfuly transformed Bank Gardens. development, fig rolls of the imagination
As well as recording and performing as a Here the festivities will continue and the tortoise enigma.
solo artist, he creates music for film and throughout the day culminating in a £8.00/£6.50 (c)
theatre. spontaneous night of latin music and Tickets are available from Kanes records
Sarah Kenchington plays her own dance. or on the door
invented, pedal driven, music machine, it
has horns, a hurdy gurdy-banjo and a giant ■ In a latin groove ■ John Hegley and The Blessing
mbira. Her music can sound orchestral, Saturday 6th June 9pm - 3am A special two gig ticket is available for an
animal, mechanical, uncomfortable or ■ Stroud Valleys Artspace* exceptional mix of poetry and punk jazz
dainty. She performs solo (Shy Showoff ) A vibrant and colourful night of Samba, £12.50/£10.50 (c)
and with the Book Of Beasts. Latin and Brazillian music Tickets are available from Kanes records
Daniel Padden and Sarah Kenchington £5.00/£4.00 (c) or tel: 01453 751440
will be coming to Stroud from the Tickets are available from Kanes records
Serpentine Gallery in London, where they or on the door
are launching their new album, 'The Bellow
Switch' (Shadazz records)
£5.00/£4.00 (c)
Tickets are available from Kanes records
14 or on the door

performance
John Hegley; The Blessing; Johnny Quiz; Jade Hamzelou

The Blessing Jade Hamzelou Roots Reggae and Dub night

site09
■ ■ ■

Saturday 13th June 10pm Thursday 11th June 8pm Saturday 20th June 9pm-3am
■ Stroud Valleys Artspace* ■ Stroud Valleys Artspace* ■ Stroud Valleys Artspace*
Punk-jazz in the Acoustic Ladyland vein Jade has a sublime collection of songs, Real life weight sound system with DJ
from musicians who have played with both written and peformed by her. She presenters Jah Messengers from
Portishead, Super Furry Animals and Roni feels the harp is so much more than a Gloucester. Spiritual music with a reggae
Size. Their debut album 'All is Yes' won the lyrical instrument; using mediaeval and stepper dub warrior. Featuring djs:
coveted BBC Jazz Album of the Year last techniques with fingernails she transforms Kulchalee Slector and Mic Chanter, Slector
year and they went on to perform the harp into a rhythmic and percussive Mighty BT and Ras head Slector and Mic
triumphant sets at Glastonbury and the instrument. Jade started working with Chanter. £4.00 or £3.00 before 10pm
Big Chill. Graeme Owen, on double bass which has Tickets are available on the door entry
Mixing hard edged bass riffs, blasting proved to be a very good match, both of
horns, electronic trickery with massive instruments and styles. Working with ■ Disco Sucks
drumming. An explosion of jazz from double bass gives a strong groove to Saturday 27th June 9pm-3am
musicians of inarguable rock pedigree, all the harp. ■ Stroud Valleys Artspace*
wrapped up in a rather unusual sense of £3.50 The Disco Sucks crew return, having
humour. Their amazing new album ‘Bugs in Tickets are available on the door scoured the region's charity shops and
the Amber’ has just been released and car boot sales for any records with
available to buy at the festival. ■ Johnny Quiz spaceships, muscular bearded men,
'The grooves make your spine tingle' Thursday 18th June 8pm stonewash denim on the cover.
Guardian ■ Stroud Valleys Artspace* Uninhibited by notions of good taste,
£8.00/£6.50 (c) Question one: "what do you get when you they'll be playing disco, funk, early house
Tickets are available from Kanes records mix a variety show with daytime TV and and other strange delights on the
or tel: 01453 751440 get to fight with all the useless knowledge legendary Black Box sound system.
you can muster?" With adult themes, hand Deejays on the night to include Tim
puppets, live music and homemade special Telling, Stroud Disco Council and DJ Dino.
effects, Jonny Quiz and a host of Heavy facial hair is optional but
characters redefine the pub quiz. encouraged.
£1.00 £5.00 or £4.00 before 10pm
Tickets are available on the door Tickets are available on the door 15

performance
The Cholmondeley Ladies circa 1600-10 Hut; Alias seminar art radio 2007 Vernon and Burns;

10 years of Alias
This year Alias celabrates it's 10 year information and giving advice. opening up The 2003 Shed Summit, organised by
site09

aniversary and to mark this event it the possibility of generating reciprocal Annabel Other, took place at Welcombe
is inviting artists to participate in a projects, promoting collaborations and Barton, home of the Yarner Trust, a
series of programmed activities. cross-fertilisation of artists practice across medieval farmhouse in Devon. This three-
The Artist Led Initiative Advisory the county and creating further day event celebrated the shed in all its
Service is run by artists for artists. opportunities to network. forms with experts from the length and
Alias seminars are at the heart of it's breadth of the country and examples of
Alias has worked with over 130 groups activities providing opportunities for shed building from across the globe. There
from across the South West region during networking and collaboration. The was expert building advice for shed virgins
the past 10 years. Groups advised by Alias programme of seminars is organised each and the ribboned silver cup up for grabs
vary widely in the nature of their practice year by artists involved in the scheme in for shed excellence.
and structure. The process by which a direct response to the needs of artists.
group describes itself can help the group There have been over 40 Alias seminars ■ Alias Celebratory Events
to define achievable objectives. which have taken place over the last 10 w Alias 24 hour studio
Alias advisory service draws upon a pool years across the South West region. Two 19th June 8pm-20th June 8pm
of knowledge and experience already examples of these seminars are Creative 24 hour studio is a an inclusive event,
existing in the community of artists in the Footprints and Shed Summit. intended to allow contributions from all
South West. It is vital that Alias contacts SVA in Stroud, worked with many kinds of artists and groups whatever their
are also artists, as, whatever the needs of artists groups to host some of these practice. 24 hour studio will take place in
a group are, the emphasis is always on the events. Creative Footprints, which was various locations across the South West
development of a creative practice, in organised in 2008 in partnership with the region. The programme might include a
terms of quality and integrity. Alias is Last Gallery. With ecology increasingly conventional gallery or studio space or it
unique in providing a flexible, open-ended taking central stage in all areas of life this might be a virtual space, a website,
and bespoke relationship lasting for seminar focussed on re-examining the arts fictional space, front room, bus stop,
sustained lengths of time. ‘footprint'.The discussions outlined areas potting shed or pub. The invitation to
Alias contacts work with a group not of research and practice with speakers, contribute to 24 hour studio has been
in order to achieve predetermined including Shelley Sacks from the Social extended to everyone who has worked
outcomes, but so that they might enter Sculpture Research Unit, providing artistic within Alias, as a collective celebration of
into a dialogue with other artists. This and theoretical perspectives on this it's diversity and depth.
16 dialogue may include passing on burgeoning area of interest.

aAl Li aI A
s S
ALIAS

Alias seminar 2003 Shed Summit Tommy Angel; Mothshadowmovie Louise Short; Mona Lisa Annabel Other; Alias Art Camp Westley Farm; 145Collectiveatwindows204 bristol

Alias Art Camp improbable propositions, the scultural aim of the series has been to foster a

site09

Friday 26th - Sunday 28th June object and the mechanics of an unknown supportive critical community of makers,
■ Westley Farm Chalford GL6 8HP purpose. Teams should be a maximum of to develop a positive forum for
■ Stroud Valleys Artspace, eight people. Fantastic prizes. The evening practitioners to engage with current
4 John Street, Stroud GL5 2HA will be interdispersed with refreshment debates in the crafts and to explore ways
To mark the 10 year aniversary of Alias a 1a and light musical entertainment. 1a in which theory could be more closely
celabration has been planned. Coordinated ■ ■informed by practice. This year we will be
by Annabel Other, Louise Short, Neil ■ Alias Art Camp ■building on the foundations laid by the
Walker, SVA and Art Quercus,. The ■ Saturday 27th June ■series so far and expand the dialogue
residential weekend will take in a breadth ■ Westley Farm ■beyond the forum. With this aspiration in
of activity including walks, interventions, This days programme will include: mind practice and reflection will be
presentations and club nights. The art Culturalnental Breakfast holding a pub discussion, with real ale, in
camp will be based at Westley Farm, an 80 Art Quercus walk Hega's Hut, Westley Farm. Led by Russell
acre hill farm set in a rich tapestry of Carrot Carving competition, judged by Martin, Helen Carnac
green rolling hills in the Cotswolds and resident donkeys Teddy and Chester
classified as "an area of outstanding natural Tin can pinhole camera photo doc ■ Culturalnental Breakfast
beauty". Halcyon Cafe running buffet Sunday 28th June
The weekend programme of activities is Trial Pit Cinema movie house featuring ■ Westley Farm
split over two sites and kicks off with 'reconstruction artwork' Continental breakfast, Sunday morning
an Art Quiz at SVA. Combovertoes Cocktail Bar artspeak and prize giving.
Practice and Reflection presentation and
■ The Cabinet of Curosities Pub Quiz group discussion. Price £15.00 per person includes
Friday 26th June Mothshadowmovie two nights camping and breakfast.
■ Stroud Valleys Artspace, Disco Sucks club night, SVA john Street For more information on posh
Join us for the ultimate pub quiz! After the camping and holiday cottages visit:
tour of the contemporary pub quiz ■ Practice and Reflection www.westleyfarm.co.uk
compere Louis Short has devised a weird Saturday 27th June Booking essential as places are limited.
and wonderful quiz especially for Alias. ■ Westley Farm email: admin@aliasarts.org
This event is for everyone with an interest The Alias practice and reflection seminar
in mystifying curios, kitsch artefacts, series has been running since 2003. The w w w. a l i a s a r t s . o r g 17

alias
Tray
site09

Tray Windows - 30/05/09 - 30/06/09


Shop window spaces around Stroud
10 Year Celebratory Events Shop - 10am - 6pm weekends
Festival Launch 30/05/09
Tray Event 13/06/09
SVA John Street project space
Alias Art Camp
Friday 26th - Sunday 28th June 07780503180 / 07779264269
at Westley Farm and Stroud Valleys Artspace, Stroud Gloucestershire
tray.art.tray@googlemail.com
A weekend of camping, art, culture, activities, debate, food and donkeys including:
www.jackgibbon.co.uk/tray
The Cabinet of Curosities Pub Quiz • Culturalnental Breakfast•Art Quercus walk•
Carrot Carving competition, judged by resident donkeys Teddy and Chester•Tin can pinhole Tray is an exhibition by a group of
camera photo doc•Halcyon Cafe running buffet•Trial Pit Cinema movie house featuring Southwest artists. All works
'reconstruction artwork'•Combovertoes Cocktail Bar•Practice and Reflection presentation incorporate a large wooden
and group discussion.•Mothshadowmovie•Disco Sucks club night•and more..., paper tray which came into the
Price £15.00 per person includes two nights camping and breakfast. Booking essential as artists’ hands as the result of a
places are limited. For booking and more information email: admin@aliasarts.org local business’ recent closure.

24 Hour Studio The function & aesthetic of the trays


have been changed by the artists
Friday 19th June 8pm to Saturday 20th June 8pm
& are now presented in empty
24 hour studio is a unique regional event in which all kinds of ar tists and groups will be shops in Stroud.
staging events, from the vir tual to the real, in all kinds of places in various locations across
the South West check out web site for details. The SVA John Street project space
will be used as a gallery/ shop
showing different ‘ready-made’ and
w w w. a l i a s a r t s . o r g alias is a platform built by ar tists for ar tists found object works. An event on
for the development of ar tist led groups in the South West of England
13/06/09 will also be hosted here.
18

exhibitions and events


Maggie Shaw

site09
Horsley Woods, Paul Caffell

Thinking Landscape
Tuesday 23rd June,
2.00-5.30pm
Stroud Valleys Artspace
4 John Street, Stroud. GL5 2HA
t: 01453 824212
e: info@photostroud.co.uk

A half-day seminar to explore the contours


and boundaries of landscape, in advance
Judy McKenna
of a major, multi-disciplinary symposium
planned for Stroud in October.
Participants will draw on the thinking,
approaches and practices of local artists,
writers and arts groups to develop ideas
around an enduring genre that is setting new
agendas around space, place and identity. Atmosphere 2
A collaboration between PhotoStroud,
an exhibition of work reflecting
Stroud College in Gloucestershire and
SVA, the seminar builds on new projects our emotional response to the
in the Stroud Valleys and links with one light, weather and seasons
of the ‘Figuring Landscapes’ screenings
presented by Mezzanine (www.mezz.info)
as part of the site09 festival. The Space
£6/£4 (student concession) Lansdown, Stroud, GL5 1BN
including light refreshments
limited places, booking advisable. June 13 - 18 10 to 4.30
19

exhibitions and events


Kingshill Lane, Dursley
Gloucestershire, GL11 4BZ

01453 549133
admin@kingshillhouse.org.uk
www.kingshillhouse.org.uk
site09

BEE INSPIRED
The Global Bee Project
A new figure
has been created in Stroud
THE BEE GUARDIAN

Come along and discover how


you can make a difference to
the future of a disappearing
species upon whom we all depend

An empty shop will be


transformed
into a world of bees and flowers
Art & Craft Exhibition
Design your own bee house Showcasing
Become a bee guardian Kingshill House Artists p14

Help us gather all bee


inspired art 1st – 30th June
Monday – Friday
10am - 4pm wednesday to saturday 10am – 4pm
every week for the month of june*
Admission Free
4 Kendrick St, Stroud, Glos, GL5 1AA
Registered Charity No.1055651
Tel. 07915055818
generalsupport@theglobalbeeproject.com Kingshill House acknowledges
Website. www.theglobalbeeproject.com
the support of
*except saturday 20th June when
we will be Participating in
the art of westley farming
20

exhibitions and events


Walking the Land are facilitators of landscape
events and exhibitions, organisers of creative
workshops, art courses and walks in the
Gloucestershire countryside.
t: 01452 812224 & 01453 756064
e: info@walkingtheland.org.uk
w: walkingtheland.org.uk
our ’site09’ events include:

site09
thinking of Trees...
Stratford Park, Stroud
20th June from 10:00-12:30 & 14:00-16:30
Join with Walking the Land artists to make art-
work that celebrates and responds to the trees
in our local landscape and greenspaces.
thinking of Food...
The Old Passage Inn, Arlingham
1st - 30th June. from 11:00 (closed Mondays)
t: 01452 740547
e: oldpassage@ukonline.co.uk
Walking the Land join with The Old Passage
to select works by painters, printmakers,
sculptors and photographers whose artwork
examines and celebrates the delight of food.
• Special Old Passsage ‘Artists’ menu available
River Severn ArtWalk
guided, creative walks with Walking the Land
6th, 13th & 27th June
These morning ‘ArtWalks’ of around 5 Km
along the magnificent River Severn start from
The Old Passage Inn. As you photograph and
sketch, our artists will offer creative guidance
about subject choice, technique and process.
£7:50 per person. Booking essential

21

exhibitions and events


CIDER WITH ROSIE
Rupert Aker
Preview evening
Friday 5 June 6.30 - 8.30pm

Saturday 6 - Sunday 7 June


10.30am - 5.00pm

Painswick Town Hall,


Victoria Square, Painswick
site09

This exhibition celebrates the 50th


anniversary of the publication of Laurie
Lee's childhood memoirs, Cider with Rosie.
The book, first published in 1959, remains
one of the 20th century's best-loved
autobiographies. Mainly working in oil with
palette knife, local artist Rupert Aker aims
to capture the places in and around the Slad
valley that are so vividly described in the
book - from Laurie's childhood home down
its steep bank to Painswick that 'sprawls
white in the other valley, like the skeleton of a
foundered mammoth'.
07702 097457
paintings@rupertaker.co.uk
www.rupertaker.co.uk
22

exhibitions and events


NOW YOU SITE
SEE US PA I N S W I C K
group show
13th-21st JUNE 10am-5pm
art inside and out
9 PAINSWICK ARTISTS
PAINSWICK TOWN HALL

ADELE LAMBERT
ANDY LOVELL
ANGELA CASH
C L A I R E N AY E G O N
JANE GARBETT
JENNIFER SHONK

site09
JOANNE CASLING
opening night
Friday 12 June 5-7pm JOHANNES STEUCK
June 13 & 14, 20 & 21 MARK KELLAND
11am–6pm
PRINTMAKING/PAINTING
Springhill Cohousing (ABSTRACTION/LANDSCAPE)
Uplands Stroud S TA I N E D G L A S S / T E X T I L E S
GL5 1TN
01453 758731 t 07900 606234
www.springhillart.com www.artinpainswick.com
23

exhibitions and events


site festival 1st-30th june 2009
information

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24

iinnffoorrm
maattiioonn
River Severn
map information
Birmingham
Exhibition locations are marked and numbered on the maps. However it is advisable to use more
detailed maps of the town and district which are available from Tourist Information or www.multimap.
M5 com

Cheltenham
Gloucester
Cirencester
Stroud
Swindon
Gloucester Forest of Dean Cheltenham
B4070
Bristol M4
The Midlands South Wales A46
Cardiff
A38
Bath
Arlingham A4173
M5
14

site06
B4071
12
route 02 Painswick
Valley & Vale
15
B4008

using this programme 16


This festival guide presents
information and contact details
for exhibitions and events 13
taking place in venues 49
A419
throughout the Stroud District route 06
Bisley
in June for the site09 festival. M
5 B4008
A419
Many of these exhibition Stroud route 05
6
venues are open during the
route 05
rest of the year so keep this
31
guide as a reference to galleries Chalford
17
in the area. A419
South Woodchester
18 Cirencester
Locations shown at the end of 32 Swindon
London
each entry numbered in red B4066 Nympsfield
Nailsworth

(00) refer to the town and 13


1 Horsley
district maps. Dursley
12 B4014

Valley

A46

B4060 Bath
Bristol South West B4058
A4135

25 25

information
festival calendar Date Title Location map key

30th May-14th June site09 Contemporary Drawing exhibition exhibition Ruskin Mill 12
31st May Daniel Padden and Sarah Kenchington performance SVA 1
30th May-30th June Tray exhibition SVA and shop windows 1
1st-30th June Open Studios exhibition exhibition Subscription Rooms 4
Seven exhibition Stroud House 7
The Seven Coats Project exhibition 33 High Street 8
Tray exhibition SVA and shop windows 1
Stroud College Arts Academy exhibition 1-2 Kings Street 3
Global Bee Project exhibition 4 Kendrick Street 9
Art and Craft exhibition exhibition Kingshill House 13
Special members exhibition exhibition Guild Gallery 15
Yola Quinn exhibition Kendrick Street Gallery 5
site09

1st-29th June Thinking...about Food exhibition Old Passage Inn 14


Tuesday 2nd June Figuring Landscapes film SVA 1
3rd-27th June The Clearing exhibition No.1 Middle Street 6
Saturday 6th June Site Festival Carnival performance Bank Gardens 10
In a Latin style performance SVA 1
6th-7th June Cider with Rosie exhibition Painswick Town Hall 16
6th-12th June Stroud College Arts Academy exhibition Stroud College 3
6th-30th June site09 darbyshire award exhibition Museum in the Park 2
Sunday 7th June In the Mind's Eye talk SVA 1
Tuesday 9th June Figuring Landscapes film SVA 1
Thursday 11th June Jade Hamzelou performance SVA 1
Friday 12th June The End film SVA 1
Saturday 13th June John Hegley performance SVA 1
The Blessing performance SVA 1
13th-14th June Open Studios open studios various locations *
Now You See Us exhibition Springhill Co-housing 11
Sketching in the Air exhibition SVA 1
Quercus: Beyond the Verge exhibition SVA 1
13th-18th June Atmosphere 2 exhibition The Space 10
13th-21st June Site Painswick exhibition Painswick Town Hall 16
13th-21st June Live and Dead Art exhibition Tower House 18
Tuesday 16th June Figuring Landscapes film SVA 1
Wednesday 17th June Joseph Beuys talk SVA 1
Thursday 18th June Johnny Quiz quiz SVA 1
Saturday 20th June Roots Reggae & Dub Night performance SVA 1
Thinking...about Trees workshop Stratford Park 2
20th-21st June Open Studios open studios various locations *
Now You See Us exhibition Springhill Co-housing 11
Sketching in the Air exhibition SVA 1
Quercus: Beyond the Verge exhibition SVA 1
The Art of Westley Farming exhibition Westley Farm 17
Tuesday 23rd June Thinking Landscapes talk SVA 1
Figuring Landscapes film SVA 1
24th-26th June Stroud College Arts Academy exhibition Stroud College 3
26th-27th June Alias Networking weekend event various locations 1
27th June-9th July Fifty small paintings exhibition The Space 10
26 Tuesday 30th June Figuring Landscapes film SVA 1

calendar
further information S VA
disability access
It is advisable to ring venues before you visit to check disability access

website
Visit the site festival website : www.sitefestival.org.uk
For more info on SVA visit www.sva.org.uk

more information
For more free site09 programmes, open studio directories, free town
and district maps, accommodation and places to eat contact:
Tourist Information
Subscription Rooms, George Street, Stroud, Gloucestershire GL5 1AE
tel: 01453 760960
or
Site09, Stroud Valleys Artspace
John Street, Stroud, Gloucestershire GL5 2HA
tel: 01453 751440
email: site@sva.org.uk
editorial
logistics Jo Leahy, Neil Walker, Peter Shaw liability
design SVA © The organisers of site09 festival cannot accept liability for any loss, damage or injury sustained
design template Chris Bailey © by any member of the public visiting any site08 open studios, events or exhibitions.
cover image Aimee Lax
publisher SVA ©2008

site09
1s t - 3 0 t h j u n e
site09 festival artist’s open studios*
weekend one: 13th-14th june 11.00am - 6.00pm
weekend two: 20st-21st june 11.00am - 6.00pm

free guide artists studios are also open at other times in the week: please ring artists
s t ro u d v a l l ey s o p e n s t u d i o s d i rec to r y
weekend one: 1 3 t h - 1 4 t h j u n e weekend two: 2 0 t h - 2 1 s t j u n e directly to check individual opening times

* pick up the separate site09 open studios directory for further site festival information

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