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Our theme this year is “Poetry in Hard Times.” Let’s hope the
power of poetry can take us beyond the “hard times” for four days.
We are intent on having a good time together and carrying that spirit
forward. Robert Pinsky
While you are in Lowell, please explore the city when you move
between events. You can sample food from around the world in
downtown restaurants, visit Whistler’s birthplace, see extraordinary Anne Waldman
commemorative sculptures for Jack Kerouac and Lucy Larcom, wit-
ness labor history at our National Park, enjoy award-winning, pre-
served 19th-century architecture, and more.
Sincerely,
Paul Marion, on behalf of the MPF Executive Committee
Louise Glück
Michael Casey
2
THE 2009
Poetry Partners MASSACHUSETTS
POETRY FESTIVAL
Bagel Bards THANKS THE
Blacksmith House Poetry Series
Boostrap Press
FOLLOWING
Boston Book Festival SPONSORS FOR THEIR
Cape Cod Writers Center
Cave Canem
CONTRIBUTIONS AND
Chelmsford Public Library SUPPORT
Concord Poetry Center
Courage & Renewal Northeast
Cultural Organization of Lowell City of Lowell
EchoDitto
Emerson College Department of Writing Cultural Organization of Lowell
Favorite Poem Project
Fireside Reading Series EchoDitto
Ford Hall Forum
Frost Foundation Enterprise Bank
Grolier Bookstore
Grub Street, Inc. Feeley & Driscoll, P.C. Charitable Gift Fund
Hellenic Culture Society
Ibbetson St. Press
Greater Cincinnati Foundation
Island Poets, Martha’s Vineyard Greater Lowell Community Foundation
Jeff Robinson Trio/Lizard Lounge Poetry Jam
Lesley University MFA Program in Creative Writing Greater Merrimack Valley Convention and
Lowell Celebrates Kerouac! Visitors Bureau
Lowell Poetry Network
Massachusetts Center for the Book Jim and Karen Ansara
Moses Greeley Parker Lectures
New England Poetry Club Loom Press
PEN New England
Pine Manor MFA Program Lowell Five
PoemWorks
Poetribe
Mass Humanities
Pollard Memorial Library
Lowell National Historical Park
Powow River Poets
Robert Creeley Foundation Lowell Plan, Inc.
Robert Frost Foundation
Salem State College English Department Lowell Poetry Network
Smith Poetry Center, Smith College
Suffolk Poetry Center Massachusetts Poetry Outreach Project
Tapestry of Voices
The Greater Brockton Society for Poetry and the Arts Massachusetts Cultural Council
Theodore Edson Parker Foundation
Tsongas Industrial History Center Middlesex Community College
University of Massachusetts Boston, MFA Program
University of Massachusetts Lowell
Moses Greeley Parker Lectures
Wild Apples Norman and Amy Gorin
Woodbury Poetry Room, Harvard Patrick J. Mogan Cultural Center
Worcester County Poetry Association
Zephyr Press Pollard Memorial Library
119 Gallery
Sunflower Foundation
Theodore Edson Parker Foundation
The Phoenix
University of Massachusetts Lowell
Thanks also goes to LOWELL TELECOM-
MUNICATIONS CORPORATION (LTC)
for their technical assistance and support.
Susan G. Case
Kerouac, Panel Discussion
Louisa Kasdon
and Film
Stephen B. and Elizabeth A. Rosen
Ellen Meyer and Paul E. Shorb III
16 Jonathan Lupfer and Susan Berseth
B L
J F
D
N
A
H
C G
I K
M Directions to the 119 Gallery: Continue southeast on Dutton St toward Fletcher St. G ALL Arts Gallery
(.2 mi) Take ramp to Chelmsford St. (right turn). 119 Chelmsford St.
Four Poets from Four Way Books 1-1:55pm
Meet and Greet: ALL Arts Gallery Artists & Poets, sponsored by
A The Small Press Fair the Lowell Poetry Network 2-2:55pm
Please use the small press fair as a central location for the festival. Use it as a Nature, Art & Poetry from Wild Apples Journal 3-3:55pm
meeting place. Come here to get schedules, buy books from featured presses and H Upstairs at the Old Court
authors. Will also have a schedule for author book signings.
10:30am-5pm / 45 Middle Street Confluence: A Music & Poetry Performance 1-1:55pm
Renku Performance by the Boston Haiku Society 3-3:55pm
B Lowell High School Auditorium I X/O Studio & Gallery
FRIDAY HEADLINE EVENT Urban Village Arts Series (UVAS) Mestre
Calango, Michael Casey, Jessica Smith & Caleb Neelon 7:30-9:30pm War and Poetry 12-12:55pm
SATURDAY HEADLINE EVENT featuring Robert Pinsky, Louise Glück, The Medieval Poetry Workshop 2-2:55pm
Anne Waldman & Afaa Weaver 7:00-9:00pm Group Reading featuring the Powow River Poets 3-3:55 pm
Poets in the audience will be invited to share a personal example of how coping with economic, health, or other life challenges affects their creativity. In
service to these poets, True Story Theater’s improv actors will honor each story with haiku-like impact, magically capturing the heart and essence of each
story with words, movement, music, and colored cloths. Our mission is to promote social healing and community building by listening deeply to people’s
stories and transforming them spontaneously into theater. We offer audiences fresh perspectives, deeper connections, and a renewed appreciation for our
common humanity. TrueStoryTheater.org.
Experience an exciting, eclectic evening of poetry and music at the 119 Gallery featuring The Doctors Fox, Zean and
Patrick Shaughnessy, the Ursonate Orchestra, and Pronoblem performing Kurt Schwitter’s sound poem “Sonata
In Primeval Sounds.” Published in 1932, Schwitter’s piece is the granddaddy of sound-art poems: a 90-minute
nonsense opus that develops 26 abstract themes in classical sonata format.
Embracing the worlds of words and dance. This workshop is open to all people comfortable with moving in their
bodies and at ease with writing and speaking. After a brief dance warm up, we’ll begin by learning Parings, a
dance/poem that has been performed by many groups of dancers. We will reflect on sensations learning and doing
True Story Theater
the dance. After an open discussion of the similar components of texts and choreography, we’ll break into smaller
groups to work together in dance and poetry collaborations. The workshop will be completed when we watch each
other’s work and share our ideas and insights.
Friday, October 16th 2009 9
FRIDAY HEADLINE EVENT The Urban Village Arts Series (UVAS) invites artists to downtown
Lowell to give short performances or talks about their work.
Urban Village Arts Series (UVAS) Novelists, non-fiction writers, sculptors, filmmakers, painters, poets,
and contemporary and classical musicians have given stunning
performances during Lowell’s three years of hosting the series.
7:30-9:30pm Designed to be a dynamic, compact presentation of local, regional
Lowell High School Auditorium, 50 Father Morissette Blvd. and national talent, UVAS supports working artists by connecting
them with an audience that will appreciate and support their talents.
Mestre Calango It also encourages students and faculty of UMass Lowell to come to
of Capoeira Rosa downtown as performers and audience members while reaching out
Rubra. (Left) to residents and regional audiences. Members of the Lowell Poetry
Mestre Calango Network and Bootstrap Productions organize and produce between
of Capoeira Rosa four and six UVAS shows per year.
Rubra plays
the traditional
Capoeira
instrument known Mestre Calango
as the berimbau.
(right) Mestre Calango began playing Capoeira as a teen in Brazil. He has been practicing
Photos by Anna and teaching Capoeira, as well as fitness and rehabilitation, to students of all ages and
Isaak-Ross
abilities for nearly 30 years. Almost 120 years have passed since the end of slavery
in Brazil, but much of the suffering still resounds in Brazilian life and culture. Slaves
trained and remained ready for rebellion through a connection to their African roots
now known as Capoeira. Out of necessity, they disguised the fighting art of Capoeira
as a dance with accompanying instruments and a method of constant movement
known as the ginga. From this basis of movement and readiness a Capoeirista may
respond to or escape from whatever comes his/her way—be it in the roda or in
everyday life. Mestre Calango was a professor of Capoeira in Oliveira and Minas
Gerais where he organized groups that performed in various countries around the
world. At the moment, more than fifty students are enrolled in the Academia de
Capoeira Rosa Rubra in Lowell, Newton, Brookline and Amesbury, MA. Anyone aged
Michael Casey, eight or older is welcome to come and learn this beautiful, practical and spiritual art
Jessica Smith, from Mestre Calango. Please visit CapoeiraRosaRubra.com for more information.
& Caleb Neelon with
his art. Michael Casey
Jessica Smith
Originally from Birmingham, Alabama, Jessica Smith received her B.A. and M.A.
from SUNY Buffalo, where she was the Founding Editor of the poetry magazine
name and won the Academy of American Poets Prize twice. Smith is the author of
one full-length collection of poetry, Organic Furniture Cellar. She teaches writing at
SUNY Buffalo and Medaille College and since 2001 her work has been published
in dozens of magazines including apocryphaltext, Cannibal, dANDelion, ixnay,
Phoebe, Small Press Traffic and in three anthologies. Her poetry has been trans-
lated into Turkish, Swedish, Icelandic and Danish. Chapbooks include bird-book
(Detumescence), The Plasticity of Poetry and Telling Time (No Press), Shifting
Landscapes (above/ground press), butterflies (Big Game Books), and What the
Fortune-Teller Said (dusie/a+bend). Smith is also known as an editor for her work
with the monthly women’s broadzine Foursquare, which was recently on view at
the Handmade/Homemade exhibit of small press publishing. Smith now resides in
Buffalo—a city Robert Creeley called “the last place you can be Bohemian.” Jessica
Smith’s work can be accessed online: Looktouch.com.
Caleb Neelon
Caleb Neelon is based in Cambridge, MA, and is an artist, writer, and educator.
His paintings and installation artwork have appeared in solo and group shows in
America and Europe. His vivid murals sprawl across walls in Kathmandu, Reykjavik,
Bermuda, Calcutta, São Paulo and all over Europe. He is co-author of the Thames
and Hudson book Graffiti Brasil as well as Street World from Thames and Hudson,
Abrams. Neelon is the author and illustrator of the children’s book Lilman Makes a
Name for Himself, and has been a collaborator on nearly a dozen other books. He
is an editor at the popular culture hardbound bi-monthly Swindle, and has been a
contributing writer at Tokion, Print, Juxtapoz, On The Go, Lemon and many other
magazines and journals. Neelon has lectured at international conferences and festivals
as well as Harvard Law School, Bates College, Northeastern University and his alma
mater the Harvard Graduate School of Education. A monograph of his work, Caleb
Neelon’s Book of Awesome, was recently released by Gingko Press. He dislikes
winter weather. For more on Neelon, check out: Theartwheredreamscometrue.com
10 Saturday, October 17th 2009
2nd Annual Please use the small press fair as a central
location & meeting place for the festival.
Small Press Fair Come here to get schedules & buy books
from featured presses and authors. We
@ the will also have a schedule for author book
signings.
Hosted
by:
Lowell, MA
www.bootstrapproductions.org
A non-profit publishing company that promotes the
integration of multi-dimensional art forms and experiments
into fine press publishing.
Founded in 1998, Fence is a biannual journal of poetry, fiction, art, and criticism that has a
Presses / Journals also appearing: mission to redefine the terms of accessibility by publishing challenging writing distinguished
by idiosyncrasy and intelligence rather than by allegiance with camps, schools, or cliques.
Adastra Press, Easthampton, MA Launched in 2001, Fence Books publishes poetry, fiction, and critical texts and anthologies,
www.pw.org/content/letter_time_adastra_press and prioritizes sustained support for its authors, many of whom come to us through our two
book contests and then go on to publish second, third, fourth books.
Antrim House, Simsbury, CT
www.AntrimHouseBooks.com Loom Press, Lowell, MA www.loompress.com
Ballard Street Poetry Journal, Worcester, MA Established in 1978, Loom Press publishes books by emerging writers and artists from
www.ballardstreetpoetryjournal.com the New England area. In addition to poetry, Loom Press titles range from documentary
photography to cultural studies.
Boston Poetry Union / The Pen and Anvil Press, Boston, MA
bostonpoetry.com
Outside Voices, Buffalo, NY www.looktouch.com/press
Cervena Barva Press, Somerville, MA
This innovative publishing venture is an umbrella for Outside Voices Books, Take-Home
www.cervenabarvapress.com
Project Chapbooks, and Foursquare Magazine.
Little Red Tree Publishing, New London, CT
www.littleredtree.com
Shakespeare’s Monkey, Lowell, MA
www.shakespearesmonkey.com
Naugatuck River Review, Westfield, MA
Shakespeare’s Monkey Revue is an international literary journal dedicated to excellence.
www.naugatuckriverreview.com
Perugia Press, Florence, MA “I think that pages — poems — books — they are resting places for what we have to say. For
www.perugiapress.com what we see. It was a reaction to all of the (necessary and often fabulous) on-line work that is
out there. It had to do with unrest. Work should be enjoyed tactilely. Poems should be kept,
Quale Press, Williamsburg, MA when loved. Passed on. Sent out. There is a postcard in every issue, I hope you’ll mail it. I
www.quale.com wanted it to come with a stamp on it, but that would have been another thousand dollars.”
Jennifer Flescher on Tuesday; An Art Project
Salamander Magazine (Suffolk University), Boston, MA
www.salamandermag.org Ugly Duckling Presse, Brooklyn, NY
www.uglyducklingpresse.org
Slate Roof Press, Shelburne Falls, MA
www.slateroofpress.com Ugly Duckling Presse is a nonprofit art & publishing collective producing small to mid-
size editions of new poetry, translations, lost works, and artist’s books. The Presse favors
Tupelo Press, North Adams, MA emerging, international, and “forgotten” writers with well-defined formal or conceptual
www.tupelopress.org projects that are difficult to place at other presses. Its full-length books, chapbooks, artist’s
books, broadsides, magazine and newspaper all contain handmade elements, calling attention
upstreet, Richmond, MA to the labor and history of bookmaking.
www.upstreet-mag.org
Zoland, Cambridge, MA www.zolandpoetry.com/zoland.htm
Zephyr Press, Brookline, MA
www.zephyrpress.org An annual of contemporary writing from around the globe, Zoland Poetry brings together
original English language poems, translations into English, and interviews with featured
poets.
Saturday, October 17th 2009 11
11:00 a.m - 1:00 p.m.
Tapestry of Voices is an eleven year old poetry organization, co-founded by Harris Gardner and
Lainie Senechal; based in Boston with over 150 affiliates from the Greater Boston Area, most are
widely published. TOV has produced numerous programs throughout Massachusetts, including
the Ten Year Old Boston National Poetry Month Festival and two on-going monthly Boston Venues.
The participating poets in Poetry Voices Past and Present, Presented by Tapestry of Voices will read
from beloved poets from the past such as Anne Sexton, Emily Dickenson, Edna St. Vincent Millay,
Walt Whitman, Robert Frost, Carl Sandburg, T.S. Eliot, Longfellow, Lorca, Neruda, and others. Each
poet will also include two original poems thematically related to each Past Poet. A wonderful blend
of Past and Present Voices. Program length of one hour is sure to leave you wanting more.
How do poets deal with the subject of war? Does a successful war poem depend on personal
experience, or can imagination and empathy suffice? What’s accomplished by writing about war
today? This reading by poets who’ve experienced war first hand, and non-
combatants who care deeply about the consequences of war, will address
these questions. The context is obvious, but the words may surprise you,
and compel you to look at war for what may seem like the first time. This
reading is sponsored by the new literary magazine, CONSEQUENCE, which
focuses on the culture of war.
www.consequencemagazine.org.
The New England Poetry Club (founded by Amy Lowell and Robert Frost
for professional poets) is the country’s oldest public reading series. Festival
poets are: MICHAEL CASEY, winner of the Yale Series of Younger Poets;
DIANA DER-HOVANESSIAN, author of 23 books and winner of many
international and national awards; VICTOR HOWES, critic, translator, and
professor emeritus at Northeastern; A.M. JUSTER, award-winning translator
and sonneteer; and SUE OWEN, formerly poet-in-residence at Louisiana
State University and Louisiana Artist of the Year. All are widely published
poets of serious and light verse.
Founders: Amy Lowell, Robert Frost and Conrad
Aiken
How to Be a Good Public
Reader of Your Own Poetry with Patrick
Donnelly
12-1pm & 1-2pm
Mogan Cultural Center, 40 French Street
SE Mass Reading
12-12:55pm
Pollard Memorial Library, 401 Merrimack Street
12 Saturday, October 17th 2009
Melopoeia
2-2:55pm
St. Anne’s Church, 8 Kirk Street
Renku Performance by the Boston Haiku Society 3:00 P.m - 4:00 p.m.
3-3:55pm
Upstairs at the Old Court, 29 Central Street
Nature, Art & Poetry from Wild Apples Journal
Shinkei (1406-75), a Japanese poet-priest of the medieval period, developed 3-3:55pm
the conceptual grounding and artistic development of renga (linked ALL Arts Gallery, 246 Market Street
poetry), today called renku. Renku is a longer poem of alternating stanzas
by two or more poets shifting among traditional topics without a narrative Join the Editors of Wild Apples, a new journal of nature, art, and
progression. The performance of sculling blackbirds is a collaborative art inquiry, for a multimedia poetry reading. Taking its title and mission
form where the composer, Allen LeVines, choreographer-dancer, Emily from Thoreau’s 1862 essay, this color journal brings together poetry
Beattie and vocalist, Yumiko Matsuoka combine to respond to the renku and prose with the work of visual artists and photographers connected
idea as they interweave their unique expressions into performance elements. by common threads of care for the environment, social concerns,
The renku stanzas were developed collaboratively by Raffael de Gruttola, and commitment to the arts. Writer-editors Linda Hoffman, Susan
Karen Klein and Judson Evan who cross-adapted the dialogue of the one Edwards Richmond, Kathryn Liebowitz, and Sophie Wadsworth will
act play, called HAIKU, by Katherine Snodgrass, the Director of the Boston read poetry by Wild Apples authors Jane Hirshfield, Gary Metras,
Playwrights Theatre. The idea of renku performance was the original idea Red Pine and others, with a slide show of contributors’ artwork. Visit
of Tadashi Kondo, a renku Japanese scholar. wildapples.org for further information.
Group Reading featuring the Powow River Poets Revision Workshop with Wendy Mnookin
3-3:55 pm 3-4pm
X/O Studio & Gallery, 256 Market Street Mogan Cultural Center, 40 French Street
Based in Newburyport, the Powow River Poets, co-founded by Rhina Do you have poems that you want to take to the next level? Often as
Espaillat, are an award-winning group devoted to craft. Its members have writers we know that a poem needs something more, but we can’t
won The New Criterion Prize, The Richard Wilbur Award, and the T.S. identify what that “more” is. In this workshop, we will identify places
Eliot Prize. Featured at the Festival will be Michael Cantor, Len Krisak, Toni within the poem—an energetic line, a compelling stanza—that can
Treadway, and Richard Wollman. provide springboards to new material. Using prompts given by the
instructor, we will generate new material through free-writes and
explore how to mine this material for language, syntax and tone to
Ugly Truths: A Poetry Craft Panel Discussion
enhance the poem. Please bring two poems that you would like to
on Poems That Make Art from Shocking or Risky
work on.
Material
3-3:55pm
Cobblestones of Lowell, 91 Dutton Street
Intergenerational Poetry
Reading by Six Cape Cod Poets
sponsored by The Cape Cod
Writers Center
3-3:55pm
Pollard Memorial Library, 401 Merrimack
Street
Franz Wright
X.J. Kennedy
7-9 pm
Lowell High School Auditorium
50 Father Morissette Blvd.
Louise Glück
Louise Glück was born in New York City in 1943 and grew up on Long Island. She is the author of eleven books of poetry, most recently, A Village Life:Poems
(Farrar, Straus and Giroux, 2009) and Averno (Farrar, Straus and Giroux, 2006), a finalist for the 2006 National Book Award in Poetry; The Seven Ages
(2001); and Vita Nova (1999), winner of Boston Book Review’s Bingham Poetry Prize and The New Yorker’s Book Award in Poetry. In 2004, Sarabande Books
released her six-part poem “October” as a chapbook. Her other books include Meadowlands (1996); The Wild Iris (1992), which received the Pulitzer Prize
and the Poetry Society of America’s William Carlos Williams Award; Ararat (1990), for which she received the Library of Congress’s Rebekah Johnson
Bobbitt National Prize for Poetry; and The Triumph of Achilles (1985), which received the National Book Critics Circle Award, the Boston Globe Literary
Press Award, and the Poetry Society of America’s Melville Kane Award. In a review in The New Republic, the critic Helen Vendler wrote: “Louise Glück
is a poet of strong and haunting presence. Her poems, published in a series of memorable books over the last twenty years, have achieved the unusual
distinction of being neither”confessional” nor “intellectual” in the usual senses of those words.” She has also published a collection of essays, Proofs
and Theories: Essays on Poetry (1994), which won the PEN/Martha Albrand Award for Nonfiction. Her honors include the Bollingen Prize in Poetry, the
Lannan Literary Award for Poetry, a Sara Teasdale
Memorial Prize, the MIT Anniversary Medal and
Enjoy the 2nd Annual fellowships from the Guggenheim and Rockefeller
Foundations, and from the National Endowment
for the Arts. In the fall of 2003, she replaced Billy
Massachusetts Poetry Festival Collinsas the Library of Congress’s twelfth Poet
Laureate Consultant in Poetry. In 2003, she was
announced as the new judge of the Yale Series of
Younger Poets.
“There are few living poets whose new poems one always
feels eager to read. Louise Glück ranks at the top of the list.
Her writing’s emotional and rhetorical intensity are beyond
dispute.” -- The Washington Post
“Louise (Glück) sometimes uses language so plain it can
almost seem like someone is speaking to you spontaneously
– but it’s always intensely distinguished.” -- Robert Pinsky
Robert Pinsky
Anne Waldman
Anne Waldman has been an active member of the “Outrider” experimental poetry community for
over 40 years as writer, sprechstimme performer, professor, editor, magpie scholar, infra-structure
and cultural/political activist. She grew up on MacDougal Street in Greenwich Village, and moved
to Boulder, Colorado in 1974 when she co-founded The Jack Kerouac School of Disembodied Poetics
with Allen Ginsberg at Naropa University; she currently serves as Artistic Director of its celebrated
Summer Writing program. Waldman is the author of over 40 books of poetry, along with the poetic
text Outrider. Her most recent book is Manatee/Humanity (Penguin Poets 2009). She is editor of
The Beat Book (Shambhala Publications) and co-editor of The Angel Hair Anthology (Granary
Books), Civil Disobediences: Poetics and Politics in Action (Coffee House) and a comprehensive
Beats at Naropa (Coffee House, 2009). Waldman has worked actively for social change, and has
been involved with the Rocky Flats Truth and with Poets Against the War. She helped found The
Poetry Project at St Mark’s Church In-the-Bowery where she worked as first assistant director and
then director. She has been a student of Buddhism since 1962, a culturally active feminist, and an
ambassador for the oral revival of poetry, appearing on stages from Berlin to Caracas, from Mumbai
to Beijing. Ken Tucker of the New York Times says of her, “She is the fastest, wittiest woman to run
with the wolves in some time.”
Anne will be performing with Ambrose Bye, musician (keyboard, guitar, voice) and composer,
son of poets Anne Waldman and Reed Bye, grew up in the environment of The Jack Kerouac School
of Disembodied Poetics at Naropa University, counting Allen Ginsberg and William Burroughs as
“poetic” godfathers. He graduated from The University of California, Santa Cruz and is has studied
at the music /production program at the Pyramind Institute in San Francisco. He has studied and
played Gamelan in Bali and in Santa Cruz. He has performed on stage with Anne Waldman, and
Bob Holman in New York’s Issue Project Room in a program that included Steve Buscemi reading
form the work of William Burroughs. He accompanied Anne Waldman at The Boulder Theatre’s
“Music and Poetry for Progressives” headlined by Thurston Moors of Sonic Youth, and Jello Biafra.
His most recent CD is “Matching Half” with Anne Waldman and Akilah Oliver, produced by
Farfalla.McMillen, Parrish. His previous composing/ production credits include “In The Room of
Never Grieve”, and “The Eye of the Falcon” with poetry by Anne Waldman. He is working on new from top left, clockwise: Anne Waldman
project which includes the poet Amiri Baraka. in action, Robert Pinsky, Louise Glück &
Afaa Michael Weaver.
Afaa Michael Weaver, formerly known as Michael S. Weaver, was born in 1951 in Baltimore, Maryland, to working class parents. After two years at
the University of Maryland, he entered the factory life alongside his father and uncles, where he would remain for fifteen years. During that time,
he wrote short fiction and poetry during coffee breaks and started both 7th Son Press and Blind Alleys, a literary journal. His first book of poetry,
Water Song, was published in 1985. He soon received a National Endowments for the Arts fellowship for poetry; he left the factory to enter Brown
University’s graduate writing program, where he completed his M.A. Just before his move to Boston, Tess Onwueme, the Nigerian playwright, gave
him the Ibo name “Afaa,” meaning “oracle”. Weaver has published nine collections of poetry, including Multitudes, Sandy Point, and The Ten Lights
of God, all of which appeared in 2000. His full length play Rosa was produced in 1993, and his short fiction appears in Gloria Naylor’s Children of
the Night and in Maria Gillan’s Identity Lessons. Weaver has been a Pew Fellow in poetry and taught at both the National Taiwan University and
Taipei National University of the Arts. At Simmons College in Boston, Massachusetts, he is the Alumnae Professor of English and director of the Zora
Neale Hurston Literary Center. In addition, he is Chairman of the Simmons International Chinese Poetry Conference. To find out more, please visit
his website at www.afaamweaver.com.
20 Saturday, October 17th 2009
Four poetry slam teams will compete to win entrance into the 2010 National Poetry Slam. This is an official Poetry Slam
Incorporated event. The Nuyorican Poets Cafe Slam Team (NYC), Lizard Lounge Poetry Slam Team (Cambridge, MA), Bar
13 Slam Team, (NYC) and the Lowell Poetry Slam Team will square off to be the first Massachusetts Poetry Festival Slam
Champions. The top two finishing teams get automatic entries into the 2010 National Poetry Slam and cash prizes.
21
22 Sunday, October 18th 2009
“O tall redbrick
chimneys of the Cotton
Mills of Lowell, tall
redbrick goof of
Boott, swaying in the
terminus clouds of the
wild hoorah day and
dreambell afternoon--)”