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Cristina Bachmann, Heiko Bischoff, Marion Brer, Christina Kaboth, Insa Mingers, Sabine Pfeifer, Benjamin Schtte This PDF provides improved access for vision-impaired users. Please note that due to the complexity and number of images in this document, it is not possible to include text descriptions of images. The information in this document is subject to change without notice and does not represent a commitment on the part of Steinberg Media Technologies GmbH. The software described by this document is subject to a License Agreement and may not be copied to other media except as specifically allowed in the License Agreement. No part of this publication may be copied, reproduced, or otherwise transmitted or recorded, for any purpose, without prior written permission by Steinberg Media Technologies GmbH. Registered licensees of the product described herein may print one copy of this document for their personal use. All product and company names are or trademarks of their respective owners. For more information, please visit www.steinberg.net/trademarks. Release Date: December 3, 2012 Steinberg Media Technologies GmbH, 2012. All rights reserved.
Table of Contents
10
10 10
Introduction
About the Program Versions Key Command Conventions
55
55 57 57 58 60 62 64 69 69 70 70 80 83 84 85
11
12
12 19 21 21 22 24 25
26
26 26 27 31 31 32 37
VST Connections
About this chapter The VST Connections window Setting up busses Setting up group and FX channels About monitoring External instruments/effects (Cubase only) Editing operations
87
87 91 94 97 100 101 102 106 108 110 110 113 124 130
40
40 42 43 47 48 48 50 50 52 54
110 Recording
279 Automation
650 Synchronization
670 Video
680 ReWire
698 Customizing
698 698 700 702 704 706 709 711 712 716 717
901 Index
Introduction
10
Setting up audio
!
Make sure that all equipment is turned off before making any connections!
Connecting audio
Exactly how to set up your system depends on many different factors, e. g. the kind of project you wish to create, the external equipment you want to use, or the computer hardware available to you. Therefore, the following sections can only serve as examples. How you connect your equipment, i. e. whether you use digital or analog connections, also depends on your individual setup. Stereo input and output the simplest connection If you only use a stereo input and output from Cubase, you can connect your audio hardware, e. g. the inputs of your audio card or your audio interface, directly to the input source and the outputs to a power amplifier and speaker.
Simple stereo audio setup
This is probably the simplest of all setups once you have set up the internal input and output busses, you can connect your audio source, e. g. a microphone, to your audio interface and start recording.
12
Setting up audio
Multi-channel input and output Most likely however, you will have other audio equipment that you want to integrate with Cubase, using several input and output channels. Depending on the equipment available to you, there are two ways to go: either mixing using an external mixing desk, or mixing using the MixConsole inside Cubase. External mixing means having a hardware mixing device with a group or bus system that can be used for feeding inputs on your audio hardware. In the example below, four busses are used for feeding signals to the audio hardwares inputs. The four outputs are connected back to the mixer for monitoring and playback. Remaining mixer inputs can be used for connecting audio sources like microphones, instruments, etc.
Multi-channel audio setup using an external mixer