WORKS CITED Adkins, Lisa. Revisions: Gender and Sexuality in Late Modernity.

Buckingham, UK: Open University Press, 2002. Allen, Graham. Intertextuality: The New Critical Idiom. New York: Routledge. 2000. Allen, Robert. Horrible Prettiness: Burlesque and American Culture. Chapel Hill, NC: University of North Carolina Press, 1991. Applerouth, Scott, and Laura Desfor Edles. Classical and Contemporary Sociological Theory. Pine Forge Press: Los Angeles. 2008. Auslander, Philip. Theory for Performance Studies. Routledge: London. 2008. Bachelard, Gaston. Poetics of Space. Trans. Maria Jolas. Boston, MA: Beacon Press, 1964. Barnard, Alan. History and Theory in Anthropology. London: Oxford Press, 2004. Blunt, Alison and Robyn Dowling. Home. New York, NY: Routledge, 2006. Boetzkes, Amanda. Phenomenology and Interpretation Beyond the Flesh. Art History: Contemporary Perspectives on Methods. Ed. Dana Arnold. Wiley Blackwell: United Kingdom. 2010. p. 34 55. Bourdieu, Pierre. Outline of a Theory of Practice. London: Cambridge Press, 1977. Burt, Ramsay. The Male Dancer: Bodies, Spectacles, Sexualities. Routledge: London. 1995. Butler, Judith. Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory. The Art of Art History. Ed. Donald Preziosi. Oxford University Press: London. 2009. p. 356 66. Canete, Reuben. Masculinity and Advertising. Art and Its Context. University of Santo Tomas Publishing House: Manila. 2012. p. 50 64. Conquergood, Dwight. Rethinking Ethnography: Towards a Critical Cultural Politics. The SAGE Handbook of Performance Studies. Eds. D. Siyoni Madison and Judith Hamera. Thousand Oaks, CA: Sage Publications, 2006. p. 351 356. Corpus, Rina Angela. Defiant Daughters Dancing: Three Independent Women Dance. University of the Philippines Press: Quezon City. 2007. Cornwall, Andrea and Lindisfarne, Nancy. Introduction. in Dislocating Masculinity: Comparative Ethnographies. Eds. Andrea Cornwall and Nancy Lindisfarne. Routledge: London. 1994.

Csordas, Thomas. Introduction: the body as representation and being-in-the-world. Embodiment and Experience: Existential Ground of Culture and the Self. Cambridge Studies in Medical Anthropology. Ed. Thomas Csordas. Vol. 2. Cambridge University Press: London. 1994. p. 1 26. ______________. Embodiment: Agency, Sexual Difference and Illness. A Companion to the Anthropology of the Body and Embodiment. Ed. Frances Mascia-Lees. Sussex: Wiley Blackwell, 2011. p. 137 156. Davey, Nicholas. Hermeneutics of Seeing. Interpreting Visual Culture: Explorations in the Hermeneutics of the Visual. Eds. Ian Heywood and Barry Sandywell. Routledge: New York. 1999. p. 3 30. Davis, Robert Murray. Playing Cowboys: Low Culture and High Art in the Western. Oklahoma: Oklahoma University Press, 1994. Dones, Mylene Kay. The Dancing Body: Myra Beltrans Re-performing. Thesis. University of the Philippines. 2012. Edelman, Marc and Angelique Haugerud. Introduction: The Anthropology of Development and Globalization. The Anthropology of Development and Globalization. Oxford, UK: Blackwell Publishing, 2005. p. 1 74. Edwards, Tim. Cultures of Masculinity. Routledge: London. 2006. ___________. Erotics and Politics: Gay Male Sexuality, Masculinity and Feminism. Routledge: London. 1994. Egan, Danielle Egan, Frank, Katherine and Johnson, Melissa. Introduction: Third Wave Strippers: Flesh for Feminist Fantasy. Flesh for Fantasy: Producing and Consuming Exotic Dance. Eds. R. Danielle Egan, Katherine Frank, Melissa Johnson. Thunders Mouth Press: New York. 2005. Egan, R. Danielle. Phenomenology of Lap Dancing. Flesh for Fantasy: Producing and Consuming Exotic Dance. Eds. R. Danielle Egan, Katherine Frank and Merri Lisa Johnson. New York, NY: Thunders Mouth Press, 2006. p. 19 34. Egginton, William. How The World Became A Stage: Presence, Theatricality and Question of Modernity. New York, NY: SUNY Press, 2003. Featherstone, Mike. Consumer Culture and Postmodernism. London: Sage Publications, 2007. Fisher, Jennifer. Maverick Men in Ballet: Rethinking the Making It Macho Strategy. When Men Dance: Choreographing Masculinities Across Borders. Eds. Jennifer Fisher and Anthony Shay. London: Oxford Press, 2009. p. 31 48.

Fisher, Jennifer and Anthony Shay. Introduction. When Men Dance: Choreographing Masculinities Across Borders. Eds. Jennifer Fisher and Anthony Shay. Oxford University Press: London. 2009. p. 3 27. Forrest, David. Were Here, Were Queer, Were Not Going Shopping: Changing Gay Male Identities in Contemporary Britain. Dislocating Masculinity: Comparative Ethnographies. Eds. Andrea Cornwall and Nancy Lindisfarne. London: Routledge, 1994. p. 97-110. Foster, Susan Leigh. Reading Dancing: Bodies and Subjects in Contemporary American Dance. University of California Press: Los Angeles. 1986 Foucault, Michel. The History of Sexuality. Trans. Robert Hurley. Vol. 1. London: Vintage Books,1988. ______________. The Use of Pleasure. Trans. Robert Hurley. Vol. 2. London: Vintage Books, 1988. ______________. The Care of the Self. Trans. Robert Hurley. Vol. 3. London: Vintage Books, 1988. Frank, Katherine and Michelle Carnes. Gender and Space in Strip Clubs. Sex For Sale: Prostitution, Pornography and The Sex Industry. Ed. Ronald Weitzer. New York, NY: Routledge, 2010. p. 115 138. Freeman, Carla. Embodying and Affecting Neoliberalism. A Companion to the Anthropology of the Body and Embodiment. Ed. Frances Mascia-Lees. Sussex: Wiley Blackwell, 2011. p. 353 369. Garcia, J. Neil. Philippine Gay Culture: Binabae to Bakla, Silahis to MSM. University of the Philippines Press: Quezon City. 2008. Gardiner, Judith Kegan. Ed. Masculinity Studies and Feminist Theory: New Directions. Columbia University Press: New York. 2002. Geertz, Clifford. The Interpretation of Cultures. Basic Books: New York. 1973. Hart, Angie. Missing Masculinity: Prostitutes Client in Alicante, Spain. Dislocating Masculinity: Comparative Ethnographies. Eds. Andrea Cornwall and Nancy Lindisfarne. London: Routledge, 1994. p. 48-67. Highmore, Ben. Everyday Life and Cultural Theory: An Introduction. London: Routledge, 2002.

Jones, Amelia. Every Man Knows Where and How Beauty Gives Him Pleasure: Beauty Discourse and the Logic of Aesthetics. The Art of Art History. Ed. Donald Preziosi. 2nd ed. London: Oxford Press, 2009. p. 375 390. Kant, Immanuel. Critique of Judgment. Trans. Nicholas Walker. New York, NY: Oxford Press, 2007. Kimmel, Michael. Foreword. Masculinity Studies and Feminist Theory: New Directions. Ed. Judith Kegan Gardiner. Columbia University Press: New York. 2002. p. ix xi. Kulick, Don. The Gender of Brazilian Transgendered Prostitutes. The Masculinity Studies Reader. Eds. Rachel Adams and David Sauran. Blackwell:Massachusetts, USA/Oxford. 2002. Lancaster, Robert. When I was a Girl (Notes on Contrivance). A Companion to the Anthropology of the Body and Embodiment. Ed. Frances Mascia-Lees. Sussex: Wiley Blackwell, 2011. p. 46 71. Lefebvre, Henri. The Production of Space. Trans. Donald Nicholson Smith. Cambridge, MA: Basil Blackwell, 1991. Liepe-Levinson, Katherine. Strip Show: Performances of Gender and Desire. London: Routledge, 2002. MacMullan, Terrance. What Is Male Embodiment?, Revealing Male Bodies. Eds. Nancy Tuana, William Cowling, Mauric Hamington, Greg Johnson and Terrance MacMullan. Bloomington, IN: Indiana University Press, 2002. p. 1 18. Madison, D. Siyoni. Dwight Conquergoods Rethinking Ethnography. The SAGE Handbook of Performance Studies. Eds. D. Siyoni Madison and Judith Hamera. Thousand Oaks, CA: Sage Publications, 2006. p. 347 350. Marquez, Angelyn. Cheerdance as an Art Form: Focus on the UP Pep Squad. Thesis. University of the Philippines. 2012. Mascia-Lees, Frances. Aesthetic Embodiment and Commodity Capitalism. A Companion to the Anthropology of the Body and Embodiment. Ed. Frances Mascia-Lees. Sussex: Wiley-Blackwell, 2011. p. 3 23. Merleau-Ponty, Maurice. Phenomenology of Perception. Trans. Colin Smith. Routledge and Kegan Paul: New York. 1962. Moran, Dermot. Introduction to Phenomenology. Routledge: London. 2000. Mosse, George. The Image of Man: The Creation of Modern Masculinity. Oxford University Press: London. 1996.

Noland, Carrie. Agency and Embodiment: Performing Gestures/Producing Culture. Harvard University Press: Cambridge, Massachusetts. 2009. Petersen, Alan. Unmasking the Masculine: Men and Identity in a Sceptical Age. Sage Publications: London. 1998. Preziosi, Donald. Aesthetics. The Art of Art History. Ed. Donald Preziosi. 2nd ed. London: Oxford Press, 2009. p. 55 61. Sheets - Johnstone, Maxine. Phenomenology of Dance. The University of Wisconsin Press: Madison. 1966. Shteir, Rachel. Striptease: The Untold History of the Girlie Show. London: Oxford Press, 2004. Shouse, Eric. Feeling, Emotion, Affect. M/C Journal 8,6. December 2005. <http://journal.media-culture-org.au/0512-shouse.php> accessed August 25, 2013. Smith, A.D. The Flesh of Perception: Merleau-Ponty and Husserl. On Phenomenology of Perception. Ed. Thomas Baldwin. Routledge: New York. 2007. p. 1 - 22. Tan, Michael. Walking the Tightrope: Sexual Risk and Male Sex Work in the Philippines. Men Who Sell Sex: International Perspectives on Male Prostitution and HIV/AIDS. Ed. Peter Aggleton. London: University College London Press, 1999. p. 241 - 262. Thomas, Calvin. Reenfleshing the Bright Boys; Or, How Male Bodies Matter to Feminist Theory. Masculinity Studies and Feminist Theory: New Directions. Ed. Judith Kegan Gardiner. New York, NY: Columbia University Press, 2002. p. 60 89. Thomas, Helen. The Body, Dance and Cultural Theory. Palgrave Macmillan: New York. 2003a. ____________. Dance, Modernity and Culture: Explorations in the Sociology of Dance. Routledge: London. 2005b. Tiwari, Reena. Space-Body-Ritual: Performativity in the City. Plymouth, UK: Lexington Books, 2010. Tolentino, Rolando. Macho Dancing, the Feminization of Labor and Neoliberalism in the Philippines. TDR: The Drama Review. 53.2. 2009: p. 77-89. Vezina, Danielle Suzanne. Phenomenology of Dance. Diss. Simon Fraser University. 2006. Villaluz, Basilio Esteban. Treading Through: 45 Years of Philippine Dance. Quezon City: University of the Philippines Press, 2006.

White, John. Bertolt Brechts Dramatic Theory. New York, NY: Camden House, 2004. Wilson, Jacki. The Happy Stripper: Pleasures and Politics of the New Burlesque. Taurus: London. 2007. Weitzer, Ronald. Sex Work: Paradigms and Policies. Sex For Sale: Prostitution, Pornography and The Sex Industry. Ed. Ronald Weitzer. New York, NY: Routledge, 2010. p. 1 46. Winckelmann, Johann Joachim. Reflections on the Imitation of Greek Works in Paintings and Sculpture. The Art of Art History. Ed. Donald Preziosi. 2nd Edition. Oxford University Press: London. 2009. p. 27-34.