Académique Documents
Professionnel Documents
Culture Documents
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WaveLab is available in two different editions: WaveLab and WaveLab Elements.
Each one features stunning performance and crystal clear sound quality due to
Steinberg's highly acclaimed audio engine.
GENERAL
Maximum sample rate
Maximum number of audio tracks
Master section slots
Clip effects per clip
Real-time VST 3 effect plug-ins
Audio Montage Workspace for combining compilations of multiple audio files
Audio File Workspace for sample-accurate audio editing and analysis
Batch Processing Workspace for applying processing and plug-in chains to multiple audio files at once
Unlimited file size due to RF64 support
AUDIO ANALYSIS
3D Spectrum Analysis
Spectroscope, Oscilloscope, Level Meter
Global Audio Analysis
EBU-compliant loudness metering
Spectrometer, Bit-Meter, Phasescope, Wavescope
Audio analysis tools
WaveLab Control: Group your favorite analysis tools in one central spot
RESTORATION
Sonnox Restoration Suite
Spectrum editing
Error correction tools for automatic detection and correction of errors within the audio file
FORMATS & EXPORT
Metadata support
Support for various file formats, including WAV, BWF, SDII, MP3, RIFF, WMA & more
Burning engine and CD/DVD-audio support
Full support for the industry-standard DDP format
PROCESSING
Offline processors
Time Stretch & Pitch Correct
Effect Section with clip, track and master effects
iZotope MBIT+ Master Dither
EBU-compliant loudness processing
WORKFLOW
Single-window plug-in management
Audio file browser for simple audio file management
Transport panel for intuitive project navigation
16-bit float high-resolution waveform zooming
Auto Replay option
Podcast tools
Marker tools providing a clear structure in even the most complex arrangements
Speaker management system: Support for up to eight speaker setups
SuperClip concept makes it easy to deal with a large number of clips
Professional editing toolset, featuring Auto Split, custom clip export, select while playback and more
WaveLab 8 WaveLab Elements 8
39
What Do Madonna, Moby and Ministry of Sound Have in Common?
Andy Bolleshon, founder of Time Tools Mastering & Publishing, has devoted his life to music, working as a producer,
musician, mastering engineer, label owner and music publisher for over 15 years in the music industry. In 1988,
Bolleshon joined the Canadian electro-pop band Psyche as their live keyboardist only soon after to go on world tour
with Anne Clarke. After completing his training as studio assistant, he worked at several renowned London-based
music studios, later returning to Germany with a vision to establish mastering on an international level straight out of
the heart of Hanover. Since then, many internationally acclaimed musicians, including Fat Boy Slim, Moby, Timo
Maas and Mousse T., and superstars like Madonna and Tom Jones have turned to him.
Which aspects of your job do you enjoy the most? And how is it to work together with international stars the likes of Madonna?
It pleases me when an artist comes to us after months and months of hard work in order for us to give the music an
assertive sound and our special touch so that our customer can happily pass on the finalized album to the press plant.
Working with artists is very matter of fact when it comes to mastering. Since all stars have a tight schedule and many
people working for them, I mostly correspond with the record companies or the producers. In Madonna`s case, actually
everything went through the record company and management. On the other hand, there are many artists who want to
be personally involved. Peter Fox, who doesn`t want to leave anything to chance, is a really good example. First, he
requested test masters from various mastering studios before my studio and another studio finally got the job for mastering
his album. And it didn`t end here: the first single release Alles Neu from the album was mastered by both studios. Then,
the two masters were edited together and premiered on a Monday`s radio show, each being played for about 30 seconds.
The song was recorded from the home radio at home and analyzed. Finally, the song was mixed and mastered all over
again and broadcasted a second time on the Friday.
t
What Steinberg tools do you work with at Time Tools? And why do you use our software?
We work with Nuendo and WaveLab. Nuendo is used for playing back and recording within the analog signal chain. We
employ WaveLab to finalize projects and create the final CD or DDP master. Both programs allow for a workflow that is
very time-saving and efficient. This is a decisive factor since we are continuously required to meet deadlines.
The possibilities of home recording have continuously improved over the past years. Do you have a useful recording tip
for the Steinberg home recording users?
The most important thing is to ensure a good monitoring system before spending lots of money on other equipment. A
good acoustic space and the right loudspeakers are the foundation of a good mix. This knowledge is based on our daily
business: customers with a superior monitoring system usually provide the best mixes, even when working with only a
couple audio tools. I am sorry to say many people think that using 20 plug-ins per channel only achieves a great mix.
Actually, our experience shows time and again that less is more. When mastering, we have the means to affect the sound
and punch to a significant degree, which our customers are unable to achieve. Hence, it is usually easier to work on
untouched mixes in order for us to work to the full extent of our abilities.
Would you say there are more private customers nowadays that like to have their recordings professionally mastered?
Yes, this is certainly the case. Today we have more private customers who require our service. We even assist a number
of customers during the mixing process, making suggestions in order for them to achieve a better result. Keep in mind,
when it gets down to it the master can only be as good as the customer`s mix. Meanwhile many bands record and mix
their albums in their rehearsal rooms. It`s very similar with hip hop and dance music where most productions are home-
made. Due to bad monitoring conditions and the lack of experience, I can`t emphasize the importance of professional
mastering enough. Just imagine a band producing that dream-come-true album which will be played to their grandchildren
30 years down the line. Now this album is going to be mastered by someone who doesn`t cost much but also has no
experience. Sadly, the result won`t meet expectations - only to have saved a couple hundred. And that`s why many
private customers are truly happy to entrust us with their projects.
Nuendo empowers audio professionals working for the film, television and media industry to higher
levels of productivity, with a dedicated feature set that focuses on day-to-day production requirements
like workflow, speed, versatility and reliability. Post-production editors, film mixers as well as recording
engineers around the world rely on the flexibility and industry openness that Nuendo provides.
Nuendo 6 is perfectly tailored to film and TV post-production companies doing re-recording and
extensive surround mixing. Having the world`s most flexible mixing console and the high-quality
Channel Strip onboard, Nuendo 6 grants mixing results in industry-leading quality. With IOSONO`s
Anymix Pro plug-in, the world`s most advanced surround panning and upmixing software is part of
Nuendo. Next to the most comprehensive automation system for film-mixing available today,
advanced editing tools round out the most dedicated feature set for film post-production.
NUENDO 6 - Advanced Post and Audio Production System
Steve Tushar
Ghost Rider 2, Coraline, The Legend of Korra,
Harry Potter and Deathly Hallows (Game)
Top Features
The world`s most efficient audio
post-production environment
Groundbreaking new mixing console
and high-end channel strip
Anymix Pro from IOSONO for
state-of-the-art surround productions
Nuendo 6 ADR taker solution for voice
recording and language dubbing
Fully integrated loudness measure-
ment
Voxengo CurveEQ with sound-match-
ing technology
Redesigned user interface with
MemZap quick-jump function
Pro Sound Effects post-production
library
WIN MAC
42
The Nuendo 6 Expansion Kit (NEK) is a part of the Nuendo product range and brings the music tools of Cubase to the
Nuendo media production platform. NEK means complete compatibility with all Cubase music creation features and
import functionality for Cubase projects. With world-class instruments, innovative sound design tools and advanced
technologies for composers, the NEK transforms Nuendo into a professional, all-in-one solution for music and
post-production.
NUENDO 6 Expansion Kit
Nuendo SyncStation provides you with the perfect setting to interconnect external
audio and video systems and devices with the Nuendo audio and post-production
system. Rock-solid performance and true sample accuracy make the Nuendo
SyncStation a one-of-its-kind synchronizer solution.
NUENDO SyncStation
Top Features
All important synchronization tasks
are fulfilled within one unit
The world`s first sample accurate
synchronizer in conjunction with VST
System Link
Dedicated to Nuendo with a deep
integration that ends up in an
outstanding operation from within
Nuendo
Designed and built by Colin Broad
Works with all DAWs (with some
limitation), not just with Nuendo, even
standalone operation is possible
Cross-platform support for Nuendo
SyncStation together with Nuendo on
Mac OS X
Windows 7, Windows Vista and Win-
dows XP
VariAudio 2.0 Pitch detection and collection tool for monophonic
audio material
Chord Track that helps you detecting the harmony structure of
your song
Chord Assistant : Intelligent composing assistant helps you with
the creation of simple pop to complex jazz chord sequences
Beat Based Design Tools Loop Mash2, Groove Agent ONE and
Beat Designer
Expressive Creative Visions VST Expression
Professional Music Notation
Midi Editors Drum, List, Score
Premium Virtual Instruments HALion Sonic SE,
Padshop, Retrologue, Mystic, Spector, and Monologue
add-on
WIN MAC
43
Top Features
All-in-one music production studio
Easy to learn one-window design
More than 5,000 high-quality loops
and sounds
HALion Sonic SE, Groove Agent ONE
and VST Amp Rack SE
Full range of pro-audio effects
One-click tempo detection
Performance Mode
VST 3 support
WIN MAC
Sequel 3 is a software package that makes it both easy and fun to compose songs and give
performances. The package comes with over 5000 loops recorded by professional drummers,
bassists, pianists, guitar players, and other great performers. You can arrange these any way
you like to produce great songs in many musical genres.
Sequel 3 makes it easy to run authentic music creation processes: use the included virtual
sound module to create and play original phrases; record audio such as vocals, and guitars;
adjust the sound quality by judiciously choosing from a wide range of effects; and use the mixer
to balance your instrument levels.
SEQUEL 3 - Music Creation & Performance
Rocking out of your computer has never been more fun. Grab your six-string, plug into
your box running Sequel 3 and jam until your fingers fall off. Boasting an arsenal of virtual
amps, speaker cabinets and effects pedals, the VST Amp Rack SE is one powerful guitar
amp simulator that`ll dish out any gnarly sound you want.
One of the many Sequel features that make you go absolutely wild with your music is
Tempo Detection: remix your track in real time or put together another mixtape of some
of the long forgotten gems buried deep down within your music library.
But now for giving your tunes a serious groove: the Beat Page shows off a battery of
opportunities thanks to its easy-to-use Groove Agent ONE and Beat Designer, great tools
for creating custom beats that`ll stand out and set you above the rest. So powerful yet
simple and straightforward to use and understand, Sequel 3 comes without any restric-
tions to your creativity and lets you do what makes you happy, and that`s making music.
Turn your bedroom into a full-fledged studio T b d i t f ll fledged studio d
44
Cubase iC transforms your iOS device into a powerful remote control for Cubase. Whether you are using Cubase in the studio or on
stage, Cubase iC gives you fast and precise control of essential functions from anywhere within your Wi-Fi network`s range.
Cubase iC PRO is your personal recording assistant. Up to four dedicated cue mixes can be set up, giving musicians the freedom to adjust
their own mix with a phone or tablet. Cubase iC Pro is Cubase`s perfect companion!
Cubase iC gives you access to basic transport functions, allows you to monitor playback position and control the unique Arranger Track.
LoopMash is an innovative virtual instrument that presents you with a new way
to blend loops together by juggling similar elements across looped beats and
tunes. Now ported to the iOS platform, this sizzling hot instrument lets you
choose included loops ranging all the way from ethno to disco.
Based on a technology introduced by Yamaha, LoopMash is a stripped-down
version of the popular LoopMash virtual instrument featured in Cubase -
Advanced Music Production System.
CUBASE iC
CUBASE iC PRO
LOOP MASH HD
LOOP MASH and LOOP MASH FREE
Supported platforms
Loops per scene
Loop length in bars
Scenes available
Number of included loops
Number of included presets
Effects (hi-pass, low-pass, flanger, phaser)
"Performance effects
(tape-stops, stutters, tape scratches, etc.)"
Pitch transpose
Scenes naming option
Save presets
Share presets (via iTunes)
iPad
8
4
24
258
31
(19)
iPhone
iPod touch
iPad
4
2
8
272
51
iPhone
iPod touch
iPad
4
2
8
42
10
(available as add-on)
(available as add-on)
Functional Comparison LoopMash LoopMash HD LoopMash Free
Cubase iC transform
stage, Cubase iC gives you fast and precise contro
CUBASE iC PRO
emote control for Cubas erful re
C
ms your iOS device into a powe
45
Cubasis is Steinberg`s streamlined, multitouch sequencer for the iPad. Spe-
cially designed for quick and easy operation, Cubasis makes recording,
editing and mixing a breeze. You can also open your Cubasis projects in
Cubase under Windows and OS X! Cubasis places touch-intuitive production
tools in your hands, opening up a new world of possibilities for your creativity.
CUBASIS A new world of recording
70 virtual instrument sounds
based on the acclaimed HALion
Sonic workstation to start
producing tracks from scratch
Chord buttons: Store your
favorite chords and trigger them
later on by simply clicking the
corresponding number
Streamlined Key Editor:
Correct MIDI notes to perfection
Audiobus support:
Cubasis supports Audiobus from
V1.1.
Use the scalable virtual key-
board or the drum pads to play
an instrument or connect a Core
MIDI compliant external device
300 MIDI and audio loops
included to get you started
Use other apps as virtual
instruments via background
audio/MIDI
Brickwall Limiter ensures that
no clipping occurs whatever
level you throuw at it.
Cub
cial
edit
Cub
tool
CU
Unlimited audio and MIDI tracks (depending
on the device used)
Over 70 virtual instrument sounds based on
HALion Sonic
Mixer with over 10 effect processors (insert
and send effects)
Over 300 MIDI and audio loops
Virtual keyboard and virtual drum pads
Sample Editor and Key Editor
Export to Cubase, Dropbox, SoundCloud,
AudioCopy & email
Core Audio and Core MIDI compatible hard-
ware supported
Sequence other Core MIDI apps (MIDI re-
cording only) and run Cubasis simultane-
ously via background audio
MIDI clock send support
FLAC import and export support
Import audio from your iTunes music library
or using iTunes filesharing, use AudioPaste
or set up a Wi-Fi server in Cubasis
Audiobus support
Top Features
Steinberg, Cubase, VST and ASIO are registered trademarks of Steinberg Media Technologies GmbH.
Windows is a registered trademark of Microsoft Corporation in the United States and other countries.
Mac and Mac OS are trademarks of Apple inc., registered in the U.S. and other countries.
All other product and company names are and/or of their respective holders. All rights reserved.
All specifcations are subject to change without notice. 2013 Steinberg Media Technologies GmbH.
www.steinberg.net
Steinberg Solution Guide Int'l Edition, June 2013