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accuracy and consistency. A pair of limbs that are properly matched and synchronized in their dynamic efforts makes a bow easier to aim and, therefore, easier for humans to generate a repeat performance. Understanding the basics of limb structure and construction methods will help you guide your customers to the bow that better suits their needs. Ive presented that limb information in the following sections of this article.
TIP: The end away from the riser to which the axle and cams are mounted. WORKING AREA: the thinner section of the limb near its middle that bends when the bow is drawn. FADE OUT: this is a wedge shaped strengthening layer that is thickest in the butt end and thins as it extends toward the middle or working area of the limb. Another fadeout may also be used in the limb tip through which the axle hole is drilled. LAMINATE: a thin layer of material, usually containing fiberglass, which is glued to other thin layers to make a complete bow limb.
Most people mistake the back and front of the limb. The back is the side toward the target while the face is toward the archer. Note the other parts as labeled.
LIMB NOMENCLATURE:
FACE: the side of the limb facing the archer as he or she holds the bow at full draw. The face is also called the belly or compression side since it is compressed when the limb is bent. BACK: the side of the limb toward the target when the bow is held in the full draw position. The back is also called the expansion or tension side since it must expand when the limb is bent. BUTT END: the thickest end that is mounted into the handle riser.
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3. PREHEATING LAYERS: The assembled limb layers are stacked in an oven and preheated to approximately 130* F. Preheating will facilitate the glue curing process. 1. LAMINATIONS: This example of limb laminations shows the six layers in some of Dave Barnsdales limbs and a completed limb. Note the two separate fade-outs three layers from the left. Six layers will make this limb quite stiff to provide high peak weight. 2. STACKING LAYERS: The different layers forming the back, interior and face are selected and stacked for gluing. More and thicker layers make the limb harder to bend so it yields more peak weight while a layer of angled fiberglass will provide tip strength to withstand twisting.
Laminating also allows for the use of wood and other more exotic materials in one or more layers. 3) COMPRESSION MOLDED: Compression molding involves the laying of fibers length wise through a forming mold while a liquid resin material is introduced. The limb is heated under high pressure for a period of time and when the limb blank is cooled its ends are shaped to make a finished product. Compression molded limbs from Bear Archery are designed with a uniform cross section so unbroken fibers can run the full length. Thats why these limbs get wider in the thinner working areas.
method comes along that offers better reliability, longer life and more speed through higher efficiency. 1) MACHINED SINGLE PLY: A rectangular solid blank of fiberglass-reinforced epoxy plastic is the starting raw material for this limb style. In most cases the blank is supplied by Gordon Composites of Montrose, Colorado, and contains thousands of glass fibers running length-wise. The blank is machined on the face or belly side to create a thinner working section near the middle of the limb. The butt-end is
thicker to provide stable mounting to the riser while the tip end is thicker to provide tip stability and a strong mounting section for the cam axle. 2) LAMINATED: The laminated limb is built by gluing two to six layers of thin fiberglass-reinforced blanks. A thicker fadeout is glued between layers at the butt-end and another fadeout for axle mounting at the tip. The laminated limb is stronger and allows the use of differing materials in the layers. Some layers can contain fibers running at an angle to the limb length. Other limbs contain fiber fabric or glass mixed with carbon fibers to reduce the limb weight and increase the return speed.
4. GLUE APPLICATION: A steel blade is used to spread the two-part epoxy glue on both surfaces of all glue joints. This takes only a minute or two once you know what youre doing.
5. ASSEMBLED LAYERS: After the gluing application the limb sets are stacked in groups of fourteen and the glue tools cleaned.
6. PRESS PREP: Both the top and bottom press surfaces are waxed to prevent glue sticking to them. A silicon paper is also applied between the limb and press surfaces.
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days with Xi Bows/Indian Industries in Evansville, Indiana (now known as Escalade Sports, parent company of Bear Archery). It was a relatively simple three-layer limb a machined core with back and face layers glued to it. But that was twelve years ago so to get an update on the current status of limb building I called my good friend and master limb-maker Dave Barnsdale of Barnsdale Archery. Daves been building limbs for many years having worked for Ben Pearson and American Archery in the past. Today he builds limbs for customers who produce a wide variety of bows, including the current Pearson models. He also builds limbs for his own line of bows. I happen to have one of his Classic X bows with the shoot-through cable system and limbs with carbon/bamboo laminates. Its one of smoothest drawing and best aiming bows Ive ever shot. Barnsdale Archery builds custom limbs of various lengths, including 18.5 inch crossbow limbs and his standard five-layer recurved compound limb that is 13 to 19
inches long. Currently the majority of his limb business is a multilayer single cam limb that ranges from 12 to 16 inches. Dave tells me This limb is 1.5-inches wide and relatively thick at the tip to eliminate limb twisting and splitting in the wheel slot. It has as many as seven layers depending on the draw weight my customer needs.
7. PRESSING: The glue press top is closed on the limb, alignment is checked and about 110 pounds of pressure is applied. The pressure and 180 degreeF heat accelerates the glue curing process.
8. EDGE CUT: After the limbs have been removed from the press and have cooled their edges are sanded and shaped. Safe operation of the machines and dust collection are essentials at Barnsdale Archery.
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me. That puts a burden on planning ahead. Two types of glass composites are used for limb manufacturing. SGlass is a higher performance version of E-Glass where the S-glass fibers have a higher modulus (they vibrate and recover at a higher frequency) and greater strength. Matthews is using S-Glass in its new 1-1/8 limb on the Drenaline to reduce overall limb mass but still provide the strength needed. LAYUP & STACK: A set of raw materials for a limb must be assembled according to the above list. The six layers are selected, grouped in order from back to face and stacked. Dave prefers to build a hundred limbs at a time and, since he has fourteen limb presses, he stacks fourteen limb-sets together. These limb-sets are then preheated to facilitate the gluing process to come. GLUE PREPARATION: The twopart epoxy glue is mixed using a dispensing machine and preheated. PREHEAT PRESSES: The limb presses are preheated to about 130 degrees. GLUE APPLICATION: The glue is then spread onto each surface that is to be glued. In our six-layer example that would be ten surfaces two surfaces for each of five joints. Using a steel blade, this takes about one minute per limb-set (When you know what youre doing). Fourteen minutes later a set of fourteen limbs is prepared for the gluing press. The fourteen limb-sets are set aside and the tools cleaned. PRESS PREPARATION: The limb presses are opened and the surfaces waxed to prevent sticking. A nonstick silicon paper is also applied to the flat top surface and the shaped (the back and face are not parallel in a limb) bottom surface. INSERT LIMB IN PRESS: A limbset is inserted into the press and the press is closed onto it. The layer alignment must be checked to be sure that they are directly on top of each other as the pressure can cause some slippage between layers. PRESSURIZATION: The top press-surface is now forced down onto the bottom using about 110 psi
of air pressure. HEATING: The press surfaces are heated to about 185 degrees and held at that temperature for 30 minutes. This accelerates the chemical reaction that cures the epoxy. COOLING: The presses must be allowed to cool to about 130 degrees before the limbs can be removed. During this time the next set of fourteen limb sets can have glue applied to them. REMOVAL: The limbs are
removed and allowed to cool to room temperature. At this point the limbs are ready to be machined to customer specs. REPEAT: Continue this process until 100 limbs have been assembled, pressed and cooled.
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ed to remove the excess glue that squeezes from the glue joints. SIDE CUT: One edge of each limb must be cut using a diamondhead cutting machine. When one edge is cut the limb is moved to a second position in the cutting fixture and a new limb is inserted into the first position. The cutting machine then cuts the second edge on the first limb and the first edge on the second limb. Repeat this process until all 100 limbs are completed. WHEEL SLOT AND HOLE: A hole near the end of the wheel slot is drilled and a inch wheel slot is cut into the tip-end of each limb using a double-bladed machine tool. The slot edges are given a finish cut using a second machine. AXLE HOLE: The axle hole is drilled through the tip end. The tip end is then sanded round relative to this axle hole. BUTT CUT: The butt end is sawcut to length relative to the axle hole position. LIMB BOLT SLOT: The slot for the limb bolt is cut into the proper butt-end position. SURFACE SANDING: All sur-
faces are belt-sanded using 100 grit papers. FIT CHECK: Each limb is fitted into the customers limb pocket sample. Only enough extra space is allowed to accommodate the finish yet to be applied by the customer at his facility. BUFFING: All surfaces are buffed with a flap buffing wheel to remove all rough edges. DEFLECTION CHECK: Each
limb is inserted into a deflectiontesting unit to determine its spine or strength of bend. This deflection rating value is recorded on each limb and the limbs stacked. Any limb that is too heavy will be sanded to lower its deflection value into the usable range. SHIPPING: The limbs are then prepared for shipping to the customer. The customer then decorates the limb with his own logo and applies the desired finishes.
9. SLOT CUT: One of the main steps in limb making is cutting the wheel slot. The process is two-step, first the slot is rough cut then a second machine does the smoother, finish cut.
10. TIP SHAPING: Once the axle hole is drilled it is used as a reference to shape the limb tips. The process ends with sanding.
11. BUFFING: The shaped limb is buffed on a flap wheel buffer. The smoothed limb is now ready to receive any paint or other coating.
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POWER BUFF: The last step is power buffing much like the auto body shop does to your car. Rubbing compound and polish are used to give the limb its great final appearance.
TESTING PROCESS:
Manufacturers test their limbs before putting them into production. The reason is obvious; they dont want limb failure in the customers hands. Limbs that come back to the factory are no fun for manufacturers because they use up any profit made on that bow sale and also create a negative reputation that may be impossible to overcome. I remember some years ago that Xi/Indian Industries tested their twenty-layer laminated limbs by placing them in a dry-firing machine for 4000 to 5000 cycles at seventy pounds of draw weight. They did this at the Archery Trade Show for all to see. I got several pair of those welltested limbs and shot them on my target bows with good results I figured they were just getting limber and ready to use. They were incredibly strong. Most companies do some kind of dry-fire test as well as actual shooting with a shooting machine. They may also do a bend-test to find
how far the limb bends before failing. All of these tests help manufacturers build a reliable limb but nothing takes the place of putting them on bows and sending them out to consumers to do their thing. Thats when you find out if limbs can take the punishment of being run over by an ATV, dropped from a treestand or (this is a big one) left in a car trunk for five, hot summer days. As a dealer you could probably add ten more to this list youve seen lots of good examples of creative ways customers abuse their bows.
the purpose and can be easily used to assign limbs to a particular draw weight requirement for a given model bow. Dave uses the second method to rate his limbs. His bending fixture holds the limb in place, a fixed weight is attached through the axle holes and the deflection distance is recorded using a number value between one and one hundred fifty. The higher numbers indicate more limb-bend and a weaker limb. The first method, recording the loadforce amount, assigns lower number values to the weaker limb. For most of Daves customers he says the number system approximates about one-half pound of draw weight for each number unit on my scale. Keep in mind that there are a lot of variables to take into account when bending a limb on a bow and this to 1 ratio doesnt always hold true. Limb length, mounting angle on the bow and cam design all affect the draw weight that is generated on a given bow model. So, to get a good
12. BEND TEST: Dave bends each limb in a testing device using a fixed weight force. The amount it bends is recorded on the buttend of the limb so it can be matched with another to make a working pair. Circle 195 on Response Card
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match to a customers bow Dave reports I have to send the customer several sample pairs for testing. Based on the resulting experimental peak weight values I know what spine number will yield a given peak weight for that bow model. On his own line of custom bows Dave prefers to place a slightly weaker limb on the top. That means he places, for example, a #98 on the bottom and a #98+ on the top so that the top bends a pinch more than the bottom limb. For custom twin-cam finger-shooter bows he would place a #98 on the bottom and a #99 on top to get the best shooting results. Other companies may assign limb pairs in a different manner according to their experience. On my Hoyt bows I have noticed that the limbs have the same bend
number making them as closely matched as possible. For example, my Pro Tec has a set of four limb sticks that are all rated at #46. This bow with the Wheel & cams on will generate a maximum of 50 pounds but with the Cam & cams they only make about 40 pounds. Different shaped cams bend the limbs a different amount and, therefore, yield different peak weights. Limbs marked #56 (Hoyt uses the first method for bend testing) seem to generate about 60 # peak weight with the Cam & setup on my Pro Tec. With a different cam the limbs may generate a different peak weight. This means that manufacturers dont make a 70 pound limb; they make limbs of different spine value that generate 70 pound for a given cam. So, if you switch cams the
peak weight may be different because the limbs may bend a different distance more bend distance (tip deflection) and the peak weight will increase, less tip deflection and the peak weight will decrease. When dealers or consumers order new limbs or cams for a given bow the manufacturer wants to know the spine value of the limb being replaced or the peak weight desired. Then they must consult information charts on limb spine values and/or cam match ups in order to get the right limb or cam for the bow in question. To get the match up correct all the variables must be taken into consideration.
New AUCTION!
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CUSTOM LIMB: After painting and three-color silk-screening the limb is clear coated. Wet sanding brings the limb surface to its glossy final finish. These limbs contain carbon/bamboo laminations from Carl Lekavich that have high efficiency through quicker recovery on the power stroke.
being done by some really good bowyers. Paying close attention to the materials and the method used in limb making can help you better understand the materials in limbs and how to better guide customers to the various price levels of bows. Check these web sites for more information: BarnsdaleArchery.com GordonComposites.com Keep well, shoot straight. Larry Editor's Note: Larry Wise's first book, Tuning Your Compound Bow, has been updated with a new chapter on hybrid cams plus other new information. His latest, "Core Archery" details correct form in a step-by-step format, defines back tension and how to execute it, and presents a plan for the high performance mental game. Get either though his web site www.larrywise.com, or by phone at (717) 436-9168. They are also available from Target Communications, 7626 W. Donges Bay Road, Mequon, WI 53079. Larry Wise is available to conduct one-day and two-day shooting schools at your facility. This is a great way to jump start a league program, to grow participation among your customer base in competitive archery and to help position your pro shop as the place where people learn to shoot better. Contact Larry Wise at the address or phone number above for more details.
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CONCLUSION:
I want to thank Dave for giving me so much of his time while I was putting this article together. He also did most of the pictures. Learning more about the limb making process helps me understand what Im seeing when I look at all the bows on the market as well as the custom work
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Circle 160 on Response Card
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