EXTENSION 1 ENGLISH HSC ASSESSMENT TASK 1- EXTENDED RESPONSE
Technology and Morality
in Science Fiction
Brendan Wilson
Technology and Morality in Science Fiction
Brendan Wilson Page 1
cience fiction explores the human condition in relation to scientific and technological advancement. Typically, the innovations that are presented are reflections of concerns within the zeitgeist where the genre transfers hypothetical premises into the very stream of socio-logical occurrences 1 . The nature of these subjects is extended to futuristic or alternate societies containing major technological developments where the responder is presented with a critique of their society outside the parameters of their present context or milieu. Therefore the human condition is explored through various timeframes inhabiting different political and technological epochs. Stanley Kubrick explores the nature of morality interplayed with technology through the 1968 film 2001: A Space Odyssey which was according to George Lucas, the first time people took science fiction seriously 2 . This question of morality in the midst of technology is conventional in the case of science fiction where it is similarly explored through H.G. Wells 1897 novel The Invisible Man and Peter Porters 1983 poem Your Attention Please. These texts explore the relationship between technology and morality through differing situations and contexts, and through this the texts of the science fiction genre form a statement concerning the timelessness of the issues they explore and critique in which contributes to the genres textual integrity. 2001: A Space Odyssey possesses many of the required features and conventions that deem it as a science fiction text. The generic and recognisable traits of the genre that the iconic film possesses are space travel, artificial intelligence (AI) featured through HAL 9000, time travel as shown in David Bowmans adventure beyond the infinite and extra-terrestrials (ET) which are depicted as the black monolith. However, despite these scientifically derived features, the movie additionally explores elements of the human condition such as morality and power. The text explores morality and the human condition in the unknown void of space along with strange technologies and beings such as AI and ET life-forms. The machine aesthetic is represented in the film through the prolonged scenes of spacecraft as well as the crew dwelling inside of the Discovery One accompanied by beauteous orchestral music. This association subsequently links the aesthetic nature of the soundtrack to the footage, and ultimately the depicted technology where technology becomes much more a matter of representation, of aesthetics, of style 3 . This conveys how science and technology has the ability to imitate naturally human emotions and notions of appearance where fundamentally science is implanted deeply within every aspect of the film, even those that seem essentially human. This use of the conventional components of science fiction in Kubricks movie brands it as a text of the genre. Science fiction consists of a plethora of sub-genres which in themselves are specified by certain and more distinguishing features and conventions. 2001: A Space Odyssey falls under the category of hard science-fiction and fulfils the criterion for the sub-genre of first contact.
1 Stanislaw Lem, On the Structural Analysis of Science Fiction 2 Gary Leva, Standing on the Shoulders of Kubrick: The Legacy of 2001 3 R.L. Rutsky, High Techne: Art and Technology From the Machine Aesthetic to the Posthuman S Technology and Morality in Science Fiction
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Scientific laws are considered in the film and hence technologies are altered or created to satisfy the logic behind these laws as Kubrick was very keen on 2001s scientific accuracy 4 . This application is evident in innovations such as the zero gravity toilet and the absence of sound in the scenes that take place in open space. The depiction of ET life in the film also bears a scientific basis, where according to Carl Sagan; to have the alien beings resemble that of terrestrial life would establish at least an element of falseness 5 . As a result, Kubrick decided to represent ET life as, as he states, immortal machine entities where they have undergone evolution to the state of becoming beings of pure energy and spirit. These aspects of the text that have been developed on the basis of scientific fact therefore deem it as hard science fiction, additionally, the inclusion of foreign life-forms and mans contact with them also subjectifies the film to the sub-genre of first contact. Science fiction differs from other genres that fall under the speculative fiction category. This is on account of the scientific possibility regarding the fantastical or unrealistic features evident in the genre. The typical future setting allows presently established nations, corporations and technologies to appear, where the use of these familiarities create verisimilitude. The use of these familiar cultural aspects additionally presents the context of the time of composition, as well as predictions to their position in the future. In 2001: A Space Odyssey the reference of brand names such as that of Pan American, Hilton and IBM establish a sense of truth to the depicted future where the non-existent technologies and ideas are branded to be plausible elements of the near-future. Therefore the use of familiarities establishes context and attaches plausibility to science fiction texts. It also aids in transferring ideas and predictions of the near-future to the responders mind. The features of 2001: A Space Odyssey and The Invisible Man present speculation of new technologies that were discussed or emerging in the contextual epoch. The main innovation that is challenged is computers and invisibility. The main question that comes into the equation regarding computers is morality where the antagonist of Kubricks film, HAL 9000 plots to murder the crew of Discovery One; most of which attempts are successful. HALs nature is indicated to the responder consistently through his representational red light which attaches symbolic connotations of evil. HAL is quite a paradoxical character where he is a complex character with greater emotional depth than any of the people in the film 6 , which is antithetical to the common perceptions of intelligent machines. Aspects of the human condition are relevant in HALs intellect, where he attempts to abandon Bowman and murder the remaining crew in order of self-preservation. This is exemplified where HAL explains to Bowman that he was aware Bowman and Frank Poole were planning to disconnect him and that is something he cannot allow to happen. This is juxtaposed where Bowman miraculously enters Discovery One and disconnects HAL, also an act of survival which
4 Robert Kolker, Stanley Kubricks 2001: A Space Odyssey: New Essays 5 Carl Sagan, The Cosmic Connection 6 Barry Keith Grant, Of Men and Monoliths: Science Fiction, Gender, and 2001: A Space Odyssey Technology and Morality in Science Fiction
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builds a similarity between the nature of humans and that of AI. The extent of HALs morality is a commonly explored theme in science fiction where it is similarly represented in The Invisible Man. Griffin; the invisible man is brought to a mad and homicidal state due to his applied scientific innovation despite the common conventions of humanity. Griffin dismisses the idea of applying his discovery to peaceful purposes but rather seeks to establish a Reign of Terror and dominate society. Therefore the place of morality in technology is presented in the film and novel through the entity of AI and humans themselves, posing a didactic message that cautions us about the ways in which we deal with the technologies we invent 7 . This relevant didacticism of the consequential detriment to man that is consistently presented also proves the genres textual integrity. Additionally, another controversial topic which is presented in 2001: A Space Odyssey as well as Your Attention Please is nuclear warfare which portrays the inhumane basis of scientific advancement. Contextually, the 1960s and 1980s were times of tension concerning nuclear warfare, and it was a dominant fear in western society. Through the inclusion of this subject, Kubrick makes a prediction about space and how it can ultimately extend the parameters of military conflict. The match cut between the apes bone weapon and the spaceship houses a deeper meaning when considered with the soundtrack. The match cut metaphorically links the bone and the spacecraft through the idea of weaponry. The soundtrack that accompanies the prolonged scene of spacecraft is Johan Strauss Blue Danube Waltz which creates a link between the spacecraft and atomics with the name of Britains first nuclear weapon being the Blue Danube. Porters poem also reflects relevant contextual fears concerning Atomic Attack with capitalisation indicating the fear and power behind the threat of nuclear weaponry. This links to Elias Wybers rhetorical question of whether science fiction is inventing (or predicting) the future, or discussing the present 8 . As exemplified, the first part of the statement is suited to 2001: A Space Odyssey as a result of its futuristic setting and use of advanced technologies that are not as yet harnessed. Texts of science fiction typically present situations which are predictions of future events, technologies or applications of them in which these prophetic depictions usually revolve around controversial subjects of the time. However, in Your Attention Please it is the present that is blatantly discussed where an extreme eventuation of atomic fear is proposed to the extent where survival kit[s]and capsulesfor painless death are issued. This shows the immoral actions that are anticipated in the dystopian event of nuclear war. The mention of the Government in the context of atomic war also shows the powerful capabilities that can be unlocked by governments through technology. Therefore both texts furthermore present the immoral nature of technological advancement and how it comes into the equation concerning power in which is a consistently represented concept in science fiction.
7 Robert Kolker, Stanley Kubricks 2001: A Space Odyssey: New Essays 8 Elias Wyber, Science Fiction- Inventing the Future or Describing the Present Technology and Morality in Science Fiction
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Rationality and high intelligence seems to neglect morality in science fiction texts. The HAL 9000 of 2001: A Space Odyssey possesses infallible knowledge and is incapable of error; however, this trait is dramatically ironic from a human perspective where HALs future actions are considered morally incorrect. This is relevant also to The Invisible Man where Griffin is a man of high intelligence and advanced science where subsequently he is capable of unlocking a great scientific discovery; however he considers using his discovery to enact a Reign of Terror. The situation in Your Attention Please proposes rationality and subsequently immorality due to the contradicting nature between logic and emotions. This is exemplified where the old and bed-ridden are ordered to be left to die through the use of imperatives due to the scientific perspective rather than that subject to emotions. Therefore the instinctual logical and rational values of science are further conveyed through the genre where hence morality is neglected. Gender inequality is certainly evident in 2001: A Space Odyssey where the journey into the final frontier and beyond the infinite does not have a place for females. The only appearance of the woman in the unknown void is when she is serving food on the Pan Am flight or attending the Hilton hotel reception. This rather obvious exclusion of the gender is making a comment about the role of females, along with the congruent feature of its predecessor, Homers The Odyssey. Much like the protagonist of Kubricks film, Bowman, the hero of Homers epic poem is also a male, Odysseus. By comparing these two texts it can be seen that in cultural forms of various points of time the male gender has been considered the most suited for the adventurous role. In 2001: A Space Odyssey this prejudice feature may be necessary to convey certain messages. Poole and Bowman both share a personal relationship with HAL where the computer is considered just as another person who even asks personal question[s] Therefore, later when HAL poses a threat to Bowmans survival, Bowman disconnects him despite the friendship they shared. This is an act that is most possible of a male, due to their machine-like characteristics where emotion must be subtracted from the equation as proven throughout time with the typical function of laborious work and battle. This perspective drawing focus to the animalistic nature of men is also evident in costuming where the space helmets of Bowman and Poole resemble that of a reptilian head with beak-like structure and large circles representing eyes. Therefore the presented unbalanced inclusion of gender roles within the film serves a purpose and constructs a statement concerning the suitability of certain genders in unknown and dangerous realms. An alternate theory of evolutionary anthropology is presented in 2001: A Space Odyssey where the hypothesis is suggested that the evolution of man has been prompted by ET intelligence. This is conveyed in the Dawn of Man scene where following the Primates encounter with the black monolith they undergo metamorphosis and learn to use bones as tools. The appearance of the monolith is of a cuboid shape, similar to that of a brick which visually establishes its purpose as a building block of biological development and hence a Technology and Morality in Science Fiction
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material necessary for evolution. Other evolutionary symbols that arise after the interaction with the monolith are bipedalism. This idea is further strengthened through the match cut of the bone and spacecraft where the juxtaposition shows the eventuation of evolutionary change. Therefore the hypothesis possesses both ideas of creationism and evolution where a hybrid opinion is portrayed, stating that evolution was fuelled by exterior beings. This change of nature of the apes is blatantly violent and lacks morality from a human perspective. The predicament aboard Discovery One is similar, where HAL, a figment of knowledge obviously lacks humane values to a certain extent. Hence it can be seen through these situations that the enlightenment and enhancement of knowledge through the proposed event of evolution is a trigger for immoral actions. As derived, science fiction portrays a vivid picture that has the ability to reflect controversial topics of the time as well as prophesise dire consequences relative to technological and scientific development through didacticism. As manifested, morality relevant to the human condition is a commonly explored theme throughout the genre in which poses a message of caution which maintains the textual integrity. With logic and knowledge being a fuelling force of the genre, ideas concerning the future as well as the past have the opportunity to be conveyed. As a result the genre is a hybrid of both creativity interplayed with logic where interesting and valid opinions are communicated which educates one about the present, as well as the future which accounts for the enduring relevance of science fiction.