Examination Preparation Section B: Media and Collective Identity Past Papers Specimen Paper Provided by the Board
1. Discuss the contemporary representation of a nation, region or social group in the media, using specific textual examples from at least two media to support your answer.
2. How far does the representation of a specific social group change over time? Refer to at least two media in your answer. Past Papers June 2010
3. With reference to any one group of people that you have studied, discuss how their identity has been mediated.
4. Media representations are complex, not simple and straightforward. How far do you agree with this statement in relation to the collective group that you have studied? Past Papers January 2010
5. Analyse the ways in which the media represent one group of people that you have studied.
6. The media do not construct collective identity; they merely reflect it. Discuss. HOW TO SECURE A LEVEL 4 ANSWER There are no hard and fast rules, but the examiners' report on the June 2010 exam gives some tips:
Collective Identity stronger answers were able to explain two or three different theoretical ideas about the relationship between identity and media and to apply these ideas to a range of examples. The high level 4 answers offered a critical response to the theoretical ideas, informed by what the examples offer by way of confirmation or rebuttal. There were different ways in to this question, all of which were equally appropriate. Some Candidates spent more time on theories of representation, others on debates around identity and media, and some dealt with both. Writers referenced ranged broadly a good thing with common application of Marx, Althusser, Hall, Gramsci, Butler, Gauntlett, Winship, Mulvey, Geraghty. HOW TO SECURE A LEVEL 4 ANSWER Therefore you MUST include references or quotations on: representation (in our case representation of youth) apply key theories such as Snow, Gramsci, Cohen or Gauntlett ideology hegemony You must also make your connections between examples and theoretical context explicit and sustained. You must be able to set at least two different approaches against each other, for example theories about passive and active audiences. Very importantly your examples from both media should be dominated by contemporary examples with at least one past and one future reference. SO WHAT DO THESE KEY TERMS ACTUALLY MEAN? Representation is the construction in any medium (especially mass media) of aspects of reality, such as people, places, objects, events, cultural identities and other abstracts concepts.
For more detail, see the Media Knowall website. SO WHAT DO THESE KEY TERMS ACTUALLY MEAN? Ideology for the purposes of Media Studies is, put simply, the ideas behind a media text.
In any society, there is an agreed set of beliefs that underpins that society. For example, the moral values of Christianity that underpin much of the British society even today. For Marxists there is the belief that these ideologies are a control mechanism. SO WHAT DO THESE KEY TERMS ACTUALLY MEAN? Hegemony the accepted and agreed beliefs in any particular society.
For example, you could say that football has hegemonic status in the UK: you won't see coverage of any other sport in the same depth; everyone is expected to understand and accept its national importance. There are two separate but related issues in this exam: 1. How are groups of people (young people) represented? How are these representations contructed?
2. How do these representations impact upon our sense of identity? How do audiences use these representations to create/ understand their identity? Therefore: Is identity something we construct or something we discover? Is identity something we share with others? How do media texts impact on our sense of identity? Is identity fixed or does it change? Is identity something we are or something we do? Our case study You need to include past, contemporary (present) and future discussions. You need to include at least two types of media (e.g. Newspapers and film)
Past youth subcultures and moral panic 1. the Mods and Quadrophenia (could also look at other sub-cultures, e.g. Punks, skinheads, and other films such as This is England) 2. Early depictions of hoodies in newspapers, up to 2009 (e.g. Eden Lake, Harry Brown) Our case study Contemporary hoodies and moral panic 1. Depictions of young people in the newspapers prior to the August riots of 2011 (e.g. Reporting on Cameron and hug a hoodie; Attack the Block [2011]) 2. Depictions of young people during the August riots and in the aftermath (newspaper headlines, use of images, discussions of issues) leading to creation of Ill Manors (2012) in reaction to these representations. 3. The riots, nearly two years on: any changes or positive representations (e.g. the Olympics) Our case study Future how do you see the representation of young people developing in the media? Future debates Has the representation of youth changed from past to present? Or are we going to have the same representations as we had before? (i.e. demonisation of youth) The norm, both in the past and currently, is for older creators to construct representation of youth. So is this the future - younger writers/directors getting involved to create more truthful, relevant representations? Do you really think representations of youth will change? Will truthful, relevant representations be found on the internet where UK youth are already in control (to a certain degree) of how they are represented through Youtube and Facebook?