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Our Analysis
Project Niagara assumes they can help the Town and Region “find the
resources” (from the Provincial or Federal governments) to pay for any
infrastructure costs, such as relocating the sewage lagoons. What if they
can’t?
Is this green or brown development?
o While the intention is to protect the Carolinian forest, the site will be developed
and much of the landscape will be artificial. “Constructed landforms” will
complement the architecture of the amphitheatre, and acoustic barriers will “also
be implemented to contain and absorb sound.” Instead of natural meadows,
formal gardens will be planted. However sensitive to its natural surroundings, the
construction of an amphitheatre, support buildings, concessions, toilets for 4,500
people and “orchard” parking for 2,010 cars nevertheless constitutes
development.
o In fact, the study smacks of “greenwashing.” Developing the site is presented as
a “public rehabilitation project” that would only happen because of Project
Niagara. Similar claims are implied regarding the sewage lagoons. “Orchard
parking,” while doubtless more attractive than acres of asphalt, is indicative of the
intent to exploit and artificially enhance this natural resource.
o At the end of the day, this is still a car-centric attraction.
The proponents are exploiting the site and the Niagara “brand.”
o The report acknowledges there is a “crowded marketplace.” The strategy is
therefore to exploit the Niagara brand. The report is rife with disjointed
references to the Shaw Festival, wineries, agriculture, heritage and the region’s
natural wonders. The curatorial approach to programming, using “themes and
storytelling,” further builds on this strategy. While innovative, it speaks to the
almost desperate need to distinguish Project Niagara from established festivals
such as Tanglewood and Ravinia. (Note: the fact that Mahler declared “Finally!
Fortissimo!” upon seeing Niagara Falls does not make his music “uniquely
Canadian”).
o While the study does clarify why the Lakeshore Road property was selected,
what stands out is less about why the site is suitable to music presentation and
more about what Project Niagara can exploit and leverage from a marketing
standpoint. The forest, the battle site, rhapsodic descriptions of vistas (e.g. “the
skyline of Toronto floating magically above the horizon”) are all referenced
repeatedly. Whatever the effect the festival may have on the site, it is clear the
site is good for the festival.
Are the benefits real?
o Direct economic benefit to NOTL remains unclear
TREIM (the Province’s tourism economic impact model) numbers are at
the regional and provincial level only
Project Niagara visitors “will be welcome to bring their own food and
beverage”
o A case can be made that there is more economic benefit outside NOTL than in
Artist accommodations will be outside NOTL
Falls Management and OLG funded the study because they see benefit
to the Casinos
63% of Project Niagara visitors are assumed to be already in the region
and not extending their stay, which means they will either divert spending
from other attractions, or stay elsewhere in the region where
accommodation is less expensive.
o One can argue that the TREIM model presents an inflated view of the economic
impact of Project Niagara. 79% of visitors are projected to come from Canada.
While this may bode well for Niagara, the money spent by Canadians is
essentially being diverted from expenditures elsewhere. We are recycling our
own money. Only expenditures from the 54,300 U.S. and International visitors
drive net new benefit to the economy.
o The study was completed before the economic downtown, from which some
experts predict it will take ten years to recover.
The tone of the study detracts from its credibility.
o Hyperbolical language such as “iconic”, “high-end” and “over the top” is
dangerously out of step with today’s world. It is not green. It does not recognize
current economic turbulence or the imperative to live within our means.
o The study exaggerates and contradicts itself.
It suggests that typical tourists are “short-stay” low expenditure types,
and claims it will “attract a different type of tourist.” It says it will do so in
concert with other “higher-end attractions such as the Shaw Festival and
the wine tours,” which implies we already have that type of tourist.
Further, its claim that 80% of visitors will already be here contradicts the
claim that “a different type of tourist” will be attracted.
It acknowledges a traffic study is required to determine how many more
cars will be on NOTL roads as a result of the festival. But it claims that it
will simply return visitors levels to pre-2004. Since it also points out that
50% of visitors to NOTL come between June and September, Project
Niagara actually represents a 20% increase over current, and a 17%
increase over pre-2004, visitor levels.
It reports the Region identified $5.6million was required to “make the
Lakeshore Road site accessible and safe,” yet later claims Project
Niagara “has brought forward no new infrastructure initiatives for
consideration.” This is untrue, because widening Lakeshore Road was
not in the Transportation Master Plan.
It uses references data to its advantage, citing Year 1 figures in
reference to traffic impacts, but Year 5 figures in reference to economic
benefits.
There is something suspicious about the assumptions on attendance.
The study assumes 210,000 people are already in the region and only
52,000 will be destination attendees. Yet current statistics are that 70%
of all visitors to the region are day trippers. That suggests a
disproportionately high percent of concert goers will come from overnight
visitors. That seems unlikely for a self-contained event within a 2-hour
drive of 9.4 million people (7.1 million Canadians), especially when the
assumed audience will be 79% Canadian.
Given the text of the study is prone to hyperbole, exaggeration and self-
contradiction, can we really believe the numbers?