claudia bosse

dominant powers. what is to be done then?

biografski krajolici novog zagreba
dominantpowers. whatistobedonethen?
installation, performance, premiere
30june2012,8.30p.m.
1july2012,8.30p.m. /followedbyadiscussion,11p.m.
2july2012,8.30p.m.
location:
museumofcontemporaryart zagreb(MSU),
avenijadubrovnik17,10000zagreb
biographical landscapesofnewzagreb
art transfer, live-installation
openinghoursprivatehomes
30june1july,10a.m. 2p.m.
2july,2p.m. 5.30pm
6different privatehomesinnewzagreb

dominantpowers. tonamjeiniti?
performansi instalacija
30. lipnja2012. u20.30
1. srpnja2012. u20.30/razgovorsumjetnicimau23.00
2. srpnja2012. u20.30
lokacija:
muzej suvremeneumjetnosti zagreb(MSU)
av. dubrovnik17, zagreb

biografski krajolici novogzagreba
biografskeiveinstalacijei transferumjetnina
vrijemeposjetaprivatnihstanova
30. lipnja1. srpnja,10.0014.00
2. srpnja,14.0017.30
est razliitihprivatnihstanovaunovomzagrebu
SREDIE
STANBR.1//APARTMANTNO.1
BruneBuia23
SOPOT
STANBR.2 //APARTMANTNO.2
MilovanaKovaevia12
Remember:RememberMalevitch
1986.
Prolaznicakojusamsluajnosreou16.04.2001. //
WomenpasserbyI met bychanceat16.04.2001.
aroviI
1980.
Ljerka
1986.
Beznaslova//Untitled
enapredtelevizorom//
Womaninfront oftheTV
1982.
Beznaslova//untitled
Recital
1983.
SOPOT
STANBR.3//APARTMANTNO.3
Pimanova6
VESOVI, MilisavMio
ZaRexa//forRex
1983.
UTRINE
STANBR.4 //APARTMANTNO.4
PrilazMateBalote2
STILINOVI, Mladen
Izpoetnice//fromelementaryreaders
1977.
GALETA, IvanLadislav
Dvosmjerni bicikl //Two-waybicycle
1978.-1979.
TRAVNO
STANBR.5 //APARTMANTNO.5
BoidaraMagovca23
BUAN, Boris
NewYork, theportrait ofJesusChrist, Sept11,2001.
2001.
DUGAVE
STANBR. 6 //APARTMANTNO. 6
ureDomainovia11
JERMAN, eljko
MojagodinaII //MyyearII
1997.
Zgradaiz//buildingfrom:1997.
TomislavLukai,1987.
Uselio//movedin:1997.
Zgradaiz//buildingfrom:1971.
JadrankaAli,1955.
Uselila//movedin:1978.
IvanAli,1985.
Uselio//movedin:1985.
Zgradaiz//buildingfrom:'70ih//'70s
SiniaGlogoki,1987.
Uselio//movedin:2011.
Zgradaiz//buildingfrom:'70ih/'70s
FrankaHorvat,1983.
Uselila//movedin:2010.
AleksandarKondi,1983.
Uselio//movedin:2008.
Zgradaiz//buildingfrom:1974.
SvjetlanaLugar,1949.
Uselila//movedin:1982.
Zgradaiz//buildingfrom:1981.
ZrinkaTatomir,1947.
Uselila //movedin:1983.
VladimirTatomir,1983.
Uselio//movedin:1983.
VESOVI, MilisavMio
POSAVEC, Ivan DIMITRIJEVI, Braco
PICELJ, Ivan
VESOVI, MilisavMio
POSAVEC, Ivan
Kajzerica
Zaprue
Sredie
Dugave
Sopot
Travno
Najmlae naselje Novog Zagreba graeno je osamdesetih godina. Za
razliku od svih ostalih njegovo ime ne dolazi od starog toponima ve ga je
osmislio hrvatski pjesnik Gustav Krklec aludirajui na urbanistiku ideju o
ovomnaselju kao u buduemnovomcentru grada. Naselje se moe
promatrati u dva dijela: istoni dio koji je slijedio temeljne urbanistike
zasade originalnog plana arhitekta Vinka Uhlika izgraen u osamdesetim
godinama i zapadni dio koji je krajemdevedesetih a osobito od prije
nekoliko godina u potpunosti odbacio sve pozitivne ideje i principe
izgradnje grada kakve su se razvijale tijekom30 godina izgradnje
Novog Zagreba.

the youngest settlement of new zagreb was built in the eighties. unlike all
the others, its name does not originate froman old toponymbut was coined
by the croatian poet gustav krklec as an allusion to the urban planning idea
for this settlement as the future new town centre. the settlement can be
viewed in two parts: the eastern part, following fundamental urban
planning tenets of the original plan by architect vinko uhlik and built in the
eighties, and the western part, which in the late nineties and especially in
the past few years completely rejected all the positive ideas and principles
of town building developed during the 30-year construction of
new zagreb.
naselje nastaje u prvoj polovici sedamdesetih godina. na iskustvima ve
izraslih kvartova poput sopota i zaprua,tih godina arhitekti
polemiziraju o potrebi za slobodnijomurbanistikomshemomunutar
kvarta, koja bi uz funkcionalnost nudila i vie organikih formi. arhitekt
miroslav kollenz, 1975. godine smilja novu urbanistiku jedinicu koja
e kasnije postati travno. u elji da umjesto brojnih manjih parkova
poput onih u zapruu i sopotu, buduimstanovnicima travnog ponudi
jedan veliki, on konstruira ovalni park u centru naselja u obliku goleme
tratine. ova urbanistika invencija utjecala je na kruno formiranje
cijeloga naselja te na potrebu za zgradama velikog kapaciteta poput
mamutice (zgrade s 5000 stanara) koje nadoknauju gubitak graevne
povrine zbog tratine.
the settlement was constructed in the first half of the seventies. based
on experiences fromalready developed neighbourhoods such as sopot
and zaprue, in those years architects discussed the need to have a less
rigid urban planning scheme within the neighbourhood, offering more
organic forms alongside functionality. architect miroslav kollenz
devised a new urban planning unit in1975 which would later become
travno. in a desire to offer one large park to the future residents of
travno, as opposed to numerous smaller parks like the ones in zaprue
and sopot, he designed an oval park shaped as a giant lawn in the
centre of the settlement. this urban planning inventiveness influenced
the circular formation of the entire settlement and the need to
construct large capacity buildings such as mamutica (a building with
5000 residents) that make up for the loss of construction surfaces due
to the lawn.
godine 1977. zapoela je izgradnja naselja dugave prema urbanistikomplanu
autorskog tima u sastavu: ivan imek, tomislav odak, tomislav bili i zdenko vazdar.
prilikomnjegova projektiranja naputeno je do tada vaee naelo ortogonalnog
rasporeda ulica, te se u oblikovanju zgrada i njihovomsuodnosu s okolinomprepoznaje
organiki pristup i odstupanje od rigidnih modernistikih naela pravih linija. osnovno
obiljeje dugava je sredinji park u ijemcentru se nalazi osnovna kola izgraena
1980. prema viestruko nagraivanomprojektu arhitekta radovana tajdera. oko
sredinjeg parka krui cesta koja povezuje cijelo naselje konstruirano od manjih skupina
polukrunih zgrada koje zatvaraju male privatne zelene parkove.
the construction of the dugave settlement began in1977 according to the urban
development plan froma teamof authors: ivan imek, tomislav odak, tomislav bili
and zdenko vazdar. during its design the orthogonal street layout, the governing
principle up to that point, was abandoned and a more organic approach in building
formation and the creation of their relationship with the surroundings is clearly evident,
as well as a departure fromthe rigid modernist principle of straight lines is clearly
evident. the basic feature of dugave is the central park with a primary school in its
centre. the school was constructed in1980 according to the project of architect radovan
tajder which received several awards. a road encircles the central park and connects the
entire settlement constructed of smaller groups of semi-circular buildings enclosing
small private green parks.
NOVI ZAGREB
nakon drugog svjetskog rata snanimpoticanjemindustrijalizacije
i urbanizacije moderne republike jugoslavije nastavlja se ve od
prije rata zapoeto doseljavanje velikog broj bivih
poljoprivrednika sa sela i iz provincija cijele hrvatske u zagreb,
koji ovdje postaju radnici i sudionici u stvaranju modernog
drutva. stotinu godina postojea granica rijeke save po prvi puta
se prelazi premjetanjemzagrebakog velesajma 1956. da bi
odmah sljedee godine zapoela planirana izgradnja sjevernog
dijela naselja savski gaj. izgradnjommosta slobode1959.
postavljaju se uvjeti za rapidno urbaniziranje irokog prostora
polja, panjaka i plavnog podruja budueg novog zagreba.
Godine1965., zavren je elaborat urbanistikog plana grada
zagreba, kojimsu bile zacrtane i smjernice razvoja novog dijela
grada za daljnjih30 godina. svako sljedee izgraeno naselje
svojimje urbanistikimi arhitektonskiminovacijama pokualo
iznai najbolje rjeenje u slubi modernistike funkcionalnosti i
ugodne svakodnevice.
NEWZAGREB
with a strong stimulus to industrialisation and urbanisation of the
modern-day republic of yugoslavia after the second world war, a
large number of former agriculturists fromthe countryside and
provincial areas of croatia moved to zagreb, which is a process
that began even before the war, and there they became workers
and took their part in the creation of a modern society. the sava
river, a border that existed for a hundred years, was crossed for
the first time when the zagreb trade fair was relocated in1956 and
the planned construction of the northern part of the housing
estate savski gaj began immediately in the following year. the
construction of the liberty bridge in1959 created the conditions
for a rapid urbanisation of a wide area of fields, pastures and flood
areas in newzagreb. the study for the urban development plan of
the city of zagreb was completed in1965 and it also set the
guidelines for the development of the newpart of town for the
next 30 years. each subsequent built settlement tried to find the
best solution with its innovations in architecture and urban
planning, all in the service of modernist functionality and
comfortable everyday life.
Nastalo ezdesetih godina Sopot je naselje koje se od poetka
doivljava kao dva naselja zrcalno oblikovana i snano
podijeljena centralnimpojasomvrtia i kole. Unutar zgusnutog
rasporeda pravilno postavljenih zgrada i nebodera niu se mali
privatni parkovi s mnotvomzelenila i drvea. Iako opremljen
svimpotrebnimsadrajema od vrtia, osnovnih i srednjih kola
te duana, Sopotu nedostaje centralni prostor sastajanja i
komunikacije to se snano reflektira u nedostatku jaeg
drutvenog ivota u naselju.
Built in the sixties, Sopot is a settlement that was perceived
fromthe very beginning as two mirror-shaped settlements
strongly divided with a school and kindergarten acting as
central zone. The dense arrangement of orthogonally placed
buildings and skyscrapers contains small private parks with an
abundance of greenery and trees. Although containing all the
necessary amenities such as kindergartens, primary and high
schools and corner shops, Sopot lacks a central location for
meeting and communication which strongly reflects in the lack
of a stronger social life within the settlement.
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5
Utrine
Biografski Krajolici
Novog Zagreba
utrina ili utrine je naselje graeno veinompoetkomsedamdesetih godina,
odmah nakon dovretka susjednog zaprua. odlikuje ga heterogenost pri
oblikovanju kvarta. raznolikost tipa graevina, od limenki, preko gradskih
kua u nizu do dvije vrste nebodera, proizlazi iz injenice da ga je gradilo
nekoliko razliitih graevinskih tvrtki. za razliku od rigidno pravilnog zrcalno
simetrinog urbanistikog plana poput onog u sopotu i zapruu, utrina je
specifina upravo po otklonu od smjetanja sadrajnog centra u geometrijski
centar naselja. ivot utrine se odvija na trnici koja se smjestila jugoistono od
sredita naselja komunicirajui tako bolje pothodnikomsa susjednimkvartom
zapruem. u tome se jasno vidi da promiljeno urbanistiko planiranje novog
zagreba nije bilo ogranieno samo na pojedini kvart, ve na sklop nekoliko
susjednih naselja i njihovu sadrajnu i infrastrukturalnu uspjenu povezanost.

utrina or utrine is a settlement that was largely built in the 1970s, immediately
following the competition of its neighbor, zaprue settlement. the built
structure of utrina is characterized by a heterogeneous design. the fact that its
realization was carried out by a few different construction firms accounts for
the variety of building types in the settlement, including row houses, two
types of towers, and long, aluminum-clad blocks. in contrast to the rigid,
formal, symmetrical urban plan that characterizes sopot or zaprue, the urban
plan of utrina is specific in its deviation in the location of the programmatic
center, which is usually at geometric center of a settlement. averyday life in
utrina, on the other hand, takes place in the open-air market located
southeast of the settlement's geometric center, and thereby better
communicates, through the underpass, with the neighboring zaprue.
clearly, the thoroughly thought-out urban planning of new zagreb was not
limited to a specific settlement, but applied to entire complexes of
neighboring settlements, as well as to their programmatic and infrastructural
interrelatedness.