Assanova's Simplicity

www.realassanova.
com
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Assanovas Simplicity
The No Bullshit Guide To One-Night Stands
www.realassanova.com
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Foreword
The Chosen Verses. Why ar e t hey i mpor t ant t o t hi s gui de?
The mor e t hat you f ocus on The Chosen Ver ses, t he easi er i t
becomes. The easi er i t becomes, t he mor e st eps you can
ski p. The mor e st eps you ski p, t he l ess wor k you l l have t o
do. Read t hem. Pr act i ce t hem. Become them.
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Introduction
About Me
The i Pod. 2: 3, t he exact r at i o f or beaut y f ound i n nat ur e.
Me. What do t hey al l have i n common? Per f ect i on. Not onl y
ar e t hey per f ect , but t hey ar e pr oof t hat t he best t hi ngs
i n l i f e t r ul y ar e simple. Thi ngs l i ke t hi s gui de.
J okes asi de, because we al l know t hat t he i Pod i sn t
per f ect , t her e ar e t hr ee r easons why I wr ot e t hi s book. So,
what ar e t hey?
One. Sever al of my f r i ends wer e havi ng hor r i bl e r esul t s
wi t h r out i ne st yl e game
Jeepers Creepers: Can I get your opi ni on on
somet hi ng?
Girl: Yeah, sur e.
Jeepers Creepers: Who l i es mor e, guys or gi r l s?
Girl: Guys.
Jeepers Creepers: ( Oh f uck, oh f uck, she s suppose
t o say gi r l s! )
Girl: umm?
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Jeepers Creepers: Hol d on. ( What s t he next st ep,
what s t he next st ep? Got t a r emember , got t a r emember . )
Girl: Buh- bye.
Two. Most of t he beaut i f ul women i n your ci t y go t o a smal l
handf ul of cl ubs. And as a r esul t , t hey pr obabl y know each
ot her . Rout i ne st yl e game has no pl ace her e, as you wi l l
soon become bl ackl i st ed
Girl One: Do you know t hat guy?
Girl Two: Yeah, he appr oaches al l of my f r i ends wi t h
t hat guess a number bet ween one and f our game.
Girl One: He does t hat t o al l of your f r i ends t oo! ?!
I t hought I was t he onl y one!
Girl Two: Wai t , he s l ooki ng over her e. Run!
And t he same way al l of t he f or est cr eat ur es r un bef or e an
i mpendi ng nat ur al di sast er , t he women f l ee.
Thr ee. You si mpl y don t have t he t i me t o memor i ze r out i nes
Assanova: Hey, how ar e you?
Girl: Good, and you?
Assanova: I j ust want ed t o l et you know t hat
Uhoh, her e comes
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Jeepers Creepers: Oh, my gr andma has a shi ny pai r of
shoes, j ust l i ke your s, Assanova.
Oh, I get i t . He s t r yi ng t o bust up my game. Must have
l ear ned t hat one i n hi s r out i ne book. I ve got one f or
t hat . I t s no r out i ne, but i t comes f r ommy can of whoop-
ass
Assanova: Can t you see t hat we r e t al ki ng? Fuck of f
bef or e I ki ck your t eet h i n.
Jeepers Creepers: Oooooo, macho man.
Girl:
Assanova:
Jeepers Creepers: The si l ent t r eat ment . Ki nd of l i ke
Chuck Nor r i s. You and your si l ent t r eat ment gonna ki ck
my ass, macho man?
Girl: I t hi nk i t s t i me f or you t o l eave.
Wi t hi n a mat t er of moment s, J eeper s Cr eeper s r out i ne book
has shut hi mout of t he conver sat i on. I f onl y I coul d count
t he number of t i mes t hat I ve seen men ki l l t hei r own game
due t o t hei r const ant r unni ng of r out i nes.
And t hat s exact l y what I seek t o el i mi nat e wi t h t hi s
gui de. When you f i ni sh t hi s, you shoul d have no dependency
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on routines. Ever yt hi ng you do and say wi l l be compl et el y
nat ur al , whi l e usi ng t he l east amount of ef f or t possi bl e.
Ther e wi l l be no speci al l i nes t o r ecal l , no magi c t r i cks,
and most i mpor t ant l y, no bullshit. Gent l emen, i t s t i me t o
get l ai d t he si mpl e way. Wel come t o Assanovas Simplicity.
The no bullshit gui de t o one ni ght st ands.
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Chapter One: The Pre-game
Looks
Beaut y. I t s i n t he eye of t he behol der
Bandit: You have a r eal l y uni que st yl e.
Finnish Chick: I t s r eal l yedgy? Your sui t i s r eal l y
cl ean, but your t - shi r t makes i t pop.
Bandit: Wai t , why ar e we si t t i ng her e t al ki ng about
t he way Assanova i s dr essed?
I mnot goi ng t o make t hi s sect i on l ong, because by now,
you shoul d know how t o dr ess decent l y. But what I wi l l say,
i s t hat t he way you dr ess shoul d be t he si mi l ar t o t he
t ypes of women you want t o at t r act .
I f you want cl assy women, t hen dr ess cl assy. I f you want
r ocker chi cks, t hen dr ess l i ke a r ocker . And i f you want
doped up cr ack heads? Then shi t , you bet t er j ump i n honey
and go r ol l ar ound i n cr ack r ocks.
However , t ake i t a st ep f ur t her , out do your compet i t i on by
ki cki ng i t up a not ch. Al t hough I have no i dea of how
you r e goi ng t o t op a guy wi t h cr ack al l over hi s body, you
can out - dr ess your compet i t i on by wear i ng one or t wo i t ems
f r omanot her cul t ur e.
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For i nst ance, al t hough I pr i mar i l y go t o cl assy bar s, I
wear a l abr et pi er ci ng t hat i s pr i mar i l y seen i n punk
cul t ur e. Or I somet i mes wear a j acket I pur chased t hat has
r ai nbow st i t chi ng and edges al l wor n out wi t h st r i ngs
hangi ng. Anot her r ocker / punki sh i t em.
The pur pose i sn t t o make a woman say Why i s t hi s guy
wear i ng a space sui t t o a swi mmi ng pool ?, but That s an
i nt er est i ng combi nat i on. . Ther e s a di f f er ence bet ween a
t wo- year ol d s Hal l oween cost ume, and act ual l y wear i ng
somet hi ng t hat has ar t i st i c expr essi on.
I n gener al , when i t comes t o l ooks, you want t o l ook cl ean,
wear t he best shoes you can af f or d, wear cl ean cl ot hes, and
what t he f uck? I t i sn t r ocket sci ence.
Location
The ver y f i r st mi st ake t hat can f uck up your ent i r e ni ght
and ki l l any chance of get t i ng l ai d? The pl ace you deci de
t o go. Yes, i t mat t er s t hat much.
I pi ck up women i n some of t he most di f f i cul t bar s i n my
ci t y. I n or der t o get t hese women, you need st at us, l ot s
and l ot s of st at us. For t unat el y f or me, st at us i s what I
have.
And f or t unat el y f or al l of us, we get t o choose t he pl ace
we go t o pi ck up women. When you r e l ooki ng at l ocat i on,
you need t o ask your sel f t hr ee t hi ngs. What ar e t hese women
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l ooki ng f or ? What t ypes of men do t hey want ? And do I meet
t hese cr i t er i a?
For i nst ance, At Br ot her s, a bar downt own, t her e ar e a l ot
of bachel or et t e par t i es f ul l of mar r i ed women. However ,
t hese mar r i ed women ar e pr obabl y j ust out t o have f un. And
t he chances of one of t hemgoi ng home wi t h you ar e sl i m.
But at Azur i , an age 25+ cr owd up nor t h, t he mar r i ed women
t her e ar e pr omi scuous and ar e pr obabl y l ooki ng f or a good
f uck. I n ot her wor ds, i t s a compl et el y di f f er ent bar
cul t ur e.
As f or t ypes of guys, i t s pr et t y sel f - expl anat or y. Women
wi l l go t o cl ubs t hat have t he hi ghest r at i o of men t hey d
l i ke t o f uck. Bei ng an ur ban guy t hat can dance, I d have a
bet t er chance of get t i ng l ai d at a cl ub t hat pl ays hi p- hop
musi c wher e women l i ke t o dance, t han I woul d at a count r y
west er n spor t s bar .
Thi s r ul e doesn t j ust cat er t o bar s. I t wor ks ever ywher e.
I onl y at t empt t o get women at pl aces t hat ar e goi ng t o
have women wi t h some of t he same i nt er est s as me. Why i s
t hi s so i mpor t ant ? You l l f i nd out why i n a f ew chapt er s.
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Chapter Two: Approaching
Eye Contact
Ther e ar e t wo ways t o appr oach a woman. You can appr oach
her wi t h eye cont act , or you can appr oach her bl i nd. Eye
cont act ? I t s ver y si mpl e. You don t go wal ki ng ar ound
l ooki ng f or i t . I f she l i kes you, she l l make sur e t hat you
see her l ooki ng at you.
I f she s gi vi ng you eye cont act , t hen go f or i t .
I mmedi at el y. Don t bul l shi t ar ound wi t h your boys. Don t
wai t f or t he per f ect moment , because i t j ust i sn t goi ng t o
happen. She want s you t o t al k t o her , and she want s you t o
t al k t o her now. And i f you don t , some ot her guy wi l l .
When goi ng i n wi t h eye cont act , t her e i s no need t o be t oo
asser t i ve or t oo l oud. You can use your nor mal t one of
voi ce.
Now what i f you ar en t get t i ng any eye cont act , and you
have t o f l y bl i nd? Never t hought you d ask. The onl y
di f f er ence bet ween goi ng i n wi t h eye cont act , and goi ng i n
bl i nd, i s your t one of voi ce.
When you go i n bl i nd, you have t o be asser t i ve, speak
l oudl y, and hol d your gr ound unt i l she r esponds. When I say
asser t i ve , t hi s doesn t mean get t i ng i n her f ace, but
get t i ng cl ose enough t o wher e she knows t hat you r e t al ki ng
t o her .
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As many of you know, i n qui t e a f ew i nst ances, I have cut
r i ght t hr ough guys, and t hen opened t he gi r l . Ther e was no
way f or t hemt o mi st ake me f or t al ki ng t o anyone el se.
When I say speak l oudl y , I si mpl y mean speaki ng l oud
enough so t hat she hear s you. Of t ent i mes, men wi l l appr oach
women, mumbl e or speak sof t l y, and t hen wonder why she
r ej ect ed or i gnor ed hi m. Thi s i s because t hey di dn t speak
l oud enough.
I f you r e not get t i ng a r esponse f r oma gi r l , chances ar e
t hat you ei t her ar en t bei ng asser t i ve enough, or you r e
speaki ng t oo sof t l y.
Hol di ng your gr ound. What does t hi s mean? She i gnor es you
f or a br i ef moment or she l ooks at you wi t hout sayi ng a
wor d. Thi s i s t he par t wher e you hol d eye cont act , don t
budge, and i nt r oduce your sel f .
When f ol l owi ng t he above, I have NEVER had a woman not
acknowl edge my exi st ence.
Opening
Now t hat you have her at t ent i on, what do you f ol l ow up
wi t h? A compl i cat ed r out i ne or t est ? No
Assanova: Hey.
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Or
Assanova: How ar e you?
Or
Assanova: I mAssanova, and you ar e?
As you can see, I amsimple in my approach. The number one
compl ai nt among women about men who appr oach t hem? Cheesy
opener s, so I avoi d t hemat al l cost s.
Loud Venues
Assanova
Jonesy: How do I appr oach i n l oud venues?
I mgoi ng t o assume t hat you al r eady t r i ed speaki ng l oudl y,
but what i f i t s t oo l oud? One, avoi d t he l oud ar eas by
goi ng somewher e qui et or out si de.
Or t wo, become mor e ani mat ed. Bei ng ani mat ed onl y wor ks
when you r e get t i ng eye cont act . Thi s i nvol ves t he
exagger at i on of movement s and f aci al expr essi ons.
Exampl es? I f I mdi sappoi nt ed, I l l show i t by sl owl y
wal ki ng away. I f I msur pr i sed, my ent i r e body j ust ki nd of
j umps back, and i f she s r eal l y eye f ucki ng me, t hen I l l
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l ook her up and down r i ght back. The poi nt i s t hat I m
acknowl edgi ng t hat I see her l ooki ng at me.
And i f I mnot get t i ng eye cont act ? A si mpl e bump or l i ght
t ap on her ar mwor ks t o get her at t ent i on. Not hi ng speci al .
Fr omher e, we can move on.
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Chapter Three: Conversation
My f avor i t e chapt er . Wher e a l ot of guys r unni ng t he
r out i ne based game
Jeepers Creepers: You l ook l i ke Davi d Bowi e.
Girl: Who?
Jeepers Creepers: What s your opi ni on on hi s pant s?
Girl: I sai d I don t know what a Davi d Bowi e i s.
Jeepers Creepers: I pr edi ct ed t hat wi t h my magi cal
Pyr ami d Cube game.
Girl: Cube as i n Rubi k Cube, t he one wi t h al l of t he
squar es and col or s?
Jeepers Creepers: Guess a number bet ween 1 and 4 and
I l l t el l you.
Girl: 10. As i n seconds f or you t o get out of her e.
Jeepers Creepers: ( Hol y f uck. My r out i ne book
doesn t say anyt hi ng about a r out i ne f or when I r un
out of r out i nes. )
f al l f l at on t hei r f aces.
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State of Mind
This is the most
important part of
this guide.
The ver y r eason why one guy says somet hi ng and succeeds,
and anot her guy says t he exact same t hi ng and f ai l s. St at e
of mi nd. What i s i t ?
I t i s t he t ype of ener gy t hat you r e exudi ng ont o ot her s.
I mnot one f or mi r r or i ng, as i t has been f ound t o make t he
second par t y f eel uneasy. For t hat , I have somet hi ng
bet t er . I ve been doi ng i t my ent i r e l i f e, and i t s
pr obabl y t he si ngl e most usef ul t r ai t t hat I have.
What psychol ogi st s have come t o f i nd, i s t hat when
i nt er act i ng wi t h one anot her , peopl e t end t o f i nd a mi ddl e
gr ound i n t hei r behavi or s. Exampl e? Let s say t hat you r e
l oud, and t he ot her per son i s qui et . What you l l f i nd when
t he t wo of you ar e i nt er act i ng, i s t hat you l l l ower your
voi ce, and t hey l l speak up unt i l t he t wo of you meet
somewher e i n t he mi ddl e.
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But what happens when you have a domi nat i ng per sonal i t y i n
gener al , whet her i t s good or bad? I l l t el l you what
happens. When i nt er act i ng wi t h peopl e, t hey l l come up t o
your l evel .
Evi dence of what I mean? Have you ever seen someone wal k
i nt o a r oom, usual l y t he char i smat i c par t i er , and al l of a
sudden, ever yone el se l i ght s up because of hi s or her
pr esence? Or what about t he downer guy, l i ke your t ypi cal
boss f i gur e, t hat comes ar ound and al l of a sudden,
ever yone i s depr essed?
Ever wat ch a mar t i al ar t s movi e, and al l of a sudden you
want t o ki ck ass? Or what about when a woman wat ches a l ove
f i l m, and she st ar t s t o f eel al l l ovey- dovey? What t hi s i s,
i s t he t r ansf er of domi nant ener gy.
The char act er s i n t hose f i l ms ar en t goi ng t o change no
mat t er what , so i n essence, t hei r ener gy i s domi nant . The
vi ewer br i ngs hi mor her sel f t o t he ot her par t i es
emot i onal st at e of mi nd.
How does t hi s r el at e t o conver sat i on? I f you go i nt o
conver sat i on wi t h anyone, and you hol d your ener gy l evel t o
wher ever you want i t t o be, t he peopl e ar ound you wi l l have
no choi ce but t o come t o your l evel . Use i t t o your
advant age.
I f I mhappy, l i ke I ammost of t he t i me, peopl e want t o be
ar ound me because I make t hemf eel happy. I f I mr eal l y
exci t ed about somet hi ng, t hen t he peopl e ar ound me become
exci t ed. I f I msexual , t hen t he gi r l has no choi ce but t o
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become sexual , r esul t i ng i n sex. And i f you r e l i ke J eeper s
Cr eeper s
Jeepers Creepers: Assanova, wat ch me t r ansf er my
ener gy by l eer i ng at her
Girl: Uhhh, get away f r omme. You r e cr eepy.
t he gi r l f eel s cr ept out .
I f you have a domi nat i ng st at e of mi nd, why do women come
t o your l evel ? Because you r e not meet i ng her at her
emot i onal l evel , or anywher e i n bet weenyou r e hol di ng your
posi t i on. She wi l l nat ur al l y come meet you unt i l t her e i s
equi l i br i umi n your st at es of mi nd.
My poi nt i s t hat you need t o choose a pleasurable emotional
state when t al ki ng, and st i ck t o i t , no mat t er what .
Tr ansf er your ener gy t o her , and don t l et anyone t r ansf er
hi s or her s t o you. You do t hi s, and you cont r ol her
emot i onal st at e, as wel l as t hose ar ound you.
Even J eeper s Cr eeper s st i cks t o hi s emot i onal st at e. And
t hi s i s why so many women ar e cr ept out by hi m. Li ke hi mor
not , he has a domi nant emot i onal st at e t hat he t r ansf er s t o
t hose ar ound hi m.
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How to Talk
So, how do you t al k t o a woman? We al r eady di scussed how
you coul d cont r ol her mood and emot i onal st at e by
mai nt ai ni ng your own. But enough about t heor y, l et s t al k
about t he concr et e st uf f .
Thi s i s wher e I get t he most quest i ons, because what
happens, af t er about f i ve mi nut es of r out i ne based
conver sat i on, t he guy r uns out of st uf f t o say. Keywor d i s
say. What you shoul d be doi ng, i s aski ng
Who?
What ?
When?
Wher e?
Why?
I n addi t i on t o Di d you ( enj oy i t et c. ) ?, Woul d you ( do
i t agai n et c. ) ?, et c. That s pr et t y much al l I do when i n
conver sat i on. I nst ead of expl ai ni ng, I t hi nk i t s bet t er
t hat I gi ve exampl es
Example 1:
Assanova: How ar e you?
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Girl: Good.
Assanova: That s good. I r eal l y l i ke your shoes,
wher e d you get t hem?
Example 2:
Assanova: Hey.
She st ar es
Assanova: I j ust want ed t o t el l you t hat you r e
at t r act i ve.
Girl: Thank you?
Assanova: I mAssanova, and you ar e?
She i nt r oduces her sel f and we shake hands
And t hen I f ol l ow up wi t h my si mpl e l ead- i ns. These ar e
ver y easy and t ake no memor i zat i on
Example 1:
Assanova: Do you come ar ound her e of t en?
Girl: Not r eal l y.
Assanova: I guess you don t get out a l ot . You must
be a r eal l y busy gi r l , I t ake i t ?
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Example 2:
Assanova: So, do you go t o Ohi o St at e?
Girl: Yes. or No.
Assanova: What s your maj or anyway? or Oh, so
you r e not f r omar ound her e?
Girl: Engi neer i ng or I mf r omFl or i da, vi si t i ng f or
t he weekend.
You can see how simple I keep my conver sat i ons. I coul d
easi l y subst i t ut e what s your maj or f or What do you do
f or a l i vi ng? or I coul d subst i t ut e do you come her e
of t en f or I ve never seen you ar ound her e bef or e. Wher e
do you nor mal l y hang out ?.
The whol e poi nt i s t o get t he gi r l t o st ar t t al ki ng about
her sel f . And by keepi ng t hi ngs si mpl e, I never come of f as
cheesy, cr eepy, and I don t st umbl e l i ke t he r out i ne guys
do whi l e t hi nki ng of t hei r next r out i ne. Why? Because I
don t use r out i nes.
The Hook
One t hi ng t hat you want t o avoi d, i s f al l i ng i nt o t he
i nt er vi ewi ng t r ap. When you r e aski ng quest i ons, t hat s
what i t sounds l i ke. An i nt er vi ew. So, how do you avoi d i t ?
You of f er your i nsi ght f r omt i me t o t i me. Exampl es
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Example 1:
Assanova: What do you do?
Girl: I wor k i n a hospi t al as a pedi at r i ci an.
Assanova: Hospi t al ? I coul d never wor k i n a hospi t al .
They scar e t he heck out of me.
Girl: Why ar e you so scar ed of hospi t al s?
Example 2:
Assanova: Wher e ar e you f r om?
Girl: Fl or i da.
Assanova: Fl or i da? That s f ar . The l ast t i me I
t r avel ed t hat f ar f r omhome, i t was hor r i bl e.
Girl: Oh r eal l y? What happened?
Now what I amdoi ng, i s hooki ng t he gi r l . Women ar e
nat ur al l y cur i ous, so I pl ay of f of t hat . As you can see,
she i s now aski ng me quest i ons t o sat i sf y her need t o know.
However , t he di f f er ence bet ween t he r out i ne- based guys, and
me, i s t hat t hey al l have t hese DHV ( di spl ays of hi gh
val ue) st or i es t hat t hey memor i ze. Me? I have no st or i es
memor i zed. I onl y have my nat ur al exper i ences.
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Exper i ences ar e a l ot mor e f l exi bl e, as I don t have t o
t hi nk about t hem. Second, t hey don t come out of nowher e.
Not i ce how my st or i es r el at e t o t he ver y t opi c at hand.
None of t hat
Girl: I mf r omFl or i da.
Jeepers Creepers: I was skydi vi ng f r omK2, wi t h Bi l l
Gat es, Ozzy Osbor ne, and a bag f ul l of mi l l i on dol l ar
bi l l s when
Girl: ( Ok. That came out of nowher e. Thi s guy i s a
l unat i c. )
Whi l e t he r out i ne guys f ocus on t hei r pr ef abr i cat ed
st or i es, we al l shoul d f ocus on
Making A Connection
When does a woman deci de t hat she wi l l sl eep wi t h you? Keep
i n mi nd t hat women r un on emot i ons. Knowi ng t hat , what
shoul d you be f ocusi ng on? Maki ng emot i onal connect i ons.
Thi s i s why I mnot so concer ned wi t h DHV st or i es, but
r at her , connect i ng wi t h her . The ver y f act t hat t he t wo of
you have many connect i ons, i s a DHV i n i t s own r i ght .
You ve al r eady separ at ed your sel f f r omal l of t he st r ange
men out t her e.
Let s use Bar bi e Dol l as an exampl e of t hi s
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Assanova: What s your maj or ?
Barbie Doll: Text i l es & Cl ot hi ng.
Assanova: My momdoes t hat !
A connection is made.
Assanova: I l i ke your gl asses. They st and out . I
woul d so r ock t hose.
A connection is made.
Assanova: Look at your ar t sy j acket . I have t hi s
cr azy j acket wi t h cr azy st i t chi ng ever ywher e. I t pops
out , j ust l i ke t he one you have.
And anot her connect i on. Not i ci ng anyt hi ng? Ther e s
somet hi ng el se i n t he above di al ogue. Focus. Whi l e you ar e
t al ki ng t o a gi r l , and you manage t o f i nd somet hi ng t hat
you have i n common, f ocus i n on i t .
When you f ocus on a commonal i t y, i t al l ows you t o make many
r api d emot i onal connect i ons. But what i f my momwasn t i nt o
t ext i l es & cl ot hi ng?
I si mpl y woul d have asked her what she pl ans t o do wi t h
t hat ( her degr ee) . I n essence, I woul d have had her expand
on t hat t opi c unt i l I f ound somet hi ng t hat hooked.
24
So i n gener al , use your exper i ences ( not f ake out of pl ace
DHV st or i es) t o make sever al connect i ons, and f ocus on
commonal i t i es.
Some of you wer e wonder i ng why Locat i on was i mpor t ant
enough t o have an ent i r e sect i on dedi cat ed t o i t i n t hi s
book. And t he answer i s bel ow.
I f you haven t caught on al r eady, when you go t o a l ocat i on
wher e women l i ve t he same l i f est yl e and shar e t he same
i nt er est s as you, t he chances of maki ng connect i ons sur ge,
when compar ed t o goi ng t o a pl ace wher e women don t shar e
your l i f est yl e.
Locat i on i s what makes or br eaks your chances bef or e you
even get st ar t ed. Ever y st ep i n t hi s gui de i s essent i al t o
t he next , so pay at t ent i on t hr oughout .
The Stop-Loss Clause
What i f you r e expandi ng, and t he conver sat i on i s goi ng
nowher e? I t s r eal l y si mpl e. You keep qui et and see i f she
r e- i ni t i at es conver sat i on wi t h you. I f she does, t hen she s
at t r act ed t o you. But what i f you r e not sur e i f she s
at t r act ed t o you?
Thi s i s when you go Mode One ( buy hi s book) . I mnot goi ng
t o spend much t i me on t hi s, but t hi s i s wher e you need t o
est abl i sh t hat t her e i s at t r act i on bet ween t he t wo of you.
I f you haven t t ol d her t hat you f i nd her at t r act i ve, t hen
you need t o do so. Exampl e
25
Assanova: So, do you l i ke what you do?
Girl: Yes.
Assanova: What do you do?
Girl: Wor k.
OK. Thi s i s an ext r eme exampl e. Maybe she s not i nt o me? Or
maybe she s r eal l y j ust shy and i nt i mi dat ed by me? I f you
haven t al r eady, l i ke t he exampl e of usi ng i t as your
opener , t hen est abl i sh t he at t r act i on
Assanova: You seeml i ke an i nt er est i ng gi r l . And I
t hi nk t hat you r e at t r act i ve. I wanna t ake you out . I s
t hat somet hi ng t hat you d l i ke t o do?
Seei ng t hat you have est abl i shed t hat you want t o see her
i n t he sexual sense, she knows t hat i f you go out , i t i s a
dat e, and not j ust hangi ng out .
She has t wo choi ces: To go out wi t h you, or t o j ust say no.
I f she says no, or gi ves you any ki nd of bul l shi t , wal k
away i mmedi at el y. I f she deci des, yes, I wanna go out wi t h
you or i f you j ust knew t hat t her e was at t r act i on and i t
di dn t have t o come t o t hi s poi nt , t hen i t s t i me t o move
on t o t he next chapt er .
Don t wal k away f r omher af t er you get t he number . She
l i kes you. So why woul d you st op t her e? Thi s gui de i s about
26
goi ng f or t he one- ni ght st and. I t s t i me t al k about The
Power Pl ay.
27
Chapter Four: The Power Play
The Power Pl ay. Love i t . Love i t . Love i t . Ever j ust know
t hat a woman i s i nt o you? To t he poi nt wher e you know you
can sl eep wi t h her i f you pl ay your car ds r i ght ? And ever
j ust f uck up at some poi nt , cr ash and bur n?
What happened, i s t hat you di dn t r espect The Power Pl ay.
What i s a Power Pl ay? I t s when a woman i s at a hei ght ened
emot i on st at e, whet her i t be r eal l y happy, sad, mad,
sexual , or what ever . Or when t her e i s a gener al wi ndow of
oppor t uni t y ( i . e. t he t wo of you ar e al one by coi nci dence) .
When she i s i n t hi s hei ght ened emot i onal or coi nci dent al
st at e, i s t he poi nt when she i s most l i kel y t o l eave or
sl eep wi t h you.
Many men mi ss out on t hi s oppor t uni t y, because t hey si mpl y
don t under st and i t s i mpor t ance, and i gnor e i t unt i l i t s
t oo l at e. The poi nt when she goes back i nt o a neut r al st at e
of mi nd.
I have never been one f or bounci ng ar ound l i ke Di sney s The
Gummi Bear s f r ompl ace t o pl ace
Jeepers Creepers: I l i ke Gummi Bear s! I have f our
di f f er ent col or ed Gummi Bear s. Choose one and I l l
t el l you a secr et about your sel f . Ther e s a r ed one, a
bl ue one
28
Si gh. At l east he s cat chi ng on t o commonal i t i es. Why don t
I l i ke bounci ng ar ound? I have f ound t hat i n many of my
one- ni ght st ands, by i ni t i at i ng a Power Pl ay, t her e was no
need f or me t o go anywher e ot her t han a pl ace t o have sex.
And when you bounce ar ound, you al l ow f or numer ous
i nt er r upt i ons t o occur . She coul d gr ow t i r ed, a f r i end
coul d cal l , she coul d get si ck, et c. I n shor t , bounci ng
ar ound does not wor k t o your advant age.
Now, l et s move on t o t he t ypes of Power Pl ays. And
r emember , we do not wai t unt i l t he end of t he ni ght , we
i ni t i at e a Power Pl ay when she i s at a hei ght ened emot i onal
st at e, whet her i t s at t he end of t he ni ght or not .
The Verbal Power Play
The Ver bal Power Pl ay i s t he Power Pl ay you use t o go t o
t he pl ace wher e you r e goi ng t o have sex. Now, i f you ve
been f ol l owi ng t hi s gui de, t hen you have commonal i t i es t hat
you ve been f ocusi ng on.
Let s l ook at an exampl e of a Ver bal Power Pl ay i n whi ch
our connect i on i s t hat we bot h have a dog
Assanova: Yeah, my dog i s cr azy! He l i kes t o r un i nt o
wal l s, I swear ! I have no cl ue why he does i t !
Girl: Hahahaha! That s f unny!
29
Assanova: He s so r et ar ded! Let s go vi si t hi mand
see i f he does i t !
Girl: Ok! Let me t el l my f r i ends t hat I ml eavi ng.
Thr ee t hi ngs i n t hi s. One, I mnot wai t i ng unt i l t he end of
t he ni ght . I ml eavi ng whi l e she i s at an emot i onal hi gh.
Two, I mcont r ol l i ng her emot i onal st at e by maki ng i t sound
exci t i ng. And t hr ee, i t s a l egi t excuse f or her t o l eave
wi t h me. Thus, she does not l ook sl ut t y.
Now l et s l ook at t he opposi t e end of t he spect r um
Girl: Thi s bar i s r eal l y dul l . I mget t i ng bor ed.
Assanova: Yeah, i t i s bor i ng. I wanna see t hose
pi ct ur es of you wi t h Peewee Her man t hat you keep
t al ki ng about . Let s go check t hemout .
Girl: You r e goi ng t o f eel so st upi d when you see
t hat I wasn t l yi ng.
Assanova: Yeah, we l l see.
Agai n, she doesn t l ook sl ut t y. And agai n, I musi ng t he
t opi c of our connect i on as t he r eason t o l eave. She i s at a
saddened emot i onal st at e and I mact i ng on i t . I f she
becomes neut r al agai n, she mi ght want t o st ay at t he bar ,
so t hat s t he r easoni ng f or act i ng qui ckl y.
30
I n one i nst ance, t hat act ual l y happened. I l ef t wi t h a gi r l
f r oma par t y wi t hi n t en mi nut es. The i nt er act i on went
somet hi ng l i ke t hi s. I wal k i nt o a r oomupst ai r s
Girl: You l ook l i ke you smoke weed!
Assanova: Yup. Wanna go smoke a bl unt at my pl ace?
Girl: Yeah.
She spent most of t he t i me t el l i ng her f r i ends t hat she was
l eavi ng. Our act ual i nt er act i on was t hat f ast . How do I
know t hi s? I came wi t h a gr oup of f r i ends, and bef or e al l
of t hemeven made t hei r way i nsi de of t he house, I was
wal ki ng out wi t h t hi s gi r l . I di dn t wai t ar ound; I t ook
advant age of her hei ght ened emot i onal st at e.
One cr uci al par t of t he Power Pl ay i s t hat you must act as
i f i t s per f ect l y nor mal . I f you seemt oo eager , she wi l l
i nst ant l y back out . However , i f i t seems l i ke nor mal
behavi or f r omyou, she wi l l have no pr obl eml eavi ng wi t h
you.
And most i mpor t ant l y, you must assume t hat she wi l l say
yes. When some men l eave wi t h women, t hey l l act ual l y f uck
up t hei r own game by doubt i ng t hemsel ves.
For i nst ance, i nst ead of goi ng t o t he bedr oomand j ust
goi ng wi t h t he f l ow, t hey l l say somet hi ng dumb l i ke
Jeepers Creepers: I mgoi ng t o spend t he ni ght .
Wher e s your bed at ?
31
Girl: Umm, you r e not st ayi ng her e. My r oommat es wi l l
be home soon.
At l east he made i t t hi s f ar . However , he d pr obabl y be
f ucki ng her r i ght now i f he woul d have j ust shut up, and
t ook t hi ngs one st ep at a t i me.
The Physical Power Play
I was asked about ki no or when t o t ouch a woman. My
answer ? I don t t ouch her unt i l she t ouches me. But what
happens i f she doesn t t ouch me? What now?
Thi s i s no di f f er ent t han t he Ver bal Power Pl ay. I f I cat ch
her at a hei ght ened emot i onal st at e, I go i n. Thi s has
happened sever al t i mes at bar s. Guys kept aski ng me how I
was maki ng out wi t h women so f ast , because t hey coul dn t
f i gur e i t out . An exampl e mi ght go l i ke t hi s
Assanova: I wanna ki ss you.
Her emot i onal st at e i s obvi ousl y t hat of shock, and I go i n
f or t he ki ss. I n essence, i t was a mat t er of shocki ng her
f i r st , hei ght eni ng her emot i onal st at e. Had I j ust wal ked
up t o her , gr abbed her , and t r i ed t o ki ss her , she woul d
have pul l ed away her f ace bef or e I even got cl ose.
I t s pl ace her i n t he hei ght ened emot i onal st at e, and t hen
pr oceed. , not t he ot her way ar ound. Remember t hat . The
same goes f or when you r e i n t he bedr oom.
32
Most of my one- ni ght st ands go a l i t t l e somet hi ng l i ke
t hi s, i n t he pl ace wher e sex wi l l t ake pl ace:
1) Focus on our commonal i t i es.
2) Sl ow down t he speed of my voi ce, t hus pl aci ng her i n a
hei ght ened sexual st at e.
3) And si nce I amt he domi nant per sonal i t y, she
subconsci ousl y mat ches my sexual st at e by l ower i ng and
sl owi ng down her voi ce.
4) I ki ss her . We f uck.
I mnot goi ng t o cover l ast mi nut e r esi st ance, because i f
you ve been f ol l owi ng t hi s gui de, i t shoul dn t happen. The
sol ut i on i s t o j ust back of f . I f not hi ng i s ser i ousl y
wr ong, t hen she l l come af t er you
Jeepers Creepers: You mean I can get l ai d wi t hout t he
use of pai nf ul l y memor i zi ng r out i nes f r ommy r out i ne
book?
Yes, J eeper s Cr eeper s, it really is that simple. ( Yeah,
i nser t t he sl ap on t he back and cheesy f ucki ng chuckl e
her e. )
I r eal l y di dn t want t o l eave anyone scr at chi ng t hei r
heads, because i f you r e l i ke me, t hen you need sever al
33
Chapter Five: Examples
In A Barbie World
I n or der t o keep t hi s post shor t , I ' mgoi ng t o cut out
a l ot of t he ni ght . I t al ked t o t hi s gi r l f or maybe an
hour and a hal f :
Out of al l t he guys I ' ve been out wi t h, onl y one
act ual l y caught on t o how I r un my " game" ( t he t al l
bl ack guy t hat went back t o Case West er n U) . One t hi ng
t hat he not i ced dur i ng hi s br i ef t i me wi t h me, i s t hat
I sel dombounce ar ound f r omgi r l t o gi r l . I usual l y
st ay i n pl ace, and onl y t al k t o women t hat ar e wi t hi n
an ear shot .
Why? Women can t el l whi ch guys ar e out chasi ng ass,
and whi ch ones ar e j ust havi ng casual conver sat i on.
You do not want t o be t he f or mer , as t hey wi l l avoi d
you l i ke t he pl ague. I f you ar e out const ant l y chasi ng
ass ar ound a bar , what does t hat say about you? I t
says t hat you have no women, and t hat you must be
get t i ng desper at e. That i s why I ' mst r i ct l y agai nst
appr oachi ng women ever y t wo seconds.
The second t hi ng he not i ced? He not i ced t hat I al most
never t el l st or i es about mysel f , l i ke t he guys f r om
t he i ndi r ect camp do. Why? Women want t o t al k about
t hemsel ves, and l ove men of myst er y.
34
So, why woul d you want t o go on and on about your sel f ?
Backwar ds t hi nki ng i f you ask me. The sl ower you
r eveal i nf or mat i on about your sel f , t he bet t er .
On t o t he ni ght :
Out R I nn. J ust st andi ng ar ound, wai t i ng on someone
i nt er est i ng t o wal k by. So f ar , no one t hat cat ches my
at t ent i on. Ther e ar e t wo gi r l s over t o my r i ght t hat I
mi ght go t al k t o, but I doubt i t . They don' t r eal l y
st and out . And t hat ' s what I ' mabout . I onl y want
gi r l s t hat I t r ul y want . They have t o have somet hi ng
about t hemt hat makes me want t o meet t hem, get t o
know who t hey ar e.
I t ur n ar ound. Ther e' s a gi r l st andi ng i n f r ont of me.
Wear i ng some ki nd of f ancy j acket , and her gl asses,
t hey' r e i nt er est i ng. I magi ne t hose sol i d bl ack emo-
l i ke gl asses, except her s have wei r d r i dges wi t h j ust
a l i t t l e col or on t he t op cor ner s t hat separ at e t hem
f r omt he r est I ' ve seen. I nt er est i ng. . .
Notice how I already figured out a commonality, before our
conversation even began.
Bar bi e Dol l : " Hi . "
Me: " Hi , how ar e you?"
A simple opener that worked.
35
Not i ce, no speci al pi ck- up l i ne or opener . J ust ver y
si mpl e and st r ai ght f or war d. She st ar t s t al ki ng t o me,
and i nst ant l y, we connect . She' s a t ext i l es & cl ot hi ng
maj or , and I j ust so happen t o know a l ot about st yl e
and f abr i cs ( my momi s a seamst r ess at a shop she
owns) .
Connection.
Thr oughout t he ent i r e ni ght , I woul d do t hi s. I woul d
f i nd our commonal i t i es, and expand on t hem. For
i nst ance, she l oves N. E. R. D. ( a band) and Phar r el l .
However , she di dn' t know about any of t he under gr ound
st uf f , or how some of t he beat s on songs ar e di f f er ent
f or t he Eur opean ver si ons.
Not only did I make several connections, but I showed her
something she didnt know. (Actually this may not be a
European version, just an updated version of the CD with a
few extras)
I t hen l ook up. I see t wo of my buddi es goi ng f r om
gi r l t o gi r l . I f I see i t , t hen I ' msur e women see i t .
To be bl unt , t hese guys ar e l ooki ng f or t he easy way
out , by usi ng t echni ques and r out i nes. I nst ead, t hey
shoul d do what ver y f ew of us do, i nst ead of
concent r at i ng on women, t ake t hat ener gy, and t ur n i t
i nwar ds on your sel f .
Via The Chosen Verses.
36
The above i s why I wi l l st i l l at t r act women, even i f I
never appr oach a si ngl e woman ever agai n. They come t o
me because I di dn' t t ake t he easy way out . I amup
ever yday by 6AM i mpr ovi ng mysel f . Take not e.
Back t o t he ni ght . She' s def i ni t el y i nt o me. I si t
down, she f ol l ows wi t hout me aski ng her t o. . .
This is how I know that shes attracted to me.
Bar bi e Dol l : " So, wher e do you wor k?"
Me: " I bui l d Smur f vi l l ages. "
She l aughs. . .
Bar bi e Dol l : " Ser i ousl y. "
I l ook at her wi t h t he st r ai ght est f ace ever .
Me: " The pl ace wher e t he l i t t l e bl ue cr eat ur es l i ve. "
Her smi l e l eaves her f ace. . .
Me: " Cal mdown, you know I ' mj ust f ucki ng wi t h you. "
Bar bi e Dol l : " Oh my god! I can never t el l when you' r e
bei ng ser i ous or when you' r e j oki ng ar ound. "
And t hat ' s t he poi nt . She shoul d not be abl e t o easi l y
r ead me.
37
My trademark humor. But notice how I hooked her.
I ' d l i ke t o poi nt out t hat she keeps l ayi ng her head
on my shoul der , and t hat I ' mnot r eci pr ocat i ng her
af f ect i on. What t hi s does, i s st ar t t o conf use her a
l i t t l e. She' s st ar t i ng t o wonder i f I l i ke her or not .
I t ' s no t echni que, i t ' s j ust how I am. Not r eal l y bi g
on af f ect i on. However , I amawar e of i t s ef f ect s.
Another sign that shes attracted to me.
She of f er s me a beer . I decl i ne. No dr i nki ng. When
t hat connect i on i s made wi t h a woman, I cut my al cohol
i nt ake. I don' t want t o be sl oppy i n any way, shape,
or f or m.
Yeah, shes actually trying to win me over by buying me a
drink.
She t hen wal ks of f , and I make t he ef f or t t o get t o
know her f r i ends. I j oke ar ound wi t h t he br own guy
about t he st er eot ypes we r ecei ve. He of t en get s " Ar e
you a doct or ?" , " You l ook l i ke Fez. " et c.
Notice how I am making a connection with her friends as
well.
I ' mnow i n wi t h her f r i ends. She r et ur ns. The br own
guy of f er s her hi s seat next t o me. At t hi s poi nt , I
can do next t o not hi ng and st i l l get t he gi r l . Her
ot her f r i end t hen comes up t o me. . .
Macy: " Your f r i end i s wei r d. "
38
Me: " I know. I get t hat a l ot about qui t e a f ew of my
f r i ends. I ' mhel pi ng hi mout t hough. He' s st i l l my
f r i end. Bet ween you and I , what ' s he doi ng?"
Macy: " He' s al l j umpy, keeps t ouchi ng me, j ust wei r d. "
I get t ol d t hi s t i me and t i me and t i me agai n about
some of you guys. Women t hi nk t hat a l ot of you ar e
wei r d. The ki no shi t , most don' t know how t o do i t .
You ei t her over do i t , or you do i t t oo soon. Bef or e
you t ouch a gi r l , make sur e she' s f ucki ng comf or t abl e
wi t h you t ouchi ng her ( i . e. her t ouchi ng you f i r st ) .
And what t he f uck ar e you guys doi ng huggi ng gi r l s f or
no appar ent r eason? Cr eeeeeeeeeeeeeeeepy.
Jeepers Creepers!
Women al so t el l me about your f ucki ng wei r d quest i ons
and conver sat i ons. ( These t hr ee par agr aphs ar e f or
you, Wi l l ) How many f ucki ng t i mes do I have t o t el l
you guys t o KEEP I T f ucki ng REAL. No opi ni on shi t , and
no shi t t hat you don' t mean. I f t her e' s no connect i on
bet ween t he t wo of you, MOVE ON.
The Stop-Loss Clause. And no prefabricated DHV stories or
routines.
And t hat ' s t he di f f er ence bet ween your power pl ayer s
and your r ooki es. Power pl ayer s onl y deal wi t h women
t hat genui nel y i nt er est t hem. Rooki es go af t er
39
what ever t hey can get , even i f t her e i s no connect i on
what soever .
I ' mnot t al ki ng about j ust ass and t i t s, I mean women
t hat you f i nd t o be ment al l y st i mul at i ng. Thi s i s why
I ' mso good. I ' mgenui ne. I f I say somet hi ng, I mean
i t . I don' t pl ay ar ound, I get t o t he poi nt . I f I l i ke
her , t hen I want her t o know i t . And i f we have
not hi ng i n common, I excuse mysel f and move on. . .
Macy: " Do you t hi nk guys ar e af r ai d of me because. . . "
Me: " Because of what ? Because you' r e a gi r l ? Ther e ar e
onl y, I don' t know, 3. 5 bi l l i on of you on t hi s
pl anet ?"
Bar bi e Dol l : " I ' muni que, t her e ar en' t 3. 5 bi l . . . "
Me: " . . . Chi l l out . You know exact l y what I mean. Don' t
be di f f i cul t . "
Do you see how qui ck I amt o dr aw t he l i ne wi t h t hese
gi r l s?
Ther e' s a l ot mor e conver sat i on, but t hi s one i s
get t i ng a l i t t l e t oo l ong. Macy get s up, t r i es t o hug
me. I gi ve her a si mpl e pat on t he back, I don' t even
squeeze. The br own guy i nvi t es me out ( I decl i ne
because of wor k i n t he mor ni ng) .
40
And Bar bi e Dol l ? She j ust st ands t her e st ar i ng at me.
Al l ni ght , I ' ve been ver y pat i ent , not r ushi ng
anyt hi ng. I know what she want s. . .
Me: " I f you want , I can gi ve you my number and you can
cal l me whenever . "
Bar bi e Dol l : " Okay! I ' l l gi ve you mi ne t oo! "
You shoul d see t he huge smi l e acr oss her f ace. . .
Me: " Goodbye. "
She l eans i n and ki sses me. . .
Bar bi e Dol l : " I ' l l cal l you! "
She st ar t s wal ki ng out . I go gr ab my f r i ends. On my
way out , she st ops i n f r ont of me and t ur ns ar ound. . .
Bar bi e Dol l : " You make me f eel l i ke a l i t t l e gi r l
agai n. "
Notice how I made her feel by making connections and
focusing on her? This are also three chances for a Power
Play. During the number exchange, during the kiss, and when
she told me that I made her feel like a little girl.
And t hat ' s what I go f or . Sweep t hese women of f of
t hei r f eet , and make t hemf eel t he way t hat onl y a
smal l per cent age of men can. Thi s i s t he r eason why so
41
many women ar e wi l l i ng t o sl eep wi t h me on t he f i r st
ni ght . Magi c. Make i t happen.
What ' s t hi s? A t ext ? Thi s soon? Same ni ght ? Let ' s see
what she has t o say. . .
Bar bi e Dol l : " U ar e gr eat ! So gl ad we had sucha good
convo. "
Good conver sat i on. That ' s al l i t i s. She woul d l at er
cal l me t he ver y next day and l eave a voi cemai l . I
have yet t o r et ur n i t .
This night was a failure. Why? Because I didnt act on The
Power Play. She was crazy into me. And she gave me several
opportunities to take her somewhere else. I didnt, so it
was a failure, as far as having a one-night stand goes.
Master of Disaster
2: 30AM. Fi ve of us l ef t . Dr unk as shi t . Di d someone
say Hookah bar ? I t hi nk so. We ar r i ve and f i ni sh one
hookah. . .
Fl oj o: " I l ef t my camer a at your pl ace. "
I l ook at Hol l ywood, he l ooks at me. I had been
t al ki ng about how I was goi ng t o event ual l y f uck t hi s
gi r l when t he t i me was r i ght . That t i me i s now. She
asks me t o come back t o my pl ace wi t h her t o get i t .
A perfectly executed Power Playand by her, hah.
42
I ' mnot st upi d. I know how you women ar e. You' l l do
l i t t l e t hi ngs l i ke t hat i n or der t o be al one wi t h a
guy wi t hout soundi ng l i ke a sl ut i n f r ont of your
f r i ends. Ei t her way, I t hi nk t hat i t ' s st upi d t o have
t o do t hat . I f you wanna f uck, t hen f uck, and i f your
f r i ends have somet hi ng negat i ve t o say, t hen f uck t hem
t oo.
Ri ght bef or e we or der t he hookah. . .
Femal e f r i end: " I t hi nk I ' l l come wi t h you guys. "
Tr yi ng t o be t he ef f ect i ve cockbl ock. Hol l ywood, hel p
me out . . .
Hol l ywood: " They' r e f i ne, t hey can go by t hemsel ves.
J ust st ay her e wi t h us. "
Good l ooki n' , dog. I get up t o get r eady t o l eave
wi t h her . . .
Hol l ywood: " I don' t have enough cash t o pay f or a
second hookah. "
He gi ves me t hat l ook. The l ook of " i f you don' t pay,
we' l l al l be comi ng back wi t h you. " Fuck i t . I have t o
f uck t hi s gi r l . I ' ve been f i xat ed on her bubbl e but t
f or weeks. I gi ve hi msome money and wal k of f wi t h
her .
43
No special routine, just kept it simple and left with her.
The t wo of us ar e now at my pl ace. She goes and get s
her camer a. We st ar t t aki ng pi ct ur es wi t h each ot her .
Putting her in the lovey-dovey sexual state.
Per sonal l y, I was r eady t o puke at t he whol e i dea of
l i t t l e hear t f r ames ar ound us, but I had t o do i t .
She' s smi l i ng, I ki ss her .
3: 30AM. Those f ucker s coul d be back at any t i me now. . .
Me: " Let ' s go t o my r oom. I don' t want t hemt o see t he
t wo of us out her e i f t hey come back. They' l l be
wonder i ng what we' ve been up t o. "
She agr ees t o come. I t ake of f her cl ot hes. . .
Another perfectly executed Power Play.
Me: " Ar e you sur e t hat you' r e okay wi t h t hi s?"
Fl oj o: " Yes. "
Me: " And you do under st and t hat we wi l l be not hi ng
mor e t han f r i ends af t er t hi s, r i ght ?"
Fl oj o: " Yes. "
Ass up, f ace down. We f i ni sh.
44
Well played.
Red Shoe Diaries
Anot her poi nt f or Puer t o Ri co. As soon as we get home,
my phone r i ngs. I t ' s The Li br ar i an. Why do I cal l her
t hat ? She' s i nt o books and st uf f . She' s one of many
gi r l s t hat I have yet t o wr i t e about . One of t he f ew
t hat I ' mi mpr essed wi t h beyond physi cal t r ai t s. I t ' s
3AM. I t el l her t hat I ' mcomi ng over . Do you wanna
r ol l wi t h? Fuck i t . Puer t o Ri co deci des t o come.
Told her I was coming over. A Power Play.
We get t her e, I l ook her up and down. Damn, j ust damn.
She l ays on my l ap on one couch. Puer t o Ri co i s l ayi ng
on t he ot her couch wi t h one of her f r i ends. Ther e i s
conf usi on now, whi ch wi l l be expl ai ned l at er . Keep
r eadi ng.
I ' mt al ki ng t o The Li br ar i an, concent r at i ng on her
l i ps. So hot . The subj ect of my Facebook not es and
Appl ef ace come up. . .
The Li br ar i an: " So what ' s up wi t h you and Appl ef ace?"
Me: " We' r e f r i ends. "
45
The Li br ar i an: " J ust f r i ends? Ar e you ki ddi ng me? You
guys ar e mor e t han f r i ends. I can t el l f r omyour
not es. Fr i ends don' t make out . "
Me: " No, ser i ousl y, we don' t even have sex. We' r e
f r i ends. She' l l t el l you t he same t hi ng. However , you
and I , we ar en' t f r i ends. I want you t o know t hat . "
See how my behavior says Its perfectly normal for me to
be here.. If I freak out, like we shouldnt be having sex,
shell back off.
I r ef use t o be pl aced i n t he " f r i end" cat egor y wi t h
women t hat I want . I t ' s al l or not hi ng. She makes
not hi ng of i t , and we di scuss my bl og some mor e. . .
Me: " You don' t t hi nk t hat I ' man asshol e, do you?"
The Li br ar i an: " Nope. I t ' s t hose gi r l s f aul t s f or
want i ng you and whi ni ng i f you made i t per f ect l y cl ear
t hat you di dn' t want a r el at i onshi p. "
I l ook at her nai l s. Ni cel y done. No chi ps, no
scr at ches. I st ar t car essi ng her hand. . .
The Li br ar i an: " I don' t have sex on t he f i r st ni ght . "
A chal l enge? We' l l see about t hat . She st ar t s pl ayi ng
wi t h her hai r . I t ' s wavy/ cur l y, so hot . She' s r eal l y
st ar t i ng t o t ur n me on. I ' mst ar t i ng t o l ose cont r ol .
Thi s r ar el y happens. She l ooks up at me. . .
Hah, she actually put me in a sexual state first.
46
The Li br ar i an: " What ' s wr ong?"
Me: " Not hi ng. "
The Li br ar i an: " I s i t Appl ef ace?"
I l ook at her agai n. Eyes l ocked i n a gaze, I ki ss
her . Seduct i on.
And I act on her sexual state by kissing her. No words.
She st r addl es me. Mor e ki ssi ng. I s t hi s happeni ng? I ' m
suppose t o be a good guy. What about Appl ef ace? For get
about Appl ef ace. She doesn' t r espect my sexual desi r es
as a man. I want t hi s. Cont i nue.
I sl owl y l ay her down. . .
The Li br ar i an: " Al l men cheat , i t ' s t o be expect ed. "
No i t ' s not . I ' ma good guy. I can be l oyal . I pul l
away.
The Li br ar i an: " You' r e t hi nki ng about her , ar en' t
you?"
No I ' mnot . I want you. I di ve back i n.
Me: " You' r e so f ucki ng hot . "
47
Somet hi ng t hat I ' d never say dur i ng t he f i r st meet i ng
wi t h a woman. However , she r eal l y was so f ucki ng hot .
She has t he sexi est l i ps t hat I ' ve ever seen on a
woman. I ki ss her . I r epeat t he same l i ne. I ki ss her
agai n. Repeat . . .
The Li br ar i an: " That pi ck up l i ne i sn' t goi ng t o wor k
on me. "
Me: " I t ' s not a pi ck up l i ne. I ' ve al r eady pi cked you
up. "
The Li br ar i an: " Cor r ect i on: You' r e at my house, you
di dn' t pi ck me up. "
Shut up. Ki ss me. I begi n t r aci ng her f ace wi t h my
f i nger s. My l i ps st ar t t o expl or e her br east s, not
qui t e pul l i ng t hemout l i ke an ani mal , but j ust
expl or i ng t he upper ar eas. . .
Me: " I t hought f r i ends di dn' t make out ?"
The Li br ar i an: " We ar en' t f r i ends. "
I ki ss her hands agai n, wor k my way al l t he way down
t o her st omach. . .
Me: " I ' msuch a bad guy. "
I ki ss her agai n. . .
Me: " I ' msuch a bad guy. "
48
The Li br ar i an: " I know. "
Mor e ki ssi ng. . .
Me: " Maybe I shoul d go, maybe I shoul d go. "
She gr abs me by my neck. She' s not l et t i ng me go
anywher e. I ki ss her agai n. . .
Me: " I t hought you sai d you di dn' t have sex on t he
f i r st ni ght ?"
The Li br ar i an: " Thi s i sn' t t he f i r st ni ght . "
Now t hat I t hi nk about i t , we di d go out t wi ce bef or e
dur i ng t he ear l y summer , J uni sh. I ' ve been so busy,
t hat I never got ar ound t o cal l i ng her back.
I ki ss her agai n. I unzi p her pant s. No r esi st ance. I
begi n gent l y bi t i ng her , each bi t e f ol l owed by a war m
ki ss. Mi xi ng pl easur e wi t h pai n, pai n wi t h pl easur e.
She t r i es t o ki ss me on my l i ps. I pause. The ner ves
on our l i ps bar el y connect , but t hey' r e connect i ng. I
l ook her i n her eyes. She pul l s me back i n. . .
Doing so well, up until this point. Avoiding anything that
would cause her to doubt that we should be having sex.
Keeping my mouth shut, for the most part.
Me: " Ar e you sur e you want t hi s?"
49
The Li br ar i an: " What ?"
Me: " Not hi ng, f or get i t . "
The Li br ar i an: " No, what i s i t ?"
I know how she i s, now she want s an answer . I was
hopi ng t hat she woul d j ust say yes, but I shoul d have
known bet t er . She wi l l st op at not hi ng t o get an
answer . I know t hat sex i sn' t goi ng t o happen now, so
I answer . . .
Me: " I ' mj ust pr ot ect i ng mysel f . "
The Li br ar i an: " Fr omSTD' s?"
Me: " No, no, I al ways car r y t wo condoms, t hat ' s not
i t . "
The Li br ar i an: " Then?"
Me: " I ' ve j ust had a f ew f r i ends get hi t wi t h f al se
r ape char ges. You' ve been dr i nki ng, and so have I .
I t ' s j ust my way of ver i f yi ng t hat you consent ed. "
The Li br ar i an: " We' ve been t oget her t wi ce al r eady. I f
I di dn' t want sex t o happen t hen t hi s woul dn' t be
happeni ng, and you know t hat . You' r e t hi nki ng about
Appl ef ace, ar en' t you?"
Ther e' s no way I can save mysel f . I j ust ask her t o
wal k me out . Ther e' s no need t o dwel l on i t . We' l l
50
bot h f or get about i t event ual l y. She' s been pi ssed
wi t h me bef or e.
Theres all kinds of fuck ups in that last part. First,
there is the self doubt. Second, I shot myself in the foot
by saying something stupid. And on multiple occasions.
Idiot.
Lay A Virgin In Under An Hour
Smi l ez ( I cal l hi mSmi l ez because al l he has t o do t o
pi ck up women i s smi l e) t el l s me about a par t y t hat he
knows of , and we head out . We ar r i ve, some ver y
t al kat i ve gi r l i mmedi at el y appr oaches us and begi ns
t al ki ng. Smi l ez wal ks of f t o go f i nd a gi r l t hat goes
by t he name of Uggl es, l eavi ng me wi t h Spor t s.
Location. A college party with college kids. Much better
than a cowboy bar. The chances of me getting laid are high.
Spor t s hands me her ver y own cup f or beer t hat she was
hol di ng f or anot her guy ( How ni ce of her t o r ecogni ze
a Ki ng when she sees one. ) I t al k t o her f or awhi l e,
and I wal k of f t o go f i nd t he keg. She i nsi st s on
showi ng me wher e i t i s. . .
Spor t s: " I ' mnot dr i nki ng t oni ght , but I ' l l show you
wher e i t i s. "
Me: " Ok, t hanks. "
51
I f i nd t he keg, t ur n ar ound, and t her e she i s wai t i ng
on me. . . .
Me: " Have you seen my f r i end??"
Spor t s: " He' s wi t h Uggl es. "
Shi t , t hat mot her - f ucker i s get t i ng l ai d, whi l e I ' m
out her e wi t h a bunch of st r anger s who al l know each
ot her . . .
Spor t s: " You' r e t al l , do you pl ay basket bal l her e?"
I answer and wal k away, she f ol l ows. . .
Focusing on our commonalities the entire time.
Me: " Umm, I ' mabout t o l eave. I ' l l t al k t o you l at er . "
Spor t s: " Wher e do you l i ve?"
I t el l her . . .
Spor t s: " I l i ve over by t hat way t oo, I ' l l go wi t h
you. "
Power Play. Power Play. Power Play. And by her!
Looks l i ke I ' mst uck wi t h her f or a whi l e, as i t i s a
l ong wal k home. She t el l s her f r i ends t hat she' s
l eavi ng wi t h me, and we wal k of f . I t hen not i ce her
52
ass, and I swear , she i s a whi t e gi r l i n a bl ack gi r l s
body. I got t a hi t t hat , so I begi n l ayi ng down t he
game. . .
Spor t s: " I was a cheer l eader i n hi gh school . "
Me: " No you wer en' t . St op l yi ng. "
Spor t s: " Yes uh, yes uh. "
Me: " Wel l , I ' mnot goi ng t o bel i eve you unt i l I see
evi dence. "
Spor t s: " I ' l l show you, I ' l l show you. "
Power Play.
The t opi c changes. . .
Spor t s: " Guys say t hat I have a r eal l y gr eat ass ( and
ni ce t i t s t oo) , t ake a l ook at i t ! "
I i nsi st on not l ooki ng, unt i l I f i nal l y gi ve i n.
Me: " Yeah, i t ' s ok, I guess. "
She can' t bel i eve t hat I ' mnot pr ai si ng her body, l i ke
so many guys bef or e me have. We ar r i ve at her pl ace. . .
Spor t s: " Come i n, I ' l l show you pi ct ur es of me
cheer l eadi ng. "
53
I ar r i ve, and i mmedi at el y cal l her pi ct ur es f al se. She
keeps showi ng me mor e pi ct ur es. . .
Me: " Look, I ' man asshol e, so don' t t ake anyt hi ng I
say ser i ousl y. "
Spor t s: " I l ove asshol es! "
Fi nal l y a gi r l who wi l l admi t t hat she l i kes asshol es
i nst ead of gi vi ng t hat " Al l I j ust want i s a ni ce guy"
bul l shi t . She gai ns my r espect .
Spor t s: " I ' mr eal l y i nt o spor t s, ar e you?"
Me: " I f you wanna say t hat . "
Commonality.
I cont i nue t o i gnor e her , whi l e di cki ng ar ound on her
PC.
Me: " I r eal l y got t a get goi ng soon. "
My t i me const r ai nt i s t hr own i n. For some r eason,
women want you even mor e when t hey know t hat you can
l eave at any moment . She' s on her knees, l ooki ng me i n
my eyes. We pause. I l ook back at her PC. . . our eyes
begi n t o dance. Ti me t o make my move. . .
My dominant sexual state transferring to her.
I get up. . .
54
Me: " I ' ml eavi ng. "
She l ooks at me bl ankl y agai n. . . I ki ss her . I l ay her
down on her bed. . . t ake of f your shi r t . I need you t o
do t hat f or me. I event ual l y escal at e her up t o sex,
wi t h no r esi st ance at al l . . .
Almost no resistances if you stick to girls that you have
things in common with.
Me: " Why i s t hi s so har d t o get i n?"
I know what si ze my di ck i s, but i t i sn' t so bi g t hat
onl y hal f of i t goes i nsi de. . .
Spor t s: " I ' ma vi r gi n. "
Fr ommeet i ng a vi r gi n, t o l ayi ng her i n l ess t han an
hour .
Daaaaaaamn.
Game Time
Me: " I ' l l t el l you what , we' l l hang out t omor r ow, and
go do what we t al ked about , ok?"
She agr ees.
55
An instance where I had to settle on a phone number.
The f ol l owi ng day, whi l e i n t he shower , I r ecei ve a
t ext . . .
Bashf ul : " Ar e we st i l l goi ng out ?"
Me: " Yeah sur e, when do you wanna head out ?"
Bashf ul : " Now i s good. "
Me: " Ok, I ' l l be r eady i n a f ew. "
Wai t a second. Fuck di ck bi t ch. I had f or got t hat I
al so pl anned t o meet up wi t h Puer t o Ri co and get f r ee
beer at McFadden' s. I pr epar e t o cal l of f my pl ans
wi t h Bashf ul , but t hen I get a br i ght i dea. . .
Me: " Hey, I f or got about my ot her pl ans, and I got t a
be somewher e i n a coupl e of hour s. However , i f you
want , you can st i l l come over , and we can hang out f or
awhi l e. "
Bashf ul : " Ok. "
Instead of bouncing to a swimming pool, I execute a Power
Play by having her come to my place instead.
A f ew mi nut es l at er , she ar r i ves. She' s al one, so I
know sex wi t h me has at l east cr ossed her mi nd. I ' m
wat chi ng Van Wi l der , and she t el l s me t hat i t ' s her
56
f avor i t e movi e. J ust t he spar k I needed t o i gni t e t he
f i r e.
Commonality.
She t el l s me about how she has sexual t hought s whi l e
i n cl ass at school . I begi n t o associ at e school t o Van
Wi l der t o Me. Connect i on made. . .
Placing her in a sexual state. I did it by talking about
sex like it was perfectly normal for me.
Me: " So t hese t hought s i n cl ass, what ' r e t hey about ?"
Bashf ul : " I don' t know. . . di r t y ones. "
I t ' s NLP t i me. . .
Me: " Di r t y as i n a bad t hi ng?"
Bashf ul : " Yes. "
Me: " I woul dn' t say t hat sexual t hought s ar e a bad
t hi ng. I t ' s j ust your body t r yi ng t o t el l you what i t
want s, ya know?"
Bashf ul : " I know, but I ' d never act on t hem. I ' mj ust
not t hat t ype of gi r l . "
Me: " The t ype of gi r l who goes agai nst her own wi l l ,
her want s. . . her needs. . . her desi r es? Your body i s
t r yi ng t o t el l you somet hi ng, and you know i t . "
57
I t r y t o ki ss her , she backs away. I smi l e. . .
Me: " I wanna see somet hi ng, gi ve me your hand. "
Bashf ul hands me her hand. I begi n car essi ng her i nner
pal m. . .
Me: " I f you wer e i n t hat cl assr oom, and t her e was no
one t o answer t o, what woul d you do? I need you t o
cl ose your eyes, t ake us t her e, and t el l me what you
see. Do t hat f or me. . . do t hat f or us. "
She cr eat es t he i mage t hat i s necessar y f or us t o
cont i nue. . .
Me: " Somet i mes, you have t o be r andom. Enj oy l i f e f or
what i t i s. "
Her eyes ar e st i l l cl osed. . .
Bashf ul : " What do you mean??"
Me: " I ' l l demonst r at e. "
I gr ab her l ef t i ndex f i nger , and sof t l y br ush i t
agai nst my l i ps. . .
Me: " Thi s. . . i s r andom. "
Anot her ki ss. . .
58
Me : " Thi s. . . i s r andom. "
My hand makes i t ' s way t o her f ant asy' s dest i nat i on. . .
Me: " That . . i s r andom. "
. . . and my l i ps event ual l y end t hei r t r i p somewher e
under her ear .
Bashf ul : ( deep i nhal e)
Me: " Hol d t hat i n f or me. . . . . . r el ease. "
Bashf ul : ( l ong exhal e) " Keep goi ng. . . I l i ke i t . "
She si nks her nai l s i nt o t he back of my neck as I ' m
ki ssi ng her st omach. . . I st op. I r eal l y got t a get t o
McFadden' s bef or e Puer t o Ri co ki l l s me. . .
Notice how I didnt let her state of mind take over mine. A
stayed in my sexual state, and it paid off.
Me: " I r eal l y got t a get goi ng soon. "
Bashf ul : " Okaaay?"
Sur pr i sed t hat I woul d j ust st op. . .
Bashf ul : " You' r e a ver y sensual guy. "
Me: " What ' r e you t al ki ng about ?"
59
Bashf ul : " The way you ki ss me. . . your t ouch. . . i t ' s ver y
sof t . "
Me: " Thanks, wel l , I r eal l y got t a get goi ng. "
I t hen deci de t o pl ay a f ew games wi t h her . I ' d si t
up, she' d si t up. I ' d l ay back, she' d l ay back. I ' d
st and up, she' d st and up. I ' d si t down, she' d si t
down. I st op goof i ng of f , wal k her out , and head of f
t o get my f r ee beer . Af t er al l , f r ee beer i s al ways
mor e i mpor t ant t han t he gi r l .
We never ended up goi ng t o McFadden' s.
Dominate. And yes, I chose free beer over sex.
Vivaaaa Las Vegas!
We' r e pl ayi ng a dr i nki ng game, and Vegas t r i es t o get
my at t ent i on. . .
Vegas: " Come her e, I wanna t el l you somet hi ng i n your
ear . "
I l ean over . . .
Vegas: " I want t o f uck you. "
A perfect example of The Chosen Verses at work. As you can
see, they just allowed me to skip several steps.
60
Wow, j ust wow. I ' ve hear d j ust about al l of t he f emal e
pi ck- up l i nes and hi nt s bef or e, but never anyt hi ng
t hat bl unt and t o t he poi nt . Sur pr i si ng, si mpl y
because we had onl y exchanged wor ds once t hat ni ght ,
when we wer e i nt r oduced t o each ot her .
Knowi ng t hat t hi s one i s i n t he bag, I don' t make a
bi g deal about what she sai d, and go back t o what I
was doi ng.
Her f r i ends ar e r eady t o l eave. . . " I ' mj ust goi ng t o
st ay her e, you guys can j ust pi ck me up l at er i f I
cal l you, okay?" Her f r i ends agr ee and wal k of f . I
guess she was ser i ous about what she sai d ear l i er .
Hol l ywood i s i n hi s bedr oom, whi l e we' r e di cki ng
ar ound i n my hal l way.
Just making emotional connections. I think were looking at
Facebook from Hollywoods laptop.
Ti me t o cut t he bul l shi t . I gr ab her hand " Fol l ow
me. " . She f ol l ows.
P-p-p-p-power Play!
We head t o my bedr oom, not t hi nki ng t hat I ' d have t o
get i nsi de of her head, r ef r ame her mi nd, si nce i t was
al r eady a done deal . . .
Just placing her in a sexual state.
61
Vegas: " I ' msor r y, I want t o do t hi s, but I can' t , I
j ust can' t . "
Oh, so she' s one of THOSE gi r l s.
Me: " Ok. " ( I back of f and move t o my chai r . )
I si t i n my chai r and change t he subj ect compl et el y. . .
Vegas: " What ' r e you doi ng?"
Me: " Wel l , i t ' s obvi ous t hat you don' t want t o have
sex. I ' ma gr own man, don' t have t i me t o pl ay st upi d
l i t t l e games. I f you don' t want t o do anyt hi ng, we
won' t do anyt hi ng. End of subj ect . "
MODE. ONE.
Vegas: ( shocked) " Wow, you' r e di f f er ent . Most guys
woul d keep t r yi ng t o get on me. "
Me: " They' r e f ucki ng i di ot s. Repeat edl y t r yi ng t o get
on you i s onl y goi ng t o make you want t o push t hem
away even f ur t her . "
Vegas: " I know, I know, but don' t you l i ke me?"
She unzi ps my pant s and r eaches f or my di ck. . .
I f r eeze her out , not anot her wor d t o her . She goes on
and on about how I ' m" di f f er ent " . I j ust know how t o
pl ay t he game, t hat ' s al l . I pul l my di ck away f r om
62
her , get up, and go use t he r est r oom. I r et ur n t o see
her st andi ng up wi t h no shi r t on. . .
Me: " I t hought you di dn' t want t o do anyt hi ng. "
Vegas: " Wel l , I changed my mi nd. I want t hi s. "
As you can see, going Mode One is a great Stop-Loss Clause.
Wor ks ever y t i me.
Ear l i er , she sai d t hat she had been wi t h t wo guys, one
of t hembl ack. I not i ce t ear s i n her eyes. . .
Me: " What ' s wr ong?"
Vegas: " I ' msor r y, i t hur t s. I can' t do t hi s, i t hur t s
t oo much. "
So much f or t hat bl ack guy she' s been wi t h. Thi s i s
why I HATE deal i ng wi t h i nexper i enced women. I pul l
out , she t akes of f my condom. . .
Vegas: " I don' t swal l ow, so l et me know when you' r e
about t o cum. "
What she doesn' t under st and, i s t hat I don' t pl ay t hat
whol e " pul l out of her mout h when I ' mabout t o cum. "
game. Her mout h bet t er be l i ke Las Vegas ( what ever
happens i n Vegas, st ays i n Vegas) , what ever cums i n
her mout h, st ays i n her mout h.
63
As I ' mget t i ng my bl owj ob. . . . BOOM BOOM BOOM BOOM. . .
Hol l ywood: " Omar i , do you have your Taco Bel l Coupon?"
Ar e you f ucki ng ki ddi ng me?
Me: " I ' mbusy r i ght now. "
Hol l ywood: ( BOOM BOOM BOOM BOOM) " J ust l ook f or i t ! "
Me: " I SAI D THAT I ' M FUCKI NG BUSY, GO AWAY! "
Hol l ywood: ( BOOM BOOM BOOM BOOM) " I Want t hat coupon! "
I i gnor e hi mand hope t hat he j ust goes away. He does.
I pr epar e t o gi ve Vegas what I l i ke t o cal l t he " Shock
and Awe" . I cumal l i n her mout h ( " Shock" ) . . .
Vegas: " Oh mah Gawd! I ' mnah goi n t ah swahwow t i s. "
( " Awe" at t he l ook on her f ace. )
I f she woul d have j ust swal l owed i t , i t woul dn' t st i l l
be i n her mout h. That ' s what she get s f or not t aki ng
t he di ck. She l ooks l i ke she' s about t o t r y t o spi t i t
on my del uxe Wal - Mar t br anded bed set . I gi ve her a
" You bet t er f ucki ng not . I ' l l f ucki ng ki l l you. " l ook.
She get s up, r uns t o t he bat hr oom. I wal k out and see
Hol l ywood eat i ng Cowbel l . . .
64
Me: " So you f i nal l y gave up and went t o Tacobel l
anyway, eh?"
Hol l ywood: " Yeah, and i t was f r ee! "
Vegas: ( as she exi t s t he r est r oom) " Wher e' s my
pur se! ?"
Yeah, my dick executed a Power Play in her mouth.
Three Bar Power Plays
Cheat i ng Wi f e t o be: Hey, can you come over and si t
wi t h me?
Me: ( Not i ci ng her t i ar a on her head) Ar en' t you
suppose t o be get t i ng mar r i ed soon?
Cheat i ng Wi f e t o be: Yeah, I get mar r i ed t omor r ow.
I ' l l buy you and your f r i ends dr i nks i f you come over
and si t wi t h me.
Focusing on her, while noticing an opportunity for a Power
Play.
Me: ( r ef r ami ng her mi nd) You know, t oni ght i s t he l ast
ni ght t hat you' l l ever be abl e t o do anyt hi ng wi t h
anot her guy. Af t er t oni ght , you' r e st uck wi t h t he SAME
guy f or t he r est of your l i f e.
65
Looking at her sexually, while lowering and slowing down
the pace of my voice.
Cheat i ng Wi f e t o be: ( Pauses t o l et t hat t hought swi r l
ar ound i n her head. She l eans i n and makes- out wi t h
me. )
Fedor a: Dude, t hat was smooooot h. Ni ce.
What he said.
- - - -
I ' mout si de of Br ot her s, t aki ng a pi ss near a
st ai r wel l out si de. Two gi r l s see me. . .
Bachel or et t es: " OH MY GOD, YOU' RE TAKI NG A PI SS RI GHT
I N FRONT OF US! ! "
Shocked. Opportunity knocks.
Me: " Yeah, and your poi nt ! ?" ( I r un up t o t hemwhen
I ' mdone) .
Playing it off like its perfectly normal to piss in
public.
Bachel or et t e Number One: " He' s cut e. "
Me: " Do you wanna make- out wi t h me?
Bachel or et t e Number One: " Sur e. "
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Recognizing The Power Play. The sole reason why Im getting
laid more than most.
Me: ( I need an audi ence t o see my gr eat ness) " Hey,
Wal ki nt al l , get over her e! Wat ch me make out wi t h t hi s
r andomgi r l ! "
Bachel or et t es: ( l aughs) " You sur e ar e bol d. "
Wal ki nt al l ar r i ves. I l ean i n t o ki ss her i n f r ont of
hi m, bi t i ng her bot t oml i p j ust a l i t t l e. I t el l t hem
goodbye, and wal k of f . . . whi l e wi pi ng r emnant s of pi ss
on my hand on her shi r t .
I make out with, AND I wipe piss on her. Top that one.
- - - -
Puer t o Ri co and I ar e at t he bar or der i ng dr i nks, when
a r andomgi r l wal ks up t o us. . .
Gi r l who i s obvi ousl y an i di ot f or t hi nki ng t hat I ' d
buy her a dr i nk: " Buy me a dr i nk. "
Puer t o Ri co and I : " Haha, no, f uck of f ! "
Obvi ous I di ot : ( She l eans i n and ki sses my neck)
" Pl ease. "
Me: " You can' t even pr oper l y ki ss. I ' mnot buyi ng you
anyt hi ng. "
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Going Mode One, and setting up the Power Play.
Obvi ous i di ot : ( gr abs my shi r t and makes- out wi t h me)
Me: " You suck, l et me show you how i t ' s done. "
I l ook at Puer t o Ri co, he knows t he deal . We bot h l ean
and ki ss her on her neck.
Me: " That ' s how i t ' s done. "
Cheerio.
R-Rated
I t ' s 1: 45 at Br ot her s ( Me, Chr i s, Owen, Kur t ) and my
cel l phone i s bl owi ng up f r omt he t wo gi r l s whomI
knew woul d be a guar ant eed l ay. One of t hemwas over
ear l i er and t ol d me t o cal l her when I got back f r om
t he bar s ( f or obvi ous r easons) , whi ch I never di d. The
ot her and I pl anned t o meet up, whi ch I al so never
di d. I nst ead, I deci de t o head over t o Spi ce and check
i t out .
As soon as I wal k i n, a gi r l I t al ked t o on a
di f f er ent ni ght not i ces me and pul l s me over t o her
and her f r i ends. Chr i s wal ks over and i nt r oduces
hi msel f bef or e I get t he chance t o i nt r oduce hi m.
Ther e ar e al r eady t wo ot her guys t al ki ng t o t he gi r l s
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( 5- 6 i n t ot al ) , and Chr i s bl ows one of t hemout of t he
wat er . The ot her deci des t o st i ck ar ound.
Chr i s t hen l eads t he gi r l s t o t he dance f l oor , and I
st ay behi nd wi t h Owen. Bl ah bl ah, Kur t deci des t o go
get t he car , and I t el l hi mt hat I ' mst ayi ng behi nd
and t hat I ' l l t ake car e of Chr i s. I t hen go l et Chr i s
know what s up on t he dance f l oor , and one of t he
gi r l s gr abs me and st ar t s maki ng out wi t h me. She put s
her hand i n my pocket and t r i es t o keep me t her e.
The Chosen Verses at work.
We al l t hen l eave t oget her ( she t el l s me t hat I ' m
comi ng home wi t h her r epeat edl y) t o go t o an af t er
par t y at Sugar . I t ' s t aki ng t oo l ong t o get i n t ouch
wi t h our cont act , so we go t o a house near Gooddal e
Par k.
Bl ah, bl ah, she' s st i l l gr abbi ng my ass and ki ssi ng me
ever y f ew f eet . I ' l l cut t he f at and say t hat I j ust
chi l l ed out , di dn' t f or ce anyt hi ng, but t hen sai d
" l et ' s go" .
At this point, she was in a really low energy state, so I
decided to execute a Power Play by suggesting we leave. Not
only that, but I didnt wait until the end of the night. I
noticed that no one was paying attention to us, so I
suggested that we leave.
69
Puerto Rico suffered a different fate. He waited too long,
and the rest of the friends started paying attention and
cockblocked him. This is why Im against waiting around.
She f ol l ows me and we wal k t o her apar t ment downt own.
I ' l l l et Chr i s t el l hi s si de of t he st or y af t er I l ef t
( hi l ar i t y) . I gi ve hi mmy cel l phone, cr edi t car d, and
I D, so he can get a t axi home i f he doesn' t spend t he
ni ght wi t h one of t he gi r l s.
On t he way t o her pl ace, she t el l s me I ' mso t al l ,
keeps gr abbi ng my ass, et c. As soon as we get t o her
pl ace she asks me i f I want any di nner .
I say " no" and we go upst ai r s. I go t o t ake a pi ss,
and when I get back, she i s down t o j ust her pant i es
and t op. I get a l ook at her body, and I ' mt hi nki ng
" Oh my f ucki ng god! " She has one of t hose por nst ar
bodi es. Pet i t e, smal l t i ght ass, and a f emme si x pack.
I keep my mouth shut, only saying what is necessary. No
shooting myself in the foot.
[ THI S PART EDI TED OUT FOR THE PANSI ES OUT THERE WHO
HAVE NEVER WATCHED A PORN]
. . . I can' t cum( dr unken sex) . So I l ay her down and we
t al k f or a l i t t l e bi t . She t el l s me t hat she want s a
r el at i onshi p. She t hen t ur ns ar ound and passes
out . . . or so I t hought . Her hand i s on my l eg, and I ' m
t hi nki ng " I got t a get out of her e bef or e daybr eak. "
Her hand seems r el axed, she must be sl eep. I t r y t o
70
sl owl y get up, and her hand t i ght ens. " Wher e ar e you
t r yi ng t o go?" Fuck. She gr abs me, ki sses my back, and
pul l s me back down, t hi s t i me secur i ng my hand by
wr appi ng my ar mar ound her , l ocki ng my hand i n, and
hol di ng ont o my ar m. I ' mst uck f or awhi l e. Her si st er
and f r i ends t hen come home. I wai t unt i l I t hi nk she' s
i n bed, and t he gi r l I ' mwi t h i s back t o sl eep.
I manage t o unl ock my hand, and si t up sl owl y. Agai n,
she j umps up. She asks me what ' s wr ong. I t el l her
not hi ng. She t hen st ar t s ki ssi ng my back and massages
me. I gi ve i n and deci de t o pass out unt i l daybr eak.
I wake up and t r y t o sl owl y get dr essed bef or e she
wakes up. I t ake a l ook at her awesome body and t hi nk
" Wow" . Her eyes pop open. She j umps on my back and
ki sses my neck. She asks me i f I want br eakf ast . I
decl i ne. She says " t hank you" ( f or t he ni ght ) . I ki ss
her goodbye and I wal k f r omt he ar ena di st r i ct al l t he
way back t o nor t h campus.
And as a result, I got the lay.
That Nigga Dub
Fedor a, wanna come out ? Pneumoni a? Ok. Hol l ywood,
don' t bi t ch out on me. He shows up wi t h hi s under age
gi r l f r i end. Guess he' s out . Smi l ez? Too busy smoki ng
bowl s, as usual . Snoop, you' r e al ways down t o come out
wi t h a f ew br eezi es. No cl ean col l ar ed shi r t s? What
71
t he f uck? Ther e' s no way t hat I ' mgoi ng t o be t he onl y
guy t aki ng out a bunch of gi r l s. I deci de not t o cal l
t hr ee of t he f i ve, si nce my boys seemt o be al l er gi c
t o pussy t oni ght . Two of t he gi r l s come pi ck me up,
you know, because r oyal t y deser ves t o be dr i ven.
Ladi es, change of pl ans. We' r e goi ng t o BoMA i nst ead
of Kar ma t oni ght . They agr ee. My boys f r omt he OL wi l l
be t her e. As soon as I st ep i n, game t i me. I i nt r oduce
The I t al i an and Pi er ce t o my boys, back away
i mmedi at el y t o go do my own t hi ng. No need t o sweat
' em. They come f i nd me. Qui ck t our of t he cl ub. We go
out si de. I l eave t hembe agai n.
Omar i ! I t ' s t he l ady f r oman ear l i er bl og post i ng, t he
one back i n J anuar y wher e she t el l s me t hat her pussy
i s shaved, j ust l i ke my head. She' s what some woul d
cal l a mi l f , sexy f ucki ng l egs t hat she l oves t o show
of f . We t al k. . .
Me: " One of t hese days, I ' mgoi ng t o t ake you home,
when your l i t t l e boyf r i end i sn' t ar ound. "
Already trying to place her in a sexual state.
I t ' s t he r i ch guy who bought her t hat di me si zed r ock
and pays f or her V. I . P. ever y t i me she comes. . .
Man Eat er : " Pl ease, you' r e t oo young f or me. "
Me: " And you' r e t oo i nexper i enced. "
72
Man Eat er : " Uhun, Omar i ! No you di dn' t go t her e! "
Me: " Oh yes I di d! Pl ay ni ce, and I ' l l t each you a
t hi ng or t wo. "
Man Eat er : " I ' mol d enough t o be your t eacher , Omar i ! "
Me: " . . . and st i l l young enough t o be my st udent . "
Exuding my playful state of mind on her.
Yeah, your boy i s r aw. I l ook out t he cor ner of my
eye. Some f ucki ng HUGE muscul ar guy i s t al ki ng t o t he
br eezi es I br ought . Do I get al l i nsecur e? Fuck no. I
l ay back and wat ch hi mcr eep t he f uck out of t hem.
A l ot of t hese guys who l ook l i ke t hey' r e on st er oi ds
wi t h l i t t l e di cks have absol ut el y no game what soever .
Too much t i me i n t he gym. The I t al i an and Pi er ce come
and gr ab me. . .
Me: " What ' s t he mat t er ? That guy was huge, go get
hi m! "
The I t al i an l aughs. . .
Pi er ce: " I l i ke t al l t hi n guys. "
The above? I already had girls, and my state of mind showed
it.
73
Yeah, I caught what she sai d. She woul d r epeat t hi s
agai n l at er on, as i f I di dn' t cat ch on t o i t t he
f i r st t i me.
I st ep t o t he si de t o t al k t o Mi sha, a guy f r omt he
OL. Mor e guys t al ki ng t o my br eezi es. Agai n, t he guys
smot her t hem, r eek of desper at i on. . .
Pi er ce and The I t al i an: " Those guys of f er ed us
dr i nks. "
Me: " Wel l go. Don' t l et me hol d you back. "
The I t al i an: " I want you t o come wi t h us. "
Me: " I f I come, you pr obabl y won' t get as many f r ee
dr i nks. Go, I ' l l cat ch up t o you l at er . "
She l et s of f a sl i ght gi ggl e and wal ks of f wi t h
Pi er ce. We bot h know t hat t hose guys ar e sucker s f or
t hi nki ng t hat buyi ng dr i nks wi l l wi n t hemover . I go
upst ai r s, chi l l out , al one. Somet i mes i t ' s ni ce, t o
r ef l ect . Recogni zi ng how f ar you' ve came up i n t he
game. . .
The I t al i an: " OMARI ! "
Me: " What ?"
The I t al i an: " We j ust got l i ke si x shot s each out of
t hose guys! "
74
Li ke I sai d, sucker s. My boy sees me, hi t s me wi t h
t hr ee V. I . P. passes. That ' s what ' s up. I go of f t o
t al k t o mor e f r i ends. The I t al i an f i nds me agai n. . .
The I t al i an: " You' r e THAT guy. "
Me: " That guy? You mean t he one who cr eeps peopl e out ?
Fuck of f ! "
The I t al i an: " No, no, not l i ke t hat ! I mean t he cool
guy, t he one ever yone knows. "
Me: " Haha, OKAY! "
Just normal conversation. No special routines.
I l ook over t he bal cony, ont o t he dancef l oor . The
I t al i an asks me t o t ake her danci ng. Maybe l at er . I
si t down. She j umps on t op of me, gi ves me a l ap
dance, we st ar t maki ng out . . . she has a boyf r i end, j ust
so you know.
Power Play. Shes on my lap, so why not go for the make-
out?
Pi er ce i s wat chi ng. Doesn' t say a wor d. The I t al i an
get s up. Anot her gi r l j umps on t op of me, st ar t s
j umpi ng up and down on my di ck, whi l e st r addl i ng me.
No r eact i on out of me. She get s up, I t r y t o l eave.
Gr abs my ar mand t r i es t o t al k t o me. I pat her on her
head, smi l e, and wal k of f . Maybe next t i me, sweet i e.
75
Unknown bar on campus. Never been t o i t , di dn' t even
know i t exi st ed. The I t al i an i nt r oduces me t o her
f r i ends. I t ur n ar ound. A t ap on my shoul der , f ol l owed
by a Bud Li ght handed t o me. Omar i , t he bar t ender
t hi nks you' r e hot . Heh. Maybe l at er . . .
Pi er ce: " What ar e you doi ng af t er t hi s?"
Me: " Not sur e yet . "
The I t al i an: " Come home wi t h us! "
Pi er ce: " Ar e you goi ng t o come?"
A Power Play executed on me.
Ok, I guess. Qui ck st op over one of t hei r f r i end' s t o
pi ck up The I t al i ans car . Pi er ce dr ove us t o BoMA.
Phone cal l . . .
Snoop- A- Loop: " Omar i , Puer t o Ri co j ust got r obbed at
gunpoi nt ! "
Shor t conver sat i on. . .
Snoop- A- Loop: " Wher e ar e you?"
Me: " Wi t h t hese t wo gi r l s behi nd a bar . "
He somehow f i nds hi s way t o us. I swear t o goodness,
he bet t er not f uck up t he game t hat I ' ve been l ayi ng
al l ni ght . I al r eady know t hat I can f uck The I t al i an,
76
and Pi er ce has been dr oppi ng l i t t l e hi nt s al l ni ght .
Yeah, I haven' t ment i oned our convo a l ot , but we have
been t al ki ng on and of f al l ni ght .
Remember how I said that bouncing can fuck up your game?
Well, this is one of those instances where I should have
went straight to the place where we were going to have sex.
Lets see if I can recover.
We' r e over at The I t al i ans, and as pr edi ct ed, Snoop- A-
Loop i s maki ng hi s i nt ent i ons al l t oo obvi ous. Whi l e
I ' ml ai d back, pl ayi ng wi t h t hei r heads, he' s t r yi ng
t oo har d t o f uck, comi ng of f as desper at e. The I t al i an
senses i t , and deci des t o f uck wi t h hi mby get t i ng
cl ose t o hi s f ace, pul l i ng away, and l aughi ng. . .
Hes in a desperate state of mind. As a result? They treat
him like a desperate guy.
Snoop- A- Loop: " You' r e a t ease! "
The I t al i an: " No, I ' mnot , I made out wi t h Omar i
t oni ght . Di dn' t I , Omar i ?"
Me: " I don' t r ecal l . "
The I t al i an: " Don' t t r y t o act l i ke we di dn' t make
out ! "
She keeps t r yi ng t o r each f or my hand, and ever y t i me,
I pul l away. . .
77
The I t al i an: " GI VE ME YOUR HAND, OMARI ! "
Me: " Nope, you can' t have i t . "
Snoop- A- Loop: " He' s j ust pl ayi ng one of hi s
psychol ogi cal games on you! He does t hat t o al l of t he
gi r l s! "
Fucker is trying to bust up my game.
The I t al i an: " I don' t car e. He' s goi ng t o gi ve me hi s
f ucki ng hand. I t ' s pi ssi ng me of f ! "
Hopi ng Snoop woul d gi ve up and l eave, I st ar t maki ng
t he t r ansi t i on t o mor e sexual
conver sat i on. . . act i vi t i es. The I t al i an' s l eg i s on
mi ne, as wel l as her hand. Pi er ce' s ar mi s ar ound me,
and she has j ust showed me her t i t s ( Hi nt : They' r e
pi er ced) . I ' mpul l i ng t hei r hai r , har d, yet gent l e.
They absol ut el y l ove i t . Snoop won' t l eave, r ef uses t o
gi ve up. Fuck. I ' mj ust si t t i ng her e t hi nki ng " I f onl y
I hadn' t answer ed my phone, I ' d be f ucki ng bot h of
t hese gi r l s r i ght now. "
Yes, if only you hadnt answered your phone. Dumbass. If we
went straight to this location, he wouldnt have the will
to come, as it is too far. Remember, avoid bouncing around
at all costs. With each bounce, youre giving an obstacle
the opportunity to ruin your game.
The I t al i ans par ent s ar e comi ng i n t wo hour s, she has
t o go t o bed. Fucki ng Snoop, I ' mgoi ng t o ki l l you.
78
J ust me, hi mand Pi er ce. Her ar mi s ar ound me, and
Snoop i s on my ot her si de. Ok, so maybe he' l l l eave?
Nope. . .
Me: " So, wher e ar e you sl eepi ng t oni ght ?"
Snoop- A- Loop: " I don' t know. "
Me: " I ' mabout t o l eave soon, so maybe you shoul d go
home. "
Snoop- A- Loop: " Whi ch way i s home?"
OH MY FUCKI NG GOD! I AM GOI NG TO FUCKI NG KI LL HI M! He
i s dr unk, and can' t see t hat I ' mt r yi ng t o subt l y say
" GET THE FUCK OUT OF HERE SO WE CAN FUCK! " . He j ust
si t s t her e wi t h a st upi d dr unken l ook on hi s f ace as
t o mock me and say, " I ' mnot goi ng anywher e. I ' mj ust
goi ng t o sl eep r i ght her e wi t h you guys. I f I don' t
get l ai d, no one does. "
HOW MANY FUCKING TIMES DOES THIS SHIT HAPPEN!?
Pi er ce saves t he day. . .
Pi er ce: " I can dr i ve you guys home. "
She dr ops Snoop of f and we head r i ght back t o The
I t al i ans apar t ment . Hah. We st ar t t al ki ng, maki ng out .
I t ' s now 6 AM. A f ucki ng r oommat e wakes up, and we' r e
i n t he l i vi ng r oomdownst ai r s. We dr i ve t o my
79
apar t ment . 6: 30AM. Fucki ng sl eepy as f uck, and I have
t o be at wor k i n t wo hour s.
Power Play. Power Play.
Mor e maki ng out . I unsnap her br a, t ake of f her shi r t .
I t hen make a mi st ake t hat I woul dn' t make i f I wasn' t
sl eep depr i ved ( I onl y sl ept f or t hr ee hour s t he
pr evi ous ni ght bef or e wor k) , I ask her i f I can t ake
of f her pant s. . . no sex t akes pl ace.
I f you' ve been keepi ng up on t hi s bl og, t hen you know
t hat I al ways pr each never aski ng f or anyt hi ng, and
j ust demandi ng i t . That ' s what happens when you don' t
t ake char ge. Fucki ng i di ot .
I deserved to lose this one for all of those fuck ups. You
can see, that at the end, I finally buried myself once and
for all by not just assuming that sex would take place.
Slip N Slide
Sex. I t ' s l i ke an ar t f or m. Why do I sl eep wi t h so
many women? I l i ke t o expl or e, di scover new st yl es of
ar t . Bel i eve i t or not , each woman has her own st yl e.
Some l i ke t o be choked, some r aped. Some l i ke t hei r
hai r pul l ed, some f ucked i n t he ass. Some l i ke t o f uck
i n f r ont of a camer a, and some i n publ i c. . .
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Me: " Mi sha, I ' mt el l i ng you, I ' mget t i ng some new
pussy t oni ght . I guar ant ee i t . No f ucki ng phone
number s t oni ght . "
Ti me t o check out Skye Bar . . .
Bi g Mi sha: " I have a gi r l at Mynt , and she says she
has a hot f r i end wi t h her . Wanna st ay her e, or do you
wanna go t her e?"
Di d he r eal l y have t o ask? He coul d have sai d " her
f r i end has a wet hol e" and I woul d have been t her e.
We ar r i ve. He i nt r oduces us. Who i s t hi s t hi r d guy?
Thi s i sn' t goi ng t o wor k. . . f or hi m, t hat i s. I wal k
ar ound. Damn. These gi r l s ar e f ucki ng hot . Why di dn' t
I come her e sooner ? Gi r l s wi t h cr azy hai r , t at t oos, my
t ypes of women.
I l ook ar ound. I ' mt he t al l est guy her e. I f I don' t
pul l , t hen I onl y have mysel f t o bl ame. Especi al l y
when ever y ot her guy l ooks exact l y t he same. Spi ked
hai r wi t h f r ost ed t i ps. Looki n' l i ke mot haf ucki n'
J apanese car t oons and shi t . Ai n' t no mot haf ucki n'
Dr agonbal l z her e, ni gga.
One, Ive picked the perfect location. Artsy girls, so
conversation should be simple. And two, every guy looks the
same. Although were dressed similar, there is a spin to my
style, making me stand out. No, Im not dressed like a
clown, but Ive spun the expected look just enough to
separate myself.
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I st i l l haven' t made my move yet . I st ep out si de. I
see t wo gi r l s. One of t hemst ar i ng me down. . .
Me: " What ar e you l ooki ng at ! ?"
Again, no routine in this approach.
They l augh. . .
Gi r l : " She t hi nks t hat you l ook good. "
Sai d gi r l l ocks eyes wi t h me. As our eyes ar e l ocked,
I smi r k, and wal k back i nsi de.
Mi sha i s t al ki ng t o hi s gi r l , and t he t hi r d guy i s
st i l l wi t h her f r i end. I j oi n i n. She t el l s me about
her sel f . . .
I simply say something along the lines of hey and
introduce myself.
Fl i pper : " I onl y wor k 4 t en hour shi f t s at Li ncol n
Par k hel pi ng l i t t l e ki ds. "
Me: " Li ncol n Par k! ? That ' s The Pr oj ect s. I t ' s hood as
f uck out t her e. "
Tes: " I wi l l NEVER go out t her e. I t ' s so bad. I t ' s
scar y. "
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Fl i pper : " Don' t make f un of t hem! I l ove my l i t t l e
pr oj ect babi es! "
I l ook at her . . .
Me: " I use t o l i ve t her e when I was a ki d. "
Fl i pper : " No you di dn' t ! Wher e i s i t t hen! ?"
Me: " The Sout h Si de of Col umbus. Over by Woodr ow
avenue. "
[ Ti me out . Al l of you guys wonder i ng how I can sl eep
wi t h so many women wi t hout ever havi ng t aken t hemon a
dat e, THI S i s why. I make a genui ne connect i on t hat
ni ght . I f t her e i s no chemi st r y, t hen I move on t o t he
next gi r l . ]
Connect Four!
We t al k, whi l e I cont i nue t o t ease her by maki ng f un
of t he way she says " My l i t t l e pr oj ect babi es. " . The
t hi r d guy won' t l eave us al one. I back of f , l et hi m
di g hi s own gr ave. I see a gi r l wi t h t at t oos. . .
Me: " Wher e' d you get t hat f r om?"
Simple opener.
We t al k, she' s i nt o me. I know she' s a f r eak. Wow.
What t he f uck i s t hat ! ? I ' ve never seen any shi t l i ke
t hi s bef or e. She has t hi s huge desi gn on her back.
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Looks l i ke scar s, but done i n an ar t sy way. She t el l s
me what i t i s. A " scal pi ng" . Took t hr ee year s t o
compl et e.
Genuine curiosity, allowing the woman to talk about
herself.
I ' mappr oachi ng t he t en mi nut e mar k. The mar k wher e i f
a gi r l i s t al ki ng t o me f or t hi s l ong, I know I can
f uck her t hat ni ght .
My mi nd st ar t s t o wander of f . I wonder what her sexual
st yl e i s. The l ast gi r l cover ed i n t at t oos was a super
f r eak t hat l i ked her hai r pul l ed whi l e I f ucked her i n
t he ass. I have t o pul l t hi s gi r l . . .
Fl i pper : " THAT' S UGLY! "
Oh my god, what di d she j ust say? The gi r l l ooks at
her . . .
Fl i pper : " THAT I S SO GROSS! EWWWW! ! "
And t he gi r l wal ks away. I ' mgoi ng t o f ucki ng ki l l
Fl i pper . Bi g Mi sha t ur ns ar ound. St ar t s l aughi ng. . .
Bi g Mi sha: " Fl i pper j ust bl ew you out wi t h t hat gi r l .
Hah. "
That shi t ' s not f unny mot her f ucker . I l ook over at
Fl i pper . She l ooks at me and cocks her head f r omsi de
t o si de. She knew exact l y what she was doi ng. The
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t hi r d guy goes t o t ake a pi ss. Fl i pper asks me t o t ake
a seat . We f i nal l y t al k al one. I make her l augh, and
l augh, and l augh.
A bl ack guy wi t h a mohawk keeps t r yi ng t o cut i nt o our
conver sat i on. Tr yi ng t o AMOG me, as some woul d cal l
i t . How do I deal wi t h hi m? I j ust i gnor e hi m, and so
does she. He event ual l y gi ves up and goes away. . .
No routine to get rid of him.
Fl i pper : " Why ar en' t you dr i nki ng anymor e?"
Me: " I have t o wake up r eal l y ear l y. "
Fl i pper : " Pf f t . You' r e comi ng home wi t h me t o par t y
l at er on. "
I know exact l y what she' s t r yi ng t o say. The t hi r d guy
r et ur ns. I back of f agai n. We get r eady t o l eave. . .
Tes: " What ar e you guys doi ng? Ar e you comi ng home
wi t h us or not ?"
Fl i pper l ooks at me. She keeps maki ng f aces whi l e
noddi ng her head " yes" . I guess we' r e goi ng wi t h t hem.
The t hi r d guy i s comi ng al ong. Fuck. Bi g Mi sha i s
f i ne, but t he t hi r d guy i s obvi ousl y goi ng af t er my
gi r l . I di dn' t want t o t ur n t hi s i nt o a compet i t i on,
because he' s j ust gonna be l ef t wi t h hur t f eel i ngs.
Ti me t o pl ay i t l i ke a pr o i n t he game.
85
Thei r pl ace. Thi r d guy l i ves down t he st r eet . St i l l
won' t l eave. He' s st andi ng next t o Fl i pper , t r yi ng t o
be al l smoot h and whi sper i n her ear . She si t s down on
t he st ai r s. He si t s next t o her , l ooks back at me,
smi l es. He t hi nks he has me beat . Hah.
I f he knows anyt hi ng about basi c f emal e psychol ogy,
t hen he woul d know t hat t he gi r l i s goi ng t o go af t er
t he guy t hat want s her l ess, t he one not smot her i ng
her .
Just playing it cool. I have other girls, and my state of
mind shows it.
Wat er Guns. J ust what I needed. Somet hi ng t o pl ay
wi t h, t ease her wi t h. I gr ab one. Fi l l i t up wi t h
wat er . . . .
Power Play opportunity!
Fl i pper : " OH MY! ! ! ! I ' mgoi ng t o get you! "
She j umps up and goes f or one. I l ook at t he guy.
Smi l e. Bust ed up hi s game. The f un guy wi l l beat t he
smoot h guy ever y t i me. Bi g Mi sha and Tes gr ab t he l ast
t wo guns, l eavi ng t he t hi r d guy wat er gunl ess. We have
a bi g wat er f i ght whi l e he' s j ust st andi ng ar ound.
We al l ar e f i ght i ng over t he wat er f aucet . . .
Fl i pper : " Move! I t ' s my t ur n! "
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Me: " Let me see your gun r eal qui ck! "
She gi ves i t t o me. Bi g mi st ake. I st ar t squi r t i ng her
wi t h bot h guns. . .
Fl i pper : " AAAAAHHHHHH! ! "
She snat ches i t out of my hand. We' r e bot h f i ght i ng
over t he f aucet . Her hand i s on mi ne, and her ass i s
pr essed agai nst my di ck. The J aws t heme st ar t s
pl ayi ng. . .
*duhn duhn. . . duhn duhn duhn. . . duhn duhn duhn
duhn. . . duhn duhn duhn duhn duhn duhn duhn duhn! *
The f ucki ng t hi r d guy i s l i t er al l y st andi ng di r ect l y
next t o us. What t he f uck i s he doi ng? Tal k about
f ucki ng cr eepy. I can t el l t hat how cl ose we ar e i s
get t i ng i nsi de of hi s head. I go st and by t he door way,
l ooki ng out . . .
Jeepers Creepers is that you? No routine in your book for
how to deal with this situation?
*SPLASH*
Me: " Oh shi t ! I t ' s f ucki ng on now! "
*SPLASH*
Me: " Come her e! I ' mgoi ng t o f ucki ng get you now! "
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*SPLASH*
Fuck t hat . I l i f t her up, t hr ow her over my shoul der .
Head out si de. . .
Me: " I ' mt hr owi ng you i n t he f ucki ng pool now! "
*SPLASH*
Power Play.
Mi ddl e of t he f ucki ng ni ght , and we ar e maki ng so much
noi se. Bi g Mi sha, Tes, and I j ump i n t he pool . Why
di dn' t anyone t ake of f t hei r f ucki ng cl ot hes f i r st ? At
l east we wer e smar t enough t o put our cel l phones on
t he t abl e f i r st .
We st ar t dunki ng t he gi r l s. They t r y t o t ake Bi g Mi sha
and I down. Ni ce t r y. Not goi ng t o wor k. We ar e j ust
t oo damn bi g. I go under t he wat er . Come back up. Hop
on a f l oat i e. . .
Fl i pper : " I was hopi ng t hat he' d come back up wi t h no
cl ot hes on. "
We al l get out t o go change. I st ar t t aki ng of f my
shi r t . Fl i pper f ucki ng st ar t s r i ppi ng i t of f , br eaki ng
a f ew but t ons. Tes put s our cl ot hes i n t he dr yer , and
we j ump back i n t he pool . Fl i pper st i l l has her j eans
on.
88
Im a skinny guy, but does my fun state of mind change? No.
I take off my shirt, and still have fun.
Bi g Mi sha and Tes ar e f ucki ng ar ound. I l ook ar ound.
The t hi r d guy i s st i l l f ul l y dr essed, st andi ng out si de
of t he pool , wat chi ng my ever y move. Fl i pper l ooks at
me. At t acks. We st ar t maki ng out . I l ook at t he t hi r d
guy. Smi l e.
Do you see how the third guy let his state of mind change?
Now its getting the best of him, and it shows.
I push her away. She t akes of f her j eans. At t acks me
agai n. Her l eg br ushes agai nst me. She si t s on me as
we waddl e ar ound. Hol d on. What ' s t hi s? Not onl y di d
she t ake of f her j eans, but she al so t ook of f her
pant i es. She t ur ns ar ound, st ar t s f eel i ng my di ck. I
push her away. She comes back. Wr aps her l egs ar ound
me. Sl i des my di ck i n. . .
Fl i pper : " Be easy. "
She st ar t s r i di ng me, r ocki ng back and f or t h. I l ook
at t he t hi r d guy. I KNOWhe knows what ' s goi ng on.
Game. Set . Mat ch. I t ol d hi mnot t o f uck wi t h a pr o.
Bi g Mi sha and Tes cat ch on t o what ' s goi ng on. St ar t
l aughi ng. . .
Fl i pper : " Awww. You' r e shi ver i ng. Ar e you col d?"
I push her of f of me agai n. She j umps back on t op of
me. Fuck t hat . I gr ab her . Fl i p her ar ound. Push her
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agai nst t he pool wal l . We st ar t maki ng out agai n. I
pul l away. Smi l e. Ki ss her once mor e. Pul l away. She
gr abs me and pul l s me back i n whi l e I f i nger f uck her .
I can hear her moani ng. The t hi r d guy i s st i l l
wat chi ng.
Power Plays back and forth between the two of us. Notice
how our states of mind synced up. I stayed playful and
sexual, and her passive state of mind eventually matched my
dominant one.
We al l get out . I have no shi r t on. Fl i pper i s st ar i ng
me down. I ' ma ski nny guy, but I ' ma wel l t oned ski nny
guy. Yeah, you know she want s t o f uck me.
Tes heads t o bed. The t hi r d guy def eat ed, f i nal l y
l eaves. I guess t hat means we' r e l eavi ng. I go
downst ai r s t o go gr ab my cl ot hes. Come back up. Wher e
i s Bi g Mi sha? Fl i pper gr abs my hand, yanks me, and
pul l s me al l t he way upst ai r s t o her bedr oom. Shut s
t he door .
She st ar t s ki ssi ng me. I gr ab a condom. We st ar t
f ucki ng. God, she i s f ucki ng t i ght . Li ke vi r gi n t i ght .
Thi s shi t i s goi ng t o br ui se my di ck. I f uck her
har der . Tr y t o br eak her i n. She st ar t s moani ng. Nai l s
i n my back. Fuck t hat . Gr ab her hands. Rest r ai n t hem
on her pi l l ow. Fi nger s ent angl ed i n her hai r . I yank
i t sl i ght l y whi l e I f uck her . She moans l ouder .
I know her r oommat e can hear her , i f not t he ent i r e
nei ghbor hood. Fuck her har d. Har der . She wr aps her
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l egs ar ound me. HARDER! Gr udge f uck ki nd of sex. She' s
been t easi ng me, and I ' ve been t easi ng her . No mor e
t easi ng.
WHAT THE FUCK I S THI S! ? Di d somet hi ng j ust l i ck my
bal l s! ? Agai n. What t he f uck! ? No ser i ousl y, what t he
f uck! ? Agai n. I t ur n ar ound. She l et her f ucki ng dog
i n her e, and i t ' s l i cki ng t he sal t of f of my bal l s! Do
I ki ck t he dog? Do I say somet hi ng about i t ? No. I l et
hi mkeep on l i cki ng. I ' mgoi ng t o f ucki ng ki l l t hat
dog when I ' mdone. We f i ni sh. She t r i es t o cuddl e. Get
t he f uck of f of me. Your dog j ust r aped t he sal t on my
bal l s.
Bi g Mi sha dr ove, and he' s gone. Guess t hi s means I
got t a cat ch t he bus back t o campus. I put my soaki ng
f ucki ng wet cl ot hes back on, as t hey have not been i n
t he dr yer l ong when I t ook t hemout . Sneak out si de.
Ni ce and sunshi ney out . Get on t he bus. Ever yone l ooks
at me. What ' s hi s st or y?
Victory.
4-H
I ' mcomi ng t o get you guys. You' r e on your way? I
don' t t hi nk you under st and. I ' mt el l i ng t hat I ' m
comi ng t o get you. I ' mnot aski ng. They' r e at Ugl y
Tuna, and I ' mat Skye. They' r e wai t i ng on t he r est of
t he gi r l s t o get r eady. Fuck t hat . They need someone
91
over t her e t o t ake char ge. Ei t her t hey come now, or
you l eave t hembehi nd.
I ent er Ugl y Tuna, see MJ and Spi der . Who i s t hi s f i ne
f ucki ng I t al i an gi r l wi t h t hem? Two j el l o shot s. One
f or her , and one f or MJ . Spi der doesn' t dr i nk. I shoot
t he shot i nt o her mout h ( I t ' s i n a t ur key bast er of
sor t s) . One of my mor e subt l e ways of est abl i shi ng
domi nance. She t el l s me her name, asks f or mi ne. You
don' t need t o know, j ust r emember t he f ace. She bugs
me about i t t he ent i r e way t o Skye Bar . I back of f ,
l eave her al one f or awhi l e.
I r un i nt o Speci al K. Dance wi t h her a l i t t l e, and
l eave her al one. Br own Sugar l i kes her . She l ooks at
me. . .
Speci al K: " You' r e such a pl ayer . "
Me: " How r ude. How woul d you f eel i f I cal l ed you
names? You bar el y know me. "
Her giving me the opportunity to lead-in with a commenting
that starts conversation.
Speci al K: " I can t el l t hough, by t he way you dr ess,
t he way you wal k, t he way you t al k. . . you t al k r eal
smoot h. "
What ever . I r un i nt o Bandi t . He' s a comedi an over at
t he Shadow Box. Al t hough we' r e bot h f unny guys, we
92
never di scuss comedy, onl y t he psychol ogy of women
f r omt i me t o t i me.
I deci de t o show hi msomet hi ng t hat I ' ve been wor ki ng
on. I have t hi s whol e t heor y about how a guy can use
any " l i ne" i n t he wor l d, and as l ong as he has a
st r ong per sonal i t y t o back i t , t he l i ne won' t mat t er .
I t el l hi mt o gi ve me any pi ck- up l i ne t o use on any
gi r l t hat he poi nt s out . He has t hembot h. I appr oach
t he gi r l wi t h hi s sel ect ed pi ck- up l i ne. . .
Me: " Hey bi t ch! "
She l ooks at me l i ke I ' mabsol ut el y nut s. Chi l l out . I
was j ust t est i ng you, your per sonal i t y. She cal ms
down. I t hen pl ant my f eet , and speak l oudl y. I ' mnot
l eani ng i n t o her . I t ' s ki nd of f unny wat chi ng her
l ean i nt o me ever y f ew seconds.
Not allowing my state of mind to come down to hers.
Her boyf r i end event ual l y comes i n and pul l s her away,
but I ' ve l ost not hi ng. By pl ant i ng my f eet , and maki ng
her come i n t o hear what I have t o say ( I di dn' t even
have t o mot i on f or her t o come t o me wi t h my hands) ,
i t l ooks l i ke she was t he one t r yi ng t o game me, and
her j eal ous boyf r i end came t o t ake her away. The
sci ence of psychol ogy. Love i t .
The I t al i an i s out si de by her sel f . Game t i me. She
keeps buggi ng me about my name, cal l s me an asshol e.
You l i ke t hi s asshol e. I poi nt out our commonal i t i es,
93
suggest t hat we go downt own somet i me, si nce she hasn' t
been t o t he bet t er bar s. Tel l s me t hat she i s a ver y
sensual woman, l i kes t o make out . Not f al l i ng f or
t hat . I n ot her wor ds, I ' mnot goi ng t o t r y t o ki ss
her . I t ' s bai t f or t he i nexper i enced. She asks me f or
my number . As I ' mwal ki ng away, she cal l s me
i mmedi at el y. Haha. Funny.
Hook. Reel. Release.
Pani ni ' s wi t h Fedor a, Spi der , and t he I t al i an. They' r e
wi t h me. We al l ski p t he l i ne. I spot Fedor a wai t i ng
at t he end of t he l i ne f or a dr i nk. Fuck t hat ! I gr ab
hi s cash, wal k st r ai ght t o t he f r ont and get hi s
dr i nk.
Gi r l wi t h her ar ms cr ossed. . .
Me: " Who amI , who amI ! ?"
Not only am I speaking so that she can hear me, but I am
also animated.
She l ooks at me. I ' mmocki ng her wi t h my ar ms cr ossed
and a mean f ace. She l aughs and f al l s f or i t . Let t he
game begi n. . .
Me: " Ot her t han your l ooks, what el se do you have
goi ng f or you? You know, why shoul d I keep t al ki ng t o
you?"
94
Its always interesting to see what a girl says when I ask
them that.
I absol ut el y l ock her wi t h t hat one. I s i t a l i ne? No.
One t hi ng t hat I ' ve l ear ned, i s t hat l ooks get ol d, so
I ' mmor e i nt er est ed i n per sonal i t y. Ok, I ' mf ucki ng
l yi ng. I ' mmor e i nt er est ed i n f ucki ng her . . . t oni ght .
We t al k, but t he ent i r e t i me, I ' mmaki ng sur e t hat
t her e i s at l east a f oot bet ween us, l i ke I coul d
l eave at any moment . I br i ng up not hi ng sexual . She
has no cl ue t hat I ' mr unni ng game on her .
The hook poi nt , I f eel t hat i t has been r eached. Ti me
t o t ake her home. . .
Me: " I ' mbor ed. I shoul d j ust go home and pl ay
dr i nki ng games. Do you know any?"
4- H: " Yeah! "
She names some of f .
Me: " Teach me t hat one somet i me! "
4- H: " Ok. "
Me: " When do you wanna show me? I ' ma r eal l y busy
guy. "
Anot her l i ne? No. The l ast gi r l who want ed t o do
somet hi ng wi t h me asked at t he begi nni ng of Febr uar y.
When she asked me when she' d get t o hang wi t h me, I
95
t ol d her " The ver y end of Febr uar y, at t he ear l i est . "
I t i s now Mar ch, and I st i l l haven' t i nvi t ed her
out . . .
4- H: " I can show you anyt i me. "
Me: " I s now good?"
POWER PLAY!!!!!
4- H: " Yeah, but how do I know I can t r ust you? Wher e
do you l i ve?"
St ep i t up, Omar i . . .
Me: " I l i ve t wo mi nut es away. Have I l i ed t o you al l
ni ght ?"
4- H: " No. "
Me: " I ' mdi sappoi nt ed t hat you don' t t r ust me, but i f
i t hel ps, you can gi ve your f r i ends my cel l phone
number , and you have your cel l , r i ght ?"
She t r i es t o r espond, I cut her of f . . .
My state of mind says that its perfectly normal to leave
with me.
Me: " You know what , I ' mpi ssed of f at your comment .
I ' ml eavi ng, goodbye. "
96
As I ' mwal ki ng of f . . .
4- H: " WAI T! "
I t ur n ar ound. . .
4- H: " J ust l et me t el l my f r i ends t hat I ' ml eavi ng. "
Mode One strikes again.
We wal k out . She asks me my maj or . I expl ai n t o her
t hat I don' t l et gi r l s i n on t hat , because I don' t
want t hemt o have any cl ue about how much I ' mwor t h.
She agr ees, t el l s me t hat she' s i n t he ag col l ege.
Commonal i t y. That ' s al so my col l ege. I t hen ask her
about 4- H. She' s i n i t , sur pr i sed t hat I ' d know about
i t . We get t o my apar t ment . I al r eady know t hat she
want s me, j ust have t o pl ay i t cool .
Focusing in on our commonalities.
St r ai ght t o my bedr oom. Doesn' t even say anyt hi ng
about car ds. I f you' r e cur i ous as t o why I haven' t
ki ssed her yet , i t ' s because I di dn' t want t o r eveal
my i nt ent i ons so soon, especi al l y whi l e st i l l at t he
bar . She asks me why I t al ked t o her at t he bar . I
gi ve her my bul l shi t st or y about f at e and dest i ny. She
buys i t . I don' t bel i eve i n any of t hat shi t . I am
dest i ny, and I cr eat e my own f at e.
Remember, this post is from almost a year ago, when Im
still developing my game. This could have gone either way.
97
She could have easily called bullshit. Luckily for me, she
didnt. This step was completely unnecessary. All I had to
do was chill out, and she would have jumped my bone anyway.
I st ar t l aci ng our conver sat i on wi t h seduct i on, but
never ment i oni ng anyt hi ng sexual . She l ooks at my
books. Loves t hem. Ever y si ngl e gi r l t hat comes i nt o
my r oomseems t o r ecogni ze t hese t wo books. No i dea
why. She l i kes my r oom, my war dr obe. She not i ces my
boy' s ar t on my wal l . . .
4- H: " I r eal l y l i ke t hose. I ' ve never seen ' em
bef or e. "
Me: " My f r i end di d t hem; He onl y cr eat ed 12 of t hem. "
Honing in on our commonalities.
Ti me t o seal t he deal . . .
Me: " That one r i ght t her e, what do you see i n i t ?"
4- H: " I t l ooks l i ke a f i sh. "
Me: " I never not i ced a f i sh. Look agai n, I see a
deer . "
4- H: " Wow! I see i t ! "
I l ower my voi ce. . .
98
Me: " I t ' s amazi ng how t wo peopl e compl i ment one
anot her l i ke t hat , seei ng what t he ot her i s bl i nd t o. "
Her f ace i s l i t er al l y i nches away f r ommi ne. She
sl owl y t ur ns her head and l ooks at me. I ki ss her . My
hand st ar t s t o sof t l y car ess her i nner t hi gh ar ea, she
pul l s i t up. I want t o, but I can' t do t hi s, she says.
She' s not deal i ng wi t h an amat eur . I ki ss her , but as
I ' mki ssi ng her , I ' mmaki ng her wor k f or each ki ss,
pl aci ng my l i ps j ust sl i ght l y out of her r each, maki ng
her come t o me. . .
4- H: " You' r e such a t ease t o me. "
Me: " I know. That ' s t he poi nt . "
I t ake my t i me ki ssi ng her . She st r addl es me. I unsnap
her br aw, mor e ki ssi ng. Her shi r t i s st i l l on. Li f t i t
up, j ust a l i t t l e. Li ps make cont act wi t h her br east s,
but never t ouchi ng t he ni ppl e. I sl owl y t ur n her over ,
I back away. Cr awl s back on t op of me, t akes of f my
shi r t . She' s now on aut opi l ot . No mor e r esi st ance. She
i s r eady t o f ul l y gi ve her sel f t o me. Takes of f her
own cl ot hi ng, pant s, under wear . Do I go st r ai ght f or
t he goods? No. I t ake my t i me. Fi nger s gr aze ar ound
her sensual ar eas, but never maki ng f ul l cont act wi t h
t he cent er s of pl easur e. Tease, I wi l l .
She sucks my di ck. Haven' t done anal i n awhi l e. I t el l
her t hat I ' mgoi ng t o put my di ck i n her ass. I don' t
ask, I t el l her . Tur n ar ound. No l ube. She yel ps at
f i r st . Never done t hi s bef or e, she says. Har d and
99
sl ow, t hat ' s t he way she l i kes i t . Gi ve i t t o me,
har d, l i ke t hat . I t ake her t her e, a pl ace wher e she
can j ust l et go, enj oy her sel f . She bust s. . . t wi ce. My
t ur n. I bust . Seduct i on, got t a l ove i t .
Bringing her into my sexual state of mind. Also, notice how
I do everything like its perfectly normal. Perfection.
100
Afterword
When I was wr i t i ng t hi s book, i t was r eal l y i mpor t ant t o me
t hat I keep i t si mpl e, whi l e pr ovi di ng a l ot of exampl es
and di al ogue.
I di dn t want your mi nd goi ng cr azy, t r yi ng t o pr ocess t oo
much i nf or mat i on, so I onl y i ncl uded what was necessar y.
Nor di d I want t o j ust f ocus on t heor i es. I want ed t hi s
gui de t o be concr et e, somet hi ng you coul d go out and get
i mmedi at e r esul t s wi t h.
Ar e t her e ot her ways t o pi ck up women? Yes. But do I
bel i eve t hat t hey ar e as successf ul as t he si mpl e st yl e i n
t hi s gui de? No.
I ve never been agai nst i ndi r ect game, onl y t he use of
r obot i c r out i nes. Know t he di f f er ence.
I s t her e mor e comi ng? Yes. But f or now, I suggest t hat you
go and wor k on The Chosen Ver ses. Hopef ul l y, t he
i nf or mat i on pr ovi ded i n t hi s gui de wi l l al l ow you t o r ead
my bl og i n an ent i r e new l i ght .
Assanova t o Cassanova. Rock you l i ke a hur r i cane.

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Assanova's Simplicity