The New Negro Movement The Negro word was widely used in many Anglophone countries as a reference to people of black ancestry. A Negro is referred to as a black in Spanish and so does the same meaning apply in Portuguese. Negro comes from an old Latin word called Niger. From 1960 onwards, different terms have been used to replace the word negro. Recently the words African-America, blacks, and Afro-American are being used widely to replace Negro. A major cultural black movement took place in 1920s, which was referred to as the Harlem Renaissance or new Negro movement. This movement was synonymous with Locke after writing his 1925 anthology. Prior to the end of civil war, many blacks living in the south were enslaved. The end of slavery saw many empowered African-Americans strive for civil participation, economic and political equity, and cultural self-determination. A few blacks managed to acquire land after the civil war but most of them were exploited as sharecroppers (Locke, 1925). Harlem attracted many immigrants seeking jobs and a better life in America. This movement was characterized by many black intellectuals and artists who broke free of the false standards placed upon them by the white majority class.it was this time that black took pride in themselves through literature, art and music to formulate their own racial and cultural identities. This movement laid a platform for a different political, self-conscious, and spiritual belief geared towards establishing a cultural and intellectual rebirth. The movement laid forth prominent writers like Locke and Langston who showcased the black culture as an origin of literature, art and identification of blacks heritage. Alain Locke in his book portrayed that Negroes are intellectual people. He believed that empowering blacks could be possible when blacks themselves broke free from the mentality of THE NEW NEGRO MOVEMENT 3
slavery and saw themselves as major players in the movement. He perceived Harlem as a center where intellectuals could contribute toward the black culture through arts (Favor, 1999). In conclusion, Locke proved to the world that blacks were people capable of identifying with literature, their culture and art. This he did by showcasing various great renaissance writers. He proved that black writers were also equal to their white fellow writers.
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References Locke, A. (1925) the New Negro.New York: touchstone Favor, M. J. (199).authentic blackens: Folk in the New Negro renaissance. Duke university press.