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A monthly manualtevcted to teachin h0w to iearn to draw the IIBCOTEZII* animatet cartoon characters
and fighting craft in an intelligent and easy to undefstand way.Each issue will cover 0ne or more
characters or devices from each 0f the three major storylines that make up the IIIBOTEZII@ saja. Each
storyline will be featured in rotation, lssues 1 3 through 1 6 will focus on the MACROSS characters. issues
16 through 20 will cover the SOUTHERN CROSS characters, ant issues 21 through 24 will cover the
NEW GENERATION characters with new materialnct previously publishet in issues 1 thrcujtl 12,
Each issue will feature new art an1 technilues fof drawing the characters as well as the art ant letters of fans.
'#rlq. R ::1 11:11 :.d dy
ROCERT . @ILLER
Artw@rk M
Il#!1:0N 0t2 B.l.., 1:2.
LYNN MINMEI
BANK: Civilian
AGE: 15
xWhen Lynn and BICK H UNTER f irst meet it at
first seems to be nothing more than an accident
thal results in puppy Ioye
,
but eventually they
become aware that fate has thrown them together
in orter f0r them to become Ieaters in earth's first
strtlggse against icvaters. Wrm's saga begins as
she an1 her family are accitentally teleported with
the rest of Macross Island into deep space by the
SDF-I . A giant force shield protects them as they
are then transpnrled to the space craft.
Circumstances force them to begin building a new Iife
QR the SDF-! as Lynn's brigt!t persmality and
beautiful singin win her mar!y new fans ant friends
.
Eventually she comes to realize h0w precintls the
beatlty of her voice is to the dispirited an1 harrassed
inhaditants Of the SDF-I , Lynn soon begins giving
concerts lhat Iift the spirits of aIl wbo hear her voice.
She realizes bow truly impnrtant her singing is when
the Zentraedi (who bave been monitoring SDF-!
transmissions) tlecome so enamored of her voice that
they sonn begin defecting to the SDF-I . This majof
turn of events is the beginning of the end for Earth's
first coqflict of the EIIIEIITE:III!I WARS
.
The leader of the 60 foot tall race of giant
warriors called the Zentraedi, Breetai has been
bred for the sole purpose of combat and is
deticated tc returning 1he Iost SDF-I ,anj it's
hidden secrets of ROBOTECH NOI-OGY to the
IIIICIITEZII' MASTERS at aI1 costs, ln spite nf
his inbred discipline and dedication he is still an
tmnorable warrior and this is most clearly shown
when he Ieams the trtle nature of zentraeti
heritae aqd the secrets of ROBOTECH NOLOGY.
The secret is devastating fof him and he is torn
between hls sense of duty and the dictates of
reason, but eventually Breetai's ''humanity'' wins
0ut as he sides with the humans in the first
conflict of the IIOIIITECII@ WARS.
?'#IC ::SJl:1 MW D *;# *MMCO :14. Apdl 191. R*1''*-= W
BLACKTHORNE PUBLISHING INC..1349 H911 St . EICa)(fl Calilria O Q.
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rrlen withxl the wnttm peraisslo af the pubbishe *)1 Opyrlght *l*'(Q. N;
sifnllarity gtwon any t lh: r*rsnfs. fhnmes, charactn anl/y trftiluti- witd Y?
Ilvlw pr (tat prms.naf= , ctkqracters and/er icstilulils 1$ Inle arlfl e
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P nntot by C irperacraq E 1$ton al h! apuilaira de B C . Tiluana Prlnt.l 1N LIA4iGe.
Z8EETAI
,Ni: Zentraedi Commander
AlE:lndeterminable in Earth Years
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H el 10 an :1 welco rne to th Is fllurteerl th)
great tssue Ot THE OFFISIAL H0W T0
D 8AW I1()2()1'E2I1 '!? In thls Issue we vvl 11
e N feature one t)l lhe mosl Ilopular of (.111he
FIICIITECII 'P
characters
.
Lynn QlnmelBecause there IS such i'
weaIth of artwork t)n Lynn . thls Issue has no
repeal shotb of Lynn from when she flrst appearet
in issue 2 In fact there rs so much prt f0r Lynn
lhal we may lnciutje more poses and heatshols ()1
her In future issues Witt thls hssue we k'Iso
conclude 1he tools anj tips sectlon tllat ws's
begun In th: Iast lssue 1would Ilke tc glve k'IIOf
k0u who hope to make a cllreer of thls
. (
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wt)d ttp The secret ttl teltrtllqg tlcw tc wcrk lrl tthe
commerclal art fleld (ant whpl dlstlnjulshes Il
from f Ine art) ls Iearnln;i to work wlth $. prlnter
FOr flve or slx tollars you ct'n rlurchr 'se 0ne t)f lhe
flnest tosils yotl wlllever use I t Is ct'llecl thlil
' Ptlcke/ PaJ' and wII rteply0u everythdnj you neet
ttl know Stbtlut the rlrlnt lndustry 1 t cs 'n r)e
purchaset f rom pny r'rt store i 'nt qu ite ( i f ew bflok
stores carry It i!s we II I t s t 'gret ' t btlok for ttl t h
ama t e u r ant irl)f es S I() n t ' It 'n j t he s t Lld y of I t w , hI
r)u t yo u f a r a h eat If yo u 1 n te rl tl t () rnt ' k e 1 ' c k ' ree r
for you rsel f in the commercld kIi 'rt f I e1d
Speak inj of ''jrei't tlooks'' . th Is ISsue ls
jreat because we ht've Ilttck e:l 1t wll h muc h
request ej Interlor artwork of t he Zen trpet I
Flptlshl p . new shots of t he /en t R het i w 'rrrors
.
new sbots ()f Csaudha Grltnt plus p jull jljure
shot of Breetal
. and 0ur jreat Fpn Vli''r,Elnd
beautrfulFan Art sectlons Thpt's an pwfu II0t
of book so ppease reat anl Study thoroujhly
ant remember
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(f y:u remember last issue we tried 0ut a =
new saying (LET THE GR4D BE YOUR
GUIDEI ) that 1sail y0u Shnuld keep repeating x
to ynurself until your parents thought you were c
nuts.l just want ynu to know that l was just =
kidding ant reatly wouldn't want yOu to watk c
around talking to yourself so that your parents D
would stare at you aII the tlme and wonter M
what they woulj Cb with yotl when you g0t c
oider. =
I wasn't kitding about THE GRID,
thotfgh. acd in tjis isstle it's back antl strcnjer
than ever, sll use it every chance y0u get. lt
really joqs make things so much easier
Anctjer thing that is strnnger tjan ever
is the Fan Art seztlon You people are still
sending in some great work ant we people are
very hpppy atlpu't tbat. lf there ls spmepjy
out there who has not sent in work yet,take a
look pt wcrk in this issue and ask yourself lf
yot) dpn'l jeserve the same chance to l)e seer .
If the answer is yes then send it on in Don't
be Shy'
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In orjer for a piece of art to Iook ()()0d when it's reprocluced, it should be drawn in black india
ink. You shnulj Iearn to begln sketches in pencil and when you have completed yntlr sketch
you shnuld then draw the finalversion in ink.
There are two kinds of ink writing ink and waterproof ipk. Yotl shouid use waterproof ink and
try never ttl mi: the two.lf yOu need to thln the ink you Shoult use alcoholinsteaj of water.
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There are tv/o types of pens you can use:
If you're a belnner it's best to start with tbe quill pens flrst. They are Simple to use, cleanup
involves onty mllj Soap and water ant they are inexpenslve.
These pens come wlth interchangable golnts that can be purchasej separately.It is possible
to gtl trnm a hapr thln Iine to a broad line with tlle chaflge of lhe polnt In order to find ntlt
more, yotl shoulj pick up an art store catalojue.
When uslnj pen and Ink y0u Shnuld remember to use paper wlth a smooth surfaze so that the
ink (or your pencil) wtll jlide alonj 1he surface. Paper wlth a rnugh surface causes the pen
Iine to be crooked.Tbere are pajs of paper maje Specifically f0r pen anj 1nk trawing and you
can alsp try smO0th tristol board (reterrel to as havlng a ''ppate''f rnish . )
In the use of Pen and lnk y0u will need tn use brnshes to cover wije arpas tbal ypU want
biackenel.You will also be surprised that you can use brushes 10 t0 fine hne work. There are
generally four types Of brushes:
Fkx'rs
straijht edge
lpnger bristle
V
CIIIZII'I'S
straight edge
shnrt bristie
flat brush
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Flat,ovalend
brisile Iength same as flats
:0pNDS
tapers tn a point.
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bristle Iength
sapqe as flats
You will want to use rounds. Brushes are also made wsth different hairs and the best I()r
inking is generally rej rble hair. They come in aII sizes so you can buy lhem in accordance
with your neets.
A toothbrush is also a g(101 tool to use 0n ink drawinjs. Yotl can use a splatter technique to
create the appeafance of stars on a tlack backjrotlnd by using white paint. Simply rup your
finers against the jristles t)f tlre ttmtbbrtlsh after its been jippet in white paipt.
t-ike sn:
qemember to cover anytllinj you've drawn before yau spray.
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Another useful tip involves t0ol storage. k 9001 technique is the use of Pe Board eithermounted (m
a wall or free standing on ynur Ieft site (1f you're right handet) Most of lhe tools y0u will usecan be
hung from 1he small hooks that can be placej anywhefe rl the peg bnarj. Feg board is very
icexpensive and can je purchased frcr'rl any btlilders' stlpply ol hardware stnre l0r $3,00 to ,$5.00 ptlr
a 2x4 foot sheet. Hooks can be boughl Separately f0r a few dollars,Remember that yotl will need at
least tw 1x2 inch boards each about tw0 feet long if your going to mount it on yourwall. The bnard
can't be flush ajainst the wail since y0u will want tc use hooks in it.
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Nnw that you've kot your peg boarl. here are a few llems you can hang on 11 (bespjes your ruler T
squares ant trianjtes. )
Templales afe ttiq plastic sheets that have varinus genmetrsc shapes (clrcles squares. nvals etc. .)
as well as symbols (numbefl. Ietters. electric symbols,e1c . ) cut Into them S.tl that you can then use
them as guiles f0r jrawing. The two you will neet most are circle an1 oval templales Get as wlje a
variety as you ptessibly can. Templates usually cosl about $5.00 at af't supply Stores an1 you can
usually flnd tifferent ranges of circles cpr Qvals nn one template.
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Draftin tape is another item you should have on supply.It is used to tape things to the drawing
boart that you don't want tom when you decide to take the tape off . lf you dcp a l0t of tfacin and you
want to have the copiel piece an1 your drawing held tijhlly in place but undamaed wheo you are
flnishel, lhen this is !be tape 10r you. You can also hang this on your peg board.
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Don't forget tn get al't store catalojues in orter to find out about tbese anlother pieces oi equlpmen!
as well as prices. Most catalogues are free ()r at the most $5.00.11 is a g00d inexlensive way ttl keeg
tlp with what kind nf equipment is being used by professional artists. And don't frget to et the
current etition of lhe Pocket PaI (either from the Iibrary nr an art or bookstore.)
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T() traw Lynn Vlnmel, sthrl by dlviting the
Space she Is to occupy into eiht equal parts
N()w sketch ln the jotlble jlamopjs with tje
shoulters at the 2 mark ant the crotch at Just
belnw the 4 mark. Sketch In the b;1I1S and
Sticks of the arms ant Iegs with elbows pt :3
ant the knees between 5 and 6.
Stpr! turning the stlcks of Lynn's arms and
lejs In to Cylinjers Vlprk 0ff the features of
Lynn's fllce.
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With the figure of Lynn Qinmei properly
developet you can n0w ;ut clothes on her
btldy anti start roughing in the delails ol Iace
and costume. Pay close attention to the
original at this point,and if y0u need to use
more than eiqht diviting Iines to be sure of
placement of details
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go right ahead.
With alI the details sketched in
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it is time to
check your drawing for any minor errnrs
. ls
everything in groportion? Are y0u happy with
the details and the shading? Does it look Iike
Lynn Minmei? 1t it does then it's time for the
tracinj paper and the finished version
.
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, , j These next two pages show Lynn in a variety of costumes and poses. Though aII of the pcses
are of the slraijht tlp an1 down variety, I hcf)e that there is enough variety to satisfy your
artistic natures.-rhese poses shoull be jood f0r heliinj yctl to Iearn to pul various costumes W
on a similar figure,lf y0u need, y0u can divite these figures up by eight so that y0u know
where to place the various body parts.
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Here is Lynn with a variety of expressions to help y0u practice drawinj heal shapes. When 11l
drawinj her head use a three-dimensional ball, callel a sphere, as the foundation. Now
determine how you want her head anjled, and draw horizcntal and vertical centerlines through W
the sphere to form ellipses.Use the horizontalcentersine as the guide for placing the eyes
ant eyebrows. At the point where the guitelines intersect, draw in the ears. Draw the jawline
and indicate a centerline goinj down the midtle of the head in front of the fpce. Use 'this
= centerline to place Lynn's nose and mcuth.once you have this basic foundation, you can start
= drawing in the details of the face. eyes,and hair. Remember that you're drawing a three-
dlmensinnal form, not simply a flat figure. This is especially important when placinj the eyes.
I Be sure to curve them around the head
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ITERIZRS
Once y0u have the basics Of the rooms set up, you will see that the details nf the rooms fall right iqto place.
Even with the peogle in this scene y0u can use tl'w grid to make sure they are placed properhy anl then bejin
them as stick figures. the grid has helped y0u Iay the foundation properly, so that anythinj built on lt will work
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vertical space he is to occupy by 8
. With the
lrid pattern in psaca y:u can begin sketching
in the basir skeleton, tlsing the double
diamonds l0r the body
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Sticks tor arms and Iegs. Sketch in the basic
Shape Of the head
,
and wedes f0r the hanjs
21 and feet
You can ntrw begin luminj slicks into
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figure is proportlonally correct
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the face ant remember to keep things simnle
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Wescome to the very end ll's lime ttl get
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If it aII works Otlt, you can begin making the
tracinj and Send us a copy when it's finished
. 21
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Here are some shots of the Zentraaedi Warricrs that Breetai surrounds bims
elf with. By n0w
you are pronably well versed in the techniques tnr drawing both heads and figures so have
at it
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lf y()u wish yotl can draw a grid pattefn Over the original figures for reference
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Robolechnolojists.
I Kecently plcked up iosue 45 0f THE OFFICIAL
H0W T0 DRAW ROBOTECHTM and tried my hand
at it that nihi with the obvious results. I to hope
you print it, because it would reallk glease me.
Thank you.
Shane Hall
Dear Shane.
You're pretty (yod for a beginner Are y'nu
sure yotl haven't done this before? df you've
stayed with us this Iong then you can only
have gotten better. Remember to keep
practicing and studying.Good luck.
As Jack VcKinney wrote. ..in his novellzation ()f M
BO8OTECH'M:Macross,''Khyron was what most
= paranoids merely imagine themselves to be!
Anyway, thanks a I0t.and l hope we'll be Seeing a
Iot more. Japanese anime/comic art is a new
breath ()f fresh airs to American fans' an1 if y0u
ever jet finished with ROBOTECHTM. miht l M
suggest/request a ''H0w To Draw'' series on
characters
,
robcts.and mecha nf Astro boy,
Urusei Yatsura
.
Alakazam an1 Guntam'?!
Besl,
Fred Lee Cain
Topeka. Kansas
Dear Fred Lee.
Thanks f0r your compliments and
commenls. You know.It's lunny.bul l haj a
crush t)n ()ne of 1he Japanese anlmatej
characters It was the heroine ''Jenny''on the
()ld ''8th Man'' show frnm the sixtles Thlnkin
abotlt it n0w makes me Iaugh but it (bes bring
back a wave of nostasgla. lt'S kind ()f funny
that I waS actllally infatuated with a cartoon
character. I wonder if other klts feep or felt
that way about a cartoon character.
Your drawinj was vew gol)d and if there
is any possibility for a series on some of the
other Japanese anpmated characters we will bll
there
Thanks again.
Dear Dennis apd Fobert:
Hi.Just a short note, l wanted to compltment y0u
b0th: not only for 1he simple clear instructions on
how to draw favorite character ant mecha of
Japanese anime', but also of some of the Iogic
behind varinus styles and concepts Of gorlrayal
and characterization
I've been a fan Of Japanese anime stnce ! was 1 1
years 01d ant fifst saw an advertisement for
Osamu Tezuka's film ''Alakazam the Great'' nn
T.V.- and that was back in 1961 . (heh-When I
saw Alakazam's Iiltle jirllriend ''Didi'' back then,
it was puppy Inve at firsl srght.)
Hnwever. though l've enjoyed rt since Ifirst hearj
of it,I hadn't tried lo draw any of the characters
from ROBOTECHT* untit your comic came out So
if my work has any merit 1he credit belongs to
you!Thanks very much.
l would've liked t: send more (I'm just ashnw off).
btlt l've hat a Iot of other thtnjs to do here (ancl
l've been putting 0ff mosl of them )! Anyhow,I
hope you Iike my picture 0f Khyron'. for some
reason he has always been a Iavorite of mine.1
guess it's because in some ways. ..he is the most
human Of the Eentraeji. In the face of their
masters plan he has panache. Seconj he's a
''Scoundrel,'' and he knows it but he doesn't Care!
l thick $ admire his bavatc.
Dear 8lacktharne,
I think that thts book is excellent Any
chance of one f0r the Transformers?
Thanks,
8 J .Seaman
Irvinjton, N J.
Dear B J.,
Thanks for the great picture of Bick
Hunter and keep up the joot wnrk.Thanks
also f0r the compliment and YES there is a
very strong chance f0r that book. Run down to
your pocal comic store an1 ask f0r it,and if
they lon't have it,then have them orler it
Good Luck and thanks again.
27
2E20MMENBEB ZEABINZ LIST
The following is a partial 11st of books designed to help you learn more abotlt the
ditferent techniques Ot drawing. Many of these books can be founl at the local Iibrary or in
the book sections of art supgly stores.
Read and stuty as many as y0u can, in nrder to get the full scope of of the various methods
available. Femember. though. that books can only show y0u the way.
totl LEAIIN T0 OIIAW B BRAWINBI
ANIMATIOS Serles vol. 26
Preston Blair
80W 1 () 2CIW
Walter T Fgster
STBDIZ TIPS
Bill Gray
#0!lE STtIPIO TIPS
Bil1 Grpy
(IYNAMID LICHT ANB SIIII)E
Burne Hogarth 1981 / Watson-Guptill Publications
FOZKET P#t
A Graphic Arts Production Handbonk Intemational Paper Company
HOW 10 PFAW 2OMICS TIIE MAH/EL W#Y
Stan Lee and John Buscema Simon an1 Schuster
THE OFFICIAL H0W T0 DRAW RzBoTirll@issues 1 -13
BOb Miller/ Davit Cody Weiss Blackthorne Publishing
PECSFEZTI/E B8AWINC series vol. 29
Ernest Norling Foster Art Sewice, Inc.
Ad1'oMt F(Ih ABTISTS book 4, The Leonardo Collection
Dr. Carlton Palmer 11 Prisma Editions
Foster Art Service,lnc.
Foster Art Service, Inc,
1976/ Van Nostrand Reinhold Company
1978/ Van Nostrand Reinhold Company
PE8SFECIIkE ld2 TIIEOFY 2F SIIABOWS book 5, The t-eonardo Collection
Dr.Carlton Palmer 11 Prisma Editions
Z(1YPOSII'IZ. IN AhT
Henl'y Rankin Poore
TIIE lll1@N FIZIIIIE
Davij K. Flubins
1967,1 976/DOver Publications
Pengtlin Bogks 1 953-1 985
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