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Andrew Lloyd Webber

JESUS CHRIST
SUPERSTAR
(Complete)
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----
Vocal Score
2 ~I
OVERTURE
Andante J= 60
GUITAR SOLO
pp
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ORGAN
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- - -
8'"'- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - ..,
cresq. poco a poco
:> I :>
poco accel.
-
@] Agitato J= 78
BRASS
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f
V STRINGS(PIZZ.)
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cresc. poco a poco
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TUTTI
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Subito Adagio ma non troppo
o 8""- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - .
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Maestoso e Grandioso
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6
HEAVEN ON THEIR MINDS
Moderate Rock Temp9
GUITAR
4
My mind is
clear -er now
strip a. way
at
the
mp
Dm
7
last
myth
all too well
from the man
can see
you will see
where we
where we
i P i ~
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10
.
all
will soon be.
LII
soon will be
If
you
\. .
le
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Dm
7
.....
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start -cd to be -lieve
The things they say of you
You real -Iy do be -Iieve
8
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than_
the things you
E
You've be - gun
to mat-ter more
say.
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w.w.
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addBRASS
- - - -
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E Cm Om E Cm
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30 ,
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Lis - ten Je - sus I don't like what I see. All I ask is that
you
re - mem - ber when this whole_
be - gan
No talk of God then we
E
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Om F Om
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33
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lis - ten to me And re - mem - ber ('ve been your right
hand man_
called you
a man And be - lieve me my
ad mi - ra tion for
you E
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You have
But ev - 'ry
set them all
word you say
on . fire
to - day
F A Dm
found the new Mes - si - ah.
'round some oth - er way._
They think they've
Gets twist - cd
And they'll
And they'll
r
find
think
they're
you've
--
----
Tong._ you when they
you if they
i
D/A
\2.
lie~
your
fa - mous son reth Nu - a
CLAR./BSN.
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48
should have stayed as greal un - known Like his fa - ther carv- ing wood he'd have made good
(simile)
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Gm Dm Gm Dm/A A Dm
51
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B~
F Gm
Dm~
Gm Dm/A
Lis . ten
Lis - ten
Je - sus do you
le - sus to the
care for your race? _
warn - ing I give_
u
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57
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la - bles, chairs and oak . en chests would have suit - ed Je - sus best He'd have caused
no-bod-y harm
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Don't
you
see we musl
keep
in our
placery We are
DC - CU - pied
Please re - mem - ber that I wanl us 10 live But it's sad 10 see
.--- 3-------0
3----, I
., 11
.,
60
"..
lam
All your
have you for - got - ten how put
our chanc -es weak - en - ing with
down we are?
ev - 'ry hour
c
F A
11
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fright-ened by
the crowd For we are
fol - low
-
ers are blind Too much
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get - ting much too loud_ And they'll
crush us if we
go
too
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hea - ven on their minds_ It was beau - ti - ful but now it's ..
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go
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72
Bb
F Gm Om Gm Om A Om
D.S. al Coda
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F Gm Om Gm Om A Om
$ CODA
---
80
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soul_
Yesit's all
gone_
sour
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OBOE
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Bb
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ah ah_
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REEDS
Dm
PLA Y 3 TIMES -poco a poco morendo
"SOUL" ad lib.
--
Jes-us!
gone
sour,
----
Lis-ten
Jes - us to the warn-ing
Ah
give_
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Sbmaj7 Sbma]7
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Dm Dm
What's Ihe buzz~
Opt. 8va.
lell_ me what's hap- pen. ing
What's the buzz~ lell_
me what's hap - pen. mg.
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14
WHAT'S THE BUZZ
III (1)
\J=1121
IAPOSTLESI
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"SOUL" accompt. ad lib. with discretion
>-
>- >-
RHYTHM
A7 07
3
A7 07
...,.
.rv. B. Tho' section is played three times
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I What's the buzz tell_ me what's
hap - pen - ing.
What's the buzz tell_ me what's
hap - pen - ing?
1\ 11
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1st Why
should
you
wanl 10 know
nd
Why
should you
want to know
Jr Ma
ry
that IS
good
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====:.!------
Don't
you
mmd a hout the
Wh arc
you
oh - 5csscd with
while
you pral
tie
through your
--
16
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13
A7 D7
1
Wha(s the buzz? tell_ me what's hap-pen-ing.
What's the buzzry
tell_ me what's hap- pen- ingry
S
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15
you
facts and
fig -
ures could gIve
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(What's
th buzzry III- me what's
hap - pen - ing What's the buzzry tell_ me what's
hap - pen - ing
" 11
-----
5
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IJESUSI
N. B. first tjm only
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stead. Oh
yeah!
I
could
I
now.
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N.B. During MARY MAGDALENE's solo, i.e. 2nd time, the APOSTLES
keep up a background of noise such as "oo's" and "ah's", etc.
17
J7
"
.&
A7 D7
, -
---
When do we
What's the buzz?
in - to Jer. u - sa - lem?
me what's_ hap - pen - ing
ride_ in - to Jer - u - sa- lem?
tell_ me what's_ hap-pen- ing
ride_
tell_
- -
to cool
down your face a bit. Let to cool
down your face a bit.
me
try
tell where I'm en
you go - mg._
-'
----
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151 When do we ride_ in - to Jer - u - sa. lem? When do we ride_ in . to Jer - u - sa. lem:
3rd What's the buzz? tell_ me what's_
hap - pen - ing What's the buzz? tell_ me what's_
hap - pen - ing
" 11
.>
- - - -
- -
JMARY MAGDALENEI
" 11
2nd time only
.>
Let me try
to cool
down your face
a bit. Let me
try to cool
down your face
a bit.
lA iI .-
-
I..:.
you plans
and fore -
casts_
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When do we
What's the buzz?
Let me
try
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A7
1
IX
21
When do we
What's thc buzz?
nde-
lell_
In - to Jer - u - sa - lem"
me whars_ hap - pen - Ing
When
\\/hat'5
do we
the buzz?
In . to Jer. u - sa - lem'
me what's_ hap - pen - mg
- -
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"SOUL" ad lib. free style
tT.
----
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Let me try
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A7 07
12
:\7 D7
25
\"Ihat's the buzz" lell__
hap - pen - Ing
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SEGUE
D7
-
--
tJ -
-
I When do
we ride_ in - to Jer - u - sa - lem? When do we ridc_ in - 10 Jer - u - sa - lern?
Whars the buzz? tell_ me what's_
hap - pen - Ing
A 11
tJ
,
- -
----
A 11
-
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Let me
try
to cool
dovm your face
a bit
A 11 >;
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STRANGE THING, MYSTIFYING
19
L'istesso Tempo
IJUDASI
It seems to
Yes I can
thing,
that
my
she
sti
a
strange
stand
me a
der un
RHYTHM
MELODY
G G7 C
fy - ing that a man like you
but to let her stroke
is hard -ly
of her
in your
kind. can waste his time
you, kiss your hair,
on worn-en
mus - es
Cm G D~ G D~
line.
I ob - ject to her pro - fes - sion
help us if you're in -con - sis - tent.
It's not that but she does -n't fit in well
they on - Iy need a small ex -cuse
with
to_
G
1
F C F C G
,0
It does - n't
put us all a - way. Who are_you_ to cri-ti-cise her?
W.W.ISTRlNGS
HORNrrROMBONE
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17
!
Who are_ you- to des - pise her? Leave her, leave her,_ let her be now. Leave her. leave her._ she's with me now
Bb Bb Fm Fm Bb Fm Bb Bb Bb Fm Fm Fm
20
\Cl L'istesso Tempo
L..=.J r-- 3---,
24
your slate is clean then you can throw stones.
then leave her a - lone.
If your slate is not
f
L-- 3 J
Abmaj7 Bb Fm7 Gm Fm
L-- 3--.1
Abmaj7 Bb Fm7 Gm Fm
L-- 3 J
Abmaj7Bb Fm7 Gm Fm
'--- 3 J
Abmaj7Bb Fm7 Gm Fm
ISOLOI
ADD GUITAR/BASS
('m a - mazed_ that men like you_ can
be so shal-Iow thick and slow_
mp
Cm
Fm
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B~m
o ICHOIR/ALL SAVEJUDASI
32
Cm
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Bb B~ Bb Fm Fm Fm Fm
3 3
)
Abmaj7
3
Bb
3
Bb
Fm?
Cm
Fm
Fm
Fm? Cm
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thl:re: is nol a man_ a - mong_ you who
knows or care:s if 1_ come:or
go._
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you'rc:_ wrong,_ you're: ve:- ry wrong,_
No
you'rc:_ wrong,_ you're:ve:- ry wrong,_
I
TUTII
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A B Fm B Fm A B Fm Bb Fm
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You, you're:_ wrong,_ you're:ve: - ry wrong._
No
you're:_ wrong._ you're: ve:- ry wrong,_ -
--
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How can
you say
that? How can you say
that?
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22
3
3
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BI,
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BI,
BI,
A!,maj7
A!,maj7
o IJESUS DECLAMATORY I
GUITAR MELODY
LW--p
.,
Not
one._ not
one of you!!_
Cm
Fm
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How can
you say that? How can
you say
that?
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EVERYTHING'S ALRIGHT
23
Moderato ~= 130
RHYTHM
3 3
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E E E A 8 E A A A
5
~ JMARY MAGDALENEI
E 87
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89 E A
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Try
nOI to
get
wor -
ried, uy
nol to turn on to
Sleep
and I shall soothe
you,
calm
you
and a
-
noint you
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PIANO
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Oh
A 11 11
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pro - blerns
tha!
up
-
sel
you
oh don'l
you
know
( Myrrh
for
your
hOI fore
-
head oh then
you'll
feel
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world
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you to - nlght_
head and feet_
If wc try
Close your eyes,
we'll g~t bj so for -
close your eyes and re -
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19 . 1st time
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Wo - man
fine brand sive oint and ment ex
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new
your
IJESUSI
2nd time
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Em c Em
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Why has it been wast - ed?
have raised may - be three hun - dred sil -ver pie - ces or
We could
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could have been saved for the
poor.
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to save ther
poor
from their lot.
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There will be
poor
al
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ic' - II
strug -gling,
look al
the good things you've
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26
~ Freely
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than your mat ter
--- --....
and hair.
--
p..
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when I'm gone.
8
4
87
cresc. poco a po........
4
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Dill ~ senz.a repeal al $
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more. Peo . plc
who are
hUll . gry, peo - pies
who arc starv - ing
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Think! while you
still have me Move! while you still see me
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then you'll feel Ev' - ry - things aI cv' - ry - things fine_ righl
And it's Oh yes
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Sleep and
I shall soothe
you, calm you
and a - noint
you Myrhh for your hot
fore - head
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. . . . .
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:
..
52
ev'-ry - things al - right yes Ev' - ry - things aJ right yes ev'-ry - things al - right yes
--- -------
Close your eyes close your eyes
and
re - lax think of no -thing
to
-- -- ---------
lax think of no - thing
to
night. Close your
E A7 E A7 E A7
29
55
....
....
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E A7 E A7
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Ev' - ry
-
things
al
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things
al
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right yes
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night.
Close
your
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close
your eyes
and re
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lax think of no
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thing
to
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.
-
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Ev' - ry
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things
at
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things
at
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right yes
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eyes
Close
your eyes
and re
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to
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things al nght yes
E A7 E A7
~ Repeatad lib.for fade - approx.8 times
61
thing
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right yes e\" - I)' things al - right yes
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things al right yes things al - right ev' - ry yes
and think
of no - thing
toED close re - lax
your eyes
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Optional Finish
65
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32
THIS JESUS MUST DIE
Moderato .= 72
liST PRIESTI
.
!
d..
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the eoun- ell
r~
I
Good Cal - a phas waits for
you
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t
t
we are here We're nol much time
and qUite a pro - bkm here
IMOB (OUTSIDE)I
TENORS ONLY f
..
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sees and Priesls are here for
you.
ICAIAPHASI
.......-"I
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Ah
gen - tie men
you k.now
why
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33
14
o Beat Rhythm (8 Beat)
JANNASI
,
Guide part: poco ad lib.
howl - ing mob of
block- heads in Lis- ten to that the street! A
(Rhythm)
..
.
Fm7 Fm7
,
~ 16
..
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10" I
ADDSOPSJMEZZI
f I r r I I I
..,
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san - na Su - per - star.
Ho - san - na
Su - per - Slar. Ho - san - na Su - per - Slat. Ho - san- na Su- per-star
" I
.
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cresc. poco a poco
:>
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trick or two with
lep - ers
and the whole_ town's on its fecl._
ICAIAPHAS!
,l, .
:
IALLTHECONSPIRATORS I HM
dan
-
ger
-
11 I . (). j) ,
tJ
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He IS
,l da
-
ger
-
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ThaI
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QUS __
NB. KEY
E MAJOR
.
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LJ
Jes . us Chnst- Sup - er-star_
tell
b.
US
Ihal you're
.
whothey
-~
~.
ous~_ He IS da11
ger
ous._
Bb E
23
man IS In lown nghl now 'n whip up some sup - pon
.-'
.--+
_--r
A rab. ble
rous - mg rnls~ 510n
that
sa~
------- -~ -"-
,- - -- -
---
!!:-- -- _-I!
l. l A
im
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He IS dan
ger
35
26
..
-
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3
3
3
3
3
3
3
FMaj7
Em7 E Fm
3
29
12ND PRIEST I
3
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Fm
B~ E
--
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think wc must a - bon._
ICAIAPHASI
L .
:
He is dan
-
gcr
-
OU5._
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U-=
IMOB (OUTSIDE)I
Je
.
sus Christ
-
--
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bJ.
h I-h
t.I
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ICONSPIRATORSI
He is clan
-
gcr
-
ous._
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Look Cai - a .
I .
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He is clan
-
ger- OUS.
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U-=-==
SU per - star
.. . -
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He IS clan ge. - OUS.
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V
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36
32
phas they're nght OUI. Side our yard
QUIck CaJ' a - phas
go call the Ro-manguard_ ICAIAPHAS!
~
35
o J=120
IANNASI
)
Fm C C Fm
:
No wall,
we need a more per-man-enl sol,
,..
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tf:::..-: bf..::-
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rbF:
JP
mf ralL
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Whal then 10 do_ 8- bout Jes us of Na - za- th.
I r.'\
:
u - lion 10 our
pro - blem.
II
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38
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mir - 8 - cle won der- man he - ro or fools'_ 13RDPRlEST\
-
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No n . OLS. no arm '. no fighl . ong, no
510 gans
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37
42
We dare nOI leave_ him 10 his own de - vic es. HIs
One thing I'll say_ for him,
Jes . us is cool._
Bb c Fm c c Fm Fm
46
,
,
...
;
Bb C7 Fm c
3-,
..
.
es by ry leaps min. ute. e.... He's
top of the poll._
'.
'.
n
., '1-_-'
- -
-
*--*
half wit-ted fans_
will get
out_ of con- tro\._
J3RDPRIESTI
" I . .
-
., *'
But how can we
stop_ him? His
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Ab Bb C Fm C Fm
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BICAIAPHAsl 52
,..
.
,----- 3
,...,
-
:
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the '. I see bad
thmgs
a
lis - ing,
the crowd crown him
kin!;
which
r--- 3_ I 3
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.
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e - hm-in- a - lion be - cause of one man._
Be-cause._ be-cause._ be-<:ausc_ ofone,'causc_ ofone,'eause_ of one man._
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C Fm Fm C C Fm
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38
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Ro -mans would ban._ I see blood and des - true-lion. our e -hm - in - a-lion be - cause of one man._ E
r-- 3 ---.. .-3-.
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c Fm C Fm
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ICAIAPHASI
I
60
-
I
-
Blood and des-\rue
-
lion be - cause of one man._ Our
1
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1
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#_.
JCONSPIRATORSI
Bc-cause._ be-cause,_ be- cause_ of one man._
I
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64
69
...
39
How do we deal_ witb the car
pen-ter king'_
Db c Db Fm
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What then to do_ a-bout this Jes- us man ia'
;
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13RDPRlESTI
..
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-
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Where do we start_ with a man, who is big
-
ger than John was whenJobn_ did his
Bap- tis-m thing?_
..
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la
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Fools! You have no
per -cep -tion!
Tbe stakes we are
gamb-ling
are
frigbt - 'ning.ly high._
r--) .--) ---,
f r,
We must crush him
corn -plete - Iy
So like John be - fore him. this Jes
-
us must die._ For the
r--) .--) ---,
f r.
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88
C7 Fm c c Fm
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-
:
sake of the na
-
tion this Jes
-
us must die._
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'1'"'_'"' '"' v.._
ICONSPIRATORSI
Mustdie._ mustdie._
this Jes -
:
-
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So like John be - fore_ him, this Jes
-
us must die._
A I ,
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- us must die._ Must die,_
.
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ACT TWO
4\
HOSANNA
Moderato J=84 oICROWDI
G D7 G
4
C won't you smile at me? San-na
Em
ICAlAPHASI0
Tell the rab-ble to be qui -et we an - tic -ci -pate a riot this corn -man'
'.
Su -per - star,
w.w.
.-
..
..
Cm
A~ DmD7 G B Cm B
-
..
n ..
, -
Ho
-
san - na
Hey - san - na
san - na san - na Ho
-
san - na
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12
.
crowd ISmuchtoo loud
XYLO.lSTRINGS
Tell the
mob who sing your song that they are fools and they are "'Tong. They are a
Cm B G
16
cur.;e. they should dis - perse.
B Cm B
ICROWDI f Ho - san-an Hey- san-na san-an san-na Ho- san-na
i
Hey - san- na Ho - san Hey
na
c.
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20
43
Why waste your breath moan -ing at the crowd?
Su - per - star.
STRINOS/W. W.
Db Gm 07 c o D7 o
No-thing can be done to stop the shout - ing_ If cv' - ry tongue Mls still the noise would still con-
f
F Bb A Dm Om
The rocks and stones them -sehes would start to
sing:
raiL
-- - -
-
-
E-
II
-
-
.-
-
-,
44
Maestoso
01cROWD (with JESUS>I
34
Ho - san -na Hey - san -na san -na san -na Ho - san -na Hey . san. na Ho - san
na
Hey J
/
38
IWitbJESUS(
..
c, won't you
me? san -na Ho -
san -na Hey Su -per - star.
EPm
Em
SIMON ZEALOTES / POOR JERUSALEM
45
J=64
)1 ~. fHORNS_
TPTS.
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9
:>
:>
Gm F
Gm F
13
HORNS
ADD TPTS.rrR.BS.
:>
D F C D D F C D
o ICHOIR: ENSEMBLE OF YOUNG VOICES: QUASI "SOUL"
.. ..
G7 C7 G7 C7
L L I " 11 .
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po COrubaio
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if
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Christ
you
k.tk/w I love
yO"
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Did
you
I waved
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25
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46
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t:!
19 I I I I
E:!
E::
in you and God,
so tell me that I'm saved.
=-
=-
=-
E::
=- =-
El
El
t:
G7 C7 G7 C7
E:
ISIMONI
E:
21 " I
E
Christ what
E
E
E
Jcs-us 1 am with you
touch me touch me Jes -us.
Jes-us 1 am on your side. Kiss me, kiss me, Jes-us.
E
E
E
t
1"-- -- I 11 =- =-1
=- =- =- =- =- =-
I
I
D G C D D G C D
" I
-
.J
,
need vince
-
you've more do
you
to con
-
you_
That
I I ....
-
"
tJ
.. .
41- 41- 41- v
r r
,r/[
I I ,
I
.
.
47
made: it and you're: e:as - i - Iy as
as the: filth
from Rome: who rape: our
r r
Gm
Gm F
,,;
.
..
-
27
.
-
-.i
-
.
-
.;j
..;
..
...
"3
3
..
-
30
..
\
coun - try.-
And who'ye: te:r - ror - ise:d our
peo- pie:
for so
long.
...
.
...
.....
),
..
-
,. .
I => >- I =>
...,
Eb7 F7
'.
'CHOIR: "SOUL"COMESOPRAI
-
.....
33
-
..
- , , -
..!
-.
Christ
you
know I loye:
you.
Did
you
se:e: I wave:d? _
..
-
>-
>-
=> =>
>- >-
..
-
...,
.
..
.
..
-
.
..
G7 C7 G7 C7
-
.
-
-
...
-
-
..
.-
I
be: - lie:ve: in you and >-
God, so te:1I me: that ('m save:d.
=>
=>
.
>- => >-
-
-
.
-
.
-
.
-
..
-
.
-
G7 C7 C7 . .. 7
39
D c D
41
There must be ov - e:r fif - ty
thou -sand_
scream - ing
love and more: for
Gm F Gm
E-
E.
E-
E
E
E'
e.
~
t:
t:
E
E
E
E
~
E
E
E
48
F:
ICHOIR: TUTnl
...
37
IL.,_ " ---
F;
Jes I with touch touch Jcs - us am
you me, me:,
-
us.
-
-
E
I
-
E!
I
.1
E
>-
>-
I - >- >-
I
I
E-
'Q C D
E-
D
E-
E
"
. . . -.
Jes
-
us I am on
your
side:. Kiss me,
kiss
me, Je:s
-
us.
"
I
. . . .
. .
. . .
" r I I I L I
) . it
i ; ;
T -. . I
>- >- >- >-
...
49
do what
ev - er you asked him
to._
Keep
them
yell . ing their de .
Gm F F
50
)
c F c
53
F Bb
- ---
:3
:!
44
3
:I
3
3
3
3
3
3
"3
3
...
...
"3
-
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.-
.
-
.
.;
-
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.
-
-
.
-
-
.
.-
-
.
-
-
.
-
-
.
-
-
.
-
-
..
-
you.
Ev - er - y - one of fif. ty thou- sand_ would
L
)1
Vf
"T
l-
oo
- r r
'0Jj r r r
-
. . -
wo wo
.
Eb7
Gm F Eb7
47
.;
-
vo
.
tion But add a toucb of hate at_ Rome.
" I I
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'I 'I 'I ..
,-=---
1:__ --'I r
"Cl
-
r I I I -I I
.
.
-
-
- _. ...... .. -
.; I I '-'"
You will rise to a
great. er pow - er.
We will win our - selves a home.
11 I 1"""'\ -. b.. .
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.
I I
,
i" I I
1- ITII . I I T 1 L -
:
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57
-r
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i:!
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E:~
El
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El
50
You'll get the power and the glor - y for - ev er and ev er and
ev -er.
~
:>
61
Bb
ev
get the power and the
er and ev - er and
glor-y_ I
ev-er_ \
For - ev - er and ev - er and ev . er '-- Oh
you'll
.-
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65
E
E
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Bb
11 I
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Nei-ther
" 1 . . .. b. . . ..
------ II
.J
You'll
get the power and the glor
-
y.
For - ev - er andcv - er A - men'
11 I
ICROWDI
h bJ1TJ-. b-rn-
II
.J
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I
For - ev -er A-men I For - cv -er A-men'
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----
b
,. ,. ..-
------
II
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51
[] Slower
69
Gf!}
F F Gm
Gm F F
76 -
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Bb
u
Bb
:; 79
-.... -....
-
.
-
..
Bb
.-
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---- - --
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---- I Y'
you Sim- on, nor the fif- ty thou-sand,- nor the Rom- ans, nor the Jews,_ nor
11 I
:
9 9
\
mp ad lib. colla voce
I
I
1
.. ,--
tJ
I
I I I ,..
Ju - das,
nor the twelve, nor the Priests nor the Scribes, nor doomed Jer - u - sa -lem it -
A I
v
c:
6
I .
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u
y .... -
self Un -
der - stand_ wbat
power is,
-
11 I I ..---, r--. I ..I J T
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u
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un
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der
-
stand_ what
glor - y is. un
-
der
-
stand_ at
11 I ,
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i t: 1i
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, r I I I
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52
82 --
--
all,
W1 der - stand_ at all.
L.H.
~
poco rail.
Bb
o Slowly & Sadly
85
)
n
F7 Dbm
92
you live your trou - bles are ma - ny poor Jer - u - sa - lem
~
-
E::
E:!
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,
E!
E!
E!
E~
I
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E.!
E!
El
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If you knew
all that I knew my poor Jer - u - sa - lem you'd see the truth-
- - -
r-11
1\ I
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.J
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r
Ur
Cl
t" !
mp
"
.
.
R I
v
Bbm Eb Ab7 Bb cb F7
89
- 1
---
you
close
your eyes
but
you close your
---
--
"
...
53
. .
95
...
-
.
-..
-
....
..
cb F7
...
98
:~
,
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u
- -
die
.~
pocodim.
molto raiL
.:-
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---
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.
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..
..
..
.
..
-
..
..
..
...
- ----
n I
..
.
.. ..
. CJ
.. ..
.
.,; .
to
con - quer death you on - Iy have to
die
you on - Iy
have to
A I ) I I I I
l
I
U/
}'"
I
rail. I
, i
(
:
u .... u
54
PILATE'S DREAM
Moderately Slow
GUITAR
1\ I
l. tJ
....
0.
I....
-
(
3
3
dreamed met a Gal - i-le - an
a most a - maz- ing man.
3
.,
6
3
.
had that look_ you ver-y rare-ly fmd,
-,;
cb
F7 F7+
9
q
the haunt-ing hunt - ed
.
F7
r
..
I
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f:!
cl
Cl
E'
E
E
E
E
E
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8
E
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I
1 asked him to
say what had hap - pened.
. ;
I
B
-
55
12
....
I asked a - gain_
he nev-er said a word
How it all be-gan.
-
-
21
-
-
-
.-
-
-
-
Db F7
--------
Bbm cb F7 F7+
Gb
15
..,
...,
I
'1-
as if he had - n't heard. And next the
Ui
.' r
.
..
Ir:H.
I; '1/i ; ./i i i i
- ..
Ebm6 Bbm
r r
Bb F7
18
:::
-
-
I
room was full of wild and
an - gry men. They
seemed to
-;,
;
'1r
;
F:
r
.,
r:
I;
p
1
P
., r
;
I
-
:
.
Bb7 Ebm Ab
..,
--
hate: this man_
they
fell on him and then they dis - ap -peared a - gain.
( A I
f.'\
-
..,
;
F
r r: F
e
rail.
f.'\
I
:
r
-.
'-"
....
56
24
3
27
men-tion-mg my nwne And then I beard them And leav -ing me the
blame.
FINE
cb F7 F7
\
~
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-
....
...
~
E
E
E
E
E
E
~
E.
11 I I
, 1
tJ
---
Then I saw thou-sands of mil - lions
cry - ing for this man.
11 I
a tempo
3
1
I
-
tJ
i r i r:
i
r:
r
B
i
r:---- --:r
---- ----
mp
.
.
I ..
e
..
"_-I
57
THE TEMPLE
o(Rhythm)
:> :>
:> :>
:>:> :> :> :>:> :> :> :> :> >- :> :>
.
on this bird of Lay
bets mine. wmc.
your
.
Cm Gm
..
..
)
.
..
.
Gm Gm
..
1\
.
.----
,
58
E-
13 unis.
E:
Come and
buy it's all go - ing fast.
Bor - row cash
on the flD- est terms. E:
E=
E
:> :>
E
E
E
E
:> I
:>
:>
E
Gm Gm
Cm
E
16
.. .
E
Roll on
up for my price
is down. Come on in for the best in town.
E
E
:> E
- - -
E
E
E
-
:>
t
Gm Gm
Gm
t
19
t
I I I
L...J
t
I
Take
your pick
of the fm est "1nc.
Lay your bets on this bird of mine.
t
I
I
}f I I' .: .: III III
. - - 1 _. - - - - 1J 11 I I .71 !
\
{-
.
Cm
Gm
21
unis.
:> :>
Gm Gm
23
-
]
OD the fin - est terms, Hur
ry
now while stocks still last.
-
J
poco a poco dim. (dissolve into noises)
:>
.
>-
:>
Cm Gm
..
25
;;
:;
-
4
Em Em
...
..
..
,.
,.
BRASSIW. W.
11 JI
:>
_I
:>
I
(
tJ t
- - -- -
:f
::> >-
==
>- >- :>
:> :> >-
>- :> :>
! .. a :> >- ... .. .. >- :>
I
:
'.
60
(
.. ..
:>
.. .
:> :>
. .
:> :> :>
27 " 11
" 11 :>...- _I
_I
tf _
- - -
:>
I
Am Em
29
Em Em Am Em
8
e
B
B
E
E
I
I
I
33
!cHOIR!
IGIRLSI
Roll on
up for my price is down. Come 00 in for the best in town.
I
I
\~
l~
BRASSIW.W.
I
-
-
e
--
~.
---
e
--
Em Em
E:
.
...
E:
"
'-
E:
:>
_ E
:>
" 11
BRASS :> :>
*
:>
I :
I I I I 1....1 I I -T
:> :>
:> :>
T ... .- , .- "'" .. I I ..d
4
-1
.,
.,
61
35
-
-
I Am Em
37
...
.
-.
..
..
..
.
.
-
Em
-- -
Em
-
.
.
39 11 11
1'":\ Screaming (motto ad lib.)
.
-.
..
My house should be a house of prayer._
1'":\
But you have made it a den of thieves._
-.
...
\~
-
.
-
.
I
-
.
-
.
-
..
-- --
" 11
-
11 11
,......., I , I I I -
tJ
, I
Take your pick
of the fm - est wine.
Lay your
bets OD this bird of mine.
" 11 I I I n I I I I I I n I I I
tJ
L.J
I
I I
I I I
l..::J
I
r r
11 11
I I ,......., I , , I -
( tJ
,
I
.
.
.
-- --
e
-
" ..
tJ
" 11 I I I - , I I I -
tJ
Roll OD
up
for
my price
is down Come on in for the best in town.
,., 11 I
I I n I I I I I I n I I I
tJ
I I I
LJ
I
r r
I I I
L.J
I
r r
11 11 I - , I -
) :
-
:g
Rft
sfz mp
Slowly sfz mp
1'":\
t:.. t:.. t:.. t:..
1'":\
t:.. t:.. t:.. t:..
,
.
. 6' .....
col8va
col 8'a
Em A
41
II
Sing
~
E
E
f
i
I
I
I
I
I
62
col 8va
E
--- --
43
Slowly & Sadly
- -
46
Get out' Get out!
My
11 iI
f:\
f:\
II
(
#8_-
_il_
---j
_u_ ---
sj'z mp
II
f:\
17\
I
.
.
..... --
n ..
-.J u
-.
time is a1
-
most
through.
Lit
-
tie left to
" iI
colla voce ---
(
()8
H
3
P
.1 . , I
I
:
" ..
e
..
I
do Af
-
ter all I've tried for three
year.;,
" 11 ---- I I
[
# .., I ,
r
I
(
: --
v
e
"l:
7J
Very Slow
raiL II
49
raiL
,
i:
I
seems like thir
t)
Seems like thir
1)
I
11 11
---
\,
-
. .
.,; 4J
-
u
J
-
I
r-
l
I
I
-
- l
e -!
1:7
1
,
1
"'
1
.....
...
,
...
.
,
1
~
.
.......
"~
-,
~
.
.,;
.
..
..
..
"-
..
-
.
Em
:::::::r:
B-
-
::::=r:
..
-
..
.
I
-
.
..
58
~
E
t
i
I
I
64
>---
Am Em
A Little Quicker with accel. poco a poco throughout
IALL SOLOISTS: Tun-I UNIS.I
-
60
Em Em
62
Will
you kiss, you can cure me, Christ. Won't
you kiss, won't you pay me, Christ.
- --
".. , ,
I be
- lieve
you
can make me well.
lBOyl
" .- .- .-
See
my purse
I'm a
poor, poor
man.
1\ 11 , I
{
----:r:
----
H-
---- -'
-r:
-- -
JP JP
-- -. I
I
.
.
>-- --I
e 6'
I I
Will
you touch,
will
you mend me, Christ. Won't
you touch, will
you heal me, Christ.
" JI
I I
"
>- >-
(
I I I I
I
.
.
-' ... -
I
I
>-
I 1\ 11 I
>-
, 1
{.
r-J
I
I
- - - - ---- ---
I
I
I
(l
r I
I >-
6 .--1 -.
>-
Am Em
,
4
..
:;:
;
~
.
-
.
-
.
-
.
.
ii
.
.
..
65
01REMAINDER OF CHOIRI
64
- -- - --
Em Em
.
l
I
!
Ab
be
lieve you can make
me whole. See can hard
ly
talk.
my tongue
.
>-
I ,
>
I
..
10..
I
I -
.
..
(
I
I
:::::: -
e
--
O'
--
Am
Em
-- -
" 11
tJ
Ab Ab
JALL GIRL SOLOISTS: TUTn(
" 11 .
See my eyes
I can hard
-
Iy
sce. Sce me stand I can hard
-
ly
walk.
IBOYSTACETI
" 11
>
"
" 11 I -
I 1 - ,
{
tJ
N.B. :- GRADUAL BUILD-UP OF EXCITEMENT: acceL
oco a poco
I
.
.
.
...... .ri' .
66
Ab
, " 11
{rtr
66
68 " JI
-
-
-
-
Ab Ab
" JI 'GIRLS TACETI
-
IALL BOY SOLOISTS: TUTIII
"JI. . .
. . .
-
---
-e.
--
&
-
-e.
--
Em Em
ro~ M Ab
~
lL
67
72
.}
"'
>- >-
Em Em
-- --
" 11
.J
Ab
Ab
I ALL SOLOISTS: TUTTI UNIS.I
" 11
.J
I I
Will you touch,
will
you mend me, Christ. Won't
you touch, will you heal me, Christ.
" 11
.J
. . I I
" 11
>- >-
(
I I
..,
1 I
I , ,
.
.
..d . . ..d . ..-
..
',
..
:
Ab Ab
.; I - - -
I
,j I1 Will
you
kiss, you
can cure me, Christ Won't
you kiss. won't you pay me, Christ?
l
..
.
>-
"!
II .. I
:>
lr?
- - - - -
I
I
I
I
I
I
I
>-
>-
Am Em
68
-,
I
CD TempoI
76
Em Em
V
I
I
1
Am Em
" 11
-.
I>
Ah Ab
" 11 I , I I I I 1 I I I I
I
-.
I>
Sec my eyes
I can hard
-
Iy sce. See me stand I can hard -
Iy walk..
,,11 . . .
I I . . . I I
I>
I I I
I
I I I
I
---" -
.
:> >- >- >- >- >- >- >- >- >- >- >- >- >- >- :> :> >-
" 11
...-- r---
{
I> .. .. .. .. .. .. .. .. i .. .. .. .. .. .. .. -j -j
:> >-
:> I :> ,
I
.
.
...... ......
11 " " 11 " , .... .... I --,
:1>
. . . . . . . . .
j1J
. ..,; .,; . .. .. i
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,
I
>-
>- >-
>-
:
:::
-,.
69
80
..
1
-4
.
.....
.
"1
.
.....
.,
Em
Em
..
.
82
...,
...
..
..
.
.~
.~
-.
-
-.
'.
..
..
Am Em
...
..,
..
" 11
Ab
Ab
" 11
I I I I I I I I I .......... I I I
.
See my
skin I'm a mass of blood. See
my legs
I can hard
-
Iy
stand
" u ..
.- .. I I .. .. .. I I
.
I T I
I
I I I
I
---"
-
"
:> :> :> :> :> :> :> :> :> :> :> :> :> :> :> :> =- :>
" U
-
-
{
-
.. .. .. .. .. .. .. j j .. .. .. 11 .. 11 11 j j
=-
:>
=-
=-
{
.
.
n"
g'
" 11
tJ
Ab Ab
" 11 r--1
I I I ..........
I I I
I be
-
lieve you
can make me well. See
my purse
I'm a
poor, poor
man.
" 11
- .. - .. I
"
tJ
"'---
I
I I
I I 1
I
"---
:> :> :> :> =-
=- :> :> :> =- :> :> =- =-
:> :> :>- :>-
11 11 . "'- ,
-
, , I
-
\
..
tJ . . .. .. <I ... <I . .
\11
.. -. -. -. -. -. "I 1
:>- :>-
i:>-
:>-
:
,..
70
84
Em Em
E:
E:
E
E:
E
E
E
E
f
I
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Am Em
" 11
tJ
Ah Ah
IALL SOLOISTS: TUTfI UNIS.I
" 11
tJ
I
I
Will you touch,
will
you mend mc, Christ? Won't
you touch,
will you beal me, Christ?
" 11
tJ
I
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" 11
>- >-
(
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..
mo/to ad lib. e rubato
'JESUSI
There's
Ab Ab
- - -
I
Will
you kiss, you
can cure me. Christ Won't
you kiss, won't you pay me, Christ?
I
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71
o acceL e cresc. poco a poco
88 _.. --- gliss.
..
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too
- 00 too
ma - ny_
of you.
11 11
tJ
Ab
Ab
11 11 I I I ,........, I I I I I I r----, I I I
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See
my eyes
I can hard
-
Iy
see. See me stand I can bard
-
Iy
walk..
" 11 ... - .- I I . .. .- I I
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Don't
pusb
me. Ob. there's
" 11
tJ
Ab Ab
" 11 Ii I I I I r----, I I I
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I be
-
lieve
you
can make me whole. Se
my tongue
I can hard
-
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talk.
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crowd me
mm - mm don't crowd me.
(ah)
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92
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94
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Ah
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100 lit - tie of me. Don'L
don't_
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All
All
,., J1 I I I I
I I I I I ,.........., I I I
-
See
my
skin I'm a mass of blood. See my
leg.s
I
can hard
-
Iy stand.
,., J1 _
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be lieve
you
can make me well. See my purse
('m a
poor, poor
man.
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96
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" 11
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Ab
" 11
unis.
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Will you
touch, will you mend me, Christ? Won't
you touch. will you heal me, Christ?
" 11
unis.
-
1 T
Will
you touch,
will
you .p1eod me, Christ? Won't
you touch, will you heal me, Christry
" 11
unis.
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Heal
your
-
selves!
" 11 , .
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Will
you kiss, you can cure me, Christ? Won't
you kiss, won't you pay me, Christ?
" JI , .
tJ I
Will
you kiss. you can cure me, Christ? Won't
'you kiss.
won't you pay me. Christ?
" 11 , , .
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74
EVERYTHING'S ALRIGHT
Moderato J=130
IMARY MAGDALENEI
4
7
D
A D6 Bm
-
oh, don't you know, Ev' -ry - things a1 - right, yes, ev' - ry - thing's fine._
And
G D
G
lMARY MAGDALENEI
G A D
Close your
--
think I shall sleep well to -night._ Let the world_ turnwith-out me to - nigbt._
..
7:7-
D G A D
D G G7
D G G G7
" ..
tJ
., ., .. .. ..
Try
not to
get wor - ried, try not
to turn on to
pro-blems
that
up - set you,
" 11
(
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mf (Rhythm)
I
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3
3
3
3
3
3
3
3
3
75
~=72 (8 beat)
-- --
eyes, close your eyes and for - get all a -bout us to night.
D G D Dm Dm G Am7 D G
I DON'T KNOW HOW TO LOVE HIM
15
o Slowly, Tenderly and Very Expressively
dOD'tknow how to love him.
What to do, how to
D G D G D G6 G G
""
-
18
3
3
A
-.
..
---
changed
In these
move him.
I've been changed, yes, real. Iy
:a
f
D
D/A A
A
-
few days_ when I've past
my-self
seem like some - one seen
'WJ
-
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Bm G
--- --
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21
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77
36
Should I bring him
ORCH. TUlTI 2nd time
down?_ loye_ Sbould I scream and
shout" _ Should I speak of
G
Bm Bm/A
39
Sing both times
let my feel -ings
out? _
ney - er thought I'd
come to this.
f dim. poco apoco
G D/A D C G
42
- ---- ---
all a - bout?
lLL'u.u
..
.
..
you think it's rath -er
if be said he
I should be in this po
I'd be 10st_ I'd be
fun
loyed
ny.
me.
G D G D D G6 G
..' . . . .' -4
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DIF#
Em A9sus A
0
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50
So
I'd
calm
turn
so cool,
my head.
1
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78
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-0
who's
aJ - ways
LJ
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could - n'\
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JUSI
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52
ti I
no lov er's fool Run
nmg
ev ry
I'd back a
way,
D'I would n'\ want \0
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F#m7
Bm G
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Em
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show
know
A9sus
2.
so.
79
He scares me
He scares me
A
want him
so.
,
I
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Lt! UJ LLLJ
G
DIF# Em7
so.
l..U l..U
UJUJ
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.
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-
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love him so.
G D
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-
54
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56
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80
DAMNED FOR ALL TIME
.-- 3--,
r p
3
3 1.--3-, .--3-, 17\
12 FLUTES
Slow 4 END OF GUITAR SOLO
---==
A Piacere (Freely)
-----
- ---
R.H.
L.H.
"
GUITAR
tJ
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81
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o Bright beat tempo J=108
21 GUITAR SOLO
-,
...
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.
Gm7 Gm7
.
25
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29
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82
BRASS
1\ 1\
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D 07 C F7 Om7
37
D 07 C F7 Om7
41 _ 1sttime
Om?
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help you_
it mat - ters that
you
see_ these sor - did kind
of things are com - ing
2nd time
(Il. (Il. --", 1\ I .. .. .- .- .. .. .. ..
Came be - cause I had to. I'm the one who saw_ Jes - us can't con - trol it like he
3rd time
1\ I (Il. .. .. .. .. .-.. . ,.. .. fL .- .- r
An - nas, you're
a friend,
a
world- Iy
man and ....ise._
Cai - a - phas my mend
I
know you
>- >-
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(Rhythm)
i
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83
44
Gm7 Gm7
47
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hard to me It's tak - en me some time to work out what to do._ I
11 I .. .-..
did be- fore_ And fur - ther - more I know that Jes - us thinks so too._
11 I --11, . - .
,.
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--." I" ---
sym
-
pa-thise._ Why
are we the
pro- phets?- Why are
we the ones? Who
.
:> :> :> :>
11 I " ... I
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weighed the whole thing up
be - fore I came to
you._
I
have no thought at
all
a -bout my
11 I .--'I
I I
Jes - us would - n't mind that I was here
with you._
I
have no thought at
all
a -bout my
f'--.
r----- 3 ---,
11 I . ,. . ,. .. ,. ,. f'- ,. -
see the sad so - lu - tion, know what_ must
be done. I have no
thought
at all
a -bout my
>-
:>"
11 I " I
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.. ..
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84
50
own re - ward_ real - Iy did - D't come here of my
own ac-cord._
own re- ward_ real - Iy did - D't come here of my
own ac-cord.
JI --
"
I
. - .
G:7 =--- Eb F
re -ward._ real - Iy did - D't comehere of my
own ac-cord._
I'
53
don't
say
I'm
Just don't say
I'm
-----
---
Just don't_ say
I'm_ Damned
D G7 c F7 Gm?
ill
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=-
=- =-- - -
85
$ TO CODA
57
-
...
-
3
3
D G7 C F7 Gm7 Gm7
Repeat this section ad lib. for improvised solo -
on the recording this is taken by the tenor sax.
Play at leas! s~ times but longer if desired
:> :> :>
Dal ~al ~ 62
.
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Gm7 Gm7
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Damned fOf- all time._
I f'-' .,---.. ... .-..
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Damned fOf_ all time._
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f all time._
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$ CODA
IANNASI
@]
Subito =120
66
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....
Cut the
pro
- test
-
ing,
fOf -
I
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68
D Gm B~ c F7 Gm D
72
D Gm c D Gm Gm D
76
go un -re . ward
ed.
.
We'll pay you in si! - ver, cash_ on the nail._ We just needto know_ wherethe
D Gm c F7 B~ Gm
D
1.1
A I
t>
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11 -. , -
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get
the ex -cue
-
es, we want in -for -ma - tion, get up
off the floor._
ICAIAPHAsl
A I a. .. f'- a-a
t>
We have the pa
-
pcrs,
we
A I
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Your
help in this mat
-
ter won't
-
:
-
---
need to ar -resl_ him, Youknowhis move
-
ments, we know the law._
A I r "" I I .. .
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87
80
D Gm
Gm c D
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don't
need your blood mon - ey.
Oh that does-n't mat ter, our ex -
3---.
-
Gm
86
c
.
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---
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Withno crowda - round_ him.
I CAIAPHAS I
--
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sold - iers can fmd_ him. Then we can't fail._
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I don't want
your blood mon - ey.
IANNASI
" I
But
you
-
-
:
pen
-
ses are
good._
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95
nol - cd your mo lives, we've not - cd your feel ings, this is - n't blood mon - ey, it's
a
1/1
Gm D D Gm Bb c
88
CD
E"
89 _ r .
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mighl
as well take- it,
we think
thal you should._
I CAlAPHASI
E
- . .--..
E
Think
of the thiDgs_ you can
E
E
3
11 I
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Ab7 Gm D Gm Gm D
F
92
-
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do with that mon
-
ey.
Choose
an - y char - i-ty give_ to the poor._
We've
-
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89
98
IJUDAS I CD Slowly
On Thurs - day night you'll find him where you
--
fcc, no-thing,fcc,_ no- thing,fcc,_ no-thing morc._
e
- --
colla voce
e
--
102 len. -
--
--
105
- -
END OF ACT TWO
-- - ----
" ,
,- , I
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want him. Far from the crowds in the Oar
- den of Geth -
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scm
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a - ne.
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Well done Ju - das. Good old Ju - das.
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Well done Ju . das Good old Ju - das.
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nonIrem.
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Don't dis
-
turb me now I can see the an - sweTS. Till this
Then when we re
-
tire we can write the
gos
-
pels
so they'll
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91
17
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The end_ is
just
a lit
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.
er when
-
11 L. I
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collavoce
.........J-.!. J i R L J {\j b.l 11
I
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- - -
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92
33_ E:
E
wine could be my
blood. For all
you
care this
-
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E'.
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El
E!
E
Cm Eb
Gm D7 Gm
p
37 _ I ,
- 3
3
r;-
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bread cou.ld be my bo - dy._
The end. This is my blood you drink,
, ...-
3
3
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collavoce
I F
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Cm cb Gm Eb
J=160
F
40 _
3 3
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this is my bo -dy you eat. If you would re - mem- her me when you eat
and drink.
J -
3
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ELECTRIC PIANO
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A Gm D Gm Cm B Gm
(Rhythm)
3
must be mad think - ing
1'1\ be re - mem - bered, yes.
I must be out of my
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46
head.
Look at
my name fac - es, your blank will mean
no - thing
Gm D
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49
ten min - utes af - ter I'm dead.
ODe of you de - Dies me, one of you be - trays me.
Gm
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53
J APOSTLES I
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'JESUSI N.B. This section is a duologue of argument and the interpretation must be veryfree.
Pet - er will de - ny me, in just a few hours,_
three times will
de - ny
71
me
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and that's not all I see. One of
you here din - ing,
one of
my twelve
chos
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Cut out the dra - ma tics You know
ve - ry
well who.
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they are wait - ing. Hur-ry
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don't
care why you
do it.
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I do it To think I ad - mired you.
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You li ar.
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You want me to do it!
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IJESUSI
74
Why don't you go
do it?
IJUDASI
Look at all my trials and
i Al - ways hoped that I'd be
. OBOE/BRASS
In a gen - tie pool of
would make it if
tri bu la - tions
pos - tie,
sink - ing
knew that an a
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11- - 11-
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just stayed here and ru -ined your am
bi - tion? Christ you
de -serve it!
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Cm Eb Bb Cm Eb Bb
Cm Eb Bb
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IJESUSI
E
86 parlando
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ry you fool, bur - ry
and
go,
Save me
your speech - es
E
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ENDOF
I don't want to know, Go! ELECTRIC
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97
What's that in the bread, it's gone
10 my
the
head,- 'til this
gos - pels so they'll
Then when we re - tire we can write
-
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see where you've broughl us to._ Our
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sad - dest cut of ,all. Some-ooe has to turn
you in, like a
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they're wait -ing! Oh, oh., oh.,- they're wail - ing wait - ing!_
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for you Ab!
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Ev' -ry -time I look at you
I don't un - der - stand._
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You'd have man - aged
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Look at all
my
trials and tri - bu -
la - tions
AI - ways hoped
that I'd be an a
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is this moro - iDg life is
talk a - bout us when we've
fIDe. died.
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JJESUS'
,
-
Pet -er? John?
.-
James?
143
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Will none of
you
wait with me? Pet -er? John? James?
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GETHSEMANE
'JESUS I 0
Moderato, not too fast
5
If there is a way
Elmvc
9
don't want to taste
F F B!nns us4 B!nn
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B\nnJF
Take this cup a - way from mc_ for
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now I'm sad and tired.
Lis - ten. sure
ly I've
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21
ex -pec - ta-tions,
tried
for three years seems
"'---""
like thir - ty. Could you ask as
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sa - ga through and do the
things you ask of me.
should die would I be more no - ticed than I ev - er was be -fore?
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Let them hate mc, hit mc, burt mc,
Wou!d the things !'ve said and donc-
nail me to their trec.
mat- \er an - y more?
I'd wan
!'d bave
na know,
to know,
I'd wan -
I'd havc_
>-
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34
na know
to know
my
my
God
Lord
!'d wan
I'd have
na know,
to know,
I'd wan
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na know
to know
my
my
God
Lord.
>- >- >- >- >- >- >-
37
wan
have
na sce,
to sce,
!'d wan - na sce
!'d bave_ to sce
my God.
my Lord.
!'d wan
!'d have
na sec,
to sce,
I'd wan-
!'d bave_
>- >- >- >- >- >- >-
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!f die
what will_ be my
re - ward?
>- >- >-
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105
./
43 -
If die what will_
be my
re - ward? I'd have ID know, I'd havc_
-
Lord._
-
I'd bavc to know, I'd have_ to know
my
Lord._
----
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F7 Cm7
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49 -VOCAL: ad lib.
would Dot be killed in vain?
Show mc just a lit. tIc of your
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om - ni - pn:s -ent brain. Show me there's a rea - son for your want-ing me to die.
You're
=-
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59 VOCAL AD LIB. : Hysterical Sobbing
on where and bow and not so bot on why. Al
=-
right'
=-
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65
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107
A Little Slower
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Tempo I
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for three year> seems like nine - ty. Why then
am
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what start -ed. What you start - ed
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will drink
your cup . of poi - son,
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will is hard.
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nail me to
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they're all a - sleep_
the fools.
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112
IJESUSt
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das must
you be - tray
me with a kiss?
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110
THE ARREST
o J=84 18beat)
'PETERI
the buzz? Tell_ me what's
hap - pen - ing. What's the buzz? Tell me what's
-
IGuide part)
G7 C7
3
hap - pen - ing,_
Tell me what's
hap-pen-ing._ Oh,
G7 C7
5
What's the buzz?
Tell me me what's hap -pen - ing.
What's the buzz?
Tell_ me what's hap- pen- ing.
(p)~
G7 C7
III
7
Tell_ me what's hap - pen- ing. Tell_ me what's hap - pen - ing.
What's the buzz?
11
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Lord,
we'rc_
gon- na fight for you. Hang
on Lord, we'rc_
gon - na fight for you.
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Hang
00 Lord, we're
gon -oa fight for you. Hang
on
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hang on Lord, we're gOD
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fight for you._
Now
hang on.
"
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Hangon Lord, we're
gon - na fight for you. Hang
on Lord, we're
gOD- na fight for you.
fI
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sword, don't you mow_ that it's all
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Do
you plan 10 put up
a
fight~
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It was nice but now it's gone._ Why are you ob - sessed with
C7
G7 G7
19
Tell me Christ. how you feel
J
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fight - ing._
Stick to
fish- iDg
ITom now on.
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J=124
.22
MEZZO SOP.
...
to
night
BARlTO:"[ ..
.::-
.::
113
24
..
.
.
..
"
Do you
feel that you've had
the breaks?
(11- fI- (11- (11- . .
:
What
would you say were your big
mis - takes?
A I
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Have
your
men
proved
al all wonh - while?
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Come on God this is not
like you
TE~OR
ICHOIR: ENSEMBLE I
Let us
know what you're gon
na do.
- -
-
----
-
114 -,
@] IALLI
acceL poco a poco
......
. .
30 " I
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-
.....
,
Come with us to see Ci a
-
phas.
You'll
just
love the High
Priest's house.
I
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You'll
just
love see - ing
Cai
-
a -
phas.
You'll
just
e
in the
High
Priest's house.
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TENOR
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115
36
MEZZO SOP.
Cm Gm
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You know what
your sup - por
-
ters feel. BARITONE
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f'- f'- f'- # . # .- ..
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You es
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cape in the fin
-
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TENOR
1
Tell me Christ,
how
you
feel
to - night?
TENOR
-- J
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Do
you plan
to
put up
a
fight?
- - - --
Ab Ab
11
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116
40
MEZZO SOP.
Bigger and Wilder
Do you feel that you've had
the breaks? BARITONE
I CROWD: ALLI
Come with us
to sce Cai - a - phas.
:>
You'U
just
love the
High Priest's house.
ICHOIR : ENSEMBLE I
- -
Ah Ah
Gm Gm
What
would you say were your big mis - takes?
--
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Cm Gm
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Now we've got him!
.,
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Now we have him!_
Now we've got him!
Now wc have him!_
Now we've got
him!
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You'll just
love
see -ing Cai
-
a - phas.
You'll
just
die in the
High
Priest's house.
=>
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Now have him,
him now.
we now.
Now
have him,
him now.
got we now
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him!_ Now we've
got
him! Now we have him1_ Now we've got
him'
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have him!- Now we've got
h. I Now have him!_
Now we've got
him!
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Now we
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Gm Om? F Gm Om? Gm Om?
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01CAlAPHASI
SOLO
Am
Dm Gm
59
That's what you say._ you say that I am,
all your band - outs, well is it true?_
f
Am Fmaj7 G
D
G D F maj 7G
D G D
62
.' .. ".. ~ b..
There you have it gen - tie - men.
What more ev - i-dence do we needry
Ju - das. thank you for the vie - tim.
--
Am Dm Gm
-- ---
--
... .
:
.
-
Jes - us you must
re - a - lise the ser - i-ous
charg- es fae - ing you.
You
say you're the
Son of God in
" & t:t:
l
.J
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mf
I
:
120
.
h
'CROWD: TUTnl
65
f
JBOYSI
Now we have him!_ Now we've gOI him! Now we have him!_ Now we've got him!
f
Stay a while and you'll see it bleed!_
AmF maj7G
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111
F maj 7
G Om7 G Om7
F maj 7
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F maj 7
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3
3
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7
F maj7
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F maj7
G
F maj7 F maj 7
G F maj7
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F maj7
SOLO
74
-
Am Dm
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Take him 10 Pi!
-
ate. Take him to Pi!
-
ale.
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Take him to Pi!
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ate. Take him to Pi!
-
ate.
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ISOLDlERI
F=
122
PETER'S DENIAL
f=
J= 116
IMAID BYTHE FIREI
0
t-
t-
think I've seen
you some - where. I re-mc:m ber._ you were
I PETERI
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-
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wrong man la - dy.
I don't know him and I
OPTIONAL BRASS
E
E
(Rhythm) 11 I I I E
E
0 07 C Cm
E
E
5 " 11
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t
E
with that man_ they took a - way._
I
re - cog - wse_ your
face.
I PETERI
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,
11
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t
ill
was -n't where_ he was
to-night._
ne-ver near the
You've got the
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That's strange, for
I am sure I
saw you
with him._ You were
right by
his side_
and
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-
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9
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123
14
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18 (Shouting his denial)
" 11 L I
don't him! know
--- -- -
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1 tell
you
,
was nev
-
er ev
-
er ,
A JI
.
yet you
de
.
nied._
A JI
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with him.
I OLDMAN(
.
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But I
you too._
it saw
-
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=---=
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looked
just
like
you._
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f
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124
Slower J=52
JMARYMAGDALENEI
20
Pe - ter don't you know what you have said.
You've gone and cut him dead.
Heavily
---
had to do it, don't you see? Or else they'd go
for me.
Gm
26
j
Gm
B
23
IPETERI
.,
,
,
125
PILATE & CHRIST
.....
-
o Slowly J=72
, J
-----
TRUMPETS
......
-
/
-
...
::
-
.
Gm
12
.
..
..
this bro - keD
dut - ter - ing up
the man
-
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-
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-
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Gm
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Who is for tu nate~ thiS un
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ISOLDlERI
~ -,
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I Some - onc Christ, King of thc
Oh, so th15 L~ Jcs - us Christ. am
Jews.
~.
...
21
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f.
Gm
D7 Gm Cm B
real - Iy quite sur - prised you
look so small. not a \..ing at all We all
.
Cm B G
IJESUSI
(spoken)
=-=-- --=. =-::3_
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(spoken)
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kno\\' that \ OU arc but arc vou
ktng Ktng of thc Jcws')
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127
B~ G
Cm B Cm B
That is not an an - swer. You're
deep in
Cm Db G7 B Cm
trou ble mend
Some - one Christ King
of the Jews. How can
36
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parlando
Cm B G7 Cm
.
Fm E Fm E
". 11 I
tf
I PI LATE I
say,
11 I
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What do
you
mean
by
that?
11 I
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your
state be so cool a
-
bout
your
fate? An a -maz
ing
..
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bTRL'MPETS
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thiS sil en! kmg
Smce you I
TRUMPETS
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then you
need nOI
come 10 me. You're Her-od's race'_ I
E,
E!
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t:-
Fm E Fm E
E!
4'
short laugh
-----'
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Ha ha' You're He- rod's
I
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129
44
F
C7 F
46
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Hey - san- na, Ho
Hey J.
-
TPTS.
E;
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c- 48
-
~. c., c. mc, you
had
please ex plain
10
t-
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f8
f8
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.
ob Om
I '
-
11
tJ
I
ha
-
san
- na.
hey
- san
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na, San
-
na,
San
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na,
Ho -
san
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54
lUUUIIO. 4':0, ad lib.
'KING HERODI
-- ---
" .. "
-iJ
L _I I
I
---
Je - sus I am
o - VeT -joyed to meet you face to face. You've been
get - ting quite
a name
" JI 11 I I I I I I l I --,
I
r r
I
If r r
,!
p
colla voce
"
n .... -, u
F
F#mIE
D A
F#m F#mIE
57
i r r
-----
all a - round the place._ Heal- ing crip- pies, rais - ing tram the dead.
And
i
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)
'p-
r
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If
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D A
F#m C#m
D A
------
131
1
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60 .
I
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now I un - der - stand you're God..
at least that's what
you've
said. So
t
\-
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.
-
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0
A/C#
Bm A D
A/C#
Bm7 E7
\-
t
o Moderato, Ragtime Style
I
, 63
I
.
.
.
\
I you
are the
Christ, you're
the
great
Je
-
sus Christ._
.
I
;
I
I
,
A B7
1
I
66
I I I I
---...J I
Prove to me that
you're di
-
vine._
L1LJL_1L I I t I I r----, I
{I
-
_-8
. . . . .
B7
E6(no B) E
69
-
.
.-.
.'
.
Changemy
wa ter in to wme._ That's all
you
Deed do_
J=
,-
.
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Is
--
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----
I
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A A
132
72
B7 B7
r
r
75
C'rn - on. King of
the Jews.
E6 (no B) E7 E6 (no B)
E9 A
L'istesso tempo J=,.r-)
79
)
)
Fjim
F~mIE
D A
" 11"
"..
I I
and
I'll know it's all true.
" 1111
(
vS $ t 11' ,
t
.- n
o
"
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:
.... .. -
" . "
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I
Je
-
sus you just
won't be - licve the hit
you've
made 'round here.
1\ 11 11 I
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. .. .. .. .. .. . .
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I
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.
.
-
F FmIE D A
81
----="
You are all we talk a - bout the won - der of the \.ear. Oh what a
pit. Y
1\ 11 11 I I ,
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t.J . .. . . . . . .
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-
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133
the cy - nies if you
r
mf
A
90
87 87
E6 (no B)
Walk if
swim ming pool you a cross
my
.
E A
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.
.
84
.
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tt-
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great
Je
-
sus Christ. Prove to me that
'" 11 1+ I
:
,
.
-
.....u
"
13~
do tha! fur m~ then I'll let
you go
free _ _
! .
.
A 87 B7
100
Cm - on
King
of the Jews.
.
E6 (no 8) E7 E6(no B)
Piano Solo (Razz-a-ma-tazz)
Freely 2X
E9 A
10.: TPTJCLAR
t.
.
..
.
t . .-
9
.
----.-
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f - ( - B;.
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135
114
1
Gm GmIF Gm GmIF
I'm a cap -live fan,
I'm
am wait-ins. yes,
mmm
Bb Gm
ing
to be shown that So if
not just an - y you arc man,
BbfD Cm Cm7 F7 Bb
I'L,
.-.
-
123
. .
Bb C7
--------
." I
-
I
on - Iy ask things I'd
ask
an - y su - per -star,
What is it that
you have got
thax
" I
1" , I
CJ
i I i
(Rhythm)
. '"
.. .. .. .- .. ..
<iJ ..
I I ,.
you
are the
Christ, yes
the
great
Je
-
sus Christ._
1\ I
I I
tJ
$ $ $ .
:...$
'6 $ '. 711
-.
---==::::..1
\
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- - .
136
126
F6{no C) F
129
Bb Bb
\32
F7
135
Cm on,
I
King of the Jews.
F6(no C)
F7
F6(noC) F9
" ,
-
tJ
, -
- Feed
my
house
-
hold with this
bread,_
1\ I I 1 I I I 1 ,
- -
"
tJ
:...
I
-
,
:
.. - - -y
tJ
I I
--.
.- .-
-
T
head._
thing
you
can do it on
your or has some
-
gone wrong?_
" I I ,
I
tJ
-
I
..--
---. ..
. . T
-
I
.
- -.
tJ I ,
-
Why
do
you
take so
long?
" I I
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11 . '- 'j
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-
-tor
I
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ot
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.
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11
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137
Slowly, dramatically
138
.,
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G
07 G7 C
l parlando
-------------------
141
'I
07 07 G
- - - - - - - -- --- - - - - -- - - - - - - -- - - -- -- - - - -- --- - - -- --- - - -- - - - - - - - --,
144
..
c G
Ragtime Style (Come Sopra)
147
.
..
..
..
-
.
-
..
c D7
.
- -- -
-,.
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'11 I
Hey!
Areo't
you
scared of me Christ? Mis
-
ter
17'1 17'1 17'1
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.
'11,
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9
17'1
17'1
::
=
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woo
-
der
- fuI Christ You're a
joke, you're
A I I I ..
) :'
..,.
.
.-
(J .
J I I I
acceL poco a poco
,
n .
tJ
,
I -
oot the Lord._ You're ooth
-
ing
but a fraud._
11 I I
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I
.
.
.
j
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:
.
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Take hun a
-
way,
he's
got
noth
-
ing
to
say!_
l
1\
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..
. ..
*..: --
.. TO' -
..
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f
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138
150
(shout)
)
G G B G7
154
)
158 (shout) J
Get OUI_
you King of the
Jews!
Get out of my
life!
)
G
1
G7
- - --
" -
Gel oul_ you King
of the... Gel out!_
- >- >-
>-
11
. I I I I .
-
'OJ
L...J
I I I
"
I
A A A
:
A - -
tJ
mm Get out_
you King of the Jews!
>- >- >-
!-:::::: " I
I I I - . I I -
-
l
C/
L-J
I I I
l' , ,
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Hooky Took Solo i
i
A A A
:
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A A
JI .-
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,
A A I
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07 07
162
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p"lf
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,
139
COULD WE START AGAIN PLEASE?
Firmly
ALL
D D
00
'MARVI No repeat ODD.S.
1SItime
I .
D G/A G D D
a
. -
,.,.
I
. .
un
ex - pec - ted.
.
should - n't like this. This be was
I
----
--
" 11
tJ
" 11
(
tJ
I
p
I
.
" 1 I
-
tJ
('vc been
liv - ing
to
see you. Dy
-
ing
to see
you,
but it
2nd
" 1 I -
tJ
...
-
I'vebeen
.ve - ry hope - ful_
so far. Now for the first time 1 think
" 1
tJ
:
we - Pre
go
-
ing WTong.
Hur
-
ry up
and tell me
I.
:
---<
A
Em
140
10
)
G A7 D G/A D
13
7:7"
--
i'
-
qa"__
,\7 Em7 G
" 11
tJ
.. ..
What do I do now. Could we start
a - gain please?
Could we start a - gain please?
" 11
tJ
- ..
-iJ
..
this is a dream_ or could we stan
a - gain please?
Could we start
a - gain please?
" 11
-
tJ
:
" 11 l
tJ
IPETERI
You've
e -ven gone
a bit too far to
" 11 I I I
-...
" ..
tJ
I
I
.
think you've made point_
You've bit far your
DOW.
e - ven gone
a too to
BASSOON
..
.. "* fI-f'-
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(
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.
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.
. -
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......
-
. -
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. -
.
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.
24
-
G/A G/A D
END OF ACT THREE
------
..
141
.
D.S. al CODA
19
could wc: start a
gain please?
jL
A7 D G/A
CODA
I MARV( I ALL (
riL
21
Could we start
a - gain, pleasc:?
Could wc: start
a - gain., please?
I'L
):
I
tt
I
H
A7 D G/A G/A
-e
- -=:::e::::-
e-
/'7'.
-
e
Ab!
i
I
/'7'.
:
.
;
-:
-:;
-
,
-;
...
.
-..
.,
----
142
ACT FOUR
JUDAS'SDEATH
GJ J=184 8va opL sempre
My God!
---
saw_ him._ He looked thn:e-
Gm7
quar - ter.; dead_
And he was so bad- I had to turn my head_
You beat him so hard_ that he was
I
)1
Gm7 Gm7
8
bent and lame._
And I know who ev'-ry-bo-dy's gon - na blame._
don't be -lieve he knows I act -
)
GI1I7 Gm7
12
for our good._ I'd save him all the suf - fer- mg if I couJd._ Don'! be-lieve_
)
! A I
I .---'I
l[ .,
.. .. -.r - . .. ..
f (Rhythm)
,\
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(
:
-
f\ I I -
I .-
:
.
-- .. .. .. .. -- -.r . ..
I .
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07 G7
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t ;
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t:
t :
i ;
i :
i.
i:
I:
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----
143
16
C7 F9 Gm7 G7 D7
20
I.
,I
24
I:
I
I.
, s
;
...
D7 D7
..
Bb Bb Gm c F7
27
- - - - - -
" ,
-;r
I"
our- good_
save him_
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:
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=-
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(Rhythm)
.
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:=-
=-
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C7 F9 Gm7
--
Gm D7
=1 '
I
All
that you've
said_ has come UUe with a ven
geance
The mob
turned a - gainsl_ him, you
.
j
\
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.
.
1
.
.
l.----" I iI I -
j
Bb
...;
Gm D7 D7 Gm C
--.
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--
144
30
backed the right horse._
o Gm Gm o o Gm
33
r-- 3--,
r
i
Bb
..
c D Gm
41
.---- 3 --,
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,
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.
Bb c F Bb 07 Gm 07 0 Gm
37
r--)
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71 ;
#
-.
I
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Et
.. ..
. .
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Ab7
Gm D Eb Eb Eb Bb
r,,;
la
-- -
145
45
rour- der of you._ I havebeen spat - teredwith in - no-cent blood._
o D Gm
have been spat
tered with
mud. love him. don't know how to
MELODY CUE
r.-..
I
d
Gm c G c G G
-------
--- --
Ab7 Gm 07 Gm Gm
49
3---, .----3--..
shall be
dragged through
the slime and the mud._
r--3----,
Bb
C Gm
52 . .. - .--3
.----3--..
r-3r trr
in -
no-cent blood._ I shall be
dragged through
the slime and the slime and the
r- 3--, r----3----.
.--- 3 ----,
r-- 3----,
3--, I---- 3----.
..J
J J ..J J
0 Gm B C 0
o Slower (Motto emozione : A piacere) = 66
r.-.. *
-
146
63
..
.
just
the same- he scares_ me as
an- y-one
know_
\~
1~:E:~~~~
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I
rr
.
-,
.. . .
J J f
-
I
--
.
-..---
c B
- - - -
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Em
i
C G G G Bm Am C Am
66 .
--
r- ...
-
I
.. . . .
.' I
. -=--
be' so When he.s cold and_ dead will he let me
69
72
147
3
does he love me too? Does he care for me? oh oh_
Em Em7 c G F
o Piu Mosso
(sob)
82
-
-
-
-
-
-
-
.
>-
I .
.........
(waiting)
3 3
------
"7
I
.J
,
79
'"'
I
-
I -
-
. "'
-
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I
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-
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t
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fI
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ORGAN[NoVib.)
ab
.
(
I I I I
.-3.., 3
:
111t'\m
I I I I
--
r-...
I I I r--, I I I I I I I I I I I ,....,
-- -
--
-i
--1
I
My
mind is in dark - ness now._
My
(
AI
. .
b'
I
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i
>- >-
j,
-
; i I'
:
. .
Gm Gm7 Gm6 Gm Gm6 Gm
(sob) (sob)
ab ab ab
148
('ve been used
and you knew_
.
89
(sob)
"
,
r
.
.
95 (sobbing)
--'
- ::::::::
chose me
your crime
A A
your
'-
G7
9<)
+' -
foul
~
. ~
blood - y_
cnmc__
\
..
S
.
-
-
-
-
-
---~
86
f::1
r
I
God,
I am sick.
A A r-- -
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..J j J
I I I I I'
:IJ
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"
-
, - , ....... -
alI_ the lime. God!_ 1'\1 ncv - er ev - er know. Why you
-
" I
. . . . .
. . . . .
\1
; .
. . . .
. . .
l!J J.== 48
@HOIR: ENSEMBLEI
(G1RL5]
149
,
G7
p cresc. poco a poco
2
-
...
...
..
...
3
..
G7
""OTEDIFFEREI\T TEMPI
-
..
~.~hou~htheystan togetherat letter F.thechoir beginsslowlybut witha gradualcresc
,le the frellZledrhYthmof Judas's .ong !-'Taduallyfades the two secllons are comple'eh
Independent. . . .
..,
...
- - -- - -
4
,
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=
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,
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So long Ju
-
das
"PP I
I ,
I
(
-
I'r
r I'r I
BOYSJ SO
long Ju
-
das
I
I
:
pp
I 2
This section continues at J== 116
Aslr-
3
,
" I
/1-- - --
Frenzied
You have mur -
dcred me!
" I
A A
- ..........
I
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.
I
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-
>- >-
I
I I I I I I I
:
.
r
- -
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--' v r I v r r 1'1 I
Poor old Ju
-
das So
long
"P I I I , mp
I I I
,
--' v r r vr r vr r
Poor old Ju
-
das So long
I I I
I
:
P 3 4
111p
5
q,- q
3 , , 3 ,
Jt I .. .. ,- .. ..
--'
You havc mur - dcrcd me, mur - dered mc
.11 I
A A
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I- '"
-
>- >-
I I I I I I I I
I :
:--.::
I I
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~
~
~
i
I
I
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150
5 6
G7
9 10 11
1\ 1\
-
L..J -
7 8 9
G7
A I
I I 1 I
tJ v r I VI f' Vr f
Ju
-
das Poor old Ju das
A I
I I I
(
tJ V r f
V I f V r I
Ju
-
das. Poor old Ju das
I I I
(
:
6 7 8
'" 1 q
3
, . 3 ,
- - f'- .. .
Voicetrailsaway,
i)
sobbing
mur
-
druI me. mur
-
dered me.
A I
A A
.- I
I tJ
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.
I
.. 1" .j
-
=- =-
I
I I 1 I I 1
: .
.
r
" I I I I I I I
tJ v r f vr f vI I
So long
Ju
-
das. Poor old
" I I 1 1 I I
I
v r I V r , V, r
So long
Ju -
das Poor old
I I I
:
----
151
cresc. poco a poco
f
10 12 17 11 13 J4 IS J6
ff
18
Gradual/ade
23 20 19 21 22 20t 2S 16 17
Ad lib. rhythm
should/ade here..
28
- --
r
.
.
.
.
.
.
.
.
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1=
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-'"
-'"
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;
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V r r v r f' v i r
Ju
-
das. So
long
Ju -
das.
A I I
f
I I I I
[
r v r
-eJ
vr I v r I
Ju
- das. So
long
Ju
-
das.
I
I
I
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:
12
f
13 14
A I
e)
11 I
( eJ
. . . . . .
. . . . . .
: . . . . . . .
. . . . . .
A I I I I I I I
e)
v f' r v i r v f' f v i r
Poor old Ju
-
das.
ff
So
long Ju
- das.
11 I I I 1 I I I
eJ
v r r vi I vr r v r F
1
Poor old Ju
-
das. So
long Ju
-
das
I
I
I I I
:
IS 16 ff 17 18
I
I
I
11 I j
e)
I
I
( 11 I
. . . .
. .
J
I
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I
;
i I
:
. . .
.
-
152
TRIAL BY PILATE
[INCLUDING THE 39 LASHES]
Andante J=60
IPILATEI
4
this? Was Her -od un - im-pressed?
ICAIAPHASI
We turn 10 Rome to sen -Icnc.e Na- za. relh. We have
I, >-
"'---
Fm
"
I I I I I I I I
.J v r f' v i r v r f' 11 r r
Poor old Ju - das So
long
Ju - das
"
I I I I I I I I
f.\
.J
v r f' v i r v r r v i r
I
I
Poor old Ju - das So
long
Ju - das
I
I I I
.
.
A .--
.J .
..
;*
..
.. R*
.. ..
;.
..
And so the
king
is once a
-
gain my guest
And
why
is
A
I
:
>- >-
-mp colla voce
-j
---
>-
-.
-
I LD . l
U
_7
7______
t:1 7
-
--- -
I
\1
Il -J
(
-----=---- - ,
p
,
..
d=-
$
I
---
""
.
...,
.,
153
8
law man to death. We need him cru - ci - lied, it's all you have to do. We to put a
--
12
need bim cru - ci - lied, do. it's all
you bave to
~
Bw q.
I.- .---- 'IJ!: ~ 1._
poco acceL
--
)
--
--
.
---
15
~ Agitato J=78
JPlLATEI
v v "
\
).
~
.
l
~
---
Do you have the first i - dea why you de -serve if' Lis-ten, King of the Jews, where is your king -dom?
1-.. I , .
-- ---
.......
-.
.,
J
;;
.
.....
...
.
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..
.;
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t'"!
t'
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t
f
f
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f
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---.J --..!
Talkto me Je -sus Christ.
You have been brought here man-a-cled, beat-en, by your own peo-ple.
" I
t:.. t:.. t:..
I
)
J
---.J
)
. --..!
I
f
I
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.
.. ,
.
.
.
.
L-J
" V
154
o L'istesso Tempo
IJESUSI
2
sempre legato
27
through, through,
through. There may be
a
king- dom for me some - where.
,"
IMOBI fTalk to me Je-sus Christ.
32
if
on - Iy
knew. It's you that say I am.
I 1001
" I ,
I h.. "..
I have got
DO
king- dom
In this world. I'm
" I
I
Look at me am I a Jew?
" I
A.. L_ l.':' L. I I.':' l.':
b
b ..
11
I
'I
I T I
staccatissimo
,1
f
.1\
.
.
.
,
>-
>-
Then you're a king'
>-
, " 6. . . .
hll_l._ J I I I rl I
-
), :
I I I I
I
i
I
1\ I
I
I
-si" -..- ...- r..-- -..- ,,-
-:f:
,
L
-- - - -
t
t'. ~
I' -
.
,f .
f .
i
f~
t ;
t ::
t -
f :
{~
f ::
f ~
t :
f ..
r
t
,
J.-
155
37
41
IMOBt
(shouted)
j
mean?
fy your king"
He's done no You'd cru -ci
We have no
king but Cac - sar'
-
1
' '
- - ------
r
.
r ,
.
"1
...
"
I
uuth
and find that
I get damned.
"
IPILATEI
"
I
l' I ...
But what is uuth?
Is truth un - chang-inglaw?
We both have
"
n I n I
I
, "
I
.. l'
I
" " I
.
.
"
tJ
COl - ci
-
fy
him! Crn
-
ci
-
fy
him!
"
IPlLATEI
tJ
I
l' .,
truths,
-
are mine the
same as yours?
What do
you
:>
:>
:>
n dJl L
:>
" I J I I ,
-&.-
tJ
,
.. ,
'1 "I I
I
I
I
"
-
" " "
.
..
..
156
.
49
.
-
.
.
E
E
E
CD
53
2
new_
re -spect for
Cae - sar. Till
now this bas been no - tice- ab - ly lack - ing
Who !~ this
Ii
...
..
.
,
.
57
ICHOIRI
)~~=O
I
'
. b. . . .
~51~!~
,..,..
"'--r~r
I
I
I b.,. ..,. ~,. f",.
, .
.
...
le sus~
\\'h) is he dl ITer - ent~ You
--
---
" 11
.,
----t-
wrong.
No not the
slight - est thing Well this IS
-
r---, " I"" .,. I I I
r I ..J
I I
L.:J
-
We have no
king
but Cae - sari Cru - ci
-
fy
him'
"
..
" 11 /"" T I I I r---, - - -
\
' " ..
]I - .. ... .. !I - - - - ]I - - .. .. !I - - -
-
I
:
We
- "
.---.
'.
I I
Je\'..
pro - duce Me - SSI- ahs b)
the sack - ful
: :
s
: : :
I I
I .
I
r
I
lb.
-
.
,.
.
,.
.
--
====---
157
61
.,
need him cru - ci - tied, it's
all
you have to
do. We
need him cru - ci - tied, it's
J.
=
64
Very Slow
JPlLATEI
~
-
-=
-
Om
.
A Tempo
68 1\
--,,- .
Je- sus Christ.
--.
Look at your I'U a -gree he's mad,
--,,-
ought to be locked up
I
but
.
I
\
I
.. --.-
I
1 T
Om Om
...
A
- -
-.I
. .
all you
have to do.
Talk to me, Je - sus Christ.
............... '
A J.
t7\
(
-.I (' I
. .
mf mp
L.::- "
t7\
b_ _ ... ... ... l .-- ..,.....
I
:
,-
.
..
I 1\
. -
.
\
I _
-
-
.-
I
.
Om
-
..
. -
..
;
-
.
-
.
;
-
..
158
71
Om Om Om
75
Random shouts
80
~
'-.J
~eP
-6
I 1'1
I
I
I
III ,. - - I " I
- -- 1
" -
t.! ......,
.. .. .. .. ..
r
that is not a rea. son to de. StToyhim. he's a sad lit- tie man, nOI a king or god, not a thief, I need
a crime.
" ,.....- I
tJ ......,
.. .. .. .. ..
I
(
:
, ,
...
t.!
r I - --- - , r
Kill him,- he says he's god He's a bias -phem-er. He'll con-quer you
and us and ev - en Cae. sar.
" " I r--I " ,
(
-
It.!
-
(Drum Rhythm colla voci)
,
I -
I
.
Be-hold your
Be. hold the man.
(shouted)
+=-=-===1--
-
:.
--r--- .
tY
him' IMOBI him' . Cru
.
Cl

Cru - Cl
-
tY
.-
=-
=-
hll1 J I I L._
159
84
87
91
-
rea - son e - viI.
you'} he's just mis - This man is hann - less. so why does he up - set
I see no
I
J...
- --
.
.
-
.
.
,
..
"
.
i ..
; ,
;
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;0
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r
.'
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,;;:J-4
. 1
;.
.
f
.
I
f
f::
..
f .;
f
i :..
f =
r ;;
J;;
i ;..
i :;
, :;
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,;;
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j
A iI
-.:r
shat - tered king.
You
by - po -
A r- I I I r--,
r
I J
I I
We have no
king
but Cae - sar!
A
11.
A iI
I I I r--t
It)
ft
9',,:"
.' 11.
I
\ iI .. - - .. 11 .. .. .. .. iI - -
I
.
.
" 11
crites. You bate us more than him. I see no
A I I I I r--,
r I J
I I
We have DO
king
but Cae - sar! Cm - ci -
fy
him!
11
-
,
tJ 11.
1\ JI r- I
I I r--"1 .. .. ..
{
..
tJ
,
'1''':'
l' 11.
i
i
11 - - - .. 11 .. .. .. .. JI .. .. .. .- 11 .- .- - .. I
I
:
160
95
guid - ed.,
Ulinks he's irn - por - tan\. But to keep you vut- lures hap - py I shall flog him
99
..
Cru- ci
~
fy.
Cru -ci Cru - ci
~
~ ~
103
b ~
-=:::--
107
t.\
..
~
Cru -ci f)
b. ....
- -, ..
..
r- ~
Cru - ci fy
~~ f!-...
..
~ -
'~
~. f\
Crn - Cl .
b~ ~ JL..
-#
---.----.
--==..
Crn-~
- fy
..
fy him Crn- ci
b~ .. ..
I
I
b
I
Ib
- --
. ..
I
..
.t:::::::
fy.
Crn-ci
fy him.
Crn- ci
-
fyhim
..
,
."
...
"
..
t
t.
,..
...
...
..
...
E
E
E
E:
fy.
E
E,
f:
El
a
E
t
a
t
I
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-
t:.
\..
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---
161
112
..
fy.
E~
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I
r=
,.b .
r
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.
E~
ti;
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.
-
..
r:
r-
l~
't';,
,
t;
't~
f;.
.
.
39LASHES The Jawbone (or Quuda) can be used
~ Animoso J=J to simulate the sound of the lashes.
IVOICE COUNTINGt
117
. .
* lashes
One Two
"
. .
123
.
Jliineteeo
f
-
I .
- - --
. . . . . . . . . .
. . . . . . . . .
"
. . . . . . . . . :
. . . . . . . . .
,
i
I
. . . . . . . . . .
. . . . . . . . . .
!.I
Tweoty-o!!e , - !.I Twenty - two
I
i
"
I-
.. ..
-
=-
:--- '
"l1 111 -J- 11 "l1 "l1 "l1 "l1 "l1
162
139
Twenty - three
Twenty -seven Twenty-eight
.
Twenty - five
.
.
Twenty -nine
. .
. .
15\
Thirty -one Thirty -three Thirty-four
.
.
r.
.
Thirty-five
-
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Thirty-seven
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." ." ."
-
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163
154
Tbirty-nine
u
DRUM SOLO ON RECORDING
@] I PILATEI
157
..
Where are you from Je -sus? What do you want Je -sus? Tell
me
-- -- -- ---
Fm
161
--
---
-
-
-
You've got to be care -ful, you could be dead soon, could
well be
-
-,
~
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I!
-
-
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Why do you not speak when have your life in my hands" How can you stay qui - et?
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164
169
Fm
172
175
halfsung -
, halfshoutl
You're a fool Je -sus Christ.
How can I help you?
"
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Pi -late' Cru - ci - fy him' Cru - ci ::ry! ij.e-mem-bc
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Fm Fm
11 I
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You have no -thing in your hands. An- ypower you h
11 I I
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I don't be-lieve you un - der
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collavoce
(b)
. . . . .
.
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.
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comes to you
Irom far
be-yood_ Ev' - ry -thing
is fixed and
you can't change
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165
o Agitato (Come Sopra)
)79
;
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183
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Cae - sar. fy bim! You'Ube de - mot - ed, youll be de - port - ed. Cru - ci
Re-mem-ber
;
.
.
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187
-
.
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-.. peace so cru - ci fy
him!
du - ty to keep the
Re -mem-ber Cae - sar. You have a
.
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191
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Cae - sai. You'llbe de - mot - ed.
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Re-mem-ber
you'll be de - pon - ed.
Cru ci
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166
IQ;
Cae . sar.
You have a du
to keep the peace so
cru - Cl
fy
him' Re . mem - ber
.
t::
199
Cae . $aI. You'll be de - mot - ed, you'll be de - port - ed.
Cm - ci
fy
him!
o Meno Mosso -Adagio
IPILATEI (shouting)
203
Don't let me stop your great self des. truc - tion. if you want to. you mis . guid . ed mar - tyro
)
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your de. mo . 11- tlon
Die
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wash my hands
of
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167
SUPERSTAR
oMaestoso
DIE A E
E A DIE A
[!] Beat Tempo J=128 "S~ul" free ad lib. style
I JUDAS I
.
Ev' -ry -time I lok at you I
Ten me what you think a -bout your
don't un -der -stand.
mends at the top.
Why you let the things you did get
Who d'you think be -sides your-selts the
E G A7
.. - - ....
so out of hand. You'd have man -aged bet -ter if you'd had_ it planned.
pick of the crop' Bud - dah was he where it's at, is he when: you arc?
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land?
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If you'd come to-day you would have
Did you mean to die like that? Was
. .
A7 E E
18
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reached
that
a whole na
a mis - take_
tion.
or
Is - ra - el 4 B. C. had no
did you know your mess-y death would
mass corn-moo - i-ca - lion.
be a re - cord break- er'?
J "SOUL" GIRLS'
Don't you get me
G A7(9) E7(39) Bm7
E7(39)
E
IJUDASI
2
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Don't you get me wrong. Don't you get me wrong.
I "SOUL" GIRLSI
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\\Tong. Don't VQU get me \\Tong
now
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169
Don't you get me WTong._ Don't you get me wrong._
wrong. Don't you get me on -Iy want to wrong now.
A E
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I
on -Iy want to know._ on - Iy want to know._
on - Iy want to on - Iy want to
know now.
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170
29
les us Christ. les us Christ. Who
are you~ What have you
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Who are
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What bave
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on- Iy
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you? have you sa cri ficed?_ What are
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Je sus on
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on - Iy wan - na, on - Iy wan - na, OD- Iy wan- na
know_ now.
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Who
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62
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Repeat from letter I and fade
OR
Repeat from letter I and seque Coda El
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get
me
wrong.
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you
think
you're
wbat
they say you
are?
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176
{jt CODA
66
I"SOUL" GIRLS I
ff
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DIE
A E
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IGIRLS : CHOIRI
" 11 11 I J J I I I t:"'\_ -
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what they say you
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N.B.
CRUCIFIXION
177
This part is intended to be a guide only. Alterations or adjustments may be made
10accomodate special needs or limitations. It is suggested that careful reference
be made to the original recording for accuracy ofsimulation.
Very Slow [Larghissimo]
Molto ad lib. e rubato
'GIRLS I
~ltre cordej sempre
o
.-
.
4 parlando : in agony
"
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.
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God
~
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lunga
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for-give them. They don't know what they're do - ing.
lunga
Bursts of mocking laughter (ad lib.)
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lunga
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lunga
.-
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Hammering ceases
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Men's derisive laugbter
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dissolve into laughter
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Ah
niente
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dissolve into laughter
niente
niente
----..
---
NOTE:
J0 Soprano voices (5 parts) two voices 10 each pari: 10 sing
in relay. Ihereb}' ensuring a conlinuous flow of sound.
(Quasi wail)
Ab (sempre)
<;th part
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pp
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ELECTRONJC DISTORTION
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180
1st part
2nd part
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Sib part
IsI part
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3rd part
4tb part
5rh part
31
IJESUSI parlando
35
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Who is my Mo- the!'>
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Completelyad lib. : sono voc;
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RH. _
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Where is
my
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181
39
16 BARS
ApproL 80 ban
or 70 seconds
1st part
3n1 part
4th part
Slh part
- - - -
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A
15BARS
My God'
My God!
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Why
have you for
-
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me? I'm
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182
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45
49
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thirst - y I'm
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thirst-y Oh God'l'm thirst-yl
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183
55
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Oh. I'm
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