Name: Mariel Rosette M. Delos Santos Date: September 17, 2013 Year & Course: BSN III-1 Group 3 Professor: Prof. Regalario Paruparong Bukid (Mountain Butterfly) Paruparong bukid na lilipad-lipad Sa gitna ng daan papagapagaspas Isang bara ang tapis Isang dangkal ang manggas Ang sayang de kola Isang piyesa ang sayad May payneta pa siya uy! May suklay pa man din uy! Nagwas de-ohetes ang palalabasin Haharap sa altar at mananalamin At saka lalakad nang pakendeng-kendeng
This song compares a certain woman to a mountain butterfly. The Paru-Parong bukid is a Filipino song that was created during the Spanish time in the Philippines. The song is believed to been made in order to protect the women, especially those living in the mountains. You can also consider this song as a anti-prostitution song. Elements of Music Rhythm. Rhythm gives the sense of movement in music. It is the order of movement which gives the duration of tones and the degree of accent. The rhythm in this song is marked by the regulated succession of opposite elements, the dynamics of the strong and weak beat, the played beat and the inaudible but implied rest beat, the long and short note. The song contains repetition of tones and creates a pattern that is short enough to memorize. The time signature of this song is 2/4 (duple meter) in which there are 2 basic beats in each measure and 4 basic duration of value of the beat. Melody. Melody is any succession of single tones which by virtue of being sequentially, give a sense of continuity. It is heard in terms of duration and pitch. As we can observe in this song each line is related to one another. The song is sang with spontaneous tone and pitch. Harmony. It refers to the relationship of the tones within the chord and the relation of chords to one another. In this music, a triad is a set of three notes that can be stacked in thirds. When stacked in thirds, the triad's members, from lowest pitched tone to highest, are called : the Root, the Third - its interval above the root being a minor third (three semitones) or a major third (four semitones) and the Fifth - its interval above the third being a minor third or a major third, hence its interval above the root being a diminished fifth (six semitones), perfect fifth (seven semitones), or augmented fifth (eight semitones). Tempo. It is the speed or pace of a given piece. Tempo is a crucial element of most musical compositions, as it can affect the mood and difficulty of a piece. The tempo of this song is Allegro. Allegro means fast, quickly and bright. Dynamics. It normally refers to the volume of a sound or note, but can also refer to every aspect of the execution of a given piece, either stylistic or functional. The term is also applied to the written or printed musical notation used to indicate dynamics. Dynamics are relative and do not refer to specific volume levels. The song ranges from mp, standing for mezzo-piano, meaning "moderately soft" to mf, standing for mezzo-forte, meaning "moderately loud". Timbre. It is the quality of a musical note or sound or tone that distinguishes different types of sound production, such as voices and musical instruments, string instruments, wind instruments, and percussion instruments. The accompanying instrument of this song is the guitar and any other string instrument such as rondalla which produces the unique pitch and sound.
Si Filemon (Tagalog version) Si Filemon, si Filemon, nangisda sa karagatan, Nakahuli, nakahuli ng isdang tambasakan, Pinagbili, pinagbili sa isang maliit na palengke Kumita ng kaunting pera, kumita ng kaunting pera, Para lang sa kaniyang alak na tuba. Elements of Music Rhythm. It is the order of movement which gives the duration of tones and the degree of accent. Traditional Music in the Philippines, like the traditional music of other countries, reflects the life of common folk, mainly living in rural areas rather than urban ones. Like its counterparts in Asia, a lot of traditional songs from the Philippines have a strong connection with nature. However, much of it employs the diatonic scale rather than the more famous pentatonic scale. Though there are songs that exist in quadruple meter, those in duple and triple meter are most common in Western-inspired Philippine music. As one could notice when they examine a collection of traditional songs, those with triple meter form the largest part in the repertoire. Melody. As the country was under Spanish Rule for more than 300 years through Mexico City, it is inevitable that this kind of music will have noticeable resemblance to Western music. Filipino folk songs are also sung in a relaxed and easy voice. Though singers of this type of songs may employ falsetto, its use is not actually compulsory. Modern recordings of these folk songs employ the speaking voice used in popular music. Most songs are relatively easy for an untrained voice as they are between six to eleven tones. Harmony. Most common folk in the Philippines have acquired a natural disposition to play the guitar, thus this musical instrument (usually strummed rather than plucked) is the most typical fashion of instrumental accompaniment for Western-inspired "traditional" songs. Tempo. It is the speed or pace of a given piece. Tempo is a crucial element of most musical compositions, as it can affect the mood and difficulty of a piece. The tempo of this song is Allegro. Allegro means fast, quickly and bright. Dynamics. it refers to the degree and variation of volume and force, from soft to loud, with which the music is played. The song has crescendo dynamics because of the getting louder quality of the song. Timbre. Sound "quality" or "timbre" describes those characteristics of sound which allow the ear to distinguish sounds which have the same pitch and loudness. It is the combination of qualities of a sound that distinguishes it from other sounds of the same pitch and volume. The accompanying instrument of this song is the guitar and it is played by plucking and strumming.