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(A dark and dingy bar in New York City. The grime is part of its charm-like the musty basement of your favorite childhood
memories. WAVERLY unlocks the door, flips on a light and hangs her keys on a hook. SHE begins to prepare the bar for the night.)
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Set up the bar stools.
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WAVERLY:
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And run the taps.
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Check on the li quor.
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Wipe off the caps.
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NEXT THING YOU KNOW
Piano/Vocal
ENSEMBLE
2
LITTLE BAR ON SULLIVAN STREET
[Rev. 9/4/12]
Lyrics by RYAN CUNNINGHAM
Music by JOSHUA SALZMAN
Copyright 2012 by Joshua Salzman Publishing and Ryan Cunningham Publishing.
All rights reserved. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright.
Infringers are liable under the law. To request a performance license, visit www.NewMusicalTheatre.com
www.SalzmanAndCunningham.com
Prepared exclusively for Courtney Jones.
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Fill up the mix ers.
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Cut up a lime.
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Make sure my friends are gon na

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have a good time. If you


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want a fan cy cock tail that glows

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up in ne on blue, then we ain't for

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you. No.

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Where New York's twen ty some thing
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drunks come to meet. At our
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Piano/Vocal 2
Little Bar On Sullivan Street - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
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lit tle bar on Sul li van

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Street.


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DARREN: Slow night?
WAVERLY: Not anymore. You're here. (THEY kiss.)
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Come in the e v'ning
(DARREN enters after a day at the office.
HE loosens his tie as he walks in.)
DARREN: Hey, babe. WAVERLY: Hey, you.
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DARREN:
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at half past six.
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Pro tect my la dy
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from bar fly dicks.
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Take in a sin ger
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Piano/Vocal 3
Little Bar On Sullivan Street - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
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who sings off key.
(Indicating Waverly)
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When she tends bar I tend to

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drink here for free. If you
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want some friend ly peo ple who could


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care less where you've been, then come on

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in! Oh!


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To play some darts you put your
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name on that sheet. At our

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WAVERLY:
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lit tle bar on Sul li van

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Piano/Vocal 4
Little Bar On Sullivan Street - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
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I came here to meet some wo
(LUKE enters, already on the prowl. LISA enters behind him carrying an amp.)
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Street.

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LUKE:
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men.
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L.H. L.H.
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I am here to sing a song.

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LISA:
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O kay, who let
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So where you from?

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him in?
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Hey, watch it, cu tie. I could

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Piano/Vocal 5
Little Bar On Sullivan Street - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
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do this all night long.
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All night long.

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DARREN:
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All night long.
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All night long.
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All night long!
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All night long!
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All night long!
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All night long!






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Thanks a lot.
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I'll take two whis keys.
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Piano/Vocal 6
Little Bar On Sullivan Street - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
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That's se ven bucks.
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This song is new.
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No, it's not.
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This li quor's ran cid.
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O kay, that's true.
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The food here sucks.

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Point out one.
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The wo men love me.
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Piano/Vocal 7
Little Bar On Sullivan Street - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
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You're good as done.
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It's time we met.
(pointing to LISA)

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This is as great as our lives
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will e ver get.
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If you

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LUKE:
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live life in the fast lane and you


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Piano/Vocal 8
Little Bar On Sullivan Street - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
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want a change of pace. This here's the
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Yeah!
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Yeah!
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place.
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Yeah!

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The beer here's bit ter, but the
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wo men are sweet. At our
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Piano/Vocal 9
Little Bar On Sullivan Street - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
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lit tle bar on Sul li van...
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The fi nest vod ka tastes a
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lit tle like deet. At our

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lit tle bar on Sul li van...
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Piano/Vocal 10
Little Bar On Sullivan Street - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
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lit tle bar on Sul li van...
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lit tle bar on Sul li van...
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lit tle bar on Sul li van...
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lit tle bar on Sul li van...
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Whoo!
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Whoo!
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It's get tin' row dy.
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Whoo!
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I'm get tin' through.
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You!
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Shot!
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The whis key's flow in'!
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Piano/Vocal 11
Little Bar On Sullivan Street - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
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Te qui la too!
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Why not?
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We're laugh in' loud ly.
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Yeah!
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Yeah!
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Yeah!
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Hey!
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Hey!
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Hey!
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We're ha vin' fun!
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No one gives a shit 'bout all the
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No one gives a shit 'bout all the
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No one gives a shit 'bout all the
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No one gives a shit 'bout all the



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shit that we've done. If you
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shit that we've done. If you
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shit that we've done.
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shit that we've done.

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Piano/Vocal 12
Little Bar On Sullivan Street - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
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care to spend your e v'ning like you
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care to spend your e v'ning like you
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Dm
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have n't got ta care, then pull up a
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have n't got ta care, then pull up a
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chair! Hey!
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chair! Hey!
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Hey!
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Hey!



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But don't take that one, there's a
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spring in the seat. At our
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Piano/Vocal 13
Little Bar On Sullivan Street - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
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lit tle bar on Sul li van...
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lit tle bar on Sul li van...

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lit tle bar on Sul li van...
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lit tle bar on Sul li van...

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Piano/Vocal 14
Little Bar On Sullivan Street - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
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85





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#
j

C
7(
#
5)
C/E
- -
- -
- -
- -
- - -
- - -
- - -
- - -
&
&
V
V
&
?
b
b
b
b
b
b
86
w
86
w
86 w
86
w

n

#
?
&
?
87


Street.
87


Street.
87


Street.
87


Street.






. b
b

88

88

88

88


Piano/Vocal 15
Little Bar On Sullivan Street - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
4
4
4
4
4
4
4
4
1


Capo 1st Fret
In Eb


[Piano for Rehearsal Only]
E
b
E
b
/G
E
b2
E
b2
/G
F
2

E
b
2
/A
b
A
b
/B
b
E
b2
/A
b
A
b
/B
b
3


E
b
E
b
/G
E
b2 E
b2
/G
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
4



E - v'ry



E
b
2
/A
b
B
b
sus
E
b2
/A
b
B
b
sus
5


.



time a wo - man stays the night, she's

|

b

E
b
B
b
/D E
b
7
/D
b
E
b
7
/B
b
E
b
B
b
/D E
b7
/D
b
P
NEXT THING YOU KNOW
Piano/Vocal
LUKE
4
MORNING AFTER OMELET
[Rev. 9/4/12]
Lyrics by RYAN CUNNINGHAM
Music by JOSHUA SALZMAN
Copyright 2012 by Joshua Salzman Publishing and Ryan Cunningham Publishing.
All rights reserved. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright.
Infringers are liable under the law. To request a performance license, visit www.NewMusicalTheatre.com
www.SalzmanAndCunningham.com
Prepared exclusively for Courtney Jones.
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
6

hap- py, and I don't won- der


| |

b
A
b
2
Fm
7(
b
5)
/A
b
A
b2
Fm
7(
b
5)
7


why.


E
b
E
b
/G
E
b2
E
b2
/G
8

j

.
I treat her



E
b
2
/A
b
B
b
sus
E
b2
/A
b B
b
sus
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
9





well, but I don't kiss and tell.

|

b

E
b
B
b
/D E
b
7
/D
b
E
b
7
/B
b
E
b
B
b
/D E
b7
/D
b
10








Hell, I'm just that kind of guy.
|

n
A
b
2
A
b
/B
b
G
7
/B
A
b2
A
b
/B
b
G
7
/B
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
11


w
Cm
7
Cm
7
12

J

.

She sleeps

b




b
w

w
w
E
b
7
/B
b
E
b7
E
b7
/G
13



.
in. But I get
|
w
w
w
[Piano Enters]
.
r


.


w
Fm
7
Fm
7
Piano/Vocal 2
Morning After Omelet - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
14



up to start the day,
|
.

.



.
r


.


w
B
b
7
B
b7
15

J


.


and make her break - fast in
| |

b
E
b
2
E
b
7
/D
b
E
b2
E
b7
16
j

bed. She
| |


A
b
/C Fm
7(
b
5)
A
b
Fm
7(
b
5)
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
17




.


smi - les as she wakes up and is fed

b

E
b
B
b
/D E
b
7
/D
b
B
b
m
E
b
B
b
/D E
b7
/D
b
B
b
m
18

.
r

my morn - ing af - ter


| |




A
b
2
A
b
/B
b
A
b2
A
b
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
19



om- 'let.
WAVERLY: You sound like
quite the gentleman.


E
b
E
b
2
/G
E
b2
E
b2
/G
20





Hmm.

E
b
2
/A
b B
b
sus
E
b2
/A
b
A
b
/B
b
21
j


E
b
2
E
b
2
/G
E
b2
E
b2
/G
Piano/Vocal 3
Morning After Omelet - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
22

j


I take my



E
b
2
/A
b
B
b
sus
E
b2
/A
b B
b
sus
23


j



time. No need to rush.

|

b

E
b
B
b
/D E
b
7
/D
b
E
b
7
/B
b
E
b
B
b
/D E
b7
/D
b
24

j

Or ru- in it with
| |



A
b
A
b
/B
b
A
b
A
b
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
25


haste.


cue strings
E
b
2
E
b
2
/G
E
b2
E
b2
/G
26



With the


E
b
2
/A
b
B
b
sus
E
b2
/A
b B
b
sus
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
27







ten - der twist of my well sea- soned wrist

|

b
E
b
B
b
/D E
b
7
/D
b
E
b
7
/B
b
E
b
B
b
/D E
b7
/D
b
28

.
r






I tai - lor break - fast to her
|

n
A
b
2
A
b
/B
b
G
7
/B
A
b2
A
b
/B
b
G
7
/B
Piano/Vocal 4
Morning After Omelet - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
29


taste.


w
cue vln
Cm
Cm
7
30

J



I mix the eggs

b




b
w

b

.

.
w
E
b
7
/B
b
E
b7
E
b7
/G
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
31



with a touch of
|
w
w
w

.
r


.


w
play softly, with strings
Fm
7
Fm
7
32




.
milk, some hand se- lec - ted
|
.
.

.
.

. r


.


w
B
b
7
B
b7
33

.


. .


herbs and a sub- tle splash of
| |

b
E
b
2
E
b
7
/D
b
E
b2
E
b7
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
34




cream. And with
| |

.
.
.
.

b
. J

A
b
/C Fm
7(
b
5)
A
b
Fm
7(
b
5)
35







e - v'ry one I'm clo - ser to my dream.

|

b

E
b
B
b
/D
E
b
7
/D
b
E
b
7
/B
b
E
b
B
b
/D E
b7
/D
b
Piano/Vocal 5
Morning After Omelet - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
36

.
r

.

The per - fect mor - ning af - ter


| |



A
b
2
A
b
/B
b
A
b2
A
b
37



om - 'let.


E
b
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
38

j



.

For Pam I add - ed






E
b
39
b



ham. For Lou -
.
|

b
b








j


w
D
b
/A
b
D
b
/A
b
F
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
40





.
r

ise I add - ed cheese. A -


.
|





w
A
b
A
b
41



.
r



.
r

ni - ka, pap- ri - ka. She


|
(small, high voicing)
w
w
w
w



E
b
2
E
b2
Piano/Vocal 6
Morning After Omelet - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
42






. r

bare - ly used a fork. For












[vln]




43
b
.



.

El - la, ba - by bel - la. For
|

b
b

.
r




w
D
b
/A
b
D
b
/A
b
V
&
?
b
b
b
b
b
b
b
b
b
44








Pep- per, well pep- per. And you can

<




<
A
b
p
45
.



.



bet I used po - ta - toes for Miss


n
Fm E
b
/G A
b
F
7
/A
F Rit.
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
46






Mal - lo- ry O' - Rourke.

.
R

[Violin]

w
A
b
/B
b
B
b
47



Now I've



A
b
/B
b
B
b
48

.



.


got it to a sci - ence, but I won -

b

[Gtr.]

b
GTR alone

b

E
b
B
b
/D E
b
7
/D
b
E
b
7
/B
b
P
A Tempo
Piano/Vocal 7
Morning After Omelet - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
49





der a - bout all the eggs and
w
w
w
w
w
w
w
w
A
b
A
b
/B
b
A
b
50


sex.










[Piano Enters]
E
b
E
b
/G
E
b2 E
b2
/G
51



Though it's






A
b
B
b
sus
E
b2
/A
b
B
b
sus
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
52







been a thrill, would it be bet - ter still

b
cello enters

b

E
b
B
b
/D E
b
7
/D
b
E
b
7
/B
b
53

.
r




.

if it were slight - ly less com-
|



A
b
2
A
b
/B
b
G
7
A
b2
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
54


plex?


w
Cm
7
Cm
7
55

b











w

b

.



w
cue vl
E
b
7
E
b7
E
b7
/G
poco rit.
poco rit.
56

J

J

J

In try- ing to
w
w
w
w
w
g
g
g
g
g
g
g
g
g
g
g
w
w
Fm
7
Fm
7
Piano/Vocal 8
Morning After Omelet - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
57






find the one, I've let so
gently
w
w
w
w
w
w
w
g
g
g
g
g
g
g
g
g
g w
w
B
b
7
/A
b
B
b7
/A
b
58

.

.



ma - ny wo- men walk out the door.

g
g
g

b
g
g
g
g


b
E
b
E
b
7
/D
b
E
b
E
b7
/D
b
59

w
w
w
w
w
w
w
g
g
g
g
.
.




[Cello Cue]
A
b
2
/C
A
b2
/C
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
60

. .

.
Now I have the per - fect

w
w
w
g
g
g
g
w w
w
Fm
7
61

.

.

mor - ning af - ter om - 'let.

w
w
w
g
g
g
g
w
w
E
b
/G
62

j




But no one
w
w
w
w
w
w
w
g
g
g
w
w
w
[Bs Enters]
cue gtr, vln
Fm
7(add4)
Fm
7(add4)
L
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
63

.
r




.

to make that per - fect om - 'let


w
w
w
(fingers)
w
w
w
g
g
g
w
A
b
/B
b
A
b
/B
b
64


for.


E
b
2
E
b
2
/G
E
b2
E
b2
/G
A Tempo
Piano/Vocal 9
Morning After Omelet - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
65

j

My mor - ning af - ter


E
b
2
/A
b
B
b
sus
E
b2
/A
b
A
b
/B
b
66
j

.

om- 'let.


E
b
2
E
b
2
/G
E
b2
E
b2
/G
67

Hmm,

E
b
2
/A
b
B
b
sus
E
b2
/A
b
V
&
&
?
b
b
b
b
b
b
b
b
b
b
b
b
68



om - 'let.


E
b
2
E
b
2
/G
E
b2
E
b2
/G
69





[Violin Cue]

E
b
2
/A
b
A
b
/B
b
E
b2
/A
b
Rall.
Rall.
70

u
w
w
w

.
.

U
w
U
E
b
E
b
Piano/Vocal 10
Morning After Omelet - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
?
#
#
4
4
4
4
1
.
.
.

.
.
.


C
2
f
2
.
.
.

.
.
.


G/B
3
.
.
.
.

.
.
.
.


Am
7(add4)
V
&
?
#
#
#
4

j




You say to try.








w
w
GMaj
9
/B
5

j




You say to work.
.
.
.

.
.
.


C
2
P
6

j



You say you're
.
.
.

.
.
.


Em
9
V
&
?
#
#
#
7






sure I could be more than this
.
.
.


C
2
8









a - do - le - scent jerk. And I say, "Look,
.
.
.

Em
9
NEXT THING YOU KNOW
Piano/Vocal
DARREN
AS GOOD AS I GET
[Rev. 9/4/12]
Lyrics by RYAN CUNNINGHAM
Music by JOSHUA SALZMAN
q = 112 Sitting into the groove
5
Copyright 2012 by Joshua Salzman Publishing and Ryan Cunningham Publishing.
All rights reserved. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright.
Infringers are liable under the law. To request a performance license, visit www.NewMusicalTheatre.com
www.SalzmanAndCunningham.com
Prepared exclusively for Courtney Jones.
V
&
?
#
#
#
9




.


I've been try - ing e - ver

.
.
.

Am
7(add4)
10

since the day we met. But

Bm
7(no5)
Em
7
V
&
?
#
#
#
11



n


this a - do - le - scent jerk









. n
j
.
n

G/F FMaj
9
12

J




might be as good as I get."
.
.
.

.
Dsus D
13

.
.
.

.
.
.


C
2
V
&
?
#
#
#
14

.
.
.

.
.
.




WAVERLY: I don't buy it, Darren. You're the one who wants to get married and you're giving up before we've even started.


G/B
15

.
.
.
.

.
.
.
.


Am
7(add4)
16

j




I've let you down.








w
w
GMaj
9
/B
V
&
?
#
#
#
17

j




It's what I do.
.
.
.

.
.

C
2
18

j



I must ad -
.
.
.

.
.

Em
9
19









mit I've pulled some shit that I re -
.
.
.


C
2
Piano/Vocal 2
As Good As I Get - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
?
#
#
#
20



gret a time or two. But I may
.
.
.

Em
9
21

J



.

not get much bet - ter, and

.
.
.

Am
7(add4)
V
&
?
#
#
#
22






since I'm not there yet,

Bm
7(no5)
Em
23



n


a man who lets you down









. n
j
.


G/F FMaj
9
24

J




might be as good as I get.
.
.
.

.
Dsus D
V
&
?
#
#
#
25





I'm not say - ing I'm not try -

















r


.



w
C
2
Expansive
26






ing. I'm not say - ing I won't try.

















r


.


w
G/B
V
&
?
#
#
#
27

.
R





But if you want ex - tr'or - di - na -

















r


.


w
Am
7(add4)
28



j



ry I'm gon - na come up shy.

















r


.



w
G/B
Piano/Vocal 3
As Good As I Get - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
?
#
#
#
29

J

n


I wish I could be bet -

















r
n

.
n


w n
FMaj
9
30


.

ter, but I'm just an
a







a








r


.


w
Em
9
V
&
?
#
#
#
31



or - di - na - ry guy,







r


w n



n
G/F
32
.




who loves you a lot.
w
w
w
w
w n
33

j

And
.
.

w
G/D D
7
V
&
?
#
#
#
34


j



may - be that's all I
.
.

.
G/D
35


got.
.
.

w
w n



FMaj
9
36

J



It's not i - deal.

.
n


n
n

>
G/F
V
&
?
#
#
#
37

J

.
n
At least it's



r
b
n
. b


w b
B
b
Maj
7
38


J

true. Per - haps your



r


.


w
Am
7
Piano/Vocal 4
As Good As I Get - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
?
#
#
#
39
J

b





b
man does what he can and comes up



r
b
n
. b


w b
B
b
Maj
7
40


J

a
short, but still loves



r


j

j
a
w
Am
7
V
&
?
#
#
#
41 w
you.

.
r


.



w
w
C
2
42 .

.
r


.



w
G/B
43

.
r


.



w
Am
7
V
&
?
#
#
#

44

j




You say to leave.
.
.


.
w
G
2
/B
Rit.
45

j




I'm good as gone.
.
.

w
w
C
2
P
46

j



I'd ra- ther be
.
.

w
w
w
GMaj
7
/B
V
&
?
#
#
#
47
.

.




up front now than let you
.
.




w
w
Am
7(add4)
loco
48
.



.

down la - ter on. And you might


.
.
.







Bm
7(no5)
Em
Piano/Vocal 5
As Good As I Get - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
?
#
#
#
49





have to take a gam- ble 'cause I'm

.
.

w
Am
7
50

not a sure bet. And


.
.

Bm
7
Em
51

j


n

.
there's an ex- tr'or - di - na - ry

. n
j
.
j

w n
G/F
V
&
?
#
#
#
52
.

chance

>



>



>



>



>




r


.
n

w n
FMaj
9
53

j


n

.
N
that this or - di - na - ry

j



w
C/D
V
&
?
#
#
#
54

man who

>


>


>


>

>

>


r


.



w
55
.


loves you
w
w
w

r












w
&
C
2
56

J




might be as good as I get.
w
w
w
w
w
?
V
&
?
#
#
#
57

.
.
.

.
.
.


G/B
58

.
.
.

.
.
.




WAVERLY: I'm sorry.

C
2
59

j




It's as good as I get.
.
.
.

#
. n

F
2
GMaj
7
60

.
.
.

Piano/Vocal 6
As Good As I Get - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
?
#
#
#
#
#
#
8
12
8
12
1



q
.
= 116 Fluid

&
?
#
#
#
#
#
#
3

&
&
?
#
#
#
#
#
#
#
#
#
5


j

j


I can still re mem ber that

A
6
n
j

j

j

j

cool day in Sep tem ber. My

n
n

G
2
- - - -
NEXT THING YOU KNOW
Piano/Vocal
LISA
8
MANHATTAN BRIDGE
[Rev. 9/4/12]
Lyrics by RYAN CUNNINGHAM
Music by JOSHUA SALZMAN
Copyright 2012 by Joshua Salzman Publishing and Ryan Cunningham Publishing.
All rights reserved. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright.
Infringers are liable under the law. To request a performance license, visit www.NewMusicalTheatre.com
www.SalzmanAndCunningham.com
Prepared exclusively for Courtney Jones.
&
&
?
#
#
#
#
#
#
#
#
#
7


j

j

j

first trip on the sub way a

A
8



2
n


j

cross the Man hat tan Bridge. I

G
2
- - - -
&
&
?
#
#
#
#
#
#
#
#
#
9




looked out side, and could

A
10
n
j

j





not be lieve my eyes. Then I

G
2
- -
&
&
?
#
#
#
#
#
#
#
#
#
11

looked a round, and

A
12
n
j



much to my sur prise,



.
.
.


(gtr)
G
2
- -
&
&
?
#
#
#
#
#
#
#
#
#
13

j

j





no one else was look ing at the
.
.
.

.
.
.









j

. w
Bm
14



bridge, the sta tue,
.
.

.
.









j

.
w
A/C
#
- -
Piano/Vocal 2
The Manhattan Bridge - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
?
#
#
#
#
#
#
#
#
#
15

j
J
.
the sky.
.
.
w
w

. w
D
16
. .

.
.
.
.
w
w
w
n

j
n
j


a
j


N

.
w
(vl 8va)
PNO PLAY
Dm
(Ma7)
&
&
?
#
#
#
#
#
#
#
#
#
17



.
No one else was look ing,
.
.

.
.



.



.

.
.
C
#
m
7
F
#
m
7
18

j

j

j

and I could not i ma gine


.
.
.

.
.
.

.
Bm
7(add4)
E
7
sus
- - -
&
&
?
#
#
#
#
#
#
#
#
#
19


.
why.



WAVERLY: It happens, Lisa. You get used to things like that here.

20

.

.

j

J

j


J

j

&
&
?
#
#
#
#
#
#
#
#
#
21


j

j


sat and stared, un blink ing, then

A
22
n
j

j

j


got a round to think ing that these

n
n

J

j


J

j

G
2
- - - -
Piano/Vocal 3
The Manhattan Bridge - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
?
#
#
#
#
#
#
#
#
#
23
j



j


j

peo ple just don't re cog nize the

A
24

2
n

.


view they miss each day. So I

J

j


J

j

G
2
- - -
&
&
?
#
#
#
#
#
#
#
#
#
25


.



took it in. Then I

A
26
n
j


j

took it in a gain. It

J

j


J

j

G
2
-
&
&
?
#
#
#
#
#
#
#
#
#
27
j


.
2


made me smile. I

A
28
n
j



made a pro mise then, that the



.
.

J

j


G
2
-
&
&
?
#
#
#
#
#
#
#
#
#
29

j

j




day that I stopped look ing at the
.
.
.

.
.
.









j

. w
Bm
30
.

2

2

.
way it all seems
.
.

.
.









j

.
w
A/C
#
-
Piano/Vocal 4
The Manhattan Bridge - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
?
#
#
#
#
#
#
#
#
#
31

j
J
.
to glow,
.
.
w
w

. w
D
32
. .

J

the
.
.
.
w
w
w
n

j
n
j




.
w
Dm
(Ma7)
&
&
?
#
#
#
#
#
#
#
#
#
33



.
day that I stopped look ing
.
.

.
.



.



.

.
.
C
#
m
7
F
#
m
7
34

.

j

j

was the day that I should


.
.
.

.
.
.

.
Bm
7(add4)
E
7
sus
-
&
&
?
#
#
#
#
#
#
#
#
#
35
.


.

.
go.



.
.

[violin]


j
.
A
36

.

.

j

So

.
.

.
.
. .
&
&
?
#
#
#
#
#
#
#
#
#
37

j
n
j

j

e v'ry day from that day on I


.
.

n
.
.

.
.

n
n
j




n .
.
n
.

C G/B
38

j
n
j

n
j

took the time to stop and look. I'd


.
.

b
.
.

.
.

n
b .

j

.
b
.
B
b
F/A
-
Piano/Vocal 5
The Manhattan Bridge - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
?
#
#
#
#
#
#
#
#
#
39
n
j







wake my self up from a nap. Or
.
.

b
n
.
.
.

n
.
.

n
b
.



n .
. b
.
n
Fm/A
b
C/G
40



n
j


take a short break from my book.
.
.

.
.

.
.


.
.

. # . n
D/F
#
F
o
7
-
&
&
?
#
#
#
#
#
#
#
#
#
41

n



j




But to day, on the sub way, af ter
.
.
.

n
.
.

.
.

.
.

n
b
Am/E D
o
/F
slower
42
j
n
n
. b

n

fight ing for my seat. I star ted
.
.
.

n
n
.
.
.

n
b
.
.

n
.
.

n
b
C/G Fm/A
b Slower, Freely
- - - - -
&
&
?
#
#
#
#
#
#
#
#
#
43
j
b
j
n
n
j


b
read ing at De kalb, and did n't look
.
.
.
w
w
w
b
b
b
g
g
g
g
g
.
.
.
w
w
w
b
b
b
D
b
44
n


j



.
up 'til Ca nal Street.
.
.
.

n
n
n
g
g
g
g
g
.
.
.

,
.
.

n
n
.
.

,
G
5
- - - -
&
&
?
#
#
#
#
#
#
#
#
#
45

A Tempo
46

.

.

j

Piano/Vocal 6
The Manhattan Bridge - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
?
#
#
#
#
#
#
#
#
#
47


j

j

j

blinked to clear my vi sion, thought

A
48
n
j

j

j

j

back on my de ci sion to

n
n

G
2
- - -
&
&
?
#
#
#
#
#
#
#
#
#
49

up and leave the ci ty the

A
50
j


2
n


j

day I missed the view. It's

G
2
-
&
&
?
#
#
#
#
#
#
#
#
#
51
j




har der now than I

A
52
n
j

j





thought it would have been. Did the

J
n

J

J

J

G
2
-
&
&
?
#
#
#
#
#
#
#
#
#
53
j

ci ty break me down, or

A
54
n
j





j

sim ply break me in? To



.
.
.

J
n

J

J


G
2
- - -
Piano/Vocal 7
The Manhattan Bridge - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
?
#
#
#
#
#
#
#
#
#
55

j

j





day's when I stopped look ing at this
.
.
.

.
.
.









j

. w
Bm
56



place like it was
.
.

.
.









j

.
w
A/C
#
-
&
&
?
#
#
#
#
#
#
#
#
#
57

j
J
.
all new.
.
.
w
w

. w
D
58
.



j

To day's the
.
.
.
w
w
w
n

.
.
n
.
a
.
w
Dm
(Ma7)
-
&
&
?
#
#
#
#
#
#
#
#
#
59



.
day that I stopped look ing,
.
.

.
.



.



.

.
.
C
#
m
7
F
#
m
7
60

j


j



so now what do I
.
.
.

.
.
.

.
Bm
7(add4)
Esus
-
&
&
?
#
#
#
#
#
#
#
#
#
61
.


.

.
do?
.
.
w
w
.
j

.
.
.

.
. w
F
#
m
rit.
expressively
62

.

j


Do I
.

.
.
.

.
.
w
A/E
Piano/Vocal 8
The Manhattan Bridge - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
?
#
#
#
#
#
#
#
#
#
63
.

.

J



stay or do I
.
.
.

g
g
g
g
.
.
.

g
g
g
.
.
.

.
.
.

D C
#
m
Freely
64
.

j

n
j

j

leave and change up the
.
.
.

g
g
g
.
.
.
.

n
g
g
g
g
.
.
.

Bm Bm
7(
b
5)
&
&
?
#
#
#
#
#
#
#
#
#
65
.
w
view?

AMaj
7
poco rit.
66

.
.
.

U
g
g
g

.
.
.

U

.
.
u
J

.
.
bass cue
p
pizz.
Piano/Vocal 9
The Manhattan Bridge - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
?
b
b
b
4
4
4
4
4
4
.
.
.
.
.
.
.
.
.
.
.
.
1

(WAVERLY gets up to get a pitcher and runs into DARREN.)


DARREN: Hey.
WAVERLY: What are you doing here?
DARREN: Beer. Amaretto sour?
WAVERLY: No, thank you.
DARREN: Okay.

q = 92
p
2

WAVERLY: So, how've you been?


DARREN: Fine. I mean,
4



I'm still
(vocal last time only)


SAFETY
DARREN:
V
&
?
b
b
b
5






.

.
r

look ing for jobs, not just a ny. Or












Gm
7
Dm
7
6






j

else I'd get one right a way. And

.
.
.














Gm
7
Dm
7
- - -
V
&
?
b
b
b
7






.


not on ly one, I'd get ma ny. I'd be












Gm
7
Dm
7
8








hold ing em ploy ers at bay. But I

.
.
.

#
#








#



#

Em
7(
b
5)
A
+
7(
#
9)
- - - - -
NEXT THING YOU KNOW
Piano/Vocal
DARREN
WAVERLY
9
HOW 'BOUT YOU?
[Rev. 9/4/12]
Lyrics by RYAN CUNNINGHAM
Music by JOSHUA SALZMAN
Copyright 2012 by Joshua Salzman Publishing and Ryan Cunningham Publishing.
All rights reserved. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright.
Infringers are liable under the law. To request a performance license, visit www.NewMusicalTheatre.com
www.SalzmanAndCunningham.com
Prepared exclusively for Courtney Jones.
V
&
?
b
b
b
9










need a good job where they think it's o kay that I

.
.
.







Gtr, Bs Enter
B
b
Maj
7
Am
7
10











might take some time off to work on my play. And that

.
.
.
.




.


Gm
7
Dm
7
/A
-
V
&
?
b
b
b
11








pitch to a job can be a real ly hard sell. My

.
j

.
j

.

Em
7(
b
5)
Dm
7
GTR
12








play takes up my time which you know ve ry well. It can be

#
b

r

n

j


#





.
j

.

C
#
o
7
Dm
7
GTR
- -
V
&
?
b
b
b
13








hard to make pri or i ties fit. If you re

#
b
.
.
.
.

n








r

b


#




G
o
7
Dm/F
BS
GTR
14












call that was the rea son we split, or why you left me real


.
r

#
n
g
g
g
g
g
g
g








j
#
Em
7(
b
5)
A
+
7(
#
9)
GTR
- - - - - -
V
?
?
b
b
b
15
j








ly. Let's not get all touch y










#



.

.

.


Dm C B
b
7
A
7
GTR
16

.







feel y. Look where this con ver sa tion














.

.

.


j

Dm C B
b
7
- - - - -
Piano/Vocal 2
How 'Bout You? - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
?
?
b
b
b
17
j









veered. Let's not dis cuss our old re la tion ship cause

#












.



.


A B
b
A
- - - -
V
?
?
b
b
b
18





that might get weird.


#





#



&
.

.

.


Dm
19







A ny way. A ny way. A ny way. How 'bout


.
.
.
.
.

#
n
g
g
g
g
g
g
g

Gm
9
Gm
7
/B
b
A
7(
#
9)
- - - - - -
V
&
?
b
b
b
20
j


you?
WAVERLY: Good. Glad to hear it's going well for you.
DARREN: You seeing anyone?
WAVERLY: It's only been a few weeks.



.
.

.


#
Dm
p
21



Cause I'm

#

.
.

.



V
&
?
b
b
b
22







.

.
r

see ing some one, well not see ing. Just


.
.
.
.













Gm
7
Dm
7
23






sleep ing with her a lot. And to be
.
.
.
.








Em
7(
b
5)
Dm
7
/F
BS + GTR
- - - -
Piano/Vocal 3
How 'Bout You? - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
?
b
b
b
24






.


ho nest I find it quite free ing. I get the
.
.
.
.


.
.
.
.












Gm
7
Dm
7
BS
25








milk and the cow is not bought. And she


.
r

n
#






#



#

Em
7(
b
5)
A
+
7(
#
9)
- -
V
&
?
b
b
b
26










can't get enough, she just climbs right on top. And from

.
.
.
.







B
b
Maj
7
Am
7
27











morning 'til night we're just fuck ing nonstop. And

.
.
.
.




.


Gm
7
Dm
7
/A
- - - -
V
&
?
b
b
b
28











I could use a break cause all the sex is e nough. I wanna







Em
7(
b
5)
Dm
7
29











talk a bout feel ings cause I'm in to that stuff. But she'd

#
b



b
r


.
R
n


C
#
o
7
Dm
7
- - - - -
V
&
?
b
b
b
30







ra ther get me na ked in stead and just re

#
b
.
.
.

b


#







n

G
o
7
Dm/F
31











mind me I'm a ma zing in bed, and that I make her de li


.
r

#
n
g
g
g
g
g
g
g








j
#
Em
7(
b
5)
A
+
7(
#
9)
- - - - - - - -
Piano/Vocal 4
How 'Bout You? - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
?
?
b
b
b
32







ri ous. Just so you know we're not










#



.

.

.


Dm C B
b
A
7
GTR
33








se ri ous. We have n't said our "I














.

.

.


j

Dm C B
b
- - - -
V
?
?
b
b
b
34
j










do"s. We can still see o ther peo ple like an

#













.



.


A B
b
A
35





ex if we choose.


# n




#










#



&
.

.

.


Dm
- -
V
&
?
b
b
b
36





.
A ny way. A ny way. A ny way. How 'bout


.
.
.
.
.

#
n
?

Gm
9
Gm
7
/B
b
A
7(
#
9)
37
j


you?












&
.

.

.


Dm
- - - - - -
&
&
?
b
b
b
38

b

b
j


I'm still work ing. Have n't quit.
j

b

.
r

b
j

b
b





j

E
b
7
E
b
7
/G
WAVERLY:
39

N


j


I'm still sin gle. And that's it.
j

N

j






Dm/A Dm
- - -
Piano/Vocal 5
How 'Bout You? - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
?
b
b
b
40


j

So it's

DARREN:
41






.

r

awe some we had this brief meet ing. Re












Gm Dm
7
/F
GTR
- - -
V
&
?
b
b
b
42








minds me of the fun that we had. And al

.
.
.














Em
7(
b
5)
Dm
43






.

though it has been a bit fleet ing.












Gm
7
Dm
7
/F
- -
V
&
?
b
b
b
44









Be ing with you's ne ver bad. I'm gon na


.
r

#
#


#

Em
7(
b
5)
A
+
7(
#
9)
45










go to the bath room right there, down the hall. If you re

.
.
.
.







B
b
Maj
7
Am
7
- - - - -
V
&
?
b
b
b
46











member we had our first kiss in that stall. And a

.
.
.
.




.


Gm
7
Dm
7
/F
47








stall's a weird place to be kissed. But some thing

.
j


Em
7(
b
5)
Dm
7
- -
Piano/Vocal 6
How 'Bout You? - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
?
b
b
b
48








clicked and we could n't re sist. So I'll

#
b
.
.
.
.

#









C
#
o
Dm
7
49








be in the one towards the back. And I'll

#
b

.
r


#




n


G
o
7
Dm
7
/F
BS
- -
V
&
?
b
b
b
50












leave the door o pen a crack. Not to be weird, but just


.
r

#
n
g
g
g
g
g
g
g

Em
7(
b
5)
A
+
7(
#
9)
51









stat ing that that is where I will be



#










#



.

.

.


Dm
7
C B
b
7
A
7
GTR
- -
V
?
?
b
b
b
52

.







wait ing. So you do what you've got ta


#














.

.

.


j

Dm
7
C B
b
53
j












do. If not to night, then not to night, but I'll be

#












.



.


A
+7
Gm
7
A
7
- - - -
V
?
?
b
b
b
54

.

wait ing.




3










#



&
.

.

.


Dm C B
b
A
55








A ny way, a ny way, a ny way. How 'bout you?

#
n

Gm
9
Gm
7
/B
b
A
+
7(
#
9)
Dm
- - - - - - -
Piano/Vocal 7
How 'Bout You? - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
?
b
b
4
4
4
4
Piano
1

LUKE: Don't you want to know anything about me?


WAVERLY: Nothing.
LUKE: Not one little thing?
WAVERLY: I'm upset I even know your name. Let's go.
LUKE: You're a very confusing woman. And I feel like I have a pretty good grasp on women, but this is unlike anything
.
.


FMaj
7
B
b
2
2
w
w
w






w
AC. GTR
3

.
.


FMaj
7
B
b
2
4
w
w
w






w
&
&
?
b
b
b
Pno
5

j

j

You've got that quir -

.
.


FMaj
7
B
b
2
6
j


j


ky smile.

w
w
w






w
7

You've got that charm -

.
.


FMaj
7
B
b
2
&
&
?
b
b
b
Pno
8
j


j


ing stare.
w
w
w






w
9

j

j

You've got that way

.
.


FMaj
7
B
b
2
10
j


j



you talk says you

j



w
w
w



w
Piano/Vocal
WAVERLY
10
DON'T SAY ANOTHER WORD
[Rev. 9/4/12]
Lyrics by RYAN CUNNINGHAM
Music by JOSHUA SALZMAN
q = 136-144
Copyright 2012 by Joshua Salzman Publishing and Ryan Cunningham Publishing.
All rights reserved. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright.
Infringers are liable under the law. To request a performance license, visit www.NewMusicalTheatre.com
www.SalzmanAndCunningham.com
Prepared exclusively for Courtney Jones.
&
&
?
b
b
b
Pno
11
j

.
could be from






w
F/A
12




a - ny - where.





w
B
b
13

No, I don't know


gtr strumming

j



w
Dm
&
&
?
b
b
b
Pno
14
.



ex - act -

j



w
C/E
15
j

ly where you've been.



j



w
F/A
16

w
B
b
&
&
?
b
b
b
Pno
17

I don't know a -

j



w
Gm
18
j


j



ny de - tails, so I'm

j



w
F/A
19
j

j

fil - ling them all in.



j



w
B
b
&
&
?
b
b
b
Pno
20

j




Don't say a - no - ther word.


Csus
Tempo II, slightly slower
21

j




Don't ru - in the sur - prise.
gtr groove
.
.
.



.

F
Piano/Vocal 2
Don't Say Another Word - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
?
b
b
b
Pno
22






I don't want to know the se -
.
.
.



.

Gm
23






crets that are ly - ing in your eyes.
.
.
.



.

B
b
&
&
?
b
b
b
Pno
24





I don't need to see the an -









.
j
.
j

C
25






swers. I pre - fer my vi - sion blurred.
.
.
.

.



w
F
&
&
?
b
b
b
Pno
26

Don't move. Don't speak.



w
F/A
27
j


J

Don't breathe.

.
w
B
b
&
&
?
b
b
b
Pno
28

j




Don't say a - no - ther word.
w
w
w b
E
b
2
29

w
LUKE: There's gotta be one thing
you want to know about me. I ran the
600-meter dash in high school.
[violin]
.
.


FMaj
7
B
b
2
Tempo I
Piano/Vocal 3
Don't Say Another Word - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
?
b
b
Pno
30
w
w
w






w
31

.
.


FMaj
7
B
b
2
32
w
w
w






w
&
&
?
b
b
b
Pno
33

j

j

You think I'm in -

.
.


FMaj
7
B
b
2
34
j


j


sin - cere.
w
w
w






w
35

I have a guar -

.
.


FMaj
7
B
b
2
&
&
?
b
b
b
Pno
36
j


j


ded heart.
w
w
w






w
37

j

j

You think the things

.
.


FMaj
7
B
b
38
j


j



you want, but just

j



w
w
w



w
&
&
?
b
b
b
Pno
39
j


j


don't rush the






w
F/A
40





great - est part.





w
B
b
41

j

And I know
gtr strumming

j



w
Dm
Piano/Vocal 4
Don't Say Another Word - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
?
b
b
b
Pno
42
.



ex - act -

j



w
C/E
43
j

ly how you feel.



j



w
F/A
44

w
B
b
&
&
?
b
b
b
Pno
45


j


But some - times what you

j



w
Gm
46
j


j



i - ma - gine can be

j



w
F/A
47
j

j

bet - ter than what's real.



j



w
B
b
&
&
?
b
b
b
Pno
48

j




Don't say a - no - ther word.


Csus
Tempo II, slightly slower
49

j




Just let me take you in.
gtr groove
.
.
.



.

F
&
&
?
b
b
b
Pno
50




We'll have to fi - nish some -
.
.
.



.

Gm
51





time, we get one chance to be- gin.
.
.
.



.

B
b
Piano/Vocal 5
Don't Say Another Word - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
?
b
b
b
Pno
52

j




Find beau- ty in the si -









.
j
.
j

C
53






lence and al - though it sounds ab - surd,
.
.
.

.



w
F
&
&
?
b
b
b
Pno
54

don't move. Don't speak.



w
F/A
55
j


J

Don't breathe.

.
w
B
b
56

j




Don't say a - no - ther word.
w
w
w b
E
b
2
&
&
?
b
b
b
Pno
57

j



Right now.
spacier gtr groove

j

.
.
.



w
Dm
58


j



Right here. There's just

j



w
C/E
59
j


j




this mo - ment be - tween
.
.

.
.




w
B
b
sus2
&
&
?
b
b
b
Pno
60





you and me.
.
.




w
F/A
61

j



No past.
.
.

.
.



w
Dm
62


j




No fear. This can be

j



w
C/E
Piano/Vocal 6
Don't Say Another Word - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
?
b
b
b
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
Pno
63


what we want it to be.
.
.




w
B
b
sus2
64


#
#
#
Don't say a - no - ther word.
N.C.



Csus
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
Pno
65

j




Don't whis - per in my ear.
chorus gtr groove



.
.

F
#
66




Don't try to make up some -



w
w
G
#
m
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
Pno
67






thing that you think I want to hear.



.
.

B
68




j



'Cause I've heard it all be - fore










w
w
C
#
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
Pno
69

.
r





and I was hurt by what I heard.



w
w
F
#
70

Don't move. Don't speak.


.
.


F
#
/A
#
Piano/Vocal 7
Don't Say Another Word - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
Pno
71
j


J

Don't breathe.

w
w
BMaj
7
72
.
j




Don't say a - no - ther word.

n . w
w n
n
E
2
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
Pno
73


J




Don't whis - per in my ear.



.
.

F
#
74

.

j




Don't try to make up some -



w
w
G
#
m
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
Pno
75








thing that you think I want to hear.



.
.

B
76
.








'Cause I've heard it all be - fore
















.
.

C
#
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
Pno
77







and I was hurt by what I heard.



.
.

F
#
78






Don't move. Don't speak.


.
.


F
#
/A
#
Piano/Vocal 8
Don't Say Another Word - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
Pno
79
j



J

Don't breathe.

w
w
B
80

j




Don't say a - no - ther word.
w
w
w
w
w n
E
2
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
Pno
81

.
.
.

.
w
D
#
m
82

j



.
Don't say a - no - ther
w
w
w

j

w
C
#
/E
#
83
.

word.
w
w

j


w
F
#
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
Pno
84



.
Don't say a - no - ther
w
w
w
g
g
g
g
g
g
g
g
g
g
g
g
w
w
w
BMaj
7
85

j

word.
.
.

.
w
D
#
m
86

w
C
#
/E
#
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
Pno
87

.
.

.
j

F
#
/A
#
F
#
/B
poco rit.
88

w
w
w
g
g
g
g
g
w
w
w
C
#
(no3)
Piano/Vocal 9
Don't Say Another Word - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
?
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
4
4
4
4
4
4
A



So I

q
Driving
1

.



pro- mised her I'd quit,
w

D
b
2


b

.
r

yeah, this time for real. She


w
w b

D
b
7
V
?
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
3


did - n't make me. I just of - fered. Hey,
w
w

G
b
/D
b
4

j

.



it's no big deal. So that's it.
w
w
w


G
b
m/D
b
V
?
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
5




b
I'm done. No turn - ing back. But I real -
w
w

>

D
b
cresc. poco a poco
V
?
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
6
b

ly should fi - nish up this pack. I could quit
w
w b

>

D
b
7
NEXT THING YOU KNOW
Piano/Vocal
LUKE
AND I BREATHE
[Rev. 9/4/12] Lyrics by RYAN CUNNINGHAM
Music by JOSHUA SALZMAN
13
Copyright 2012 by Joshua Salzman Publishing and Ryan Cunningham Publishing.
All rights reserved. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright.
Infringers are liable under the law. To request a performance license, visit www.NewMusicalTheatre.com
www.SalzmanAndCunningham.com
Prepared exclusively for Courtney Jones.
V
?
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
7




if I want. That's what it's real - ly a - bout. So take the
w
w

>

>

>

>

G
b
/D
b
V
?
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
8




cel - lo- phane off and pull that ci - ga- rette out. And I

.
.
.

&

>

>

>

>

>

>
G
b
m/D
b
9









b
breathe and I hold it in 'til I feel

.
.
.
.

.
.
.

b
b
j









b
G
b
Maj
7
Fm
7
B
b
m
7
F
b
/C
b
Groove Relaxes, Breathes
sub.
P
V
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
10




b




that tin - gle 'neath my skin. And I
.
.
.

.
.
.

b
.
.
.
.

b







G
b
/B
b
B

G
b
/A
b
11


A


.

have to smoke it now be - cause it's


.
.
.
.

n
b



n
j

n


G
b
Maj
7
F
7(
#
9)
/A F
7
V
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
12
.



lit. Then I
.
.
.



n
n

n
B
b
m G
o
13
b






b

put it out. I'm done. I'm good. I
.
.
.

b
b
b

.
.

n
.
.
.


?
b
b


n
n

b

F
b
/C
b
G
b
/B
b
G
o
A
b
5
/E
b
Piano/Vocal 2
And I Breathe - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
?
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
14


quit.
J

.

j


D
b
Driving
poco accel.
15



So I


16


.

r

don't smoke for a whi - le. Yeah,


w

D
b
V
?
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
17

j

>



that's good for me.
w
w b

D
b
7
18

.

Then I start to bite my nails and
w
w

G
b
/D
b
V
?
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
19




light - ly bounce my knee. I mean I
w
w
w


G
b
m/D
b
20




b
smoked for ten whole years be - fore. Would it kill
w
w

>

D
b
cresc. poco a poco
V
?
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
21
b


me to have on - ly just one more? So I'll
w
w b

>

D
b
7
Piano/Vocal 3
And I Breathe - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
?
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
22




have a - no - ther then I swear that's it. I get my
w
w

>

>

>

>

G
b
/D
b
V
?
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
23




ci - ga - rette out and my ligh - ter lit. And I

.
.
.

&

>

>

>

>

>

>
G
b
m/D
b
V
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
24









b
breathe. And my vi - sion clears. And that itch

.
.
.
.

.
.
.

b
b
j









b
G
b
Fm
7
B
b
m
7
F
b
/C
b
Groove Relaxes, Breathes
sub.
P
25




b




in - side here dis - ap - pears. And I
.
.
.

.
.
.

b
.
.
.
.

b







G
b
/B
b
B

G
b
/A
b
V
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
26





.

have to smoke it all, it's my last


.
.
.
.

n
b



n
j

n


G
b
Maj
7
F
7(
#
9)
/A F
7
27
.



one. Then I
.
.
.



n
j

n

n
B
b
m G
o
Piano/Vocal 4
And I Breathe - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
28
b






b

put it out. I quit. I'm good. I'm
.
.
.

b
b
b

.
.

n
.
.
.


?
b
b


n
n

b

F
b
/C
b
G
b
/B
b
G
o
A
b
5
/E
b
29





done. I'm gon- na
J

.

J


D
b
V
?
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
30

b






quit. That's for sure. I'm gon - na

b

.
.
.
.
J

b
>


w
G
b
7
F
31

b






quit be- cause of her. I'm gon - na

b

.
.
.
.
J

b
>

b
w b
D
b
m/F
b
V
?
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
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32

b






quit. It won't be hard. I'll throw this

#
#
n

.
.
.
.
J

n
>

n
w n
DMaj
7
33


.
J

pack out in my yard... right


.
.
.

.
.
.

>


.
J

>
E
b
7
A
b
V
?
?
b
b
b
34



.




af - ter I have a - no - ther. And may - be
w
w
w

w
Dm
sub.P
35
j

j





one more on se- cond thought.
w
w
w

w
Dm/C
Piano/Vocal 5
And I Breathe - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
?
?
b
b
b
b
b
b
b
b
b
b
b
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36

J


J
n


Oh man. I'm gon - na
w
w
w
n
n
w n
G/B
37






miss this a lot. And how

A
b


&
A


j


A
B
b
7
V
&
?
b
b
b
b
b
b
b
b
b
38



b

dare she claim it's not her I'm quit - ting for.
.
.
.
.

.
.
.
.


w
Cm
F
39



It's for

>



#



n




w
Cm/B
b
f
V
&
?
b
b
b
b
b
b
b
b
b
40

b






us. How can that be? It's for us?
.
.

.
.
.

n
w n
A
o
41



b



Well, it's not for me. So
.
.
.

.
.
.
.
.

b
b
.
b
J
b
A
b
7
C
b
7
V
&
?
b
b
b
b
b
b
b
b
b
42





I'll have one more. Just one more.

j

j

j

j

w
Cm
P
meno mosso
43






But one more is one more

j

j

j

j

w
Cm/B
b
cresc. poco a poco
Piano/Vocal 6
And I Breathe - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
?
b
b
b
b
b
b
b
b
b
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b
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b
44







and one more and more and

j
n
j

j

j

w n
A
o
poco accel.
45




more and more and more. So I've

n
b
b

j

j


b
b

A
b
7
C
b
7
V
&
?
b
b
b
b
b
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b
b
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46


b



got - ta let 'em go. Man, I'll
.
.
.

.
.
.


w
D
b
5
47
b





real - ly miss you guys. But there's
.
.
.

.
.
.

b
w b
D
b
sus/C
b
V
&
?
b
b
b
b
b
b
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b
b
b
b
b
b
b
b
48
b




one thing that I know, I can't go
.
.
.

.
.
.


(black note
gliss)

w
G
b
/B
b
49

b


b


home and see those eyes. When she just
J

b
n

j

n
n

j
b
A
/A
b
Groove Relaxes, Breathes
~
~
~
~
~
~
~
~
V
&
?
b
b
b
b
b
b
b
b
b
b
b
b
b
b
b
50









b
breathes. Just a lit - tle sigh. That is all

.
.
.
.

.
.
.

b
b
j









b
G
b
Maj
7
Fm
7
B
b
m
7
F
b
/C
b
sub.
P
51




b


.


I need to won - der why I
.
.
.

.
.
.

b
.
.
.
.

b







G
b
/B
b
A G
b
/A
b
Piano/Vocal 7
And I Breathe - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
?
b
b
b
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b
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b
b
b
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b
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b
52





.

could-n't up andquit a day a -


.
.
.
.

n
b



n
j

G
b
Maj
7
F
7(
#
9)
/A F
7
53
.



go. I did-n't
.
.
.

n
j

n

B
b
m
7
G
o
54

b



.

n
think I'dstill besmok - ing when I was
.
.
.

.
.
.

A
G
b
7
P
V
&
?
b
b
b
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b
b
b
b
b
b
b
b
55

b




n
twen - ty eight years old. But it's a -
.
.
.

.
.
.

b
D
b
m/F
b
56

b



.

.
ma - zing how these ti - ny lit - tle
.
.
.

.
.
.


E
b
7
V
&
?
b
b
b
b
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b
57

b



J
b
bas - tards take their hold. And
.
.
.

.
.
.


D
b
m
58

J

b




why can't my god damn bo - dy
.
.
.

.
.
.


G
b
7
cresc. poco a poco
V
&
?
b
b
b
b
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b
59

J



.

just do what it's


.
.
.

.
.
.

b
D
b
m/F
b
60



b
fri - ckin' told?
.
.
.

.
.
.

.
.
.

b

E
b
7
61 .


n

So the

n
b

.
.
.
.

?

j


A
b
7
f
Piano/Vocal 8
And I Breathe - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
?
?
b
b
b
62







next time that I feel the itch. And my pin -
.
.


.
.
J


w
Dm
P
63









kie fin - ger starts to twitch. And the feel -
.
.


.
.
J


w
Dm/C
V
?
?
b
b
b
64








ing starts to roll at me like a
.
.

.
.

n
w n
G/B
65

.

.



gi - ant fu- cking bus.
.
.

.
.

,
b
,
w b
B
b
7
Rit.
66
n
#


I'll just breathe.
.
.
.

n

.
.
w
G
p
V
?
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b
b
b
67





Not for her.
.
.
.


.

.
w
Dm/F
68





Not for me.
w
w n
.

#
w
Esus
69

.

N
But for
w
w
w
#
n
w
A
7
V
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b
b
b
70


us.


D
5
A Tempo
71

w
w

72

n b
,
w

, Rit.
73

(audible exhalation with button)


w
w
w
g
g
g
g
g
w
w
Piano/Vocal 9
And I Breathe - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
?
#
#
#
#
#
#
#
#
#
8
12
8
12
8
12
.
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.
1

.
.

.
.

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.












. w
q
.
72 - 76
2

.

j




If she were
(vocal 2nd time only)
.
.

.
.

.
.

.
.

n










. w
V
&
?
#
#
#
#
#
#
#
#
#
3


j

.

co- ming home, I would- n't


.
.

.
.

.
.

.
.












. w
4






.

j




have a- no- ther drink. If she were
.
.

.
.

.
.

.
.

n










. w
V
&
?
#
#
#
#
#
#
#
#
#
5



.


j


co- ming home, I'd do the dish - es
.
.

.
.

.
.

.
.












. w
6


pi - led in my sink. And I'd
.
.

.
.

.
.

.
.

n










. w
NEXT THING YOU KNOW
Piano/Vocal
DARREN
IF SHE WERE COMING HOME
[Rev. 9/4/12]
Lyrics by RYAN CUNNINGHAM
Music by JOSHUA SALZMAN
14
Copyright 2012 by Joshua Salzman Publishing and Ryan Cunningham Publishing.
All rights reserved. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright.
Infringers are liable under the law. To request a performance license, visit www.NewMusicalTheatre.com
www.SalzmanAndCunningham.com
Prepared exclusively for Courtney Jones.
V
&
?
#
#
#
#
#
#
#
#
#
8
6
8
6
8
6
8
12
8
12
8
12
7



.


j
.


hang up all my shirts and pick my dir - ty
.
.
w
w

. w
8
j





socks up off the
.
.

V
&
?
#
#
#
#
#
#
#
#
#
8
12
8
12
8
12
9
J


.

J



floor. But she's not
.
.
.
.
w
w
w
w
#





#





#
. w
10

.

.



co- ming home a - ny -
.
.
.

.
.
.
.






.
.
.
.

n
.


.
V
&
?
#
#
#
#
#
#
#
#
#
11
j


.

.
more.












. w
Strings
12

.

j




If she were

n










. w
V
&
?
#
#
#
#
#
#
#
#
#
13


.



co- ming back I would












. w
14






.

j




ti - dy up the place. If she were

n










. w
Piano/Vocal 2
If She Were Coming Home - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
?
#
#
#
#
#
#
#
#
#
15



.





co- ming back there's a chance I might












. w
16



e- ven shave my face. And I'd

n










. w
V
&
?
#
#
#
#
#
#
#
#
#
8
6
8
6
8
6
8
12
8
12
8
12
17




throw on that co- logne she gave me at
.
.
w
w












. w
18
j

Christ - mas time last


.
.

V
&
?
#
#
#
#
#
#
#
#
#
8
12
8
12
8
12
19
J


.

J



year. But she's not
.
.
.
.
w
w
w
w
#





#





#
. w

.
.
.
.

[Cello]
20

.

.

.


com - ing back, not
.
.
.

.
.
.
.

n
g
g
g
g





.
.
.
.

n
.


.
.
V
&
?
#
#
#
#
#
#
#
#
#
21
j


.

j


.

here. It is- n't like

.
.
.












. .
AMaj
7
22

J




I need a wo - man to make me do
.
.
.

.
.
.

#
n


n









.
n
.

G
Piano/Vocal 3
If She Were Coming Home - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
?
#
#
#
#
#
#
#
#
#
23




e - v'ry sin - gle chore. I just need
.
.
w
w
#

. w
F
#
m
9
24




some- one to do all those lit - tle things
.
.
.

n
.
.
.

n

. .
.
w
G/D
V
&
?
#
#
#
#
#
#
#
#
#
25
J

.

j




for. If she were
.
.
.
w
w
w
. w
Esus
26
j




j



on her way, I'd pop that cham -












. w
V
&
?
#
#
#
#
#
#
#
#
#
27




pagne we have on ice. If she were

n










. w
28
j




j


on her way, I'd get our kit - chen












. w
V
&
?
#
#
#
#
#
#
#
#
#
29
j



ta - ble look - ing nice. And I'd

n










. w
Piano/Vocal 4
If She Were Coming Home - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
?
#
#
#
#
#
#
#
#
#
8
6
8
6
8
6
8
12
8
12
8
12
30











make her fav - 'rite meal or what - e - ver it would take
.
.
w
w

. w
31

to make her
.
.
.

V
&
?
#
#
#
#
#
#
#
#
#
8
12
8
12
8
12
32
J


.

J



stay. But she's not
.
.
.
.
w
w
w
w
#





#





#
. w

.
.
.
.

[Cello]
33

.

.

.
co-ming home.
.
.
.

.
.
.
.

n





.
.

n
.


.
.

.
V
&
?
#
#
#
#
#
#
#
#
#
34



.
And she's not co - ming back.
.
.

.
.
.

.
.
.

.
.

35

.

j

j

And she's not on her


.
.
.

U
.
.
.
.

n
g
g
g
g
g
g
g
g
g
g
g
g
g
U
.
.
.

U .
.
.
.

n
U
V
&
?
#
#
#
#
#
#
#
#
#
36
.

.

.
way.
***












. w
*** The ending in measures 36-37 is for performance of the song outside the context of NEXT THING YOU KNOW.
When performing the entire show, the word "way" in measure 36 should overlap with the accompaniment in the first measure of
"I Wish There Were A Reason."
37

.
.
.
.

g
g
g
g
g

.
.

.
Piano/Vocal 5
If She Were Coming Home - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
?
#
#
#
#
#
#
#
#
4
4
4
4
1






j
.
j

w
2





.
j

w
3
n





j
n
.

w
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
4

n




.
j

w
5

j




I wish there were a






j
.
j

w
6



rea - son.
(sihn)





.
j

w
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
7

j




I wish I could say
n





j
n
.

w
8

why. I
n




.
j

w
9

wish that he had chea - ted or






j

w
NEXT THING YOU KNOW
Piano/Vocal
WAVERLY
DARREN
15
I WISH THERE WERE A REASON
[Rev. 9/4/12]
Lyrics by RYAN CUNNINGHAM
Music by JOSHUA SALZMAN
Copyright 2012 by Joshua Salzman Publishing and Ryan Cunningham Publishing.
All rights reserved. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright.
Infringers are liable under the law. To request a performance license, visit www.NewMusicalTheatre.com
www.SalzmanAndCunningham.com
Prepared exclusively for Courtney Jones.
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
10


j




had - n't been sup - por - tive or I'd
J

.
w
11





caught him in a lie.
w




w n
12

#
w

j


w
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
13

But there was - n't a


w
w
w

j


w
14



rea - son.
w
w
w
#



#
w
15

j




At least, not that I re - call.
w
w
w



w
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
16




So I
w
w
w
#
w
w
17
j






stand here, all a-lone,


18

j

j

for no good rea - son at


w
w
w
w
w
w
Piano/Vocal 2
I Wish There Were a Reason - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
19


all.






j
.
j

w
20



And I







.
j


w
21
w
w
.
.

n



w n
D2(add6)
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
22
3

don't i - ma - gine he's


w
w
w

n


w n
23




per - fect.
w
w







w
C
#
m
24


J

And I
w
w







w
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
25
.

still re -
w

n


w n
D2(add6)
26
J



mem- ber the way he can
w
w
w

n


w n
27


be.
w
w
w

.
w







C
#
m
&
&
?
#
#
#
#
#
#
#
#
#
#
#
#
28



I'm just






w
29
J

J

look - ing for the part

n

w n
G
30
.



that caused this
w
w
w
b

n
n
w N
Piano/Vocal 3
I Wish There Were a Reason - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
?
#
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31



lone - ly a - ching
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w
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32



heart.
w
w
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33


j
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May- be the
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Am
9
34

n


rea - son is
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n
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Em
6
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&
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?
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35


me.
5
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Em/F
36

w
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37

j




I wish I could ex -





+ gtr

j
.
j

w
38



plain this.





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j

w
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j




I wish I on - ly
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40
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41

love that was im - pas - sioned could






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42


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quick - ly come un - ra - veled and there's
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w
43





no - thing you can do.
w




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44

#
w

j


w
Piano/Vocal 4
I Wish There Were a Reason - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
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#
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45

j




I wish I had an
w
w
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j


w
46



ans - wer, some- where to
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#



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w
47



go. Some- thing to
w
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48


say.
.
.
.

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&
V
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49






May - be I will,


50

j

but not to -

w
w
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w
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51


day.

J


But she's not






j
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w
&
V
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#
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52



There's no



com- ing home.





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j

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53



rea - son.

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54




E - v'ry - thing has




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j

w
Piano/Vocal 5
I Wish There Were a Reason - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
V
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#
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55



changed. I want it

j

And she's
w
w
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56
.

all to

.
j

not on her
w
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57


stay.

way.




[Gtr.]

58

w
w
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w
w
Piano/Vocal 6
I Wish There Were a Reason - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
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8
12
8
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12
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7
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3




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know what you want me to say. There's con ver
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sa tion's like ours in all New York bars e v'ry
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day. And e v'ry one's


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got the same at ti tude, share an emp ty cli
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.
.

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#
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o
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/A
- - - - - -
NEXT THING YOU KNOW
Piano/Vocal
LISA
YOU CAN'T BE EVERYTHING YOU WANT
[Rev. 9/4/12]
Lyrics by RYAN CUNNINGHAM
Music by JOSHUA SALZMAN
16
Copyright 2012 by Joshua Salzman Publishing and Ryan Cunningham Publishing.
All rights reserved. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright.
Infringers are liable under the law. To request a performance license, visit www.NewMusicalTheatre.com
www.SalzmanAndCunningham.com
Prepared exclusively for Courtney Jones.
&
&
?
b
b
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4
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7


A






che or an o ver used pla ti tude. But you
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7
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caught me in the right mood. So at the
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.
.

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2

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7
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9
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risk of sound ing rude...

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g
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cue strings
A
b
m
7
B
b
11
Tempo q qq q = 144
10






n
There are n't plen ty of fish
j

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q q q e
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b
in the sea, you can take

j

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m
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12

b

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it from me, they're en dan

j

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9(no3)
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gered spe cies.

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.
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C
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7
14






n
And I don't see a great fish

E
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15






er man here. Look at the


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16

b

b



girl in the mirror, and tell me

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A
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what she sees.

.
.
.
.

n

n j
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G
7
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- -
Piano/Vocal 2
You Can't Be Everything You Want - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
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18





She's see in' the face

n
.

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Cm G
+7
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19

j






of some one run ning in place.

.
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n


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My friend, can't you see

n
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F/A
- - -
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21
.

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22




you can't be

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.
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Fm Am
7(
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5)
A
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23

j
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e v'ry thing you want.

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&
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24






n
Your life won't al ways work out

n
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E
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for the best, e v'ry trial's
.
.
.

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not a test, nor each loss
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.
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A
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9(no3)
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27
J

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a les son.

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28






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Don't buy the stuff 'bout a half

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b
way filled cup, life will carve
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.
.

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- -
Piano/Vocal 3
You Can't Be Everything You Want - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
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30

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you right up like a de
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.
.
.

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A
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31

b



li ca tes sen.

.
.
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.

n

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G
7
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j




So stop re peat ing the line

n
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&
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33

j






that e v'ry thing will be fine.


j
n

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34






Come on, lis ten to me,

n

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n
F
9
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35
.

3

n
n

n
n


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b
b

- - -
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36




you can't be
j

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n
n

Fm
7
Am
7(
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A
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37

j
b




e v'ry thing you want.

38

J




When you dream you can be

n
n
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.
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Cm G
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39





a ny thing.

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j

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3


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40

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3



But you can dream with out




j

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41
j
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3




e ven show ing up.
w
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3

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F/A
- - - - -
Piano/Vocal 4
You Can't Be Everything You Want - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
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b
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42

j




So stop dream ing and be

.
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Fm
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43
J


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some thing cause hey,

n
j

.
.


F/A
44


that's
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3



n
- -
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45



grow ing up.
straight eighths
.
.
.

A
3



w
A
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n
Don't think I'm tel lin' you what
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.
.
.

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E
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F
7
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47






b
you should do, cause it's all
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.
.

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48

b

b



up to you. This is your
.
.
.

.


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sus/B
b
49
J

b
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de ci sion.
j

50






n
You pick a path, then the o
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.

n




.
E
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F
7
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51






b
ther one's gone, but you get
.
.
.

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n
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.
A
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52

b

b



to move on with a clear
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.
.

b


.
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E
b
sus/B
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53
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b
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er vi sion.

.
.
.

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G
7
- - -
Piano/Vocal 5
You Can't Be Everything You Want - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
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b
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b
54





We've been wan d'ring for years,
.
.
.

.
.

j
n
Cm G
+7
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55

j






but now we're fa cing our fears

.
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Cm/B
b
56






and fin 'lly mo vin' a long.

n
3



[Gtr]
.

n
- - - - -
&
&
?
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b
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57
.

j

Me,
w
w
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w

n

3

n


j

.
.


F/A
58




I'm head in' to Ca

Fm E
b
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59
j


j



J
b
li forn ia. You,

b


j

A
b
m
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&
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60

b


don't say that I did

E
b
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61
j


j



n't warn ya.

62




You choose things e ven by

Fm
7
E
b
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&
&
?
b
b
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b
b
63
J


j



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not choo sing. Hey,


b
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j

A
b
m
64

J
b



it's on ly your life

b
b

E
b
/G
65
J


j



you're lo sing.



- - -
Piano/Vocal 6
You Can't Be Everything You Want - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
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b
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66





Make a choice. Don't
w
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w
.
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Fm
7
67






look back then you're free
w
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w

J

j


E
b
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68



to be
3

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b

3


b
3

b

&
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69





a ny thing you want.
j


A
b
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70






n
Da da mm da ba da da

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b
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71






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ba da ba da ba da
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A
b
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7
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72

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b



ba da ba da ba da
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b
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A
b
9(no3)
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b
73
J

b
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da da

b

j


E
b
Piano/Vocal 7
You Can't Be Everything You Want - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
#
#
#
#
#
#
4
4
4
4
1


q = 88

2
j
.


#
DARREN: Waverly, I want to be with you.
WAVERLY: I'm taking the job. Full-time.
DARREN: Okay.
WAVERLY: Are you sure you want to be with a working stiff with some stupid job?



A C
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7
3
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.

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.



#
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4

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All I
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Bm
7(
b
5)
6
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wan - ted was wri - ting to


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start off my days. And then

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D Bm
7(
b
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#
8
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#
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lunch with my a - gent who



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A A
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pitch - es and pays. In the
#

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D B
7
10
J

j
#

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e- v'ning I'd drop in on

#
. .


A C
#
7
NEXT THING YOU KNOW
Piano/Vocal
DARREN
WAVERLY
ALL THAT I WANT IS YOU
[Rev. 9/4/12]
Lyrics by RYAN CUNNINGHAM
Music by JOSHUA SALZMAN
18
Copyright 2012 by Joshua Salzman Publishing and Ryan Cunningham Publishing.
All rights reserved. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright.
Infringers are liable under the law. To request a performance license, visit www.NewMusicalTheatre.com
www.SalzmanAndCunningham.com
Prepared exclusively for Courtney Jones.
V
&
?
#
#
#
#
#
#
#
#
#
11
J





one of my plays. And the

.

.
#
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12




n


next day start it all a - gain.

.

j

n
Bm B
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13



We would

.
j

j

w
Esus
V
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#
#
#
#
#
#
#
#
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14
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#
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move to a brown- stone the



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j
#


A A
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15
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door pain - ted white, where we'd



j
n


D Bm
7(
b
5)
16
j

#
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live like the Cos - by's, our


#
j


j
#


A A
+
V
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#
#
#
#
#
#
#
#
#
17
J





kids would be bright. We'd all


#
D B
7
18
J

j
#

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ga - ther for board games on


j

.
j

#
.


#
A C
#
7
19
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Sa - tur - day night. But the
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#
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V
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#
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#
#
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#
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20




n

child - ren are tucked in by ten.
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.



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21




I fi - gured

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w
AMaj
7
22

n
j

out all of the de- tails that




j
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D Bm
7(
b
5)
Piano/Vocal 2
All That I Want Is You - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
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#
#
#
#
#
#
#
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#
23
j




mat - tered. Next thing you
.
.




w
A
24

n
j

know, that per - fect pic - ture was




j
n


D Dm
25





shat - tered. All I
.
.



vln
.


w
E
V
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#
#
#
#
#
#
#
#
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26
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#
j

wan- ted was my name u -


j
#



A A
+
27
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pon a mar - quee, and a




j
n


D Bm
7(
b
5)
28
j

#
j

quaint post - war walk - up two



#
j


j
#



A A
+
V
&
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#
#
#
#
#
#
#
#
#
29
J





blocks from the D. All the

#
D B
7
30
J

j
#

j

things that I wan - ted, I


#
#



A C
#
7
31
J





wan - ted for me. And I


#
D B/D
#
V
&
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#
#
#
#
#
#
#
#
#
32




n

ne - ver ques - tioned why. Just




j
n


Bm
7
Bm
7(
b
5)
/D
33




when. You can de -
w
w
w







w
A
34

n
j

sign a per - fect pic- ture to




j
n


D Bm
7(
b
5)
Piano/Vocal 3
All That I Want Is You - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
V
&
?
#
#
#
#
#
#
#
#
#
#
#
#
35



Next thing you



guide you.






w
A
36

n
j

know, you learn it's who's there be -



D Dm
37





side you. All I

w
w
w
.



w
E
&
&
?
#
#
#
#
#
#
#
#
#
38
j

#
j

wan - ted were pas - sions and



j
#



cello
A A
+
39
j





dreams to pur - sue. So the




j
n


D Bm
7(
b
5)
&
V
&
?
#
#
#
#
#
#
#
#
#
#
#
#
40
j

#
j

mo - ment I woke up I'd



j
#



A A
+
41
J





know what to do. Now there's



Now Now there's there's

#
D B
7
Piano/Vocal 4
All That I Want Is You - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
V
&
?
#
#
#
#
#
#
#
#
#
#
#
#
42
j

j

j
#

j

one thing I need for my


J

one one thing thing II need need for for my my


#
#



A C
#
7
43
J





dreams to come true. Now the
J

j


dreams dreams to to come come true.


#
D B
44




n

on - ly thing I want...








Now at last you're back a - gain.


Bm B
o
&
V
&
?
#
#
#
#
#
#
#
#
#
#
#
#
45




Next thing youknow,




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C
#
m
7
F
#
7
Rit.
46
j


n

j

all that I want is


j


n

j

all that I want is

g
g
g
g

n
n


Bm
7
G
7
/F
47
w
you.
w
you.
J

. #
*



j
#


* Optional Ending when performed out of context of "Next Thing You Know"
When performed in the context of the full musical, the word "you" is sung with
the downbeat of m1 of "Next Thing You Know Finale"
A A
+
48

j
.

D Dm/A A
Piano/Vocal 5
All That I Want Is You - [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
?
#
#
#
#
#
#
#
#
#
4
4
4
4
4
4
1







Next thing you know you find you're
w
w
w
Gradually building to tempo

n
A A/G
LUKE:
2




run - ning round in cir - cles and al -
.
.
.

J
#
D/F
#
B/D
#
V
&
?
#
#
#
#
#
#
#
#
#
3









though you're sor - ta ti - red you're not pre -
.
.
.

n
j

j

Dm
6
A/C
#
4





J
n


pared to staigh - ten out. Next thing you know.
.
.
.
.

n
j

.
n
J

Bm
7(
b
5)
/F Esus E/G
#
&
&
?
#
#
#
#
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#
#
#
#
5

j

n

Next thing you know you need a

.
.
.


n
A A/G
LISA:
6
#


.

sub - tle change of scen - 'ry. So you
.
.
.
.

.
R

#
.

D/F
#
D
#
o
NEXT THING YOU KNOW
Piano/Vocal
ENSEMBLE
19
NEXT THING YOU KNOW
FINALE
[Rev. 9/4/12]
Lyrics by RYAN CUNNINGHAM
Music by JOSHUA SALZMAN
Copyright 2012 by Joshua Salzman Publishing and Ryan Cunningham Publishing.
All rights reserved. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright.
Infringers are liable under the law. To request a performance license, visit www.NewMusicalTheatre.com
www.SalzmanAndCunningham.com
Prepared exclusively for Courtney Jones.
&
V
&
?
#
#
#
#
#
#
#
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7
n



.

pack up your be - long - ings and you

.
.
.
.

n
n
j

.
R

.
j

Dm
6
A/E
8
n



plan a dif - f'rent route.

j

And
.
.
.
.

n
n
j

.
R
n


j


Bm
7(
b
5)
/F Esus E
DARREN:
V
&
?
#
#
#
#
#
#
#
#
#
9

.


J



no, no no this does - n't

.
.
.
.

n
#
n
#

.
.

#
#

J




E
#
o
(Ma7)
F
#
m
7
Tempo
10








mean your jour - ney's done. It just
.
.
.
.




Em
7
A
7
DMaj
7
&
V
&
?
#
#
#
#
#
#
#
#
#
#
#
#
11





.


means a chap - ter's end - ed and a
.
.
.
.




Dm
6
A
2
/C
#
12

j

And





new one has be - gun.

n
.
.
.
.



E
Bm
7
Esus
WAVERLY:
Piano/Vocal 2
Next Thing You Know Finale- [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
?
#
#
#
#
#
#
#
#
#
13

j

.




oh, oh, oh no - thing's
j

n
j

#
#
j




E
#
o
(Ma7)
F
#
m
7
14





j

e - ver meant to stay. Some chan - ces
.
.
.
.




Em
7
A
7
DMaj
7
&
&
V
V
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
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15
j

n


j

slip and go a- way. Which ones, are
15

j

Which ones, are

j

Which ones, are

j

Which ones, are
.
.




Dm
7
WAVERLY:
LISA:
LUKE:
DARREN:
16



left for you to say. Next thing you know.
16



left for you to say. Next thing you know.



left for you to say. Next thing you know.



left for you to say. Next thing you know.


.


j


Esus
&
&
?
#
#
#
#
#
#
#
#
#
17






And it is - n't how you planned

j



.

F
#
m C
#
m
7
WAVERLY:
18
j


it.


.
j
.

Piano/Vocal 3
Next Thing You Know Finale- [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
?
#
#
#
#
#
#
#
#
#
19



n



And it is - n't how you dreamed.

.
.
.
.


J





Dm A
2
/C
#
D
2
20


.
j
.

&
&
?
#
#
#
#
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#
#
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#
21

j



.

But could it be the life you

.
.
.

J
.
Bm
7
22







ne - ver thought you'd want is e - ven




A
2
/C
#
&
V
&
?
#
#
#
#
#
#
#
#
#
#
#
#
23




bet - ter than it seemed.

j

j

J
.
A/D
24



So hold on.


Esus E
DARREN:
Piano/Vocal 4
Next Thing You Know Finale- [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
V
&
?
#
#
#
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25

j



It's o - kay.
w



Hold out.

.
.
.

.


.

C
#
m
7
D
LISA:
LUKE:
26
.

.

j

It's
.


j




.
j



w
DARREN:
27



But you



j


not the life you planned on.
j





Bm
7
WAVERLY:
&
&
V
V
&
?
#
#
#
#
#
#
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b
b
b
b
b
b
b
b
b
b
b
b
28



b
like it a - ny - way. Next thing you know.
28

J



b
Next thing you know.

J



n
Next thing you know.

J



n
Next thing you know.
j



b
D/E E
WAVERLY:
LISA:
LUKE:
DARREN:
29

29







Next thing you know you think you've

.
.
.




b
j

b


B
b
B
b
/A
b
LUKE:
Piano/Vocal 5
Next Thing You Know Finale- [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
V
&
?
b
b
b
b
b
b
30





J



found that per - fect per - son, but she
.
.
.
.




n
j

n

E
b
/G C/E
31





J



feels a lit - tle dif - f'rent. So you
.
.
.
.




E
b
m
6
B
b
/D
V
V
&
?
b
b
b
b
b
b
b
b
32






J
b


start the search a - gain. Next thing you know.

.
.
.
.
.









Cm
7(
b
5)
Fsus
33

J

b

Next thing you know you learn your

.
.
.



b
J

b


B
b
B
b
/A
b
DARREN:
V
&
?
b
b
b
b
b
b
34



.


per - fect week - end e - v'ning is - n't
.
.
.



b n
J

n


E
b
/G E
o
35
b



.


spent u - pon a bar stool but tucked
.
.
.




E
b
m
6
B
b
/D
Piano/Vocal 6
Next Thing You Know Finale- [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
V
&
?
b
b
b
b
b
b
b
b
36

J

But
b




in with her by ten.
.
.
.
.




Cm
7(
b
5)
Fsus
LISA:
37

.

j



no, no, no that does - n't

.
.
.
.

n
#
n
n

.
.

#
#

J




F
#
o
(Ma7)
Gm
7
&
&
?
b
b
b
b
b
b
38







mean you've got it made. It just
.
.
.




Fm
7
B
b
7
E
b
Maj
7
39
b

.
n

means you found some com - fort where you
.
.
.
.




E
b
m
6
B
b
/D
&
&
&
?
b
b
b
b
b
b
b
b
40

J

And
40






used to be a - fraid.
.
.
.
.
.




Cm
7
Fsus WAVERLY:
41

j

.



oh, oh, oh, you star - ted
41

#
#

J




F
#
o
(Ma7)
Gm
7
Piano/Vocal 7
Next Thing You Know Finale- [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
V
V
&
?
b
b
b
b
b
b
b
b
b
b
b
b
42




j

frigh - tened and per - plexed and now you're
42

.
.
.
.




Fm
7
B
b
7
E
b
Maj
7
43

b

J

ask - ing what comes next. Dear God, please
43

J

Dear God, please

J

Dear God, please

J

Dear God, please
.
.
.


.
J




Cm
7(
b
5)
/E
b
&
&
V
V
&
?
b
b
b
b
b
b
b
b
b
b
b
b
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
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#
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#
#
44


n
tell me what comes next! Next thing you know.
44


n
tell me what comes next! Next thing you know.


n
tell me what comes next! Next thing you know.


n
tell me what comes next! Next thing you know.


.


j


&
Fsus
Piano/Vocal 8
Next Thing You Know Finale- [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
V
V
&
&
#
#
#
#
#
#
#
#
#
#
#
#
#
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#
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#
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#
45

45

j




Next Next thing thing you you know. know.




Next Next thing thing you you know. know.

n
w
B B/A
46

46




Next thing you know.




Next thing you know.

#
w
C
#
7
/E
#
E/G
#
&
&
V
V
&
&
#
#
#
#
#
#
#
#
#
#
#
#
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#
#
#
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#
#
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#
#
#
#
#
#
#
#
47

j
n
n

Next thing you know.
47
j



Next thing you



Next thing you


B/D
#
Em
6
48


j
n
j

Next thing you know.


48


j
n
j

know. Next thing you know.


n

J

J

Next thing you know.


J

J

know. Next thing you know.

J

j

?
F
#
C
#
m
7(
b
5)
Piano/Vocal 9
Next Thing You Know Finale- [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
V
V
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
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#
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#
49




Next thing you know.
49


n

Next thing you know.

. n
j

B/A B
50
.

J

50
.

J
# .

Next thing you know.


J

Next thing

.
#
j

C
#
7
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#
E/G
#
&
&
V
V
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
51


.

Next thing you know.
51

Next thing
J

j
.

you know.

j
n

B/F
#
Em
6
52

J

.
n

Next thing you know.
52

j
n

.


Next thing you know.
.

you know.

J


Next thing you know.

n

.
.
.

b
n
b
>
j



n
n
>
F
#
F

o
(Ma7)
C
#
m
7(
b
5)
/G
Piano/Vocal 10
Next Thing You Know Finale- [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
V
V
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
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#
#
#
#
#
53

J

j
n
Oh. Oh.
53


j

Oh. Oh.

Oh.

J

Oh. Oh.

rhythmic hits on guitar body / underside of piano

G
#
m F
#
m
7
54
.
j


j
n
Oh. Oh. Oh.
54
.
j

Oh.
.

J

Oh.
J


J


Oh. Oh. Oh. Oh.

B
7
E Em
6
55
.

Oh.
55


j



Oh. Oh. Oh. Oh.


J


J

Oh. Oh.

n


J

Oh. Oh. Oh.


B/F
#
C
#
m
7
&
&
V
V
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
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#
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#
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#
#
#
#
#
#
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56
.

J
.

Oh.
56
.

j
.

Oh.
J

Oh. Oh. Oh.

Oh. Oh.



F
#
F

o
(Ma7)
57



Oh. Oh.
57


j

#



Oh. Oh. Oh. Oh. Oh. Oh.






Oh. Oh. Oh. Oh. Oh. Oh.


J



Oh. Oh. Oh. Oh. Oh. Oh.
j




G
#
m
Piano/Vocal 11
Next Thing You Know Finale- [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.
&
&
V
V
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
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#
#
#
#
#
#
#
#
58

r



J


Oh. Oh. Oh. Oh.
58




Oh. Oh. Oh. Oh.
. n

J




Oh. Oh. Oh. Oh. Oh.
. n


J


Oh. Oh. Oh. Oh. Oh.
.
.
.
.

n
n



B
7
E F
#
m
7
59

J
.
J

Oh. Oh.
59
.
n

.

Oh. Oh. Oh.


.
n


n
Oh. Oh. Oh.
n
.

Oh. Oh.
.
.
.
.

n
j

.
.
.
.

.
r


. n


w
Em
6
60
.
J


60
.

J

.
J


.
J


.
.
.
.


.

&
&
&
#
#
#
#
#
#
#
#
#
#
61

n

n

62

?
Piano/Vocal 12
Next Thing You Know Finale- [Rev. 9/4/12]
Prepared exclusively for Courtney Jones.