Académique Documents
Professionnel Documents
Culture Documents
Jon Dorenbos
page 40
Barrie
Richardson
Theater of the Mind
Act Two He was just
g et t i n g wa r m e d u p !
Curtain Call
$50
+ $5 US shipping
$11 Canada/Mexico
$13 overseas airmail
HERMETIC
PRESS,
INC.
1500 S.W. Trenton St., Seattle, WA 98106-2468
hermeticpress.com
AUGUST 2011
M-U-M Volume 101 Number 3
S.A.M. NEWS
6
7
8
11
23
24
25
75
40
Newsworthy
A Magician Prepares by Dennis Loomis
The Power of Bending Air by Tom Vorjohan & Daniel Herron
COVER STORY by Marc DeSouza
The Houdini Award by Julie Sobanski
Lucille Pierce by Tom Ewing
Quick Look Book Nook: Curtain Call
REGULAR FEATURES
31
32
34
38
46
54
61
72
73
74
76
76
78
52
32
M-U-M (ISSN 00475300 USPS 323580) is published monthly for $40 per year by The Society of American Magicians,
11086 S. Dartmoor Place, Parker, CO 80138 . Periodical postage paid at Parker, CO and additional mailing offices.
POSTMASTER: Send address changes to M-U-M, c/o Manon Rodriguez, P.O. Box 505, Parker, CO 80138.
6 M-U-M Magazine
AUGUST 2011 7
8 M-U-M Magazine
iPhone/iPad/iPod touch.
Something for Everyone - We recently released
the first Smartphone app for a magic organization, magicSAM.
The response has been amazing. In just the first month it has
been downloaded approximately seven hundred times in eight
countries and installed on a thousand devices. Its only going to
get better, because we are diligently working on the next version!
We are also exploring porting the app over to other devices
such as Android and Blackberry. Whenever we work on a project
in the S.A.M., we always have to ask ourselves, Is this a good
thing for our members? There is no single program or service
that we provide our members that is a perfect fit for everyone.
Thats why we try to offer as many unique benefits as we can, so
there truly is something for everyone.
With magicSAM, we wanted to lead the way with the first
Smartphone app for a magic organization; we knew we were
going to have to focus on one platform. We chose Apples iOS
platform because of its market reach. The number of downloads
and installs weve had the first month validates that decision.
Please send us your feedback on ways to improve the app, or let
us know of other platforms you would be interested in. I cant
promise well be able to do everything thats requested, but we
will continue to strive to offer something for everyone.
Travel Tips - I travel a lot, and I travel with people who
travel a lot. I have picked up many travel tips through the years,
and I will periodically share them with you here. One of my
favorites is from Brad Sherwood. Brad is an improv artist who
was regularly featured on Whose Line is It Anyway; he is perpetually on tour with his improv partner Colin Mochrie. Brad likes a
dark hotel room at night and was frustrated with the gap between
the curtains covering the window. His solution? Take a hanger
out of the closet, the one with clips for pants. Use the clips to join
together the two curtains. Presto! You can now sleep in darkness.
If you want to see more of Brads genius, check out Two Man
Group on Amazon.com; its a DVD of Colin and Brads improv
show.
Summer of Conventions Friends - The summer
is in full swing and so are magic conventions. Magic conventions
are not just great for the magic they provide, theyre also a great
way to catch up with friends you havent seen in a while.
Is it just me, or do we all go through the following cycle as a
magician? As a young magician we go to our first convention and
we dont miss a single event. We practice newly learned effects
between lectures, buy all that we can from the dealers room, and
leave with enough new things for two shows. Its all about the
magic. Then, as we get older and we go to conventions, we end
up missing events because were too involved in a conversation
with an old friend. The line-up of acts performing and lecturing
becomes secondary to the friends who will be attending. Its all
about our friends in magic.
To use PNP Mark Weidhaass line: You have a friend in the
S.A.M. I hope to see you at one of the conventions!
Vinny Grosso
AUGUST 2011 9
Newsworthy
An Open Letter to
All Magicians:
Save money while youre saving the world! In continuing
efforts to support United States Armed Forces, The Society of
American Magicians has recently begun offering discounted
membership fees to active military personnel. Active military
personnel have the opportunity to join or renew their membership in the S.A.M. at the reduced rate of $35.00 at www.societyofamericanmagicians.memberlodge.org/memberappSAM. This
membership includes monthly issues of M-U-M online and other
member benefits.
I was recently appointed by S.A.M. President Mark Weidhaas
to the position of Military Member Liaison. To make the new
program effective, I will need the help of every magician who is
or has been in the military or who knows someone who is.
Additionally, we are making every effort to connect new
military members with the nearest assembly. We encourage those
assemblies to extend personal and financial courtesies to the
military members. Please let us know about any incentives your
assembly offers to encourage participation by military personnel.
Future issues of M-U-M will make special mention of these
men and women who protect and serve Americans. Please help
me with this endeavor by sending me contact information for any
member of your assembly who is connected to any of the Armed
Forces so that I can introduce myself to them personally.
I sincerely thank you for helping us promote
this worthwhile endeavor. I believe this program
offers a win-win-win situation. It benefits the
new members, the assemblies, and magic!
Scott Hollingsworth,Military Member Liaison
scott@scotthollingsworth.com
Convention in
One Night 2011
Is it possible to have a magic convention in one night? Absolutely! May 3, 2011, marked the Rhode Island Societies of
Magicians fifth Convention in One Night, and it was a great
success. Bruce Kalver did a fantastic job of organizing the event,
which included close-up and stage shows, as well as lectures and
a dealer area. Many guests were
in attendance, including S.A.M.
President Mark Weidhaas and
Eric Jones, who was recently
featured in an M-U-M cover
story.
The night opened with some
great close-up magic from
Mark Weidhaas and Eric Jones.
Mark, looking very dapper,
performed an excellent set of
magic. His performance was
both baffling and entertaining.
Eric performed some nice card
Alexanderia
10 M-U-M Magazine
ASSEMBLY NEWS
Society of American Magicians Monthly News
AUGUST 2011
assemblyreports@googlemail.com
ANNUAL
BANQUET
PHILADELPHIA,
PA
Stuart Rudnick,
our emcee for the evening
AUGUST 2011 11
ASSEMBLY NEWS
of audience member Ed Cohen.
The
delightful
Kimberly
Matthews then performed a
beautiful silk act set to music,
which included the production
of multiple doves and culminated with their transformation
into an adorable white rabbit.
Next, George Hample wowed
the crowd with his very own
torn and restored M-U-M effect
followed by an amazing milk
vanish and reappearance inside
a lighted table lamp. Finally,
Jim Daly ended the show with
his signature comedy bill
in lemon effect, which had
everyone in hysterics. Without
question, the 2011banquet was
one of the best we have ever
had. Peter Cuddihy
James Wobensmith Assembly
4 meets third Thursday at 7:00
p.m. at the Bustleton Memorial
Post, 810 (American Legion)
9151 Old Newtown Road. Information: www.sam4.org/
Time to
Shine
Omaha, NE To open
the meeting President Larry
Brodahl started this years
series of Find a book in our
library/ perform the trick/
explain it/tell us what book its
in with an illusion from The
Amazing Book of Magic and
Card Tricks by Tremayne.
This month we had a contest
with a $50 prize. The theme
was Shiny, but this was left
to interpretation and was most
interesting to note how each of
ten performers interpreted the
guidelines.
The order was determined
by random drawing; first up
was Pete Petrashek with the
shiniest mirror Ive ever seen.
With his help a scarf and
ball de-materialized into and
behind the mirror. Tom Neddo
performed Waterfall, during
which his shiny cups kept the
water from falling on our Presidents head. Johnny Impossible
did a Coins Across routine with
shiny coins. Bob Buczkowski
entertained with a string and
(shiny) ring routine one of his
signature effects.
President Larry Brodahl
presented a larger (shiny) ring
and string routine. Denny
Rourke did a shiny cup and
water routine he called Aqua
Binaca and didnt wet the
rug. Roger Reese performed
Jackrobats, in which cards
turned into shiny mirrors.
Joyce Chleboun produced tons
12 M-U-M Magazine
Bruce Jacoby
11
Summer
Picnic
Cincinnati, OH The
June meeting of the Queen City
Mystics Assembly 11 was a joint
summer picnic with the I.B.M.
Ronald Haines Ring 71. It was
held at a lodge and picnic area
at Lake Isabella in Loveland,
Ohio, on a beautiful springlike day. It was afternoon of
games, fellowship, adults entertaining kids, kids entertaining adults, magic yard sale/flea
market, and raffle. A picnic
dinner was catered by Micki
13
David Hira
Lectures and
Emcees
ASSEMBLY NEWS
the card, including the assistance of a mouse, resulted in
selection of the Two of Hearts.
Ian eventually destroyed the
offending card, and asked
Nathan Himes to step up and
select another card from the
deck. Nathan, of course, found
the Ten of Diamonds! Ian then
asked Nathan to wave a wand
over the deck, and suddenly all
of the cards in the deck were
the Ten of Diamonds.
The final performer was
Daryl Sprout, the Magical
Herpetological
Humorist.
Daryl performed a number of
effects, all centered around
his favorite creatures snakes.
Effects included wand to
snake, balloon to snake, and
even launching a giant snake
into the audience. David Hira
wrapped the show, and then
held a question/answer session
about the night and about
emceeing in general.
Dallas Magic Club Assembly
13meets the third Tuesday
of each Month at 7 p.m.
Crosspointe
Church
and
Community Center www.dallasmagic.orgfor directions.
Check out the Dallas Magic
Club on Facebook!
17
Card Magic
Never Gets Old
Springfield,
MA
16
19
21
AUGUST 2011 13
ASSEMBLY NEWS
no balls, just rolled-up colored
tissue, with a surprise ending.
Dana Ring
Bill Greenough Assembly #21
meets 2nd Monday (except
December) at Angelos on
Main in West Hartford, CT.
www.sam21.org
22
26
14 M-U-M Magazine
30
Building a
Routine
Atlanta,
GA
Our
program director, Debbie
Leifer, hosted the post-dinner
performance. Dan Garrett
was our first performer. He
mystified the audience with
linking rubber bands and torn
and restored rubber bands. We
are looking forward to his professional development session
on rubber bands next month.
Preston Turner, son of Joe
Turner, showed us his magical
rock that magnifies objects,
which he got at a science
museum. It was an interesting
piece and we were glad to have
Preston visiting with us.
Joe Turner could not afford a
Dean Dill box, so he used his
hands instead and made a red
and white rope link together.
He also had his deck of cards
do a trick for him by allowing
the spectator to perform all the
magic. Joe had a card chosen
for him and the spectator also
had a card chosen. Both cards
were found at the end.
Joe Morrison brought a light
board with various colored
lights and switches. The corresponding light would light with
the same color switch even
when the bulbs or switches
were mixed.
Jim Mangham had his wife set
up a trick with a red deck and a
blue deck. He had the red deck
cut several times until only one
card remained. When the blue
deck was opened, the matching
card had an X inscribed on it.
Daryl Berman presented a ring
and string effect by pulling the
ring from the string when it
was attached by a knot. He also
borrowed a flip phone; when
the string was inside the phone,
music would play.
Our Professional Development series continued with
John Miller presenting how
to routine your effects. He
presented one of his favorite
effects, Roy Waltons Cascade,
just as a trick, then presented
it again with a routine he
developed that suited his style
of presentation. John also
handed out suggestions for
35
A FOND
FAREWELL
POUGHKEEPSIE, NY
We were one of the lucky assemblies who were a stop on
Aldo and Rachel Colombinis
Farewell Tour. Thirty-five
attendees helped make this one
of our best-attended meetings
in quite some time. After a
brief summary of happenings
in Aldo and Rachels lives, we
were treated to several hours
of magic and fun. Rachels
performance of Zodiac Code
was wonderful. An Empty
Envelope was a great prediction effect by Aldo. The entire
ASSEMBLY NEWS
rapport and kept us laughing
all night long. If you have the
opportunity to see them on
their last lecture tour, put it on
your calendar you wont be
disappointed. Thank you Aldo
and Rachel for a terrific night
of magic. Assembly members,
be sure to check out the Web
site for more information on
our revised summer schedule.
Craig Kunaschk
Al Baker Assembly No. 35
(usually) meets at 7:30 p.m.
on the second Tuesday of the
month at the Milanese Italian
Restaurant, 115 Main Street,
Poughkeepsie, NY. Check out
our website at compumagic.
com/sam35 to confirm time
and meeting location.
37
Kid-Dab-Ra!
Denver, CO A number
of children attended our June
meeting
Kid-Dab-Ra,
as
special guests of the Mile High
Magicians.
Emcee and club president
Connie Elstun got things off to
a perfect start by introducing
us to members of the cast of her
Bunny and Birdie Magic Show.
We were particularly pleased
with participation by some new
members of our club, including
Lewis Peacock. Lewis thrilled
the audience by pouring
different colored liquids from
the same teapot. There was an
explanation, however, because
dry handkerchiefs the same
color as the liquid were pulled
from the teapot. Next up was
club member Inspector Magic,
aka PNP Mark Weidhaas.
Mark featured highlights from
his show, including something
that only the grandparents in
the audience knew about
records that changed colors.
Mark also featured a cool
trick with colored pom-poms
changing places and a card
trick that used a large number
of assistants.
New member Michele Lutz
also used a number of assistants to psychically find some
colored stones hidden in their
hands and to make a rod change
colors. The Amazing Dave
Elstun introduced members
of the audience to a stoplight
that creates mass confusion by
flashing the same color in all
directions. He finished with a
see-through egg storage bag
from which eggs appeared and
disappeared. Bringing it all to
49
Clocks,
Watches, or
Cards
50
Magic Day
Nashville, TN Gene
Anderson and David Sandy
were the stars of our Magic
Day. It all started with a kick-off
lecture by Joe Turner from
Atlanta. Saturday began with a
lecture from Stephen Bargatze,
with lectures from David
Sandy, and Gene Anderson to
follow later in the day. There
was also a time during which
attendees were allowed to get
up and do a trick that they had
been working on and receive
tips from a panel made up of
the acts that were booked for
Magic Day as well as some of
the other attendees.Two who
participated were Tim Grant
of Memphis and Ed Riply of
Knoxville; both had really put
a lot of work into their acts and
in doing so got lots out of the
session. Thanks to them and
the others who took part.
Just over two hundred people
enjoyed a great Saturday night
show, performed by Gene
Anderson and friends. Lets be
honest, you just cant go wrong
52
Installation
of Officers
Banquet
AUGUST 2011 15
ASSEMBLY NEWS
the month at La
Madeleine Restaurant, located
at 722 N.W. Loop
410. The restaurant is inside Loop
410 on the access
road
between
Blanco Rd. and
San Pedro. For
more
information,
contact
douggorman@att.
net
From Left: Joe Libby-President, Geoffrey Sadowski-Vice President, Don Moravits-Outgoing
President, Doug Gorman-Secretary/Treasurer,
George Castillo-Sergeant-At-Arms.
16 M-U-M Magazine
56
Busy
May
Dayton, OH
88
Jay Sankey
Lecture
Ann
Arbor/Ypsilanti,
MI Friendly, warm, and
down to earth, Jay Sankey
started by talking about the
importance of interacting
with people, to have fun with
people. His lecture consisted of
three forms of close-up magic:
traditional magic, mentalism,
and bending.
He started with a very funny
card trick, in which three
selected cards were mysteriously eaten by the four Queens.
Then came a mentalism trick
in which a card was picked;
95
CARNIVAL
MAGIC BBQ
Vancouver, Canada
112
Anything
Goes
CONCORD CA After
yours truly won the attendance
award at our May meeting, we
immediately jumped into the
performance portion of the
meeting with Doug Kovacich
ASSEMBLY NEWS
starting us off with a spiral
disk that seemed to make Rick
Allens get larger and then
smaller for those who gazed
at the disk. Immediately after,
Zappo (thats me) performed a
cut-and-restored rope routine
that included a sweet method
of constructing a set of ropes
to perform The Professors
Nightmare right in front of the
audience. Then Bob Holdridge
performed two prediction
routines with, as usual, his
well-crafted props
And Roy Porfido managed to
capture a wild white balloon
behind bars in a shoebox-sized
cage. With the help a fiveyear-old guest spectator, Roy
burst the balloon and turned it
visibly into a cute little version
of Pep Le Pew.
At that point, Jerry Barrilleaux penetrated a pencil
through both a dollar bill and
a lottery selection ticket in an
effort to find the lucky winning
numbers. It turned out the
dollar bill was completely
unharmed from the penetration
of the pencil.
120
Flower
Magic
Champaign, IL The
128
The Meeting
that Almost
Wasnt
Greensboro, NC The
April meeting almost wasnt
only one person showed up on
time, and, just as we were about
to give up and watch some
magic DVDS, a few trickled
in. Finally, we could see some
magic!
Eric Dobell led off with a
thought-reading effect using a
copy of Alice in Wonderland.
A page number was chosen
and James Alcon turned to
that page. Upon reading one
of the paragraphs, James was
to imagine the animal named
in that paragraph. Eric began
to read Jamess thoughts and
proceeded to draw the animal.
When finished, he had correctly
named and drawn a cat.
Noah Gray followed with a
card trick. The backs of his
cards all had smiley faces on
them. Noah discussed several
pictures that he had of different
assassins from the past. A card
was chosen from the deck and
shuffled back. Taking out a
gun (careful!), Noah shot at the
deck. When the chosen card
was found, the back of it had a
smiley face with a bullet hole
129
Money Magic
Contest
Pensacola, FL The
June meeting started off with
Beau Broomall conducting a
teach-in of what he calls The
Calendar Card Trick; it is quite
amazing what you can do with
a deck of cards and a calendar.
President Nathan Nickerson
called the meeting to order
and touched base on events
that included: the Pensacola
Kids arthritis camp show,
where Beau Broomall, Nathan
Nickerson,
and
Ronnan
Carrero performed and had
a great time; Al Grimms
surgery, which went well; a
secret project that Nathan is
working on; the upcoming
Sanders Beach show for the
Pensacola Parks; and the clubs
picnic. Info will be in the clubs
newsletter.
Members Perry Vath, Jeremy,
Billy Countryman and Charles
Moody played a round of the
alphabet game backwards. It
was hysterical.
We held our raffle with over
thirty items; thanks to Andy
Dallas and Dave Kloman
for their donations. Thanks
to Betty Broomall and Joan
Moody for setting up the refreshment table and to all who
brought the goodies. Thank
AUGUST 2011 17
ASSEMBLY NEWS
you Isaac Brady for handling
the raffle ticket sales and for all
the work you do as the clubs
librarian.
We also welcomed our two
guests, Julie and Jim, friends of
Charles Dunn, and our newest
member, Jeffrey Sobel.
Junes themes were inspirational magic and our annual
money magic contest. Nathan
Nickerson started it off by
sharing one of his inspirations
on the way he sees magic in art
work.
The money magic contest
started off with Jeremy performing Richard Sanderss
Extreme Burn. Gene Burrell
did his take on Dan Sperrys
lifesaver trick using a coin
with a hole in it. Al Grimm
entertained us with a Coins
Across routine. Bill Metsch
tried
Michael
Ammars
BeSwitched. Beau Broomall
did a great version of Michael
Ammars Coin through Silk.
Perry Vath did a routine he
called Count your Blessings; he
then produced a coin from his
phone. While the votes were
counted we were entertained
by magic from Dave Kloman:
he produced a rose from a silk
then made it grow; turned a
green silk into a frog; produced
a long streamer; hammered
a nail in his nose; and made
some large money. Charles
Dunn ended the evening doing
his routine, This Little House
of Mine.
The winners of the contest
were Gene Burrell, Beau
Broomall, and Jeremy; they
each received a cash prize, a
mis-made bill, complements of
Nathan Nickerson.
The meeting was adjourned
with only minutes to leave
the building before it closed.
Bill Metsch
The Gulf Coast Magicians
Guild Assembly 129 meets the
3rd Thursday of the month at
the Bay View Senior Center,
Pensacola, Florida. At 6:45
pm. Contact: Secretary Bill
Metsch- metsch@gulftel.com
136
Stage
Magician of
the Year Contest
Tucson, AZ Monday,
June 6, 2011, was the Assembly
136 Stage Magician of the Year
contest at the Gaslight Theatre.
Not quite a sellout crowd, but
pretty close. John Shryock was
the emcee; contestants were:
Mike & Billie DeSchalit, Hiro
18 M-U-M Magazine
138
Past
Presidents
Night
148
A VISIT FROM
THE MYSTICS
ASSEMBLY NEWS
Fr. Kurt Spengler
Assembly 148 meets the third
Monday of Every month at the
Epiphany Lutheran Church,
on the corner of Spring and
Vallette, Elmhurst, IL
157
Plan Learn
Perform
161
168
Levitation
Parsippany NJ The
June meeting was to be an
uplifting one, as our theme
was Levitation. Past President
Dave Scribner opened up our
meeting and younger guest
Riley Fortune became the
willing audience. Its always
nice to see friends return. The
evening began with Earl Hicks
opening with a coin vanish and
then doing a silk routine with a
Blendo, fountain, and streamer
effect all intertwined. Next up,
again completely ignoring the
theme, S. Patrick did an Aldo
Colombini card effect and
then did a variation of Harry
Loraynes Lazy Magician Card
Trick. Pitchman extraordinaire
Al Callus did a very strong
routine using John Kennedys
Flight Deck. He later followed
it up with an impromptu
Misers Dream type effect. The
only performer of the evening
to keep with the theme was
Chris Smith, who performed
a floating bill routine and then
gave a brief demonstration on
tying invisible elastic thread
in oval shapes, not loops.
Finally, President Tim Fortune
performed a monte-cap routine
from Dan Hauss Rattled.
The attendees then voted on
the best performance of the
evening and Earl took home
the awards and accolades of all.
Tim Fortune
Assembly 168 meets fouth
Wednesday 7:30 PM at
Methodist Church in Parsippany, NJ. www.sam168.org/
181
End of the
Magic Year
Meeting
Hightstown, NH Our
end of the magic year meeting
was a pizza party held once
again at Brothers Pizzeria
in Hightstown. Everyone got
their fill of pizza and soda and
we all had a lot of fun doing
magic for the workers, the
customers, and for our fellow
magicians. Matt Schick was
home from college in Boston
and treated us to some of his
new card work. Matt is making
quite a name for himself. Hes
scheduled to appear at a local
Rock Festival, be the emcee at
Bob Littles Super Sunday, and
will emcee the Magic Alliance
of the Eastern States Convention in September. Some of the
guys got into a lively discussion about apps for the iPad.
Another discussion concerned
favorite card forces.
Our new officers for the
upcoming magic season are:
Steven
Sloan,
President;
Dave Dzbory, Vice President;
Dennsis Govine, Treasurer;
and ERYX, Dean andActing
Secretary (until I can get
someone else to take over the
darnpaperwork, because the
Dean aint supposed to do
nuttin).
The
Hightstown
United
Methodist
Church
where
we hold our meetings had a
luncheon in June. Four of our
members performed walkaround magic at the luncheon.
We had a lot of fun and the
attendees were well entertained. Its our way to pay back
the church for letting us use a
meeting room for our monthly
meetings. Performers were:
Dazzling Dave Dzbory, Magic
Mike, ERYX, and Professor
REM.
I know that December is a
long way off, but we are tentatively planning a planning
meeting in August. (Somehow,
that sounds funny?) Other than
that, as Brian Hyland sang:
See you, in September. And,
if you can remember that,
youre likely as old as I am!
ERYX
Assembly 181, the Richard
Gustafson Assembly, meets the
first Thursday of the month,
AUGUST 2011 19
ASSEMBLY NEWS
September thru June at the
United Methodist Church, 187
Stockton Street, Hightstown,
NJ. However, for September
2011, our meeting will be on
8 September 2011 to avoid
conflict with the M.A.E.S.
Convention. Please see our web
site at: magicsam181.comfor a
possible start time adjustment
and other more timely information re: S.A.M. 181.
188
Give-away
Magic
194
Al and Nigel
Ricky Brandon grossed us
out by hammering a nail up his
nose; he then asked Catherine
Johnson to pull it out. Yuck.
Mont Duston told us a camping
story and then somehow caused
a penny to go right through
20 M-U-M Magazine
The Aldo
& Rachel
Colombini
Lecture
Yonkers, NY Your
reporter has been to dozens of
lectures in his sixty-plus years
of performing magic and I cant
recall when I enjoyed a lecture
as much as the one we were
treated to on June 15. Aldo and
Rachel Colombini arrived right
on time with lots of goodies
and began their very well
planned lecture by providing
each one present with a cup
of champagne to toast us and
them as they drew near to the
end of their fifty-stop Farewell
Lecture Tour.
200
Rubber Bands
and More!
205
Summertime
is Show Time!
ASSEMBLY NEWS
Rochester, MN During flight time for their favorite
the summer months of June effects; the club earned subthrough August, many as- stantial income from product
semblies suspend their regular sales; business contacts were
meeting schedules as vacations made; S.A.M. literature was
and other activities take their distributed and at least one
toll on attendance. To sustain prospective
member
was
enthusiasm over this busy solicited.
time, Assembly 205 uses sumOur thanks to National Admertime as the prime oppor- ministrator Manon Rodriguez,
tunity to recruit new members Midwest Regional VP Jeff
and replenish the treasury by Sikora, and Most Illustriparticipating in community ous National President Mark
events.
Weidhaas for providing the
On June 11, the Rochester beautiful trial membership
Mystic 13 assembled in Pine postcards that are the focus of
Island, Minnesota, for a nine- our recruiting campaign.
ty-minute show during Pine
In all a very successIslands annual CheeseFest ful start to Summer 2011.
celebration. The 200-seat David J. Moitzheim
Olde Pine Theatre provided an Assembly 205, The Rochester
intimate venue for performers Mystic 13 meets the last
Cody Story, David Danzig, and Thursday of each month
Joe Swicklik. New member (barring holidays). Meetings
Tommy (Twister) Bradley are held at Comfort Inn, 5708
and veteran Brent (SinGee) Bandel Rd, Rochester, MN.
Coggins provided technical These meetings occur on the
support on lights and sound.
forth Thursday of each month
Thursday, June 23, marked the 5:30PM-8:30PM.More insecond event on our summer formation can be found at
calendar as the Rochester our website: www.mystic13.
Mystic 13 made an appear- com. Direct inquires to:
ance at the City of Roches- david@danzigthehypnotist.
ters Thursdays on First and com
Third street fair. Thursdays
on First and Third is a regular
Mac and
event in Rochester that occurs
Lance visit
every Thursday between June
Louisville
and September. For the Mystic
KYMac
13, it means an opportunity to Louisville,
perform street magic and run King Assembly 215 in Louisour pitch booth for up to 20,000 ville, Kentucky, was honored
to welcome home two of their
fair-goers.
On this Thursday night, members for our month of May
overcast skies took a toll on meeting. Actually both Mac
attendance but those who King and Lance Burton came
did stop by enjoyed street to Louisville to help Patrick
magic by Isaiah Foster and Miller with a show held each
Joe Swicklik; juggling by year to benefit Kosair Children.
Ben Domask; balloon animals That, in itself, says a lot about
by Greg Chalmers and Joe their dedication and commitSwicklik; and Svengali pitch ment to helping others. These
work by David Danzig and Joe two Kentucky men agreed to
Swicklik. Joining us, and dis- stay over for a meeting of our
playing some amazing close-up magic club to be put to the test.
chops, was Joe Viner, a Mystic That test was a question and
13 prospect from LaCrosse, answer and discussion of beWisconsin.
In all, the Mystic
13 worked the
crowd non-stop
for nearly three
hours; afterward,
we unanimously
agreed that a
night of performing and pitching
cant be topped
by the best-run
club
meeting.
Members
got
crowd-proven
Mac and Lance in Louisville
215
226
Plans and
Performing
WILLIAMSBURG,
VA
AUGUST 2011 21
ASSEMBLY NEWS
266
SUMMER
FUN
274
MONEY
MAGIC
BOCA RATON, FL On
June 6, 2011, the Sam Schwartz
Assembly featured Money
Magic night. Appropriately,
our emcee was Mr. Money,
Phil Labush. Phil entertained
us with many of his numerous
effects that gained him the reputation as Mr. Money.
The show opened with Henry
Epstein, who performed the
effect 4 Quarters, a clever
version of the Mis-made Bill.
Next was Simon Carmel, fresh
from a convention in Helsinki,
Finland. Simon performed
several
beautiful
effects,
including a non-gimmicked
pen throughbill and paper a
nice effect that he explained
to us. Bernie Kraus followed
showing how to change $5 bill
into $100. Marshall Johnson
used a wallet to create money.
Mel Panzer demonstrated
several outstanding effects.
They included a Matrix,
Extreme
Burn,
changing
$5 bills into $20 bills, and a
very nice routine using three
different coins. Arnie Rosen
had a most unusual effect
involving a stack of coins.
Jerry Somerdin, creator of
many fine tricks, presented a
puzzle involving two different
solutions using pieces of
a dollar bill. Herb Cohen
vanished a coin and then
produced two coins.
Herb
Arno
performed
295
NEW
APPLICATIONS
Aldrich, Steve
Aurora, CO
Allen, Tiffany
Forest, VA
Alvarez, Jesse
Dallas, TX
Andreoli, Thomas Joseph
Hudson, NH
Aragon, Woody
Toledo, SPAIN
Birkan, Shlomo
Buffalo, NY
Blanco, Michael
Houston, TX
Brantner, Robert
West River, MD
Brumbalow, Jason
Belton, TX
Carver, Shawn
Mars Hill, NC
Colburn, Scott
Frisco, TX
Corcoran, Paul
South Dennis, MA
Cubelli, Jessica
Houston, TX
Da Silva, Frederic
Mably, FRANCE
Darwin, Max
New York, NY
Denham, James
Houston, TX
Duffy, Tom
New York, NY
Elliott, Devon
London, ON CANADA
Fancher, John
Riverside, CA
Ferrante, Tony
Winder, GA
Fetzer, Benjamin
Covelo, CA
Ford, Charles
Washington, DC
Glaze, John
Sycamore, GA
Gobeo, Mark
Boca Raton, FL
Gore, David
Cape Town, SOUTH
AFRICA
Guthrie, Diane
Jefferson, GA
Hefter, Mathew
Glendale, AZ
Heinzl, Josh
Windham, NH
Hoelzel, Joseph Lyon
Minneapolis, MN
Inglis, Andrew
Concord, MA
Irwin, Bill
Arlington, TX
Kalinowski, Aaron
Indianapolis, IN
Lan, Hui Hsin
Taipei City, TAIWAN
Lessard, Yves
St-Joseph De Sorel, QC
CANADA
Liston, Michael
Billings, MT
Maturen, Mike
Harrisville, MI
Mckenzie, Norman
Billings, MT
Mckinnon, Peter
Belton, TX
Mcniff, James
Clermont, FL
Mcnulty, Stephen J
Staten Island, NY
Mitchell, Craig
Cape Town, S. AFRICA
Moise, Rodiny
Malden, MA
Montalvo, Moises
Ogallala, NE
Murray, Sean
Chicago, IL
Newton, Lew
Louisville, KY
Norstrum, Andrew
Shepherd, MT
Olson, David
Tucson, AZ
Peckham, Michael
Watchung, NJ
Peekel, Art
Palatine, IL
Penstein, Richard
El Dorado Hills, CA
Perea, Maricarmen
Toledo, SPAIN
Ren Jenkins, David
Las Vegas, NV
Reyes, Hector Angel Mesa
Madrid, SPAIN
Salinas, Alfredo
Tucson, AZ
Saul, Howard
Cherry Hill, NJ
Saul, Michael
Cherry Hill, NJ
Segel, Joseph
Bryn Mawr, PA
Sergent, Craig
Jeffersonville, IN
Sloan, Stephan
Freehold, NJ
Terral, Elliott
West Monroe, LA
Thompson, Blaine
Memphis, TN
Trent, Andrew
Odenton, MD
Weiser, Daniel
Baltimore, MD
Yamamoto, Hlroshi
Toyonaka City, JAPAN
Zboray, David
Mercerville, NJ
REINSTATEMENTS
Abbatiello, Lou
Lancaster, PA
Alday, Geoff
Spring Hill, TN
Alexander, Gale M
New Milford, CT
Alswager, Richard O
Milwaukee, WI
Baird, Joan L
Lancaster, MA
Bourgoin, Staphane
Saint-Hyacinthe, QC
CANADA
Brandenstein, Edward J
Pgh, PA
Brooks, Brian
Tualatin, OR
Brown Jr, Larry J
Weatherford, TX
Buxton, Marc
Florence, SC
Mullins, Jeff
Aliquippa, PA
Mullins, Robert C
Aliquippa, PA
Peace, Jennie Rae
Evans, GA
Peace, Ledan E
Evans, GA
Pitts, Ruth
Fort Smith, AR
Reinbold, Damon
Santa Fe, NM
Sagotsky, Barry
Princeton, N J
Sanders, Cherie K
Houston, TX
Schrier, John
Scarsdale, NY
Snyder, Michael A
Lancaster, PA
Srinivasan, Vasisht
Rochester, NY
Stanton, Dwayne
San Antonio, TX
Stone, Jack
Philadelphia, PA
Taylor, Jason W
Havertown, PA
Tomaszewski, Gary L
Tallahassee, FL
Tougas, Frank S
Brooklyn Center, MN
Trillo, Arthur
Tucson, AZ
Tyo, John A
Massena, NY
Unbehauen, George L
South River, NJ
Walden, Christopher M
Cedar Park, TX
Watkins, Glen
Austin, TX
Weisgal, Leo L
San Antonio, FL
Wenker, Kevin
Peoria, AZ
Yakubek, Michael
Kennesaw, GA
Zawada, Mark
Staten Island, NY
AUGUST 2011 23
BROKEN WANDS
William E. (Bill) King
The magic world lost one of its premier collectors on May 12, 2011, when William
E. (Bill) King Jr., eighty-five, of Hagerstown, Maryland, passed on. Bill held membership
#4145 and had been a continuous member of The Society of American Magicians for
sixty-four years. He was also a member of the I.B.M. and the Magic Circle. He was a
co-founder of Ring #94, Hagerstown, a Ring that bears his name, King Magic Ring.
Bill led a long and productive life. He served his country during WWII in the
European Theater and was awarded the Bronze Star. He was a 1943 graduate of
Hagerstown High School, and was a graduate of the University of Maryland and the
Stonier Graduate School of Banking at Rutgers University. He retired from Hagerstown Trust and Mid Atlantic Bancorp as President and CEO.
Bill King was not only a great contributor to the magic world, having written several
books on magic history, but his generosity was surpassed by no one. At least four times over the past five or six
years Bill prepared a grocery bag of magic from his collection for every member of Ring 94, making sure each
bag was filled with the particular type of magic each member was interested in.
Bill King will be missed by all who knew him, and especially by his family and members of the Hagerstown
Magic community. David W. Bowers
Leonard J. Elmer
Dr. Leonard J. Elmer Sr., retired dentist, born in Hammond, Louisiana, on May 8,
1917, and a native of New Orleans, died on June 6, 2011, after complications following
open heart surgery. His death was unexpected; he had anticipated taking trips to
Russia, Dallas, Orlando, and Las Vegas with his family this summer. His will to live life
to the fullest was exemplified in his daily activities and involvement in the community.
He was a graduate of Jesuit High School (1933) and Loyola University (1938). He
was a full-time instructor at the Loyola University Dental School from 1938-1942. He
was attending medical school prior to being pulled to teach dentistry full-time during
WW II.
He devoted himself to his two children and his wife, Beverly (also a USAF officer)
and was the epitome of what a father should be. He was a life member of the New
Orleans, Louisiana, and American Dental Associations.
His life-long interest in conjuring kept him very active and engaged in magic. He was a member of The Society
of American Magicians and the International Brotherhood of Magicians. He has been awarded the Order of
Merlin Excelsior by the I.B.M. He also recently reunited with Ring 27 of New Orleans. He was known as an avid
photographer and has gone to great lengths to get the perfect shot.
He loved his wife dearly and her loss in 2007 affected him profoundly. Despite his loss, he continued to care
for his granddaughter, Sarah, with whom he lived and shared his wisdom and love for life and magic with her.
His loss cannot be measured and his contribution to his family is profound. His legacy of love, life, and gusto for
making every day count are remembered by his actions.
Kim M. Zimmerman
Kim M. Zimmerman, 56, of Orangeville, Illinois, passed away Tuesday, June 21, 2011,
at St. Anthony Medical Center in Rockford, Illinois. Kim was born February 10, 1955,
in Freeport, Illinois, to Raymond and Cheryl Zimmerman.
Kim attended National Technical Institute for the Deaf in Rochester, New York
from 1975 to 1978, studying architecture. He worked for a small architectural business
for five years. Kim then worked at OHare International Airport as a mailer handler
from 1984 until retiring in 2010. He loved his Dalmatians: Donnie, Max, and Angel,
who was deaf. Kim was interested in many things including reading, history, and travel.
Kim had been a member of the S.A.M. and the I.B.M. since 1976. He was a Life
Member of both organizations. He was member of the World Deaf Magicians had
participated in WDM Festivals in different countries since 1992. He founded the first
U.S. Canada Deaf Magicians Festival in Chicago in 1993. He loved to do his magic in
schools, churches, nursing homes, clubs, other festivals.
24 M-U-M Magazine
BROKEN WANDS
Henry L. (Hank) Moorehouse 1934 2011
Hank Moorehouse passed away suddenly and unexpectedly on Saturday, July 2, in
Beijing, China, while in the middle of a sixteen-city, twenty-five show tour of close-up
magic he was producing for the Chinese government.
Hank touched so many lives for so many years. And he did it selflessly. He never
asked for anything in return only that you do your best and become a credit to the
magic community.
As a magic dealer, he was impeccably ethical. As S.A.M. National President, he
initiated many steps that ultimately brought the organization onto the world stage.
And it was through his bonds of friendship within FISM, The Magic Circle, and magic
organizations around the world that the door opened for magicians in this country to
be recognized and perform abroad.
Hank may best be remembered as a master of his craft and a highly respected
magic show producer. Following sixteen years as S.A.M. show producer and an additional thirteen years as Abbotts show producer, he was named Artistic Director for the 2009 FISM World
Championship of Magic in Beijing.
The S.A.M. dedicated this years convention to Hank. As part of the celebration, the June issue of M-U-M
carried a cover story about Hank, and the 2011 convention program was a special Hank Moorehouse commemorative issue. It was decided that the tribute to Hank, originally scheduled at the convention for Saturday
should be moved to the start of the convention as a celebration of his life. A film, with material collected from
the Moorehouse family, was shown and is expected to be released on YouTube for public viewing.
Our hearts go out to Jackie Moorehouse, who made Hanks life worth living, and to his family members a
daughter, Kim, two sons, Buddy and David, and their collective nine grandchildren and one great grandchild all
of whom meant so much to Hank.
Hank passed away doing what he loved to do best producing magic shows at venues where the talent
he booked could dazzle audiences and bring credit to the art of magic. A memorial service and broken wand
ceremony is being planned for Hank sometime during the time of the Abbotts Get-Together. Bradley Jacobs
Please take a minute and spread a few words of cheer with a card or note to one of our less fortunate members.
William Bill Andrews
298 West Lane
Stamford, CT 06905
Robert D. Knigge
PO Box 5,
Jones Borough, TN 3765
Dan A. Dorsey
98 Woodvalley Dr.
Fayetteville, GA 30215
Peter Anthony
5100 OBannon Dr. Apt 72
Las Vegas, NV 89146
Joe DuPerry
1947 North Soldier Trail
Tucson, AZ 85749
Stanley R. Kramien
11205 SW Summerfield Dr.
Apt 161
Tigard, OR 97224-3391
Roger Barr
883 B Leverpool Circle,
Manchester, NJ 08759
William H. Brewe
1698 Montrose
Cincinnati, OH 45214
Charlie Gross
16745 Gertrude Street,
Omaha, NE 60136-3023
John Clark
603 W Country Club Rd.
Egg Harbor City, NJ 08215
Roy Horn
c/o Siegfried & Roy
1639 N Valley Drive,
Las Vegas, NV 89108
Lawrence Clark
204 Hazelwood Ave
Buffalo, NY 14215
Daniel Cudennec
Dany Trick
225, Stang-ar-Veildan-Traon, Mellac-29300,
Quimperle, France
Cesareo Pelaez
The Cabot St. Theatre
286 Cabot St.
Beverly, MA 01918
Grant Schofield
(The Great Granzini)
9303 Quailbrook Ct.
Bakersfield, CA 93312
Larry Poague
34221 West 90 Circle
Desota, KS 66108
Sybill Simons
65 West 95 St. Apt 3A
New York, NY 10025
Richard Laneau
4020 55th St. N.
St. Petersburg, FL 33709
Jim Relyea
241 W. Lakeshore
Rockaway, NJ 07866
Sam Stecher
1000 Loring Ave Apt. C-23
Salem, MA 01970- 4253
Harry Riser
8505 Woodfield Crossing
The Forum
Indianapolis, IN 46240
Mario Susi
6 Bristol Rd.
W. Peabody, MA 01960
Frank J. McNaughton, Sr
1926 Apple Street,
Williamsport, PA 17701
James J. Morrisey
24 Grove St.
Wayland, MA 01788
Edward Kelly
224-15 64 Avenue,
Bayside, NY 11364
Anthony Murphy
11 Angel Rd.,
North Reading, MA 01864
Bob King
304 Suburban Court,
Rochester, NY 14620
Nahmen Nissen
PO Box 1856
Colfax, CA 95713-1856
Dale Rumsmoke
430 Perrymont Ave
Lynchburg, VA 24502
Pat Ryan
43 Fairbanks Rd.
Churchville, NY 14428
Larry Taverner
805 LaPaz Ct.
Bakersfield, CA 93312
Jack White
4288 Arguello St.
San Diego, CA 92103
Matt Savin
P.O. Box 7693
Alhambra, CA 91802-7533
Helene Schad
2440 Viginia Ave.
Bensalem, PA 19020
Send additions, changes, or deletions to: Anthony Antonelly, Chairman, Sick and Convalescent Committee,
(215) 820-3192 ext. 1512. Email: magicforfun60@aol.com
AUGUST 2011 25
A Magician Prepares...
by Dennis Loomis
4
2
position. As the two packets coalesce, the card slides to the bottom
of the lower packet, as seen in Photo 4. The deck is then replaced
into dealing position in the left hand; the selected card has been
moved to its new position second from the bottom. The deck can
now be handled very freely and the bottom card can be flashed.
Later, should you wish to bring the selection back to the bottom,
another complete DeLo cut can be performed.
26 M-U-M Magazine
Giant Tasmanian
Purple People Eater
AUGUST 2011 27
10
28 M-U-M Magazine
11
12
13
14
15
16
17
18
19
20
say, Well, its obviously not the Giant Tasmanian Purple People
Eater Ill just get back to that later. Set this balloon aside
and go back to the magic show.
Step 4 Legs: The legs are made from a single goldenrod
260Q (or orange if you dont have this color). Inflate it fully,
leaving about one inch uninflated. I am going to make the
Giant Tasmanian Purple People Eaterfirst time, every time!
By this point, the kids think you are nuts, but they are
laughing with you about the color of the balloon not being
purple. Make a half-inch bubble followed by three threeinch bubbles (Photo 11), and attach the three bubbles into a
triangle (Photo 12). Squeeze the balloon slightly to get the
air down into the uninflated portion and repeat the same
four bubbles at the other end. The result will be as shown
in Photo 13.
Look at this creation and then suggest what it could be. Its
a phone can you hear me now? Its an antenna for a bug. Its
a giant smile for a big smiley face. (Hold it up in front of your
face and smile!) Well, its obviously not the Giant Tasmanian
Purple People Eater Ill just get back to that later. Set this
balloon aside and go back to your magic show.
Step 5 Arms: Fully inflate the black 260Q, except for one
inch. To make a simple hand on each end, twist a two-inch
bubble followed by a five-inch fold twist (Photo 14). As
with the legs in Step 4, squeeze the air in the remainder
of the balloon down into the uninflated end, then repeat
making a two-inch bubble and a five-inch fold twist. It will
look like Photo 15.
Its alien antennaetake me to your leader! (Say this in a
funny alien voice.) Its a wiener dog without a head! Its
its Immediately go to the next step and bring the
creation together.
.
Step 6 Putting It Together: As you are staring at the
arms, you need to get excited and say, Wait, it is the Giant
Tasmanian Purple People Eateror at least part of it! Watch!
(Put the arms down and grab the body from Step 1.) If I take
the Old Mans Cane and attach the new flexi-shaft golf club
As you say this, you need to make another three-bubble
push through using the two white bubbles and a new black
bubble. Twist a one-inch bubble at the top of the twelveinch black bubble and then a three-inch bubble (Photo 16);
lay the two white bubbles on this black bubble and roll it
AUGUST 2011 29
21
22
30 M-U-M Magazine
24
25
23
for your phone will track it wherever it is. You can also track the
device on your computer.
As a publicity stunt, I immediately thought of planting it in a
stuffed animal or in a secret compartment of a box; a celebrity
hides it somewhere in the city and you find it. You can read all
about the Garmin GTU 10 at www.garmin.com.
Revealing Wonders
The following two tricks are both
very clever. They take two different
approaches to the revelation of a card.
Both require no forcing of the card.
I really like Marvel Card. Before I go
any further, I will say in bold italics that
it is only for the iPhone with operating
system 4. It is not for the iPad or the
iPod Touch.
A card is freely selected and placed
face down on top of the iPhone. The
magician waves his hand over everything and the iPhone now
shows the selected card. It is that direct. I have to tell you that
this method has never been done before. As a developer, I have
to ask myself, Why didnt I think of that? Buy a deck of the
new S.A.M. cards and have fun with this app. Youll put it on
your front screen. Marvel Card is available at the iTunes app
store for $1.99.
The other app is called the Magic
X-Ray Card Scanner. A card is
selected and placed on the table. A
spectator places her hand over the
card. You explain that you have an
app that can take x-rays. Place the
iPhone over the back of the spectators hand, press the scan button,
and an x-ray of her hand appears
along with a picture of the selected
card.
This app works with the iPhone
and iPod Touch. It will work with
the iPad, but youll have to keep the
app small on the screen. Once again, a force is not needed. The
app is slick, and although the method has been used before, it is
well executed. The Magic X-Ray Card Scanner can be downloaded from the iTunes app store for $0.99.
Bruce is always on the lookout for computer magic, iPhone/
iPod Touch apps, and tech toys that can be used in magic
applications. If you have any suggestions for future columns,
write to Bruce at SAMtalkBruce@cox.net.
AUGUST 2011 31
33 M-U-M Magazine
BASIC TRAINING
BY IAN KENDALL
Cards to Wherever
Welcome back to Basic Training. This month we are going to
be looking at a slightly more advanced technique with cards, one
that has the added benefit of using (for the most part) palming. If
you can already palm a playing card without too much trouble,
then this should be no problem for you; but if you are learning to
palm, or havent yet dipped the toe into this threatening (but very
worthwhile) pastime, then I have some tips and suggestions for
you as well. The end result is that we will be able to get a selected
card into our pocket or wallet quickly and efficiently. Once we
have the mechanics down we can talk about the blocking and
the attention direction we need to make the effect all that more
magical.
Before we look at the palming and loading of a card, lets have
a look at what we are trying to achieve. The plot of card to
impossible location is to the spectator at least very clear to
understand and usefully passes the one sentence test of clarity.
From our side of the deck, however, it gets a lot more complex:
What is the final location? How does it get there? How can I do
this without being seen? How can I prove it was the original card?
That last point is one of the more important ones, lest we
get caught out by the Too Perfect Theory we talked about a few
months back. Let us imagine a hypothetical effect from the point
of view of a spectator. A card is selected and remembered. It is
returned to the deck, and then the magician immediately shows
his hand empty and removes his wallet. Inside the wallet is a card
that matches the selection. While this effect is achievable (and
we will be looking at it later), there is one glaring problem with
the structure: the majority of people are most likely to jump to
the conclusion of duplicate cards. No amount of protestation by
the magician will have any effect to dispel this plausible solution.
If we cannot change their minds after the fact, lets change them
before. (And here comes a proclamation that is bound to get me
some flak.) Whenever you produce a card from an impossible
location, it has to be identifiable as the original selection. Most of
the time this will mean being signed on the face, but it can also
include the torn corner ploy. Having that level of confirmation
at the end of the effect will remove the its a duplicate solution
before it has a chance to be heard.
Palming
34 M-U-M Magazine
to those who can (and do) palm, a few words to those of you who
are just starting out on the road. Palming is one of the families
of techniques where a lot happens at the same time. Too often
the instruction for a palm will involve three actions happening at
once, and the student is expected to muddle through things on his
own. People who have been reading my column for a while will
know that this is not how I like to do things, and I would strongly
suggest finding a tutor who will break things down for you for
easy learning. Luckily, there are three such teachers out there (and
Im excluding myself from this list for reasons that will become
clear), any of whom would be an excellent choice.
First off, Editor Mike has a number of options; in Workers
Three there is a chapter called, simply, On Palming, which is the
first pedagogical approach to learning palming. A few years later
he produced a video called The Power of Palming, which is a great
study aid for the Workers lessons. More recently, there are the
first three volumes of The Work ebooks series, which expand on
the two former lessons, combining detailed text, photographs, and
clear video to help the student learn. (Three years ago, when I first
discussed this column with Mike, I said that I wouldnt be teaching
palming because I felt the perfect lessons already existed. These
are they.) The second recommended teacher is John Carney, who
many of you will know as a true master of sleight of hand. He has
a DVD on palming that can be obtained from his Web site. Finally,
there is Bob White, who also teaches his approach on a DVD that
is available from your local dealer.
Once you have chosen your course materials, you need to
spend some time actually learning to palm cards. Unfortunately,
this is not an overnight task we are talking weeks and months
(and more likely the latter). Dont worry, well still be here, so take
your time and go through the steps one by one.
The goal, despite not being strictly necessary, is to be able to
palm from the top of the deck with one hand. If you can palm
cards already, but havent had a go at the one-hand palm, then
this is worth the effort. The two-hand palm top or bottom
demands some type of motivation for you to come from an open
into a closed position. (Without that motivation you may be guilty
of squaring up a squared deck.) When you can palm one-handed, there are a multitude of justifications you can have for moving
the deck from hand to hand, and even a small gesture towards a
spectator with an empty left hand will give you ample time to
palm a card. One-hand palming is the way to go
Now What?
hoping that no one is going to try to shake your hand. First off,
think back to the lessons on palming coins from last year. When
you have an object palmed in your hand, the hand must die as it
falls to your side. If you have a video camera (or even a Webcam
on your computer), take a two-minute video of yourself simply
standing still. When you watch it back, pay special attention to
how your arms hang; there is no tension there, and there should be
none when you are holding out. Guilt will kill you here, so make
sure that you have spent a good chunk of your learning-to-palm
time holding a card and being completely natural as you stand.
(Many years ago, in a lecture, Editor Mike said that you should
watch Patrick Stewart in Star Trek to see how a consummate actor
holds his arms and hands when delivering dialogue.)
The second thing to watch out for is The Hook. I hope you will
have dealt with this as part of your lessons, but Ill briefly touch
on it again. Look at your neutral video; especially observe your
hands. Look at how your thumb rests alongside your index finger;
this is how your hand should look as you palm a card. If your
thumb is sticking out at ninety degrees from the rest of your hand,
then you need to work on loosening up a bit. The Hook happens
for two main reasons. First, you are not relaxed and you have some
guilt about palming a card; this means that you are concentrating too much on the card in your palm, and not enough on being
natural. It takes tension to hold the thumb out at that angle, and
once you relax your mind you will find it a lot easier to relax your
thumb. The second reason is more physical. Its possible that your
pivot point is too far back, and the thumb is being pushed out
by corner of the card, making it uncomfortable to lay the thumb
against the side of the hand. If this is the case, you need to either
move the pivot point down, or learn to grin through the pain
Photo 1
Photo 2
enough to slide up to the top edge, where it takes the card and lifts
it out of the pocket. The three outer fingers move out of the way as
much as possible so that the image the spectators see is of the card
being removed at the fingertips ostensibly there is no way that it
could have been in the palm in the first place (Photo 2). Everyone
say, Thank you, Gordon.
AUGUST 2011 35
BASIC TRAINING
a flag to an observant person. The best solution to this is to palm
a card while you are talking to your group and casually place it in
your pocket. If you do this without thinking, or noticing it, no one
else will. Now, have a card selected and signed, and then control it
to the top of the deck using whatever works for you.
Comment that you will make the card fly into your pocket; here
you can get creative. I usually explain that the card will fly around
the room umpteen times, following a more and more convoluted
path, but again, this is a personal choice. As the card finishes its
path around the room (which I follow intently), I tap the outside of
my pocket with my right fingers. This serves two purposes; it acts
as punctuation for the travel of the card, and (because I can feel
it though my pocket) it lets me check that I did, in fact, preload a
card. A couple of times, usually when I wasnt planning to do the
routine, I have forgotten to and had to go to plan B.
Assuming you are not as scatterbrained as I was back then,
you show your hand very empty and reach into your pocket with
your finger and thumb. Pull the card halfway out, peek down at
the index in a very obvious way, and announce, There it is, your
card! Photo 3. Push the card back into your pocket and look up
as if to expect a round of applause. You will get called on this,
and it is during this moment that you palm the selection from the
top of the deck and, feigning upset that anyone would doubt your
selection. Bury it in the deck and offer to repeat the effect. Since
the selection is already in the pocket, you can milk the production
for all you are worth!
I heard an apocryphal story about how Dai Vernon handled the
reload of the selection, but I dont know of an official source. Once
the selection had been produced, he said that he would explain
how it got there; he moved the card up his left arm, across his
chest, down his right side, and placed it into his pocket, where it
was switched. I must confess Ive never used this handling, preferring to load on the offbeat, but you might like to give it a try.
Plan B
If you havent loaded a card in advance, there is an alternative
that uses Gordons load straight off. Its not as elegant, but it does
serve the purpose. The idea is to load the card using attention
management, and theres no room for subtlety! The method I used
was this: I would describe the path of the card, ending with, And
it lands in your handbag, while pointing to a woman on my right.
I would then pause as if expecting her to look. After a short while,
aided by a raised eyebrow or two, she would look, and the whole
audience would turn to see. At this point I would load the card
into my pocket. Just as she looked I would exclaim, But it doesnt
stop there, and produce the card from my pocket. I have no idea
where I learned that presentation, but Im fairly sure its been done
that way for years.
There is an interesting story that goes with this. Years ago I
was preparing a Fringe show and I had some layperson help from
my friend Stuart. He knew this method for the card to pocket, and
saw the show a couple of times. On the third show I changed to
using the Carlyle method, and when I produced the card without
having gone to the pocket before, there was a collective Ooh
from the audience and a very loud Eh? from Stuart...
36 M-U-M Magazine
Photo 4
Cards to Wherever
Photo 5
Oh, there it is, so Ill take it out with my left hand. Id better hold
my jacket out to make it easier to get in.
Following the lead of that script, heres what happens. As you
look to your right chest, your left hand begins to move up towards
your jacket. Your right fingers curl over the front edge of the deck,
and as the right hand moves to hold your jacket open the thumb
lifts up the rear corner of the deck to separate the bottom card.
(This is the start of the Kelly-Ovette bottom placement, see Photo
4.) The selection is hooked behind the edge of the jacket as it is
held open, a few inches below the level of the inner pocket. Photo
5 shows an exposed view of this. Your left hand enters the jacket
horizontally, but as soon as it passes the wrist, it bends down and
the fingertips extend as far as you can to pinch the card, taking it
from the right fingers. The motion of the left hand is reversed, and
the card is removed from the jacket, several inches away from the
deck in the right hand (Photo 6).
Wallet Tales
Photo 6
Final Thoughts
invented a masterpiece until I showed it to Roy Walton, who
simply said, Ah yes, Marlo. Foiled again.
Start by controlling the selection to the bottom of the deck. The
deck is held in an overhand grip in the right hand. Your internal
script goes a little like this: The card is in my right jacket pocket.
AUGUST 2011 37
i left my
cards at
Louie Foxx
Earlier this year, I was looking
around on the Internet for a bullwhip
that I needed for a western routine I was
working on. I came across bullwhips.org;
not only did the whips look nice, but the
maker of these whips seemed interesting
as well. I sent an email describing what I
wanted and then gave a call to the whip
maker, Louie Foxx.
To my surprise, one of the first things
Louie said to me was, Are you the same
Steve Marshall who writes for the M-U-M
magazine? This delighted me; I was
happy to find out that he is a magician,
hes a member of the S.A.M., and he reads
this column!
I have to say that after talking more
with Louie the term magician is a
little constricting for him, since he is
really a variety artist in the true sense
of the word; he uses not only magic, but
also juggling, shadowgraphy, silhouette
cutting, whip cracking, comedy and, well,
just about whatever it takes to entertain
his audiences.
He was born Isaac Louie, and still uses
this name when publishing his material,
such as his September 2008 and April
2011 Linking Ring parades. He grew up
in Seattle, Washington, and by the time
he was fourteen years old he was street
performing at Seattles famous Pike Place
Market, where he worked on a homemade
38 M-U-M Magazine
HOME
by
steve
marshall
Facebook
Prediction
By Louie Foxx
Effect: You have eight objects on
the table and a prediction on the back of
your business card. With the help from
someone in the audience you narrow
down the eight items to one (for this
example, lets say its a watch). You turn
over your business card to show a barcode
and you do the classic gag invented
by Fumio Inagaki of Japan as you say,
Thats the barcode for a watch.
The barcode is then scanned by
someone in the audience with a Smartphone and it takes him to your Facebook
fan page where your most recent update
is: You will pick the watch. Of course,
Steves Stuff
PHOTO 1
AUGUST 2011 39
football across the street from his house. The dinner bell rang
and he went home. His dad told him that his mom went for
a walk with a friend. They ate dinner, hung out, and played
chess for a while. The next morning, when Jon went to baseball
camp, his dad told him that his mom had gone to the sports
club to swim. That afternoon, friends of the family arrived at
the baseball camp and told Jon that there had been an accident
and he needed to go with them to the police station. He arrived
at the police station, but they wouldnt tell him what happened.
An officer who knew him through the DARE program at his
school asked them to let him be the one who broke the news.
When he arrived, he told Jon that his mom and dad had had
an argument, he pushed her down the stairs, and she died. His
dad was being held in jail for questioning. His father pleaded
temporary insanity and eventually was convicted of seconddegree murder and sentenced to thirteen and a half years in
prison.
After his fathers trial, Jon and his sister moved in with
Kathy and Don Robson, who became their temporary foster
parents. His brother was eighteen and chose not to go with them.
Jon and his sister were sent to therapy. The therapist decided to
use experiential therapy and confront the entire situation head
Jon had a chance to work them out. He made Jon work for the
secrets. More important, Jon picked up on Kens style of performance and learned at a very early age that magic was just
a vehicle for communicating with people. This is the hallmark
of Jons performing style to this day. Thats not to say he didnt
have other influences. Like many other budding magicians, he
would videotape magicians on TV and try to emulate them. He
was uncomfortable speaking on stage, so he worked to music.
When he was thirteen, he performed Kevin Jamess Floating
Rose in a school show. He was initially perplexed when there
was no reaction at the end of the routine. He didnt realize the
audience was just stunned by what they had seen. A few seconds
later they burst into thunderous applause. That encouraged him
to work on another routine for the next year. He virtually copied
Lance Burtons Candle routine. He got a great reaction, but Ken
told him that he couldnt keep doing other peoples material or
he wouldnt grow as a performer. He had to come up with his
own routines.
Jon got the message and began creating talking routines
for stand-up performances. At the same time, he started
doing strolling magic for an agency that Ken referred him to.
Although he was only fifteen, he was a big kid and could easily
pass for eighteen or nineteen. He did magic for corporate clients
as well as private parties. One of the things that helped him get
referrals was that he might be hired for one hour, but hed stay
for three hours. All of this performing brought him to the realization that you can never mess up. The audience doesnt know
what ultimately is supposed to happen. Its all about having fun
with your magic and making people love it. As his mentor told
him, Dont become what you do; be who you are. Ken Sands
owns a magic shop in Orange County and has continued to be
Jons biggest influence in magic and one of the biggest influences in his life.
While living in Seattle, and during all of this involvement
with magic, Jon was even more involved with sports, playing
soccer, basketball, and baseball. He particularly excelled in
AUGUST 2011 41
42 M-U-M Magazine
over potential draft picks. Jon had a slight problem. He had had
surgery when he was a kid, and scar tissue continued to form in
his groin area. He started feeling pain. He actually had a double
hernia, but due to the scar tissue, it was misdiagnosed. On Pro
Day, he could barely move. He had been injecting the tendons
in his groin with cortisone, but it wasnt healing the injury. He
got two more cortisone injections before his schools Pro Day.
Although he was unable to even jog, Jon passed the lifting test
with ease, bench-pressing 225 pounds twenty times. But it was
the forty-yard dash that he was dreading. As Jon lined up to
run, the head scout yelled out, Jon, you are not fast, nor will
you make it in this league because of your speed. All the scouts
want is to see you snap. By some miracle he didnt have to
run for the scouts. The Buffalo Bills signed Jon as a free agent
in 2003. When asked what his second favorite magic trick is,
Jon replies, Making it all the way to the NFL and never being
timed in the forty-yard dash, the signature test of all players.
He reported to Buffalo on the assigned day and checked
into the hotel room they had reserved for him. Within a few
minutes, he got a phone call from Jim Kelly, the former Bills
quarterback, now a Hall of Famer. Kelly introduced himself and
told Jon that he had heard of his reputation as a magician. He
explained that he was hosting a charity event the next day and
asked if Jon would come out and do some strolling magic. Jon
nearly jumped out of his skin at the opportunity. The next day
he was picked up at his hotel by a limousine. Kelly got out and
told him how stoked he was to meet him. When he got in, he
saw that the other occupants were Dan Marino, Joe Montana,
Drew Bledsoe, Bruce Smith, and Thurman Thomas. One of
them said, The Magic Man is here. The party starts now! Jon
thought he had died and gone to heaven. He was a hit; since that
function, he has been on the A-list of requested guests at many
other such functions.
During the draft, Sports Illustrated asked St. Louis Rams
coach Bobby April for his opinion of Jon. April said he
reminded him of their own snapper and made some suggestions of things Jon should work on. Coach April later joined the
Buffalo Bills and coached Jon his second season in the NFL. He
really learned the position as he went along. Even so, Jon feels
he struggled for two years at Buffalo, partly because he never
felt so cold in his life. During this time, he did get to hang out
with several prominent local magicians like Vic Trabucco, Dan
Block, Mike Gallo, and Paul Richards. He also met a man who
would change the rest of his life, a motivational speaker named
Kevin Elko.
Elko heard about Jon and his way with people. He approached him in the Bills weight room and offered him $500
to talk for ten minutes at an engagement for a group of bankers
that was happening at the facility forty-five minutes later. He
asked him to tell his story and do one trick. When he finished
he got a tremendous hand. Elko told him that he was in the
wrong business and offered to groom him to become a speaker.
When Jon received nearly a hundred letters from those bankers
thanking him for telling them his story, he realized that Elko
might be right. The trick he did that day was Timothy Wenks
Misled, the pencil through bill effect that he saw David Copperfield perform on TV when he was a kid. Since then, he has
performed that piece in every talk he has given. Elko groomed
him to become an accomplished speaker and continues to work
with him.
Jon was released by Buffalo after two years. He considered
leaving football, and went back to California. He talked with
some friends, who convinced him that he should go into the
film industry with them. He was about to do that when he got
a call from his agent; the Tennessee Titans long snapper was
injured. At this time, Jon had missed half of the 2005 season.
Could he get on a plane and be ready to play on Sunday? He
caught a jet late that night. The first he saw of his teammates
was in the locker room that Sunday. He also met Jeff Fisher, the
head coach, whom he immediately took a liking to. He loved
playing for Fisher. He also loved the ambiance of the town.
Music stars Rascal Flatts and Dierks Bentley became friends,
and he became more involved with Garth Brookss Teammates
for Kids Foundation. Garth said Jon is one of, if not the best,
card magician hes ever seen. Anytime Jon meets up with
Rascal Flatts the first thing they want is a trick.
The Titans released Jon after the 05 season. He didnt get
picked up by another team, so Jon spent more time speaking to
companies and performing at charity events. Eight weeks into
the 2006 season he got another call from the Titans. The same
snapper got injured again. He flew in and played with the team
for two weeks, but was released when the snapper returned.
He then got a call from the Philadelphia Eagles. Their snapper,
Mike Bartram, broke his neck. One of Jons old coaches had
given Eagles head coach Andy Reid a big break early in his
career. When he heard about Bartram, he called Reid and told
him Jon Dorenbos was his man. Jon had to compete against two
other players for the position, but his old coachs recommenda-
tion gave Jon the edge. He got the job and has been playing in
Philly since 2006. He made the Pro Bowl in 2010 and the Eagles
hired Bobby April before the 2011 season, reuniting the two
once again.
It wasnt long after Jons arrival in Philly that he met
S.A.M. PNP Mike Miller (who has a passing interest in sports)
at a sports show. They really hit it off and have become great
friends. Through Mike, Jon has gotten together with a number
of other local magicians and occasionally attends local conventions and events as his schedule allows. He has also spent time
with another Philly sports figure, Pat Croce, former owner of
the Philadelphia 76ers. Pat is a major magic enthusiast, Houdini
collector, entrepreneur, and motivational speaker. One of Jons
favorite memories is sitting in Houdinis desk chair, reading
Houdinis personal scrapbook at Pats house.
In all of his time in the NFL, Jon constantly did magic in the
locker rooms and hotel lobbies wherever he went. He became
known as The Magic Man of the NFL. His magical exploits
have been featured on a number of sports related TV shows,
and he is very popular among his own teams players as well as
visiting opponents. He became a regular on a show called Inside
the Eagles. On this show he interacts with players in the locker
room, talking, doing magic, or playing locker room baseball
and golf. They even visited The Magic Castle on one episode.
Jon won the Mid-Atlantic Emmy for hosting.
Jon has continued to be very involved with a number of
charities. He participates in Garth Brookss Teammates for
Kids annual event, The Moyer Foundation, and David Akerss
Kicks for Kids. David Akers is the placekicker for the Eagles;
he started a charity focused on children, after his own daughter
needed extensive surgery at Childrens Hospital of Philadelphia. Teaming up with Mike Miller, they organized a fundraising event, An Evening of Comedy and Magic, to benefit this
worthy organization. For the last two years, these have been
mounted in major performance venues in the city and have
featured performers like Michael Finney, Stephen Bargatze,
Bob Sheets, John Cassidy, Denny Haney, and others.
Jon said that meeting his wife, Julie, is the best thing that
ever happened to him. Their meeting came as a result of his
relationship with Kevin Elko. Elko booked him to speak at a
corporate function for ING. Julie was in the crowd; afterward
she told her mother what a great speaker he was. Her mother
encouraged her to contact Jon via email. She did and he replied
quickly. He asked her if she was spontaneous; she said yes. He
AUGUST 2011 43
asked her to dinner. She said yes. Then Jon explained that he
was in California. She still said yes, but not yet. They emailed
back and forth, and then started talking on the phone, frequently, and for long periods of time. Finally, they started dating and
yes, Julie did fly to California to have dinner with Jon. Julie has
a degree in finance and is currently forming her own company.
Having met Julie on a few occasions, I can tell you that she and
Jon are ideally suited for each other. They married last year and
currently split their time between residences in California and
Philadelphia. Jon travels to California frequently; he is working
with a major television production firm developing new shows.
So what kind of magic does Jon perform today? He performs
on the corporate circuit and at charity events; he performs
strolling magic and stand-up magic. When you see Jon perform,
you will see a high energy individual who gets people involved
and excited about magic. He is instantly likeable and bigger
than life, but very friendly. He doesnt set himself out to be the
performer, but more of the kind of guy you just want to hang
out and have a beer with. He can just as easily relate to a roomful
of CEOs or to a street gang. Jon says that he never wanted magic
to be a fulltime job. He sees magic as a way to develop relationships with people, either individually or in crowds. He usually
doesnt put messages into his effects, but uses magic to grab the
attention of audiences. It evens the playing field and makes him
approachable. It is this approachability that makes people take
what he says to heart. Jon has always viewed magic as an outlet;
he sees magic as being symbolic of life.
His close-up work is focused on card magic that is very
direct. He has excellent technical skills and is really in the
moment when he performs. He incorporates a lot of jazzing
in his work, taking advantage of situations as they arise. He
learned several techniques to get out of any situation. These
tools include a very good second deal, a side steal, and a top
change. The only gaffed deck he has ever used is an Invisible
Deck. He prefers to do magic with a normal deck of cards so
he can perform any of his effects anytime, with anyones deck.
However, the magic is really secondary, because he prefers to
44 M-U-M Magazine
AUGUST 2011 45
over
How
Do I Handle
Hecklers?
You cant please all of the people all of the time, and last night
all those people were at my show. Mitch Hedberg
Being young makes you more susceptible to hecklers.
Obnoxious people are less intimidated by a young magician
because they cant separate your skill level from your age.
Shes young and shes doing magic; she cant be very
good.
But when a magician asks me how I handle hecklers, my
first reaction is to tell that magician that its not the right
question. Even as a young magician, if people are interrupting the flow of your show on a regular basis, it is likely due to
something you are doing. Lets see if we can pinpoint some
donts to help eliminate those pesky hecklers.
Dont be rude to your audience or perform tricks where
you challenge spectators. Comments like Youre not paying
attention, or Wrong, the ball is under this cup, or See if you
can catch me on this one, are lines I hope will die out with the
old magicians who use them.
Dont perform in situations where your audience doesnt
want to see you. If someone asks to see an effect over dinner
but its clear that everyone else at the table couldnt care less,
then save the trick for another time.
Dont encourage negative feedback. Hecklers feed on
the attention you give them, so dont give them any.
46 M-U-M Magazine
by Joshua Jay
dont do it!
I even discovered certain words that affected the impact
of my magic. Particularly with kids, there are certain words
that suggest a harsh or negative emotion; they arent bad
words but they sound bad. Even if youre describing a prop
or action, you should substitute stupid, dumb, and ugly
for words like silly or crazy.
Im not suggesting you dont tell dirty jokes or use fourletter words it wasnt so long ago that I was fifteen years
old. But I am suggesting you reserve that material for the
locker room, and keep it clean onstage.
Egos?
Magic is about managing egos yours, your audiences
and how both your ego and your audiences egos are
affected by your magic. Im not speaking exclusively about
your getting a big head (though lets not go that route). Im
talking about the larger problem that results from being
young and good, which is this: people will project a big ego
onto you.
Whether from a group of jealous friends or older
magicians, the very sight of you doing magic (and doing it
artfully) at a young age is threatening to sensitive egos. And
since magic requires more than a little self-confidence in
both the way you present your effects and yourself, this is
easily misinterpreted as cocky.
What can we do to curb this bitter jealousy? Not much.
The only ego you have control over is your own. So, be extra
polite during your shows, dont show off, and stay far away
from material that challenges the audience.
Youll still hear things and get the occasional hostile
comment, but heres a secret you can take comfort in: all
that jealousy is about how good you are. Its a compliment in
disguise! Just dont let that go to your head.
David Oliver on
Watching Magic Shows
Never sit in an audience shuffling, or practicing with a
deck of cards (or any other prop). And dont whisper during
the show to explain your thoughts on methods, routining,
etc. Talk after the show or at home where theres no chance of
non-magicians hearing you and learning any magic secrets.
Also, dont forget to act just like every other audience
member. Dont take notes during a performance and definitely applaud, laugh, and smile. Never try to force the
magician to pick you as a volunteer over a non-magician
Are there
organizations
that can help?
My Child Wants to Go
to a Magic Convention.
Should I Let Him
Miss School?
Thats your call, but my parents allowed me. My grades were
good and I was serious about magic; other kids missed school
for their interests (sports tournaments, family vacations), and by
comparison a magic convention doesnt seem so unreasonable.
Magic conventions are clinics on magic, where your child
will see, learn, compete, and buy magic. But conventions are
also social affairs, and he or she is sure to make friends and get
priceless hands-on instruction. If your child is under eighteen,
plan to go with him; if he is under fourteen, plan to attend all
Would My Child
Like Magic Camp?
AUGUST 2011 47
UNDER OVER
Summer Safari.
This camp was formed ten years ago, long after I was eligible
to attend as a camper. However, I was invited to be the guest of
honor in 2002 and I have returned several times in subsequent
years. I have a good feel for this camp, as well.
This camp is set two and a half hours north of Toronto,
Ontario, Canada, at Camp White Pines (where they filmed
Meatballs). The venue is an actual campground, complete with
forest, cabins, and a private lake; the scenery is beautiful.
The feel of this camp is much more traditional. In addition
to magic courses, electives, tutorials, and shows, Sorcerers
Summer Safari offers campers free time for swimming, hiking,
playing volleyball or basketball, or jumping on the trampoline.
The instructors at this camp are particularly good with
children and provide excellent teaching for both the beginner
and advanced student.
The instructor to camper ratio here is best, and many campers
graduate into a Counselor in Training program, returning the
following year as staff. Throughout the week, each camper
receives lots of personal instruction and help. The electives
are more specific here, offering workshops on individual tricks
like Zombie or Linking Rings (I taught one on Ambitious Card).
Star power at Sorcerers Safari is also strong: last year two of the
biggest names in magic headlined.
The sense of community is strong at this camp, and
founders Mike and Jen Segal also offer a spring break reunion.
They have an email list that provides year-round pictures
and updates.
48 M-U-M Magazine
By Joshua Jay
AUGUST 2011 49
agic clubs have come and gone, but not many have
endured year after year. The Houdini Club of Wisconsin
will be celebrating its seventy-third annual convention this year
in Green Bay, Wisconsin, on Labor Day weekend, September
2-4, 2011. Its a convention that, throughout the years, has
attracted many of the greatest magicians of our time.
The beginnings of the club can be traced back to 1915 and
Oshkosh. For many years, magicians in Wisconsin had talked
about organizing a statewide club dedicated to magic. Five
magicians started the Houdini Club, named to honor that great
native son of Wisconsin, Harry Houdini. The name Houdini
Club is not original, because many other towns, including
Minneapolis, Philadelphia, and others cities, also had that
name. The Wisconsin meetings were informal, and the membership small. The club flourished for several years, but soon
fell to the wayside. In 1928, two magicians tried to resurrect
the group, but this club also fizzled within a few years from
lack of interest and support.
Ben Bergor
50 M-U-M Magazine
AUGUST 2011 51
Lucille Pierce
and the Sorcerers
Apprentices
By Tom Ewing
52 M-U-M Magazine
cut with both hands at the same time. During World War II she
performed for wounded soldiers in area hospitals. She was an
accomplished artist and puppeteer and designed outfits for her
characters. Lucille also appeared frequently on the local annual
I.B.M. and S.A.M. stage shows and throughout the 1940s served
as secretary of both local chapters.
In September 1944, Saxon appeared at the annual Abbotts
Get-Together. The Sphinx carried a review of the show and
featured a photo of Saxon on stage. Always with a sense
of humor, she used to advertise herself by distributing a
promotional
giveaway in the
form of a small
manual
titled,
What Men Know
about
Women.
Upon opening it,
the reader discovered it was filled
with blank pages.
She also married
a local magician
named Rudy Saxon
who, in addition to
doing regular magic
and ambidextrous
writing on a large
chalk board, went
on to become one of
the nations leading
mentalists in the
Jim Killip
1950s and 1960s.
Saxon had also been
an assistant on the Blackstone Sr. show during the same time
Lucille was on the show. She also kept in frequent touch with
her children, especially her youngest, Judy, to whom she sent
detailed letters emblazoned with hand-drawn fairies and princesses and fanciful artwork. Judy still treasures a sketch book of
doll clothing designs her mother drew.
Although she left Holdens in 1945, Lucille continued to
operate her Sorcerers Apprentices group; the April 1946 Linking
Ring mentions that she and her boys attended the third annual
picnic of the Allentown Society of Magicians/Ring 32 at Dorney
Park.
Eventually Lucille left Philadelphia and returned to Corning,
New York, where she became increasingly ill. A lifetime smoker,
she succumbed to lung cancer and died on November 10, 1948.
Magic publications of the time carried her obituary and mourned
the loss of a talented magician and mentor.
Today, the care and development of young magicians in the
Philadelphia area lies with Arlen Solomon and the leaders of Bob
Little S.Y.M. Assembly 96. Begun in November 1991, the club
currently boasts twenty-five members and over the years has introduced magic to more than 150 youngsters and their parents.
They have also been assisted by members of Assembly 4, who
have generously volunteered, lectured, and donated magazines,
books, andpropsfor these budding magicians.
Although few of Lucilles students remain today, those who
do recall a warm and wonderful woman who cared deeply for
both the young magicians she trained and the art of magic. At
a time when magic clubs were exclusive, hers was inclusive.
No doubt, when she looked in the bright eyes of her students,
she saw the future of magic. So do we today at every S.Y.M.
meeting.
AUGUST 2011 53
James shares an entertaining tale from the performing lives of professional magicians.
These stories illustrate various tricky situations that working pros have found
themselves in and how they handled them.
54 M-U-M Magazine
this case, he had brought a cape for each child. After the
show ended, the kids scrambled into their Turley wear. The
father, too, insisted on his own gear, donning the top hat and
glasses and posing for pictures along with the kids and the
magician. Turley had also brought along copies of Woodrow
the White House Mouse, a childrens book that features a
character based on him
performing at a White
House party.
None of the people in
the room were familiar
to Turley. Nothing about
the circumstances or the
faces rang a bell. What
he did know was that
his audience enjoyed
the show thoroughly
and had a fun afternoon.
Mission accomplished.
When he arrived
back home, Turleys
wife
Makiko
was
naturally curious about
the mystery guests. So
who were they? she
asked.
Turley in Woodrow the White
Well, I dont know,
House Mouse
said Turley. He recalled
the scene. There were
six kids. They looked like they came from all over the
world. There were two Asian boys, a little girl who looked
Ethiopian, a little Caucasian girl, and two babies. The dad
had a goatee. And there was a dark-haired woman taking
pictures.
Makiko was incredulous. That was Brad Pitt and
Angelina Jolie!
The next time Turley was in a grocery store, a quick
glance at the magazine display confirmed that the large and
diverse family he had met was the globe-trotting Jolie-Pitt
clan.
Of course, the Jolie-Pitts couldnt know that Turley had
no idea who they were, but it must have been refreshing to
be around someone who treated them as though they were
ordinary parents, who did not act obsequious or obnoxious
or star struck. In what surely must have been a first for the
family, Turley performed his entire act and left the hotel
without any evidence of his time with Brad and Angelina
not one photo, not one autograph, no endorsements or references.
His brush with celebrity superstardom hasnt changed
Turley. His intellectual and spiritual pursuits continue.
He is currently reading the works of Thomas Merton, a
Trappist monk known for his ruminations on social justice
and pacifism. Although he prides himself in not following
the herd and is proud of the fact that he didnt recognize
Brangelina, Turley does now make a point of perusing
tabloids in the checkout line just to keep up.
Do you have an interesting story for the Pro Files? Send me
an email at james@jamesmunton.com.
AUGUST 2011 55
Mesmers Pencil
In Theater of the Mind, I presented an effect in which a woman
could not lift an ordinary wooden pencil (Pencil Pusher, p. 71).
This was a demonstration not of hypnosis but of the power of suggestion. Over the past decade, this effect has been presented by
notable mentalists in North America and in Europe. I have added
two additional phases to this routine, either of which can be done
alone or in combination. I have also changed the script and, lastly,
I have given more specific details on how to tie the threads.
This is one of those rare pieces that can be done for a single
person or on stage in a large theater. There is no preparation, and
all that is required is a sharp pencil, a small invisible gimmick,
a cooperative helper and a significant amount of stage management. It is imperative that the performer establish a friendly yet
authoritative relationship. There should be the feeling that this is
an experiment in which failure is a possibility and that success
is largely dependent on the special abilities of the volunteer. The
volunteers reactions are what make the demonstration so believable, and this requires guidance and frequent public affirmation
of the helpers success.
56 M-U-M Magazine
Phase II
Carol, you are doing a wonderful job. Would you like to try
another experiment?
She nods affirmatively.
Please ignore the audience. Forget they are here. Follow my
instructions and concentrate on the images I will give you in a
moment.
The performer places the pencil on his open left hand, with the
eraser pointing to his right. Carol is standing at his right.
With your left hand, grip the pencil between your thumb and
first finger. Good! Now relax and shut your eyes.
Relax. Listen to my instructions. Carol, I want you to be successful. Use your immense creativity to imagine the pencil you
are gripping is not a pencil. Imagine it is a metal bar. The metal is
Phase III
Lets try the most difficult test.
Saying this, the performer removes a small envelope from his
breast pocket. He opens it and removes a three-inch feather. He
blows on it.
He once more places the pencil on his open left hand.
Carol, forget the audience. Concentrate on my instructions.
This feather will gain weight when I put it on my palm. It will
weigh thirty pounds. You must create this image.
The feather is placed across the center of the pencil.
Carol, this time you will use both hands, but the feather will
be dense and so heavy it virtually locks the pencil down. You will
not be able to lift the pencil.
Now grasp the pencil with the thumb and first finger of your
left hand, near one end, and grasp the other end in the same way
with your right hand.
Thats perfect. Now close your eyes.
Use your immense imagination. Direct your mind to making
the pencil immovable. Try, gently, to lift the pencil. Now try
harder.
Her face shows a mixture of astonishment and self-congratulation.
Open your eyes.
She shakes her head in wonderment.
Relax your grip. The feather is now as light as a...as a feather.
Gently lift the feather with your right hand and blow on it.
Now, with your left hand, lift the pencil into the air and take a
bow.
She does, and the audience applauds.
Mesmer would want you as a patient, and just as Dr. Mesmer
did, I invite you to keep the feather and the pencil as reminders of
the invisible forces in the universe and most important in you.
Method:
Phase I The Rise
The solution to this perplexing demonstration is a hidden loop
of invisible thread on the first joint of your left middle finger.
AUGUST 2011 57
58 M-U-M Magazine
Symbologic Revisited
This routine is one in which the participant is successful in
intuiting the colors of unseen objects. The experiment is done
first with three choices and then repeated with five. The second
matching is the more dramatic and, if desired, can be performed
without doing the first phase.
Effect and Presentation: The performer opens a small purse
and dumps ten quarters from it onto the table. There are round
stickers on the tails sides of all ten coins. These stickers are
colored to make two corresponding sets of coins, each set consisting of a red, a white, a blue, a green and a yellow coin.
Marked coins like these are used in statistics courses to demonstrate how most of us incorrectly estimate the probability of
events. Let me show you an experiment. The performer pushes
three of the coins to a woman sitting opposite. Assume they are
red, white and blue. He picks up the three matching coins and
hides them from view in his left hand. He next removes one and
places it colored-side down on the table, so that no one can discern
the color.
Your job is to use your intuition and try to guess the color
on this coin. Simply push one of yours forward to declare your
choice.
The woman pushes one across the table; say, the white one.
The performer sets it, colored-side down, on top of his quarter.
This procedure is repeated twice, accompanied by some
urging that the woman follow her intuition as she tries to match
the unknown color of each of his coins with one of hers.
The three pairs of coins are neatly stacked, each on the last,
and conviction.
Initially, I marked the faces of the coins, so that all of them
could be placed colored-sides down during the pairing phases.
This, though, often created difficulties caused by my poor vision
and circumstances of lighting. Ive found that leaving the helpers
coins colored-sides up does not weaken the effect. In fact, it has
the advantage of stimulating the onlookers interest. In addition,
the correct sequence of the selected colors is noted by close
observers. And as the coins are unmarked, there is nothing suspicious to find.
The basis of the method is an expanded quarter shell, head side
intact, and the ancient one-behind strategy.
AUGUST 2011 59
will have to do this twice if none of the three pairs match. The
third pair always matches, once any necessary adjustments have
been carried out with the first and second pairs, so these last two
coins are simply set down.
If this explanation seems complicated, please go through the
procedure two or three times and you will discover how easy it is.
All that is required of you is that you do the glide whenever you
think, No Match.
60 M-U-M Magazine
palm before it can fall, or simply curl the fingers loosely, letting
the shell rest on their tips.
You are now ready for a dramatic revelation, after which everything can be examined.
The Magician August/September 2006
INFORMED OPINION
Latest Product Reviews
Compiled and Edited by W. S. Duncan
AUGUST 2011 61
62 M-U-M Magazine
At this point in the DVD, we have not yet reached the half way
mark! The marathon continues with Gun Slinger. Jim draws a
cowboy on the back of a spectators card. The card is bent vertically and placed on the card box so that it is standing up. Jim
makes a gun shape with his hand and pretends to fire the weapon
at the outlaw. The card falls over as a loud bang sound is heard
and a hole is now found through the card. This routine has a nice
Wild West theme. The appearing hole in the card is a nice touch
to round out this routine.
Breaking away from card magic, Jim borrows a bill, folds it
into a small packet, waves a hole-puncher around the bill, and
when the bill is unfolded, many punched out pieces fall to the
table; the bill is now seen to have the words Happy B-day
punched in it. The bill is handed back as a souvenir. This is definitely something different from your standard effects with money
and is my favorite item on the DVD.
We are next treated to a classic Ring and String routine using
a borrowed ring and a leather lace. There is nothing new here, but
it is a nice routine. Continuing with the classics, Jim performs a
Coins Across routine using five coins and a glass. Jim concludes
the routine with the production of two large coins and one jumbo
coin. Again, there is nothing new here, but it is a well-routined
version of a classic of magic.
As I was watching Jim perform the next routine, Fire Ball, I
could not help thinking I had seen this before. A piece of tissue
paper is torn into four pieces and rolled into a ball. The ball is
pierced with a large needle and held over the flame from a lighter.
The paper busts into a flash of fire. As the fire subsides, the ball of
paper remains in a ball. The paper ball is removed from the large
needle and opened up. The paper is found to be restored to one
single piece. I remember this effect, in a smaller scale, as John
Bannons trick Shriek of the Mutilated. During the explanation
of the effect, Jim credits John Bannon. Jim has a slight variation
of the handling that is designed for the larger tissue paper. This is
very visual magic. I loved the effect when I first read about it from
Bannon and I really like how Jim has made this effect play bigger.
Jim presents another quick effect called New Age Spellbound.
This routine uses a small black stone that is turned into a diamond
(clear stone) and back to a black stone several times. This one is
really quick and is great for walk-around magic. In Mathamagic a
spectator selects a small block of cards and is asked to count them
in a special manner. Before the spectator finishes counting the
cards, Jim has the spectator guess how many cards he has. In this
case, the spectator guesses eighteen and Jim guesses twenty-one.
The spectator continues counting and finds that he has eleven.
The cards are handed to a second spectator to count the cards;
he counts fifteen. The cards are handed to a third spectator for
counting and he gets twenty-one cards. The first count is a little
fishy but the second and third counting sequence is very straightforward. Jims inspiration for the routine comes from a Paul
Harris effect. This is a very different effect with a pack of cards.
There are twenty-three effects, routines, and bits of business
covered on this DVD. For the most part, the sleights needed to
perform the material are not very difficult and the material can
be performed by the beginning-to-intermediate performer. Jim is
obviously a veteran and everything is well thought out and honed
through many hours of performance in front of live audiences.
He is a very good teacher of the routines presented. For the
most part, there is nothing new here, but there is a lot of
very solid magic and a couple of gems that are great for the
working professional or the casual performer. Boost your
close-up magic repertoire with a dose of twenty-three
effects for only $34.95.
AUGUST 2011 63
featured, or if you are a fan of Dan Harlan, you are sure to enjoy
The Minotaur Final Issue DVDs. If you arent familiar with the
Minotaur, the product is worth the money; the discs offer fine
examples of the type of material that was featured within its many
pages. You may even be inspired to try to track down the back
issues. As happy as I am that the Minotaur has been put to bed,
Im bummed that Ill have to figure out something else to yell at
Marv the next time I see him.
halves in the right hand and two quarters in the left. After the first
transposition, you have one of each in each hand. At the end, you
have quarters in the right hand and halves in the left hand. Its
dead simple, but you end dirty. Pairing it with the Tenkai Pennies
allows you to dump the something extra when you put away the
halves to make things simpler for the audience to follow.
Combined, the two effects create a nice mini-act with coins
that can be performed with quarters and penniesnothing more
than pocket change. How many twenty dollar investments will
give you a solid multi-phase routine that you can perform anytime
you can break a dollar at the corner store? More than worth the
money and the time invested.
64 M-U-M Magazine
Rizer DVD
By B. Smith and Eric Ross
The trick explained on Shoot Ogawas Laws of Attraction is an interesting example of how an effect can be widely
open to interpretation. When I first saw the DVD box copy that
discussed how Shoots technique will allow you to magnetize
AUGUST 2011 65
66 M-U-M Magazine
offer a cleaner vanish, and after theyre really convinced the card
has disappeared, while youre directing attention to their shoe or
wherever, a standard card fold would take care of the rest. Strong
misdirection might seem boring from a mechanical standpoint,
but theres no denying how well it works.
While V2F 2.0 might have its problems as a vanish, it makes
for a very effective appearance of a card, an idea offered here as
V2Ambitious, an ending for an Ambitious Card routine. This idea
has some very clever extra thinking involved, and is arguably the
real use for the move. The other routines offered are good but
unremarkable, because once youve got the card folded, whether
or not you load the card in a shoe or a wallet or a ham sandwich is
almost academic. Gs Card under Wallet routine is a good one, but
again unremarkable given all the really strong card-under-the-box
routines already in print.
Despite all my reservations about the technique, the audience
footage shows some very satisfying reactions to the V2F 2.0 used
as a vanish. And again, done well its very pretty. If youre a card
nut into color changes, its worth playing around with. Im not
convinced its worth $30, though.
fans of peek wallets (you know who you are), or for someone
looking for an entre into the fascinating world of mentalism.
AUGUST 2011 67
68 M-U-M Magazine
but can be quickly read by the performer. The look of the cards is
a wonderful departure from playing cards, and the stock is thick
and deliberately lacks the air cushion finish of standard playing
card decks. The cards are cased in a white cardboard box with the
PLF testing cards phrase and a very official company logo. This
box is packaged inside of a plastic box of its own, which can be
used separately or in conjunction with the cardboard container.
The packaging reminded me of testing kits that I have seen being
used by psychologists who test children.
PLF has even gone to the effort of creating a Web site for
their imaginary testing company. This means that if a spectator
Googles the name on the back of the cards, they will be taken to
an official-looking Web site that will further confirm the cards as
scientific tools. Mentalism and magic literature has produced a
wealth of effects that can be effectively exploited with these cards.
A book is included with the PLF ESP Collection set and is also
sold separately for $35. In addition to several strong effects, the
book contains the necessary psychology and vocabulary needed
to portray the effects as experiments and not tricks. It is well
written, clearly illustrated, and required reading for those who
want to ratchet up their believability. I recommend you buy the set
and an extra deck while they are available. And sshhh... remember
to keep the secret.
if theyd like to see a trick. Even though you could be the greatest
entertainer in the world, you can all too easily end up looking like
their weird Uncle Charlie who foists unwanted card tricks upon
them at holiday gatherings. Deserved or not, there is a certain
social stigma associated with the purveyors of card tricks.
There are of course, as there always are, dissenters to this
theory. The loudest of these are, of course, the weird Uncle Charlie
types who enjoy inflicting
the latest card trick theyve
extracted from the periodicals on the unsuspecting.
But other voices that can
be heard in the cacophony
of protest: those magicians
who only have card tricks
in their repertoire. This
puts them into a bit of a
quandary. If one shouldnt
open with a card trick, but
the only tricks you know
how to do are with cards,
then what is one to do?
There is a simple way to
reconcile Docs advice with
the all cards repertoire. Make the first trick you do a vehicle
to produce the deck of cards you are going to use for your performance. There have, over the years, been many novel ways to
accomplish this feat. One of the more interesting ways was found
in an early Paul Harris book. It was called Dehydrated Deck.
The basic effect was to magically remove a deck of cards from a
previously folded-up card box. More recently, David Regal came
up with Sudden Deck. This involved producing a deck of cards
from a previously shown empty and dismantled card case. This
had the advantage of being a lot easier to do than Dehydrated
Deck, because no difficult sleight of hand was required. But it
had the weaknesses of not being examinable (you could hand out
the folded up Dehydrated Deck at the beginning of the effect) and
containing a topological incongruity at one point of the routine:
the box is shown to have an extra, third side during one of the
displays.
Hernan Macagnos Postcards from Tango Magic is the latest
foray into the concept of extracting a deck of cards from a previously folded up or flattened box. And its a pretty good one to
boot. Its very much akin to Eugene Burgers Shotglass Surprise,
because the envelope containing the flattened card box can be
freely passed around before the effect. The envelope is opened
and the card box removed. It can be shown on both sides and very
freely handled by the performer. The envelope is then discarded,
the card box folded up, and a complete deck of cards is then
removed from the box.
The box can be set on the table as it will retain its shape and
pass a cursory visual inspection. However it cannot be passed out
for perusal. Unless you want your audience to know how the trick
is done. But there is really no need for it to be examined. After all,
the spectators have just held the envelope containing the box and
they saw for themselves that it in no way could conceal a deck of
cards.
The angles are no worse than Sudden Deck, and multiple
handlings are taught on the DVD. It is best performed at a table but
there are a couple of stand-up variants shown as well. However,
most of the stand-up variations require a jacket and the ability
to secretly get a deck of cards out of your pocket and into play.
A method where you simply walk on stage holding the envelope
Starlight Trick
By Kreis-magic.com
AUGUST 2011 69
Joining Forces
By Debbie Leifer
AUGUST 2011 71
72 M-U-M Magazine
by St e ve Snyde r
B us i n e s s a n d Ta x A dvi c e fo r t h e S e l f-E mp l o y e d E n t e r t a i n e r
Which of My Convention
Expenses is Deductible?
Last month I wrote about the joys of going to a convention. I hope you went, or are still planning to go to
one. I cant say it enough times its worth the trip.
This month, Id like to discuss your expenses going
to and during your convention experience. As always,
good recordkeeping now will avoid the headaches later.
Lets begin with your registration. Your registration
fees are one hundred percent deductible. Ill discuss the
deductibility of family members you may be bringing
with you at the end of this article.
Next comes your trip. How did you get to the convention? Did you fly or drive? If you flew, all your expenses
are deductible: the trip to the airport, the flight, getting
from the airport to the hotel. How did you get to the
airport? Taxi? Thats deductible, including the tip. Did
a friend drive you? You can claim the mileage and
reimburse your friend later. Did you drive yourself and
leave your car in long-term parking? You can deduct
that expense, too.
Perhaps you live close enough to drive to the convention. If you drove your own vehicle you are limited to the
mileage allowance or your actual expenses, depending
on which method you use for your tax return. As of July
1, the allowance is 55 cents per mile.
Maybe you drove a long distance, spending a night
or two in a motel. The motel expenses are deductible,
too. Ill discuss meals later.
Now that youve arrived, we can deal with your hotel
bill. Your hotel bill is completely deductible. However,
keep away from the snack bar. Not only is it expensive,
but meals are limited. However, using the snack bar
would be included on your hotel bill. So if you must
use it, try not to get caught if you decide to deduct it.
Better yet, stop at a local Wal-Mart type store and buy
whatever snacks you need for your room. Hey, the ice
is free!
While at the convention you just happen to wander
into the dealers room. Who could blame you? All those
effects are calling your name, a temptation much too
hard to resist. Anything you purchase should be deductible as supplies or equipment. If its a big-ticket
item, you may want to deduct it under Section 125.
I dont believe in depreciating my assets if I can write
them off. After all, I had to pay for them all at once;
why not deduct them all at once?
Lets talk about meals. Some hotels provide a free
AUGUST 2011 73
74 M-U-M Magazine
dirt, I dont mean literally, but rather figuratively; it is amazing what you can find
sometimes. My favorite digging spots are
pawnshops, thrift stores, flea markets,
swap meets, estate sales, and used book
stores. Used book stores have that smell
of dust and old paper that makes me want
to see what I can find. Powells Books in
Portland is a city block in size. Last week
I was in Rochester, New York, and I found
The House of Guitars, a used music store.
I have a big passion for music and books. I
find many crossovers between the two.
In digging around, I found a CD on
comedy that those in the magic world
may find of interest. Topics included
comedy magic, writing jokes, the entertainer, likeability, ad-libbing, technique,
joke construction, acceptance, persona,
ego, rapport, and the list goes on and on.
The person who was giving the advice
was some guy named Carson. You can
probably find it; the title is Johnny Carson
on Comedy and it is from 1968. I thought
that it was a very good find for eight bucks,
but it wasnt my best find of the day.
You have to understand that I travel a
great deal, and I read a lot; on this trip the
books I brought had not lasted as long as
I hoped. I needed something for the trip
home. I saw a used paperback with a bad
title. I sometimes will judge a book by its
cover or its title, and The Music Lesson:
A Spiritual Search for Growth through
Music did not seem like the type of book
that would be much fun to read. The author
was some guy named Victor Wooten. The
bio on the back cover told me he was a
three-time Grammy award winning bass
player and that he plays with Bela Fleck
and the Flecktones.
As I put the book down, I noticed that
on the first page, in big red letters, were the
words: Warning! Everything in this book
may be wrong, but if so, its all right! I
still had no idea what the book was about.
I wanted to put it down, to move on down
to other books on the shelf, but that one
sentence made me turn the page. I found:
Truth? What is truth? And by the way, if
I always tell you the truth, you might start
Our Advertisers
Axtell Expressions
Balloons to You
B. Happie Entertainment
Burgoon Magic
Colombini Magic
Elmwood Magic
Genii Magazine
Hermetic Press, Inc.
Hottrix
Ian Kendall
Joe Mogar - Magic Stars
Klamm Magic
La Rocks Fun and Magic Outlet
Loomis Magic
LotaBowl.com
Magic Bistro
Maxello Magic
M.H. Magic Magazines
Mystic Moose Magic
Nielsen Magic
Phil Kampf
Rich Hills Illusionshop
Show-Biz Services
TeachByMagic.com
The Balloon Guys
The Tax Magician
T. Myers
Tom Gagnon
7
45
5
55
71
77
49
2
3
39
30
48
79
55
30
75
75
30
51
71
9
55
9
80
48
9
75
5
AUGUST 2011 75
Farewell Hank
When I became president of Parent
Assembly 1, I was called upon to
perform a Broken Wand ceremony for
a departed member. I had known him
as a fun performer, but never really got
to know the man, behind his tricks.
Since that time I have performed the
ceremony far too many times. As my
years with the Society add up, I have
gotten to know many of the magicians
who have left us, and each year the
ritual gets harder to perform. I can
recite the words by heart.
In July, I suddenly heard and felt
the words in my heart and not on my
lips. One we talked with yesterday
is silent today. Hank Moorehouse,
who walked with us, has gone on
without us.
Our friendship lasted many years.
Each and every one of us around the globe
has been touched by the real magic of this
man. His unselfish giving and straightforward manner endeared him to us all. His
even temper never got out of hand. He
and Jackie have always been great hosts
76 M-U-M Magazine
78 M-U-M Magazine