Why Did Dredd Flop At The Box Office? Dredd 3D is a science-fiction, action film that was released in 2012 and was directed by Pete Travis. The producer for Dredd is the famous novelist, Alex Garland who is known for films such as 8 Days Later...(2002), Sunshine (2007) and Never Let Me Go of which he was the executive producer two years before Dredd. The film Dredd then went on to be released on the 7 th September 2012 in the United Kingdom and on the 21st September 2012 for the rest of the world. Dredd is one of the most well-known and respected comic characters in Britain the film was therefore set to be successful, it also had an Oscar winning cinematographer, and going by the hype the film generated at Comic-Con earlier in the release year, it was almost certainly going to become one of the most successful 2012 movies. These views where backed up when the reviews started to be released, critics liked the film and wrote good reviews. The fans also appreciated how Dredd was portrayed by karl Urban. So why did the film flop, what was the problem? In my mind there are various reasons for the failure of the movie, the first of these reasons is the fact that it was limited financially; the budget for the film was $41milion, a small amount in the film industry. Dredd had to compete for viewings with the Avengers; by comparison this was a large budget film at $220milion, this emphasizes the extent of the financial limitation Dredd had, as it turned out this was reflected when it came to box office figures, with Dredd taking $41milion and the Avengers taking $1.518 billion. The financial limitation meant that they could only afford to do certain things, for example they filmed it in 3D and used a lot of slow-motion effects, a lot of the budget went on cameras, they then had to cut costs so they did things like filmed in south Africa, in a relatively unknown studio (cape town studios), with a relatively small set. Mega city ones skyline was built up by the visual effects team using Johannesburg as a baseline structure. These cost cuts made Dredd a fundamentally cheap film to produce, though it had to be with the budget they had. Further evidence of financial restraint and a new point is that the marketing was very limited (a few trailers, website and some posters), and a major part of it, the website The Dredd Report was widely misunderstood. The marketing department thought it a good idea to create a spoof of the Drudge Report the Drudge Report consists of an American news aggregation website. Run by Matt Drudge with the help of Joseph Curl and Charles Hurt, the site is primarily links users to stories from the United States and international mainstream media about politics, entertainment, and current events as well as links to many columnists. As it turned out not many people knew of the Drudge Report this meant that the general public viewed the site as a poorly built website and thus it wasnt a success. If you compare this to the Batman film The dark knight rises marketing website where viewers had to tweet #TheFireRises in order for the site to reveal more information, this created considerable hype and got people interested in what it was, this created hype for the film, and therefore did well at the box office. Also used where two trailers, the first of the pair, a sixty second video entitled Addicted gave viewers an insight into the use of the slow-mo drug in the film it shows off the slow motion technique, this was done to attract the people interested in film technique as this technique had not been used that much before. The second trailer gave potential viewers more of an insight into the storyline of the film. The trailers where good, the only problem was is that they werent as widely shown as say the trailer for Joss Whedons Avengers (2012). Another crucial factor in why the movie failed at the box office is that there were no A-List stars to speak of, the movie has good actors but they arent regarded as A-List. For example not many people will instantly know of Karl Urban whereas 9 out of 10 people will have heard of Robert Downey Jr (from Avengers). Having A-List stars increases the easy in which you will be able to market the film. If they had recruited at least one A-List star they would have been able to promote that on the posters and in the trailers, this was done by Marvel and Paramount pictures did when marketing the Avengers, it is the same scenario with Warner Bros., Legendary Pictures and DC Entertainment when they came to market Batman: The dark Knight Rises. Also lacking from the Dredd line-up is an A-List director, these are also a big advantage when it comes to convincing the public to view a film. Naturally people are more likely to attend a Spielberg film than Pete Travis (the director for Dredd); this was a significant limitation for the marketing department. Throughout the marketing campaign not much effort was put in to achieving a worldwide recognition for the film. One big problem is that Dredd isnt as widely known as characters from other comic based films such as the characters from the Avengers and Batman: The Dark Knight Rises. This is due to the fact that 2000AD comics arent as widely available as the Batman comics. I personally think that one of the biggest problems they were going to face is that the Danny Cannon directed Judge Dredd film from 1995 was a failure; this meant that the potential audience thought that the Dredd (2012) film was going to be much the same. It is worth noting however the 1995 film made its money back, I would think this is mainly down to their use of A-List stars; this would have helped to attract audiences. Also a reason why it made its money back and the 2012 version didnt is because they had a clean canvas brand image wise, as in there were no Dredd films prior to it, so people didnt know what to expect. The special effects used in the film are sometimes regarded as unsuccessful for example the slow-mo effect although it is good it is overused thus taking the edge and creativity away, it gets repetitive fairly quickly, the use of 3D was widely praised as it was very good in the way it was used, it was more of a feature and not just a gimmick, the problem with the 3D came when they limited the film to only be seen in 3D, this caused them to narrow down the amount of cinemas that showed the film and cut out a percentage of the audience as it is approximated that around 12-20% of the audience cant physically see a 3D image due to medical conditions. The film is essentially a niche market proposition and thus independent cinemas are the ones that are most likely to show the film but when the distributors wanted it to only be shown in 3D and be shown for a certain period of time, the independent cinemas where the ones that couldnt meet requirements, this meant that it was down to larger cinemas to carry the film, but even that didnt go as planned due to a lot of the larger cinemas taking the decision not to carry the movie. Also a major factor in the failure of Dredd at the box office was that a film called "The Raid: Redemption" had been released at a similar time to Dredd, the plots of the two movies are very similar. This caused viewers that had been to see The Raid: Redemption to not take an interest in Dredd as they felt that it would be boring as they already know the storyline well. Also a factor was that the audience targeted for The Raid: Redemption was the art appreciating niche market that Dredd attempted to target, which essentially meant that most of Dredds primary audience had already seen the storyline. It was hugely unlucky for the distributers of Dredd that they didnt get it out before Gareth Evans The Raid: Redemption as that film made $14.1milion on a budget of only $1.1milion. In my opinion if this had of been the case Dredd would maybe not have achieved its full potential but would have at the very least done slightly better than it did. Dredds certification of 18 was also a huge issue in screening the film, although the film is based on the 1970s childrens comic book 2000AD, the violence in the comic and subsequently the film would be and are in fact considered far too violent for children and also young adults up to the age of 18. As the film received an 18 certificate it meant that the film could no longer be a four-quadrant film. The lack of a four-quadrant film status means that it cant be targeted at anyone as kids cant watch the film. For this reason the film was primarily targeted at adults, specifically the male market and even more specifically the market that consisted of people that appreciate film as an art and not just a form of entertainment (this is due to the impressive camera work and effects that the general public may view as repetitive and annoying. The violence also played a part in who to target the film to. Due to the lack of the four-quadrant status Dredd could not reach the audience that other superhero films launched at similar times could from the get go, one example of a film that fits into the four-quadrant superhero film sector is Christopher Nolans The Dark Knight Rises (also launched in 2012) which achieved a certificate of 12A. This ensured that the film is a four-quadrant film and the results of this status where clear when the box office figures the film were $1.08 billion gross on a budget of $250milion(approx.). A further example of a successful four-quadrant superhero film is Marvels Avengers Assemble, released in 2012, the film was directed by Joss Whedon. This film also achieved a 12A certification and received an even larger gross sum of $1.518 billion (the budget for this film was $220 million). A lot of big studios(Marvel, Paramount and Warner Bros.) make sure their films meet standards for and appeal to an audience where anyone can watch the film, this is what allows these films to make such a big profit in comparison with Dredd, distributed by Lionsgate and produced by DNA Films who made the decision to target a specific audience and age bracket for their film. This is possibly the aspect that had the largest impact on Dredds failure at the box office. To conclude I believe that there where many reasons for Dredds failure at the box office but I am going to focus in on what I would consider to be the primary one: the lack of the all-important four-quadrant status due to the 18 certificate. This caused the target audience to be significantly narrower than it should be for a movie of this type, it left Dredd with a completely adult audience and although they were targeted the niche specialist art film fans had mostly already seen The Raid: Reassemble another art type film with a coincidentally similar storyline. So the fact that Dredd had a tiny amount of people in the target audience combined with the lack of successful marketing and the absence of A-List stars meant that Dredd could only do one thing at the box office, fail.
Anthony Kaferle, Joe Brandstetter, John Kristoff and Mike Kristoff v. Stephen Fredrick, John Kosor and C. & F. Coal Company. C. & F. Coal Company, 360 F.2d 536, 3rd Cir. (1966)