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This document provides an overview of influential Japanese photographers, organized into historical movements and eras. It introduces the early 20th century photographers Shoji Ueda and Ken Domon, the influential 1950s collective VIVO, the 1960s-70s magazine Provoke and photographers like Daido Moriyama who developed a new style. Later sections cover post-Provoke photographers like Nobuyoshi Araki, the personal photography of Yurie Nagashima, and contemporary artists like Rinko Kawauchi who continue experimenting with surreal and intimate styles. Overall, the document aims to showcase the diverse philosophies of Japanese photography across different schools and time periods.
This document provides an overview of influential Japanese photographers, organized into historical movements and eras. It introduces the early 20th century photographers Shoji Ueda and Ken Domon, the influential 1950s collective VIVO, the 1960s-70s magazine Provoke and photographers like Daido Moriyama who developed a new style. Later sections cover post-Provoke photographers like Nobuyoshi Araki, the personal photography of Yurie Nagashima, and contemporary artists like Rinko Kawauchi who continue experimenting with surreal and intimate styles. Overall, the document aims to showcase the diverse philosophies of Japanese photography across different schools and time periods.
This document provides an overview of influential Japanese photographers, organized into historical movements and eras. It introduces the early 20th century photographers Shoji Ueda and Ken Domon, the influential 1950s collective VIVO, the 1960s-70s magazine Provoke and photographers like Daido Moriyama who developed a new style. Later sections cover post-Provoke photographers like Nobuyoshi Araki, the personal photography of Yurie Nagashima, and contemporary artists like Rinko Kawauchi who continue experimenting with surreal and intimate styles. Overall, the document aims to showcase the diverse philosophies of Japanese photography across different schools and time periods.
JAPANESE PHOTOGRAPHY Introduction Im no expert - just a very basic guide Overview of most well-known Japanese photographers Certainly not comprehensive Attempt to show different schools and philosophies UEDA AND DOMON Shoji Ueda 1913-2000 Opened his own studio at 19, but only gained worldwide attention in the 1970s. Surrealist, compositional based photographer. Well known for Tottori sand dune photos. Shoji Ueda Shoji Ueda Ken Domon Documented aftermath of Word War 2. Looked at society and lives of ordinary people. Realist - a snapshot that is absolutely not dramatic. Rejected posed and artistic photography. Strokes in 1960 and 1968 - conned to wheelchair, and photographed Buddhist temples. Ken Domon Ken Domon VIVO VIVO - overview Short lived photo agency formed in 1957 by Shomei Tomatsu, Kikuchi Kawada, Eikoh Hosoe and Ikko Narahara. Seminal junin no me (eyes of ten) exhibition. Personal views of Japan. Renounced realism. VIVO photographers - key publications Eikoh Hosoe - Kamaitachi. Shomei Tomatsu and Ken Domon - Hiroshima Nagasaki Document 1961. Kikuchi Kawada - Chizu. Eikoh Hosoe Eikoh Hosoe Eikoh Hosoe Shomei Tomatsu Shomei Tomatsu Shomei Tomatsu PROVOKE Provoke - overview Late 1960s to mid 1970s. Short lived, low cost photography magazine. Founders - Kohi Taki, Takuma Nakahira, Takahiko Okada, Yutaka Takanashi and Daido Moriyama. Klein and Tomatsu inuenced many of these photographers. Aim - to create a new photographic language that could transcend the written word. Rethinking photographic conventions: are, bure boke - rough, blurred, out of focus. Push processing, use of Olympus Pen - half-sized negatives. Conceptualism over realism. Chance and the unknown to be revealed through the photographic process. Provoke photographers - key publications Bye Bye Photography - Daido Moriyama. Hotel, Shibuya - Daido Moriyama. For a language to come - Takuma Nakahira. Toshi-e - Yutaka Takanashi. A few words and a video on Moriyama Initially inuenced by William Klein But, with Provoke, developed a style that is truly his own Without Moriyama there may never have been Anders Peterson, Michael Ackerman, Jacob Aue Sobol and even Yusuf Sevincli! Video intermission Bye Bye Photography - Daido Moriyama Bye Bye Photography - Daido Moriyama Bye Bye Photography - Daido Moriyama For a Language to Come - Nakahira For a Language to Come - Nakahira Toshi e - Takanashi Toshi e - Takanashi POST-PROVOKE Araki, Yoshiyuki, Kurata and Naito Nobuyoshi Araki One of Japans most well-known photographers Inuenced by Provokes Moriyama and Nakahira Because of their visceral engagement with their subject matter, especially the subject of the street and the expressive character of individual lives My Wife Yoko, A Sentimental Journey Leading proponent of personal photography that can be seen in young contemporary photographers such as Nagashima and Hiromix Women queue around the block to be photographed by him - his preference is for the every day woman, the housewife Bondage photos Nobuyoshi Araki Nobuyoshi Araki Nobuyoshi Araki Kohei Yoshiyuki 1979 exhibition - The Park A soft-core voyeurs manual 35mm infrared lm and infrared ash Pushes boundaries between photographer, spectator, viewer and participant. Loneliness, sadness and desperation that so often accompany sexual or human relationships in a big hard metropolis like Tokyo. - Martin Parr Kohei Yoshiyuki Kohei Yoshiyuki Kohei Yoshiyuki Seiji Kurata One of my favourite Japanese photographers Flash-Up for many years a collectors object - recently re- issued by Zen Gallery Hard, immersive, fearless Weegee like images - ghts, crime scenes, portraits, hostess clubs Pictures from Tokyos most notorious district in the 1970s - Ikebukuro Journal style articles accompany the pictures - to provide context and authenticity Seiji Kurata Seiji Kurata Seiji Kurata Masatoshi Naito Very difcult to nd information about him 1970s - Ba Ba Bakuhatsu (Grandma Explosion) a collectors item Interest in Folkloric traditions that can be seen in Lieko Shigas work today Masatoshi Naito Masatoshi Naito Masatoshi Naito YURIE NAGASHIMA AND HIROMIX Yurie Nagashima Received urbanart award in 1993 for her Kazoku series of pictures of her and her family in the nude - which some commentators argue is a contemporary take on Fukase Nasahisas project of the same name. Araki nominated her for award. Compared to Nan Goldin. Concerned with family, gender, identity, sexuality and censorship. Yurie Nagashima - Kazoku Yurie Nagashima - Kazoku Yurie Nagashima Hiromix Pioneer for female photographers in Japan. Won 1995 Canon New Cosmos award as a teenager. Championed by Araki. Self portrait heavy, snapshot aesthetic. Colour. I take photos of what I like. Claims she is inuenced by no-one and has no particular theme. Participant and observer of working class youth culture. Her subjects dont expect anything from the future. Girls Blue - Hiromix Girls Blue - Hiromix Girls Blue - Hiromix POST NAGASHIMA AND HIROMIX Ume Kayo Ume Kayo Ume Kayo Ume Kayo Ume Kayo Motoyuki Daifu Motoyuki Daifu Motoyuki Daifu AND SOME OTHER FAVOURITES Jun Abe Rinko Kawauchi Lieko Shiga Daisuke Yokota Jun Abe Jun Abe Rinko Kawauchi Rinko Kawauchi Rinko Kawauchi Lieko Shiga Lieko Shiga Kohei Yoshiyuki Daisuke Yokota Daisuke Yokota GENERAL PRINCIPLES Importance of the print and the photo book Very few share their work online or even have websites Photographers on the whole are very humble Very much an in person community Often a surreal and personal view of the world Sheltered (deliberately?) from outside inuence FURTHER READING AND USEFUL RESOURCES The photo book as an object. Dan Abbes blog - Street Level Japan. Japan Exposures - blog and online Japanese photo book store. Japan-Photo blog Fraction Magazine 83