Amal is the protagonist of the play Dakghar (The Post Office)
written by Rabindranath Tagore. The play is divided into two acts. The first act presents the character of a restless, imaginative, ailing boy who is suffering from an unknown disease. He always has an urge to go outside, but he is prohibited to do so. Amals foster-father Madhav obeys the doctor, so he has to stay indoors all the time. Perhaps Amal cannot make out to cherish the outer world physically, but his thoughts are always opposited to being confined. Amal meets with many people- the Dairyman, the Watchman, Grandfather or Gaffer, the village Headman, troop of boys and of course, the flower girl Sudha. Amal wants to be like everyone he interacts. He has not seized his desires into any mere limitations. Soon when he comes to know about Kings post office, his wanderings seem to get a specific direction. Amals wait for the Kings letter begins after he heard about Kings post office being built near his house. The act two begins with Amal lying in bed. His disease has reached its worst condition. Then is seems that he is missing the persons whom he do interacted while his early times behind the window. His nature is developing changes as his health does. At this point, His guardian Madhav becomes helpless and blind-affectionate like everyone but Gaffar. Perhaps here the relationship between Amal and Gaffar Is introduced as a contrast with other ones. Gaffar is the only person who has the right wave length to establish a thorough relationship with Amal on the level of imagination and intuition. This is contrasted with Madhavs helplessness and blind affection, with the physicians indifference, with the Dairymans suggested sympathy and with the Headmans aggressive destructiveness. Gaffar, like Madhav and the physician, is full of concerns for Amals impending death, although Amal on his part is completely unaware of it and takes it only a matter of course. When the Royal Physician,
the messenger of the almighty King, comes at last scene and
asked Amal if he could leave his bed and meet the King when he would come at his middle watches of night, amal replied positively with excitement as he is dying to meet the King. The flower girl sudha also appeared at the scene. She brought flowes for Amal as she has promised before. Here, one can assume that the spirit of innocence overtakes the human lust. Sudha, who was taught to take money exchanging flowers, appeared with the same in spite of knowing that she could not get money from Amal. The play is ended with Amals never-breaking sleep spreads on. Apparently, this is death for Madhav, doctor and others, but it may deceive. The phenomenon has its own meaning actually. For Amal, it is the journey towards the point where human meets the divine. He emancipates from the world of pain and anxiety and awakes in the world of spiritual freedom.
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