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Art and the State: The Visual Arts in Comparative Perspective; Sociology of
the Arts: Exploring Fine and Popular Forms
Jan Marontate
International Sociology 2007 22: 251
DOI: 10.1177/0268580907074552
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http://iss.sagepub.com/content/22/2/251
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References
Becker, Howard S. (1982) Art Worlds. Berkeley: University of California Press.
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Crane, Diana (1987) The Transformation of the Avant-Garde: The New York Art World
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Minuit.
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Lchoppe.
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Lchoppe.
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numriques, pp. 14751. Rennes, Presses universitaires de Rennes.
Kirchberg, Volker (2005) Gesellschaftliche Funktionen von Museen: Makro-, meso- und
mikrosoziologische Perspektiven. Wiesbaden: Verlag fr Sozialwissenschaften.
Menger, Pierre-Michel (2002) Portrait de lartiste en travailleur. La mtamorphose du
capitalisme. Paris: Seuil.
Peterson, Richard, A. (1997) Creating Country Music: Fabricating Authenticity.
Chicago, IL: University of Chicago Press.
Tota, Anna Lisa (2002) Sociologie dellarte. Dal museo tradizionale allarte multimediale. Rome: Carocci.
Witkin, Robert W. (2002) Adorno on Popular Culture. London: Routledge.
Zolberg, Vera (1990) Constructing a Sociology of the Arts. London: Cambridge
University Press.
Jan Marontate held a Canada Research Chair in Technology and Culture at Acadia
University (Wolfville, Canada) at the time of writing. She has moved to the School
of Communication at Simon Fraser University in British Columbia. Her current
research focuses on techno-cultural change, transdisciplinary collaboration and
contemporary strategies for preservation of new forms of artistic and scientific
work as cultural heritage.
Address: School of Communication K9671, Simon Fraser University, Burnaby, BC,
V5A1S6, Canada. [email: jmaronta@sfu.ca]
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