Unit

Unit55

Rhythmic
Dictation:
4:1 subdivision
the Beat, Anacruses
Rhythmic
Dictation:
4:1 Subdivision
of the Beat,of
Anacruses

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These exercises introduce subdivisions of the beat. As before, listen to the example while counting or
Thesethe
exercises
of theoccur?
beat. AsHow
before,
listen
to the
whileacounting
or
tapping
beat. introduce
Where dosubdivisions
the subdivisions
many
notes
areexample
there within
beat? What
tapping
the beat.
pattern
do you
hear?Where do the subdivisions occur? How many notes are there within a beat? What
pattern do you hear?

1.1.

2.2.

3.3.

4.4.

5.5.

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89

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8.8.

9.9.

10.

11.

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6.6.

7.7.

12.

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13.

14.

15.

16.

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Rhythmic Dictation: 4:1 Subdivision of the Beat, Anacruses 91

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Rhythmic Dictation: QUIZ No. 1

Rhythmic Dictation: QUIZ NO. 1

1.1.

3.3.

4.4.

5.5.

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2.2.

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Rhythmic Dictation: QUIZ No. 2

Rhythmic Dictation: QUIZ NO. 2

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1.1.

2.2.

3.3.

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Rhythmic Dictation: QUIZ No. 2

5.5.

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4.4.

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Rhythmic Dictation: QUIZ No. 3

Rhythmic Dictation: QUIZ NO. 3

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1.1.

2.2.

3.3.

4.4.

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Rhythmic Dictation: QUIZ No. 3

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5. 5.

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Melodic Dictation: Primary triads and the dominant seventh

Melodic Dictation: Primary Triads and the Dominant Seventh

Preliminary Exercises
Preliminary Exercises

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1.1.

2.2.

3.3.

4.4.

5.5.

6.6.

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Melodies

Melodies

Not too fast

1.1.

Cantabile
2.2.

Moderato
3.3.

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These exercises contain patterns implying all the primary triads (I, IV, and V) and the dominant seventh.
These exercises contain patterns implying all the primary triads (I, IV, and V) and the dominant seventh.
For each example, establish the key by singing the scale and the arpeggiations of each triad. As you listen,
For each example, establish the key by singing the scale and the arpeggiations of each triad. As you
determine
whether whether
the line isthe
moving
step or skip.
If by or
step,
whatIfisby
thestep,
scalewhat
fragment?
the
listen, determine
line by
is moving
by step
skip.
is theFocus
scaleon
fragment?
framing
pitches
(lowest
and
highest
of
the
scale
fragment).
If
by
skip,
which
triad
is
being
arpeggiated?
Focus on the framing pitches (lowest and highest of the scale fragment). If by skip, which triad is being
Again,
concentrate
on establishing
and highest
notes.and highest notes.
arpeggiated?
Again,
concentratethe
on lowest
establishing
the lowest

Andante
4.4.

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Allegro

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5.5.

Giocoso
6.6.

Andantino
7.7.

Allegretto
8.8.

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Moderato
9.9.

Allegro

Tempo giusto
11.

Animato
12.

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10.

Larghetto
13.

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Allegretto

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14.

Leggiero
15.

March
16.

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Melodic Dictation: QUIZ No. 1

Melodic Dictation: QUIZ NO. 1
Spiritoso
1.1.

2.2.

Lndler
3.3.

Marziale
4.4.

Moderato
5.5.

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Grazioso

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Melodic Dictation: QUIZ NO. 2

Melodic Dictation: QUIZ No. 2

Waltzer
1.1.

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Moderato
2.2.

Allegro moderato
3.3.

Allegro
4.4.

Allegretto
5.5.

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Melodic
Dictation:
Melodic
Dictation:
QUIZ NO.QUIZ
3

No. 3

Allegretto
1.1.

2.2.

Semplice
3.3.

Cantabile
4.4.

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Tempo di valse

Allegro
5.5.

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Melodic
Dictation: QUIZ No. 4
Melodic Dictation: QUIZ NO. 4
Spiritoso
1.1.

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Allegro ma non troppo

2.2.

Andantino
3.3.

Spiritoso
4.4.

Dolce
5.5.

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Melodic Dictation: Primary Triads and the Dominant Seventh 105

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Harmonic Dictation: Primary Triads and the Dominant Seventh;

Harmonic
Primary triads and the
Cadential
Tonic Dictation:
Six-Four

Cadential tonic six-four

dominant seventh;

Basic Progressions

Basic Progressions

Primary triads and the dominant seventh

Primary triads and the dominant seventh

2.2.

3.3.

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1.1.

4.4.

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Basic Progressions

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5.5.

6.6.

7.7.

8.8.

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Basic Progressions

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10.

Cadential tonic six-four

Cadential tonic six-four

11.

12.

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9.9.

108 Unit 5

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Unit 5
Basic Progressions

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13.

14.

15.

16.

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Phrase-length Exercises
Phrase-Length Exercises

These exercises present all the primary triads and introduce the cadential six-four chord. As before, you
should
drill on the
preliminary
exercises.
Then,
listen to each
phrase-length
exercises,
concentrating
These exercises
present
all the primary
triads
and introduce
the cadential
six-four
chord. As
before, you on
the
cadential
progression.
Do
you
hear
an
authentic
cadence
or
a
half
cadence?
Establish
the goalon
chord
should drill on the preliminary exercises. Then, listen to each phrase-length exercise, concentrating
and
work
backwards.
What
are
the
most
likely
chords
to
occur
at
the
cadence?
Is
a
dominant
the cadential progression. Do you hear an authentic cadence or a half cadence? Establish the goal chord
preparation
(pre-dominant) chord used? A cadential six-four?
and work backwards. What are the most likely chords to occur at the cadence? Is a dominant preparation
(pre-dominant) chord used? A cadential six-four?

2.2.

3.3.

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1.1.

4.4.

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Phrase-length Exercises

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5.5.

6.6.

7.7.

8.8.

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Phrase-length Exercises

10.

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9.9.

112 Unit 5

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Harmonic Dictation: QUIZ No. 1

Harmonic Dictation: QUIZ NO. 1

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1.1.

2.2.

3.3.

4.4.

5.5.

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Harmonic Dictation: QUIZ No. 2

Harmonic Dictation: QUIZ NO. 2

2.2.

3.3.

4.4.

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1.1.

5.5.

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Harmonic Dictation: QUIZ No. 3

Harmonic Dictation: QUIZ NO. 3

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1.1.

2.2.

3.3.

4.4.

5.5.

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Harmonic Dictation: QUIZ No. 4

Harmonic Dictation: QUIZ NO. 4

2.2.

3.3.

4.4.

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1.1.

5.5.

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