Académique Documents
Professionnel Documents
Culture Documents
ARCHITECTURE
The Palace is divided into four main sections each with its own entry gate and
courtyard.
First courtyard[edit]
Left: Latticed screens above Ganesh Pol. Right: View of Ganesh Pol.
Embossed double leaf silver door entry in to the Sila Devi temple
On the right side of the Jaleb Chowk there is a small but an elegant temple
called the Sila Devi (an incarnation of Kali or Durga) temple.
The entrance to the temple is through silver sheet covered double leaf gate
with raised relief. The main deity inside the sanctum is flanked by two lions
made in silver.
Second courtyard[edit]
The second courtyard, up the main stairway of the first level courtyard,
houses the Diwan-i-Am or the Public Audience Hall.
Built with double row of columns, the Diwan-i-Aam is a raised platform with
27 colonnades, each of which is mounted with elephant shaped capital with
galleries above it.
Third courtyard[edit]
Left: Mirrored ceiling in the Mirror Palace. Right: Sheesh Mahal Interior.
The third courtyard is where the private quarters of the Maharaja, his family
and attendants were built.
This courtyard is entered through the Ganesh Pol or Ganesh Gate, which is
embellished with mosaics and sculptures.
The courtyard has two buildings, one opposite to the other, separated by a
garden laid in the fashion of the Mughal Gardens.
The building to the left of the entrance gate is called the Jai Mandir, which is
exquisitely beautified with glass inlaid panels and multi-mirrored ceilings. The
mirrors are of convex shape and designed with coloured foil and paint which
would glitter bright under candle nights at the time it was in use.
Also known as Sheesh Mahal (mirror palace), the mirror mosaics and
coloured glasses were "glittering jewel box in flickering candle light".
Carved marble relief panels are placed on walls around the hall.
The hall provides enchanting vistas of the Maota Lake. [14]
The other building seen in the courtyard is opposite to the Jai Mandir and is
known as the Sukh Niwas or Sukh Mahal (Hall of Pleasure).
This hall is approached through asandalwood door with marble inlay work
with perforations.
A piped water supply flows through an open channel that runs through this
edifice keeping the environs cool, as in an air conditioned environment. The
water from this channel was led into the garden.
Magic flower
A particular attraction here is the magic flower fresco carved in marble at
the base of one of the pillars around the mirror palace which is identified by
two hovering butterflies depiction; the flower has seven unique designs of
fish tail, a lotus, a hooded cobra, an elephant trunk, a lions tail, a cob of corn
and a scorpion, each is viewed by a particular way of partial hiding of the
panel with hands.[4]
Garden
The garden, located between the Jai Mandir on the east and the Sukh Niwas
on the west, both built on high platforms in the third courtyard, was built by
Mirza Raja Jai Singh (162368).
It is patterned on the lines of the Chahar Bagh or Mughal Garden.
It is in sunken bed, shaped in a hexagonal design.
It is laid out with narrow channels lined with marble around a star shape pool
with a fountain at the centre. Water for the garden is led from the Sukh Niwas
cascades of water channel and also from the cascade channels called
the "chini khana niches" that originate from terrace of the Jai Mandir. [11]
Tripolia gate
Tripolia gate means three gates. It is an access to the palace from the west. It
opens in three directions, one to the Jaleb Chowk, another to the Man Singh
Palace and the third one to the Zenana Deorhi on the south. [18]
Lion gate
The Lion gate, the premier gate, was once a guarded gate, leads in to the
private quarters in the palace premises and is titled 'Lion Gate' indicative of
strength. It was built during the reign of Sawai Jai Singh (16991743 AD). It is
covered with frescoes and its alignment is zigzag, probably made so from
security considerations to attack intruders. [19]
Fourth courtyard[edit]
The fourth courtyard is where the Zenana (Royal family women, including
concubines or mistresses) lived.
This courtyard has many living rooms where the queens resided .all the
rooms open into a common corridor. [14]
Jas Mandir, a hall of private audience with floral glass inlays
and alabaster relief work is also located in this courtyard[4]