Académique Documents
Professionnel Documents
Culture Documents
OF
STORY
PHOTOGRAPHY
BY
ALFRED
WITH
T.
THIRTY-EIGHT
ILLUSTRATIONS
NEW
McCLURE,
STORY
YORK
PHILLIPS
MCMIV
CO.
\':pH-si3f
\
HARVAR
UNIVERSITY
LIBRARY
Copyright,
By
D.
APPLETON
1898,
AND
1902,
COMPANY.
INTRODUCTION.
is
It
people
in
of
it
more
hard
be
to
was
find
to
So
who
too
the
science
general
it
that
is
or
to
in
say
not
For
light,
Photography,
and
light,
and
optics
and,
of
practical
as
the
extending
of
criminal
depths
the
next
day.
to-
made
aid
to
as
an
to
mate
over-esti-
conquests
may
of
while
illustration
its
the
To
of
department
the
constitutes
solar
of
describe
alone
industry
to
one
the
the
star-lit
in
achievements
take
would
design,
painting,
of
its
to
lineaments
the
of
its
covery
dis-
without
well-nigh
record
the
As
with
electricity.
is
the
physics
in
seen
delineation
relation
with
up
recently
that
(photo^
chemistry
"
from
space.
bound
with
with
X-rays,
to
is
with
have
we
implies
name
hence
application
limit,
its
trace),
analysis
spectrum
much
investigators,
of
its
as
grapho,
of
theory
with
direction
what
be
as
easy
attention
the
on
would
achieved.
be
not
claims
It
become
"
its
little
Photography
it
has
were
that
say
has
was
there
it.
would
advances
important
so
"
from
who
man
but
opinion
of
nothing
This
go."
can
were
expected
many
late
it
as
is
there
verdict
popular
men
hear
to
common
was
"
far
as
gone
the
course
it
Photography,
has
It
practical
of
of
say
since
long
not
umes,
voland
important
most
5
INTRODUCTION.
in
chapters
without
resorting
it
profit,
and
said
be
may
subjects
the
to
Photography
interesting
take
of
development
the
that,
the
fine
presents
for
study
to
introduce
aggeration,
ex-
pleasure
of
one
that
for
of
language
both
deed,
In-
arts.
the
most
one
any
can
up.
this
with
is
It
light
written
that
not
"
manual
while
giving
to
present
view
the
to
following
with
much
so
weight
it
in
the
its
to
more
of
object
as
that
side
scientific
in
subject
have
pages
Photography
teach
due
the
been
ing
producart
an
of
the
aspects.
but,
ject,
sub-
CONTENTS.
PAGB
CHAPTER
I.
First
Steps
Photography
toward
"
9
.
The
II.
Optics
Photography
of
"
14
.
III.
Wedgwood
Davy's
and
"
Experiments
in
Photography
IV."
NiEPCE
20
Heliography
and
30
.
Daguerre
V.
VI.
Photography
The
Paper
on
"
VII."
Discoveries.
his
and
"
Camera
37
and
Glass
on
45
Lenses
and
56
.
VIII.
66
'LmiSES"contintied
"
IX.
The
introduction
"
The
X.
Collodion
of
Gelatine-Bromide
80
Roller
Process
"
"
Slides"
Photography"
Film
Hand
the
Camera
XI.
88
Photographic
Processes
Printing
97
"
XII.
Photography
Photo-Block
XIII."
XIV.
Letterpress
and
"
107
Printing
Recent
Discoveries
Colour
Photography
114
Applications
and
"
XV.
Printing
124
137
"
....
The
XVI."
Telegraph
Photography
and
143
.
XVII.
Photography
and
Art
Photography
and
Art
"
XVIII.
"
148
continued
155
"
ILLUSTRATIONS.
OF
LIST
FIGURE
PAGE
photograph
Flower
Frontispiece
....
3,
and
4,
The
2.
and
obscura
camera
Diagrams
5.
15
diffraction
illustrating
16
and
17
Lenses
6.
^
.
Silver
7.
10
and
The
and
Daguerre's
13.
Illustrating
16
32
and
to
Photographic
35.
Woodbury
37.
57
focusing
61
62
cameras
63-79
hand
96
camera
printing
type
machine
no
116
press
tube
Portion
of
127
with
hand
needle
embedded
in
the
ball
of
thumb
129
Animatograph'
and
40.
27
58
39
and
camera
defective
Crookes*
the
28.
25
camera.
33.
34.
30.
22
Lenses
31.
and
leaf
simple
Modem
15.
19
spectrum
II.
12.
14
of
9.
Artograph
8
131
.
144
and
145
STORY
THE
OF
PHOTOGRAPHY.
CHAPTER
FIRST
STEPS
The
It
of
of
each
falls
the
have
liable
the
be
in
achieves
the
This
has
It
skin
by
is
to
exposure
action
be
may
said
of
in
horn
or
the
chlorine
in
the
This
by
In
silver
is
consists
chloride
its
passing
native
of
of
and
silver.
state
in
luna
which
horn
ence
sci-
the
is
found
dully
silver
and
is
hence
It
chlorine
of
vitreous,
of
the
much
as
of
step
horn
combination,
as
produced
first
It
and
chemical
silver.
the
raphy.
photog-
blackening
observation
been
ore,
is
of
ture.
struc-
tanning
rays
the
Freiberg.
science
to
artificially
metallic
silver,
of
silver
shining
known
is
photography.
mines
sun's
as
have
to
the
the
with
the
that
are
fame
of
case
put
who
and
success
the
to
others
but
completion
peculiarly
hit,
which
at
years,
the
observed
been
photographic
cornea^
for
working
diverse.
lucky
edifice
an
forgotten
who
one
to
ly
independent-
altogether
by
come,
out-
investigations
the
ends
one.
the
are
entirely
to
touch
been
to
of
perhaps,
man
one
finishing
may
and
other,
to
but
working
men,
curious
discoveries
mind,
one
is
photography
important
numberless
of
It
of
how
not
PHOTOGRAPHY.
TOWARDS
history
shows
I.
be
can
gas
over
silver
is
THE
lO
completely
to
the
STORY
colourless,
of
light
assumes
This
have
in
violet
effect
of
first
been
and
1556,
attention
leading
to
In
is
is still
dark
Many
of
which
it
the
uses
of
who
of
light
nitrate
attempted
surface
on
to
paper
and
silver
1777,
the
whom
to
have
caustic.
of
soon
probably
was
nitrate
was
added
Swedish
Halle,
of
take
very
to
the
duction
pro-
record
property
who,
in
therefrom
The
little
successful.
chemist,
and
translucent.
these
1727,
upon
chalk
copies
very
of
physician,
characters
attracted
not
of
influence
German
made
been
in
any
the
mixture
to
and
thought
this
under
of
in
light.
account
ing
blacken-
caustic,
have
written
with
the
applied
we
been
however,
famous
rosive
cor-
it very
one
of
darken
had
material
as
lunar
any
means
turn
means
that
experiment,
and
photography,
of
be
Schultze,
by
of
by
to
prepared
solution
might
of
to
of
before
it
Heinrich
Johan
of
then
readily
use
observed
secret
years
person
appears
solution
be
obtained.
lunar
of
name
be
is
its
this
silver
solution
fuses
action
primary
attempted
silver
silver
crystals
have
the
pictures
first
The
without
If
Hence
with
which
to
the
attracted
although
the
and
of
must
long
was
it
Fabricius
apparent.
the
under
lay the
yet
time
to
colour.
persons
paper
utes
min-
appears
containing
matter.
sprinkled
assumes
few
alchemist'
silver, which
under
agent
exposed
results.
mass
of
of
cornea
science,
acid,
organic
Anything
his
more
solid
nitrate
destroys
luna
by the
of
nitric
it is
as
course
upon
substance
in
soon
tint.
practical
phenomenon
This
the
after
men
another
evaporated,
in
observed
any
dissolved
so
light
long
of
but
it
day
PHOTOGRAPHY.
OF
tion,
atten-
ing
Noth-
results
until, in
Charles
William
FIRST
STEPS
took
Scheele,
violet
of
rays
silver
upon
all
not
alike
Scheele,
pouring
which
formed
by
the
the
in
water).
the
of
effect
it, and
if not
whole
the
This
further
existence
limit
of
had
too
chloride
the
the
chlorine
that
give
up
to
who
Jena,
lying
of
is
to
part
carried
was
still
strated
demonthe
beyond
and
spectrum,
power
solved
dis-
it
rays
solar
(caused
silver
of
of
was
demonstrated
compel
Ritter
little
of
discovery
by
ened,
dark-
had
chloride
important
the
they
upon
its chlorine.
1801
as
sunlight
adding
with
thus
He
so
teen
fif-
posing
Ex-
substance
silver
of
in
violet
and
combining
sunlight
decompose
be
of
salt
white
to
nitrate
later
this.
action
water
found
silver
are
in
rays
much
as
than
white
the
proved
light
years
chloride
the
to
the
he
nitrate,
silver
few
violet
the
further
went
away
of
minutes.
twenty
when
and
red
or
refrangible
rays
silver
chloride
water,
the
that
however,
silver
under
that
found
in
energetically
less
confirmed
were
did
rays
the
the
active.
blackened
seconds
that
blue, yellow,
than
proved
who
found
more
the
words,
results
red
than
chemically
Senebier,
the
act
and
sis
analy-
spectrum
photography,
spectrum
thus
These
by
the
other
He
rays.
of
chloride
in
or
rays,
and
ii
Fabricius,
of
discovery
chemical
science
the
to
the
up
combined
applying
PHOTOGRAPHY.
TOWARDS
that
silver
darkening
chloride.
Ritter
the
also
of
property
violet;**
the
obtained
1803.
but
by
He
to
the
the
the
action.
that
influence
red
have
rays
effected
misunderstood
Similar
results
the
blue
were
chemist,
English
guaiacum,
gum
the
by
have
the
of
the
work
to
appears
Wollaston,
found
that
"
undoing
he
of
cause
announced
when
rays,
became
in
posed
ex-
12
THE
changed
in
altered
OF
and
colour,
portions
PHOTOGRAPHY.
that
the
to
red
those
exposing
the
original tint
on
rays
restored.
was
is
It
actual
claimed
made
salts
lectures
in
Louvre
light he
a
with
chloride
of
of
the
while
it remained
as
the
shadow
\o
the
sun's
left
doubt
considerable
the
was
soon
exposed
M.
his
the
as
white,
Charles,
and
process,
thrown
been
has
youth
But
at
rays,
the
of
of
sun's
parts
darken.
account
no
the
where
ground.
to
pupils
under
the
to
figure
began
of
ray
immediately
withdrawn,
was
the
at
saturated
paper,
those
black
upon
rays,
however,
the
that
in white
shown
in
course
his
of
been
exposed
white
strong
had
The
light,
him
one
blackened
were
fell, so
in
of
that
silver.
which
parts
with
by
of
means
light,
possessed
contact
delivered
first
Professor
by
experiments
paper
the
property
in
silhouette
of
those
shadow
By
the
sheet
upon
the
blacken
1780.
threw
action
with
to
that
taken
interesting
on
physics
some
French
was
struck
who,
silver
by
the
by
photograph
Charles,
of
STORY
the
upon
ported
re-
achievement.
While
the
of
problem
it
one,
hints
and
have
been
apt
to
book
of
which
his
sojourning,
he
name),
Munchausenisms,
a
note
that, among
strange
produce
that
the
people,
pictures
so
question,
in
1760
which,
describes
in
that
lished
pub-
(an
"Giphantie"
in
he
the
amounted
it
year
called
and
solved
un-
made
genius
in
an
photography
Frenchman
The
Roche,
still
was
sun-picturing
la
century
light
of
one
prophecy.
de
anagram
whereby
curious
at
a
Tiphaigne
other
by
collected,
to
drawing
is
eighteenth
the
foreshadowings
guess
almost
of
end
the
to
up
whose
of
amongst
a
land
objects.
method
he
"You
is
FIRST
STEPS
know,"
his
says
from
the
by
images
of
means
of
twinkling
with
viscous
with
of
is
place.
An
the
hour
picture
imitate
can
It
is
its
hardly
magic
in
De
the
imaginajtion
had
he
a
read
to
the
few
no
pression
im-
This
The
in
dark
and
dry,
that
art
no
had
of
pencillings
the
them
is
precious
photographic
Roche
the
not
of
all.
impression
more
possible
la
investigators
the
its
faithfully,
deposited
truthfulness."
of
that
the
is
instantaneous.
and
later
of
as
them
the
cloth
means
images
is
removed
by
vas
can-
this
reflects
retains
image
of
the
of
fac-simile
canvas
our
of
front
canvas,
retains
but
then
have
you
effect
represents
none;
faithfully,
canvas
first
prepared
mirror
retains
less
The
in
but
in'
piece
it
mirror,
The
coat
mirror,
matter
formed
place
the
the
image.
of
that
to
is
and
these
subtle
and
taken.
nature,
case
They
eye.
for
fix
to
picture
matter,
be
to
similar
but
an
this
object
is
which
paint
water,
on
sought
made
flected
re-
surfaces,
eye,
have
have
they
the
light
pictures,
polished
of
spjrits
The
glass.
fleeting
retina
of
form
all
13
rays
bodies
on
the
on
"that
guide,
reflected
example,
PHOTOGRAPHY.
different
image
on
TOWARDS
without
gazing
realised
the
later
ing
feel-
and
that
which
problem
were
the
upon
obscura,
camera
shadowing
fore-
strange
art
been
years
this
trying
to
solve.
Quoted
Harrison,
from
F.G.S.
"A
History
of
Photography,"
by
W.
J.
THE
14
STORY
PHOTOGRAPHY.
OF
CHAPTER
OPTICS
THE
is the
chemistry.
All
influence
has
light
upon
without
the
photography
would
It
be
even
may
the
This
said
Giambattista
of
principle
small
fixed
be
paper
the
from
evident
spherical
the
following
If
placed
of
In
order
blue
us
distinct
three
at
the
image
of
then
lens
more
understood
C
aperture
in
the
by
Let
dark
shutter,
be
at
A,
ber.
chamG
object
how
this
be
B,
shall
we
this
suppose
the
colours,
red
it is
seen
serve
ob-
depicted
R.
understand
to
place, let
small
ture,
aper-
be
rays
object,
of
at
the
placed
paper
outside
inverted
paper
this
much
readily
illuminated
an
the
the
takes
have
now
on
an
on
having
white
small
(Fig. i).
diagram
piece
be
light
of
will
putting
of
of
sheet
from
ple
sim-
closing
ray
rendered
are
will
This
glass.
by
condensation
window-shutter
and
and
they
objects
The
the
by
room
of
1569.
by
distance
it; and,
the
in
If
external
aperture,
possible.
invention
Padua
them.
of
discovery
the
of
art
non-existent.
admitting
little
of
upon
the
in
the
understood
and
figures
delineated
over
at
of
and
known,
photography
best
hole
about
been
prior
darkening
window-shutters,
through
the
was
be
of
experiment
by
that
Porta
it will
have
and
silver
chamber,"
made
della
optics
of
salts
remained
instrument
simple
the
have
obscura
camera
the
dark
"
of
discovered
been
might
substances
yet,
child
joint
that
of
analogous
and
PHOTOGRAPHY.
OF
Photography
the
II.
plain
inversion
R
object
at
that
R,
green
the
red
B
at
to
G,
light
THE
from
will
opening
same
OPTICS
way,
B, will
in
pass
and
fall
the
green
PHOTOGRAPHY.
OF
the
from
fall
respectively
and
inverted
an
will
RGB
be
of
If, instead
a
darkened
perceived.
be
without
in
arrow
aperture,
refracted
the
the
and
opening,
dark
box.
in
defined
but
image
of
principle
camera
of
the
much
is
the
the
camera
effect
first
an
would
object
the
image
the
be
box
to
the
through
the
solid
the
on
will
from
pass
lines
refracts
lens
the
place,
passing
Fig.
smaller,
and
substitute
we
same
right
form
The
the
rays
nearly
only
the
room,
the
lens, the
the
external
of
in
Suppose,
of
it.
upon
(Fig. 2),
box
at
darkened
paper
from
I.
image
depicted
the
In
blue
the
the
upon
R.
at
and
the
through
paper
G,
Fig.
B,
lines
straight
upon
15
edges
back
rays,
of
and
2.
clearer
result.
and
Such,
obscura,
photographer.
more
the
perfectly
briefly,
basis
is
of
the
the
THE
It
will
be
chemicals
he
motive
into
some
have
Without
laws
the
relation
of
it
or
the
all
in
stars
be,
The
the
in
the
until
away
it
will
the
it
and
coin
is
pour
water
to
keep
of
B
course
into
the
eye
shilling gradually
the
iantly
brillin
its
directly
however
of
owing
to
tenuated
at-
bending
do
we
not
see
the
to
fracting
re-
Take
place
becomes
the
then
move
coin,
when
representing
3, A
and
the
3.
bowl,
fixed
bowl,
shilling
sight of
Fig.
in
demonstrated
be
of
eye
invisible.
the
it
see
property
may
Fig.
shilling
at
matter,
manner.
in
as
appear
it
were
gaze
Hence
loses
eye
gresses
pro-
atmosphere.
the
of
vacuum
coming
the
refraction
bottom
little
which
line, and
positions,
simple
following
into
action
should
we
ray.
true
of
of
law
duces
pro-
enter
its
rays
has
light
their
power
to
to
transparent
the
refracting
well
straight
is, the
may
grand
therefore,
through
point,
that
But
eye.
be
conditions
such
position,
the
going,
passing
illuminated
true
the
photographer
governing
perfectly
under
which
photography.
to
light
a
with
agent,
the
light, it will
of
in
subtle
the
regards
as
instrument
wherewith
of
possible
the
effects.
ray
whether
the
or
is
power,
nature
PHOTOGRAPHY.
that,
uses
light
his
OF
seen
he
works,
the
STORY
on
the
observer.
The
let
one
Now
taking
the
more
some
same
and
while
the
care
spot.
more
The
visible,
OPTICS
THE
until
it
entirely
comes
of
the
in
the
in
vision
as
into
Fig.
refractive
when
stick
fish
have
their
aim,
allow
else
at
the
to
room
in
it
will
the
fall
upon
the
be
fluid,
vessel
found
and
and
pass
will
L;
to
the
miss
(Fig. 5) passing
The
object of
by striking
is
through
to
an
s.
surface
of
of
instead
its
alter
along
it.
refraction
of
window-shutter
the
able
observ-
spearing
persons
illustration
S
in
glass
bent
water
into
below
point
Fio.
aperture
light-
or
is also
stick
Hence
weapon
Another
sunbeam
the
water
straight
bent.
aim
to
higlf.
too
be
to
seems
of
ray
4.
of
power
thrust
we
tion
explana-
refracted,
representing
Fio.
The
the
is
eye
The
light refracted.
of
ray
the
17
view.
is that
phenomenon
producing
back,
PHOTOGRAPHY.
OF
the
of
darkened
fluid
contained
proceeding
course
line
on
to
M.
to
S',
entering
A
ray
of
STORY
THE
light, however,
PHOTOGRAPHY.
OF
striking
the
as
medium
refracting
(Fig. 5),
ray
pendicular
per-
suffers
no
refraction.
The
depends
the
of
amount
the
on
which
the
into
denser
further
is
from
the
dense
dark
the
of
proof
the
window
the
as
it
floor,
the
of
be
marked.
vessel
with
side
in
the
will
be
fall
such
point
still
substituted
greater;
These
importance
is
will
by
their
and
If
laws
of
to
the
careful
from
of
bottom
striking
added
be
oil
refraction
are
of
be
to
the
the
tion,
solu-
dense
the
the
nearer
bottom
alcohol
will
refraction
still should
spot
filling
of
form
the
the
on
salt
side
on
Let
the
the
the
strikes
the
ray
window.
So, if
water,
placed
so
towards
top
the
to
as
the
greater
it be
considerably
the
for
let
instead
ray,
quantity
nearer
the
Now,
fall
where
feet
window.
window.
the
towards
water
the
ray
few
the
strikes
it
spot,
Let
descends
where
into
shutter.
light
the
original
or
more
vessel
the
and
and
water,
in
light,
from
falls
second
single slanting
floor,
farthest
side
tion
refrac-
is
pass
tion
direc-
the
as
upright
an
over
passes
window,
the
next
of
out
This
rays
but
the
pencil
just
hand,
in
proceeds
aperture
on
admitting
that,
the
dium
me-
first.
an
stand
vessel
obliquely
according
admits
light through
the
other
the
perpendicular.
this, take
which
room,
On
it
which
than
If
they pass
closely
mating
approxi-
passes
less
or
rarity of
or
denser,
more
medium
through
In
of
light
rarer
greater
medium
less
of
undergoes
ray
goes.
be
perpendicular.
beam
it
which
enter
rays
direction
the
to
when
in
it
through
density
comparative
through
substance
back
bending
be
used.
the
inasmuch
photographer,
application
study and
utmost
as
that
it
the
THE
20
when
Thus,
means
In
the
focus,
of
rays
in
of
in
speak
It
that
lenses
in
to
bring
to
fixed
small
point,
and
used
and
the
to
thus
the
step
in
idea
to
here
thus
he
so
to
lens
Porta
face
being
hitting
upon
took
unconsciously
evolution
as
camera
rounded
By
placing
possible
as
The
the
the
of
the
reduce
to
of
box,
nearly
as
ground-glass.
important
varied
powers
dark
dimensions.
contrivance
cave
con-
are
necessary
suflSces
the
the
of
orifice
ingenious
cause
the
be
of
him
to
plano-convex,
face.
sur-
them.
produced
portable
was
turned
the
the
and
it
knowledge
image
the
will
of
point,
hand,
Of
chapter;
suggested
objective
an
an
Porta's
was
other
apart,
it
lenses
distinguish
to
at
edges.
subsequent
the
to
rays
beyond
further
go
the
unite
on
broad
these
briefly
thus
his
with
form
qualities
to
perpendicular
distance
lenses,
of, it
spoken
lenses
them
some
light
is
it
through
converging
Diverging
the
lens
through
passing
called
PHOTOGRAPHY.
of
passing
surface.
light
OF
axis
the
line
its
STORY
of
the
graphic
photo-
art.
CHAPTER
WEDGWOOD
III.
DAVV'S
AND
EXPERIMENTS
IN
PHOTOGRAPHY.
further
Nothing
in
regard
a
and
making
of
of
son
the
succeeded
use
silver.
which
until
photography
to
of
He
famous
in
Scheele's
was,
blackened
Thomas
took
potter,
producing
and
wood,
Wedgup
the
photograph
observations
however,
done
been
have
to
appears
unable
disappeared
by
chloride
on
to
ject,
sub-
fix
his
as
soon
tures,
picas
WEDGWCM3D
they
AND
exposed
were
in
these
just rising
1802,
after
for
is described
adopted
the
of
observations
Wedgwood
been
when
passing
through
Those
the
the
ing
copy-
profiles
silver, with
such
whilst
produced
objects
from
objects.
uncovered
the
the
by
upon
this
kept
white
had
By
by the
blackened
were
that
was
covered
the
as
silver.
light
white,
was
superimposed
the
process
paper
of
the
paper
paper
there
Hence
Royal
of
of
upon
nitrate
remained
of
portions
and
the
of
the
bodies,
plants,
exposed,
parts
an
made,
making
nitrate
flat
with
means,
in
Davy."
of
prepared
Davy,
and
method
of
upon
placed
leaves
pinatifid
as
light
H.
by
"
sisted
as-
prepared
paper
glass, and
upon
agency
Davy
this
was
chemist,
they had
Journal
the
In
1802.
paintings
by
as
experiments
He
Humphrey
death,
in
21
light.
by
fame
obtained,
Institution
they
into
the
results
the
diffused
to
Wedgwood's
of
EXPERIMENTS.
expetiments
then
account
DAVY'S
light.
of
outline
black
ground
(Fig- 7).
tried
Davy
to
fix
the
on
As
without
these
following
the
Journal
They
silver
salt
the
it
image
ble,
possi-
produced
of
sheet
spot
the
paper
where
several
the
hours
"
of
are
sun-drawing
the
history of photography,
from
the
published
paper
in
experiments
in
extracts
the
describing
will
the
account
published
photographic
for
if
order,
at
there
in
result.
joint investigators
first
in
the
left
and
microscope
solar
paper
fastened
importance
great
in
fell, and
though
the
sensitized
with
Wedgwood
obscura
camera
screen.
saturated
image
on
place
to
was
of
aperture
which
experiment
Anothef
pictures.
be
of
experiments
of
interest,
of
the
as
the
being
production
of
STORY
THE
22
"White
with
when
nitrate
in
kept
the
to
white
or
paper,
solution
of
change
PHOTOGRAPHY.
OF
of
it
daylight
passing
after
and
brown,
alterations
of
colour
proportion
as
the
direct
sufficient
several
through
of
beam
to
sun,
produce
hours
are
different
degrees
of
take
the
posed
ex-
colour,
or
full
coloured
intensity.
In
in
the
minutes
three
in
the
are
shade
light transmitted
glasses
Thus
grey
The
speedily
intense.
effect
and
of
black.
more
more
two
required
shades
nearly
place
is
light
the
being
on
changes
different
length
at
but
no
7.
through
becomes
speedily
Fig.
and
silver, undergoes
dark
the
moistened
leather,
act
with
it is found
ferent
difthat
WEDGWOOD
red
rays,
red
glass, have
and
the
or
the
white,
solution
should
it is
case
the
After
leather
high
or
paper,
it
cannot
be
of
water,
or
water
and
in
exposure
should
the
of
light
that
have
of
parts
by
been
this
made
have
covered
has
yet
as
by
coloured
sufficient
will
leather
or
when
the
have
and
all
of
to
paper
of
it will
such
partly
woody
be
useful
objects
as
are
of
leaves,
to
the
are
making
possessed
and
acted
upon
They
have
coming
be-
ings,
wash-
saline
of
the
dark
become
Besides
copying
that
others;
many
delineations
of
of
transparent.
the
but
of
the
sun.
of
there
partly
attempts
parts
method
for
and
opaque
fibres
this
mentioned,
been
white
of
rays
ployed,
em-
varnish,
of
part
by
repeated
them
cause
the
to
applications
the
the
case
susceptibility
active
to
fine
after
even
the
adhere
exposed
just
and
of
their
taken,
uncoloured
being
coating
destroyed
not
matter
thin
ing
paint-
indeed,
No
successful.
been
it is
and
commonly
the
from
the
minutes
as
prevent
profile
or
copy
on
by
it may,
in this
affected.
to
this
fixed
once
few
the
paper
lamps,
or
sensibly
not
been
the
light
candles
is
it
for
be
only
when
soap,
but
come
be-
in
of
copy
after
being
shade,
the
and
removed
place
obscure
an
by
glass
The
permanent.
in
kept
examined
be
been
has
profile, immediately
be
must
than
colour
degree
or
the
application
in
leather
on
thrown
speedily
parts
on
acted
readily
is
paintings
on
blue
or
concealed
part
other
copying
applied
be
more
is used.
and
For
dark.
the
Yellow
effect.
figure
any
the
surface,
prepared
it remains
of
shadow
decided
or
through
it.
upon
violet
but
effect
powerful
23
passed
effective,
more
the
the
upon
little
very
most
"When
EXPERIMENTS.
sunbeams
common
are
green
produce
DAVY^
AND
wings
of
texture
The
insects,
THE
24
be
may
it ; and
the
in
the
the
of
Mr.
as
light
by
that
of
means
without
that
the
be
that
necessary
small
distance
In
this
went
from
to
is
be
have
produced
copied
This
paper.
the
will
method
it
however,
placed
that
stated
muriate
that
prove
acted
readily
more
it
but
at
lens.**
the
record
cessful.
unsuc-
be
successfully,
paper
fluence
in-
ments
experi-
may
of
by
the
to
proved
application
the
him
objects,
prepared
on
trate
ni-
used
processes,
small
employed
be
end
the
was
to
microscope,
solar
useful
it may
of
the
numerous
these
images
difficulty
probably
is
the
upon
first
sensible
primary
duce,
pro-
on
he
his
all
to
researches
mentioned
following
In
his
and
camera
images
in
very
their
to
as
these
was
but
effect
purpose
substance
of
found
this
faint
too
an
Wedgwood
silver, which
friend
be
cause
them,
of
means
to
copy
for
to
necessary
time,
To
and
subject,
of
by
of
means
through
pass
leather.
upon
found
silver.
by
to
moderate
object
only
formed
been
any
of
nitrate
represented
shadows
have
in
first
light
images
obscura
PHOTOGRAPHY.
it is
case
solar
The
"
this
direct
OF
accurately
pretty
receive
to
STORY
of
the
by
upon
ments
experi-
the
silver
was
than
light
the
nitrate.
Here
discovery,
great
to
power
Some
years
discoveries
of
have
we
fix
as
silver
the
still
to
turn
it
shade
of
blue,
the
salt.
the
red
constantly
giving
the
images.
blue
that
red
the
producing
preserving
a
these
chloride
of
showed
the
yellow
being
carried
Seebeck
He
brown,
the
the
coloration
further.
rays
lacking
thing
permanent
the
of
elements
the
(i8io-'ii)
violet
and
chief
render
or
later
of
most
shade
it
white,
to
the
order
In
to
will
it
into
fully
DAVY'S
explain
their
rays,
that
can
one
of
both
necessary
is
light
being
ray
various
enter
of
light.
from
emanate
colours.
Sir
white
Isaac
the
of
which
prism,
piece
of
is
glass
the
light
Every
qualities,
their
and
fact
composed
in
way
of
a
The
by
was
given
that
is
sun
tints.
and
name
in
used
of
demonstrated
from
of different
colours
rays
which
he made
plain this
body.
functions
Newton
light emitted
of
distinctive
rays
possesses
their
chemical
regards
more
bundle
portion
luminous
such
as
of
smallest
erly
prop-
little
composed
the
2$
effects
to
composition
of
beam
the
be
the
EXPERIMENTS.
AND
WEDGWOOD
means
to
triangular
in
placed
so
'^5::f.
FlO.
darkened
room
receive
to
as
the
Before
the
the
B
white
C
thus
enabling
be
pass
to
refracted,
the
E.
is fixed
it
back
in
to
or
of
But
in
the
fall
bent
the
bored
position
the
of
the
out
prism
of
(as
the
the
side
its
in
faces
sur-
in
beam
sun-
fall
as
soon
path
on
will
as
its
aperture
at
aperture
at
screen
(Fig. 8)
will
the
small
of
one
upon
is fixed
prism
entering
8.
upon
prism
sunbeam,
B, the
course,
the
line
ray
and
D),
26
STORY
THE
instead
of
taken
if
however,
is
have
This,
simple
round
screen
at
prism,
we
triangular
back
This
or
the
of
is
image,
of
red
five
orange,
-and
the
at
when
and
Or,
vivid
next
Fell
the
the
the
at
in
the
forth
delicious
kind
beams
at
the
spot
is
end
opposite
occupied
yellow,
being
puts
this
of
away,
green,
the
between
poet
the
was
blue,
rotation
colours
white
round
prism
one
the
Newton's
to
portion
space
the
as
prismatic
the
lower
indigo,
First
And
in
on
origin,
as
the
the
coming
Sprung
is
different
the
to
colours,
red.
of
we
it will
out
which
seven
intermediate
the
spread
according
of
screen,
other
and
of
If
prism
the
is known
nearest
colour,
;
D.
at
are
which,
colour
that
the
on
is violet
by
The
or
the
formed
point
image
composed
(Fig. 9).
the
prism.
spectrum,
theory
the
the
fell
from
or
of
place
delicately-
base
apex,
coloured
solar
at
the
in
terposed
in-
been
not
elongated,
colours
form,
(C)
been
for
erwise
oth-
upon
of
interposition
the
an
had
which
light
to
these
and
screen,
all
distance
short
that
seen
not
has
image
a
prism
that
see
stand
be
prior
it would
E, which
the
of
spot
E
coloured
now
line
the
along
PHOTOGRAPHY.
OF
it
violet
flaming red
tawny
orange
whose
next
side
yellow ; by
of all-refreshing green.
skies,
pale blue, that swells autumnal
of
sadder
and
Eternal
hue,
then,
played ;
when
the
as
Emerged
deepened
indigo,
The
heavy-skirted evening droops with frost.
While
the
last gleamings
of refracted
light
in the
violet
Died
fainting
away.
Then
Newton
all
primary
the
was
of
colours,
opinion
and
that
that
each
these
was
seven
were
possessed
of
28
THE
in
intensity
He
all
that
the
green
that
all
By
chloride
of
less
violet
has
been
end
of
found
the
of
of
such
of
four
nearly
rays
less
that
the
the
first
after
which
was
which
group,
in
hot, blackened
as
be
suitable
uranium
glass,
from
the
length
wave
chemical
tion
solu-
or
choosing
be
can
spectrum,
highest
cent
fluores-
properly
photographs
times
visible
made
some
by
invisible
or
upper
can
Indeed,
the
the
to
up
the
upon
substance,
part
any
that
second
spectrum
quinine.
sensitive
of
while
that
fall
to
substance,
the
the
modification
the
and
bright
it
allowing
by
of
focus
and
minutes.
few
It
the
another
of
focus
no
hours,
two
of
found
the
at
lens
between
green
he
underwent
of
of
means
the
that
beyond
means
between
experiment
rays,
under
by
trum,
spec-
Wollas-
comprised
and
silver, placed
much
very
red,
portion
exposure
placed
by
the
and
little
spectrum
this
of
bundle
was
noticed,
the
and
violet.
an
of
of
end
Ritter
as
concentrated
part
chemical
that
violet
extends,
previously
extremity.
the
at
it
that
had
lens,
demonstrated
is greatest
and
PHOTOGRAPHY.
OF
Berard
M.
i8i3,
ton
STORY
taken
reduction
of
the
red
known
rays
to
exist.
these
Upon
which
out,
the
experiments
there
other,
namely
colorific, and
that
compose
the
molecule
of
these
polarized
three
have
three
unequal
of
the
is
and
endowed,
with
visible
light,
by
reflection,
and
the
of
is
further
which
substances
refrangibility
substances,
spectrum,
It
spectrums,
borne
above
one
heat
or
spectrum.
each
fully
spectrums
calorific
chemical
established
of
exist
theory,
the
based
investigations
subsequent
that
was
each
even
tutes
consti-
which
like
property
escaping
the
of
cules
mole-
being
from
re-
WEDGWOOD
in
flection
DAVY^S
AND
the
EXPERIMENTS.
positions
same
2g
luminous
the
as
molecules.
Since
the
of
deal
great
and
spectrum
attention
knowledge
has
been
to
quench
is
the
substances
hence
propounded
waves,
visible
the
1867
and
and
truth
of
Of
this
the
the
to
the
it is
that
contains
philosophers
accompanying
and
of
its
of
Actinism
it
had
light,
the
powers
but
the
not
from
heat, with
principle is
light itself.
as
it
by
which
In
of
"
earlier
its
Besides
in
distinct
is
posing
decom-
of
recomposition
which
upon
pose
pur-
light
the
principle
light,
regarded
white
power
the
This
but
nearly
idea.
the
ories
the-
them;
more
of
ray
of
which
faint
perfectly
as
is
That
but
brations
vi-
beyond
present
our
us
heat, it has
principle
based.
for
concerns
"
properties
principle
electric
rays,
Various
is known.
sunbeam
light
the
determining
is
"
light
proved
respecting
components.
actinism
have
necessary
What
within
chemical
all
that
really
are
advanced
not
enter.
fact
little
been
these
of
nature
generalisation,
into
in
hypothesis.
real
have
fall, and
Maxwell
discoveries
recent
do
they
they
theory
invisible,
chemical
What
waves.
brilliant
red
infra-
The
no
which
fice
suf-
make
and
dark.
the
violet
ultra
have
on
calorific
called
are
the
luminosity.
and
warm
the
actions,
hand,
other
properties,
to
that
ject,
sub-
will
It
advanced.
in
shine
the
on
the
say
paid to this
properties of
chemical
certain
substances
rays,
of
made
were
been
greatly
however,
perform
various
has
our
here,
rays
experiments
above
some
known
as
"
the
nature
light
is
is
closely
so
as
the
from
explanation
nected.
con-
mental
funda-
photography
component
the
part
of
is
of
this
THE
30
STORY
it may
the
spectrum,
seeming
reducing
greatest
the
violet
and
still
the
the
the
the
possesses
that
power,
portion
decomposed
powerful
of
is,
light,
invisible
rays
beyond
influence
upon
the
them
salts, reducing
the
be
may
different
very
simple
of
a
sensitized
called
the
stable
un-
speedily
to
the
to
sun's
found
be
discoloured
the
under
the
under
is
far
most
possessed
by
actinic
the
useful
in
paper
blue
red
the
by
property
the
that
of
the
dark
The
next
and
sun-pictures,
where
Frenchman
name
and
Wedgwood
was
no
doubt
of
the
named
for
that
honour
to
take
due
for
makes
for
them
the
struction
con-
left
Indeed,
by
belongs
subject of
the
point
from
had
Davy
the
the
up
it forward
eclipsed
Ni^pce
cepting
inter-
HELIOGRAPHY.
Ni^pce.
years
of
yellow
this
IV.
to
carry
the
room."
AND
person
changed
un-
is
It
photography
it
rapidly
although
light that
CHAPTER
Nl"pCE
of
the
remains
but
yellow,
and
of
time, and
become
glass,
red
practical
of
has
piece
pieces
Expose
transparent.
rays
"
three
short
and
blue.
and
for
rays
it
on
ers
pow-
demonstrated
Take
place
whole
be
can
experiment.
and
actinic
varying
colours
paper,
coloured
so
end
that, of
bases.
What
last
the
most
metallic
will
violet
strongly
more
explained
decomposing
or
of
part
it,exerts
by
be
anomaly
prismatic
their
PHOTOGRAPHY.
OF
invention
was
there
largest
of
his
although
another,
the
it
is
share
photog-
"
KlfiPCE
raphy,
in
sur-Sa6ne
mother
he-
was
did
show
not
the
In
profession.
regiment
infantry
following
Italy.
afterward
Shortly
his
service
active
saw
year
commission
he
in
choose
entered
an
in
and
in
the
Sardinia
and
obliged
was
and
turn,
to
he
youth
inclination
however,
guished
distin-
As
sub-lieutenant,
as
stances,
circum-
poetical
and
1792,
Ni^pce,
easy
of
Barrault.
particular
any
in
and
daughter
dreamy
Chilon-
at
Claude
father,
named
of
Ni6pce
of
consequence
to
sign
re-
ill-health
failing sight.
and
he
In
1794
administration
this
it
chief
mechanical
in
with
for
the
the
the
he
with
eral
Sev-
made
of
Minister
the
to
his
to
investigation.
which
the
his
been
always
himself, along
scientific
Carnot,
quished
relin-
then
Returning
devoted
reference
attracted
charged
All
had
inventions
M.
ing
Continu-
1801, he
flattering encouragement
most
pastel
to
Nice.
research.
there
brother,
from
until
what
and
of
the
of
member
district
follow
to
place, he
elder
the
position
bent, study
native
appointed
was
of
hold
to
attention
of
examination
of
Finance,
his
while
colouring
ceived
re-
searches
re-
of
matter
commission
the
able
suit-
substances
dyeing.
these
labours,
invention
with
which
his
(from
born
was
roi,"
de
lawyer
in
His
1765.
his
the
Ni6pcc
"conceiller
his
it, heliography
called
Nic^phore
Joseph
31
sun).
lios, the
was
he
as
or,
HELIOGRAPHY.
AND
life, and
from
cost
his
was
him
are
his
which
the
absorbed
Lithography,
and
however,
the
now
is
name
last
fortune
forgotten
sociated,
chiefly as-
twenty
that
years
of
had
herited
in-
newly
vented,
in-
he
father.
which
was
consequently
then
much
but
talked
about,
THE
32
STORY
interested
greatly
time
in the
first
he
endeavour
seized
for
of
possession
his
Niepce
possessed
he
and
surface
silver
to
the
salt
white.
Thus
which,
produced,
exactly
idea
There
done.
of
design
the
and
Wedgwood
with
them.
was,
a
This
He
second
discovered
it
"
the
age
pass-
corresponding
"
would
and
seemed
thing
could
about
be
would
ble.
feasinot
the
be
tion
produc-
it
as
was
became
the
posed
ex-
dark,
.difficulty
that
was
not
himself
from
more
known
had
now
it
after
fronted
con-
stopped
which
Niepce
sun,
of
experiment
found
prevented
is
of
obliterated.
the
effort
to
coating
portion
and
same
be
paper
picture
or
soon
repeated
could
picture,
as
white
question
how
the
but
Davy,
the
The
duced
had
the
operation,
enough,
quite
was
he
short,
In
light the
the
to
reproducing
negative
difficulty
no
negative
the
fact
original.
however,
was
ty
quali-
this
of
parts
second
else.
becoming
From
design
"
could
the
preventing
simple
was
done
of
given
the
the
practice,
In
solve
by
reproduce
The
and
would
light,
the
parts,
leave
be
nothing
rendering
been
dark
The
took
with
light.
possibility
had
idea
he
silver
by
designs
might
the
applying
the
at
he
substitute
course
of
the
which
to
salt.
of
of
engravings
transparent,
work
tin
1813
moment
could
chloride
infer
to
they
that
to
"in
fantastic
that
"
exposed
and
designs
else
by
led
was
mind
At
of
plate
which
almost
much
process.
finding
with
acquainted
was
when
of
From
nothing
of
dark
idea
the
the
biographers,
chalk
itself."
light
think
the
and
drawn,
by
his
devoted
by
stone
of
lithographic
the
were
the
with
he
and
improve
to
one
says
PHOTOGRAPHY.
Ni6pce,
replaced
"then,"
was
OF
had
to
pror
it.
destroying
successful
how
"
that
one.
as-
NifePCE
phalt,
in
found
places,
in
bitumen
or
Ni^pce
poured
solution
dried
in the
thus
coated,
light, the
soluble
the
he
falls, and
result
while
does
eye
oil of
be
by the
hours'
light,
He
went
engraving
on
to
the
plate.
rubbed
into
upon
which
In
the
the
plate
and
ink
"
was
have
several
succeeded
in
the
upon
print
to
"
for-
substitute
copper-plate
impressions,
then
be
tempt
at-
with
engraved
a
burin, the lines that
a
into
cut
picture being
placed
to
the
made
is
obtain
lines,
a
producing
Ni^pce's idea
to
as
copper
these
the
causes
of
in
order
been
traced
produce
called
black
have
subsequent
further, and
To
plate
of
asphalt.
discovery
purpose
appear
picture
step
his
and
if
been
after
camera,
of
film
which
parts
Thus,
"
copper.
that
are
is, the
the
not
have
that
those
to
but
exposed
oils, Ni^pce
of
smooth
for
laid
lines
utilise
to
that
essential
in
now
only
the
insoluble.
changes
that
of
remained
became
the
plate
shadows,
is, the
parts
the
picture
plate
tool
in
with
obtaining
that
insoluble.
exposure
treatment
asphalt
over
behind
rendered
print,
poured
those
leaving
affected
the
light parts
these
perceive
it dissolves
changed,
metal
parts,
soon
it
exposed
the
not
lavender
asphalt
been
dark
plate,
image
the
then
that
being
the
on
it where
He
way.
surface, which
film.
Taking
brown
placed
oil of
metal
upon
the
soluble
property
ingenious
bitumen
of
This
is
other
turpentine,
etc.
most
cover
form
image,
The
thus
to
obscura
camera
in
of
it
allowed
oil of
as
ether,
of
use
which
substance
Caspian, and
quality of becoming
petroleum,
made
33
the
Sea,
such
oils,
lavender,
Judea,
the
possesses
ethereal
and
of
Dead
the
HELlOGftAPllY.
AND
sheet
under
of
a
transferred
of
the
produce
ink
is.
is
paper
roller-press,
to
the
inked
lines.
these
lines
paper,
in
the
STORY
THE
34
action
the
by
copper
object he covered
it to
and
exposed
the
prevented
the
the
in
those
it
oil of
plate
been
the
the
drawing
A
plate,
by the
film
the
appeared
if
as
corrosive
acid
and
on
acted
drawing
was
the
acid, and,
after
the
manner
same
bitumen
to
had
the
copper,
and
washed
the
poured
now
metal
into
cleaning,
as
over
which
asphalt
original
not
it, in
fact.
be
Thus
an
the
of
in
from
printed
copper-plate
protected
action
by the
could
the
upon
when
produced
was
poured
engraved.
asphalt, eating
incised
of
the
fore,
there-
When,
dissolved
were
while
penetrated
adhered
parts
on
the
on
affected
not
subsequently
of
course
soluble,
had
on
bitumen
the
insoluble.
insoluble
other
of
parts
light
was
bitumen,
drawing
those
this
drawing
remained
portion
Thus
away.
the
in
the
lavender
with
reaching
became
rendered
whilst
of
from
where
parts
paper,
the
lines
effect
to
beneath
light
bitumen
the
and
copper-plate
the
light
light
white
light
Accordingly
plate.
by
of
the
black
The
paper.
PHOTOGRAPHY.
OF
engraved
by
hand.
found
amongst
These,
which
to
This
in
is
especially
may
plates
be
all
are
notes
thus
The
was
not
of
the
description
after
papers
friends
in
useful
is
the
alike,
of
so
have
that
German
of
ber
num-
note
one
another
counterfeits.
from
day,
to-
use
printing
to
necessary
1826.
as
is in
form
improved
death.
is known
back
far
as
were
his
he
heliographs,"
fac-simile
easily distinguishable
the
this
absolutely
exact
an
"
an
it
where
notes,
of
his
to
method
and
bank
called
he
shown
have
of
prints
Ni^pce*s
Copper-plate
States, notably
and
be
Some
of
Prussia,
produced.
original
able
to
inventor
attain
of
that
the
method,
perfection
however
in
his
im
36
I
have
THE
STORY
made,
and
action
the
black
from
bodies.
is
It
it
to
them
more
less
or
of
has
succeeded
oil of
be
is
varnish
The
camera.
of
The
action
But
even
of
show
the
shrouded
future
oil
of
of
this
the
to
unfolding
and
to
it
their
forms.
had
oil
of
the
The
the
by
of
is
of
white
it
by
is
flected
re-
the
of
gradually
then
lifted
with
washed
well
tablet
images
plate
and
parent
ap-
volume
by
exposed,
The
the
disengage
observing
been
posed
ex-
invisible.
exposed
perceive
drain,
to
exist.
accomplished
the
of
is
still
ten
liquid
soft
thus
nothing
part
one
operator
which
allowed
out,
is
the
receiving
for
to
to
focus
the
impressions
this
of
of
been
remain
is
immediately
in
objects,
lavender,
Into
roll
be
having
is
dissolved
coating
light
then
light, begins
objects
may
which
silver
light
sufficient
and
essential
and
dry,
picture
consisting
thin
a
of
them
duration
asphalt,
plated
with
these
that
solvent,
plunged,
time
imagery,
petroleum.
which
after
operation
next
of
external
of
to
tablet
when
some
substance
is
me
Thus
of
the
to
The
applied
the
length
impressions
forms
on
plate,
to
be
to
submitted
the
with
polished,
highly
skin.
best
them,
renders
according
action.
lavender.
and
even,
its
upon
with
consistency
them
the
by
properties.
new
of
tints
chemically
combines
natural
insoluble,
intensity
or
it
of
received
acts
it solidifies
gradations
images
absorbed
the
augments
bodies
the
Light
communicates
and
with
light,
white,
to
in
obscura.
camera
in
of
PHOTOGRAPHY.
which
to
consists
heliography,
by
OF
water."
Ni^pce
be
desired
could
obtain
goes
on
that, by
all
the
to
"
say
blackening
gradations
It
were,
the
of
metal
tone
however,
plate,
from
to
we
black
DAGUERRE
white.
to
this
is
purpose
the
at
which
iodine,
evaporating
DISCOVERIES.
which
substance
The
of
HIS
AND
the
In
in
engaged
which
This
had
whom
in
Louis
was
for
many
Daguerre
of
department
in
Paris,
and
with
and
M.
views
Munich,
power
he
developed
other
in
Rome,
he
produced
effects
In
the
use
his
famous
of
reflected
in
of
the
History
and
his
of
the
representing
time,
of
engaged
panoramic
and
Jerusalem,
with
conjunction
Diorama,
Photography."
torial
pic-
by
the
light.
Daguerre
obscura
other,
an-
the
transmitted
pictures
camera
decessors
pre-
in
heightened
were
De-
his
and
of
London,
1822,
which
employed
"
in
scene-
especially
that
up
under
production
of
preparation
the
Inland
to
him
for
was,
Naples,
and
places,
alternate
He
Provost
of
studied
the
from
an
threw
He
and
shade.
as
attention
both
in
far
not
his
opera.
honor
village
while
Bibiena
remarkable
light
to
photography.
first
at
surpassed
soon
of
Cormeilles,
after
chief
the
discovery
turned
the
Daguerre,
given
Occupied
and
for
painting
Mande
that
to
attention.
Ni^pce's
was
been
had
investigation
Seine-et-Oise,
officer, he
avocation,
gote,
at
the
1787.
Revenue
of
Jacques
born
was
Frenchman
riveted
years
with
the
connection
DISCOVERIES.
HIS
line
long
so
erty
prop-
temperature."*
ordinary
another
similar
the
V.
AND
meanwhile
for
employ
now
possesses
CHAPTER
DAGUERRE
37
to
quently
freobtain
38
THE
his
OF
sketches
first
have
STORY
from
the
been
and
the
his
thoughts
of
of
screen
of
the
the
the
the
to
rendering
nature
hopelessness
beauty
on
PHOTOGRAPHY.
it appears
imitating the
and
originals
dark
finding
of
out
that
some
turned
of
means
shadows
evanescent
fection
per-
presented
as
chamber,
to
permanent.
Diorama
in Paris
until
enjoyed
great
vogue
it was
1839, when
accidentally destroyed
by fire.
This
stroke
of
ill-luck, however,
was
soon
more
than
for
fame
the
artist
compensated
by the
The
achieved
the
as
of
process
the
in
sur-Sa6ne
in
early
we
by
do
know.
not
his
not,
could
or
labours,
own
achieved,
had
images.
that
proposed
view
this
certain
more
of
Daguerre
already
signed
the
of
most
agreed,
and
referred
made
his
had
tion
fixa-
Ni^pce
with
efforts
inventions.
of
he
forded
af-
the
and
deed
To
ship,
partner-
drawn
was
of
structed
con-
which
their
in
process
he
met,
their
either
results
effecting
the
to,
the
that
unite
should
Chalons-sur-Sa6ne
at
Ni^pce
time
they
he
camera,
they
his
specimens
of
of
means
Finally
making
to
improved
greatly
by
engravings
any
affirming
beyond
from
upon
however,
particulars
or
himself
received
some
give
not,
Chalons-
at
acted
return,
had
engaged
he
also
learned
putting
But,
metal
tions
investiga-
1826, he
was
Ni^pce,
In
them.
his
gentleman
and
process,
from
he
of
plates
heliographic
would
Daguerrotype
in
of
part
solved
with
several
taken
the
gone
which
on
communication
him
the
problem
been
already
had
Daguerre
when,
that
of
photography.
far
How
inventor
and
up
1829,
at
which
fully known
to
his
Ni^pce
in
collaborator.
From
1833
the
this
two
time
until
the
investigators
death
worked
of
together
for
AND
DAGUERRE
the
is
of
perfecting
said
that
as
much
in
in
Daguerre,
with
the
of
action
of
light,
he
subjected
lavender.
whether
by
the
use
required
"
after
and
plate
it to
the
to
vapour
ever
how-
method,
the
or
was
ender
lav-
to
the
in
part
exposure
picture
the
tion
distilla-
exposed
asphalt
long
time
the
been
This
of
tained.
ob-
mented
experi-
When
had
substance
of
resin
light,
this
was
results
from
lavender.
essence
the
"
of
it
such
bitumen,
obtained
essence
with
covered
resin
the
at
of
place
and
Ni^pce
that
rejoiced
the
the
the
invention
as
39
process,
in making
succeeded
the
surprised
of
heliographic
the
Daguerre
improvements
DISCOVERIES.
HIS
effaced.
has
Abney
with
his
idea
first
(which
plates
should
various
is
action
of
iodine.
glory
and
that
the
At
of
produced
to
These
be
to
plate
silver
action
images
*
"
that
to
of
applied
iodine
the
an
belongs
image
had
produced
by
men.
bitu-
noticed
those
which
plate
could
been
tions
por-
with
the
be
posed
ex-
iodine."*
were
Treatise
ened.
dark-
covered
Daguerre
that
men
bitu-
parts
on
been
face.
sur-
the
Daguerre
produced
had
discovery
on
the
which
rate
any
the
light
by
he
the
effect, it
removing
presumed
the
metallic
bare
experiments
silver
brown,
proper
the
picture, subsequently
the
It
the
periments
ex-
name.
the
was
covered
parts
whitened
be
After
to
the
his
on
the
by
produce
to
that
necessary
employed)
the
obtained
bears
asphalt
represented
order
"In
was
Niepce
being
shadows
that
the
by
from
was
Daguerre
method
the
formed
image
The
that
bitumen
of
it
that
theory
on
Photography."
exposing
THE
40
of
plates
silver
and
this
STORY
the
treatment
When
prepared
action
is formed
upon
light is necessary.
At
length
"
Niepce
that
an
rays
upon
which
is
which
appears
the
to
time
of
vapour
The
short
because
the
closet.
another,
been
still
that
mercury
ordinary
that
da-
or
the
in
the
culprit
temperature.
them.
that
was
useless
after
this
effect
operation
lying in
was
giving
that
had
the
light,
and
them,
dish
off
after
one
plates
upon
tonished
as-
diately
imme-
the
to
.was
He
chemicals
time
were
as
plates, he
closet
too
where
which
produced
substance
exposed
through
the
is
Daguerre
But,
conclusion
short
too
images
finding
covery,
dis-
made
day
closet
upon
removing
placing
exposed
this
was
been
the
at
substance
By
and
ver
sil-
of
plates,
appeared.
produced
chemical
some
nous
lumi-
conditions,
condemned
were
look
the
to
been
in
picture
came
of
the
to
the
to
One
had
had
to
see
have
led
plate is exposed
discovery
that
They
time, happening
must
the
death
iodide
metallic
light
image
to
the
to
Thanks
this
the
to
no
duce
pro-
to
by
the
interesting.
chemicals.
some
ture
pic-
to
exposure
with
as
posed
exa
order
ordinary
upon
plates
time
wheA
camera
formed
mercury.
and
several
placed
is
soon
which
in
curious
both
in
thus
created.
was
way
But
under
photography
guerrotype,
the
covered
invisible
and
in
yellow
plates
accidentally
image
as
light
subsequent
was
plate
pale
long
very
Daguerre
"
discovery
but
them.
some
Under
colour,
light
element).
the
brown
picture
iar
(a pecul-
assumes
to
of
iodine
of
vapour
chemical
silver
the
such
PHOTOGRAPHY.
exposed
assume
to
of
the
to
volatile
very
colour.
OF
he
cluded
con-
containing
vapour
at
an
AND
DAGUERRE
In
order
for
it
to
the
his
supposition,
of
the
the
had
that
been
posed
ex-
and
obscura,
camera
visible.
yet
was
of
action
41
plate
in
picture
no
DISCOVERIES.
truth
a
time
short
which
on
took
again
Daguerre
the
test
to
HIS
Subjecting
of
vapour
he
mercury,
the
delight, that
picture appeared.
the
world
Thus
accident,
by a happy
valuable
richer
made
the
was
by a most
discovery.
coveries.
disThis
the cardinal
point in Daguerre's
was
him
before
While
others
had
to
sought
of
visible
light, for
produce
a
picture by means
which
he succeeded
was
long exposure
necessary,
in hitting upon
he obtained
an
a
by which
process
invisible
short
latent"
or
a
posure,
expicture after
and
then
oped,"
"develby a second
process
it to
or
brought
light.
By this fortunate
in phoadvance
made
an
tography.
was
discovery
enormous
found,
intense
his
to
'*
less
Hardly
followed
soon
could
which
dissolved
silver
that
1799,
out
the
been
soda
as
substance
was
acted
plates
of
away
the
upon
by
discovered
iodide
the
the
by
both
the
discovery
to
and
inventors
but
the
after
first
terms
of
Daguerre
were
to
Ni^pce's
agreement
the
in
be
light.
sulphite
hyposalt.
Chaussier
in
process
pointed
and
fixing
made
agreement
1829,
attached
death,
being
of
silver
velopment
de-
salt,
adopted
of
solvent
after
common
Daguerre
obtained
thus
and
to
According
between
Ni^pce
of
washed
however,
of
the
which
discovery
image
solution
strong
and
had
Subsequently,
This
the
was
the
whereby
by immersing
fixed
be
in
was
important
his
the
names
to
son
replaced
their
sented
con-
by
STORY
THE
42
by the
another,
throw
into
times
Ni^pce,
bear
it
presented
daguerrotype.
has
It
Ni^pce
partner.
That
strongly;
but
acted
exclusively
In
to
be
the
order
the
it
made
was
the
of
9th
his, and
part
of
most
in
by
M.
the
the
partner
and
francs.
that
the
each
of
of
Claude
brated
cele-
ance
accord-
Sciences
of
of
of
month
French
was
the
being
Ni^pce
the
same
made
ment,
Govern-
purchased
by
by
his
and
of
way
six thousand
four
invention
it
gust
Au-
the
inventor
pension
the
on
details
July
the
Daguerre
Notwithstanding
in
and
the
process
he
the
representations
to
pany
com-
attempt,
the
of
public,
receiving
and
part
Arago,
of
30th
others
made
that
francs
the
of
and
form
the
although
daguerrotype
State
that
respecting
until
consequence
Arago
too
discovery,
announcement
communicated
On
his
to
physicist,
Academy
1839;
following.
year,
an
the
January
not
were
advice
to
matter
guerre
Dafeeling that
in thus
giving his name
all
which, to give him
in
and
astronomer
his
vention
in-
his
business-like
have
tried
to
appears
it ; but, failing in
work
to
known
his
M.
to
process
with
of
more
Daguerre
made
confiding
one.
make
to
of
help
only
lesser
was
name
too
putting
invention
was
should
the
honour
and
cannot
an
or
by
process
the
the
ungenerously
credit,
perhaps
of
sharper
one
ten
photography
that
out
may
had
discovered
under
world
asserted
his
pictures
new
practical
deluded
by
the
he
process
that
to
was
Daguerre.
the
to
been
was
possible
of
that
first
new
than
that
name
was
Daguerrc
produce
quicker
the
only
Thus
would
condition
on
which
partnership
which
twenty
PHOTOGRAPHY.
of
terms
the
discovered
OF
muneration,
re-
thousand
was
thua
THE
44
Up
this
to
been
not
STORY
time
was
Mr.
to
achieve
lenses,
produce
that
rotype
produced
extremely
perishable
while
on
almost
with
defect
toning
of
solution
the
the
to
until
the
process,
says
and
effect, the
the
which
from
forms
the
brightness
results
of
have
the
on
its
in
the
subjected
of
silver
the
ver
sil;
forms
ened
dark-
it,
covers
its
dark
the
all
in
which,
globules,
and
solidity
gold,
of
is
results
way
small
pictures
this
over
given
upon
of
in
little
the
some
of
lights
to
sulphite
hypo-
was
from
and
permanency
daguerrotype
been'
of
contrary,
the
of
degree
greater
the
with
solution
which
number
union
of
reflection
in
lights, is augmented
by
method
differ"nt
gold
away
description
strengthening
infinite
an
increase
Most
mercury,
of
state
of
film
results
The
parts.
is
picture,
the
thin
the
by
the
of
shades
do
heated
his
its
soon
which
was
very
by
effaced
with
precipitated
which
silver,
operation
with
but
mercury,
were
were
strength
in
this
gold
the
and
dissolved,
required
In
Fizeau.
upon
placed,
Fizeau,
M.
picture.
M.
To
mixed
plate,
been
daguer-
they
with
was
the
and
the
friction
air
picture
pool.
Liver-
method
adopted
gold
"
the
in
the
had
spirit-lamp
in
by
the
Fizeau
of
soda,
of
obliteration.
M.
Chloride
gold.
enlarged
little
to
to
gilding
or
of
Towson
very
exposure
darkened
this
life
use
Daguerre's
by
from
enabled
introduced
was
first
was
improvement
valuable
Pictures
Mr.
by
it
who
the
by
had
The
portrait
York,
result
process
them,
New
introduced
as
fact.
actual
an
of
Draper
Another
of
accomplished
an
to
person
PHOTOGRAPHY.
photographic
portraiture
these
discoveries
through
possible:
became
soon
OF
the
markable
re-
picture.**
still in
process.
which
ence
exist-
PHOTCXJRAPHY
ON
According
PAPER
Abney,*
to
reproduced
by
image,
after
development,
small
extent.
very
of
means
account,
have
been
having
been
and
less
PHOTOGRAPHY
their
different
who
entitled
is
Fox-Talbot
in
the
at
Harrow
he
carried
1820,
first
and
arrived
was
rank
with
the
Person
steps
"
in
sat
and
the
Treatise
his
to
for
where
Greek
in
he
proved
realisation
of
Photography."
gations
investi-
gave
himself
the
reformed
first
but, scientific
taste,
in
verse
wrangler
which
on
Wilts,
educated
was
the
devoted
discovery
towards
photography.
Abbey,
twelfth
as
Chippenham
in
prize
Frenchmen
two
Cambridge,
for
years,
to
the
by
Fox-Talbot,
College,
He
two
led
Henry
and
year.
more
results
century,
Trinity
being
working
was
Laycock
at
GLASS.
perfecting
like
at
This
graduated
Parliament
first
of
year
and
not
practical
easily
more
were
discoverer
ofif the
after
Daguerre
born
was
following
that
to
does
ON
AND
investigator
independent
an
as
and
method.
be
much
to
PAPER
lines, and
similar
on
could
VI.
another
process,
by
they
by
superseded
methods.
expensive
ON
Niepce
plates
however,
turned
to
introduced
that
so
CHAPTER
While
Grove
process,
the
relief, although
R.
acid,
The
manageable
W.
be
that
daguerrotype
hydrochloric
to
appear
Sir
45
may
showing
is in
etching
from.
printed
GLASS.
daguerrotypes
electrotypy,
of
method
ON
AND
tics
poli-
up
to
one
studies
of
the
photography.
46
THE
Fox-Talbot
tells
in
published
in
attempting
the
Lake
imperfect
of
make
to
his
of
objects
presented
possibility of fixing by
those
process
this
of
zeal
idea
and
result
exquisite
he
devoted
that
was
To
and
the
tion
realisa-
with
the
him
to
most
ut-
arrived
gradually
surprising
as
ratus
appa-
chemical
some
himself
perseverance,
the
by
shadows.
shores
by the
pictures
the
copy
surrounding
the
the
turned
to
of
means
on
were
made
1846, how,
by
landscape
Nature,"
and
drawing,
thoughts
he
Pencil
"
1844
a
of
attempts
to
at
his
between
parts
Como,
PHOTOGRAPHY.
in
us
obscura,
camera
of
OF
STORY
it
as
was
satisfactory.
He
his
began
method
consisted,
in
Magazine
in
experiments
described
as
in
the
writing
fine
soaking
of
of
it with
in
and
drying
of
process
and
solution,
in
the
nitrate
increased
an
outline
of
of
the
this
Thus
that
by
in
of
nitrate
was
duced.
produe
was
of
salts
two
salt
to
silver,
the
white
point
had
he
hour,
of
paper
in
depicted
his
after
while,
this
the
the
in
paper,
microscope
solar
be
to
second
of
means
in
an
full
posure
ex-
gratification
image
the
scura.
ob-
camera
discoveries
by
cast
he
had
1835.
far
which
in
impression
the
upon
the
ver
sil-
ing
repeat-
with
light
to
of
By
paper
the
it with
by
object
an
an
To
attained
the
about
receiving
lens
that
obtain
to
half
in
the
side
one
excess.
states
of
sunshine
of
in
being
enabled
was
fire.
the
weak
nitrate
sensitiveness
combination
Fox-Talbot
he
it at
sensitiveness
This
use
of
coating
in
brushing
saturating
then
silver, greater
the
then
solution
cent,
per
12
water,
the
salt,
common
first
Philosophical
paper
solution
his
1833, and
Talbot's
Wedgwood
process
and
was
Davy
the
had
same
obtained
as
PHOTOGRAPHY
their
he
results
had
much
to
The
his
of
pictures.
of
fixing."
six
For
short,
only
silver
able
were
baffled
had
of
perseverance
ing
wash-
thoroughly
them
soaking
solution
he
discovered
sium
potas-
into
them
had
in
of
turned
Fox-Talbot
years
had
the
process
succeeded
in
Professor
1839,
of
method
permanent
the
Institution
himself
and
read
giving
full
this
In
flowers
from
he
truth
venation
of
it
inventor
Society
kind
fresh
with
renders
the
the
even
hairs
minute
the
leaves,
jects
ob-
process
selected
or
fidelity, exhibiting
the
of
this
by
ventor
in-
Royal
Royal
to
These
the
the
later
process.
The
first
leaves,
and
of
copy
either
the
as
his
:
January
Fox-Talbot's
the
says
silhouette
of
25th
before
attempted
and
fixing the
days
"
herbarium.
my
utmost
of
account
paper
which
were
paper
that
by hearing
members
few
then
only
Drawing,"
the
to
of
secret
was
described
"Photogenic
it,
and
the
On
Faraday
called
clothe
his
obscura.
camera
the
kept
himself,
to
divulge
to
Frenchman
that
the
He
"
experiments
beautiful
produced
by
that
existence,
if
In
investigations
impelled
more
in
he
47
"
secret
my
how
then
bromide,
or
by
salt, or
common
iodide
his
and
impressions,
the
to
that
they
which
therefore,
found
He
solution
light than
yielded
GLASS.
before;
years
chloride
of
rendering
to
investigators
ON
AND
thirty
problem,
Fox-Talbot.
of
in
sensitive
more
those
than
more
succeeded
do.
PAPER
ON
possible,
some
action
the
they
and
the
were
were
subject,
the
upon
images
of
destined
resolved
method
to
of
of
commencement
very
which
light,
to
when
saw
thus
were
the
regretted
have
attempt
preventing
such
to
brief
find
this,
out,
or
re-
48
THE
it
tarding
much
as
considerations
of
The
if
light, is
of
it
picture
produced
to
is
there
it
be
longer
they
change
will
other.
In
before.
the
it
white
that
after
this
and
dark
parts
their
has
action
follow
not
and
upon;
will
change
assimilate
to
ical
chem-
acted
differently
does
black
same
the
process,
spontaneous
of
case
become
Consequently,
light is subjected
solar
be
tend
now
has
longer
by
to
process.
which
no
white
still
so,
possibility
evidence
no
subject
are
the
was
will
place, these
taken
conceive
chemical
any
of
parts
following
silver,
that
dark
and
of
nitrate
afterwards
The
to
me
substance
a
possible.
preservative
action
the
by
PHOTOGRAPHY.
as
led
discovering
"
OF
STORY
any
that
that
to
each
them
the
dissimilar
remaining
if
or,
remain
will
picture
will
this
and
method.
"of
says,
application
as
to
of
first
perhaps
and
by
of
conditions
which
nature
us
at
they
length
to
least
at
of
which
up
of
express
in
by
has
scientific
he
these
is
consequences
in
its
accepted
inductive
noticing
the
dent
(which accismall
degree),
some
with
be
the
circumstances
manifests
them
following
the
varying
unusual
is
that
out
turn
may
value
the
science,
modern
of
occurrence
it
will
arts,
of
proof
new
methods
the
"a
phenomenon,"
value
whatever
all
of
value
remarkable
This
"
the
on
the
fettered,** he
be
may
reflection
shortly
which
of
emblem
on
by
process
momentary,
following
the
the
proverbial
the
and
commenting
After
of
marvellousness
discovered
**
perfectly,
another.**
afterwards
fleeting
reasoning, Fox-Talbot,
trials,
answered
which
shadow,
of
process
unsuccessful
some
method
ject
ob-
our
accomplished."
be
Applying
after
therefore
and
visible,
experiments,
until
the
true
apprehended,
altogether
and
law
ducts
con-
un-
PHOTOGRAPHY
expected,
we
it
arrest
fix it
so
even
if thrown
firmly
it derived
did
of
which
he
the
outcome.
over
with
By this
picture
was
of
trate
time
to
gentle
the
induction
had
found
Talbot
for
material
few
obscura
method
was
picture
spurred
Calotype
sensitive
time
of
only
in
the
to
ment
Developof
gallo-nithe
at
same
obtained
by
of
had
the
paper,
of
trace
to
of
search
his
for
he
plates,
for
camera
impression.
an
that
there
he
This
the
paper
paper
in the
although
one.
As
the
light
exposing
his
of
therefore
posed
ex-
vapour.
on
exposure
were
seconds,
afterwards
mercurial
of
Daguerre
few
preparation
action
developer,
application of
a
plates
for
convinced
on
gallic
necessary
reasoning.
prepared
even
the
as
remarkable
produced
least
him
acid
gallic
have
on
and
exposed
state,
being
brushed
was
nitrate
the
process
"
heat.
the
to
the
was
the
must
the
"
silver
Daguerre
that
seconds
Talbot
some
of
half-wet
action
the
concluded
see
be
used
same
of
light,
could
to
which
description
experiments
chloride,
name
process
that
if his
the
to
them
of
already
upon
showed
Fox-Talbot
picture
made
place
lighting
In
seeing
greatly reduced.
efifected
by an
application
the
silver, exposing
picture
secure
fact,
Fox-Talbot
however,
he
mixture
then, in
camera.
from
sunbeam
After
the
gave
the
success,
Paper
acid, and
be
first
process,
in
iodide
silver
is the
fleeting shadow,
a
single minute
capable of change,
more
into
Daguerre's
with
to
no
satisfied.
rest
trary
con-
origin.'*
this
not
Such
49
and
experience,
belief.
be
back
its
With
in
to
as
GLASS.
ON
the
paper
of
the space
on
and
there,
AND
usual
universal
receive
may
PAPER
from
remote
almost
to
that
ON
could
must
not
conviction
something
that
THE
5"
PHOTOGRAPHY.
OF
would
no
STORY
inclined
be
with
latent
the
attribute
to
Daguerre's
chance,
to
pictures
haphazard
for
his
racked
suited
his
this
to
mind's
which
particular
eye
many
relation
no
which
those
the
when
rays
upon
the
albeit
upon
light.
of
silver
so
he
had,
as
augmented
thought,
paper
it
not
was
means
he
in
action
this
by
in
conceived,
prepared
slight that
"
well
as
tried
that
to
under
by gallic acid
kind,
although
of
the
The
an
action
obscura,
camera
might
perhaps
be
gallic
two.
produced
visible
the"
light;
by
as
the
stood
him
when
manner
powerful
he
tively
instinc-
directed
blackened
are
more
those
and
similar
heated,
the
reasoned
his
from
substances
all
survey
means
before
analytical faculty
is identical
both
is much
solar
and
of
salts
of
acid
so
in
had
He
thing
any-
contrary,
after
of
purpose,
acted
slightly
action
his
to
influence
The
his
from
doing
the
on
object.
his
mercury
experiments.
his
search
thousands
but
excluded
in
the
his
choose,
to
in
of
afifair.
of
his
Talbot,
purpose.
brains
vessel
of
case
selection
without
obtained
were
the
was
Talbot's
pictures.
was
no
gallic acid, however,
had
the
not
placed
Daguerre
in prosecution
in the
cupboard
His
as
carried
of
gallic acid.
the
experiment.
"
on
Acting
It
was
tion
the
justness of the inducentirely successful, and
proved.
was
thereby
in
done
The
by washing
was
"fixing"
pure
with
the
drying, treating
and, after
water,
paper
and
of
solution
of
bromide
again
potassium,
a
and
The
"negative,"
as
washing
drying.
paper
THE
52
STORY
OF
PHOTOGRAPHY.
the
he
subsequently
which
nation,
his
process
more
In
the
1842
its medal
of
of
had
course
effect
the
his
protected
by
process
his patents
presented
patent
the
to
of
making
Royal
him
Society
of
presented
His
discovery.
his
referred
is
above,
to
with
Pencil
"
collection
of
of engravings
landscapes, portraits, fac-similes
In
lithographs, etc., produced
by his process.
work
he
work
is to
says
is
trust
the
thus
with
of
to
given
much
when
"
of
British
to
the
the
of
thing
be
they
turity
ma-
of
the
works
tendency
perhaps
at
first
the
are
to
artistic
wondered
we
son
compari-
bear
show
ginnings
be-
which
Some
most
they
to
that
consider
we
and
that
present
brought
will
and
early
period,
being
public
best
not
the
the
talent."
Unfortunately
to-day.
fade
aid
its
of
the
of
some
art, before
new
of
object
record
on
approaching,
by
works
chief
The
"
place
of
popular.
in honour
Nature,"
had
fruits
of
photography.
and
by
of
and
light
photoglyphy,
he
of
to
which
does
not
of
albumen
he
on
which
the
paper
in
to
positives
process
made
headway,
threatening
the
daguerrotype
method,
of
in
to
the
printed.
are
totally
when,
mentioned
gloss
been
other
be
give
name
have
Fox-Talbot*s
may
In
1853.
the
gave
appear
to
of
composed
potash
photography
to
paper
Gradually
of
Amongst
introduction
surface
surface
upon
bichromate
latter, however,
successful.
very
contributions
his
scription
de-
the
of
means
gelatine
the
published
Talbot
in order
he
made
to
experiments
instantaneous
pictures (185 1),
photographic
steel
of
notice
method
of his
on
engraving
of
obtain
works
other
Amongst
photography
to
supersede
consequence
PHOTCXJRAPHY
of
certain
ON
it
St.
glass
as
St.
and
his
he
for
like
Victor,
attention
material.
was
soldier
his
to
study
first, however,
the
not
the
sensitive
having
some
tried, its
even
time
that
perhaps
and
that
to
photography,
with
perfect the invention
so
intimately
family was
to
for
to
natural
was
turn
Herschel
and
his
the
It
was
coverer
dis-
original
scientific
support
the
to
of
He
John
Sir
turn
caused
"
attention
name
identified.
as
to
camera
found
endeavour
the
glass
of
difficulty
he
investigation.
should
thoughts
which
cousin
of
use
Nevertheless,
considerable
should
the
53
the
the
sensitizing
Niepce,
Nic^phore
support
devote
photography,
profession.
by
in
flat
GLASS.
to
and
instance,
lie
to
Victor,
of
attached
for
grain,
"
ON
AND
inconveniences
its
paper
of
getting
Ni^pce
PAPER
to
of
salts
use
silver.
before
years
gested,
sug-
for
employment
that
purpose.
In
was
of
order
bottom
of
silver
salt
of
spread
the
over
sensitive.
the
found
made
silver
state
some
extent
to
experiments
public
through
to
picture.
silver.
to
the
But,
the
good
of
Sir
\.\\q Journal
on
moved
re-
left
glass
was
now
highly
the
camera,
ing
light by receivsified
intenalthough
prints
John
white
then
become
in
the
at
film,
electro-deposition,
by
get
the
nitrate
in
this
of
was
and
it
negative
impossible
These
of
of
water
syphon,
glass responded
faint
to
The
film, causing
Exposed
silvered
a
of
form
the
tions,
solu-
solution
glass, laid
Gradually
in
glass.
solution
dry.
vessel.
the
means
of
plate
matter
silver
diluted
very
with
muriate
deposited,
was
by
to
shallow
surface
over
of
mixed
poured
was
the
he
organic
discoloration
prepared
salt, which
far
how
out
the
to
necessary
Herschel
This
find
to
it
was
therefrom.
Herschel
of
the
Royal
were
So-
STORY
THE
54
ciety^ and
of
attention
the
his
glass
substance
organic
chemical
particles
such
idea
be
to
as
had
he
able
in
retired
the
on
leisure
the
of
2th
glass by
Victor
of
spread
iodide
of
of
When
camera.
it
found
This
from
invention
in
the
some
his
of
most
and
on
the
to
photography
glass
his
was
glass
the
of
of
St.
layer
coating,
purpose
albumen,
the
of
silver.
For
all
in
of
solution
bath
of
nitrate
plate of glass
in
impression
easy
the
thin
for
sensitized
image
of
tory
labora-
Tissandier,
iodide
negative
the
on
which
his
studies,
M.
film
it first
then
starch,
rupted
inter-
homogeneous
this
comparatively
positive prints
of
it with
obtain
to
of
for
of
adapted
dry,
by
where-
daring
the
says
plunged
When
silver.
served
forms
potassium,
his
communicated
plate
sensitize
he
purpose
of
albumen.
saturated
inventor
he
now
process
admirably
To
1847
had
his
negative,
which
required.
this
of
upon
and
smooth
made
his
use
his
make
albumen,
list, he
he
as
were
he
Being
Sciences
the
which
down.
1848
to
photograph
1848,
continue
to
June
of
Academy
To
in
covering
dis-
view
film
labours
of
barracks
enforced
on
producing
Revolution
burned
were
of
the
action
discovery
his
for
development
instrumentality
the
the
troubles
the
able
suit-
the
early
announce
Unfortunately
by
to
succeeded
glass.
time
in
progress
the
through
As
not
some
to
with
medium.
Victor,
nidus
as
port.
sup-
from
of
submitted
be
to
such
made
had
serve
the
St.
failed
layer
experimenting
light, began
of
to
as
Ni^pce
had
with
turning
glass
to
was
Herschel
plates
of
effect
number
that
perceiving
coating
the
investigators
many
Amongst
who
had
doubt
no
PHOTOGRAPHY.
OF
fixed
matter
the
St,
Victor
to
obtain
negative.
negative
on
glass
ren-
PHOTOGRAPHY
dered
ON
it
produced
much
reaped
M.
advance
of
high
One
the
of
of
dish
or
five
and
fresh
fork
bromide
of
salt
then
are
for
of
grains
is
it
with
allowed
the
is
poured
thin
to
ten
puts
twelve
The
the
in
into
of
the
of
glass
is
plate
after
it
lin
mus-
or
plate
before
and
albumen,
white
ofif
film.
even
oughly
thora
quantity
on
heating
common
through
drained
sufficient
final
of
into
for
rest
of
grains
again
dry spontaneously,
to
given
be
may
hardens
at
liquid
albumen
cover
now
clear
bottle.
iodized
to
remain
about
20
strained
deep
whisk
minutes
whole
The
"
with
it is converted
is then
to
the
the
ing
prepar-
into
grains
10
still
to
of
thrown
and
sults
re-
others.
potassium,
and
mixture
when
suitable
of
hands
follows:
as
three
or
until
up
and
together
two
added,
allowed
hours,
are
potassium,
The
and
eggs
iodide
beaten
froth.
was
cided
de-
practical
methods
use
beaten
carefully
wooden
600
in
the
carried
Gray
improved
have
to
in
soon
Le
art.
invention,
produced
was
M.
by
many
then
albumen
whites
It
in the
it was,
it
$$
deed,
In-
appear
his
though
order.
perfection
greater
not
from
Blanquart-Evrard
GLASS.
revolution
does
advantage
in
step
of
St. Victor
ON
photography.
to
complete
M.
Although
AND
service
immense
an
PAPER
which
fire.
it
This
condition
sensitizing.
for
This
side
nitrate
of
drachms),
plate
wet,
and
of
usual
be
image
in
immersing
solution
exposed
be
in
in
slightly
its
is
If,
of
ounce
one
it may
way.
plate
in
and
exposed
The
the
silver
may
or
consists
process
dry
of
acetic
acid
The
water.
still
whilst
camera
and
again
(2
dried
state.
developed
on
washed
pared
pre-
composed
distilled
the
the
by gallic
development,
the
acid
image
in
the
is of
$6
a
THE
STORY
faint
somewhat
PHOTOGRAPHY.
OF
colour,
small
quantity
of
and
of
aceto-nitrate
gallic acid
silver, in equal
tones
it, the
evenly
over
proportions, is poured
will
force
be
and
and
deepened
vigour given to
the
picture.
When
of
application
obtained
is
without
taken
be
may
has
finished
been
operation
by the
the
of soda, a negahyposulphite
tive
from
which
positive impressions
the
sensitized
The
dried
till wanted.
Indeed
method
much
were
After
and
Le
Gray,
Besides
the
the
though
equally
to
quickly
fix
St.
Something
obscura,
place
by
this
others.
process
and
Victor,
the
to
in
all
greens,
found
He
Exposed
to
his
to
succeeded
evanescent.
them.
led
time
and
reds,
diffused
method
following
subject of
obtaining
very
it
vivid,
impossible
light, they
faded*
VII.
CAMERA
THE
chemistry
pared,
pre-
valuable.
CHAPTER
Step
and
albumen
which
much
devoted
blues,
yellows,
produced
the
most
glass,
on
photography,
colour
of
researches
photography
Becquerel,
travellers
by
dark
were
improvements
gested,
sugFrenchmen,
Blanquart-Evrard
being
the
in
kept
plates
used
thus
plate,
and
of
those
of
dry
modifications
many
and
publication
the
varnished.
being
albumenized
be
might
its
with
by step
went
has
from
on
the
already
which
LENSES.
AND
the
progress
development
been
the
said
camera
of
photographic
of
about
of
the
the
the
camera.
camera
photog-
THE
took
rapher
in
end
other
and
When
focus.
inserted
in
its
place.
effected
by
the
withdrawal
the
of
removing
all the
light
These
must
the
are
if
and
the
it
cap
from
the
shutter
back
"
light
is
the
which
camera,
conditions
of
though
camera,
moved,
re-
and
of
the
thus
is
'*
or
features
to
has
lens, through
fulfils
perfect
the
pass.
essential
apparatus
is
slide
the
glass
to
of
the
to
brought
taken
Exposure
to
which
ground
dark
box,
while
be
be
to
the
is called
dark
it may
object
focussed,
than
adjusted,
glass, upon
which
by
what
and
is
ground
the
carefully
been
57
principal apparatus
pencil of light, we
the
less
lens
is fitted
is cast,
image
by
nor
whereof
end
one
more
LENSES.
this, the
In
drawing
nothing
have
AND
rise.
its
used
CAMERA
quired
re-
the
plest
sim-
form.
disposition of
will
be
easily
The
camera
Fio.
to
Figs.
body,
plate
B
or
when
has
and
screen,
made
to
fit
in
which
the
D
into
allow
to
of
undergone
these
four
various
slide
the
primary
changes
in
parts
and
or
back,
the
body
shutter
taking
exposure
the
focussing
glass
groove
is
zz.
represents
dark
the
E
of
of
the
reference
by
ground
the
is withdrawn.
is withdrawn
Each
ii,
lens, C
the
understood
Fio.
and
of
parts
zo.
ID
is
which
various
the
the
which
place.
camera
modifications
S8
of
THE
the
the
form
the
early
out
of
its
was
the
means
the
the
this
advance
or
the
R.E.
that
and,
camera
concertina
in
is
Its
it
from
is
body.
the
in
soon
rarely
structed
con-
dis-
of
permitted
time
seen
body
1854.
given
advantages
that
body
was
it
as
generally
was
found
sliding
one
almost
to
to
the
without
the
what
credit
The
at
were
of
of
introduction
form
bellows
by
used.
the
by
contrivance
apparent
ordinary
single box,
being
it
Camera.
Daguerre's
the
action
was
This
(Fig. 12).
"
effected
as
Fowkes,
adopted
this
the
camera
improvement
next
is known
12.
lens
one
was
this
In
bility
possi-
no
make
boxes,
two
Daguerre's
plan
on
than
camera
of
affair.
was
to
was
of
consist
FiG.
The
step
other.
on
more
there
state
lens, has
spectacle
often
was
complicated
first
instance,
photography
and
box
next
apparatus
within
tinct
for
instrument,
of
of
progress
properly
insufficient, the
of
the
Then
focussing an object.
attained
a
by adopting
telescope
tube
the
working
lens, and
holding
of a rack
But
this being
and
pinion.
of
to
with
somewhat
in
camera
the
days
cigar
into
developed
end
of
in
PHOTOGRAPHY.
OF
represented
body
which
made
here
The
art.
the
STORY
Captain
once
so
universally
present,
the
bellows
an
6o
THE
back."
the
be
STORY
is
This
"
in
or
forwards
as
it
of
top
side-swing,
brought
In
some
front
a
side
called
is
and
The
of
use
in
without
the
knees
good
the
of
way
to
barge-like
vertical
when
If
in
made
of
side-swing
movement,
it becomes
her
she
was
is much
although
extremely
pictures
A
cameras.
into
is
is
It
in
the
by
erator
op-
shown
from
gondola,
forgave
"
the
as
in
consideration
ever
be
bring
to
use
time
hand
fallen
she
emplified
ex-
it would
noticeable
reclining
lady
best
perhaps
same
lens
this
appendages,
The
mortal.
rising and
the
illustration.
ball.
the
error
accompanying
who
the
the
neglects
photograph
her
single-
It
description.
formerly
particularly
of
capable
contrivance,
at
swing-
lenses
focus
of
example
this
the
small
who
in
of
is
with
taken
aid
of
camera.
rarely used.
of
is
swing-back
taking
into
This
head.
the
lens
occasionally
further
no
of the
be
it is
idea
be
the
the
it is
should
the
for
calls
the
with
impossible
of
or
may
termed
and
although
extension
falling front,
is
than
front
the
moving
front
the
motion,
an
lens
other.
to
is what
the
horizontal
the
without
that
lateral
than
swing-back,
as
the
there
well
simply
the
the
that
ground-glass
adapted
lowered
or
convenience
slight
lens
vertical
being
the
By
tically
ver-
backwards
from
the
adjustment
cameras
as
of
the
to
raised
be
versd.
vice
nearer
instrument,
to
further
one
similar
placed
effect
can
the
By
of
part
either
angle,
is swung
the
or
that
screen
direction.
required,
be
may
bottom,
the
small
ground-glass
the
which
by
ground-glass
horizontal
movement
or
the
through
swung
PHOTOGRAPHY.
contrivance
holding
camera
**
OF
dainty
surely
less
there
useful
the
feet
"
a
on
tographer
phosuch
more
than
used
than
are
sions
occa-
fashioned,
simple
advantages
that
being
Fio.
so
easily get
to
the
modern
they
should
with
the
up
and
not
be
as
camera
to
the
the
as
and
strength
simple
order.
possible
front
front
for
of
to
be
additions
have
however,
been
not
distinct
some
slighted.
good
need,
ment
instru-
possible, consistent
should
be
durability, and
light
in
its
be
should
their
perhaps,
not,
various
The
reference
should
latter-
many
have
do
they
old-
13.
camera,
without
applied
and
of
out
so
undoubtedly
They
one
"
prefer the
to
without
cameras,
appliances.
day
affect
photographers
Some
6i
LENSES.
AND
CAMERA
THE
as
capable
use
being
with
drawn
of
back
The
working.
being
wide-angle
out
to
as
of
brought
lenses,
double-
62
THE
STORY
extension.
front,
back
OF
should
It
reversing
and
front.
PHOTOGRAPHY.
have
frame,
Such
and
14
Thornthwaite's
and
becomes
described
to
it
the
Horn
in
shown
as
lens.
Figs.
obscura
camera
lens
a
was
face
of
it
being
Chevalier,
cameras
for
the
it
now
important
most
the
seen,
generally,
of
speak
to
the
"
have
we
glass.
both
swing
is Messrs.
camera
Fec.
vex
falling
14.
the
necessary
adjunct
his
and
15.
Having
As
should
Whitehall,"
"
rising
camera
Fig.
"
Daguerre,
in
used
Porta
plano-convex
the
con-
15.
turned
French
which
towards
the
optician,
turned
the
ground-
who
lens
made
the
THE
Other
CAMERA
The
ground-glass.
and
called
focal
remedied
was
each
the
of
of
Another
concave.
to-day
taken
was
lens, combinations
In
order
clear, it
too
and
will
be
the
of
to
passing
through
out
of
its course,
but
spectrum,
to
say,
which,
of
of
place
who
lenses
further
the
lens
the
lens
single
adopted.
these
changes
into
going
little
into
the
(page 25)
shown
in
is
of
as
tails
de-
nature
lenses.
light,
that
of
towards
without
enter
called
optician
for
reason
already
"
metal,
made
were
It has
bent
in
lenses
necessary,
abstruse,
property
of
make
to
of
spoken
surface
step
when,
of
fault
construction
plane
is
This
hole,
photography,
the
ness
clear-
what
discs
English
an
the
to
by changing
advance
into
Ross,
days
small
commonly
attention
early
of
diflferent-sized
more
Andrew
his
turned
of
use
but
stops."
in
with
pierced
in
gained
extent
the
next
diminished.
was
the
by
diaphragms,
"
plane
side
flat
thus
the
but
definition,
the
its
placing
image
about,
way
6$
LENSES.
AND
been
we
no
get
matter
band
what
up
of
ray
is not
prism,
broken
that
or
only
dispersed
colours,
the
or
substance
64
THE
of
the
prism,
namely,
In
always
of
fall
desire
It
in
light
be
1
6)
the
the
the
the
and
till
they
hand,
rays
is,
the
be
still
fracted
re-
base
that
so
of
the
other
17.
of
ray
it
towards
the
they
the
other
will
be
the
on
about,
that
seen
"
at
other
way
base
the
prism
refracted
are
If,
E.
at
prisms
light proceeding
upon
that
apex,
bent
of
happens
together,
the
on
other
the
to
apex
gram
dia-
can
the
never
(Fig. 17).
meet
In
in
which
pencil
thing
being
rays
prisms
see
each
place
the
same
impinging
shall
cross
still
"
and
we
we
that
let
bends
the
rests
one
object
D,
of
ray
to
us
base.
bring
of
an
enable
so
accompanying
The
Fig.
trom
see
lines, which
coloured
prism
prism,
the
now
base
should
dark
and
the
base.
towards
we
place,
from
that
its
reverse
If
blue, violet.
we
by
particular
seen
towards
we
crossed
order,
same
green,
spectrum,
same
the
the
speak.
to
will
the
in
yellow,
colours
(Fig.
if
PHOTOGRAPHY,
occurs
orange,
definitely
we
always
red,
band
fix
OF
properly-formed
the
STORY
these
reality
and
As
two
the
the
one
portions
or
of
of
arrangements
principle
concave
both
of
or
of
spheres,
the
prisms
or
convex
divergent
the
surfaces
the
curved
lenses
of
the
surface
have
we
ing,
convergtively.
respec-
lens
or
are
sur-
faces
Fig.
lens
it
will
which
its
of
do
it in
through
Besides
what
of
line
with
the
ing
connect-
it
as
is
the
called.
principal
undergo
not
its
called
is
Fio.
of
rays
of
which
at
which
this
they
the
surface
the
will
double-convex
radii
of
from
which
each
their
the
other.
line
and
oblique
to
the
axis;
Fig.
are
E,
19
the
lines
the
parallel
are
of
line,
panying
accom-
clear.
point
is
points
two
The
points
the
at
of
cuts
surfaces
at
centre
centre
surfaces,
their
axis,
the
it
which
both
surfaces,
drawn;
crosses
in
oblique
straight
this
further
From
respective
is
line
of
curvatures
by
19.
this
the
centre.
make
of
being
till
lens,
to
Fio.
the
connect
optical
diagram
to
to
continued
is
point
and
cut
be
must
both
surface,
each
from
lines
parallel
principal axis,
the
axis
the
pass
for
rule
finding
The
two
curvature
possesses
which
is the
\:i
which
light.
draw
to
lens
i8.
through
point
is
coincide
perfectly
axis,
in
refracted.
are
is
that
surfaces
N, the
principal
light
lens
the
and
Thus,
centre.
that
seen
6$
LfiNSES.
from
from
is
rays
of a
axis
be
drawn
are
The
struck
be
must
AND
CAMERA
THE
impact
on
connecting
this
where
D,
situated
the
optical
centre.
The
in
the
of
centre
surface
convex
by carrying
out
5
the
plano-convex
of
above
the
lens,
rule.
lens
as
When
is situated
will
be
one
seen
side
66
THE
of
is
lens
centre
glass,
will
OF
flatter
than
the
case
the
optical
be
of
in
the
is
from
which
Fio.
the
from
oblique
the
E, which
from
the
from
this
fact
annexed
are
the
continued
that
of
and
has
and
collection
of
produced
A
are
of
joining
the
axis
at
centre.
arises
centre
lens
is measured
time.
rays
As
are
light
not
only
refracted,
we
the
to
we
bent
are,
have
more
as
the
see
will
at
diagram
light
of
refracted
are
when
They
rays
lens,
is
prisms,
referring
bi-convex
violet
cuts
line
that
lenses
as
them.
by
by
same
it
faces,
sur-
continued.
"
it
prism
which
two
VIII.
shown
been
dispersed
a
lines
point.
LENSES
through
as
diagram
the
optical
the
CHAPTER
It
optical
focus
the
lens,
parallel
of
till
the
importance
the
20.
axis
is therefore
The
outside
curvature
the
to
points,
two
of
centres
periscopic
or
the
B
optical
surface.
meniscus
centre
the
other,
convex
deep
perceived
(Fig. 20),
PHOTOGRAPHY.
the
towards
moves
In
STORY
it
out
effect
be
once
ceived
per-
(Fig. 21),
dispersed
of
but
same
(Fig. 9)
seen
but
were,
that, falling
and
passes
their
upon
at
that
course
in
a
the
the
68
THE
STORY
the
actinic
visual
time
that
at
long
Sir
Isaac
But
opinion.
question
all
for
the
their
in
by
crown
placing
glass
due
the
to
glass,
of
in
breaking
each
and
case
Figs.
up
of
case
and
of
white
does
caused
without
lenses.
lens
focus
22
power
is
principle
positive
or
brought
prism
same
negative
convex
focus
23),
By
of
flint
of
lens
the
light
defects
its
into
is corrected.
colours
component
In
(as
the
as
23.
glass
The
in
or
concave
behind
crown
flint
diffraction.
applicable
course
glass
of
use
the
affecting
of
the
Fio.
22.
be
can
in
vary
than
dispersion
as
glass,
former,
power
the
in
refract
dispersing
therefore
prism
glass
by
of
and
flint
the
refracting
of
well
as
densities,
less
that
that, whereas
and
respect,
this
of
disperse
different
Correction
Fio.
about
all
Crown
this
with
compared
glass.
the
for
disperse
possessing
rule,
flint
fact
not
of
being
qualities
general
in
degree.
same
instance,
as
do
light, they
in
for
for
out
way
the
defect
remedy
been
was
was
truth,
substances
transparent
refract
discovered
was
even
is, in
difficulty, and
every
it
Newton
there
It
existed
remedy
no
or
having
not
recognised.
properly
that
chemical
between
achromatism
thought
defect.
PHOTOGRAPHY.
distinction
tographers,
and
OF
the
its presence
counteracting
negative
is
the
due
focus
solely
dispersion
is of
lens
to
the
caused
flint
sity
neces-
by
the
69
LENSES.
Other
remains
principle
It
fixed
thus
be
may
three
achromatic
lenses
more
the
but
another,
same.
that
way
or
against
one
the
this
in
is
the
as
Sometimes
lenses.
(or
combination
the
"no
known
colour")
lens
is
rived
ar-
which
has
to
be
at.
Another
into
taken
exercised
fact
of
we
will
be
the
traversing
from
perceived
the
in
marked
any
obtain
exhibit
lenses
say,
the
at
its
use
of
The
is to
as
it were,
so
doing
serves
of
depth
of
angle,
enhances
light
rays,
is meant
(Fig. 24).
lens, is
sharp
with
of
full
its
at
if
width.
The
present
it
make
to
image
amount
stop
this
aperture
defect
if
that
is
is
fault
possible
im-
Most
it.
overcome
of
diameter
to
fall
threefold
on
increases
the
of
of
rays
purpose.
causing
by
flatness
and
its aperture,
the
focus
in
diaphragm
or
concentrate
to
pencil
oblique
of
the
it
lens
"stops."
object
reduce
greater
full
meet,
the
aberration,
certain
surface
the
24.
in
glass is employed
the
by
the
through
What
diagram
spherical
degree
to
to
of
effect
as
from
nearer
centre.
Fro.
The
focus
has
much
as
passing
spherical
which
arises
It
similar
one
light
to
come
say,
those
than
of
rays
with
lens
the
margin
as
aberration.
chromatic
that
or,
It
is
spherical.
ingenuity of lens-makers
as
the
of
that
in
corrected
and
account
known
is
way,
aberration,
of
form
plate
field
the
by
the
at
lens
and
so,
light. By
It gives
converging
more
acute
extending
defining
power
the
of
THE
70
the
lens
the
the
of
page
to
its
diaphragm
those
short
in
front
the
stop-
distance
is cured
by
By
if allowed
which,
rays
with
the
of the
sharpness
conflicting
would
pass,
aberration.
spherical
aberration
the
glass,
PHOTOGRAPHY.
OF
by lessening
placing
of
STORY
interfere
image.
making
by
the
when
than
lens
focus
of
lengthen
suitable
lens
without
aperture
the
not
are
only
is
science
in
of
in
as
will
This
another
put
of
instance,
case
of
"
There
it
is
lenses,*
for
with,
up
work
in
lens
for
be
for
different
architecture
or
if the
Photographers,"
are
that
many
the
sists
con-
the
overcome
arranging
of
of
such
practical
best
different
work
sults.
re-
forms
certain
which
ignored,
or
would
likeness-taking,
"Optics
use
class
one
to
by
the
the
wherewith
lens-making
possible
effect
cal,
spheri-
said
well
been
has
quite
are
lens
troubled.
in
because
sort
For
its
at
or
defects
necessitates
be
can
used
aberration,
lenticular
most
defects
compromises
lenses,
tent.
ex-
appropriate
be
can
photographic
the
doing
inherent
it
Indeed,
whole
spherical
chromatic
whether
photographer
others.
ing
combin-
considerable
spherical
aberrations,
But
negative
by
glass of
that
positive
lenses
of
nearer
**aplanatic/*
designated
fault
choice
results
called
hence
to
is
or
positive
rectified
the
is
concave
rays
and
rectified
Thus
rays
it
rays
But
be
by
curvatures
in
axial
be
another.
marginal
marginal
may
When
the
the
negative
aberration
of
the
also
may
compensate
aberration.
spherical
lenses
one
of
that
full
aberration
spherical
But
with
impossible.
the
portraiture
to
those
essential
In
landscape.
lens
by W.
gives
K.
quirements
re-
the
Burton.
the
head
LENSES.
with
fair
figure
of
be
may
action.
hand,
other
is
be
shall
is of
his
in
feet
is that
characteristic
effect
The
case
in
of
round,
lens
the
distortion
being
the
so
before
the
to
as
respectively
If
the
the
rays
as
use
objective
"
objective
to
the
"
of
be
traverse
nature
of
in
place
then,
the
result
outwards.
are
bent
of
distortion
"outward**
into
by the
with
expanded,
the
converge.
light
The
lens
centre,
them
landscape
arises
rays
pronounced
allow
straight
curving
of
outer
is altered.
forms
the
its
make
to
distortion,"
margin
stop,
two
the
most
defect
the
lines
the
shown
it reaches
marginal
has
of
all
the
are
tographe
pho-
One
than
front.
condensed,
These
the
degree
single
be
to
represented
The
that
in
diaphragm
turned
he
and
are
ones,
more
when
portrait
is that
to
rience
inexpe-
as
curvilinear
which
so
defect
justly chargeable
as
and
these,
from
object
a
outwards.
becomes
case
of
"condense**
to
space,
the
the
"
greater
to
arises
forward
axial
or
being
fault
the
that
the
circumstance
to
smaller
of
near
of
inwards
refracts
there
of
operator,
distortion
the
lines, except
as
too
known
the
the
the
on
that
some
magnitude.
of
lens
from
the
projected
the
either
is
attributed
reality
of
camera
forms
common
pidity
ra-
tural
architec-
regards
kinds
be
in
disproportionate
of
the
several
part
and
or
is
nition
sharp defipicture, whereas
desideratum
sometimes
the
on
hands
exactness
and
equal
As
great
lens, which
plants
less
the
distortion.
may
the
case
moment.
the
no
however,
the
of
rest
point, however,
of landscape,
throughout
less
Distortion
in
In
required
work,
with
pass
comparatively
is of
rapidity
to
essential
An
the
sharpness,
allowed
definition.
of
of
amount
71
and
are
known
"inward,**
or
THE
72
"barrel"
STORY
OF
PHOTOGRAPHY.
and
Their
nature
"pin-cushion."
be readily understood
from
26.
Figs. "5 and
defect
is here
of course.
greatly exaggerated
Fig.
any
the
of
early days
a
it
of
easy
little
of
and
of
missed
dawn
lens
placed
they
makers
discovery
its very
deed,
In-
distort
to
plate.
the
evil
in
Still
felt
One
difficulty
instead
curved
plates
however,
they
caused
not
were
them
to
be
dropped
soon
consequence
in
way
the
overcome
the
much
was
after.
This
in
only when
long straight
existence.
Several
have
obtained,
and
the
sensitized
manipulation.
used,
of
out
to
the
to
then
one,
sought
attempted
was
When
flat.
of
edges
photography
by making
was
large
earnestly
cure
which
lenses
and
extent,
is
the
at
occur
and
view
of
angle
fact, few
The
35.
appreciable
very
lines
of
matter
as
will
the
of
lenses
remedy,
it because
"
as
came
very
although
they
is
Gradually,
simplicity.
opticians that
upon
gave
behind
barrel-shaped
the
lens
so
often
stop
distortion,
caused
to
appear
the
of
case
"
it
however,
if
the
near
began
in
front
and
distortion
of
of
stop
the
LENSES.
"
"
pin-cushion
both
Ross
to
near
have
the
to
have
appears
market
the
on
distortion
achromatic
His
further
in
divided
the
with
field
1857,
of
history
"In
the
Professor
from
to
Paris
was
engaging
process
scientific
world, remarked
been
this
hint
intercourse,
(1841)
the
for
formulae
"
without
working
large
great
of
now
and
aperture
concentration
had
other
covering
well-known
lens, the
other
of
a
longer
large
and
being
field.
loss
could
upon
and
the
and
them
had
One
and
was
former
gave
large
at
"
of
both
over
The
lens
reputation
high
focus,
focus,
he
Voigtlander
to
short
light
of
researches,
diaphragm.
a
tician
mathema-
Acting
lens.
the
of
great
objectives,
the
having
(Petzval)
if he
gave
two
Voigt-
whom
use
which
optician enjoying
an
with
made
of
instituted
Petzval
time
form
better
**
daguerro-
(a
Daguerre,
small
cess.
suc-
gives
the
Petzval
in
following
year
that
the
to
that
devise
and
attention
the
by
diaphragm,
inquired
light ensued, and
a
had
orthoscopic
"
when
Vienna)
direct
the
less
or
Ettinghausen,
type
of
for
"
von
visit
step
others
more
the
came
orthoscopic
1840
returned
not
went
until
phragm.
dia-
glasses
however
same
in
Ross,
of
Petzval
production
thus
late Mr.
Traill-Taylor
The
lander.
first to
by
joint
lens, the
having
the
been
meniscus
not
ones,
Finally,
of
ing
correct-
came
Thomas
substituting
by
laboured
that
lenses
son,
plano-convex
had
of
effect
approximately
solution
of the
difficulty of curvilinear
of
in
two
convex
planoa
portrait-objective
lens
would
twixt
be-
placed
diaphragm
errors.
Andrew
put
character,
lenses
two
73
area;
capable
was
the
used
portrait
universally
which
the
was
orthoscopic,
74
THE
allowed
to
when
days,
in
lens
it
was
mistake
to
such
although
form
opposite
the
But
field.
entirely
was
it
as
had
was
been
theretofore
had
what
to
it
that
suppose
distortion,
of
only
increase
an
gave
flatness
improved
those
the
was
and
sidered
con-
of
lenses
achromatic
landscapes,
with
aperture
without
of
for
use
the
on
single
the
wards."
after-
years
seeing **)was
(**correct
advance
great
several
for
perdu
orthoscopic
The
of
lie
PHOTOGRAPHY.
OF
STORY
common.
flat
nearly
lens
back
plano-convex,
together with
meniscus,
glass, joined to
crown
achromatic
of
of
consists
orthoscopic
The
bi-concave
(Fig. 27).
flint-glass meniscus
of
The
portrait objective
to,
Fig.
is
slightly
It
is
one
meniscus
composed
is
placed
lenses
front
The
Fig.
and
of
plano-convex,
shape
plano-convex
bi-convex
composed
to
to
as
appear
crown-glass
flint
of
of
concave-convex
glass.
of
almost
back
so
plane.
joined
lens
double-convex
flint
two
apart.
else
bi-convex
The
lens.
a
or
28.
distance
some
ferred
re-
of
consisting
27.
achromatic
above
Petzval,
combination
or
is
crown
lenses
These
are
usually
mounted
(Fig. 28),
so
as
not
to
touch
one
other
an-
76
STORY
THE
OF
PHOTOGRAPHY.
refracts
the
glass Strongly disperses and
but
glass
crown
light, while
possesses
refract.
to
Although
disperse and
power
each
to
they
compensate
that
extent,
of
allow
a
like
1842
Grimaud
there
by
Herr
far
and
known
it
With
secondary
the
microscope
but
step,
turning
first
it
and
amplitude
need
clearness
diminution
such
was
hardly
was
Voigtlander,
glass.
new
was
of
be
From
Berthiot,
and
constituted
and
the
on
objective
taken,
the
possible
of
others.
to
Darlot,
thus
considerable
with
led
to
was
undertook
result
It
quickly
was
optical
presence
photographic
attention
their
objectives
great
the
to
better
became
microscope
The
success
Harnack,
Steinheil,
the
microscopists.
this
proved
it
that
optician,
Abbe.
by
the
about
long
ere
as
nised
recog-
for
the
the
for
and
with
met
it
without
objectives
There
France
found
soon
borates
glass.
Jena
as
Zeiss,
spots.
that
in
Jena,
named
was
stability
advantage
to
lenses
delight
to
of
what
of
Abbe
indicated
it
substance,
wide
Dr.
construct
lines
lack
Schott
make
to
the
in
power
almost
thing
one
Turned
glasses
said
not
however,
abandoned
was
For
was
thing
new
non-marketable
abroad.
as
vary
do
they
yet
dispersive
the
However,
success
to
acid
material.
be
the
indicated.
as
new
of
for
boric
of
that
to
the
demand
use
soon
lenses,
to
glass manufacturer
idea
of substituting
the
in the
of glass.
making
silicates
no
the
possible
French
had
the
was
power
alteration
an
it
some
manner.
In
for
of
united
defects
render
is, they
refractive
the
other's
of
rays
feeble
all
For
claimed
field, together
the
length
of
Rudolph,
taking
his
in
exposure.
Nor
was
this
all.
For
Dr.
LENSES.
on
the
established
as
Stand
Schroeder,
proposed
plan
give
the
to
of
which
of
objective
with
little
was
parallel
the
of
action
played
had
but
all
correcting
admirably
of the
spherical aberrations
This
combination
Triplet
The
lens
correcting
flint
for
three
image
for
distortion
flare
spot.
and
the
does
rays
So
it seemed
much
Jena
and
glass
hardly
still
added
be
its
on
the
trial, so
time
the
supplant
manufacture,
whole
The
art
of
as
claimed
from
the
of
speak,
to
well
as
to
the
with
aperture.
the
about
it.
need
It
material
new
already
flint
flat,
from
say
from
honoured
is
obtained
that
it
central
view
possible
the
entirely
bids
of
glass
revolutionise
is
fair
lish
Engthe
lens-making.
above
Dallmeyer,
while
baryte
secondary
image
an
necessary
lenses
made
to
the
corresponding
of
that
the
further
field
exceed
of
is corrected
as
still
lenses
aplanatic
good
the
not
and
name
of
is
gives
well
Moreover,
the
correction.
and
It
it
astigmatism
oblique
the
achromatism
as
in
in
chromatic
composed
that
share
theless
Never-
central
disappears.
combination
the
glass
part
the
place of two,
in
totally
from
with
the
Jena,
colours
the
free
to
of
glass
little
given
being
of
objective.
was
Apochromatic
and
of
plate
important
whole,
two
between
combination.
the
most
of
portion
than
and
surfaces,
lenticular
it
more
the
diameter
central
to
for
glass,
smaller
This
correction.
triple
of
lens
able
was
composed
crown
1885,
ing
adopt-
elements
the
of
lenses
he
Abbe,
objective
placed
was
Dr.
in
other,
the
on
Zeiss
an
meniscus
simple
and
by
optician
construction
principle
general
uranophotography,
a
upon
regards
Hugo
Dr.
by
hand
one
77
will
particulars,
give
an
and
idea
the
of
the
triplet
way
of
in
J. H.
which
78
THE
STORY
combinations
OF
latter
at
was
time
one
of
holds
objectives
will
the
of
light.
lens
the
overcome
glasses
have
they
attendant
of
much
of
quick
that
difficulty
less
by
this
it
than
plates
It
the
more
is
greater
have
cementing
the
to
rate
sepa-
certain
of
extent
ever,
how-
light has
since
become
introduction
the
in
was
the
sought
disadvantage,
loss
importance
that
the
to
The
on
the
disadvantage
one
is
and
succeeded.
illustrate
construction.
makers
together,
by
ag.
noted
Some
of
distinguished
to
serve
multiplied
are
to
The
thought
combinations
these
surfaces
loss
be
order
(Fig. 29).
photographic
however,
attending
highly
very
Fig,
should,
in
up,
non-distortion.
still
and
examples
principles
built
and
photographers,
position amongst
These
be
to
came
achromatism
secure
PHOTOGRAPHY.
the
old
portrait
days.
The
one
subject
might
length.
give
the
scientific
of
extend
Sufficient
reader
is such
these
remarks
has
an
research
to
optical side
standpoint.
present
the
lenses
been
insight
has
which
bring
One
large
almost
to
said,
into
been
any
however,
the
depth
like
to
of
on
necessary
photography
would
that
one
to
to
its
add
LENSES.
about
something
but
will
space
need
It
with
hardly
do
may
confine
his
or
landscape,
with
the
focus)
are
In
only
rapid
enlarging,
f/8.
of
one
double
etc.,
the
is
an
is
the
For
iV ^^
^^
landscape
lens
angle
"
achromatic,
an
"
has
work
general
select.
to
wide
he
f/ii (/.^., iV
or
as
is the
combination
for
best
for
the
best
architectural
required,
above
aperture
purposes,
for
copying,
rectilinear
for
objective
of,
say
photographing
work
wide-angle
might
two
31.
views,
rapid
of
general
Fig.
instantaneous
and
situations
For
until
"
to
rapid
say
"
lens
30.
or
Where
interiors
lens
(Fig. 30),
Fig.
for
lens
one
f/io
it advisable
find
single objectives.
doublets
called,
takes
who
person
portraiture
of
good
sea-views
These
is
is
lenses
it.
and
groups,
single
good
aperture
an
to
mastered
thoroughly
of
can
will
indeed,
attention
rectilinear,
that
objective.
and,
so,
said
be
seriously
simple
makers
different
permit.
not
photography
up
or
the
79
be
in
confined
rectilinear
chosen.
of
8o
One
of
of the
or
front
that
give
the
of
One
rapid
half
the
as
combination
of
and
Of
f/4.
or
in
used
this
have
the
of
making
might
so
of
capable
selection,
in
man
of
which
and
The
department
of
of
albumen
tographer
phoand
careful
secured
neatly
in
singly or
is
adopted.
worked
out,
highly
are
mended.
recom-
COLLODION.
advance
photography,
on
By
too
IX.
OF
important
past
work,
of
either
be
INTRODUCTION
next
kind
to
battery,
complete
carefully
CHAPTER
THE
be
attention
that
so
camera
cannot
of
one
has
their
have,
his
is
years
series,
focus,
whole.
the
moment.
thus
if
of
exposure
that
angle
narrower
some
every
one
every
lenses,
useful
extremely
for
may
for
combination,
sets
with
the
in
pocket-case,
Such
out
is
advantage
to
turning
in
go
use
a
of
lenses
focus
combination
For
been
suitable
speak,
to
half
increased.
considerably
lens
portraits
length
the
way
manufacturers
to
if
course
glass
in
the
the
after
plates,
wide-angle,
length
for
specially
is, with
generally
portrait
focal
the
doublet
useful
f/3
twice
lenses
diameter.
possessing
or
given
longer
same
be turned
may
lens
of
a
landscape
about
that
makers
the
of
is
these
and
lens, other
rectilinear,
single
back
advantage
double
diameter
combinations
two
made
shown,
here
as
is that
lenses
illustration
an
Dallmeyer
larger
the
wide-angle
which
part
of
PHOTOGRAPHY.
useful
most
most
lens
than
be
OF
of
Dallmeyer,
31).
Although
(Fig.
the
STORY
THE
was
chemical
tion
introduc-
the
inven-
of
tion
viscid
dissolved
in
the
surface,
the
translucent
tough
sensitive
following
year,
he
upon
glass by
with
react
in
proofs
I
the
made
an
hint
similar
about
same
of
assistant
to
as
the
the
introduction
Scott-Archer
to
might
but
known;
far
that
others
amongst
in
whom
from
and
assistance,
to
whom
application.
6
to
Mr.
to
end
some
P.
W.
particular
much
he
order
1850
of
Fry,
he
is
was
tical
prac-
photography.
of
his
the
he
How
he
is
he
his
not
had
so
process
friends,
and
pher,
photogra-
received
due
appears
that
collodion
out
soda."
the
works.
of
of
Frederick
to
and
to
working
it known
made
of
for
of
his
of
the
the
is
in
shade.
the
J. Bingham,
is indebted
sculptor,
obtain
collodion
it
method
I afterwards
solution
Robert
But
attention
towards
in
of
photography
his
succeeded
he
by
records
turn
to
time
up
preserve
came
value
this
was
taken
have
the
world
of
in
weak
very
ether,
thus
hyposulphite
Faraday.
that
Scott-Archer
ride
fluo-
alcohol,
and
seconds
fix with
and
in
sulphuric
silver,
five
with
image
iron,
of
sulphate
in
camera
the
develop
of
nitrate
in the
acid, the
collodion
with
lished
pub-
just discovered
with
saturated
vehicle
English
dissolved
soda
first to
book
hypofluoric
Fahr., mixed
afterwards
In
have
and
potassium
as
into
"
says
the
been
salts.
translated
and
and
rating,
evapoof
form
the
collodion
of
1847,
forty degrees
in
have
to
in
process
of
freely
runs
film.
appears
the
holding
added.
alcohol
and
behind
left
employment
the
suggest
for
Gray
Le
M.
is
collodion
is
it
glass
ether
the
and,
alcohol
of
plate
upon
pyroxyline
soluble
which
to
is
Collodion
of
composed
COLLODION.
process.
ether,
poured
over
collodion
the
compound
When
OF
INTRODUCTION
THE
for
much
its
cessful
suc-
82
STORY
THE
results
The
in
greatly
advance
in
said
be
may
the
and
of
clean
soaking
When
is
acid,
to
which
been
added,
is to
take
and
small
poured
the
may
be
in
dissolved
proportions :
Sulphuric ether
potash.
of
sulphuric
acid
operation
thoroughly
is
freed
from
is
It
in
ether
of
has
now
and
pyroxyline,
or
by
nitrate
dried.
sulphuric
is
of
it
it
gun-cotton
to
it.
nitric
wash
then
and
chemical
of
next
which
after
squeezing,
well-known
of
The
and
cotton
water,
the
it.
over
into
collodion
excess
quantity
its
on
using
quantity
it
compound,
nitrate
the
soaked,
out
by
water
in
that
attention
of
the
hitherto
in
the
ways
preparing
removed,
running
best
so
came
and
making
cotton-wool
thoroughly
potash
in
the
method
One
of
methods
discovering
to
time
were
art
adepts
many
much
gave
the
immediately
and
use,
manipulation
improve
almost
It
general
very
established
have
to
basis.
present
by collodion
that
of anything
had
practical photography
obtained
achieved
been
PHOTOGRAPHY.
OF
the
ing
follow-
"
i8
fluid
ounces.
Alcohol
drachms.
....
Pyroxyline
of
Solution
30
...
ammonia
have
In
of
the
early
own
dangers,
early
trouble
of
days
of
it
little
ready
collodion
was
doing
it.
tedious
an
amount
which
of
to-day
men
when
and
mide
bro-
potassium
for
use.
of
many
their
own,
To
have
and
caused
and
of
the
nothing
say
process,
photographers
the
drops.
collodion,
prepared
of
ways
it is
photographers
their
its
added,
been
the
leading
had
iodide, and
soluble
some
is
obtained
solution
The
grains.
toil
but
and
little
conception.
When
poured
upon
plate
of
glass
collodion
84
STORY
THE
almost
The
its
attending
to
with
its
this
that
the
enough
outdoor
work,
while
of
photograph
dim
the
light,
surface
task
of
the
Many
of
and
immediately
is not
necessary,
to
moist
for
then
nitrate
and
of
found
with
these
to
some
and
the
contact
spotty
tion
solu-
the
in
into
employed
In
processes
the
here.
them
methods
or
solution
for
lieu
of
were
this
for
week
plates
zinc, and
of
used
the
to
It
prepared
were
for
regard
during
Nitrate
answer
success.
suggestions,
various
long
time.
was
similar
the
that
introduction.
enter
crystallisation.
grape-sugar,
the
the
nitrate
made
its
ere
magnesia
to
silver
were
keeping
certain
preventing
that
for
of
that
in
makes
many
defects
other
however,
devised
reason
great
following
say,
being
so
take
to
account
dried
and
most
al-
was
requisite,
dry before
to
the
process
years
it
and
collodion
wet
use
on
was
when
for
work.
to
these
though
desired
was
simple
silver,
attempts,
overcome
its
result
weather
slow
too
was
or
the
dry.
ill-adapted
was
time
veloped
de-
to
process,
exposure
had
plate
cold
In
negative.
were
long
it
time
interior, where,
an
nitrate
the
Suffice
If
wet,
be
must
had
travellers
was
silver
the
for
plate
to
studio,
accomplished,
was
with
the
impossibility.
an
a
for
dion
collo-
while
plates
had
that
necessity
camera
collodion
wet
nected
con-
sensitized
the
surface
the
reason
the
exposed
the
suitable
with
in
was
drawback
the
was
exposed
before
For
One
employment
collodion
shortcomings
tempts
atperceived, and
be
them.
coated
of
many
to
remedy
be
further,
and,
the
began
plates
should
value
before
use
made
glass
PHOTOGRAPHY.
inestimable
established
hardly
the
OF
by
more
of
honey,
same
purpose,
ter,
bet-
anything
made
pose,
pur-
use
of
THE
for
INTRODUCTION
some
years
important
penot,
the
was
then
dipped
of
washed
in
and
J. Harrison,*
W.
that
was
salt
the
silver
This
nitrate,
was,"
says
process
the
cess
pro-
superabundance
and
away,
then
was
dry-plate
of
philosophy
The
which
plate,
first
means
washed
was
poured
was
of
"
Tau-
method
plate
bath
the
"
its
by
The
and
new
J. M.
public
dried.
utility."
practical
the
time
second
Dr.
sensitized
dry.
to
to
albumen
and
allowed
again
Mr.
iodized
of
collodionized
over
when
scientist, made
solution
laid
was
French
wherein
stepping-stone
advance
and
but
85
COLLODION.
OF
of
crystallisation
so
obviated.
The
and
1855,
The
but
it
where
it
plates
would
the
slow.
was
effort
"
the
success.
in
1856,
of
He
took
for
ten
According
process,
the
to
film, after
iodide
"
of
"
History
some
be
covered,
of
surface
so
use."
have
commercial
his
for
process
considerable
produced
is immersed
Photography."
to
as
to
had
stance
sub-
of
description
having
"
for
ready
rison,
Har-
new
appears
own
every
the
says
sensitive
they
silver,
After
the
patent
his
and
it.
dry-plates
years
that
was
months,"
kept
collodio-albumen
might
out
weeks
undoubtedly
of
make
to
time.
process
improve
few
and
land,
Eng-
some
eight
or
in
in
dry-plate,
Birmingham
vogue.
sensitive
the
wherewith
dried
be
first
and
to
to
plate
Norris
Dr.
six
announcement
other,
it to
for
Taupenot's
Dr.
collodion
enable
been
made
the
or
for
the
1855, "every
saw
popular
method
of
value
of
in
process
keep
now
publication
known
Taupenot's
the
was
very
drawback
great
established
of
was
Lumilre
La
made
after
soon
was
in
published
was
process
in
in
his
it the
a
solu-
86
THE
of
tion
SrORY
OF
arable,
gum
albumen,
its
then
are
light,
used
it
and
plates,
iodide
over
of
the
plates
of
all, without
were
with
the
of
having
for
of
tannin,
than
the
devised
by
"albumen-beer
by
success
study
the
use
beer, with
gallic
valuable
the
expeditions
of
which
of
a
Venus.
of
mixture
the
sensitized
Russell,
acid
ness
sensitive-
induced
which
that
C.
and
thence
result
interesting
pyro-gallic
or
powers
was
came
they
although
as
compared
Major
by
mide
bro-
former.
the
most
it
found
he
to
in
secret
the
1874
of
and
albumen
plate
that
with
used
The
better
as
was
out
are
was
process
and
known
sent
try
acids
those
Abney,
Captain
which
process,"
transit
the
used
from
Another
them.
the
of
keeping
substance
with
derived,
slow
are
rapidity
processes
period,
One
dry-plates,
the
of
use
of
the
that
and
maker
the
sensitiveness
dry-plate
first
the
that
and
to
collodion
wet
as
some
the
employed
increasing
rapid
exception,
that
was
prepared
same
wet-plates.
these
who,
in
the
films
thus
by
other
during
use
for
tain
re-
the
plates
as
to
and
length
silver,"
due
collodion
any
superior
of
was
number
into
the
discovered
"
the
exposure
of time
nearly
thought
is
substances,
state;
ready
The
lage,
muci-
drying,
pervious
for
kept
been
have
of
on
are
desired."
to
had
be
may
as
said
and
dried,
or
and
like
pores
condensation
sensitive
the
starch, gelatine,
vegetable
such
other
or
occupying
film, prevent
dextrine,
tragacanth,
gum
will, by
it in
of
or
caseine, gluten,
that
PHOTOGRAPHY.
was
to
it
lay
flat
given
wash.
were
to
as
however,
Important,
the
at
time, they proved
better
connected
things.
with
One
of
the
photography,
these
but
developments
stepping-stones
most
indeed,
striking
facts
is the
rapid-
INTRODUCTION
THE
with
ity
who
it
tual
has
callow
youth
and
rapidity,
Collodion
emulsion
after
soon
foreseen
was
method
be
that
require
So
or
or
have
of
leapt
such
have
to
of
could
be
floating
in
many
of
part
devised.
"
of
silver
it,
hot
that
1864
This
Bolton
bromide
these
need.
the
met
of
to
in
that
seemed
could
to
be
which,
served
preupon
either
or
at
tive
nega-
was
nor
minds.
alcohol
it
And
a
had
been
nitrate
of
added
to
production
who,
by
collodion,
collodion.
of
lodion,
col-
until
not
was
nounced;
an-
"photo-
really effective
the
bromized
tions
combina-
Gaudin's
and
that
Indeed
compound
Liverpool,
the
notion
end
that
meet
in
tographer
pho-
idea
the
to
could
French
in
appeared
neither
dissolved
bath
positive
time,
words
called
be
obtained."
statement
he
it
required,
of
use
in
to
collodion
would
when
succinctly
but
as
and
of
which
poured,
and
onward.
step
photography
lapse
been
this
gene,"
of
the
after
next
forth
put
the
intended
silver
barely
1853
as
by
paper
put
before
Sayce
with
nitrate
collodion,
flask
This
was
strength
silver
Gaudin
sensitive
pictures
latter
sister
and
advance
early
future
in
silver
occupies
now
has
the
next
the
whereby
whole
"the
must
tury
cen-
ineflfec-
science
introduction
the
named
once
its
the
first
arts
seems
was
the
eliminated.
glass
it
of
it
yet
even
its
the
virile
to
men
in
within
from
all
the
its adolescence.
passed
Very
that
branch
No
of
stage.
it, either
position
of
science.
from
the
to
to
stage
of
aspects,
hand-maiden
every
hold
developed
beginnings
the
as
art
been
from
intelligence
the
took
its
or
87
COLLODION.
passed
for
successively
scientific
has
much
speaks
It
it
which
OF
the
emulsion
of
Messrs.
adding
trate
ni-
developed
Plates
coated
88
THE
with
this
and
first
followed
rough
could
of
then
The
"
the
to
the
services
wholly
of
from
it,
how
know
As
to
from
the
it if
1850
as
Ni^pces
French
the
the
collodion,
other
disadvantage.
The
the
Poitevin
He
or
nothing
would
most
fertile
in
not
as
always
more,
of
in
which,
felt
the
and
deal
great
vehicle
and
of
photography,
nature
no
generation
Daguerre
owes
was
did
later
after
"
gelatine
drawbacks,
almost
to-day
little
the
dangerous
tant
impor-
wished.
art-science
of
process,
such
majority
the
they
SLIDES
CAMERA.
is
know
perhaps
use
emulsion.
collodion
it
experimenters
whom
many
tion
prepara-
ROLLER
rendered
past.
indeed,
use
HAND
the
state,
probably
to
suggested
of
and
early
two
earlier
one
of
thing
them.
for
Bolton
"
photography,
to
photographers,
about
the
wet
water,
dry
made
that
its
hot
popular
THE
"
Notwithstanding
in
in
it and
PROCESS
PHOTOGRAPHY
particularly
required
was
"
that
X.
GELATINE-BROMIDE
FILM
All
very
Sayce
duced
pro-
collodion,
years.
with
years
was
and
bottle
CHAPTER
"
ten
emulsion
were
use,
similar
for
plates
quickly
some
salt
bottles
Dry-Plates,"
still in
very
silver
the
the
coat
to
and
THE
tannin
was
emulsion
an
by placing
Beechey
years,
in
when
it
melt
and
of
speak,
until,
pure
kept
be
necessary
to
wash
to
so
introduction,
first
composed
was
draft,
improvements
by
its
was
given
were
dried.
This
which
PHOTOGRAPHY.
OF
concoction
then
after
STORY
to
however,
"
place
apart
be
than
GELATINE-BROMIDE
THE
the
hint;
throw
out
either
independently
Many
work
at
soon
until
not
that
of
September
British
which
gelatine
were
grains
of
gelatine
dissolved
then
drachms
eight
cast
grains
of
grains
beneath
and
when
in
the
made
the
and
heat,
four
of
then
fifteen
and
being
fine
of
coating
being
faint
but
exposed
ture
pic-
clear
of
solution
aqua
were
thin
pyro-
little
able
to
the
to
and
line
available
have
he
of
the
time
been
had
results, therefore,
thus
he
gations
investi-
doubtless
have
set
left
his
his
at
with
up
to
restrainer,
in
had
process
disposal
copy,
photo-micros-
relinquish
afoot.
the
(caused
his
defects
taken
perforce
research
would
he
acid
as
at
appear,
carried
he
he
overcome
nitric
acting
Had
further
would
as
of
presence
plates slow.
the
all
the
completely
not
were
regia)y which,
aqua
appears
his
with
water,
upon
being,
reason
part,
the
showed
experiments
successful,
but
dried,
developed
Maddox's
been
then
of
Thirty
drops
duction
pro-
acid.
gallic
by
given
the
the
of
result
been
negative,
cold
bromide
bromide.
in
on
solution
silver
had
emulsion
least
silver, the
of
that
Plates
this
of
month
silver.
two
cadmium
nitrate
emulsion
milky
in
of
was
ingredients
of
this
Into
added.
note
chief
and
the
In
application
water
pure
regia being
the
it
published
a
swelled
were
by
of
he
bromide
and
were
Southampton
failed.
the
emulsion,
an
hands
of
year
cated.
indi-
although
of Photography
Journal
of
that
tion,
sugges-
thus
cunning
had
others,
his
research
Maddox
Dr.
for
upon
problem
others
where
of
and
the
on
1871
succeeded
of
line
brains
busy
remained
acting
or
prosecutethe
to
it
and
89
ETC.
PROCESS,
matter
to
others
Publishing
for
others
9"
to
think
THE
STORY
over
and
the
found
others
all
England,
therefrom.
success.
emulsion
was
endeavoured
no
Older
time.
how
much
the
could
they
would
their
were
often
will
in
training
they
not
spoil
they
understand
plate
inability
methods
old
to
decompose
who
after
give
at
The
presence
These
Kennett
a
pound
com-
gelatine,
then
dried.
dry-plates,
success
partly,
"
before
their
their
remember
with
had
and
certain
of
and
an
amused
Their
them.
beyond
gether
to-
iodide,
or
little
recount,
were
Burgess's
prepared
not
were
reach
to
with
of
mixing,
photographers,
introduction,
smile,
they
because
doubt,
failed
cleared
Kennett
and
commercially
but
"is
in
benefit
patented
chloride,
the
during
Burgess
he
solution
which
silver,"
much
to
and
were
commercial
trouble.
bromide,
salts," formed
Both
the
thrown
Kennett
temperature.
aqueous
a
of
the
to
thus
and
apt
was
remove,
"an
with
nitrate
it
was
to
of
is
high
salts
soluble
if
and,
involved,
deriving
they just
difficulty
The
like
hint
produced
fact
that
the
Burgess
without
The
anything
as
worth
handle
problem
whom
of
complete
took
and
though
article,
far
so
quite
another
the
at
abroad
Kermetter
that
"
experiments,
who
worked
and
complete
more
wheel."
photographer's
out
seems
adds
advantageous,
Amongst
to
process
conducted
carefully
more
out
issue, remarking
judged,
be
can
of
work
satisfactory
and
PHOTOGRAPHY.
OF
such
been
that
their
rapidity.
They
of
because
plate, simply
them
a
sufficiently quick
exposure.
Doubtless,
blame.
ripe for
of
silver
plates, too,
the
is, that
fact
The
the
the
perfect emulsion,
bromide
was
not
were
somewhat
time
because
was
our
not
to
yet
knowledge
sufficiently complete.
THE
92
of
rotted
These
be
may
treated
that
interior
mechanism
sensation
world
is
photography,
idea
third.
of
germ
its
in
the
of
one
while
which
the
held
other
exposed,
this
taken
on
success
"
"
it
About
were
it
exercising
to
success
period,
their
wits
as
an
before
several
in
the
by
in
present
the
camera,
paper,
it had
been
its
received
of
first
enough
as
and
succession
unquestionably
same
of
soon
"
out
sensitized
appears
qualified
the
as
the
was
pictures
strip of sensitive
long
invention
was
mire
of
one
taken
crude
supply
length,
by
way,
a
this
the
received
length
In
be
within
rollers
two
in
there
have
frame
the
else
most
development
we
tdie
the
mechanism,
general
the
Though
Melhuish.
"
graphic
photo-
patent
the
another
for
in
of
novelty
evolution
1854,
as
get
for-
to
apt
like
and
wait
roller-slide
the
Spencer
in
early
As
here
so
support.
gradual
out
lying
then
two
of
thrown
being
the
of
one
same
nine-days'
roller-slide, with
things,
these
of
history
film
or
to
come
since
the
as
paper
the
the
than
more
the
regard
are
years
is known
accompanying
The
few
meet
by
of
in
and
to
photography
yesterday
a
in
we
the
form
and
art
that
enjoyed
what
in
wonder
of
it is but
Yet
to-day.
in
that
order
branches
another
after
in
the
plates.
the
exposure,
but
things"
one
the
of
of
are
in
about
were
wet
seeing
cameras,
rapidity
"new
the
by
changes
which
cameras,
together,
of
resources
augmented
picture supports,
subject.
The
important,
in
brought
were
increased
quickly
still
deteriorated
and
changes
its
PHOTOGRAPHY
though
being a saving
produced,
the
OF
minor,
the
so
STORY
ture.
pic-
could
though
Al-
paper.
have
had
ingenious
its
other
like
some
elty
nov-
time.
workers
direction,
THE
and
GELATINE-BROMIDE
notably
reserved
Captain
of
description
own
1875
rollers
which
afford
this
he
room
in
drawn
the
pencil
of
the
place
in
secured
of
was
of
its
darkened
observing
securing
in
the
flexible
supported,
material.
made
As
of
use
collodion
became
process
brittle
slow
not
were
his
substance
to
glass
as
the
of
Woodbury
transparency
less
turned
brittle
his
in
for
was
shutter
purpose
and
film,
so
tive
revival, of sensibut
on
and
when
glass
recognise
that
while
attention
would
Amongst
to
this
the
such
be
advantages
dis-
to
which,
though
al-
raphers
photog-
serious
possesses
glass,
Fox-Talbot
seen,
yet
nature.
with
possible
endeavoured
of
was
means
the
the
the
by
material
some
and
Exposure
popular,
Investigators
produce
by
negatives;
superseded
was
paper
its
film
glass,
have
for
paper
in
other,
made
on
we
front,
focussing
other
the
not
in
strumenta
in-
position.
only
rather
or
the
The
on
proper
was
lines
guided
the
lines
sections
roller-slide
film
and
the
rollers.
black
introduction,
to
with
to
to
the
to
the
the
The
or
plate
position.
roller
sponding
corre-
black
glass
the
sections
was
B)'
is attached
Through
film
proper
heads
film
plates by
roller
one
metallic
obtained
-otherwise."
one
from
wound
the
or
sensitive
from
progress
of
wound,"
plates.*'
into
corresponding
the
surface,
size
is
in
"two
as
film
the
roller, it is divided
His
published
hundred
one
before
"
that,
with
in
for
"
was
what
world
components
sensitive
the
means
the
to
which
on
the
contrivance
principal
it
But
"
its
gives
"
93
roller-slide.
practical
the
ETC.
India.
give
to
first
the
reality
in
Barr
Warnerke
for
in
was
PROCESS,
find
sessing
pos-
lighter
others,
problem,
THE
94
in
and
OF
STORY
in
succeeded
1876
manufacturing
Canada-balsam,
from
compound
PHOTOGRAPHY.
such
collodion,
and
castor-oil.
This
and
glass
allowed
emulsion
did
means
of
luminous
of
changing
of
turning
Warnerke
the
took
first
with
of
introduction
which
the
from
though
he
used
the
sensitive
of
on
on
sion,
emul-
the
of
use
in
stage
instantaneous
the
the
by
emulsion,
the
camera
of
from
the
taking
all
The
round
rapidity
that
cameras
the
of
upon
window,
of
invasion
an
shown
light portions
in
instance,
is
of
light
upon
freedom
to
the
an
the
where
what
certain
tion
reflec-
by
glass
by
non-
another
its
mainly
caused
it
negatives
of
applied
surface
back
is
that
term
image
the
the
glass
the
and
lightness
possesses
and
glass,
to
halation
blurring
of
photography
"
such
with
roller-slide
advantages
film
superiority
dark
ience
inconven-
and,
further
lengths
camera.
permit
not
by
reached.
fragility,
be
the
highly
more
towards
Besides
In
the
windows,
evolution
thus
idea,
his
and
might,
suitable
collodion
would
orange-glass
was
of
the
out
in
the
this
up
appearance
coated
paper
outside
ventor
in-
flexible,
dispensed
be
plates
handle
and
image,
into
the
threw
bands,
submitted
rollers, be
was
cut
Although
long
sitive
sen-
It
and
perfectly
of
dry.
to
this, he
in
use
sheet
with
support
beyond
of
on
coated
camera.
film, being
capable
the
glass
the
go
the
hence
to
in
not
that
idea
its
use
spread
dry, was
again allowed
from
for
lengths
being
to
and
taken
then
after
mixture,
support.
ment
encroachfor
dark,
as,
there
would
should
be
edge.
dry-plates and
specially constructed
the
the
film
for
is
the
of
given
of
capabilities
of
use
"
box
the
plates,
while
back,
"magazine
certain
undeniable
the
by
in
used
successive
which
the
the
the
of
part
well
tripod
features
and
of
Figs.
32
this
first-class
with
the
tripod
focus
hand
and
pneumatic
are
for
all
many
hand
ments
instru-
the
camera
the
as
are
vided
pro-
special
vertical
"
extension
of
into
enter
They
have
forms
It
there
beaten.
normal
zine
maga-
Guardia's
"
the
views
and
to
but
rising fount,
with
rapidity
work
;
and
on,
case.
work
cameras
Newman
be
the
preferable.
market
lenses,
good
horizontal
triple
use,
easily
cannot
with
of
the
in
ones
as
of
scheme
film
hand-camera
sure
done
out-
the
made
be
is
relied
the
the
to
whole,
merits
respective
it
when
can
film, for
the
though
and
ease
up
and
is, on
excellent
or
comes
roller-slide
camera
no
for
exposures
nothing
taken,
possesses
always
not
The
place.
thoroughly
be
to
called,
camera
is
therefore,
While,
its
is
it
mitting
per-
transferred
be
to
takes
can
for
storage
advantages,
latter
adopted
arrangement
roller-slide
the
graphs
photo-
been
becomes
as
unfortunately,
which,
small-sized
have
another
camera,''
"dark-
requirements
For
plate
exposed
the
with
the
new
mechanical
simple
late
of
the
itself
camera
tion
opera-
of
connection
forms
The
contrivances
the
the
in
uncountable.
the
95
development
under
various
whereby
during the
has
ingenuity
camera
taken
has
ETC.
hand
the
to
dry-plates.
almost
are
the
Much
exposure.
been
the
in
held
be
can
purpose
years
PROCESS,
GELATINE-BROMIDE
THE
double
to
lens, iris
releases,
phragm,
dia-
(see
etc.
33).
and
Another
development
the
extreme
sensitiveness
are
known
as
which
of
the
has
arisen
out
is what
dry-plates
flash-light pictures.
These
of
are
pho-
g6
THE
tographs
taken
of
flash
STORY
in
flame
managed
the
by
puffs
simultaneity
nearly
as
of
of
possible
of
"
perfect.
two
of
is
into
tube.
and
ball
children
generally
ball,
pneumatic
the
ing
hold-
is carried
Exposure
the
for
and
the
there
purpose.
attached
groups
into
powder
which
the
for
which
of
powdered
fittings.
pneumatic
way.
of
show
lamp
receptacle
pressure
the
powder,
this
to
contrived
pictures
in
taken
which
means
effective
Very
are
generally
by
of
ous
instantane-
almost
scattering
open,
flame
magnesium
the
the
the
the
by
same,
specially
many
is
of
means
The
33."
magnesium
There
by
light produced
Fio.
are
PHOTOGRAPHY.
OF
flame,
operations
that
so
is
as
PHOTOGRAPHIC
PRINTING
PROCESSES.
CHAPTER
PHOTOGRAPHIC
will
It
'
first
was
XI.
PRINTING
remembered
be
turned
PROCESSES.
that
the
to
other
words,
the
primary
have
has
continued
the
to
the
albumen
fills
sensitive
the
upon
The
pores
in
salt
of
the
to
extent
tions
modificaof
print.
The
and
keeps
paper,
silver, subsequently
added,
surface.
much
of
used
Since
the
the
evolved
introduction
the
in
number
deal
exhaustive
of
of
It
brief
only
them
here.
need
Photographic
7
but
it
seems
Gelatine
is
albumen.
in
them
hardly
be
account
printing
like
anything
require
would
general
albumenised
of
Fox-Talbot*s
publication
of
ally
graduprinting processes
is very
the
art
photographic
with
manner
volume.
of
place
first
out
To
great.
it
addition
the
was
provement
im-
method,
chief
the
method,
tography
pho-
some
is
now
which
the
to
the
been
Although
in
of
gravings.
en-
still
have
to
process
of
of
step
said
be
process
surface
the
credit
paper
to
give
to
albumen
the
original
went
agent.
One
successes
experiments
were
employed
time.
present
of
be
to
experiments
reproduction
made
been
his
the
fixing
his earliest
in
is
of
by
they
Fox-Talbot
photo-printing.
his calotype
further, and
may
first
the
effective
printing
attention
Ni^pce's
problem
obscura
image of the camera
in lithographic printing ; and
in
in photography
the
were
In
97
said
can
processes
an
considerable
therefore
be
are
that
given
of
of
two
98
THE
STORY
direct
sorts,
of
direct
Thomas
by
Wedgwood
though
they were
1802,
Their
obtained.
Talbot,
was
which
The
mechanical.
and
the
PHOTOGRAPHY.
OF
^"^
1795
unable
^Y
fix
to
well
as
of
process
still
was
process
in
method,
simplest
ample
exthat
practised
silver
the
image
of
that
as
printing
largely
holds
the
time
silver
printing
in
I^avy
"
in
field
Foxcess
pro-
graphic
photo-
printing.
the
At
the
most
present
part
This,
papers.
and
even
however,
now
if
even
paper,
themselves.
own
ing
tized,
nitrate
exposed
the
to
The
action
of
of
the
to
the
brightness
of
of
the
negative.
Toning
chloride
of
platinum
chloride
is
After
used.
picture
the
of
needs
The
chloride
of
are
of
surface
the
and
effected
foreign
with
timed
character
by
tion
solu-
sometimes
of
of
soda,
oughly,
thor-
for
chiefly used
and
make,
potassium)
though
quickly,
papers
is
printing
hyposulphite
be
to
silver
being
though
fixing with
prepared
commonly
is
gold,
of
in
exposure
light
their
unsensi-
silvered
light
albumenis-
though
(chloro-platinite
washed.
printing
the
the
solution
on
dried.
length
do
not
prepared,
floated
then
the
frame,
The
is
paper
and
do
they
case
sensitize
photographers
many
the
always
not
was
for
sensitized
and
fully prepared
upon
is done
are
most
emulsions
gelatine
ver
sil-
of
silver.
silver
from
obtained
printing
impressions
is
in
but
there
beauty;
can
hardly be exceeded
that
and
is the
their
drawback
to
enjoyment,
one
their
thrown
have
been
that
doubts
durability.
on
The
On
of
account
fade, efforts
of
more
Various
this
were
permanent
tendency
early
directed
of
silver
to
the
prints
to
discovery
method.
suggestions
were
thrown
out,
and
THE
lOO
Struck
STORY
minds
many
Poitevin
task
the
all
at
and
however,
the
were
or
pigmented
gelatine
and
known,
the
Collotype, the Woodburytype,
forms
of photo-zinco
engraving
There
however,
were,
before
overcome
In
Swan
with
form
which
carbon
Paper
and
then
was
cal
practi-
in
by
the
for
to
water,
mixed
was
with
to
half-tone."
dissolved
ready
be
to
"
added
coated
was
photogravure.
necessary
that, after
many
method
even
his
potash
was
some
not
state
was
of
bichromate
based
even
desiderated
long
gelatine
finely powdered
dried,
to
the
most
are
became
is
perfected
the
of
getting
its final
than
it
the
difficulties
"
it
of
and
carbon
"
type
Auto-
"
styled
one
and
all
principle
the
upon
many
these
further
here
experiments.
the
the
Into
process.
enter
is
It
process.
ous
vari-
not
this
owe
methods
important
the
have
to
It
out.
and
sometimes
process,
ted
devo-
it
result
"
carbon
"*
several
working
But
proved
equally successful.
of chemically
treated
gelatine we
"
ing
time, includ-
same
of
once,
that
processes
the
Beauregard,
to
done
not
PHOTOGRAPHY.
about
and
themselves
was
OF
then
of
way
ment.
pig-
mixture
and
under
exposure
negatives.
There
iron
being
print,
the
in
warm
through
necessarily
the
being
in
being
negative,
placed
relief,
having
whole
and
being
then
but
the
proportionate
the
upon
paper
left
half-tone
silver
with
image.
depth
or
being
the
an
of
sheet
dried
been
was
soaked
the
soluble
removable,
the
to
or
time
to
coated
the
gelatine
used
the
of
the
be
press
both
in
as
now
After
water,
nothing
thereof
to
was
and
treated.
similarly
portions
and
solution
passed
had
The
india-rubber
and
picture,
actinometer
an
exposure.
paper
visible
no
This
was
shallowness
gradations
adequately
of
rep-
PRINTING
PHOTOGRAPHIC
resented.
that
paper
by
when
improvement
required
then
placed
of
during
Meanwhile,
the
Autotype
although
been
of
brought
of
is
thoroughly
tested
the
salts
different
light
by
double
these
than
already
have
the
with
be
ferric
citrate
"
and
like
Treatise
then
ferric
had
of
double
acted
upon
coming
the
Upon
of
processes
concerning
which
later.
process
exposed
Photography."
paper
ered
cov-
parent
trans-
under
brushed
plumbago.
on
the
it
the
up
Garnier
is
ric
fer-
seen,
that
to
to, and
said
and
pigment
"
to
based
potassium.
and
referred
powder
the
be
had
sensitiveness
next
built
Salmon
positive,
dark
iron
he
properties
will
In
of
of
from
than
readily
more
form
method,
the
will
as
other,
the
Garnier,
iron, finding
any
in
resulting
relative
was
oxalate
printing
more
of
ther
fur-
step
was
and
salt
the
ammonia
of
citrate
This
Herschel,
Johnson
development
hygroscopic
itself."*
citrate
carbon
application,
Salmon
more
the
permanent
(1857).
"ferrous
that
citrate
gradual
to
water-proof.
restricted
Messieurs
fact
the
the
more
out
of
supports
rendered
and
discovery
went
so
it
order
printing.
another
process,
one
process
on
flexible
and
in
This
Sawyer
that
water
support
of
cess
pro-
exposed
cold
it made
but
varnished
paper
in
method
rigid supports
by introducing
been
pressure.
that
practical
had
this
found
He
1869.
waterproof
important
so
process
on
in
made
soaked
be
to
atmospheric
by
proved
in
tissue
Autotype
only
adhere
albumen
support,
was
Johnson
J. R.
the
final
the
upon
cement.
valuable
its
loi
spread
now
was
be
to
was
for
serving
used
film
The
PROCESSES.
over
In
"
the
Abney.
with
parts
fine
not
THE
102
acted
STORY
by the
tacky/*
upon
sticky,
and
"
or
the
parts
dry
that
which
is, in
for
modified
with
some
variations
the
photographic
in
porcelain
fine
that
of
mixed
sugar,
with
the
tones;
half-
regards
of
engravings
has
of
sult
re-
as
employed,
for
ring
transfer-
picture
or
glass
to
with
and
enamel,
it
with
used
been
procedure,
form
so
The
occasionally
image
method
based
very
and
J. C.
Burnett
attention
printing
*
in
in
gold
usual
the
gold,
the
as
variation
in
the
is
floated
case
to
of
in
silver
solution
of
beneath
takes
chloride
or
metallic
silver
the
be, being
uranium
rison
Har-
Development
may
the
their
^1857-8).
exposed
dry
image
on
Victor
albeit
Englishman
nitrate
fine
very
to
way.
of
St.
means
time
same
when
and
solution
metallic
A
paper
citrate,
negative
place
priority
method
uranic
the
salts,
turned
possible
as
about
process
accords
this
metal
have
to
is
uranium
Ni^pce
1804.
both
seem
this
to
in
mention
for
of
sensitiveness
Gehlen
by
calls
which
the
on
discovered
of
of
the
become
results.
Another
By
is
method
same
it, while
preparation
substance
is
phrase,
hold.
no
some
still
iron
to
effected
obtains
form,
The
advantage.
has
is faulty
process
the
reproduction
The
but
adhere
to
light
the
citrate.
or
the
of
photographic
powder
pigment
is improved
when
other
sticky
or
gum,
is the
as
citrate
the
light
the
causes
so
PHOTOGRAPHY.
OF
result.
was
process
or
troduced
in-
hence
and
called
WothlyWothly,
nitrate
uranic
with
He
1864.
employed
by
type,
other
the
in
salts
first
"printing.
to
in
collodion,
employ
Starched
"
"
and
collodin
paper
History
of
to
appears
on
was
paper
coated
Photography."
have
for
been
positive
with
the
PHOTOGRAPHIC
PRINTING
collodionised
picture
nitrate,
out
came
intensified
by
and
as
bluish
of
Simpson,
in
Railway,
silver
holding
for
of
means
results
become
has
method
rather
become
chromated
gum
is based
it
chromic
been
has
is
paper
water
has
The
process
latent
purely
places
in
to
degrees
method,
of
avail
of
course,
themselves
the
this
colouring
is effected
visible
image,
of
him
posure
ex-
only
artist
of
parts
produce
he
effect
any
and
an
to
shadow.
the
successfully.
the
by
to
It
most
may
obliteration
absolute
whereof
The
of
any
hands
means
half-tone
as
actinometer.
the
enables
from
secure,
light.
mixture
suppressing
or
photographic
varying
can
by
developing
which
image
of
or
no
with
proportion
action
is
timed
of
power
wish
to
to, that
Development
there
which
impregnated
plumbago
bi-
the
as
in
to
expense
referred
above
sensitive
fair
photo-aquatint,
the
added.
be
where
one
or
by
bids
and
insoluble
As
have
process
attention
known
substance
which
to
be
may
alone.
matter
the
with
treated
carbon
least
principle,
affected
description,
by
is
colloid
any
salt becomes
or
gum
the
to
at
process
the
on
and
to
never
abroad,
popular,
object.
no
good
glass
considerable
and
This
By
very
opal
on
allied
country
used
Britain.
attracted
this
in
Great
suspension.
seems
process
in Great
the
G.
was
produced
both
closely
recently
both
is
the
popular
thus
obtained
but
in
Mr.
by
of
not
method
collodion
chloride
film
the
were
paper,
which
pany
com-
it did
discovered
manager
then
a
process,
time
same
the
general
Western
Although
03
the
being
the
About
a
success.
prove
of
was
positive printing
Wharton
until
black,
gold.
work
to
printed
was
means
started
was
PROCESSES.
is
skilful
particular
THE
I04
development
that
is
late
distinct
the
of
the
of
OF
STORY
PHOTOGRAPHY.
bichromate
gum
M.
whose
Artigue,
advance
velours
papier
anything
on
is
process
of
kind
the
yet
produced.
Although
its
chief
method
is
much
the
in
particularly
Almost
as
The
and
polychrome
is
it
whether
Next
valuable
most
based
in
quality
from
acted
attention
his
turned
development
brought
When
reduced
has
under
exposed
to
reached
"
now
neutral
it.
floating
the
potassium
faint
1880
rations
prepa-
when
iron
In
salts
its latest
been
platinotype
mixture
ferric
ferric
the
the
is the
result.
on
is
of
oxalate.
wherever
paper
which
Willis
having
of
image
oxalate,
of
until
the
"
means
exposed
platinum
previously
prints in platinum,
same
direction,
subject.
state
^^
had
and
potassium
negative
a
ferrous
the
by
1873.
powder
improvements
by
of
chloro-platinite
in
effected
was
the
made
the
in the
and
1878
sensitized
is
paper
in
out
of
the
to
patented
"
one
obtaining
satisfactory
nothing
patience
chemical
black
worked
had
others
and
of
method
its
Herschel
light.
by
doubtful
and
by
fine
with
contact
upon
explained
of
careful
resulting
is
him
by
some
cult
diffi-
processes
possessed
extremely
an
in
brought
patented
the
on
the
invention
the
ployed.
em-
ings
print-
extremely
allied
and
be
successive
fine, it
perhaps
and
deposited
being
but
carbon
is
Willis,
W.
Mr.
is
the
to
colours.
extremely
ingenuity
production.
its
for
is
with
very
the
for
repays
demanded
in
may
notwithstanding
often
Continent,
desired
as
together
and
the
necessitating
exposures,
monochrome,
printing
however,
process,
registration,
for
on
for
colours
laborious,
or
used
Vienna,
many
is
value
salt
is
light
By
solution
of
solution
of
PHOTOGRAPHIC
ferrous
the
with
is
image
oxalate,
is
it
thus
built
is
in
question
no
which,
platinotype,
colour,
Hubl,
the
and
paper,
with
influences.
dead
or
gives
"
"
the
much
this
fact
that
process.
It
is
based
grains
in
dissolved
is
an
it
of
one
mixed
of
means
used
of
of
for
the
an
to
an
sheet
most
part
"
popularity
the
Blue
Sir
John
Herschel.
action
given
grains
the
of
thus
tion
solu-
ferri-cyan-
water,
paper
is
quantity
of
quantity
of
iron
of
paper
Abney.
of
the
white
in
To
than
equal
The
sponge.
sur-
Printing
of light on
platinotype.
ounce
of
to
glossy
the
the
water
forty-eight
which
used,
ammonio-citrate
of
with
potassium
side
of
ounce
composed
ide
of
papers.
the
older
pheric
atmos-
appearance
on
as
on
Cyanotype
Twenty-four
this
known
taneously
simul-
process
is
attributable
salts, is much
the
platinum
paper
and
applied
of
means
obtained
is
oper
devel-
place
albumen-faced
or
method,
though
process,
ferrous
be
largely
Another
solution
engraving-like
more
is
the
surfaced
matt
prints than
can
of
gelatine
face
of
For
the
takes
by
treme
ex-
ments.
improve-
some
sensitizing
printing
of
process
former
the
development
the
acid.
Pizzighelli
for
of
the
to
The
by
indebted
is
are
advantage
work
invention
an
added
is
the
little
it
whom
to
By
to
in
described
colour,
of
permanency
besides
its engraving-like
manipulation.
of
simplicity
in
an
the
to
moreover,
possesses
and
are
hydrochloric
as
contact
which
prints,
The
dilute
in
state,
beautiful
and
immersion
There
fully
up."
delicate
by
105
salt
metallic
the
to
PROCESSES.
platinum
the
reduced
extremely
fixed
PRINTING
and
with
is washed
by
sensitized
copying
of
is
plans
I06
THE
blue
appear
from
Pictures
ground.
be
can
for
time
short
method
in
taken
other
used
at
brief
after
gave
used
to
some
films, which
Both
is
transferred
are
these
by
the
of
the
gelatino-chloride
employment
first-named
in
have
to
appears
bromide
paper
extensively
and
Marion
popular,
became
It
turned
was
to
which
of
partly by
good
been
Germany
by
the
of
the
it
Morgan
gelatinocame
be-
soon
ment
enlarge-
paper
in
its
by
cheapness.
with
could
varied
and
of
means
hour
an
warm
soon
connection
machine,
copies
troduced
in-
was
1884, and
of
in
does
Glasgow,
first
He
Fontayne,
and
and
be
hues,
toning.
needs
printing.
States
put
silver
reason
gives
paper
Urie,
John
T.
direct
for
account
hundred
The
generally
W.
and
Company
printing
two
some
printed.
have
"
automatic
Urie's
but
both
gelatino-chloride
by
paper.
printing.
contact
The
first to
market,
used,
to
patented
but
of
superseded
Swan
the
the
on
glass
gelatino-bromide
1879;
been
still
collodion
wet
eventually
the
it
descriptions
on
papers.
process
pictures
method
from
were
processes
the
certain
transparency
Of
(Fox-Talbot's
paper), much
Another
exposure.
for
extent
work
enlarging
of
account
on
mentioned.
paper
of
the
oiling
the
time
one
on
photographe
adaptations
amongst
less
already
silver
of
without
calotype
recently
printed by this
use
or
those
of
iodide
is the
such
in
more
are
modifications
tives
nega-
and
way,
processes
which
or
same
popular.
rather
are
on
photographic
landscapes
small
became
There
the
lines
white
in
which
drawings
and
PHOTOGRAPHY.
OF
STORY
France.
to
was
devise
not
method
anticipated
and
he
In
has
had
England,
to
appear
in
of
the
matic
auto-
United
imitators
however,
in
the
Io8
of
tor
the
of
model
was
idea
original
had
blood
My
of
thought
ending,
could
the
be
might
time.
of
tion
inven-
effect
Greene
of
hours
said
public
of
in
or
life is
the
:
for
the
never
and
day,
one
few
the
to
the
Park
Hyde
stream
read
things,
the
Mr.
camera
of
course
also
ducing
pro-
which
paper
showing,
true
to
life,or
anything that
which
of
interest
was
at
photographed
well-known
A
person's photograph,
be
letter, could
copied by photography
in
more
print much
quickly than
you
all
nature,
machine
delivered
be
in
ceaseless
the
by
who
enthusiasm,
with
pectation,
ex-
Scientific
which
mind,
scene
the
in
the
taking
where
City,
fired
his
other
to
use
his
structed
con-
(1891).
1890), this
and
amongst
Speaking
upon
was
Literary
the
turned.
be
might
of
forecast
had
to
29,
inventor,
the
by
it, which,
upon
paper
contained
a
"
Bath
of
Institution
shape
patented
was
the
he
answered
(October
in
exhibited
had
take
to
later
fully
the
saw
editor
the
months
time
same
he
began
invention
the
and
the
which
which
model
About
few
than
to
thing
the
mind.
his
in
idea
the
and
out,
PHOTOGRAPHY.
referred
camera
feasibility
thrown
OF
STORY
THE
the
movements
...
his
with
and
put
could
'
set
block
and
which
then
you
could
that
printed
illuminant,
The
the
the
by
forecast
as
was
the
for
"
by
you
the
from
exposure
invention
likeness,
come
out
could
not
block
process
other."
invention
made,
the
rough
model
produced
was
alone
the
it would
for
alone,
detail
and
model
photographs
the
light
beyond
gone
days
perfect
obtain
this
not
by
by
letter, leave
the
take
so
texture
When
But
be
not
the
for
type
would
printed
equal
had
the
"
being
that
up
long
half-plates,
being
having
with
almost
gone
so
stage.
band
gas
of
as
taneous.
instan-
far, and
PHOTOGRAPHY
AND
been
by patent,
protected
to
rest.
or
two
Many
were
of
germ
possible
it
the
that
it
possible
make
various
and
capitalist
the
take
"
provement
im-
great
end
indeed,
so,
to
some
rendered
much
advisable
duced
pro-
practical
obtain
to
so
ways;
deemed
was
to
the
towards
was
of
machine,
the
in
at
which
it
until
thoroughly
"
one
be
to
done
intervention
be
to
in
"
was
done
was
through
in
aimed
to
and
was
however,
anything
that
found
was
there
not,
allowed
model,
machine
was
109
was
the
that
invention
the
When
test.
It
that
1896
putting
matter
saw
persons
convinced
day.
in
the
wonder-working
some
time
PRINTING.
LETTER-PRESS
fresh
out
patents.
with
made
the
the
of
and
only,
early
of
side
large
the
machine,
The
and
paper
and
the
the
side
of
the
those
of
the
the
dark
light, the
compartment
the
chamber
the
of
be
to
light
being
called
the
proper
by
the
on
the
box,
shutter.
tions.
solu-
upper
taining
con-
under
in
side
cally
practi-
shutter
contained
ceive
re-
bers
cham-
constitutes
light
to
chamber
on
sliding
the
printing
the
printed
second
tration
illus-
first chamber
the
chamber
with
the
separated
impressed
Each
room,
the
the
other.
finishing
two
be
to
and
paper,
and
struct
con-
on
troughs
or
an
eight
four
for
negatives,
negatives
paper.
a
tanks
consists
box
at
to
from
box
lowed
al-
paper
the
seen
fixing,
developing,
containing
containing
of
number
The
for
of
the
it was,
to
on
be
of
namely,
four
will
as
this
decided
enough
Magazine^
were
as
side
experiments,
Strand
the
but,
;
one
upon
the
machine
of
model
half-plate negatives,
of
stage
pages
one
printing
experiments
first
original
from
the
said,
already
As
to
a
divided
The
admit
separate
from
light
is
supplied by
be
diffused
The
the
STORY
THE
no
electric
incandescent
reflected
or
negatives
frames,
PHOTOGRAPHY.
OF
fitted
are
with
from
firmly
and
out
etc.
for
When
the
purpose
in
and
may
mirror.
in
fixed
grooves,
Fig.
in
lamps,
are
made
frame,
to
and
slide
34.
of
position
changing
the
the
negatives
tives,
negaare
PHOTOGRAPHY
in
AND
their
printing
central
sensitized
the
over
the
faced
with
made,
presses
the
and
when
is
exposure
the
upon
already
trough
side
under
soon
boxes
press
it, and
the
of
of
printed
and
portion.
then
of
movement
surface
is
then
thus
paper,
box
converted
the
exposed
the
through
into
the
side.
upon,
emerges
slot,
the
continuous
while
means
containing
the
of
the
tive
respec-
the
of
platens
the
motion
by
on
As
intermittent
paper
glass
sensitized
the
upper
the
as
the
ing
printis
motion
is maintained
which
is
the
forward
soon
from
un-
of
means
the
first
one,
of
each
of
paper
fresh,
with
light,
under
printed
uniformly
by
successively,
tanks
to
of
portion
paper,
platens
the
to
the
steadying
made,
place
and,
repeated,
on
negatives,
obtained
is
in
the
portion
chambers
apertures
intermittent
This
necessary
two
pressure
giving
which
proper,
is
the
ing
pass-
through
the
the
printed
the
the
simultaneously
close, the
forward,
machine
pawl,
machine,
it may
by
machine
is made.
exposure
is
the exposure
apertures
carried
with
upon
or
machine
filled
against
instant
removed,
the
the
while
paper
thus
the
The
and
the
open,
sensitized,
charged
it has
as
is contained
on
into
into
goes
action
the
its way
as
light
the
paper
is either
It
slot, and,
is
is
printed
on
emulsion.
is
the
under
Immediately
and
chamber,
immediately
a
platen or pressing-plate,
be
sensitized
through
by
which
along
felt, which,
to
paper
roller,
be
ing
print-
carried.
second,
the
for
just above,
just below,
paper
surface
machine
first
soft
the
under
the
is
that
I IX
negative.
The
of
paper
in the
paper
it in
of
the
line
PRINTING.
chambers,
surface
upper
for
the
dark
respective
the
that
LETTER-PRESS
being
carried
rollers, through
developing,
fixing,
and
THE
112
clearing
STORY
OF
solutions,
chamber
box
or
PHOTOGRAPHY.
and
finally
so
filled
with
hot
into
air
enclosed
an
exhaust
or
for
drying.
the
From
that
section
every
in
face
from
one
a
the
other
or
of
of
chambers
the
of
is
the
course
lower
printed
the
it is
sensitized
first
the
from
When
the
is
being
chamber,
printed
lent
equivathe
on
is
first
understood
paper
feed
then
chamber.
and
negative,
the
side
one
of
and
being
is
be
section
one
in
second
on
band
face,
upper
section
will
intermittent
an
negative
following
to
the
that, while
the
in
to
the
on
and
of
length
printed
it
description
next
tive
nega-
desired
only,
paper
supplied with
electric
of
lamps
not
the
shut
off.
respective light box
are
consideration
connected
An
important
the
is that
of
machine
both
the
working
and
the
development
are
being carried
time,
same
machine
the
negative.
smaller
of
adapted
is
with
coming
not
the
for
an
the
same
way
developer
machine,
is
purposes,
or
In
the
strengthen
side
is
at
see
glance
out
for
single
made
sensitized
use
to
paper
either
ordinary
oil
exposure
the
at
on
it
should.
easily, by
the
light
modify
can
needs
an
of
the
to
or
case.
photographic
for
printing upon
one
These
be
can
only.
incandescent
an
lamp
purely
lamp.
When
the
latter
there
is
with
the
he
the
controlling
if the
ture
pic-
as
he
can
over-exposure,
resistance
register, adjust
electrical
to
is
who
operator
is
there
the
the
is able
printing
or
If
that
so
with
no
combined
are
or
be
By
need
be
has
the
with
their
place
which
sort
yields
its
it
will
be
is
are
friction
time
is
As
uniform
the
has
show
to
that
"
and
be
but,
a
of
cost
the
as
in
machine
wonder-worker
it
by
affirm
of
case,
it
praise
it
must
development
of
the
that,
tones,
Whether
high
those
value,
impressions,
striking
"c.
is almost
delicacy
any
the
requiring
indeed, so
and,
of
quality
newspapers,
artistic
this
printing
regards
as
before.
gone
sustain
long-run
will
its
of
quality
that
the
produced
variety
construction,
movements
that
prints
its
regards
the
books,
regards
seen
in
machinery
there
raphy.
photog-
photographic
especially
heavy
in
keys),
by
of
new
well
as
complicated
and
anything
in
reduced,
no
have
it
by
illustrated
of
noiseless.
the
simple
improved,
expensive
as
very
that
greatly
printing
little
the
does
employing
means
that
ventor
in-
the
he
(worked
by
of
press.
idea,
type,
typewriter
is
believed
greatly
There
ordinary
seen
platen
his
the
rate
whereby
impression
machine
printing
and
be
of
the
placed
re-
of
that
to
say
is
higher
machine
of
use
will
It
who
patented
to
motion
of
development
which
than
much
by
MS.
own
further
than
tions
combina-
machine,
the
(similar
arc
machine),
further
away
of
up-and-down
obtained
be
can
other
author's
here,
cylindrical
ing
present-
letter-press
or
an
explained
printing
rotary
In
even
intermittent
by
it
made;
be
the
speed
added
printed from.
later
development
not
that
been
which
to
person,
113
photograph,
"
may
might
has
description
PRINTING.
ordinary
an
"
view
LETTER-PRESS
AND
PHOTOGRAPHY
and
outdoes
it
or
be
of
sciences.
will
not,
knowledged
ac-
tography
pho-
STORY
THE
114
OF
PHOTOGRAPHY.
CHAPTER
XIII.
"HOTO-BLOCK
of
NUMBER
applying
plates, from
by
purely
are
to
methods.
kinds.
surfaces
show
is
thereof
differ
film
so
in
their
transferred
portions
of
being
as
in
to
ink, and
receive
in
will
with
and
all
two
tones,
ink
pen
and
but
it becomes
the
attempt
tone,
in
nature,
the
and
deep
being
like
or
type,
ordinary
ner
man-
in
cases
such
stipple
grain,
or
varieties
affinities
have
the
processes
that
of
is
simple
to
seize
respectively
graphic
litho-
shades
shadow
reproduced
of
in
To
white,
enough
the
broad
good
as
in
matter
affair
of
ing
interven-
light, as
when
gradations
chiaroscuro,
and
culty
diffi-
great
different
all
of
half-tone.
and
is, black
altogether
subtle
ink
jecting
re-
contact;
three
production
drawing,
is made
all the
betwixt
the
or
copper-plate,
printing.
letter-press
been
parts
of
methods
photo-printing
has
secure
these
printing
the
printing
out
the
taglio
in-
engraving.
that
seen
by
of
sort
low
beas
the
in
half-tone
some
of
photo-mechanical
In
the
kinds
be
in
or
intended
taking
stand
printed
taken
various
paper
printed
are
produced
It
be
letter-press,
various
(2)
that
to
be
known
for
capacity
picture or
design
ink, the
afterwards
treated
blocks
etched
or
are
else
or
of
blocks
parts
cut,
These
blocks;
or
surface
the
sunk,
are
for
processes
of
(i^ the
surface.
plates
consist
which
even
These
They
in
in
up
the
(3)
production
impressions
may
mechanical
printing
devised
the
to
which
three
been
have
processes
photography
or
of
PRINTING,
seen
photograph.
ii6
THE
flat
perfectly
the
all
out
PHOTOGRAPHY.
is
and
adheres
has
the
the
time
had
in
placed
out
by
known
the
while
tion
posiforces
pressure
in
that
When
paper.
set, the
the
of
finish
alum
the
tine
gela-
is raised
platen
to
solution
process
which
author
of
off
which
and
print,
the
hardens
It
positive
is
thus
is first
successfully
was
the
Stannotype,
as
surface.
A
in
35.
Then,
a
The
upon
gelatine.
Another
"
to
removed.
paper
is
it
the
to
tightly
solution,
Fig.
mould
held
(Fig. 35).
superfluous
down
brought
now
mould,
clutch
the
OF
glass
and
paper
by
STORY
described
made
from
is
method
above
or
worked
printing
by
the
the
from
that
tin
inventor
negative
"
pref-
photo-blcx:k
erably
the
by
other
or
carbon
in
but
obtain
certain
relief
negative
rubber
varnish.
the
press
the
first
the
Stannotype
it
is
a
in
it,
over
india-
pair
of
in
fact.
We
does
ink."
give
not
Woodbury's
from
of
results
in
placing
gelatinous
process
yields
india-
laid
for
ready
to
as
tnin
mangle
from
so
(gelatine)
tinfoil
in
also
possesses
This
with
obtained
pictures
method,
colour,
mould
printing
beautiful
less
of
species
and
Although
tissue
through
passed
a
the
relief.
of
carbon
is made,
coated
piece
printing
now
of
then
A
"
have
much
is
rollers
rubber
and
amount
whole
the
and
case
this
From
negative
this
body
more
117
process.
transparency
carbon;
much
printing.
high
very
quality.
modification
Another
is
much
used
for
stamped
into
lead
one
is
with
burytype
mated
with
block
The
Goupil
offer
and
printing
of
above
the
invention
method.
copperplate.
by
by
in
it
does
not
the
cation
modifi-
variation
introduced
but
plating,
electro-
produced
obtained
to
was
to
be
is
thus
the
still
that
Guide
earlier
brought
described
Processes,"
differs
which
process
or
Practical
Printing
in
lead
1880
appear
of
by
to
special advantages.
Woodbury's
"
double
be
said
are
only
which
as
mixed
the
From
by
done
bichro-
glass
grain.
photogravures
process
any
seems
is
Wood-
the
powdered
a
relief
in
as
that
"
is obtained
plate
Woodhouse;
The
had
copper
Woodbury's
Major
difference
produces
excellent
process
The
metal
type
or
has
this
it, and
Woodbury
photo-engraving.
this
gelatine
the
of
to
by
one
of
Burton
and
from
Fox-Talbot
Obernetter,
by
out
Photographic
materially
"A
Photo-Mechanical
posi-
Il8
THE
is
tive
produced
silver
the
STORY
in
of
chloride
is then
of
of
the
with
copper-forming
the
(patented
in
1852)
come
to
those
prints
of
the
on
to
the
"
folded
still
means
of
powdered
its
not
method
resin
for
in
long
between
the
former
the
but
the
**
obtain
of
image
suitable
used
for
a
"
material
obtaining
the
dations
gra-
been
the
idea
after
by
being
the
of
the
He
in
his
and
diflference
main
Talbot
gelatine
the
form
of
grain.
upon
that, whereas
the
use
with
Clic, the
over
of
successful
very
worked
out
based
resin
it in
was
idea
the
of
production
have
the
upon
adopting
by
process
applied
surface
hit
two
spread
to
on
effect
patented
the
to
appear
application
good
trotype
elec-
an
to
other
Talbot
years
his
improving
does
largely
the
tone.
later
In
or
gauze
pho-
film, washing
making
negative,
the
his
the
on
and
printing
proposed
even
that
here
of
in
and
gelatine,
under
excellent
it is believed
gelatine
He
results,
above,
consists
process
it.
process
modifications
but
by impressing
of
piece
which
copper,
practised
bichromated
exposure
the
combine
to
regards
as
it, and
by
are
from
half-tone
the
etches,
silver
described
unaltered
the
away
not,
processes
The
toglyphy.
negative
it
of
film
with
engraving
did
secret
Continent
the
on
of
of
The
contact
chloride
obtained
were
many
mixture
acid.
which
Fox-Talbot's
Although
up
the
into
water."
in
is soluble
silver
is converted
into
chloride
the
of
The
of
copper-plate,
leaving
salt.
chromic
brought
chlorine
of
action
and
and
gelatino-bromide
image
the
by
iron
wetted
surface
fixed
silver
perchloride
of
silver
the
and
developed
PHOTOGRAPHY.
film
on
rich
very
OF
of
copper-plate,
fine
using
posed
pro-
relief,
powder
heat
to
PHOTO-BLOCK
make
in
it adhere.*
The
and
abroad.
England
The
owes
in
pages.
while
it
based
repels
in
and
become
of
one
the
ink,
greasy
this
principle
Lichtdrtick
he
which,
in
useful
most
treated,
so
"
photo-lithography,
England
the
gelatine.
take
"
Upon
of
of
one
gelatine
will
water.
process
Collotype
has
light,
to
exposure
was
bichromatised
that
both
frequently
photography
him
He
with
used
been
To
discovered
he
1855
has
ideas.
experiment
to
after
these
original
many
In
Poitevin
119
is much
process
of
name
mentioned
first
PRINTING.
as
Germany,
forms
of
mechanical
photo-
printing.
is
follows
as
of
film
under
image.
On
grain
in
from
with
is
water,
been
the
print there
by
The
is
the
is
faint
those
upon
extreme
complete
of
or
printihg
in
as
damped,
so
is
reticulation
same
and
paper,
acted
process
is the
it
say,
of
sheet
cold
up.
plate
to
being
it
dry
result
not
produced
tones
with
When
in
have
process
coated
raphy
lithog-
inked,
passed
ered
cov-
through
press.
have
There
the
collotype
minor
details
1
86
been
1,
only
process,
James
Henry
to
overcome
modifications
few
of
successful.
only,
however.
of
number
commercially
proved
In
the
gelatine.
that
is
Between
of
collotype
that
swell
the
collotype
glass
washed
plate
of
gradation
the
of
negative,
whites
and
the
gelatine.
being
light
the
blacks
sheet
the
of
parts
working
bichromated
exposed
by
of
method
The
and
Col.
brought
need
De
out
defect
one
Burtoiu
detain
Scott,
a
have
They
not
C.
which
process
in
vary
us
R.E.,
and
which
collotype
of
in
here.
Sir
posed
pro-
print-
STORY
THE
I20
ing,
namely,
which
could
the
transferred
chiefly for
taken
the
map
from
the
to
in
and
papyrotype,
based
R.E.,
by
of
means
chromated
is
We
soluble
photography
in
type
for
the
under
the
by
is
of
one
line
thing
all
time
vain
the
of
late
of
efforts
of
Pretch.
and
relief
"
is
quite
long
For
difficulty
has
success
in
were
attended
photo-engraving
Practical
Guide
for
to
Poitevin
were
worked
also
blocks
workers
thoughtful
most
Woodbury
of
it
to
experimenters.
earliest
branch
better
years
process
matter
easy
way,
this
meet
to
in
graving,
wood-en-
half-tone.
secure
attempts
but
The
this
to
tions,
illustra-
The
this
in
subjects
only
not
magazines,
book-work.
an
This
most
crude
class
it is
used
comes
superseded
while
faces,
sur-
be
to
employed
highest
in
as
applying
printing.
often
their
wholly
relief, and
reproduce
another
the
in
well
as
the
printing
blocks
being
eye,
almost
has
bi-
the
of
of
of
letter-press
for
also
in
photo-engraving
newspapers
it
which
which
popular
but
half-tone
method
making
ordinary
in
form
is the
J. Husband,
production
that, namely,
with
of
name
description
third
the
the
to
sors
predeces-
the
gave
tain
Cap-
Burton.*
to
come
his
embedded
full
selves
them-
results.
securing
crystals
by
given
now
method
for
gelatine.
process
his
of
applied
on
he
zinc
to
"
number
useful
which
procedure
they
designed
subjects
advances
upon
this
being
Others
with
to
To
indefinite
an
some
process
it
"
line
of
idea
same
the
plan
or
impressions
plate.
printed.
made
Abney
from
which
be
of
number
copying
could
copies
PHOTOGRAPHY.
limited
be
the
stone,
or
OF
at
the
and
tion
produc-
printing,
typographic
Photography,"
in
etc.
PHOTO-BLOCK
using
been
have
others
for
himself.
more
These
time.
lead
able
work-
both
with
if
the
at
not
present
Meissenbach
the
and
Ives
ideas
Woodbury's,
the
seems
out
perfecting
to
the
are
giving
methods,
Two
it, take
on
he
respect
in
resemblance
based
actually
produce
to
in
than
develop,
process
less
or
this
successful
more
to
in
but
I2I
network
or
gauze
impression
grained
to
of
screen
PRINTING.
processes.
and
patented
thus
is
etched
in
break
stippled
the
thus
first
may
order
in
or
be
a
the
bitten
two
plates
the
bined
com-
and
twice
or
during
photographic
either
rectly
di-
transfer
and
manner,
to
are
hatched
lithographic
acid
is
photographed
applied
usual
by
transparent
or
The
may
the
once
negative.
cess
pro-
cross-hatch
to
shifted
years,
form
the
block
relief."
The
far
Ives
the
as
its
and
is
process
of
production
excellent
results
half-tone
may
which
magazines,
far
periodicals
English
the
their
Of
illustrations.
have
magazines
Burton
method
thus
been
describes
"
The
original
very
American
the
is
by
plate
from
shading,
plate,
made
be
This
and
negative
obtained
subsequently
plate
in
the
zinc
1882.
the
face,
to
the
be
of
of
transparent
object,
In
of
may
production
to
face
way.
plate
negative
the
worked
number
parallel lines.
of
lines
the
definite
ordinary
the
bach
Meissen-
the
been
in
"
in
positive is made
joined, preferably
plates
for
Swan
described
stippled
or
having
Meissenbach
by
is
England
after
which,
process,
Bullock
Messrs.
was
in
known
best
The
be
is
seen
until
very
behind
late, however,
gaining
the
process
ground
general
depends
in
in
one
concerned,
of the
many
recently
in
regard
the
very
left
to
English
rapidly.
principles
on
so
the
of
pres-
STORY
THE
122
of
ence
relief
half-tone
PHOTOGRAPHY.
OF
on
surface
more
less
or
compressible, and
consisting of a series of slight
eminences
a
forming
grain, as, for example,
paper
surface
like
bookbinders'
something
a
having
cloth.
eminences
The
the
to
the
means
a
grain
than
the
shadows
they
the
produced
in
india-rubber
pad
plaster
of
for
number
having
but
they
and
need
For
is
the
darker
deepest
brightest
lights
image
block,
first
method
thus
which
transfer
surface
of
manner.
slightly wetted,
of
and
it,and
the
referred
ingenious
last
in
named,
principle
line
Ni^pce,
and
still
Another
plate
After
the
the
lines
of
line
transfer
in
it
transfer
well
with
inked
but
simple
on
drawing
to
the
ordinary
the
men
bitu-
employed
which,
used.
there
the
engravings,
proof
zinc
drawings
including
by
be
very
alike
less
ink, and
a
an
Woodbury
might
processes,
is
get
of
in
the
the
here.
us
copy
modification,
in
of
in
paper,
grooves
to
or
more
invented
to
grained
Zuccato,
reproduction
to
inventor,
processes
of
different
is
the
was
itself.
detain
Victor
the
resemblance
all
not
the
method
his
V-shaped
other
some
method
stone
the
zinc
reproduction
that
are
many
little
with
of
one,
St.
result
the
The
by
of
place
relief
the
including
by
to
upon
paris
to,
are
the
all."
at
introduced
substitution,
in
any
etched.
subsequently
relief
by
of
in
fact,
in
transferred
was
the
portion
pro-
touched
improvement
An
tone
if
account
on
In
are
black
inked,
grains
or
parts.
eminences
not
then
dots
lighter
even
are
was
of
the
an
be
half-tone
in
out
relief, and
the
yf"z//^"^"/portions
Sfze
in
of
height
representing
greater
flattened
are
the
;
ished
polgraphic
litho-
plate is
they
are
THE
124
PHOTOGRAPHY.
OF
STORY
to the
tography, and
be
applied to the
will not
be entirely
various
industrial
lost
of.
sight
be
hardly
"
sixty
of
and
deepened
More
secret.
of
the
perhaps
of
all
has
it
belted
perfect
method
actinic
rays.
the
moon,
recorded
magic
by
has
given
and
the
and
the
been
day
luminary's
birth
in
and
the
the
sult
re-
than
the
anent
the
"
its
by
of
the
like
history
disc
which
the
of
the
Eclipses
it
has
obtained
have
we
the
it
of
orb
are
the
on
to
volcanic
that
giving
is
spots
supposed
are
its
of
means
manner,
of
sun's
The
by
us
development
of
also
Venus.
for
depicted
in
aid
the
images
pictures
us
the
of
visible
nebulae.
transit
body
registering
and
supplying
in
obtaining
pencil, while,
day
great
the
us,
has
corona
us
It
of
after
during
said
spectrum,"
the
stars,
drawings
vealed
re-
photography
been
achieved
of
for
has
been
combined
already
has
of
zone
but
years.
Something
triumphs
only
not
secret
have
of
eye
sciences
the
has
wonder,
penetrating
Daguerre,
sight,
indeed,
marvels,
hundred
previous
after
wonder
us
the
ment
announce-
Ni^pce,
our
has
"
the
chemist
as
ence
sci-
During
since
of
of
that
industry
elapsed
light
and
broadened
to
of
joint discovery
Fox-Talbot,
branch
name
photography.
have
that
the
to
department
from
years
APPLICATIONS.
AND
difficult
benefited
not
XIV.
DISCOVERIES
would
It
photogravure
arts,
CHAPTER
RECENT
it may
in which
ways
mark
ments
move-
not
with-
DISCOVERIES
RECENT
their
out
physical
and
of
One
the
with
acquainted
These
separate
hardly
likely
them
that
probable
existence.
It
he
photography
it
in
for
the
and
the
rate
of
line
of
sight
due
the
round
all
At
the
world
for
the
the
leading
the
aid
magnifying
when
it
only
work
of
of
whole
over,
More-
the
"
of
the
the
rings,
in
system
of
the
the
planet
throughout
is
photography
the
heavens
revealed
been
the
is considered
"
the
us
of
observatories
of
ken
This
glasses.
establish
rotation
rotation
the
of
means
give
of
go
method
rings.
revolution
of
out
has
by
by
to
beyond
were
of
their
place
clearly
Saturn's
the
to
sun."
retina
satisfied
of
that
is
seemed
be
this
period
motion
mapping
delicate
it
to
say
it
observe
to
Keeley's
to
period
mean
orbits.
that
and
photographs
the
estimating
planet,
to
of
his
addition,
able
in
able
was
constitution
meteoric
be
Professor
Suffice
working.
that
of
description
small
of
satellites
demonstration
needless
is
so
have
mathematical
the
consist
circular
telescope,
should
we
onstration
dem-
small
in
ever
the
astronomy
Saturn
are
shall
in
of
separate
bodies
we
of
planet
the
such
as
with
of
round
revolving
constitution
mathematical
rings
number
immense
data
our
of
triumphs
J. E. Keeley's
students
Maxwell's
the
that
of
25
upon
meteoric
the
All
rings."
Saturn's
into
effects
Professor
"
an
moral
astronomical
latest
is perhaps
photography
proof of
spectroscopic
are
APPLICATIONS.
lives.
daily
of
AND
that
means
Photography
of
and
may
most
to
of
myriads
the
used
being
stars
powerful
seem
strange
astro-photography
the
Annual,"
telescope.
1896.
its
can
But
it
126
THE
be
to
ceases
that
STORY
the
plate
sensitive
exerts
see
may
fewer.
and
fewer
beholds
place of
until
impressions,
have
may
seen
it
though
of
photo-micography
the
portraits,
lantern,
same
all
way
bodies
be, and
may
of
handmaid
is
which
the
novelty
the
public
Most
caused
persons
art
of
optical
In
tissues
aid
the
for
are,
are
them
will
remember
the
civilised
throughout
of
the
of
the
tures
struc-
the
of
our
of
this
raphy,
photogthere
but
in
science
still
are
that
recent
so
in
fresh
mind.
that
Rontgen
the
wonder
and
of
anatomical
of
of
triumphs
the
their
achievements;
department
another
of
by
These
established
long
disease-bearing
and
studied
are,
of
take
to
screens.
parts
sciences.
the
of
upon
various
the
enabled
means
enlarged
greatly
in
aid
the
By
study
by
them,
throw
to
vastitude
photography
been
better
the
many,
number.
the
small.
speak,
it
as
same
in
of
have
to
so
for
and
germs,
the
triumphs
we
augmenting
times
only
infinitely
the
tinues
con-
half-an-hour
more
achievements
the
realm
the
these
to
he
as
on
of
or
by noting
began
are
space
goes
end
thousand
Analogous
of
the
at
of
he
fatigued and
the
photographic
But
tiring,
in
plate,
while
moment
stars,
becomes
ing
affect-
Thus,
first
hundred
eye
of
photographic
the
mind
invisible
capable
action.
his
gaze
albeit
of
at
in
"
"
surface
watcher
observation
to
senses
cumulative
bear
we
energy
the
to
astronomical
an
when
other
or
impalpable
and
PHOTOGRAPHY.
surprising
light
any
OF
flesh
of
bones
had
by
means
spherical glass
tube
the
of
or
world
scientist.
German
Wtirzburg,
the
succeeded
hand
the
bulb.
rays
through
sensation
by
the
nouncement
an-
Professor
in
its
proceeding
graphing
photoing
cover-
from
RECENT
DISCOVERIES
Some
twenty
electrode
the
the
light
the
when
the
tube
of
rays,
and
that
the
the
weaker
disappeared
totally
perfect.
the
moment
They
stance
circum-
fluorescence
invisible
of
point
the
was
was
of
discharges
of
glass
the
from
the
cathode
one
tion
imperfec-
made
and
that
the
tubes,
this
at
oscillating
which
the
it
fluorescent,
the
by
to
rendered
inferred
they
due
was
tion
descripfrom
going
the
was
this
eye,
was
until
that
of
be
German
two
tubes
vacuum
vacuum
became
caused
the
in
the
further,
noticed,
to
other,
became,
the
in
127
it should
ago,
Goldstein,
that
vacuum
carefully
more
years
and
visible
to
of
more
observed
light
the
or
Hittorf
explained,
physicists,
APPLICATIONS.
AND
origin.
Such
spherical
that
England
tubes
Professor
were
the
Photography
was
part
"
of
1894
Crookes'
36."
instruments
first
Lenard,
which
fixed
by
modestly
midst
of
was
other
the
the
first
which
of
the
on
be
to
early
it
that
objects
and
New
the
In
showed
announced,
more
in
Crookes*
as
observed.
Bonn,
at
fact
and
was
by
photographic
ordinary
stance
circum-
Tube.
afterwards
could
the
them
with
shadows
secure
possible to
substances,
optically opaque
these
shadows
of
impression
plates
from
Crookes
experiment
to
Fig.
tubes
known
"
was
through
obtain
an
photographic
and
developed
methods.
however,
So
in
striking novelties,
the
that
128
THE
STORY
those
even
who
had
read
attention
of
announcement
with
that
the
all
the
of
the
of
name
first
there
in
the
that
were
these
or
camera,
changed
there
of
so
even
in
of
their
physical
of
the
periments
ex-
of
range
of
of
the
object
is left
are
now
by
means
persons
which,
at
first
found
soon
it
rendering
foreign
the
possible
body,
metallic
substance
fracture
or
usual
in
malformation.
is
the
result
plate,
and
way.
great
bullet,
the
system,
graphs
phototions,
radia-
Rontgen
of
in
the
a
only,
curiosity
use
discover
a
the
with
the
object
of
the
as
graphic
photo-
are
surface
and
upon
of
to
like
they
familiar
an
be
to
light,
of
question
no
sensitive
as
action
in
is
that
the
obtained
far
so
permanent
Most
lens,
by
image
made
of
radiations
scene
extending
soon
experiments
only
were
the
was
stance
sub-
Photography.
new
In
an
but
world
an
Rontgen
scarcely
was
obtain
weeks
few
sible,
pos-
upon
penetrating
Within
X-rays.
announcement
laboratory
the
and
to
mained
re-
was
light.
the
to
the
bone
it
hand
the
sensitive
invisible
these
to
tube,
of
that
the
word,
Crookes'
skeleton
the
ordinarily
gave
that, in
of
means
found
while
served
ob-
electrically
completely
not
He
rays.
and
opaque,
outline
did
the
covery.
dis-
R5ntgen
bulb
transparent,
were
by
tube,
plate
cathode
by
that, experimenting
1895
betwixt
sensitized
parts
held
their
sensational
of
end
until
subject
more
spherical
hand
and
charged
soft
Rontgen's
the
the
to
lished
pub-
graphs"
shadow-
"
him,
by
afresh
towards
was
arrest
obtained
called
when
paper
that
such
forgotten
been
was
PHOTOGRAPHY.
Lenard's
well-nigh
had
It
OF
position
exact
needle,
or
to
by
surgery
or
other
examine
RECENT
DISCOVERIES
the
But
accidental
importance
discovery
instance
have
to
questions
up
theories
have
ultra-violet
light
Portion
"
Thumb.
the
the
of
large
the
of
theory
question
light, sound,
gravitation itself.
that
Photography
Q
be
to
the
have
the
phenomena
"
brought
and
another,
the
F.
Hicks,
of
Ball
R,
S.)
that
the
tudinal
longiif
which,
theory
be
million
missing
the
the
may
in
of
physics
electricity, or even
department
of
prove
may
up
opens
for
supposition
is the
"
open
those
by Prof.
Photograph
be
may
ether
the
in
would
as
not
Several
embedded
Needle
It
about
light;
first
does
"
X-rays
vibrations
with
Hand
the
account
the
ordinary
radiations
waves
true,
with
sensational,
Rontgen
in
appears
to
that
129
Rontgen's
is
K^From
most
it
advanced
than
greater
37.
for
"
been
One
Fig.
Professor
of
been
phenomena.
times
APPLICATIONS.
happy chance
applicability in surgery.
of
enormous
magnitude.
its
with
rest
AND
esis
hypoth-
Whatever
right
there
one,
in
involved
us
face
as
to
the
face
is
no
new
with
STORY
THE
130
facts
which
been
considered
Thus
been
would
disclosed,
tend
for
and
the
less
general
in
whither
it may
surprises
of
the
was
form
of
it may
have
idea
in
store
the
wheel-of-life
use
of
it
in
as
new
the
or
his
by
the
it
making
in
object
The
to
W.
first
in
half
the
the
of
throw
the
secure
half
moving
of
enlarged,
so
in
to
in
the
apparatus,
an
he
posed
pro-
graphs
photoand
band,
(2)
whereon,
screen,
give
action,
been
successive
as
moving
advance
whereby
the
rapidly
have
long
step
second.
for
upon
handle,
of
instantaneous
upon
motion.
loco-
introduced,
was
to
patent
series
scenes
moved
be
of
made
objects
optical lantern,
take
to
of
as
while
Mean-
further
appears
his
known
cameras.
of
a
general
animal
image
an
fraction
with
field
in
matter
film
ripe for
photographing
of
would
of
was
them,
means
the
battery
Friese-Greene
(i)
pictures
the
ance
appear-
life.
But,
Friese-Greene's
although
taken
the
public
to
smallest
camera,
by
matograph,
Cine-
Marey
touching
sensitized
highly
possible
moment
regard
and
means
raphy
photog-
the
been
long
carried
of
of
to
photography."
zootrope.
researches
Muybridge
further
it had
X-rays
etc., but
animated
"
to
not
was
the
surprise than
the development
the
Kinetoscope,
Theatrograph,
referred
popularly
The
public
the
was
impossible." *
has
exploration
knows
one
have
ago
us.
Hardly
to
if not
scientific
no
fresh
what
or
for
while
short
only a
improbable,
realm
new
PHOTOGRAPHY.
OF
by
in
out
actual
Edison's
Strand
1889,
he
original
anticipated
was
of
production
Kinetoscope.
Magazine
patent
as
invention
his
This
July, 1896.
may
gards
re-
in
be
THE
132
of
raphy
late
made
in
said
about
will
be
regard
image
in
when
wielder
the
and
operators
of
the
is to
in
is
to
it
gives
the
life
To
the
from
the
to
science
to
view
have
by
been
various
given
acted
is
he
are
is
however,
by
upon
so
at
his
does
easy
not
do
combined
the
bring
those
light
to
by
light
that
parts
the
this
metallic
means
of
the
as
to
disposal.
it would
an
it has
the
of
to
the
that
many
not
for
is
sents
pre-
distinguished
action
in
to
fusing
in-
plate
impression
silver
enabled
ture
pic-
plate, and
photographer
the
his
out
be
may
it
brush
sculptor:
exposed
The
and
the
reducing
developer
case
will
it.
chemical
the
had
the
the
the
the
it
art
an
has
what
to
on
one.
of
art
well
as
bath
drawing
into
which
developers
There
of
course
latent
This
state.
which
be
and
much
chisel
power
through
is said
the
ment
short, develop-
In
the
unexposed
received
tography
pho-
idea
who
developing
or
by
of
both
the
of
nothing
is
with
hiding-place
eye
and
development
anyone
lifelikeness
or
artist
the
statement.
the
the
an
and
painter,
from
an
image
photographer
him
such
one,
the
the
But
that,
study
that
said
photographic
endorse
latent
plate.
the
be
simply
the
than
more
would
has
experience
readily
about
is
out
it
but
words
exposed
is
been
camera.
Abney
science
pages
brings
the
to
has
developer
which
is, he
latent
much
Much
further
few
say
advance
great
foregoing
the
developer
Captain
of
to
if, that
"
the
takes
who
anyone
up
frees
his mind
from
sooner
better
as
in
applied
the
been
developers.
to
compound
truth
the
has
these
chemical
PHOTOGRAPHY.
OF
years
necessary
To
many
them.
a
STORY
be
the
question
best
to
one.
quarrel
The
with
employ
true
the
in
man,
craftswealth
DISCOVERIES
RECENT
of
implements
rather
them
himself
time
general
use
found
usually
are
number
all
be
of
of
Of
their
the
etc., it is
not
manuals
and
in
forth
set
It
For
may
rodinals,
in
any
tail.
de-
great
photographic
journals
be
added
is
recommended
preventing
as
it
Amidol
with
dissolved
which
acts
detail
and
as
in
for
Mr.
Wilson
"
solution
is
considers
tion
solu-
potash
citric
bromide
portrait
to
sodium
It
"
tones.
half-
for
over-exposure.
of
and
snap-shots
while
rapidity,
great
the
with
to
correcting
quick
delicate
preference
density,
good
with
useful
in
soft, albeit
eikonogen,
accelerator.
an
developer
and
accelerator
specially
acts
when
in
an
and
for
developer
detail,
1889
Meldola
in
fog
in
Professor
picture,
strong
carbonate
introduced
fine
black
density
should
J. A.
and
tions
qualifica-
good
gives
thin,
hold
and
was
by
accounted
somewhat
Some
it
and,
metols,
speak
the
which
exposures.
acid
seen
light,
to
constitution
discovered
is
1881),
ments.
require-
have
uses,
late,
oxa-
These
ordinary
brought
to
all
more
Eikonogen,
(though
all
amidols,
their
in
admirers.
necessary
not
the
ferrous
and
special
special
for
purpose
however,
years,
eikonogens,
Are
for
their
have
fied
satis-
hydroquinone.
developers
new
them
added,
few
having
developers
acid
enough
last
The
the
added
be
may
his
quainted
ac-
aside.
pyrogallic
are
which
to
others
shown,
already
As
and
for
but
thoroughly
one,
best
the
lays the
being
by
133
command,
himself
one
tg
as
his
at
making
about
with
APPLICATIONS.
material
or
sets
AND
and
amidol
tives.
nega-
especially
sulphite,
yields excellent
specially useful
lantern-slides.
superior
to
THE
134
other
any
gives
fine
soft
carbonate
as
obtainable.
work
the
is
image
pyro
and
experience
"
it
by
and
crisper
showing
that
object
it because
to
yield
easily
to
is
which
using
amidol
either
harsh
of
excellent
producing
Glycin,
another
more
like
acts
has
well
under
gradually,
and
the
sity
densome
its tendency
is
fault
management,
tendency
with
fog
to
liberatio
dethan
capable
doubt,
slow
developing
newer
in
action,
to
Bringing
gathering
either
like
than
tendency
control.
but
results.
pyro
is very
It
metol.
of
oped
devel-
greater
This
is, without
and
developers,
films
er,
slow-
proceeding
less
gone
for
consider
careful
and
shows
has
Indeed,
negatives.
solution
dilute
gives
they
by
it
detail,
metoL
what
overcome
It
most
of
pyrogallic
negatives
it
or
graphic
photo-
is somewhat
It
while
pyro,
gested
sug-
of
of
more
image.
was
especially
show
only
not
gallic
pyro-
parlance,
year,
the
as
acid.
with
doyen
by
year
hand
It
place
developer,
than
than
in
1880,
for
that
pyrogallic
the
that
cleaner
however,
in
kept
like
Abney,
gradually,
superseding
on
easily
is,
in
where-
force
composition.
in
experts,
acid
much
so
intimately allied
briefly, in photographic
Captain
by
plates
time-exposures,
agent
chemical
in
"
for
and
exposure,
better
qualified
with
so
is
density
is
or,
"
'*
"
for
produced
Hydroquinone
acid
fair
ash
pot-
of
amidol,
not
With
useful
peculiarly
deliberate
more
detail.
good
than
is
development
rapid
minimum
with
hand-camera
with
is
a
along
Metol
paper.
in action, and
accelerator,
an
received
perhaps,
is
out
Metol
have
bromide
negative,
bringing
of
capable
PHOTOGRAPHY.
for
developer
that
OF
STORY
opacity
amidol
and, like
if
hardness
out
agents,
the
with
quinone,
hydro-
not
image
the
or
kept
very
appear-
DISCOVERIES
RECENT
of
ance
for
copying
and
maps
work
those
clear
potassium
acts
Rodinal
as
is
round
developer,
work,
camera
possible
as
not
act
as
be
may
without
of
of
detail.
is of
rodinal
All
the
an
all.
all
of
or
of
staining
the
plate
would
escaped
the
rous-oxalate,
different
This
twenty
harmony
given
by
the
film
and,
sufficient
some
action
of
metabisulphite
;
of
of
however,
if
they
allowed
or
can
at
power
phite
sul-
sodium
obviate
to
to
act
upon
length
of
time,
they
silver
salt
which
had
the
light.
the
In
have
we
alkali
an
developing
presence
in
used
are
which
from
any
require
an
of
case
of
agent
fera
tally
to-
type.
compound
for
and
either
apart
have
to
the
reduce
only
advantage
deposit
with
potassium
for
it does
not
the
to
developers
conjunction
said
They
much
as
ment
picture, develop-
the
the
hand-
bluish-black.
carbonate,
be
hardly
of
all-
for
that
softness
regards
para-
good
protracted,
above-named
alkaline
of
getting
greatly
colour
in
solution,
of
sodium
Seeing
fog
to
is
for
plate.
but
as
The
tive
nega-
bromide
adapted
considerably
negative
is great
form
It
generally,
detriment,
the
the
combined
well
agent
an
there
alkali.
of
out
and
is
very
and,
stance,
in-
to
of
glycin,
which
caustic
and
sulphite
for
as,
concentrated
very
with
amidophenol,
ommended
rec-
restrainer.
With
been
also
colour
black,
mechanical
photo-
hundredth
The
greyish
veiling.
from
freedom
second.
has
exposures,
from
varying
of
thousandth
It
adapted
for
and
drawings,
brief
very
135
well
specially
generally.
for
is
is
details, glycin
the
APPLICATIONS.
AND
first
was
dry-plates
years
by
ago.
suggested
Carey
It
was
Lea,
slow,
as
of
veloper
de-
delphia,
Phila-
however,
136
THE
gain
to
would
it
is
in
and
is
giving
is still
of."
for
unexposed
the
named
and
simplicity
the
with
augmented
of
sodium
of
in
increased
picture
the
to
the
only
in
beat.
the
extent
knowledge
taking
up
to
few
is
drops
thereby
high
the
and,
lights
itself
it
to
it is
time,
it still holds
fair
hard
very
other
all
they
because
so
are
it
because
velopers
de-
sesses
pos-
usefulness.
be
perhaps,
that
added
powerful
in
water,
is
the
best
such
serious
use
to
greater
a
a
or
sufficient
and
anyone
study
cannot
for
of
absorber
advantage,
essential
to
useful
substances
other
as
mously
enor-
for
degree
is
is
first
prefer
of
chemistry
photography
of
The
rivals,
proves
small
its cleanliness,
powerful
that
course,
be
once.
every
and
"
"
and
range
many
soluble
oxygen,
no
hardly,
development
less
of
wide
and
these
say
indeed,
in
very
need
It
race,
partly,
it, but
to
to
"
Many,
"
used
the
the
"
developer
position
to
acid
pyrogallic
due
at
these
all
Notwithstanding
of
while
gards
re-
may
use,
negative
The
almost
as
advantage
developer
strength,
appear
its
addition
the
by
inertness
it is worked.
as
hyposulphite.
greatly
of
it
black
qualities
which
ferrous-oxalate
of
energy
clear
taken
good
extreme
ease
be
which
cies,
transparen-
its
may
other
for
where
where
plate
its
Amongst
and
for
**
found
purpose,"
"
it
metol
been
"
paper
work
and
the
has
tinent
Con-
places
of
it
employed,
scientific
both
comers
bromide
it
in
the
on
in
of Photography^
required,
an
as
background
it holds
however,
Book
in
is
image
late
England,
extensively
and
the
although
before
Year
the
says
in
position
America,
useful
extremely
much
the
way
In
order.
England
partly,
difficulty of preparing
the
very
with
comparison
in
"
from
still
PHOTOGRAPHY.
favour
popular
appear
and
OF
STORY
COLOUR
be
PHOTOGRAPHY.
urged
Strongly
too
thorough
to
in
grounding
137
that
would
treatise
in
another
few
Every
months
the
to
has
problem
in
discovery
reported
before
end
the
is
it
they
have
accidents.
the
the
In
other
is made
is
which
printed
separate
be
"
found
are
of
several
of
satisfy
exceedingly
the
fine
the
dozen
section
film
other
the
tograph
pho-
on
is
mechanical
"
or
variation
colouration
These
some,
of
coloured
photographs
colour.
duced
pro-
plates;
merely
and
each
been
whereby
familiar
the
of
faulty
some
have
or
it is
that
sections,
portion
to
the
oblivion.
gelatine
dividing
contrivance,
be
using
in
of
transparent,
may
form
another
by
it
or
on
cases
By
least
in
but
into
it.
occurred),
three-colour
back,
or
result
have
(such things
of
the
at
or
days;
kind
of
collodion
been
in
great
Possibly
quietly
much
been
nouncement
an-
photography
discussed,
few
is
be
the
length
fact.
is
fresh
some
that
and
be
colours
upon
at
sink
to
not
manipulation,
that
public, for
allowed
has
There
us
may
will
ever
brings
accomplished
an
though
al-
there
time,
present
solved,
out
with-
photography,
there
effect
been
is
colours
kept
the
reality, up to
Whether
thing.
question.
such
science.
incomplete
be
colour
about
something
no
PHOTOGRAPHY.
COLOUR
little
by
XV.
CHAPTER
This
himself
prepare
useful
the
only
process
the
picture
receiving
methods
and
in
several
but
the
result
its
may
the
is
sults
re-
col-
138
STORY
THE
cured
PHOTOGRAPHY.
OF
photograph,
the
not
of
photograph
natural
colours.
something
photography
have
given
Nevertheless,
colour
to
who
satisfy those
the
subject
Of
solved.
the
the
in
80
that
within
the
range
in
of
white
the
been
light
and
silver,
distinct
the
he
and
ceived
re-
which
had
chloride
of
subsequently
ceived
per-
Referring
colour.
of
to
Goethe,
following:
becomes
chloride
violet,
colouration
sometimes
In
the
takes
blue
a
more
well
extends
by
part
clear
beyond
of
blue
tion
posimeans,
any
violet
reddish-brown
from
constant
the
In
chloride
continued
be
whilst
properly
moist
is maintained
spectrum
the
I observe
by
upon
printing
minutes,
twenty
the
thrown
if the
paper,
for
chloride
is
prism
to
violet.
the
passed
of
produced
spectrum
silver
more
of
rays
surface
means
Ritter
by
Farbenlehre"
"
He
"
constructed
fifteen
the
raphy
photog-
to
"When
of
in
colour
prism,
he
of
traces
experiment
says
which
upon
tend
Seebeck
by
were
which
made
end
upon
sensitive
rendered
and
possibility.
of
through
spectrum
sults,
re-
observations
Jena,
this
To
ter
mat-
Victor,
ultra-violet
the
to
the
some
St.
direct
be
prominently
most
experiments
respect
solar-spectrum.
beam
of
view
the
into
achieved
certain
10
to
day
one
gone
out
to
attention
will
Becquerel,
Seebeck,
repeating
1
stand
the
encourage
is
18
as
Dr.
by
have
Herschel,
Lippmann.
As
early
made
and
gard
re-
possibly
careful
have
in
done
enough
"
who
that
of
been
problem
men
names
those
was
the
thoroughly,
most
are
that
has
light
the
(sometimes
blue),
the
the
tint,
this
and
limit
spectrum
which
of
the
the
fades
THE
I40
STORY
OF
His
Bccquerel.
plate, such
as
method
take
to
was
silver
in
used
was
its surface
prepare
of silver.
This
was
chlorine
PHOTOGRAPHY.
with
daguerrotype,
thin
coating of
done
either
by
and
chloride
it in
soaking
surface
of
a
by forming
of
acid
by means
hydrochloric
treated.
On
chemically
a
plate
water,
chloride
chlorine
prepared
or
an
spectrum
of
exposure
sufficient
was
few
minutes
impress
to
to
silver
and
thus
the
to
the
different
colours.
Other
tried
were
the
with
photographic
fix
he
be
only
have
we
his
form
plate
in
shortened
the
specimens
of
of
to
of
of
out
by
though
our
would
St.
to
vivid
preferable
He
for
also
sent
bition
Exhi-
the
while
but
few.
they
Victor
the
tions
reproduc-
colours;
directly
repeated
lime.
exposure.
remained
almost
hours,
exposed
were
light.
Poitevin,
others
of
chief
tints
the
faded
diffused
the
could
immersing
by
included
They
some
several
of
it
colour-photography
1862.
of
others
his
silver
chloride
of
period
found
He
of
solution
less
light, oxygen
St. Victor
de
Ni^pce
chloride
or
colours.*
the
seen,
secured.
they
they
and
the
as
Becquerel
he
that
light,
little
as
their
more
was
faint
experiments.
Becquerel's
to
about
destroying
speedily
As
air
before,
rendered
came
with
images
trouble
in
examined
the
stand
the
then
Davy
years
have
to
but
and
fifty
description
But
success.
coloured
the
appears
permanent
similar
Wedgwood
prints
not
Some
equal
Like
crux.
could
of
experiments
St.
experimented
Herschel,
without
acQuisitions
Hunt,
Becquerel,
adding
in
lines
the
on
respect
Abney,
Captain
Florent,
much
to
to
colour
ably
so
and
marked
Victor,
and
St.
the
volume
photography.
of
COIX"UR
it
PoitCTin,
PHOTOG"AFHT.
is tree,
acid,
Carey
very
hopes
Lea
ia
littie,
if
colours
the
others
189
however,
the
Gabriel
that
taken
is
takes
to
effect
the
the
it, and
the
brown
white
reflected
colours
as
the
oxidation
film
of
and
in
of
dep"osit
light,
towards
which
less.
the
of
appears
possessed
the
"*
Proceedings
of
the
Royal
by
fiim,
rays,
and
stationary.
in
the
own
structure
interior
structure
thus
silver, when
imbued
the
parted,
im-
viewed
with
image
camera.
ror.
mir-
is formed
waves
by
posure
Ex-
metallic
behind
their
tograph
pho-
substance,
any
falling
scribed
de-
as
the
coloured
impress
must
Photographic
which
light
virtue
be
grain
with
incident
by
it
method,
in
made
latter,
came
advance
Royal
mercury
are
by
obtained
Paris,
His
vibrations,
by
opinion
salts
the
results
contact
film,
h:s
as
to
distinct
be
the
after
wnen,
silver
of
The
of
us
natural
investigator
the
incident
sensitive
the
same
back
reflect
stationary
The
by
layer
it
new
transparent
of
of
were
d:ic
the
in
earned
goal
we
of
theaiselvcs.
may
place
make
thus
have
he
-pon
ia
follows:
as
it
running
the
gave
before
him
is
to
photography.
by
is
e5cct
Lippmann,
we
colour
The
accosi-
researches
and
scene,
provided
br
s-Iph-r:c
hare
the
in
were
In
1,
br
obtained
compounds
Society,
cf
10
than
Abaey
silver
actual
upon
nearer
the
admitted
of
but
any,
and
Professor
is
raised
1SS7
colours
Becquerel
upon
tures
pic-
"":t:s;t:Te
nitans
appears
were
research,
patient
oce
photography
by
that
no
br
of
c?:Ic-r5
feat.
the
High
"ied
be
the
ren-tred
paper
maj
althoug^h
plished
of
on
chloride
silver
thai
states
reproduced
141
Society,**1897.
the
in
THE
I4a
STORY
colours
These
the
or
mother-of-pearL
same
when
of
the
of
colours
The
and
development
can,
moreover,
fixing
be
be
action
the
of
be
to
Lippmann's
up
the
to
obtain
as
we
are
As
be
where
admitted
science, they
Mr.
the
of
is
three
He
harmonious
The
of
parts
almost
suggested
The
colours.
but
one
of
that
the
an
molecules
"
Thus,
matter
very
of
under
that
glasses
the
but
"
with
were
and
a
very
to.
there-
the
several
their
appropriate
ing;
nothor
anything
suggestion
if
picture
truth
the
trived
con-
ferent
dif-
under
is that
mean
the
must
are
approximation
select
in
it
taken
nature,
may
of
so
concerned,
specially
with
explanation
idea.
hence,
language
result
deceptive
see
can
to
attempts
is
lights
indeed
of
term
advance,
and
in
he
the
negative
the
though
al-
colour-photography.
there
is something
negatives
not
blending
and
taking
all
exact
shows
with
"
the
method
these
coloured
and
But,
obtained
called
three
colours,
seen
in
trichromic
conditions;
resist
to
as
process,
results
be
apparatus
They
were.
striking.
peculiarly
if exposure
decided
photography
cannot
Ives's
is
resisted
but, speaking
ing
alter-
Professor
way.
three-colour
that
thus
so
negatives,
we
tine
gela-
Development
usual
has
the
the
regards
beautiful
In
it
present
much
the
process
prints from
practical colour
far
fixed,
time.
in
affected
are
tive
nega-
the
of
conducted.
properly
and
deposit.
completely
light
is
origin
of
by his method,
perfectly true
produced
holds
Lippmann
their
tints
the
silver
the
soap-bubble
by reason
slightly, and
swelling
structure
is
that
damped,
film
the
the
such
fact
the
of
"
interference
**
by
hues
That
by
change,
the
as
way
demonstrated
produced
are
in
PHOTOGRAPHY.
OF
we
an
could
in
bration
adum-
imagine
sense
crys-
colour,
together,
would
present
together
facet,
another
and
wise
of
back
in
of
or
flect
re-
fell
they
presenting
colour,
and
difficult,
far
go
the
on
XVI.
rapid
in
The
wherein
which
to
and
drawings,
of
it
as
has
inventors,
long
and
of
partial
of
Cleveland,
to
were,
have
we
of
been
the
from
have
of
been
and
by
graphing
tele-
person
could
verify
at
time
is
his
aimed
end
It
line
the
presentment,'*
and
obtained.
success
friend
an
greatly
photographs,
counterfeit
stamp
days
transmission
that
a
new
thought
The
so
to
"
in
quite
these
triumphs
especially
his
in
nothing
turned.
been
transmit
time
is
takes
expectant
telephoning
or
order,
much
telegraph,
the
for
recent
many
achievement
its part
science
thing
new
of
tale
departure
developments
and
PHOTOGRAPHY.
plays
surprising
of
in
If
way,
not
writes, the
one
has
same
they
absorb
enormously
AND
investigation
means
fall
way,
another
is
theory
molecules
only.
does
photography
which
surprises.
won,
the
another
subject
TELEGRAPH
while
research
workable
theory.
Even
not
given
certain
have
investigator
THE
if
would
CHAPTER
in
absorbing
that
should
we
the
But
on.
so
and
crystallised
or
that
which
colour,
certain
in
facet
and
agglomerate
or
143
facets,
very
is, when
That
colouration.
of
many
of
power
arrive
at
might
we
so
the
had
facet
each
with
each
tallisations,
PHOTOGRAPHY.
AND
TELEGRAPH
THE
to
at
time
to
an
munication,
com-
by
heard
inventor
.
U.
S.
A., however,
that
we
are
in-
THE
144
debted
if
the
the
for
we
the
the
is
invention
the
the
of
is, under
Mr.
will
The
an
secret
"
cording
ac-
instrument
the
supplied,
both
Sending^.
Before
receiving
apparatus,
seventy-five
dollars
claims
for
photographs
messages,
ordinary
of
Am-
and
artograph,
be
and,
Worlds
Mr.
one.
can
at
cost
set, that
pounds.
Amstutz
transmit
of
the
sixteen
sends
use
39.
like
something
and
task
the
Cleveland
accounts
simple,
and
sending
it the
calls
Fig.
the
remarkable
published
exceedingly
of
of
report
very
patentee,
to
PHOTOGRAPHY.
OF
accomplishment
credit
may
stutz,
is
STORY
the
and
his
invention
rapidly
as
that
telegraph
artograph
lies
it
for
in
it
that
graph
tele-
the
as
permits
of
the
the
purpose.
the
discovery
TELEGRAPH
THE
not
"
new
PHOTOGRAPHY.
AND
to
one
who
anyone
145
knows
aught
of
engraving
that
"
"
"
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Fig.
make
which
way
work
lights
the
out
After
40."
and
features
the
Sending.
of
the
in
and
shades,
portrait
that
other
or
lines
The
are
extremely
fine, running
picture."
inch.
The
instrument
from
forty to eighty an
either
be regulated
works
automatically, and
may
by electricity.
or
by clock-work
The
be
photograph
enamelled
process,
on
not
on
prepared
machine,
art
of
to
a
taking
copper
more
transmitted
sheet, which
than
inventor's
aerograph,
an
invention
which
photographs,
"
either
may
is
rapid
minutes,
five
the
reproducing
zo
be
or
or
ing
engrav-
relates
sketches,
to
the
etc.,"
146
STORY
THE
for
printing
first
an
cutter
of
this
of
sheet
substance.
or
relief
other
is
wound
motion.
will
At
break
vary,
other
the
placed
sending
the
out
When
the
at
picture
of
the
of
detail
to
depends
make
"
The
cut
or
chemically
brought
at
and
picture
sufficiently
are
end
the
has
lines, while
shades
be
to
appears
perfection
must
receiving
by
its
the
receiving
prepared
graver
prepared
out
turning
the
of
vertical
and
the
at
whose
of
which
go
may
be
picture.
chemically
a
the
lights
the
terial,
ma-
ones,
picture
the
squares,
substance
celluloid
into
on
the
up
celluloid
of
tiny
current.
that
like
it
surface,
transmitting
the
the
receiving
shades
by
in
as
electric
lines
then
put
horizontal
the
cut
duced,
repro-
"is
variations,
and
end
receiving
composed
the
into
being
be
photo
cylinder
the
sketch,
and
the
is
yielding
to
automatic
the
use
material
clock-work
line,
the
lights
photograph.
imposed
super-
the
other
or
variable
than
subject
the
is
vertical
appearance
at
of
surface,
is
film-picture
interprets
from
coarse,
the
complete
upon
end,
bringing
or
of
the
end
tion
propor-
photo-gelatine
and
and
that
speedier
The
over
or
graver
contiguous
recording
feeding
passes
them
this
surface
The
needle
is
celluloid,
drum
with
subject.
impressed.
on
in
surface
the
of
Upon
causing
in depth
in
vary
shades
of such
relief
sheet,
in
reproduced
interpret,
which
process,
copper
made
then
first
the
be
to
another
upon
upon
the
and
lights
subject
By
and
which
cutting,
the
to
of
subject
consists
"It
purposes.
automatically
to
paths
the
the
surface,
uneven
PHOTOGRAPHY.
other
or
forming
OF
be
substance.
paper
the
development.
end
In
paper.
used
in
In
lines
Mr.
case
order
to
case
of
will
Amstutz
be
148
THE
looks
for
STORY
the
machine,
aerograph.
it
of
hence
do
moisture.
by
the
of
remains
It
important
not
to
There
is, of
in
attainment
of
of
that
say
and
and
that
road
and
years
to
but
art, is
an
of
words.
about
more
any
the
to
certainly
is
means
art,
used
are
lies
therein
the
photography
up
of
their
gledy-pig
hig-
certain
when
employed
box
and
specimens
But
taken
not
carrying
But
cunning
art
photography,
is
heaping
taste.
have
in
prepared
meanings
deftly
that
true
the
and
cabinet.
Many
royal
speedy
certainly
end, there
given
high order, if these
difference.
is
view-taker,
in
all-
fore
there-
in
art
the
photographer
intelligence
Some
ranty
war-
raphy
photog-
the
no
carefully
are
of
science
is
to
automatic
an
there
"
triple
that
camera
; but
truth,
it
the
light
manipulating
thinking
means
raphy.
photog-
picture-producer,
of
make
surely
art
by
on
affirm
the
Well,
artist
an
its function
was
destroys
with
who
and
with
words
connected
as
those
artist.
operator
means
art
art,
an
an
plate is
are
ART.
few
say
are
not
not
the
alone
and
XVII.
of
subject
is
with
Fire
AND
to
There
and
tarnish
permanence.
PHOTOGRAPHY
than
not
CHAPTER
in
engraving
engravings
duced
pro-
reproduced
photograph
will
aerograph
enjoy a sort of
every
his
The
celluloid
on
unaffected
them
PHOTOGRAPHY.
profit from
greatest
or
by
OF
mechanics
lay
disillusionment
thorough.
ago,"
says
the
author
of
recent
AND
PHOTOGRAPHY
article, "when
magazine
well
as
in
as
advertised
button
made.
The
nothing
in
any
fool
of
the
of
owners
sizes
but
doubt
little
and
thousands
by
found
out
them.
the
taken
is
That
for
even
heart
the
to
have
would
tion
determina-
would
and
thoroughly,
eventually
understand
him
of
gamut
white.
his
much
yet
there
he
if
wide
character
deeper
in
his
to
and
therein
perceive
It
art.
respects
the
see
and
does
comprehensive
the
his
upon
salvation
For
to
and
some
to
cannot
matter,
photographer
his
of
than
into
is
scope
;
is
eyes
the
all
of
the
thing.
What
art.
palette
He
has
perfect
limitations
the
the
putting
"
circumscribed
more
foremost
and
the
afford
not
true
the
of
whole
of
way
buttoner
desire
first
needs
extreme
an
to
the
lies
go
they
required
was
with
properly
undoubtedly
though
and
when
up
succeeded."
have
is
it
master
to
is
taken
photographer,
up
there
was
what
understood
matter
disgust
to
misrepresented
of
these, had
many
that
successful
been
believe
firmly
they thoroughly
become
has
many
of
and
again
dropped
it
how
good
feeling
photography
that
fool
any
created,
was
convinced
that
fool
that
cameras
result
it.
required
these
only
not
was
doing
disappointment
and
he
that
for
larger
fact,
the
it, but
do
could
the
was
apparent
when
tried,
and
merely
was
And
that.
do
could
It
were
there
that
it
when
only
pictures
and
root
button.
purchased
were
took
soon
tion
corporawhich
camera
pressed
photography,
pressing
soulless
be
to
idea
the
the
countries,
other
extensively
required
in
(/.^.,
149
photography
United
States)
amateur
here
infancy
its
in
was
ART.
subject
press
im-
extent
same
but
;
"
if
he
black
in
artist
work
even
he
he
can
will
THE
15"
STORY
patiently
only
OF
find
PHOTOGRAPHY.
the
out
spectrum-wielder
the
or
way
either
than
"
handler
of
the
monochrome
merely.
His
difficulties
In
the
he
will
which
have
been
pages
the
from
masters
devoted
to
The
"
that
he
is
the
in
which
When
of
son
"
and
of
his
he
will
books
of
will
his
to
mind
and
to
this
see
difficulty
by
entirely
monochrome,
give
even
fact
the
of
appear
in
profit
deceived
be
to
rendering
of
unless
often
have
least
can
subjects
but
the
the
interesting
un-
by
each
to
this
light
out
colour
in
upon
Brunei
the
Artistic
the
the
the
feeblest
and
Chatwood,
and
the
luminosity,
Scientific/* by Robert
A.
I. ".
it
of
region
eye,
in
to
salts,
yellow
to
and
tography,
phoits
reserve
chapter
sensitive
the
of
ject
sub-
work.
previous
to
one,
side
art
well
the
of
brightest
region
Photography
into
portion
of
important
very
thought
that, while
is the
Arthur
deeply
been
rendering
true
is
very
it has
violet
he
training
not
referring
spectrum
and
does
monochrome
to
pointed
learned
of
study
realisation
rendered
question
treatment
action
be
value."*
it enters
as
the
which
when
This
which
the
monochrome
will
he
view
the
value
surmounted,
process
its true
and
only
which
in which
from
colour
of
culties
diffi-
foregoing
laws
elementary
diligent
be
subject,
monochrome
beauty
can
one
producing
dissociate
which
the
help, will
is
the
subject.
difficulty
gravest
coloured
their
by
technical
overcome,
detail
in
stand
partments
de-
two
the
outside
by
some
art,
or
and
surmount,
of
to
into
the
are
have
second
principles
and
themselves
first
in
forth
set
; in
divide
".
the
was
the
blue
it is
John*
PHOTCXJRAPHY
nevertheless
these
the
have
monochrome
other
In
the
words,
in
effect
that
of
the
ordinary
the
resulting
real
object
colour
depicted.
is
obtained
picture
raphy
photog-
on
the
represent
parts
151
which
rays,
therefore
various
the
ART.
predominant
cannot
of
values
latter
is manifest
It
plates.
AND
not
true
one.
take
To
instance:
an
blue, while
will
there
flower
yellow
the
is
yellow
most
which
with
impressed
by
is
that
than
print
taking
In
to
colours
long
was
H.
Dr.
discovery
coralline,
the
Abney,
known
as
rays,
were
the
of
coloured
that
well
as
the
of
or
available
for
improvement
subjects
in
monochrome.
Abney.
of
til
un-
1873,
the
like
found.
was
followed
that
the
up
what
orthochromatic
to
to
sensitiveness
others,
sensitive
more
to
view
dyes,
remedy
result
in
certain
partial
rise
however,
made,
of
certain
regards
as
with
those
as
gave
not,
Berlin
with
soon
undoubted
to
and
was
effect
to
felt, especially
maximum
isochromatic
is, plates
that
one
chrome
mono-
their
sensitiveness
It
the
as
with
such
colour,
addition
changed
for
experiment
of
the
experiments,
his
red
that
graphed,
photo-
truthful
depend
of
defect.
Vogel
no
blue, it is evident
more
upon
and
spectrum,*
and
Eder
W.
or
nous.
lumi-
be
then
and
the
a
combination
or
paintings,
of
the
overcoming
objects
two
that
greatly
speculation
much
very
or
latter.
lack
reproduction
the
and
yield
ex^tent
this
prevalent
to
subjects
named,
above
little
yellow,
the
considerable
of
will
former
the
the
sensitive
more
be
substance
sky
sunset
probably
these
If, therefore,
first
In
are
plates,
yellow
practical
and
work,
representations
THE
152
STORY
Without
it may
going
stated
be
sensitive
be
the
to
and
violet
the
sensitiveness
with
the
red
action
that
of
the
it has
of
has
plate
it may
vanished
to
this
Whether
fact
sensitive
Many
remains
in
to
the
other
rays
dyes
them
tical
"op-
the
they
Abney
this
that
to
salt
in
dyes
which
some
that
fact
of
solution
trace
the
of
its
reducing
render
an
salt
for
visible
least
to
increase
explanation
right
light
that
The
all
by
the
undoubtedly
silver
organic
an
the
action
it may
or
the
seems
of
that
fully
spectrum
until
colour
is
and
immersed
formation
the
been
opinion
spectrum.
without
sitiveness
sen-
exception
inorganic
washed
be
the
the
of
been
in
orange
place.
take
formed,
the
the
of
takes
of
the
which
the
not
some
insensitive,
of
part
has
however,
rays
is
salt
sensitiveness
the
to
another
spectrum.
action
is
red
explained their
dyes absorbed
the
be
extend
to
through
dyes
he
salt
sensitiveness
dye
the
rather
being
inorganic
particular
the
and
sensitive
and
tensified
in-
will
continue
will
gion
re-
be
greens
cyanin,
as
the
will
the
designated
when
silver
such
secondary
theory,
when
desired
authorities,
other
organic
the
it
these
Vogel
supposing
be
the
of
end
sensitizers,"
may
that
yellow,
of
ascertained.
sort
being
the
of
one
yellow
towards
plate
of
the
is
most
the
such
erythrosin,
erythrosin
the
to
however,
sensitiveness
If
is
between
and
blue
details,
plate
midway
employed,
combination
this
ordinary
further
be
must
technical
into
the
rendered.
truly
and
an
result
more
some
that
dyes,
the
the
The
much
spectrum
of
betwixt
towards
too
If,
rays.
coloured
with
group
dye
PHOTOGRAPHY.
blue
slightly
erosin
OF
to
dicate
in-
pound.
com-
or
not
plate
absorb.
besides
those
mentioned
are
PHOTOGRAPHY
and
available
include
ART.
to
for
and
more
cerulean,
green,
used
are
153
recourse
malachite
which
alizarin,
and
had
being
are
They
more.
AND
sensitizing
the
red.
whilst
But
colours
thus
may
the
of
eliminated
not
sensitiveness
that
the
or,
of
the
through
in
the
light.
yellow
a
colour
To
we
blue
If
piece of yellow
will
into
the
by making
through
the
and
greens
action
of
monochrome
One
to
another
film
of
has
been
the
effected
it with
the
the
an
azure
be
seen
exposure
yellow screen,
will
yellows
blue
reduced,
blues
that
must
the
decided
the
the
be
the
to
as
sky through
less
for
tween
be-
spectrum
well
as
spring
fidelity to
use
a
plate
to
of
or
more
glass,
prevailing
of
yellow.
with
of
by
drawing
admixture
energy
it will
reduce
to
usually
orange,
at
fied
nulli-
yellow
necessary
look
we
glass
converted
be
Hence
the
the
itself, though
its
region
the
and
blue
moderated.
of
the
to
be
dyes
instance,
monochrome
it will
values
the
in
organic
illuminating
for
large
than
water-colour
that
see
this
is sensitive
that
take
with
is green,
its colour
If
of
picture, by
shall
reproduce
be
greater
be
can
is
spectrum
time
same
screen
representing,
painting
landscape, we
or
of
case
the
sitiveness
sen-
completely
This
blues.
exposure
the
by
at
original
much
so
various
to
the
almost
be
possible
it not
making
it is indeed
would
of
rays
imparted
latter
action
the
different
the
were
plate's sensitiveness
be
the
augmented,
blue
green.
spring
scape
land-
sensitiveness
intensified
and
thus
and
a
truer
result.
way
pass
is to
of
the
coat
collodion
to
communicated.
surface
which
of
is
to
paper
the
allow
or
lens
slightly yellow
light
dayglass
with
;
a
tinge
THE
154
dyed
these
that
and
being
that
white
light,
light is
print,
of
and
be
differ
light in this
reason
front
will
be
of
the
lens, the
in appearance.
in the resulting
white,
greens
harmonious,
more
which
object
of
reflected
instead
of
grey
white.
be
The
will
result
If, however,
instance,
a
yellow
any
plate, the
considerably
grass
the
large proportion
in
sky, for
ing
interven-
between
effective.
placed
and
will
so
glass
most
cloud
trees
yellow
blue
rendered
white
the
be
the
of
will
whilst
the
is
will
blue
be
reflect
with
taken
landscape
ordinary
an
that
which
photograph
The
on
and
glass
yellow
little difference
objects
the
that
"
without
plates
is very
obtained
there
PHOTOGRAPHY.
OF
Abney,*
If," says
"
STORY
be
may
in
the
view.**
Since
the
above
experimenter
him
in
has
in
small
all
of
proportion
colours,
usually
nor
to
makers
what
to
they
by
light-wielder
they
use
until
he
not
mind
enthusiastic
"
"
has
found
Treatise
enough
on
Photography
little
in
For
plates.
to
out
the
their
when
preparing
and
"
take
Photography."
Annual,
in
the
will
trouble, he
such
to
not
sensitive.
work
Hence,
a
trifling advantage
orthochromatic
has
experiment.
does
do
prepared,
are
specially
are
therefore
extent
some
qualifications
amateurs
the
plates
method
colours
dark
what
by
state
photographer
not
mation
approxi-
an
without
orthochromatic
of
The
find
to
screen,
The
sensitive
give
values
colour
mersed
im-
containing
are
and
red,
justify
plates
auromine
erythrosin
including
correct
which
results
of
another
however,
gelatine-bromide
solution
to
of
obtained
that
saying
written,
was
1896.
any
his
own
there
amount
are
156
THE
fore, and
helped
STORY
through
that
much
of
however,
truth.
of
the
what
of
far
of
not
of
light for
by
the
of
and
action
of
should
art
to
light
his
familiar
as
make
as
to
with
picturesque.
Often
enough
the
the
his
able
plate,
fact
that
selection
and
who
of
has
not
is,the
has
hand,
inherent
hit
most
not
gone
perception
the
upon
this
the
but
of
study
can
to
the
by
the
the
no
he
commoner
seeker
after
same,
learn
who
one
chemical
photographer
furnished
properly
until
point
principles
stood
easily under-
important
a
picture
artist,
of
the
and
few
best
All
respect
are
himself
brain-case
in
as
duce
pro-
be
to
the
instinct.
these
would
picture, that
an
careful
consider
regards
in
well
as
if he
man
in
hand
profession.
will
being
endeavours
his
of
natural
from
rules
his
is such
art
eye,
from
the
all,
mechanical
object, put
subject
gifted
most
something
and
trained
Not
sufficient
not
view,
and
a
by
subject,
enjoy
picturesque,
views
Apart
of
side
art
as
an
the
persons
view
at
of
lighting
the
is
cap.
point
the
It
choice
be
Many
the
the
fittest
on
wearying
un-
trained
the
not
perception,
camera
must
suitable
the
educated
an
artistic
his
has
takes
only
possess
withdraw
studied
and
pose
camera's
assisting art.
photographic
art
who
pictures.
point
the
is
one
artist, and
there
portraits
light-wielder's
is called
Even
real
and
the
it
cases
must
process,
natural
much
to
and
walk
may
of
naturalness
to
unaided
the
out
has
manipulation.
such
in
artist's
One
pick
expression
touch
In
the
and
it
especially,
achieved.
their
fire of
of
which
Academy
permeating
power
portraiture
have
not
the
owe
PHOTOGRAPHY.
lifelikeness
could
effort
in
that,
to
OF
has
as
self
him-
made
axioms
of
the
the
beautiful
PHOTOGRAPHY
across
come
may
it
is
middle
or
cloud
give
to
"
focus
to
photographers,
put
by
in
His
is dull
that
goes
flock
in
search
little
On
to
the
little
the
but
his
up
forest
it
or
of
that
all
has
This
cloud-picture
which
he
he
has
that
will
is needed
well
been
and
that
shots
snap
he
is
called
adds
his
it
opines
it,
'*
that
He
be
may
"
road
feel
may
improve
would
which
other
if
hand,
he
sombre,
or
pass,
if
track,
he
loses
"
by
the
means
has
camera
carries
the
in
of
light,
and
that
his
happens
forest
ordinary
figure just
gloom.
the
so
By
eye,
to
it would
add
his
road,
his
in
the
subject
feel
even
dropped
itself
his
may
mysteriousness
mountain
way
him.
given
be
cil
pen-
can
make
to
he
landscape.**
of
The
or
painter
shows
life
Possibly
weather,"
**
suitable
one
scene.
expression
of
sheep
of
brush
little motiveless.
the
deficiency.
the
be,
of
repertoire
his
fit the
just
of
in
one
perhaps
say,
feels
way.
sort
some
and
same
it may
landscape,
without
but
the
much
might
artist
is able
he
negatives
there
cumulous
we
with
as
that
foreground
or
as
the
cannot
accessories
such
the
the
When
however,
combining
picture
life,or,
supplies
he
these,
in
of
sense
interest.
the
of
need
in
sensitized
desired,
stratified
of
bit
hand
happens
be
figure
"
distance,
his
to
could
that
wanting
something
it
his
to
frequently
as
all
157
perfect
transfer
to
just
view
the
while
is
is
But
plate.
picture
needs
he
all
ART.
AND
moorland
where
the
it he
of
means
deeper
into
the
picture.
There
of
of
picture
Treasures
a
are
large
in
Exhibition
subject
limits
course
was
this
way
held
at
exhibited
to
the
although
at
Manchester
which
building
was
the
in
up
Art
1857,
composed
158
of
THE
OF
STORY
thirty negatives.
of
Ways
artist
who
It
and
Life,"
described
and
showed
of
it
skill
as
de
tour
Two
Swedish
ton.
Wolverhamp-
at
together
put
was
\.\i^ Photographic
enormous
"The
work
which
by
in
Although,
the
photography
process
was
entitled
was
was
practised
The
PHOTOGRAPHY.
oi
Journal
and
1858,
patience.
jlander's
Re
force
bination
com-
has
picture
his
yet
printing
produced
method
the
to
is
written
by Robinson
Abney,
and
These
is almost
but
Many
here
which
nature,
have
in
the
lack
over-
of
of
making
"
of
anything
to
the
like
field, so
to
approach
an
incongruous.
the
simple,
your
of
to
incongruity.
tendency
with
and
less
composed,"
fortuitousness
the
preference
is
Nature
use
picture
of
something
ive;
effect-
simplicity
thinking
always
of
so
and
the
from
the
photographic
is conscious
one
ferent
dif-
matter,
beautiful
departure
not
the
by
from
pictures
all
at
very
there
is
and
picture,
are
and
of
elaboration,
visible
followed
everyday
an
Captain
perusal.
soon
of
Printing,"
with
careful
making
being
Silver
"
were
intended
opaque
per,
palike
adjunct.
collaboration
of
turn
by
other
worthy
the
results
exhibitions.
to
in
in
not
part
in
The
negative
obscured
described
now
negatives
artistic
the
combination
Robinson.
P.
some
or
is well
and
H.
print each
way-breakers
others,
speak,
Mr.
being
varnish,
in
effects
paper,
upon
operation
Better
to
sensitized
black
The
by
was
acted
be
was
beautiful
by
upon
effort
the
outdone
latter's
been
perhaps
proached,
apshortly after greatly
never
picture
of
in
term
that
subtle
so
it
is
such
always
without
material.
in
her
connection,
as
one
is
up.
a
very
may
well
best, if possible,
making
Nature
if
poses,"
"
There
as
to
is
prodigal
so
get
no
in
PHOTOGRAPHY
heaping
the
to
the
of
up
true
AND
is
artist
she
the
mystery
by
richness
inimitable
in
riches
her
ART.
this
respect
inciting
ever
of
and
159
fresh
to
chiaroscuro
her
deavour
en-
the
and
of
gradation
subtle
and
her
tones.
If
be
composition
the
to
the
words,
figures
landscape,
into
subordination
of
fall
to
can
be
eye
away
the
from
his
the
subject
avoided
into
and
This
"
follow
without
feeling
of
and
A
the
solitude,
dependence
picture
it, and
it is
he
is
must
picture's
to
is
bring
for
or
the
of
man
hu-
sea-view
of
human
appeal
of
sense
the
on
It does
deprived
so
of
ness,
busi-
lack
view.
subtle
is
be
in
no
deepest
that
which
made
to
done
landscape
therefore
may
mischief."
but
there
the
or
unity
have
often
too
the
of
dragging
superficial
Sometimes
lie in
may
is
because
figures
interest.
is
"
thing
they
figures
This
of
destitute
in
read
be
that
nothing
"
which
to
must
all,
which
do
they
that
well
order
above
in
dragging
interest.
the
carry
book
"
indiscriminate
scenes
that
ground
and
nothing
to
*'
do
it, in
in
the
where
traiture
por-
importance,
figure
while,
is
"
figures
upon
The
as
preserved,"
sunk
landscape
the
interest
would
well
as
be
merely
chief
the
to
Wherever
figures.
Photography
"
says
other
group.
Pictorial
"
Robinson
not
it of
serviency
sub-
In
must
secondary
photographer
every
be
in
strict
subordinate
background
to
care
interest.
attempted,
of
of
level
allowed
In
is
become
in
landscape
the
to
figures
needs
must
of
be
the
greatest
what-not
or
must
else
or
the
point
main
to, it should
resorted
with
figures
added
the
keep
and
sparingly
done
be
must
something
man
huterest
in-
to
the
ness
helpless-
pathetically
one
is
who
to
man.
hu-
looks
the
con-
l6o
STORY
THE
if
templation
the
Hence
filling
give
life
with
to
the
of
while
tells
sun,
ships
that
it
;
some
even
"
for
be
may
the
thing
is
who
sail
the
or
will
tenants
adieu
to
the
ments
ele-
with
forth
hut
able
immeasur-
bidding
contend
go
in
home
come
be
though
this
to
in
it
them
its effects
take
may
beauties
the
the
even
to
appear
of
out
and
rule
the
expressed
puts
by
in
and
one
so
the
of
many
matter
out
tyro
of
but
;
words.
aptly
in
may
ally
gradutem
sys-
of
method
which
Sir
tradictory
con-
chance
is
much
see
methods
quite
this
spair
de-
will
apparent
By
the
of
confusion
faculty
very
he
by
and
feeling,
real
compare
feeling
defiance
reason.
and
eye
those
principles applied
at
arise, and
there
by
apparently
diversity
seeming
strictest
perceived
nature
to
obtained
often
the
set
order
training
and
of
development
the
striking
sometimes
of
"
not
canvas
first, perhaps,
most
varied,
most
on
it
case
For
and
nature,
possession
if
of
; to
kernel
it.
method
produced
At
painters.
the
and
quisition
ac-
once
The
mind
at
at
often
not
book.
the
gradual
all
cultivate
to
try
those
with
is
the
continually
look
best
in
be
hopeless
learned
sealed
ever
is
composition
cannot
must
have
to
for
feeling
The
the
that
men
the
night.
the
is
of
like
windmill
So
lighthouse,
not
lonest
endeavour
of
space,
The
scene.
other
much,
of
occupation
human
In
imagination.
too
moral.
figureless
and
it
human
sense
deep
inch
laboured
for
the
to
telling
not
it.
enjoy
left
available
its
stand
be
of
every
with
fable
truly
must
need
up
PHOTOGRAPHY.
would
something
words,
will
he
OF
in
time
be
cannot
Joshua
his
Sixth
nolds
Reycourse
Dis-
:
**
It
must
of
necessity
be," says
he,
"
that
even
PHOTOGRAPHY
of
works
genius,
like
their
cause,
have
must
it
rules;
with
this
for
is
which
rules, by
such
being
as
these
of
mode
however,
be
seen
works
embodied,
true
these
does
not
such
rules
train
easily
especially
difficult
and
as
need
the
with
the
lose
courage
it shall
of
very
effects
are
him
at
has
his
do
cannot
John
he
he
but
of
better
with
begins
to
idea
"
Practical
as
the
of
power
quote
(whom
Essays
every
on
this
a
work
what
study).
*
ticularly
parwe
familiar
in
art
Art"
way,
scribed
circumin
light
powerful
in
Perhaps,
than
Burnet*
such
works
little
of
words,
himself
making
command.
something
of
suggest."
Until
he
in
put
kind
writers
it
yet
be
by
which
compass
because
art
may
perceive,
student,
medium.
mind
unpractised
and
of
rules
is
always
be
cannot
propriety
feebly
power
shade,
the
It
paper.
upon
gross
that
but
say,
may
that
that
sense,
Nor
should
the
not
as
seem,
may
more
but
words
from
texture
principles
the
follow
can
as
like
scientific
nice
in
refined
palpable,
show
but
to
were
and
any
chance
it may
are,
such
of
artists
as
certainty,
or
words
expressed
;
in
skilful
that
not
frequently
are
very
ideas.
Unsubstantial,
communicating
admit
to
excellences
extraordinary
parts, and
of genius
either
work, are
servations
obown
peculiar
by their
men
of
or
their
of
discover
they
as
they
as
have
that
of
nature
men
called
are
as
such
the
not
chance
constancy
any
effect,
likewise
must
by
l6l
ART.
other
every
be
cannot
produced
are
AND
order
monochrome,
few
sentences
photographer
to
l62
STORY
TH?
of
Breadth
"*
produced
OF
PHOTOGRAPHY.
effect,"
says
of
extent
he,
will
give
is
"
only
be
to
light or shade
vading
perIf an
daylight appearopen
such
in Cuyp,
is intended,
as
ance
we
see
etc., it
will be
best
produced
by leaving out
part of the
middle
tint, and
a
allowing
spread of light
greater
by a great
the
picture.
half-light
and
relative
force
breadth
of
tint
is the
other
the
and
darks
the
in
is
from
;
there
hence
and
Thus
the
and
of
by
subject
ourselves
ideas, it
horror
sensation
the
beyond
this
means
from
the
fancy
own
forms.
of
solitude
of
the
and
has
hope
of
is
wood
their
harsh
creased
in-
light
our,
col-
crisp marking
carried
clothed
has
twittering
of
absence
form
the
attendant
his
exercise
and
outlines
the
agreeable
Rembrandt
shadow
of
fewer
half
the
cutting
grandeur
distinct
the
leaves.
and
of
trees,
of
certain
absence
the
and
tion,
composi-
any
less
gloomy
in
depth for
necessary
of the
several
parts,
darks
to
cutting,
daylight
upon
the
allowed
the
by
the
an
ment
treat-
one
obscurity.
many
up
powerful
absorbing
indistinct
embodying
through
shadow
being
arises
being
spectator
"
its
rendering
space,
upon
in
from
and
repose,
visible
of
masses
in
made
and
sharp
find
we
the
appear
the
beyohd
distinct
marking
breadth,
tints
to
the
If
be
to
strong
carried
relief, or
the
of
as
In
of
darks
nature.
such
tell
to
lights ought
influence
when
in
dark.
ought
the
ought
characteristic
the
The
picture
half
brilliant, enveloped
"
also
they possess
is required,
etc., the
middle
which
which
shadow
Rembrandt,
of
this
any
the
this
of
property
improvement,
most
trifling
If we
allow
sublimity.
association
of
influenced
be
to
by the
is capable
of
a
degree
imparting
greater
to
imaginary
as
subject of terror;
any
with
portion
of
64
THE
is
result
STORY
perhaps
it
compares
Turner
artists
of
their
feeling
looking at
feel
lack
total
while
for
as
how
there."
Not
for
start,
landscapes,
less
the
of
have
once
discouraged
and
his
see
own
in
fleecy
bald
patch
nice
Ruskin
air."
But
occur,
the
remedy,
and
and
speak
figure photographs
with
comparable
still such
is few;
has
what
done
been
which
things
him
not
meadow
and
allow
the
source
of
himself
to
as
white.
black,
and
that
white
"
adept
that
We
it
paper
is
these
in
he
as
that
know
have
we
though
all
life show
on
not
has
the
acquired
sunlit
ity
authorleast
the
things
the
knows
is
of
mere
perplexing
photography
to
full
sky
entrancing
an
sees,
nearly
out
come
atmospheric
staring
is not
of
even
must
of
before
sunlit
and
of
and
he
failures
by the numberless
It is disheartening
shortcomings.
picture,
cloud
meadow
will
his
been
photography.
we
the
are
set
wanting
again.
done
be
beautiful
black
and
stimulus,
and
scapes,
land-
have
real
of
hand
painter's
should
inspiration
and
artists,
is
soul
number
produced,
course
light-wielder
of
rank
great
that
produced
exceptions
These
be
the
been
of
can
been
have
products
works
The
assurance.
that
short
landscapes
however,
of
Linnell's
all
of
which
produced
of
and
those
works
falls
similar
of
Turner's
"We
few
it
far
he
soul.
serenity, and
landscape
photographs,
we
there
is little serenity,
warmth,
most
"
the
when
warmth,
of
soul
alas,
charm
of
of
monochrome
with
eye
others
or
indeed,
and,
But
mind's
Linnell,
witchery
The
but,
scene;
indescribable
by those
genius !
is
his
or
almost
the
the
in
PHOTOGRAPHY.
really exquisite
of
presentment
OF
at
the
PHOTOGRAPHY
command
of
the
should
He
who
be,
said
been
but
treatise
of
At
first
supposed
would
have
little
and
microscope,
*
but
new
than
those
his
in
more,
itself,
of
camera
both
mighty
goose-quill
the
are
men."
able
to
write
photographer
mighty
instruments
in
is
imagined
the
fact,
the
the
than
poet
rapher
photogand
calls
was
no
unthinking
pictures
make
in
wider
imagination.
the
to
the
not
for
of
of
imaginable
un-
speare
Shake-
were
of
from
beyond
then
may
from
nebulae
and
regions
it
is
art
invisible.
universe
the
H.
on
remote;
gone
camera
whole
in
unthinking
The
but
the
recognition
has
F.
"
the
realms
vast
Mr.
photographer
the
the
the
to
open
claims
it
worlds,
even
the
of
to
my
science.
infinitely
depicted
exhausted
of
range
nay,
"
close
photography,
of
atom
preceding
Robinson,
Mr.
The
the
thing
Some-
than
the
subjects
microscopic
most
space
for
said
to
plain
com-
almost
the
in
in
of
scope
the
to
of
remarks
fathers
limit.
no
infinitely
the
glance,"
that
view
better
do
the
nothing."
or
cause
subject
the
the
of
and
photography.
of
on
it
little
but
in
quoting
one
question
the
find
cannot
by
Robinson,
the
will
motto
science
in
is
there
possibilities
chapter;
"
that
the
Hence
combined
this
limitations,
the
has
this
All
that
boundless
little
up
"
does
of
takes
165
ART.
learner.
willing
who
one
art
be
the
of
AND
the
hands
of
INDEX.
Abbe,
Dr.,
Abney,
Camera
69.
39,
Academy,
Acres,
Calotype,
76.
Aberration,
Mr.
Actinism,
Albumen,
Albumen
131.
X45,
148.
triplet,
M.,
and,
157.
silver,
Astro-photography,
X35.
solution
of,
process,
X54.
xoz.
xoo,
M.,
35.
43.
Worlds
93.
Chas.,
process,
Collodion,
80,
Collotype,
100.
87,
Photopnraphy,
56,
Colour
Sensitiveness,
xsx.
Crookes.
Prof.,
137.
Crookes^
tubes,
xaS.
X53.
X05.
9X.
76.
R.
Bitumen
J.,
34.
^3,
Blanquart-Evrard,
printing
Daguerre,
8x.
ofjudea,
Brittsh
40,
43i
M.,
45*
J. H.,
55.
Darlot,
process,
Journal
42.
Dallmeyer,
M.,
J.
S.
4X,
Burton,
John,
T.
W.
C,
K.,
Photography^
Davy,
Humphrey,
Mr.,
3X.
44.
x6x.
Eclipses,
xo3.
70,
77.
105.
of
Buigessjoo.
Burnet,
SO,
76.
Draper,
Burnett,
34.
D.
C,
Bingham,
Blue
x6o.
prints,
Cyanotype,
88.
137.
151.
Cyanin,
X4
xjow
85^
X53.
Colour
sS.
Berthiot,
X44.
X18.
Copper-plate
"
69.
X3X.
Ni6pce,
Claudet,
Coralline,
C";"tain,
9.
aberration,
Composition,
B.
Barr,
44.
Collodio-albumen
39.
75.
Autotype
gold,
of
Clic,
36,
Astigmatism,
Auromine,
of
Chloride
Cleveland
X04.
j3,
Chloride
Claude
148.
144.
Asphalt,
^x.
Cinematograph,
Exhibition,
Ardgue,
xa*
63.
Chromatic
77.
43.
Artograph,
Prof.,
Chevalier,
86.
X44.
Treasures
99.
3X.
Ccrulean,x55.
process,
photography
Art,
M.,
54.
M.,
X3.
56.
Process,**
Carbon
Chaussier,
Apochromatic
Art
the,
Charles,
Mr.,
Arago.
Camera,
'*
151.
Amstutz,
154.
39.
l)"er
Alizarin,
151,
Camot,
Birt,
Acrpg^ph,
140,
xo6.
49,
obscura,
zax,
155.
Eder,
X34.
X5X.
167
35,
73i
37,
^3fh
38,
39,
i68
Eikonosen,
Erosin
STORY
THE
OF
133.
a^et,
153.
"r"rthroftin,
Ettinghausen,
Keeley, J. E.,
154.
153,
Kennett,
Prof,
von,
73.
Ferrous-Oxalate"
Fheau,
164.
Lea,
106.
Lenard,
Lenses,
81.
add
Gamier,
Gaudin,
as
developer,
della
Giambattlsta
*'
49,
50.
101.
87.
Gelatine-bromide
plates,
Porta,
M.,
135-141.
55, 8z.
127.
19-20,
63-76.
Ljchtdriick,2x9.
G.
Gallic
230.
Carey.
Gray,
Le
Fowkes,
Capt., R. "., 58.
Mines
of, 9.
Freibeiv,
Friese-Greene,
W., 107, 130.
Fry, P. W.,
154.
cornea,
9,
138,
241
zo.
14.
Giphantie,*'12.
Glycin,
90,
Como,
^6.
Landscape,
pnotographic,164.
Abbey, 45.
Laycock
44.
Fontayne,
and,
90.
Lake
135.
photography,
125.
Burgess
Kermetter,
Kinetotcope,
PHOTOGRAPHY.
M.
134.
Goddard,
Goldstein,
Maddox,
43.
and,
Hittorf
Goupil process,
Z17.
Friese, 107,
Greene, W.
Grimaud,
76.
Sir W.
Grove,
R., 45.
Gum
Guaiacum,
11.
Marey,
Marion
130.
MetoL
"
of
76.
J., author
w,
Photography,"
Heliography,
X53.
green,
Z30.
"
Company,
xo6.
Maxwell,
20.
Meissenbacn,
Z2z.
Meldola,
Prof., 133.
Mercury,
40, 4X.
H.
Hamack,
Harrison,
Dr., 89.
Malachite
127.
of
"
tory
His-
13.
X34.
Photography,"
Modem
Monochrome,
W.
Morwm,
Muyoridge,
30,
255,
X50
T.,
106.
130.
Herr
Schott, 76.
Sir John,
Herschel,
Hittorf
41-zoi,
138.
N.
Goldstein, 127.
Horn
silver, 9.
Hunt,
Robert, 139.
Husband,
J., K. "., 120.
Iodine,
and
*"
New
photography,"
X28.
Mr., 59.
Newton,
Sir Isaac, 25.
Newton,
Ni^pce, M. Nic^phore,
3Z, et
Ni^pce St. Victor, 53-56, 238,
Norris, Dr., 85.
39.
seq^
240^
Isochromatic
plates. 151.
block printing,
process
Ives', Mr., trichromic
method,
Ives
of
i2z.
O.
143.
Obemetter,
**
Optics
53.
zz?;
Optical sensitizers."
\^
photograpny,
Oreanic
dyes, 252.
Orthochromatic
plates,
OttewiU's
folding camera,
of
24.
Z5x,
254.
59.
169
INDEX.
"
Printing,"
Silver
G.
Simpson,
"*
Papier
**
Pencil
Petzval,
velours," 104.
of Nature,"
46,
*'
printing,"
Photo-block
chemist,
Florent, iao.
Sulphuric acid,
91.
St.
103.
process,
xx6.
Stannotype,
Stas, Bdgian
46.
Magazine^
Photo-aquatint
the
Spectrum,
74.
73,
Philosophical
103.
hyposulphate,X36.
Sodium,
52.
158.
Wharton,
X14.
drawing, 47.
Photogenic
and
Photography
art, 148.
Saenand
Artistic
Photography
;
tific," 155.
and
letterpress printing,
Photography
Swan,
141.
99.
T.
"
107.
Photogravure,
123.
Photo-lithography,
X23.
126.
Photo-micography,
"
Pictorial
Photography,"
Platinotype, 105.
Poitevin, 88, 120,
Mungo,
Ponton,
Pretch,
159.
140.
"'TwoWaysofLife,'^'x58.
X99.
164.
Turner,
120.
Pyrogallic add,
136.
133,
U.
xod.
Urie, John,
T. B., 51.
Reade, Rev.
Refraction, phenomena
158.
Rejlander,
Sir Joshua,
Reynolds,
Ritter, 11.
Robinson,
x6-x8.
Venus,
Voigtlander,
Vogel, Dr.
160.
F. H., 165.
Robinson,
de la,
Tiphaigne
Roche,
Rodinal,
135.
Prof., 126.
Rdntgen,
Wamerke,
Wedgwood,
xa.
63, 73.
Wilson,
Thomas,
73.
Whitehall
Royal Photographic
Dr., 76.
Rudolph,
Ruskin, 164.
Russell, Major C,
Society,
X4X.
86.
S.
Schroeder,
Dr.
Liverpool,
of
William,
20-24,
98.
104.
J. A.,
133.
62.
camera,
120.
Woodbury,
93,
Woodburytype,
100,
Major,
Woodhouse,
ix.
Wollaston,
xoa.
Wothly,
xoa.
Wothly-typc,
12a.
1x7,
87.
X-rays,
128,
X29,
Y.
Hugo.
163.
130.
11.
76.
Shadowgraphs,"
Shakespeare,
15*
X.
77.
Heinnch,
xo.
Johan
Schultze,
81.
Scott, Archer,
59,
Scott, Col. de C., R. E., 1x9.
colour, 153.
Screens,
Seebeck, 24, 138.
Senebier,
11.
**
Thomas,
Mr.
Andrew,
Herr,
151,
94-
93,
WillS, W.,
Ross,
Schott,
W.,
W.
Ross,
M., loi.
Salmon,
loi.
Sawyer,
Sayce " Bolton,
Scheele, Charles
76.
73,
H.
P., X58.
H.
Mr.
V.
of,
xaS.
Year
of
Book
Photography^
X36.
Z.
Zebs,
optician, 76.
Zentmayer,
75.
Zincography,
Zootrope, 130.
Zuccato, X22.
12a.
tht