FRA ANTONIO CROCI

FRUTTI MUSICALI
EDITED
BY
GIL GARTY

TEL - AVIV * G & H EDITION * 2011

Preface
Accidentals shown in the original Venice edition are placed in this edition on the
staff before the note. Where more than one appears in the same measure, it is omitted
without comment. Editorial accidentals are placed above and beneath the staff. Clefs
have been modernized. Measures numbers are editorial. Added or missing notes are
printed in small size. Stemming up or down are edited without comment. See also the
critical commentary.
Gil Garty, Tel-Aviv, Spring, 2011

Critical Commentary
7.Christe alio modo.
Bar 10 : the bar line is missing in the original.

8.Kyrie alio modo.

Bar 8, right hand : f#-d instead of g#-d in the original.

17. Tu solus Dominus.

Bar 4, right hand, alto part : the tie is editorial.
Bar 6, right hand, soprano part : the tie is editorial.

21.Agnus Dei.
Bar 14, right hand : f#-a instead of f-a# in the original.

22.La Galantina Canzone per quelli che non arivono

allottava.
Bar 41, right hand : the superfluous quaver rest in the end of the bar is omitted.

23.La Lilina Canzone per quelli che non arivono

allottava per il sudetti.
Bar 50, left hand : d-a instead of d-g in the original.

24.La Vilanella Canzone.

Bar 33, left hand : the missing dot on the note d is added.
Bar 36, right hand : the original reads as follows :
w

w h w h

e-c#-d-a-d-a
Bar 40, left hand : the missing dot on the note d is added.

28.Introito Missae Dominicae.

Bar 1, right hand : the ties are editorial..
Bar 8, left hand : B flat-d instead of B-d flat in the original.

30.Christe.
Bars 5-6, left hand, bass part : the tie is editorial.
Bar 9, right hand, alto part : the original reads as follows :
x

x q

c#-d-c#

32.Kyrie ultimo.
Bar 5, right hand, alto part : the original reads as follows :
q

q q

e e

e e

b flat-g-a-b flat-a-b flat-a-b flat-c

36.Domine Deus Rex celestis.

Bar 4, left hand : the original reads as follows :
w

h h

Tenor : b flat-a-a
w
Bass : g-

h h h
f- e-a

37. Domine Deus Agnus Dei.

Bar 6, left hand, tenor part, second beat : the b flat is omitted.

38.Qui tollis [peccata mundi].

Bar 6 : the missing bar line is added.

40. Amen.
Bar 3, right hand : a superfluous group of 4 sixteenths (b flat-g-f#-g) in the end of
the bar is omitted.

41.Ricercar del Secondo Tuono.

Bar 14, right hand, second beat : b flat-d-g instead of b flat-e-g in the original.
Bar 14, left hand : f-c instead of d-a in the original.
Bar 16, right hand : d-g-b flat instead of d-f-a in the original.

42.Sanctus Dominicale Non vi e il Credo perche non

sufa sonare alternatamente.
Bar 6, right hand, alto part : the original reads as follows :
h q ee e

43.[Benedictus] Pleni.
Bar 8, right hand : the ties are editorial.
Bar 9, left hand : the tie is editorial.

44.Agnus Dei.
Bar 4, right hand : the a is a half note in the original.
Bar 10, right hand : e instead of the second a in the original.
Bar 10, right hand : the last sixteenth note is an eighth note in the original.

45.Introito per la Messa Doppia.

Bar 2, right hand : the second chord is e-a-c in the original.

47.Christe.
Bar 5, left hand, tenor part : the first note is d in the original.
Bar 6, right hand, alto part : the tie is editorial.

50.Toccata del quarto Tuono [per la Gloria Doppia].

Bar 5, left hand, bass part : the dot on the note a is editorial.
Bar 9, right hand : the original notes durations are as follows :
e e e e e e e e e e eexx
Bar 18, left hand, the f is f# in the original.

54.Domine Fili unigenite.

Bar 5, right hand, alto part : the first note on the 4th beat is an eighth in the original.

66.Et expexto.
Time values have been reduced to a half.

68.Sanctus.
Bar 10, right hand : the five sixteenths one the last beat are changed to 4 sixteenths
and 2 thirty twos.

70. Agnus Dei.

Bar 6, right hand, alto part : the last e is instead of d in the original.

72.Ricercar Cromatico. Secondo.

Bar 17, left hand, bass part : the original reads as follows :
w

h h h

e flat d-d-g
Bar 23, right hand, alto part : the tie is editorial
Bar 34, left hand, bass part : the tie is editorial.
Bar 36, right hand, alto part : the tie is editorial.
Bar 37, right hand, soprano part : the ties are editorial

73.Ricercar Cromatico. Terzo.

Bar 10, right hand, alto part : the b is instead of c X in the original.
Bar 31, left hand, tenor part : the original is one Major Third lower.

Contents
Preface
Critical Commentary
Facsimiles
Contents
The Edition:
1.Toccata del Primo Tuono per lIntroito.
2.Kyrie.
3.Christe.
4.Kyrie.
5.Kyrie ultimo.
6.Kyrie alio modo.
7.Christe alio modo.
8.Kyrie alio modo.
9.Kyrie ultimo alio modo.
10.Toccata per la Gloria.
11[Gloria Festivo del Quarto Tuono] Laudemus te.
12.Adoramus te.
13.Gratias.
14.Domine fili unigenite.
15.Qui tollis peccata mundi.
16.Qui sedes ad dexteram.
17.To solus Dominus.
18.Cum Sancto Spiritu Amen.
19.Toccata per il Sanctus [Festivo].
20.[Benedictus] Pleni.
21.Agnus Dei.
22.La Galantina Canzone per quelli che non arivono
allottava.

23.La Lilina Canzone per quelli che non arivono

allottava per il sudetti.
24.La Vilanella Canzone.
25.La Gata Melata Canzone.
26.La Simona Canzone.
27.Ricercar Cromatico per quelli che non arivono
allottava.
28.Introito Missae Dominicae.
29.Kyrie della Domenica.
30.Christe.
31.Kyrie.
32.Kyrie ultimo.
33[Gloria Dominicale] Et in terra pax.
34.Benedicamus te.
35.Glorificamus te.
36.Domine Deus Rex celestis.
37.Domine Deus Agnus Dei.
38.Qui tollis [peccata mundi].
39.Quoniam tu solus.
40.Amen.
41.Ricercar del Secondo Tuono.
42.Sanctus Dominicale Non vi e il Credo perche non
sufa sonare alternatamente.
43.[Benedictus] Pleni.
44.Agnus Dei.
45.Introito per la Messa Doppia.
46.Kyrie.
47.Christe.
48.Kyrie.
49.Kyrie.
50.Toccata del quarto Tuono [per la Gloria Doppia].
51.Laudamus te.
52.Adaoramus te.

53.[Gratias.]
54.Domine Fili unigenite.
55.Qui tollis peccata mundi.
56.Qui sedes ad dexteram.
57.Tu solus Dominus.
58.Cum Sancto Spiritu Amen.
59.Toccata del Quarto Tuono per il Credo.
60.Et ex Patre natum.
61.Genitum non Factum.
62.Crucifixus.
63.Et ascendit in Celum.
64.Et in Spiritum.
65.Et unam Sanctam Catolicam.
66.Et expecto.
67.Amen.
68.Sanctus.
69.[Benedictus] Pleni.
70.Agnus Dei.
71.Ricercar Cromatico. Primo.
72.Ricercar Cromatico. Secondo.
73.Ricercar Cromatico. Terzo.

1. Toccata del Primo Tuono per l'Introito.

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3. Christe.

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4. Kyrie.

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5. Kyrie ultimo.
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7. Christe alio modo.

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8. Kyrie alio modo.

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9. Kyrie ultimo alio modo.

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10. Toccata per la Gloria.

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11. [Gloria Festivo del Quarto Tuono] Laudamus te.

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12. Adoramus te.

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13. Gratias.

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14. Domine fili unigenite.

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15. Qui tollis peccata mundi.

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16. Qui sedes ad dexteram.

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17. To solus Dominus.

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18. Cum Sancto Spiritu Amen.

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19. Toccata per il Sanctus [Festivo].

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21. Agnus Dei.

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22. La Galantina Canzone

per quelli che non arivono all'ottava.

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23. La Lilina Canzone

per quelli che non arivono all'ottava per il sudetti.

b c

b
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b
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56

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b

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b
& b

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24. La Vilanella Canzone.

1

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12

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b w. w.
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w. w.

nw . w .

w.

w # w

w # w .

3
1 w.

w # w .

w w # w w

w # w

37

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3
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25. La Gata Melata Canzone.

1

& b c
&b c

3
1

. J

3
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w w w #w W .
3
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& b 1 w.
w.
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& b w w #w w .

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16

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23

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29

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26. La Simona Canzone.

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27. Ricercar Cromatico

per quelli che non arivono all'ottava.

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28. Introito Missae Dominicae.

8
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29. Kyrie della Domenica.

8
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1

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5

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8
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30. Christe.
1

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8 w
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31. Kyrie.
1

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32. Kyrie ultimo.

8
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b ww
& b
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& b w
5

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8
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33. [Gloria Dominicale] Et in terra pax.

1

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8
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34. Benedicamus te.

1

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8
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35. Glorificamus te.

1

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36. Domine Deus Rex celestis.

8
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b w

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37. Domine Deus Agnus Dei.

8
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38. Qui tollis [peccata mundi].

w
8
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39. Quoniam to solus.

8
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40. Amen.

8
& 4

? 48

& b

b w

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41. Ricercar del Secondo Tuono.

& b 48 w

? 8

b 4
1

b
& b
7

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n

b # w

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11

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b
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24

b # ww

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42. Sanctus Dominicale Non vi

e il Credo perche non s'ufa sonare alternatamente.

8
& 4 www

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43. [Benedictus] Pleni.

8
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? 48

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12

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44. Agnus Dei.

1

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10

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11

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45. Introito per la Messa Doppia.

w
& 48 ww

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8

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46. Kyrie.

8
&4w
1

? 48

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?
7

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10

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47. Christe.

8
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? 48
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b

?
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.

w # ww
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48. Kyrie.

8
&4

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w w . # ww w

w
#

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W

49. Kyrie.

8
&4w

? 48

&
4

?w

w
&w

?w

.
w

# ww

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#
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50. Toccata del Quarto Tuono [per la Gloria Doppia].

1

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? c # www #

&

?# ww.
& #
10

ww
.

w .
w

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14

&

12

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n
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16

18

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51. Laudamus te.

8
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1

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5

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8
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? 48

52. Adoramus te.

1

&
6

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53. [Gratias.]

8
&4w

? 48

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54. Domine Fili unigenite.

8
&4
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1

? 48
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&

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# w
..

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55. Qui tollis peccata mundi.

8 w w w #
&4
#

? 48

w
#

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w # w # www

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? 48 w

# w

? 48

56. Qui sedes ad dexteram.

1

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57. Tu solus Dominus.

8
&4w

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? 48

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#

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58. Cum Sancto Spiritu Amen.

8
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n
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59. Toccata del Quarto Tuono per il Credo.

8
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60. Et ex Patre natum.

8
&4

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8 b . j
&4

? 48

61. Genitum non Factum.

1

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62. Crucifixus.

8
& 4

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w # # ww
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.
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.
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63. Et ascendit in Celum.

8
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64. Et in Spiritum.

8
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