Académique Documents
Professionnel Documents
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Unruly Concepts
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his psychoanalytic concepts. Next I turn to philosopher Judith Butlers essay The Lesbian Phallus and the Morphological Imaginary in
her 1993 book, Bodies that Matter. As one of the most influential pioneers of queer theory, Butler revised Lacanian psychoanalysis; in
turn, her work inspired cultural studies scholar Judith (Jack) Halberstam, whose 1998 book Female Masculinity depicts types of women who
exemplify Butlers abstract ideas, thereby popularizing the concept of
female masculinity as a possible lifestyle for women and especially
butch lesbians. Then I briefly discuss several postmillennial sociological studies that apparently mark a progressive trajectory from
pathologizing nonnormative gender to liberatory gender self-definition. However, broadening this inquiry troubles narratives of progress
and requires new theoretical paradigms. A contrast between Governor Palin and chicks with dicks a genre of transnational transsexual pornography reveals a cultural polarization between phallic
power and abjected penis-for-pleasure. Taken as a whole, this narrative illustrates the instability, even the incoherence, of the concept of
female masculinity and its role in propping, rather than undermining, masculinity altogether.
In all these examples, Im interested in the theories that address
gender variation, particularly the way that female masculinity still
rests on binary conceptions of power that connote maleness and also
on psychoanalytic assumptions. I note the divergent explanatory
frameworks for gender nonconformity applied in these cases and
their varied cultural contexts. Such theories are migratory, appearing across conceptual, political, and geographical borders. For Stoller
in the 1970s, Freudian psychoanalysis remains the master discourse
at a prosperous time in United States history when polarized gender
roles seem in retreat and new social movements arise seeking womens liberation, civil rights for minorities, and greater equality for lesbians and gay men. Twenty years later, Butler speaks from within the
academic disciplines of philosophy and gender studies in an era of
relative social quiescence characterized by a popular sense of mission accomplished with regard to womens liberation. A pioneer of
queer theory, she critiques older radical feminisms while retaining
nuanced allegiances to psychoanalysis and poststructuralism. Following Butler, Halberstam firmly establishes female masculinity on
the agenda of trans and queer studies, and her taxonomies become
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and femininity and from internalized unconscious fantasies. However, against Freud, he emphasizes that egosyntonic forces and
non-conflictual learning help create womens gender identity, and
therefore femininity is not just a defense against envy of maleness
and masculinity.
When Mrs. G. claims that she wouldnt be anything without
her imaginary penis, her explanation indicts the sexist culture: she
says, a man always has an advantage because he works and he supports himself, whereas being feminine means youre vulnerable to
males. Her denial of lesbian desires, too, fits an era largely intolerant of homosexuality. Her gendered and sexual pathology and
what Stoller has labeled her female masculinity then, might
all be understood in terms of her nonconformist responses to the
sexism and homophobia of the times. As we have seen, although
Stoller claims to be seeking the sources of female masculinity, he
introduces Mrs. G. from the first as a very masculine woman without explaining the term. Thus female masculinity is his goal, the
thing he seeks to understand, and at the same time it is his starting
point. Stoller interprets gender and sexual orientation as interdependent psychological structures that defend a core true self that
is always heteronormative, even in homosexuals and lesbians. Furthermore, although Mrs. G.s delusional penis is a rare symptom, he
also regards penis envy, transsexual fantasies, and female masculinity as normal in women.
Judith Butler: The Lesbian Phallus
Some of the contradictions in Stollers pioneering theories of female
masculinity and gender formation appear decades later in the writing of Judith Butler despite the transition from a Freudian case history to a Lacanian poststructuralist theory. Butlers essay The Lesbian Phallus and the Morphological Imaginary subverts previously
negative connotations of female masculinity. The essay starts with a
disavowal: After such a promising title, I knew that I could not possibly offer a satisfying essay; but perhaps the promise of the phallus is
always dissatisfying in some way. This tease connects the subject of
the work with its writing and connects the relation between writer
and reader, one or both of whom seem possessed of it: I assure you
(promise you?) that the essay couldnt have been done without the
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lesbian phallus, despite its only fugitive appearance in the essay. Butlers opening gambit diminishes masculinist pretensions by implying that no phallus ever satisfies. The lesbian phallus is a contradiction in terms, and the essay plays with this imaginary construction
to critique the Lacanian concept of the phallus the master symbol
of power to imply that if one can imagine a lesbian phallus, the
phallus will become detached from male bodies and hence usable by
other subjects.
Butler dismantles Lacans binary, in which having is a symbolic position that institutes the masculine within heterosexuality,
always in opposition to a feminine that lacks having or is equated
with being. Into this closed symbolic system, the lesbian phallus
may be said to intervene as an unexpected consequence of the Lacanian scheme, an apparently contradictory signifier which, through
a critical mimesis, calls into question the ostensibly originating and
controlling power of the Lacanian phallus, indeed, its installation as
the privileged signifier of the symbolic order. Thus Butlers analysis creates and undermines the Lacanian phallus, a phrase that conflates Lacans symbol with her own apparently masculine authority
over theory.
Often Butler presents a supposed cause as instead an effect, most
famously in the thesis that gender identity does not cause gendered
behavior, but rather that performing gender creates the sense of an
internal gender identity. Here, instead, I suggest that an effect noted
by Butler makes sense as a final cause or implicit purpose. Butler calls
the lesbian phallus an unexpected consequence of the Lacanian
scheme even though it is not a part of Lacans writings but rather her
own invention. She remarks that to de-authorize the male imaginary, her strategy will be to show that the phallus can attach to a
variety of organs, and that the efficacious disjoining of phallus from
penis constitutes both a narcissistic wound to phallomorphism and
the production of an anti-heterosexist sexual imaginary. Her purpose, then, is to separate the phallus from the penis; that is, to detach
the symbol of power from the male organ and so burst the bubble
of an inviolable masculine imaginary. This rupture is immediately accomplished in the very imagining of the lesbian phallus. However, such reasoning only works if we already agree that the phallus
is a mobile concept that represents something like power in general,
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not just the power of biological males. And furthermore, the conflation of masculinity and power may encourage some lesbian theorists
to assign the phallus more to themselves rather than to heterosexual women.
Well into the discussion that began by positing its existence,
Butler admits that the lesbian phallus is a fiction, but perhaps a theoretically useful one. This usefulness is deployed, not just against
Lacans theories, but more pointedly against what she calls the feminist orthodoxy on lesbian sexuality. The lesbian phallus may then
serve as the missing part, the sign of an inevitable dissatisfaction
that is lesbianism in homophobic and misogynist construction. Who
is dissatisfied? The homophobe and misogynist, here rhetorically
associated with a feminist orthodoxy that apparently refers to essentialist radical feminism. Thus Butlers essay is historically situated
in the early 1990s in relation to an evolving feminism and emerging
queer theory as well as to deconstruction and psychoanalysis.
In her essay Butler switches from attacking Lacans sexism
presumably with the concurrence of her feminist readers to attacking feminist orthodoxy, and becomes a kind of overbearing mother
(rather than the Lacanian abusive father) to the rebellious child of her
own queer theory. She says that feminist orthodoxy will see in the
lesbian phallus both the defilement or betrayal of lesbian specificity and a pathetic mimicry of man. The term specificity does not
itself specify whether it is referring to political power, woman identification, female eroticism, or anything else. Thus Butler imagines
that, for both the feminist and the misogynist, who become conflated,
the lesbian phallus is not a symbol of power but of failure: its not
the real thing (the lesbian thing) or its not the real thing (the straight
thing). However, this euphemism, the real thing, itself collapses
penis into phallus, so that questioning the authority of either term
deflates both. Because it is, in her words, an idealization, one which
no body can adequately approximate, the phallus is a transferable
phantasm, and its naturalized link to masculine morphology can be
called into question through an aggressive reterritorialization. This
explanation restates the point her title has already made as she grabs
the phallus by its theoretical handle in order to make it her own in a
masculinist rhetoric of conquest, an aggressive reterritorialization.
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she argues that the masters master tool is exactly what can best dismantle the masters house.
Butlers persuasive central argument in her 1990 book Gender
Trouble: Feminism and the Subversion of Identity is that anything that is socially
instituted has to be practiced to remain in force and hence can be
repeated differently. One question her later work raises, then, is
whether or not feminists wish to promote an alternative imaginary to
a hegemonic imaginary that uses the lesbian phallus as the alternative to the masculinist phallus. Butler concludes The Lesbian Phallus essay by asserting that what is needed is not a new body part,
as it were, but a displacement of the hegemonic symbolic of (heterosexist) sexual difference and the critical release of alternative imaginary schemas for constituting sites of erotogenic pleasure. The last
word of the chapter introduces pleasure to a discourse that has previously focused instead on meaning and power. Since a conclusion
in Butlers discourse can often be read as its cause, I therefore turn
the essay around to see pleasure as the goal for which the concept of
the lesbian phallus was invented. This pleasure is deeply implicated
in the powers of naming, which may be exactly what the phallus as
logos means. Furthermore, although (feminine) pleasure here takes
over as a feminist goal from (masculine) power, both become synecdoches, parts of the feminist dream figured as the whole of a new way
of thinking and speaking, a new imaginary that is no longer heterosexist and masculinist, despite its teasing appropriation of the central
masculinist symbol of power.
So Butler creates the lesbian phallus by naming it, but in so
doing she has already performed her own act of cutting away at her
Lacanian master texts. She cites Lacan as pronouncing the body and
anatomy are described only through negation: anatomy, and in particular, anatomical parts, are not the phallus, but only that which the phallus
symbolizes (Il est encore bien moins lorgane, pnis ou clitoris, quil symbolize), that is,
to translate from Lacans text, it is much less the organ, penis or clitoris, that is symbolized She explains that this means that the phallus is a synecdochal extrapolation, a part for the whole. Throughout her own discussion thereafter, she, too, takes only one part for
the whole, repeatedly referring to the penis but without mentioning
the clitoris that Lacan himself puts in parallel not in opposition
to the penis. If Butler had admitted the clitoris to her discussion, that
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addition might have disrupted the binary she creates between inadequate penis and powerful phallus. Furthermore, attention to the clitoris might figure alternative positive female imaginary constructions to the lesbian phallus, as Teresa de Lauretis suggests. The
Lesbian Phallus does not discuss the most obvious phallic female
in the Freudian system, the phallic mother who figures as the fantasy figure of completeness of which the child must be disabused or
else become a fetishist. In the following chapter in Bodies that Matter,
Butler does introduce the figure of the phallic mother, defining it
as devouring and destructive, the negative fate of the phallus when
attached to the feminine position. This is a misogynous construction that displaces phallic destructiveness onto women, not the
men who claim to be the proper holders of power. Butler concludes
that phallic mothers these figures of hell, figures which constitute
the state of punishment threatened by the law are partly figures
of homosexual abjection that is, the feminized fag and the phallicized dyke. Here the phallicized dyke stands in unvoiced contradiction to the lesbian phallus described earlier, not a newly imagined figure of power but a tired old figure of social exclusion. This
juxtaposition refigures the preceding chapter on the lesbian phallus
into an exercise in utopian thinking, its initial moment not merely
the imaging of the lesbian phallus but of triumph over the mental
strictures of patriarchy, social defamation, and homophobia.
Throughout the The Lesbian Phallus, the lesbian is not defined
or specified by practice or desire. Presumably the term refers to
women who desire women erotically, rather than to the womanidentified woman of 1970s lesbian feminism, but the terms vagueness
endows it with its own powerful symbolic aura. The lesbian phallus
is an abstraction originating only in a chain of signifiers. It has no
personal psychology, no relation to the absent fathers and rejecting
mothers of Stollers case histories, and no specific sexual desires, practices, or forms of self-presentation. Instead, Butlers essay enacts its
theories about the discursive construction of gender by creating the
lesbian phallus as a disembodied concept. The author teases that she
has it, since the essay couldnt have been done without it. Thus
her essay implicitly makes the case for the phallic lesbian as a powerful discursive construction, a phallic woman who is never pictured
as embodied (and so never disparaged as freakish) but who remains
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most stereotypically masculine in her very abstraction into discourse. Furthermore, the term remains within the binary Lacanian
logic that it disputes. Having a phallus or not having one remain the
only choices. Despite the vast difference between Stollers interpretation of Mrs. G.s fantasized penis and Butlers invention of the fantasized lesbian phallus, Butlers ideas still echo the Freudian notions
that women especially lesbians envy and wish to appropriate
mens penises and that powerful women are by definition phallic.
Judith Halberstam: Redefining Female Masculinity
Following Butler, literary critic Judith (Jack) Halberstam has been
crucial in moving the discourse from a stigmatized to a positive
view of female masculinity. Halberstam begins by assuming rather
than explaining the term. S/he introduces her book Female Masculinity by saying she tells people that she is writing about women who
feel themselves to be more masculine than feminine, without their
needing Halberstam to define either masculinity or women.
Like Stoller, she considers masculinity self-evident, prior to definition,
valuable, and powerful. There is something all too obvious about the
concept of female masculinity, she writes. At the same time her goal
is to raise female masculinity from a term that is disparaged to one
that is celebrated so that masculine girls and women do not have to
wear their masculinity as a stigma but can infuse it with a sense of
pride and indeed power. Believing that Butlers brilliant abstractions
needed specific embodiment, Halberstam provides a careful taxonomy that differentiates many varieties of masculine women, including passing women, butches, and the liminal category of transmen,
who cease to identify as female at all. Her study of contemporary drag
kings achieves ethnographic solidity and includes subjects of color
who are often lacking from discussions of alternative gender formations. Among the behaviors she associates with masculinity are dressing like men, desiring women, being recognized as men, painting on
moustaches, growing moustaches, engaging in traditionally male
occupations, and protecting female partners. Halberstam provides
concrete examples of masculine women that pay welcome attention
to differences of race and social class. Her valuable historical and ethnographic study has made a fundamental impact on queer studies,
even as some of its arguments remain tied to earlier gender binaries.
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current proliferation of complex female masculinities shows a simultaneous approximation of heterosexual masculinity and queering
of that masculinity. Here, again, the category of masculinity is
expanded, but a binary that valorizes masculinity supersedes femininity or alternative gender categories. Similarly, English sociologist Sally Hines confirms Rubins finding that transmen often reject
hegemonic masculinity: Im not a mans man, one claims, while
another self-identifies as a beta male rather than an alpha one. For
some transmen, their earlier lives as women inevitably alter their presentations of masculinity, as one subject says, so while I want to be
perceived and understood and taken totally as male, I will never be
100 percent male because of my background. Noble comments that
transmen almost never fully become men; they stay in the place of
transit. Using an object relations approach, one might hypothesize
that transmens only partial engagement with masculine qualities
such as emotional inhibition or dominating behavior may be a result
of their pre-transition psychological childhood as girls. Their distancing themselves from negative behaviors associated with masculinity
might also result from their self-conscious interactions with feminist
interviewers. Both Noble and Hines reject psychoanalysis as an adequate approach to trans subjectivity. Instead, Hines argues for more
nuanced, empirically based theory of gender that can address the
intricacies of transgender identities and subjectivities and so bridge
the gap between social theories and poststructuralist accounts of
gender identity formation; such theories might advance the project also advanced here in this essay of theorizing gender diversity in relation to social structures, discursive formations, subjective
understandings, embodied corporalities, and cultural (and subcultural) practices.
The trajectory of female masculinity, traced here from the 1970s
to the present, might seem at this point to be a progress narrative
of increasing individual choice and voice and decreasing stigma for
nonnormative gender in comparison to the more negative evaluations often made by feminist scholars of the effects of masculinity
in men. Recent studies of female masculinity open up more diverse
perspectives than the white US examples Ive cited so far, while they
also indicate contentions over identities and their borders. African
American drag king Shon claims his performances respect black
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men and so differ from white drag satires of dominant white masculinities. Transman artist and educator, Nico Dacumos describes his
mixed consciousness while complaining that my female masculinity provoked fear and disgust from straight people, while F2Mestizo
Logan Gutierrez claims that his twenty-six years spent between
races prepared me for what it would feel like to be between genders
as a biracial FtM.
But my last, cautionary counterexample is deliberately more
confusing, both ethically and politically. It illustrates that the narrative of gender progress may depend in part on its inclusion of only
a privileged minority of gender enactments. It considers a genre of
transsexual pornography that features figures labeled as she-males
or chicks with dicks, that is, people who look like feminine women
but who have penises, and not apparently masculine transmen who
do not. Including these performers may seem to replace the subject
of female masculinity with that of male femininity. However, these
transsexuals appear as literally phallic women, and so testify against
undue complacency about the evolution of liberatory discourses of
gender diversity and their effects on real people in differing national,
global, racial/ethnic, and economic contexts. As Eithne Luibhid
observes, all identity categories become transformed through
circulation within specific, unequally situated local, regional,
national, and transnational circuits that differentially structure
social inequalities and opportunities.
Transsexual pornography stars illustrate both an expansion of
and an exclusionary limit to contemporary gender variance. As represented in pornographic animations, they are chicks with dicks,
fantastic tranny babes, curvaceous women with huge penises. In
distinction from the animated versions, most commercial transsexual pornography involves real people who appear at various stages
of surgical and hormonal sex changes. These performers may be US
people of color or third world sex workers whose own cultures are
rarely taken into account. They generally do not speak for themselves but are directed by others who profit from new technologies
in a global sexual market. The featured performers in the live-actor
transsexual pornography available in the United States look like
stereotypically feminine young women with big bosoms, slender
waists, and long hair. These actors, from countries including Brazil
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and Thailand, are shown having sexual relations with one another
or often with white men who stand in for the US male viewer. The
transsexuals own pleasures and preferences may or may not be
served as they are made the means for a form of international sexual
and gender neocolonialism.
These transsexual performers may be examples of free and fluid
identities as well as examples of the exploitations of an international
sex trade geared primarily to white Western heterosexual men. More
even than the penis-less transmen, these performers seem to confound theories connections among gender, sexuality, sexual orientation, and power. Stereotypically feminine in appearance and
lacking in social power, they present visions of phallic women far
different from the threatening Lacanian portrait of Sarah Palin with
which this essay began. One might celebrate these representations for
expanding and breaking the gender binary of women and men. On
the one hand, they seem to stabilize the dominant figure of the penetrating masculine man as presumed viewer; on the other hand, some
heterosexual male viewers may be enjoying, even identifying with,
watching two persons with penises engaged in sexual acts, so implicitly queering their own desires and identities. However, control of this
pornographic discourse seems to lie less with the performers or viewers than with the marketers.
Engaging the Future
What conclusions can we draw from these representations of phallic women and of female masculinity over a forty-year period? My
examples represent an apparent progression from the devaluation of
a freakish anomaly to a celebrated individual freedom, albeit figured
in a worldwide market economy in which genders, sexualities, and
their representations can be purchased. I argue that this trajectory
illustrates the very incoherence of the concepts of female masculinity
and the phallus. It also illustrates the apparently oppositional analytical frameworks for the understanding of masculinity generally. One
framework, based in object relations psychoanalysis, derives negative
social consequences like sexism and male dominance from the psychic structures of masculinity that men develop in mother-dominated childhoods. In response, Raewyn Connell and James Messerschmidt suggest the possibility of democratizing gender relations
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the potential internal contradictions, within all practices that construct masculinities and on the need of the field of masculinity studies for more complex models of gender hierarchy and more specific
analyses of how embodiment interacts with privilege and power.
Gender change and variance in societies and discourses may lead to
people developing more ungendered, androgynous, both/and categories and identities. Such changes may simultaneously help reduce
the salience of gender in distributing goods and social statuses. All
the examples Ive outlined maintain a gender dualism, looser or
tighter, that continues to valorize some version of masculinity over
any version of femininity. The field of gender transition is currently
very mobile. The technology of sexual reassignment is continually
changing and may not be in synch with legal requirements for binary
gender, although laws, too, may change. Psychologies and ethics of
gender and sexuality are also in flux. As the gender range within and
outside each binary sex category grows, we might expect increased
tolerance for inter, neither, and alternate genders and sexualities as
well. Such expansion of gender variance is a valuable goal in itself
but not sufficient to end gender and sexual exploitation, as is evident
from the example of international transsexual pornography.
This travel through representations of female masculinity leads
me to conclude that the phallus isnt what it used to be and, in
fact, never was. In all its versions, concepts of female masculinity
implicitly rely on the sexist assumptions of Freudian and Lacanian
psychoanalysis, even when psychoanalysis is explicitly renounced.
Since no other psychological theories have yet replaced the cultural
influence of psychoanalysis, much current discussion avoids psychology altogether and instead relies on self-reports by gender-variant people. The Lacanian phallus is a confusing formulation, always
supposed to be an abstraction, yet always tethered to male anatomy
and so abjecting both femininity and women, as in Millers hysterical remarks about Sarah Palin a hysteria encouraged by Lacanian
terms and metaphors. For Miller, even if a womans phallus is recognized as only a semblance, it still connotes castration and disempowerment to men. The project of undoing gender must include
challenging old theories and dismantling old fantasies, both frightening and utopian. Transsexual pornography illustrates how the control over discourse achieved by queer mobilizations does not extend
607
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21. Judith Butler, Gender Trouble: Feminism and the Subversion of Identity (New York:
Routledge, [1990], 1999) 24 25.
22. Butler, The Lesbian Phallus, 262n26.
23. Ibid., 85, all quotations this paragraph.
24. Ibid., 86, all quotations this paragraph.
25. Ibid., 88.
26. Ibid., 89.
27. Ibid., 90.
28. Ibid., 91 both quotations this paragraph (emphasis in original).
29. Ibid., 80.
30. Ibid.
31. Teresa de Lauretis, The Practice of Love: Lesbian Sexuality and Perverse Desire
(Bloomington: Indiana University Press, 1994), 231.
32. Butler, Phantasmatic Identification and the Assumption of Sex, in her
Bodies that Matter, 102.
33. Ibid., 103.
34. Butler, The Lesbian Phallus, 57.
35. Susan Bordo, The Male Body: A New Look at Men in Public and Private (New York:
Farrar, Straus, and Giroux, 1999), 19.
36. Halberstam, Female Masculinity, xi, both quotations this paragraph.
37. Ibid., 356, 357.
38. Ibid., 68.
39. Ibid., 72.
40. Ibid., 17.
41. Ibid., 58, 266.
42. Ibid., 41, 27, 269.
43. Judith Halberstam, The Good, the Bad, and the Ugly: Men, Women, and
Masculinity, in Masculinity Studies and Feminist Theory: New Directions, ed. Judith
Kegan Gardiner (New York: Columbia University Press, 2002), 345.
44. Ibid.
45. Ibid., 349.
46. Ibid., 355.
47. Ibid., 357.
48. Halberstam, Female Masculinity, 269, 272.
49. Chodorow, 169, 218.
50. C. J. Pascoe, Dude, Youre a Fag: Masculinity and Sexuality in High School (Berkeley:
University of California Press, 2007), 5.
51. Ibid., 115.
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52. Michael Kimmel, Guyland: The Perilous World Where Boys Become Men (New York:
Harper Collins, 2008), 52.
53. Ibid., 243, 26, 270.
54. Proponents of this view include Robert Nye, Locating Masculinity: Some
Recent Work on Men, Signs 30, no. 3 (Spring 2005): 1937 62; and Anthony
McMahon, Male Readings of Feminist Theory: The Psychologization of
Sexual Politics in the Masculinity Literature, Theory and Society 22, no. 5
(October 1993): 675 95.
55. Henry Rubin, Self-Made Men: Identity and Embodiment among Transsexual Men
(Nashville, TN: Vanderbilt University Press, 2003), 15, 11, 22.
56. Ibid., 169, 107, 122 23, 150.
57. Jean Bobby Noble, Sons of the Movement: FtMs Risking Incoherence on a Post-Queer
Cultural Landscape (Toronto: Womens Press, 2006), 251, 257 (emphasis in
original).
58. Sally Hines, TransForming Gender: Transgender Practices of Identity, Intimacy and Care
(Cambridge: Polity, 2007), 93
59. Ibid., 94.
60. Noble, Sons of the Movement, 28.
61. A conscious motivation to acquire privilege is not necessary for transmen
to actually achieve some measure of that privilege: Kirsten Schilt and
Matthew Wiswalls study of trans economics shows that male-to-female
transsexuals lose money, status, and social networks, thus approximating the social status of women, whereas transmen fare much better. See
Schilt and Wiswall, Before and After: Gender Transitions, Human Capital, and Workplace Experiences, The B.E. Journal of Economic Analysis & Policy
8, no. 1 (2008), Article 39, http://www.bepress.com/bejeap.
62. Hines, TransForming Gender, 190.
63. Shon is interviewed in Del Lagrace Volcano and Judith Jack Halberstams The Drag King Book (London: Serpents Tail, 1999), 143.
64. Nico Dacumos, All Mixed Up With No Place to Go: Inhabiting Mixed
Consciousness on the Margins, and Logan Gutierrez-Mock, F2Mestizo,
in Nobody Passes: Rejecting the Rules of Gender and Conformity, ed. Mattilda a.k.a.
Matt Bernstein Sycamore (Emeryville, CA: Seal Press, 2006), 27, 233.
65. Eithne Luibhid, Queer/Migration: An Unruly Body of Scholarship, GLQ
14, nos. 2 3 (2008): 169 90, 170.
66. An example of animated transsexual pornography can be found at www.
sheanimale.com.
67. For example, Bangkok Transsexuals Ass Pounded 2 (Robert Hill Releasing Co.
DVD: 2008); TgirlsOnGirls (Hundies Presents DVD: 2008); Chicks with Dicks
http://www.youporn.com/watch/55507/chicks-with-dicks. No aspect of
Brazilian culture is mentioned in Tgirls, which is set in Brazil, nor do
the performers express their own sexual preferences, as found in Don
68.
69.
70.
71.
72.
73.
74.
75.
76.
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