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In any lang, people speak if they have no physical defects uing their organ of speech. The air
stream released by lungs goes throuhg the wind-pepe and comes to the larynx which contains the
vocal cors. The vocal cords are two elastic fols, which may be kept apart or brought together.
The opning between them is calle-the glottis. This is the usual state of the vocal cords, when we
breaty out. If the tense vocal cords are brought together the air stream forcing an opening makes
them vibrate an we hear some voice.
All the sounds we make when we speak are the results of muscles contracting. The muscles in
the chest that we use for breathing, produce the flow of air that is needed for almost all speech
sounds. Muscles in the larynx prouce many different modifications in the flow of air from the
chest to the mouth. After passing through the larynx, the air goes through we call-the vocal tract,
which ends at the mouth and nostrils. Here the air form the lungs escapes into the atmosphere.
We have a large and complex set of muscles that can produce changes in the shape of the vocal
tract and in order to learn how the sounds of speech are produced it is necessary to become
familiar with the different parts of the vocal tract. These different parts are called- articulaters,
and the study of them is called- Articultory phonetics.
The pharynx-it is a tube which begins just above the larynx. It is 7 cm long in women and about
8 cm in men, and at its top end it is divided into 2. One part being the back of the mouth and the
other being the beginning of the way through the nasal cavity.
The soft palate-it allows the air to pass through the nose and through the mouth. The other
important thing about the soft palate is that its one of the articulators that can be touched by the
tongue.
The hard palate-its often called the roof of the mouth. We can feel its smooth and carved
surface.
The alveolar ridge- its between the top front teeth and the hard palate. We can feel it shape with
own tongue.
The tongue-it can be moved into many different places and shapes in the mouth. The most
important organ of speech is the tongue. It divides into 4 sections: the back part of the tongue
(the part, which lies opposite the soft palate), the front part of the tongue (the part facing
the hard palate), the blade part of the tongue and its extremely the tip (the one lying under
the alveolar ridge), the central part of the tongue (the area, where the front and the back
meet). The edges of the tongue are known as the rims.
The teeth(upper-lower).
The tongue is in contact with the upper-side-teeth for many speech sounds. Sounds made with
the tongue touching the front teeth are called-dental.
The lips they are also important in speech, they can be pressed together when we produce the
sounds p/b. brought into contact with the teeth as in f/v or rounded to produce the lip shape for
the vowels u/o. Sounds in which the lips are in contact with each other are called-bilabial while
those with lip-to teeth contact are called-labiodental.
The seven articulators described above are the main ones used in speech but there are 3 other
things to remember firstly:
-the larynx :could also be described as an articulator becouse its a very complex and
independent one.
Secondly:
-the jows: are sometimes called articulators becouse we move the lower jow a lot in speaking
but the jows are not articulator in the same way as the others becouse they cannot themselves
make contact with other articulators.
The third:
-althogh there is practicaly nothing that we can do with the nose and the nasal cavity, they are
a very important part of our equipament for making sounds what is sometimes called our vocal
apparatus, particularly nasal consonants such as m/n/ . We cannot really describe the nose and
nasal cavity as articulators in the some sense as those above.
Passive organs:
Passive articulators are those which remain static during the articulation of sound. The teeth,
the teeth ridge or alveolars, the hard palate, the walls of the rezonators: are the passive
articulators.
Voiced
[v] (van)
[] (then, thy)
[z] (zip)
[] (confusion)
The degree of noise may vary because of the force of articulation. Strong noise consonants are
produced with more muscular energy and stronger breath effort. Weak noise consonants are
produced with a relatively weak breath effort.
Strong noise consnants are: [p, t, k, f, , s, , t , h].
Weak noise consonants are: [ b, d, g, , v, , z, d ].
The English phoneticians call the weak consonants-lenis, and the strong ones-fortis.
2. Sonorants are made with tone prevailing over noise because of a rather wide air passage
and they are: [m, n, , w, l, r, j].
Occlusive
Constrictive
Occlusive-constrictive (affricates)
Occlusive-the air stream meets a complete obstruction in mouth. Occlusive noise consonants are
called stops because the breath is completely stopped at some point articulation and then it is
released with a slight explosion, that is why, they are also called plosives. According to the
work of the vocal cords they may be voiced [b, d, g] and voiceless[ p, t, k]. Voiced stops are
weak, voiceless are strong.
The particular quality of a sonorant depends on the position of the soft palate. Occlusive
sonorants are also made with a complete obstruction but the soft palate is lowered and the air
stream escapes through the nose, so they are nasal-[ m, n, ] .
Constrictive-the air stream meets an incomplete obstruction.
Constrictive noise consonants are called fricatives- the air passage is constricted and the air
escapes through the narrowing with friction. The fricative consonants are:[ f, v, , , s, z, ,
, h,].
Fricatives may also differ : a) in the work of the vocal cords; b) in the degree of force
articulation.
According to the work of the vocal cords they may be voiced [ v, , z, ] and voiceless
[f, , s, , h] .According to the force of articulation they may be weak and strong.
Constrictive sonorants are also made with an incomplete obstruction but with a rather wide air
passage; so the tone prevails over noise. They are all oral, because in their production the soft
palate is raised.
Occlusive-constrictive (affricates)-are noise consonants produced with a complete obstruction
which is slowly released and the air escapes from the mouth with some friction. They are only
two occulsive-constructive consonants in Eng: [t , d]. The Eng.[ d] is voiced and weak and
[t ] voiceless and strong.
interdental
alveolar
post-alveolar
palato-alveolar
Interdental-are made with the tip of the tongue projected between the teeth.
Alveolar-are articulated with the tip against the upper teeth ridge.
Post- alveolar-are made when the tip or the blade of the tongue is against the back part of the
teeth ridge or just behind it.
Palato-alveolar-are made with the tip or the blade of the tongue against the teeth ridge and the
front part of the tongue raised towards the hard palate, the narrowing is flat.
Mediolingual-are produced with the front part of the tongue. They are always palatal. They are
made with the front part of the tongue raised high to the hard palate-[ j].
Backlingual- are also called velar, because they are produced with the back part of the tongue
raised towards the soft palate, they are [ k, g, ].
The glottal consonant [h,] -is articulated in the glottis.
12. Assimilation.
Assimilation-a process of alteration of speech sounds as a result of which,one of the sounds
becomes fully or partially similar to the adjoining sound.
The word assimilation is an example of this phenomena,this latin word is composed of the
preposition-ad,which meand to and the adjsimiles=alike,similar. Ad-similationassimilation([ds]-[ss]), D-under the influence of the following s was changed to another s.
The nature of assimilation is determined by objective phisical and physiological conditions.
Assimilation exists in every lang ,but its laws ad forms in each lang depend on the historically
formed articulatory tendencies typical of every lang and specific phonetic structure.
There are 3 types of assimilation: direction of assimilation, degree of completeness, degree of
stability.
Monophthong is simply a vowel. The word monophthong comes from the old Greek language.
Mono means one or single, and the -phthong means sound or tone. The word monophthong
shows that a vowel is spoken with exactly one tone and one mouth position. For example, when
you say teeth, then while you are creating the sound of the ee, nothing changes for that
sound.
A Diphthong is a vowel that a person has to move his or her mouth into two different positions
to make. Diphthong comes from the old Greek language. Di means two or double, while the part
-phthong means sound or tone, It is a vowel where two different vowel qualities can be heard.
For examples are: waist, die, noise, road, house, fierce, bear, sure. Each of these is a different
vowel sound.
The Difference between Monophthong and Diphtong
A monophthong is a simple vowel sound that a person does not have to move his mouth to
make, like the oo sound in book.
In a diphthong, the person combines two different monophthongs, as with the oi sound in the
word oil. The person starts with the mouth in the position to make an o sound, then quickly
moves the mouth to make a hard e sound.
Another example is the ou sound in the word house. The mouth starts out making a sound
like the soft a sound in flat, then moves to make the a hard oo sound like the one in
boots.
The main difference is that a monophthong is a phoneme that consists of only one (mono
means one) vowel sound and a diphthong is a phoneme consisting of two (di means two)
vowel sounds that are connected or linked to each other.
Some Examples of Monophthong and Diphthong
Monophthong
: man
bit
lot
o: tall
Diphthong
main
bite
low
o toy
A Diphthong is a vowel that a person has to move his or her mouth into two different positions
to make. Diphthong comes from the old Greek language. Di means two or double, while the part
-phthong means sound or tone, It is a vowel where two different vowel qualities can be heard.
For examples are: waist, die, noise, road, house, fierce, bear, sure. Each of these is a different
vowel sound.
The Difference between Monophthong and Diphtong
A monophthong is a simple vowel sound that a person does not have to move his mouth to
make, like the oo sound in book.
In a diphthong, the person combines two different monophthongs, as with the oi sound in the
word oil. The person starts with the mouth in the position to make an o sound, then quickly
moves the mouth to make a hard e sound.
Another example is the ou sound in the word house. The mouth starts out making a sound
like the soft a sound in flat, then moves to make the a hard oo sound like the one in
boots.
The main difference is that a monophthong is a phoneme that consists of only one (mono
means one) vowel sound and a diphthong is a phoneme consisting of two (di means two)
vowel sounds that are connected or linked to each other.
Diphthong
main
bite
low
o toy
produce-noun
Combine-verb
produce- verb
The vowel sounds of the ,,r related words are in contrast because of difference stressed
position. The sound [i] and [u] and the suffix-full, are very frequent of the unstressed position
e.g. possibility, beautiful . There is also a detency to retain the quality of the unstressed vowel
sound . e.g program.,situate .
I m
].
more prominent than the others, the most prominent sounds being the nucleus of the syllables is
called syllabic. Syllabic sounds are generally vowels ( monophthongs ,diphthongs,diphthngois)
and sonorants. A syllabic sonorants is marked with [m,n]. a word consisting of only one vowel
sound represent a separate syllable eg. I , are.or. in the case of a diphthong the pick, of the
syllable is formed by its nucleus. Among syllabic sonorants, we find [m,l,n] e.g apple [pl]
trouble ,puzzle .
Many words in english as : parcel, level, special ,person could be pronounced with the neutral
vowel before the sonorant, thous making it no syllabical. In all these words the second prominent
sound or the peack? Is formed by the neutral form [] corresponding to sound vowel, better in
unstressed position before the sonorants. However some words in English not having any vowel
letter before the final sonorants may also be pronounced in both ways. Eg puzzle [ pzl ]
[pzl On the other hand many having a vowel letter before the final sonorants are pronounced
without the neutral vowel where by the sonorants is syllabic eg lesson, pupils . The word with
the sonorant [m] (blossom) are more with often pronounced with the neutral vowel (blossom)
so , if a sonorant is preceded by a vowel sound it loses its syllabic character and the syllable is
formed by the vowel.
A logic group of polysyllabic simple words has both: primary and secondary :e.g.conversation,
intonation, pronunciation,
There are several large groups of words with 2 equally strong stresses. These words consist of 2
morphemes. The use of semantic significance of both equally stressed elements of the word.
e.g. rewrite, fourteen
In word with the primary stress on the 3rd syllable, the secondary stress, usually falls on the
first syllable. Eg : decoration.
If the primary stress falls on the 4th or 5th syllable, the secondary stress is very commonly on the
2nd syllable. Eg: Articulation, experimentation.
Consequently the position of the secondary stress is often that of the primary stress in the
original word, in the word from which the derivative word is formed.
Eg: Posible posibility
Appreciate appreciation
In some cases, the position of the secondary stress is connected with the type of the suffix which
can influence the accentual pattern . But there is still no good ground for establishing regular
rules for this cases.
The force component- of intonation is measured by the degree of loudness of syllable that
determines the prominance of words.
The tempo- is determined by the rate of speech and the length of posses.
Intonation is very important for communication, as it helps the addressee interpret the message.
There have been different proposals to explain how intonation can help communication, some of
which are:
1. Intonation enables us to express emotions and attitudes as we speak: the attitudinal function of
intonation.
2. Intonation helps to produce the effect of prominence on stressed syllables: the accentual
function of intonation.
3. Intonation helps to recognize the grammar and syntactic structure of the utterance: the
grammatical function of intonation.
4. Intonation conveys the given-new information, or provides information for turn-taking: the
discourse function of intonation.
- a statement of fact
High-Rise
- a question
Low-Rise
High-Fall
an exclamation
One and the same sentence pronounced with different intonation can express different emotions.
dont make so
much
the head
fuss
nucleus
about
it.
the tail
The modification of intonation pattern is also due to the speed of utterance and pausation.
We must point out that one of the three components of intonation patterns-pitch is the most
significant one.
The timbre a special colouring of human voice is sometimes considered to be the 4th
component of intonation. But it has not been investigated yet, we shall not considered a
component.
Intonation also serves to distinguish communicative type of sentences, the actual meaning of
the sentence, the speakers emotion or attitudes to the contents of the sentence, to the listener
or to the topic of conversation. One of the same word sequence may express differing
meaning when pronounce with different intonation.
E.g: Dont know it?
Dont I know it!
Dont do that.
Intonation is also a powerful means of differentiate functional styles.
There are three basic pitches in English- these are normal, high, and low. There is also a very
high pitch, which is used to express strong emotions such as surprise, anger, or fear. (The
very high pitch will not be covered in this text).
In most conversations the voice is normal at the beginning of the sentences, rises at the
information focus word (or syllable), then falls back to normal, and drops to low at the end of
the sentence.
There are different intonation patterns used for different types of sentences. The intonation
pattern for statement, commands, and WH questions is basically the same- the voice starts at
a normal pitch, rises at the intonation focus word, falls back to normal after the intonation
focus word, and falls to low at the end of the sentence. With yes/no questions and requests,
the pitch starts at normal and rises at the end of the sentence.
Statements
I like riding horses.
Commands
Get off the horse now.
Wh questions
When do you go riding?
Yes/no questions
Do you ever fall off?
Requests
Could I have some money?
1. Questions beginning with what, when, where, which, who, whom, whose, why and how
often have a falling tone on an important word (often near the end of the question).
2. However, if the speaker is checking that he or she has heard something correctly, is very
surprised at some information that they have just heard, forming a series, as if in a
questionnaire, or implying a mild reproach the question may start rising on the wh word and
continue to rise throughout (Low Rise)
`How `old are you?
`Where do you `study `English?
`Whats the `matter?
`What have you `done?
Be careful not to confuse an exclamatory sentence with an interjection; both are punctuated
by an exclamation point, but the interjection is a word, not a complete sentence.
Examples:
Bam! Bam!
Dynomite!
No way!
Yeah!