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Course Information
MUSI 1313-01. “Fundamentals of Music”
Spring 2010
Hours: 2. 30 – 3. 45 p.m. JO. 2. 504
Final Project: is due on April 29th.
Final Exam: Tuesday, May 11the at 2 p.m.
Professor Contact Information
Dr. Jamila Javadova-Spitzberg, DMA
Arts and Humanities JO 5.712
Office Hours: By appointment only.
Email: jxj093000@utdallas.edu Phone: 972-821-1627
Course Description
This course is an introduction to the elements and organization of music, including analysis
and discussion of representative works. It focuses on developing practical musical
skills through oral, aural, keyboard and written experiences with rhythms, melodies,
intervals, scales, chords, and music notation.
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Student Learning Objectives/Outcomes
Students should demonstrate understanding of the course, which is organized pursuant to the
textbook “Rudiments of Music.” Students will be expected to learn and identify musical
notation, pitch, time, scales, key signatures, time signatures, and intervals, together with their
typical uses in melody and harmony. Students will be encouraged to develop basic piano
playing and singing skills to be able to work on their keyboard and solfege singing exercises
and will be evaluated through tests, quizzes, class participation, home assignments,
composition of single line melodies, chord progressions and analysis of examples from
classical music literature. This should result in a better understanding, and in turn, a greater
comprehension of the fundamentals of music, thus preparing them for more advanced
courses in music theory and harmony.
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Required Textbooks and Materials
Text: Rudiments of Music, fourth edition by Robert W. Ottman and Frank Mainous
Staff Paper (this can be downloaded or purchased in sheets or booklets)
http://www.blanksheetmusic.net
Notebook for in-class information
Pencil and Pen
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• Pitch: The staff. The Musical Alphabet. Clefs. Treble and Bass. Ledger Lines.
Use of Treble and Bass Clefs. The Grand Staff. Read & exercise pp. 1-12
• Pitch: The keyboard. Name of White keys. Intervals: The Octave, Half steps
and Whole Steps. Accidentals: Name of Black keys. Enharmonic spellings.
Playing exercise at the keyboard. Read & exercise pp. 13-29
• Time: The construction of Notes. Beamed Notes. Note values and their
relationship to each other, Notation of Rests. Read & exercise pp. 31-38
• Pitch: Chromatic Half Steps. Diatonic Half Steps. Whole Steps. Major scales.
The relationship of Major Scales. Spelling of Major Scales. Names of Scale
degrees. Read & exercise pp. 39-57
• Time: Beats, Tempo, Grouping of Beats. Bar Lines and Measure. Division of
Beats. Simple Beat. Compound Beat. Meter. Read &exercise pp. 59-72
• Time: Notation of the Simple beat. Time Signatures. Simple meter Signatures.
Notation of the Compound Beat. Compound Meter Signatures. Read &
exercise pp. 73-84
• Playing Scales at the Keyboard. Singing Major Scales. Read &exercise pp. 85-
91
• Major key Signatures. Key Signatures on the Staff. Circle of Fifth. Read &
exercise pp. 93-103
• Pitch: Minor Scales, Accidentals Continued: Double Sharp, Double Flat and
Natural Sign. The natural, harmonic and melodic forms of the Minor Scale.
Read & exercise pp. 131-136
• The Notation of Minor Scale on the Staff. Spelling of Minor Scales. Use of
Minor Scales. Read & exercise pp. 136-148
• Major and Minor Key Relationships. The circle of Fifth for Major and Minor
keys together. Relative Keys. Parallel Keys. Read & exercise pp. 169-174
• R-March 11th: Intervals. Major and Perfect. Naming the Interval. Major and
Perfect Intervals in the Major Scale. Analysis of major and perfect intervals in
the Major Scales. Simple and Compound Intervals. Read & exercise pp. 175-
182
• Playing Chord Progression using I – IV – V7. Read & exercise pp. 222-225
• Harmony II: The Minor Triad. Chords in a Minor Key. Augmented and
Diminished Triads. Read & exercise pp. 227-236
• Octave Registers, 8va, the C Clef and Other Clef Uses, and Repeat Signs. Read
& exercise pp. 251-255
• The Medieval Modes and Other Scale forms. Read & exercise pp. 257-260
Grading Policy
Class Participation: 5%
Exams (2): 35%
Quizzes: 10%
Project No. 1 10%
Final Project 15%
Final Exam 25%
Exams/Quizzes
There will be three scheduled exams (including the Final Exam) worth 60% of the final
grade. Exams and quizzes will include written and aural content, composition and
harmonization of simple melodies, rhythmic and aural dictations, and analysis of intervals
and harmony. Quizzes will be unannounced.
Projects
Students need to turn in two projects. Project I is due March 30th 2010 and will consist of
two parts: For part 1 students will compose a 16 measure long single line melody on staff
paper. This melody should consist of simple and compound major and minor, augmented
and diminished intervals. Part 2 will include interval analysis of classical music piece chosen
from music literature by the instructor.
Project II is due April 29th 2010 and will consist of two parts as well. Part 1 will require
composition and harmonization of a 16 measure long melody. Students must demonstrate
use of all chord progressions studied in the class. Part 2 will include a harmonic analysis of
a classical music piece from music literature chosen by the instructor.
This course requires at least 2 concerts attendance, You can find all our concerts on our
website here:
http://www.utdallas.edu/ah/events/events-music.html
Additionally, the full-time music faculty and several of UTD adjuncts are performing a special
Extra credit policy: There will be a limited number opportunities presented during the
semester. Students can complete two extra credit assignments and earn up to two points
per extra credit opportunity. The points earned will be applied to the overall accumulated
points. The Class presentation of the Project assignments is a good opportunity to own an
extra credit.
Grading Policy
98 – 100 A+
93 – 97 A
90 – 92 A-
88 – 89 B+
83 – 87 B
80 – 82 B-
78 – 79 C+
73 – 77 C
70 – 72 C-
68 – 69 D+
63 – 67 D
60 – 62 D-
Below 60 F
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