Académique Documents
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Flow of Digital
Innovation
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Mario Carpo
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Notes
1. See, for example, Lawrence Lessigs discussion of
copylefting and other digital alternatives to analogue copyright
laws, recently republished in Lawrence Lessig, Re-Crafting a
Public Domain, Perspecta 44 Domain: The Yale Architectural
Journal, 2011, pp 17789.
2. Mario Carpo, Epilogue: Split Agency, The Alphabet and
the Algorithm, MIT Press (Cambridge, MA), 2011, pp 12328;
Mario Carpo, Digital Style, Log 23, 2011, pp 4152; and
Mario Carpo, Introduction, The Digital Turn in Architecture,
19922012: 3 Reader, John Wiley & Sons (London), 2012.
3. The best account of the architectural interpretations of
non-linearity and their intellectual provenance is in Charles
Jencks, The Architecture of the Jumping Universe: A Polemic
How Complexity Science is Changing Architecture and Culture,
Academy (London), 1995. See also 3 New Science = New
Architecture, September/October (no 9/10), 1997, guest-edited
by Charles Jencks. On the architecture of emergence, see
the works of members of the former Emergence and Design
Group (Michael Hensel, Achim Menges and Michael Weinstock),
starting with the seminal 3 Emergence: Morphogenetic Design
Strategies, May/June (no 3), 2004, guest-edited by the same.
4. See Mario Carpo, Digital Darwinism, Log 26, 2012, and
Thunder on the Horizon, Fulcrum: The AAs Weekly Free Sheet
47, 6 June 2012.
5. For some different views, see Log 25, Summer 2012,
guest-edited by Franois Roche, where the term form finding
is used by different authors in different contexts, sometimes to
denote causal processes of mathematical optimisation (which
fall outside the ambit of this article).
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