Académique Documents
Professionnel Documents
Culture Documents
ORGANISER
PhotoArt magazine, Prague, Czech Republic.
PARTICIPATION
The photo salon is open to amateur and professional photographers from all over the world.
Entries must originate as photographs ( image-captures of objects via light sensitivity) made by the entrant
on photographic emulsion or acquired digitally. By virtue of submitting an entry, the entrant certifies the
work as his own and permits the sponsors to reproduce all or part of the entered material free of charge for
publication and/or display in media related to the exhibition. This may include low resolution posting on
a website. The exhibition assumes no liability for any misuse of copyright. An entry may be rejected when
the sponsoring organization or its agent, in its reasonable discretion, believes the entry does not conform
to exhibition rules and conditions.
SECTIONS / THEMES
The PhotoArt Prague International Photographic Salon 2015 is divided in 4 sections, all digital:
http://salon.photoart.cz/payment.php
by postal mail along with the CD with photographs sent to the address:
by bank tranfer:
For EUR: Citibank, IBAN code: CZ28 2600 0000 0025 1095 0304, SWIFT code: CITICZPX
For USD: Citibank, IBAN code: CZ98 2600 0000 0025 1095 0208, SWIFT code: CITICZPX
For CZK: Citibank, c.u.: 2510950101/2600
The works of the authors who did not pay the fee would not be taken into consideration.
DEFINITIONS
A black and white work fitting from the very dark grey (black) to the very clear grey (white) is a monochrome work with the various shades of grey. A black & white work toned entirely in a single color will
remain a monochrome work able to stand in the black & white category; such a work may be reproduced
in black & white in the catalogue. On the other hand a black and white work modified by partial toning or
by the addition of one color becomes a color work (polychrome) to stand in the colour category.
Nature photography depicts living, untamed animals and uncultivated plants in a natural habitat, geology
and the wide diversity of natural phenomena, from insects to icebergs. Photographs of animals which are
domesticated, caged or under any form of restraint, as well as photographs of cultivated plants are ineligible. Minimal evidence of humans Is acceptable for nature subjects, such as barn owls or storks. adapting
to an environment modified by humans, or natural forces, like hurricanes or tidal waves, reclaiming it. The
original image must have been taken by the photographer, whatever photographic medium is used. Any
manipulation or modification to the original image is limited to minor retouching of blemishes and must
not alter the content of the original scene. After satisfying the above requirements, every effort should be
made to use the highest level of artistic skill in al) nature photographs.
Nature photography is restricted to the use of the photographic process to depict all branches of natural
history, except anthropology and archeology, in such a fashion that a well-informed person will be able
to identify the subject material and certify its honest presentation. The storytelling value of a photograph must be weighed more than the pictorial quality while maintaining high technical quality. Human
elements shall not be present, except where those human elements are integral parts of the nature story
such as nature subjects, like barn owls or storks, adapted to an environment modified by humans, or where
those human elements are in situations depicting natural forces, like hurricanes or tidal waves. Scientific bands, scientific tags or radio collars on wild animals are permissible. Photographs of human created
hybrid plants, cultivated plants, feral animals, domestic animals, or mounted specimens are ineligible, as
is any form of manipulation that alters the truth of the photographic statement. No techniques that add,
relocate, replace, or remove pictorial elements except by cropping are permitted. Techniques that enhance
the presentation of the photograph without changing the nature story or the pictorial content, or without
altering the content of the original scene, are permitted including HDR, focus stacking and dodging/burning. Techniques that remove elements added by the camera, such as dust spots, digital noise, and film
scratches, are allowed. Stitched images are not permitted. All allowed adjustments must appear natural.
Color images can be converted to greyscale monochrome. Infrared images, either direct captures or derivations, are not allowed. Images entered in Nature sections meeting the Nature Photography Definition
above can have landscapes, geologic formations, weather phenomena, and extant organisms as the primary subject matter. This includes images taken with the subjects in controlled conditions, such as zoos,
game farms, botanical gardens, aquariums and any enclosure where the subjects are totally dependent on
man for food.
A monochrome image is defined as having varying shades of no more than one color (various shades of
that color from very light to very dark) but it may be any single color. Multi-toned images (various shades
of two or more colors) and greyscale images with an added accent color are not acceptable in Monochrome Class sections and must be entered in Color Class sections.
A Photo Travel image must express the feeling of a time and place, and portray a land, its distinctive
features or culture in its natural state. There are no geographical limitations. Close-up pictures of people
or objects must include distinguishable environment. Techniques that add to, relocate, replace or remove
any element of the original image, except by cropping, are not permitted. All adjustments must appear
natural. Conversion to full monochrome is acceptable. Derivations, including infrared, are unacceptable.
SUBMISSION OF WORKS
The photographs of authors with the application are submitted in these ways:
uploading through our web site: http://salon.photoart.cz/entryform.php (Entry form filled online)
by e-mail: photoart.salon@gmail.com (along with filled and signed scan copy of entry form)
on CD, along with the participation fee and filled and signed entry form, use this postal address:
PhotoArt magazine
Vlasimska 5; Praha 10 Vinohrady
10100 Prague; Czech Republic
JURY
Garik AVANESIAN, MFIAP (Czech Republic)
Manfred BLUM, MFIAP (Austria)
Alexandr KHARVAT, EFIAP (Ukraine)
Jaroslav KUERA (Czech Republic)
Rudolf STAHLICH (Czech Republic)
AWARDS
At PhotoArt Prague International Photographic Salon there will be awarded:
BEST AUTHOR - FIAP blue pin + 300 EUR
4 x FIAP Gold, Silver and Bronze medal and 6 blue ribbons,
4 x IAAP Gold, 1 x Silver and 1 x Bronze medal and 6 ribbons,
4 x PSA Gold,
4 x CFFU Gold, Silver and Bronze medal.
Ce salon a reu le
Haut Patronage de la FIAP
This salon has received the
High Patronage of FIAP
No 2015/036
Fdration Internationale
de lArt Photographique
The International Federation
of Photographic Art
Contact person:
Mrs. Kristina Stejskalova
e-mail: photoart.salon@gmail.com
ENTRY FORM
An entrants four images will be distributed throughout four rounds of judging for that section.
E-mail
Address
CITY ZIP
STATE
Date Signature
* Please write with BLOCK letter
File name
Image Name