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little thought.
A streamlined thought process for approaching jazz bass solos, allows you to focus
more on the delivery of your musical statement.
When your mind is free, you can groove harder, articulate your phrases with more
drama, and just have more fun with improvising!
Simplify your thought process for your jazz bass solos and automatically start
delivering notes that make your solos sing.
If you pace your jazz bass solo in terms of speed (fast, medium, slow), your lines will
maintain interest. Arpeggios are fast speed. Scales are medium speed.
Chromaticism is slow speed.
If the changes are moving quickly, do not concern yourself with trying to add more
movement by implying a Dominant Sound in your line. Focus on harmonic clarity.
If the chords are static (not moving for long periods of time), then you can explore
adding more movement, by implying harmony (ie: a Dominant Sound) in your line.
Simplify your perception of chords. Is the chord you are hearing a Major Sound, a
Minor Sound, or a Dominant Sound?
Freedom from thinking will provide you with more freedom to explore other
aspects of music, such as groove, articulation, phrasing, and dynamics. You
can focus less on the notes and more on the delivery of your musical
statement.