A STRUCTURED APPROACH TO CULTURAL STUDIES OF ARCHITECTURAL

SPACE
Mustafa Pultar
Faculty of Art, Design and Architecture, Bilkent University

Abstract
This paper examines the areas and nature of cultural studies of architectural space and presents a
conceptual structure for thinking about, delineating and discussing such studies. Following a
brief examination of the concept of architectural space as used in the study, the main argument of
the paper is presented in four sections:
1. Discussion of the components of culture as they are related to space. Essentially, these
components may be identified as technology (interpreted as a collective notion consisting of
technics, techniques and an accumulated body of problem solutions), knowledge and value
systems. A spectrum is proposed over which these cultural components may be spread.
2. Discussion of the life-cycle of architectural space as a process of human problem solving. This
process comprises the stages of problem definition, design, construction and use, and is closely
related with ecological and cultural factors.
3. Presentation of a graphical schema for the identification of areas of cultural study. This
schema is structured as the Cartesian product of the dimensions of life-cycle stages and cultural
components. Several areas are illustrated by examples.
4. Discussion of the nature of study in these areas as differentiated by the subject matter, the type
of space studied, the bases used in the formation of cultural groups and the cultural process
involved. Several works are referred to as examples.
Keywords: Culture, cultural studies, architectural space, theory.

Introduction
Cultural studies of space are found in many disciplines, where they serve a central function in
explanations. Despite this importance, Aiello and Thompson claim, for example, that "only a
small proportion of ... research [on the description and comparison of differences in the
structuring and use of space] has examined spatial behavior within a cultural context" (1980,
107-108). Furthermore, there appears to be no well-established, coherent and systematic
structure for a discussing the areas, scope and nature of issues related to the cultural studies of
space.
This paper attempts to address the problem in a limited context by proposing such a structure,
utilizing two fundamental concepts: a spectrum of cultural sudies and the life-cycle of
architectural space. Although the model proposed appears to be founded on the conception of a
professional, industrialized building process, some reflection will reveal how it can, in reality, be
applied to many different instances of the analysis of spatial problems.

Some of the concepts introduced in this paper are ones which have varied uses and definitions.
Accordingly, introductory sections of the paper are devoted to discussions of these concepts, and
seek to define specific contexts in which these concepts will be used.

Architectural Space
Space is a concept that is central to many different areas of study and has varied meanings,
ranging from totally abstract notions such as mathematical space, to physical ones such as
astronomical space, to more earthly ones such as the expanse that surrounds us, to behavioral
notions such as territorial space and personal space. "This great variety of possible 'types' of
space ... makes any definition of space [in planning and design] difficult. Intuitively, however,
space is the three-dimensional extension of the world around us, the intervals, distances and
relationships between people and people, people and things, and things and things" (Rapoport
1980, 11). Although they are thought to have bearing on and are influenced by space to some
extent (Rapoport 1980, 26-27), people to people relations have a scope that extends much
beyond the interests of this paper. However, the relations between people and things shall be
included insofar as they define and affect the use of space as outlined below.
Our main concern in this paper shall be with architectural space, as defined by Baykan and Pultar
(forthcoming) in a set-theoretic fashion to mean subsets of the three-dimensional extension of the
world around us such that it is entered by man, includes definite material elements, especially a
base, that allow one to perceive its boundaries and is perceived as a whole, serves human
functions of habitation, shelter or circulation, and is intentionally built or appropriated by man to
serve such functions. According to this definition, not only well defined spaces such as halls and
rooms, but also arrangements of furniture so as to define a spatial expanse, allowing it to be
perceived as a whole, should be considered as an architectural space, too. The notion of
architectural space should also be understood to include structures of space, i.e., sets of spaces so
interrelated to each other that the functions they serve extend through these spaces (Baykan and
Pultar, forthcoming). Thus, just as rooms and halls in buildings may be individually considered
architectural spaces, so can buildings as structures of spaces.
An important characteristic of architectural space is man's involvement in its generation and his
partaking of life in it. In this sense, architectural space is diachronic in addition to its spatially
expansive nature. This diachronic aspect aspect will be indicated by our use of the term life-cycle
of architectural space.
Hereafter in this paper, the term space will be used to mean architectural space.

Components of Culture
"Culture" is used in a variety of meanings which are often related, albeit loosely. Disregarding
uses of the word for such notions as cultivation (of crops), development of intellectual faculties
(as in a cultured man) or acquaintance with and taste in the arts (as in centers or ministers of
culture), there remain those understandings which may be considered relevant within the context

of this study. These refer to all things created by man as distinct from natural things, as well as
the shared ideals and the common way of life of a group of people. Rapoport, stressing the
plurality of definitions and uses of the concept of culture, suggests that "... all definitions fall into
one of three views ... [the first] as a way of life typical of a group, the second as a system of
symbols, meanings, and cognitive schemata transmitted through symbolic codes, the third as a
set of adaptive strategies for survival related to ecology and resources. Increasingly, these three
views are seen not as being in conflict but rather as complementary" (1980, 9). Thus, it is the
totality of "ways of life, symbols, meanings, cognitive schemata, and adaptive strategies" that
forms culture. With this approach, culture should be understood as a human essence by which
human groups may be differentiated, be they tribes, religious communities, companies,
professions or others.
In order to establish an operational basis for dealing with the nature of cultural studies of space,
it is necessary to attempt to separate culture into its constituent components. One way of doing
this may be to view cultural components as comprising technology, knowledge and value
systems.
Ways of life and adaptive strategies are composed of solutions that have been found to be
effective in dealing with various problems of life. These solutions may appear, among others, in
the form of processes of production, rules of conduct, techniques of doing, and various tools and
implements. Together, these constitute what we conveniently refer to as technology. Technology
consists of two different components: know-how knowledge and technics. This integration of
two essentially different elements is its peculiar characteristic.Know-how knowledge comprises,
on the one hand, an accumulated body of solutions to problems, ranging from rules of social
conduct to effective use of resources, and on the other, techniques for doing things in an effective
manner. Technics, the latter component, comprises all artifacts created by man for the purpose of
solving problems. Typically, it contains tools, implements, machines, apparati, containers, etc.; it
is also referred to as material culture.
Symbols and cognitive schemata form the essence of man's knowledge. Knowledge is formed
through the use of cognitive schemata and is transmitted among people and generations through
the use of symbols. Part of this knowledge (know-how knowledge) has been introduced above as
falling under the scope of technology. Two other types of knowledge used in solving problems
are instances of know-that knowledge: information (factual and historic knowledge and
hypothetico-theoretical knowledge. Obviously, these are components of culture.
What drive man into action regarding problems are conceptions of desirable situations as
described by value judgements. Value judgements are central in the conception, formulation and
solution of man's problems. Value systems, which are formed by value judgements in
interaction, are discussed by the author elsewhere (Pultar, forthcoming).
In conclusion to this brief discussion, we may assert that culture can be broken down into three
fundamental components: technology, knowledge and value systems. A graphical representation
of a spectrum describing this breakdown is shown in Figure 1.

We note that although an attempt has been made to separate the components into distinct
categories, this has not been possible; there are obvious overlaps in knowledge and beliefs. Thus,
one should consider this spread not as a categorization but rather an alignment of cultural
components along a spectrum. At the upper end are material elements such as technics and as
one proceeds down this spectrum, these change into techniques, which vary from acquaintance
with the bodily use of technics, through familiarity with conventions to technical knowledge,
which is an accumulated body of effective solutions. With this component, the spectrum begins
to cover to beliefs, which can be classified into two general types: knowledge and value
judgements. The former is belief in the truth of various statements. If these statements concern
the effectiveness of modes of action, the knowledge is technical. If the statements are
descriptions of facts, the knowledge is information. If they are related to hypotheses and, by
extension, to theories, the knowledge is hypothetico-theoretical.
The latter type of belief concerns the inherent goodness and worth that lies in certain choices.
These may vary from belief in goodness by habit, to goodness dictated by authority or goodness
justified by empirical evidence. Such beliefs in interaction with each other form value systems.
The spectrum of cultural components seen in Figure 1 constitutes one dimension of a schema of
cultural studies of space, as described later.

Life-cycle of Space
In a manner similar to that of a majority of human activities, the life-cycle of space consists a
four stage process: problem formulation, problem solution, implementation and use. This process
is cyclic; most spaces reach the end of their useful life due to some reason or other and, thereby,
lead to a repetition of the cycle in the form of renovation, remodeling, re-adaptation of use or the
generation of new spaces. The duration of this repetition is variable and often indeterminate.
In formalized, professional generation of space, the stage of problem formulation comprises the
planning and programming stage. Here, a misfit is recognized between the present state of a
space and some ideal conditions that are deemed to be desirable for that space. The former factor
can be described in terms of state descriptors which range from simple quantitative variables
such as size or qualitative behavioral descriptors such as spaciousness to complex composite
descriptors such as quality. The latter factor expresses what kind or level of the state variables
are acceptable or ideal. Whereas the description of the state variables requires the use of
knowledge in some form or other, the ideal conditions are obviously bound to value judgements.
The next stage, that of problem solution, corresponds to the stage of the design of the space. In
this stage decisions are made as to how the projected state of the space should be so that the
misfit between the state descriptors and the desirable conditions shall no longer exist. Here, the
design's outcome will reflect the designer's interpretation (re-formulation) of the problem, as well
as his own understanding of the desirable conditions that he deems are fit to the situation.
The period of the actual construction of the space is where a major transformation of materials,
energy, finance and manpower takes place, based on the decisions made in design. This is the

stage of solution implementation. Being a stage which is characterized by an intense

concentration of economic resources, construction will necessarily reflect the interests of the
parties concerned with it. What are now considered to be desirable are likely to be quite different
than those of the problem initiators (clients, owners) or the designer.
The stage of use is the longest stage of the life-cyle of a space. However, very often the user,
who shall be involved longest in the life-cycle has very little to say about its formation until he
occupies the space. It may even be the case that he remains unknown until much later.
These four stages of the life-cycle of space take place in a medium that is directly influenced by
ecological and cultural factors. Rapoport argues that "... sociocultural variables are primary, with
ecological ones, such as climate, materials and ways of making a livelihood [being] secondary,
constraining or modifying ... " (1980, 21). These primary cultural factors are the beliefs that
owners, users or professionals of space hold as to what is desirable and acceptable. Thus, the
life-cycle of space is intimatey bound to the cultural components.
The life-cycle of space is shown diagrammatically in Figure 2. Even though the process is an
open-ended one, it is cyclic and only one representation of that cycle has been shown in the
figure as representative.
This cycle forms the second dimension of the schema of cultural studies of space.

Areas of Cultural Studies of Space

Cultural studies of space spread both over the spectrum shown in Figure 1 and over the different
phases of the life-cycle shown in Figure 2. A convenient manner for describing the extent over
which such studies spread is to consider the Cartesian product of the two dimensions. This
product can be represented by a graphical image as shown in Figure 3.
The schema in Figure 3 allows one to delimit areas of cultural studies by identifying
a. the cultural component that forms the basic aspect of the study, and
b. the phase along the life-cycle of space that the study is concerned with.
Some randomly chosen examples are also shown shaded in Figure 3. Area A, for example,
concerns the value systems used in the design of space; these might involve the formation,
acceptance and application of technical value judgements as codified in building regulations, or
the perceptual value judgements (e.g. style-related judgements) that are in fashion at a particular
time and place (Pultar, forthcoming). In area B, cultural studies might be related to the technics
utilized in the daily use of the space, such as furniture, maintenance or heating equipment,
draperies, etc. An area such as C might concern the gathering of social and economic data for the
programming of space, and might involve the use of such techniques as surveys and interviews,
reliance on previously collected statistical data.
It is possible, of course, to extend studies over larger areas to include, in area D for example, the
technology of construction which would comprise the technics, techniques and the technical

solutions used in construction. Such extension, however, would bring along with it a loss of
focus and depth in the study.

Nature of Cultural Studies of Space

A cultural study, the area of which is delineated on the schema in Figure 3, may be differentiated
further when its nature or its approach is taken into account. Here, we may bring distinctions
based on
a. the subject matter of the study,
b. the nature of the space studied,
c. the nature of the group studied, and
d. the nature of the cultural process studied.
An area such as E in Figure 3 related to information used in construction empasizes the fact that
one needs caution when dealing with cultural studies. Such information might be related to the
cost of materials in a particular site at a particular time. Although very important for effective
implementation, that information, in itself, would hardly be considered a cultural study.
However, how that information is collected, stored and processed by firms is one. Thus, in most
cultural studies of space it is not the subject matter of the particular area but rather how it relates
to the life-cycle that is important. This distinction is readily apparent in studies of knowledge but
might not be so in other areas. A study of value judgements is not so readily separable from a
study of how they are used in or influence the life-cycle of space. Alternatively, an historical
study of the development of a particular technique (e.g. Bras and Crawford, 1995) or a material
(e.g. Simpson, 1995) may be considered cultural studies whereas studies of these techniques as
subject matter may not.
An obvious distinction in the nature of cultural studies is related to the type of the space studied.
Many cultural studies of space are limited to particular types of space or make comparative
studies of different spaces (e.g. Erman, 1997).
Culture is often associated with particular groups, so much so that groups which share a common
culture are sometimes referred to as cultures themselves. This association of culture with various
groups allows us to distinguish several types of studies on the basis of the group with which they
are concerned. It is possible to identify these groups in two ways:
a. On the basis of the clustering in the schema of cultural studies. A study of the culture of
designers, architects (e.g. Symes, 1990) or construction workers, for example, would concern
such groups.
b. On other bases such as geographic location, race, nationality (e.g. Nalbantolu, 1993).
As is the case in differention with respect to types of space, identification of groups on either of
the bases above allows one to make comparative studies of the cultural areas of these groups; this
cross-cultural approach is a very common one in cultural studies (e.g. Stea and Turan, 1993).
A further distinction regarding the nature of cultural studies might be based on the cultural
process involved in the study. We might distinguish studies concerned with the following

processes:
a. Enculturation, especially education (e.g. Brady, 1996).
b. Acculturation, specifically culture transfer such as technology transfer.
c. Cultural persistence or change (e.g. Meeson and Welch, 1993)
d. Accumulation and documentation of culture in written form or in material culture. (e.g.
Glassie, 1975 or Lawrence, 1987)

Conclusion
The analysis presented in this paper has the purpose of providing a structure for identifying the
area and nature of cultural studies of space by suggesting dimensions that may be used in the
analysis. Some aspects of these dimensions have been examined in connection with space-related
issues. The use of the structure proposed may lead one to identifying
a. areas of study which have reamined untouched, and
b. the scope within which such studies should be examined and criticised.

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Figures

Figure 1

Figure 2

Figure 3