Born in Westfield, Massachusetts in 1938, Frederic Rzewski studied music at first with Charles

Mackey of Springfield, and subsequently with Walter Piston, Roger Sessions, and Milton Babbitt
at Harvard and Princeton Universities. He went to Italy in 1960, where he studied with Luigi
Dallapiccola and met Severino Gazzelloni, with whom he performed in a number of concerts,
thus beginning a career as a performer of new piano music. Rzewski's early friendship with
Christian Wolff and David Behrman, and (through Wolff) his acquaintance with John Cage and
David Tudor strongly influenced his development in both composition and performance. In
Rome in the mid-sixties, together with Alvin Curran and Richard Teitelbaum, he formed the MEV
(Musica Elettronica Viva) group, which quickly became known for its pioneering work in live
electronics and improvisation. Bringing together both classical and jazz avant-gardists (like
Steve Lacy and Anthony Braxton), MEV developed an esthetic of music as a spontaneous
collective process, an esthetic which was shared with other experimental groups of the same
period (e.g. the Living Theatre and the Scratch Orchestra).
The experience of MEV can be felt in Rzewski's compositions of the late sixties and early
seventies, which combine elements derived equally from the worlds of written and improvised
music (Les Moutons de Panurge, Coming Together). During the seventies he experimented
further with forms in which style and language are treated as structural elements; the bestknown work of this period is The People United Will Never Be Defeated!, a 50-minute set of
piano variations. A number of pieces for larger ensembles written between 1979 and 1981 show
a return to experimental and graphic notation (Le Silence des Espaces Infinis, The Price of Oil),
while much of the work of the eighties explores new ways of using twelve-tone technique
(Antigone-Legend, The Persians). A freer, more spontaneous approach to writing can be found
in more recent work (Whangdoodles, Sonata). Rzewski's largest-scale work to date is The
Triumph of Death (1987-8), a two-hour oratorio based on texts adapted from Peter Weiss' 1965
play Die Ermittlung (The Investigation).
Rzewski has recorded The People United; North American Ballads, and Squares; and the
Sonata and De Profundis on hat ART records (CD 6066, 6089, & 6134); Four Pieces on
Vanguard; and Bumps, Andante con Moto, and The Turtle and the Crane for Newport Classic.
The People United has also been recorded by Ursula Oppens (Vanguard), Stephen Drury (New
Albion), and Yuji Takahashi, and the Ballads by Paul Jacobs on Nonesuch. Song and Dance is
recorded on Nonesuch, Coming Together on both Hungaroton and Opus One, and Antigone on
CRI. Mayn Yingele is recorded by Oppens for Music & Arts. Wails, Spots, and Crusoe are
recorded by the Zeitgeist group for 00 Records.
Since 1977 Rzewski has been Professor of Composition at the Conservatoire Royal de Musique
in Liege, Belgium. He has also taught at the Yale School of Music, the University of Cincinnati,
the State University of New York at Buffalo, the California Institute of the Arts, the University of
California at San Diego, Mills College, the Royal Conservatory of the Hague, the Hochschule
der Kuenste in Berlin, and the Hochschule fuer Musik in Karlsruhe.

Nacido en Westfield, Massachusetts en 1938, Frederic Rzewski

estudi msica en un primer momento con Charles Mackey de
Springfield, y posteriormente con Walter Piston, Roger Sessions y
Milton Babbitt en universidades de Harvard y Princeton. Se fue a
Italia en 1960, donde estudi con Luigi Dallapiccola y se reuni
Gazzelloni Severino, con quien actu en una serie de conciertos,
comenzando as una carrera como intrprete de msica de piano
nuevo. Rzewski temprana amistad con Christian Wolff y David

Behrman, y (a travs de Wolff) su amistad con John Cage y David

Tudor influy fuertemente en su desarrollo, tanto en composicin e
interpretacin. En Roma a mediados de los aos sesenta, junto con
Alvin Curran y Richard Teitelbaum, form el MEV (Musica
Elettronica Viva) del grupo, que rpidamente se hizo conocido por su
trabajo pionero en la electrnica en vivo y la improvisacin. Al
congregar a msica clsica y jazz vanguardistas (como Steve Lacy y
Anthony Braxton), MEV desarrollado una esttica de la msica como
un proceso colectivo espontneo, una esttica que comparte con
otros grupos experimentales de la misma poca (por ejemplo, el
Living Theatre y el Orquesta Scratch).
La experiencia del MEV se puede sentir en Rzewski en
composiciones de finales de los sesenta y principios de los setenta,
que combinan elementos derivados tambin del mundo de la
escritura y la msica improvisada (Les Moutons de Panurge, Coming
together). Durante los aos setenta se dedic a experimentar con
nuevas formas en las que se tratan de estilo y el lenguaje como
elementos estructurales, la obra ms conocida de este perodo es el
pueblo unido jams ser vencido, un conjunto de 50 minutos de las
variaciones de piano!. Un nmero de piezas de grandes conjuntos de
escritos entre 1979 y 1981 muestran un retorno a la notacin
experimental y grfica (Le Silence des Espaces Infinis, el precio del
petrleo), mientras que gran parte del trabajo de los aos ochenta
explora nuevas formas de utilizar la tcnica dodecafnica (AntgonaLeyenda, Los persas). A ms libre, ms espontneo enfoque a la
escritura se pueden encontrar en trabajos ms recientes
(Whangdoodles, Sonata). trabajo de mayor escala Rzewski hasta la
fecha es El Triunfo de la Muerte (1.987-8), un oratorio de dos horas a
partir de textos adaptados a partir de 1965 Peter Weiss jugar Muere
Ermittlung (la investigacin).
Desde 1977 Rzewski ha sido profesor de Composicin en el
Conservatorio Real de Msica de Lieja, Blgica. Tambin ha sido
profesor en la Escuela de Msica de Yale, la Universidad de
Cincinnati, la Universidad Estatal de Nueva York en Buffalo, el
Instituto de Artes de California, la Universidad de California en San
Diego, Mills College, en el Conservatorio Real de La Haya, la
Hochschule der Kuenste en Berln, y la fuer Musik Hochschule de
Karlsruhe.