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GUEST COMMENTARY
by Roderick T. Long
were instructed by a
supervisor to let them
go. The Secret Service
agents have been placed
in non-supervisory,
non-operational (but
presumably paid)
positions pending
further investigation.
What are the odds
that this would have
happened to you or me?
Predictably, the
incident has led to
renewed calls for major
reforms to the Secret Service. But the
double standard leniency for the elite
in-group, severity for the rest of us is
inherent in the system and cannot be
corrected by mere reforms.
Implicit in the idea of a governmental
police force, from the Secret Service down
to your local beat cop, is inequality of
rights. Police by definition are supposed
to have rights that other people dont
have: rights to stop, search, or incarcerate
peaceful people, and to use deadly force
against those who resist.
But as long as this double standard is
Anything a cop is
allowed to do that
an ordinary citizen
is not carry a gun,
perform arrests, and so
on violates the basic
equality of rights.
SATURDAY, APRIL 11
Bacon & Beer - A Match Made in Hog Heaven
Ages 21+ / Sample over 100 beers / Bacon Dishes From Top Local Eateries
BaconAndBeerFestivals.com/Davenport
ILLINOIS POLITICS
(563) 355.3606
NEWS
A Band-Aid
for Roads
by Jeff Ignatius
jeff@rcreader.com
fundamental problem with fuel taxes as a
major revenue stream for infrastructure
improvements.
Simply put, motor-fuel taxes are the old
way of funding infrastructure, eroded and
made less fair by increasing fuel efficiency
in vehicles.
Iowas gas-tax hike is understandable
as a quick fix. But because its a quick
fix, the legislature should now begin
evaluating longer-term solutions funding
mechanisms that would be fairer and more
sustainable, and that would likely need to
be revisited less often.
Illinois lawmakers should begin a
similar process, because the state is facing
a similar infrastructure-funding shortfall
made worse by the fact that motor-fueltax revenues in the state arent required to
be used for road construction and repairs.
Iowas gas-tax revenues are constitutionally
required to be used on roads.
Legislators swallowed a
bitter pill that all but ensures
more bitter pills to come.
taxation rate for gasoline of 40.4 cents per
gallon in Iowa and 49.1 cents per gallon
in Illinois with a national average of
48.2 cents per gallon. (Because it applies
sales tax to gasoline, Illinois taxation rate
will be higher than that figure with prices
above the January 2015 lows.)
With its gas-tax hike, then, Iowa has
gone from well under the average in
its taxation rate to slightly higher than
average.
In both Iowa and Illinois, a car that
gets 25 miles per gallon of fuel will cost
its driver roughly two cents in total fuel
taxes and fees per mile driven. If you drive
15,000 miles per year, fuel taxes cost you
roughly $300 each year.
The gas-tax hike in Iowa for a car that
gets 25 miles per gallon and drives 15,000
miles per year represents increased costs of
$60 per year.
Continued On Page 16
By Thom White
thomasjasonwhite@gmail.com
he Playcrafters Barn
Theatres romantic
comedy The 13th of
Paris leans more toward the
romantic than the comedy, yet
remains charming. Director
Dana Moss-Peterson handles
playwright Mat Smarts
examination of imperfect
love held up against idealized
standards with respect for its
eventual moral, and while the
production could undoubtedly be funnier, its not ruined
by the more serious approach
taken here.
Whats beautiful
about Smarts tale are the
unexpected paths his plot takes. As Vincent
(the dashing Jordan Smith) paces about his
grandparents Paris apartment in the 13th
arrondissement, dressed in a full suit except
for shoes and pants, he begs his grandfather
Jacques (Scott Tunnicliff) to reveal the
keys to finding a love like his. Based on
the suitcase of letters Jacques wrote to
Chloe (Lisa Kahn), Vincent presumes
their romance was Parisian perfection.
Vincents own, however, lacks similar
passion, primarily because his girlfriend
Annie (Bailey Hager) doesnt ever get angry
with him. Longing for more emotion from
his relationship yet not getting it, Vincent
has consequently run off to Paris, without
telling Annie, to sort things through.
Smarts script is not without flaws,
though, and its weaknesses also expose
Moss-Petersons. Theres far too much
exposition in the beginning, with Smart
apparently feeling the need to explain
what seems like every detail of Vincents
situation, the apartments significance,
and the history of Jacques and Chloes
relationship. As Smarts early dialogue
drones on and on, Moss-Petersons
too-literal staging is exposed. When
Vincent references the bed in which his
grandparents slept, he crosses the room to
stand next to and gesture toward it. When
he mentions his grandparents, he crosses to
and grabs a photo of the couple. Granted,
Moss-Peterson is obviously trying to do
PUBLISHER
Todd McGreevy
EDITOR
Kathleen McCarthy
EDITORIAL
Managing Editor: Jeff Ignatius jeff@rcreader.com
Arts Editor, Calendar Editor: Mike Schulz mike@rcreader.com
Contributing Writers: Amy Alkon, Rob Brezsny, Rich
Miller, Sherry C. Maurer, Frederick Morden, Bruce Walters,
Thom White
ADVERTISING
Account Executives:
Karie John karie.john@rcreader.com
Advertising Coordinator: Nathan Klaus
Advertising rates, publishing schedule, demographics,
and more are available at
QCAdvertising.com
DESIGN/PRODUCTION
ADMINISTRATION
Business Manager: Kathleen McCarthy
Office Administrator, Classifieds Manager, Circulation
Manager: Rick Martin rick@rcreader.com
Distribution: William Cook, Ron Thompson, Cheri DeLay,
Greg FitzPatrick, Daniel Levsen,
Jay Strickland, Doug Wilming
THEATRE
By Thom White
thomasjasonwhite@gmail.com
A
MarCh 1-28
Prizes:
John Deere
X324 48
EntriEs:
sEparatE drawings:
John Deere
Z445 48
$3,500 CASH
Winners will select and enter a code on the keyboard of an
electronic safe. One code will open the safe. The guest who opens
the safe will choose 1 of the fabulous gifts shown, or $3,500 CASH!
The 4 guests who dont open the safe will receive $250 CASH.
Live
from
Jumers
For all the details, go to jumerscasinohotel.com or visit the IMAGE Players Club.
I-280 and Hwy 92 Exit 11-A, Rock Island, IL 309-756-4600 800-477-7747 Open 7am-5am daily
If you or someone you know has a gambling problem, crisis counseling and referral services
can be accessed by calling 1800GAMBLER (18004262537).
F O R Y O U R E N J O Y M E N T, A LWAY S S M O K E F R E E !
gatha
Christies
whodunit
The Mousetrap
is among my
favorites in the
genre, mostly due
to the humor the
author wrote into
it, as well as the
clues she included
that make it possible to actually
discern who did
do it. Although the
Patti Flaherty and Molly McLaughlin
murderers identity
amiss, it would accommodate guests
still comes as something of a shock, the
better than would a complete set. While
game of figuring out the killer remains
Martins Mollie seems emotionally
fun. I just wish the District Theatres
incapable of running a bed-andcurrent production of the piece were as
breakfast, Lords Giles seems to have
enjoyable.
no interest whatsoever in doing so,
Unfortunately, director Deb Shippys
and the pair also lacks married-couple
staging of Christies mystery is almost
chemistry; they come across as people
humorless, and without a sense of
living together without the ability to
comicality, this story of guests staying
choose otherwise, which makes Giles
at the newly opened Monkswell Manor
jealousy seem unfounded. Without
with a killer and killer snowstorm on
depth of character and few positive
the loose is a dull affair. Almost all of the
emotions, I found little reason to
actors here play their characters merely
connect with these two, and wondered
as written, rather than fleshing them
why anyone would want to stay in their
out and adding nuance. Mrs. Boyle, for
manor.
example, is arguably the character most
Molly McLaughlin plays the welllikely to elicit laughter, and Patti Flaherty
traveled guest Miss Casewell as too
plays this overly critical, impossible-toobviously butch. With her legs, while
please guest, appropriately, as a snobby,
sitting, spread as wide as they could
rich bitch. Yet while Flahertys snooty
possibly be, an emphasized swagger in
delivery garnered laughs from March 6s
her walk, and her deep-voiced deliveries,
audience, I know the actor is capable of
McLaughlin apparently doesnt want
a richer, funnier performance; she seems
any audience member to miss her
to be held back within a rather witless
characters masculinity, which would
staging of Christies play.
be impossible given her lack of subtlety.
Like Flaherty, many of the other
(This Miss Casewell is a caricature
actors appear to have latched onto
rather than an intelligent, well-rounded,
only one or two of their character
mannish woman.) Doug Kutzli makes
attributes rather than layering them
a better impression as the lothario Mr.
with more. Kat Martin, for instance,
Paravicini, an Italian-accented man of
chose earnestness and consternation
questionable behavior. While Kutzlis
for her Mollie, one half of the married
performance is good, his previous stage
couple that runs Monkswell Manor,
work suggests he has the skill to imbue
while Aaron Lord went with angry and
Mr. Paravicini with less slime and more
possessive as Mollies husband Giles. As
suavity, so there would be some question
The Mousetrap progresses, we discover
as to whether or not this primary
that Mollie is running from her past,
suspect is the killer. Bryan Woods Major
but as played, shes incapable of keeping
Metcalf, meanwhile, stands with the
up appearances as a friendly proprietor,
air of a military man while also being
too overcome with a distraught heart.
convivial during his interactions with
Theres no sense of intelligence or
the other characters, but otherwise
business savvy here, even though its
does not stand out, which is surprising
explained that Mollie was smart enough
coming from an actor I generally enjoy
to used mismatched furniture in the
Continued On Page 17
dining room because, although it looks
10
THEATRE
Copping Attitude
By Thom White
thomasjasonwhite@gmail.com
want to see
or separately.
Thomas
Director Tyson
Alan Taylor
Danner stages
bomb on stage,
the piece with
and actually
a pace that
fail to portray a
speeds up or
role well. This
slows down
isnt said out
depending on
of disdain or
the required
schadenfreude,
emotion while
but because, to
keeping the
date, Ive seen
two actors in
Photo by Shared Light Photography's Jessica Sheridan.
no evidence that
almost constant
Mike Schulz and Thomas Alan Taylor
he can do any
motion,
wrong as an actor.
avoiding any potential dull moments
Taylor is an exceptional talent,
for their lack of movement. Lighting
successfully differentiating every single
designer Zach Meyer achieves a similar
one of the roles hes performed in QC
flow, with the lights cross-fading and
Theatre Workshop presentations. He
changing yet doing so in artful ways that
can play drama (2013s A Green River).
never distract from the performance.
He can play comedy (2013s boom and
Even scenic designer Macy Hernandezs
Private Eyes). He can play dramatic
minimalist set is striking, notably for the
comedy (2012s Red). So Id like to see
white pattern of shattered glass painted
him fail just once, because such talent,
on the black floor and partially up the
which is on display yet again in the
rear wall.
Workshops Chicago-cop drama A Steady
While Taylor carries much of the
Rain, seems truly unnatural.
weight of the storys dramatic elements,
In his role as the policeman Denny,
Schulz bears the responsibility of
Taylor not only speaks with a flawless
wielding its emotion. Though his accent
Chicago accent, but carries himself with
tends to waver the more intense his
a demeanor to match his tough-guy
speech gets, Schulz was responsible for
deliveries. Theres a point in the story
the tears that welled up in my eyes at the
in which hes talking about shooting at
climax of the plot. With his slow, careful
a car after a drive-by bullet shattered
delivery laced with obvious heartache (as
his homes front window and critically
evidenced by the tears in Schulzs own
injured his two-year-old son. During
eyes), I had a hard time holding back
his re-telling, Taylor rolls his shoulders
my own emotions, given that I was so
forward, as if he were flexing his lats in a overcome by the feelings Joey both spoke
display of strength, and he is Denny, both of and displayed.
emotionally and physically. I believed
It says something about a production
every word Taylor said at Saturdays
when it leaves you contemplating it on
performance; it was as if he were sharing the way home, haunts your dreams, and
his own experience rather than speaking
occupies your thoughts throughout the
from playwright Keith Huff s script. I
next day, as is the case for me as I write
hurt for Denny throughout A Steady
this review. Im still burdened with the
Rain, especially when he stared at his
heartache instilled in me by the QC
reflection in the sets mirror, forced to
Theatre Workshops A Steady Rain, and
face the acts of perceived heroism that
in awe of the outstanding presentation
may have prevented his son from a fuller of Huff s brilliant script. This one is well
recovery, and when he left a crying
worth the emotional pain it inflicts.
Vietnamese boy in the hands of a man
(Full disclosure: My partner has been a
claiming to be the boys uncle.
Taylors performance is matched by the financial contributor to the QC Theatre
script, which is jaw-droppingly fantastic. Workshop.)
With Huff s tale moving backward
A Steady Rain runs at the QC Theatre
and forward in time, the author fluidly
Workshop (1730 Wilkes Avenue,
weaves in and out of conversations
Davenport) through March 29, and more
that are either directly spoken between
information and tickets are available
Denny and his patrol partner Joey
by calling (563)650-2396 or visiting
(Reader employee Mike Schulz) or
QCTheatreWorkshop.org.
shared with the audience in tandem
Movie Reviews
11
Bibbidy-Bobbidi Boon
CINDERELLA
Given its sumptuous production design
and its array of multi-hued gowns so
breathtaking that costumer Sandy Powell
should just be sent her inevitable Oscar
via express mail, Disneys new, live-action
Cinderella has to be the most opulent deeply
unnecessary movie ever made. Somewhat
unexpectedly, its also one of the more
satisfying deeply unnecessary movies ever
made. Director Kenneth Branaghs fairytale
adaptation, with its script by Chris Weitz,
may have no reason to exist beyond the
obvious mercenary one, but its strong and
heartfelt and quite beautifully acted proof
that even in the revisionist age of Maleficent,
its not always necessary to re-invent the
wheel.
Personally, I couldve done with a bit
more polish on the wheel, considering
that several of the most potentially
magical moments here are actually among
the clunkiest. Although Branaghs and
Weitzs re-telling is awfully faithful to its
source material meaning Disneys 1950
cartoon, not necessarily the brothersGrimm version were now given an early
sequence in which Cinderella (Lily James)
accidentally meets her eventual prince (a
suitably charming Richard Madden) in the
woods days before the palace ball. Its an
endearing, promising conceit, but Branagh,
obnoxiously, chooses to stage this flirtatious
meet-cute with the pair on horses that
never stop circling one another, while his
camera does its own pirouettes; our leads
may be dizzy in love, but were left merely
dizzy. And the scenes involving Cinderellas
solicitous mice are saddled with varying
degrees of CGI-blockbuster blandness,
with the dazzling prepping-for-the-ball
transformation
surprisingly sharp
which should be
screenplay is never
the films visualfunnier than in
enchantment
Blanchetts scenes
pice de rsistance
with her comically
particularly
loathsome screen
underwhelming.
daughters, and
Despite Helena
I roared at the
Bonham-Carters
exchange that
typically welcome
found McShea
eccentricity as the
berating James
Fairy Godmother,
with Ive got
Lily James in Cinderella
this comically
a half-wit for
brash, effectsa sister and
heavy passage brought back unpleasant
Grainger replying, Ive got two.)
memories of Jack the Giant Slayer ... not that
What truly makes the movie soar,
there are many pleasant ones to be had.
however, is Branaghs largely successful
Yet this Cinderella gets so many things
determination to find, and express, the
right that its easy to forgive what it gets
wonder in this story. He may not have been
wrong. Nearly top to bottom, the film is
able to do much with the noisy, bibbidystunningly well-cast, and while Ill forever
bobbidy-boo slapstick and the frenzied
relish Cate Blanchetts haughty, hateful
beat-the-midnight-clock chase (I guess you
perfection as Cinderellas wicked stepmother, gotta give something to those restless boys in
Im not sure anyone is better cast than Lily
the audience), but he does let several iconic
James. In a role that would seem almost
moments run on far longer than necessary,
genetically engineered for saccharine
and for good reason: They absolutely
insufferability, the naturally luminous
deserve the breathing room. Cinderellas
Downton Abbey co-star is genuine, direct,
arrival at the castle, for instance, is lingered
and emotionally accessible; this may be the
on so that we can fully take in both the
most fully fleshed-out storybook-princess
grandeur (my God there are a lot of stairs!)
performance that movies have yet delivered.
and the girls awestruck nervousness and joy.
(With her ability to make you well up at
And when the prince and Cinderella enjoy
Cinderella plot points weve all been hip to
their first dance together she outfitted in
since childhood, James proves significantly
a shimmering, jaw-droppingly gorgeous
more magical than the movies effects.) But
blue gown thats going to be the Halloween
Branaghs strengths as an actors director are
outfit for every little girl in America this
evident throughout his production, from
year Branagh allows their pas de deux to
the brief, lovely turns by Hayley Atwell (as
last more than a full minute. In our current
Cinderellas birth mother) and Derek Jacobi
movie culture that generally equates family
(as the princes dying father) to the riotous
entertainment with hyperactive mania,
Sophie McShera and Holliday Grainger as
thats an eternity. Here, though, youre so
Cinderellas sneering step-sisters. (Weitzs
wrapped up in Cinderellas and the princes
Whats Happenin
Literature/
Performance
Andrea Gibson
Music
Leon Russell
March twenty-seventh
Will bring to the area
Andrea Gibson.
Accompanied by
Piano, violin, drums,
And even dobro,
An award-winning,
Colorado-based poet
And an activist,
Her performances
Infuse intimate thoughts with
Exhilaration.
Andrea Gibsons March 27 evening of music and
released.
February 1970: The
solo album Leon Russell,
featuring the artists
classic A Song for You, is
released.
March 27, 1970: Joe
Cockers legendary Mad
Dogs & Englishmen
tour, featuring bandmate
Russell, plays New York
Citys Fillmore East, with the show recorded as a
seminal double album.
June 26, 1972: Russells third album, Carney,
lands on the charts, and will go on to spend four
weeks at Billboards number-two position.
June 12, 1976: George Bensons recording of the
Russell song This Masquerade enters the singles
charts, and will eventually win the Grammy
Award for Record of the Year.
December 29, 1976: The Best of Leon Russell is
released, and will become the artists fifth goldcertified solo album.
June 30, 1979: Russell and Willie Nelson, whose
Heartbreak Hotel duet will soon top the charts
and score a Grammy nod, release the live double
album One for the Road.
March, 1984: Hank Wilson: Vol. 2 arrives, and
the pseudonymous country LP will prove to be
Russells only solo release of the 80s.
Exhibit
12
309-762-6610
97
610
www.qcmusicguild.com
www.qcmusicgu
www.qcmusicg
ww.qcmusicgu
cmusicgu
g
Proudlyy Presents
Presents
Pres
resen
sents
nts
PG
But definitely
Catch Andrea Gibson live
For two big reasons:
slam poetry begins at 7:30 p.m., and more information and tickets are available by calling (563)333-6251 or visiting SAU.edu/galvin.
n for Living
Sunday, June 21
13
What Else Is
Happenin
MUSIC
Continued On Page 14
14
THEATRE
of Davenport (1702 Iowa Street, Davenport). For tickets, call (800)745-3000 or visit
Saturday 7:30 p.m., Sunday 4 p.m. $10-15.
AdlerTheatre.com.
For tickets and information, call (563)3261691 or visit FPCDavenport.org.
Wednesday, March 25, through
Saturday, March 28 - #soblessed
Saturday, May 16 The Church Basement
Comedy Show. An evening with comedians
Ladies in: The Last (Potluck) Supper.
Jim Petersen, Bobby Ray Bunch, and
Musical-comedy sequel to Church Basement headliner Christopher Schlichting, hosted
Ladies. Circa 21 Dinner Playhouse (1828
by Andrew King. Circa 21 Speakeasy (1818
Third Avenue, Rock Island). Wednesdays,
Third Avenue, Rock Island). 8 p.m. $10-12.
Fridays, Saturdays, and March 25 and 26:
For tickets and information, call (309)7865:45 p.m. doors, 6 p.m. buffet, 7:15 p.m. pre7733 extension 2 or visit Circa21.com.
show, 7:45 p.m. show. Sundays: 3:45 p.m.
doors, 4 p.m. buffet, 5:15 p.m. pre-show,
5:45 p.m. show.
Saturday, March 28
Wednesdays:
Pen-in-Hand: From
11:30 a.m.
Page to Stage. Workshops
doors, 11:45
led by award-winning
a.m. plated
poets Farah Marklevits,
lunch, 1 p.m.
Aubrey Jane Ryan, Dale
pre-show, 1:30
G. Haake, and MWC
p.m. show.
Executive Director and
$44.41-$50.16.
poet Ryan Collins. Midwest
For tickets and
Writing Center (225 East
information,
Second Street, Suite 303,
call (309)786Davenport). 9 a.m.-5 p.m.
Justin Roberts @ Family Museum 7733 extension
$10-15/workshop, $30-45
March 21
2 or visit
all four workshops. For
Circa21.com.
information and to register, call (563)324Wednesday, March 25 I Am an
1410 or visit MidwestWritingCenter.org.
Emotional Creature. A presentation of
author/activist Eve Enslers play, with
proceeds benefiting Family Resources
Saturday, March 21 Justin Roberts
domestic violence and sexual-assault
& the Not Ready for Naptime Players.
counseling programs. St. Ambrose
Family rock concerts performed performed
Universitys Rogalski Center (518 West
by the Grammy-nominated ensemble.
Locust Street, Davenport). 7 p.m. $5-8. For
Family Museum (2900 Learning Campus
information, call (563)333-6113 or visit SAU.
Drive, Bettendorf). 11 a.m. Free with $4-7
edu.
admission. For information, call (563)344Thursday, March 26, through Sunday,
4169 or visit FamilyMuseum.org.
March 29 Urinetown: The Musical. Quad
Saturday, March 28 Egg Drop
City Music Guild presents the Tony-winning
Kerplop! Annual Easter-themed event
musical comedy about a town where you
in which families drop eggs from the
pay for the privilege to pee, directed by
balcony in an attempt not to break them.
Heather Beck. Prospect Park Auditorium
Family Museum (2900 Learning Campus
(1584 34th Avenue, Moline). Thursday
Drive, Bettendorf). 10 a.m. Free with $4-7
through Saturday 7:30 p.m., Sunday 2 p.m.
admission. For information, call (563)344$11-16. For tickets and information, call
4169 or visit FamilyMuseum.org.
(309)762-6610 or visit QCMusicGuild.com.
Sunday, March 29 Godspell. Copresentation of Stephen Schwartzs biblical
Saturday, March 28 Environmental
musical by the church and the Center for
Film Festival. Tenth-annual screenings of
Living Arts, directed by and starring Dino
environmentally-themed films, featuring
Hayz. Two Rivers United Methodist Church
filmmaker Deia Schlosberg of Pale Blue
(1820 Fifth Avenue, Rock Island). 4 p.m.
Dot Media giving the Ellwood F. Curtis
For information, call (309)788-9384 or visit
Family Lectureship in Public Affairs.
TwoRiversUMC.org or CenterForLivingArts.
Augustana Colleges Olin Auditorium (733
org.
35th Street, Rock Island). 11 a.m.-4 p.m.
Monday, March 30 Peter & the
Free. For information, visit Augustana.edu/
Starcatcher. Tony Award-winning fantasy
environmentalfilmfest.
based on Peter Pan, in a Broadway at the
Adler presentation. Adler Theatre (136 East
Third Street, Davenport). 7:30 p.m. $39-57.
Friday, March 27, and Saturday, March
COMEDY
LITERARY ARTS
KIDS STUFF
MOVIES
SPORTS
15
PHOTOGRAPHY
28 Caged Aggression XV. Multiple
championship title fights and more
than 20 different teams in a two-night
event featuring an all-amateur card
on Friday and an all-professional card
on Saturday. Davenport RiverCenter
(136 East Third Street, Davenport).
7:30 p.m. $30-60. For tickets, call
(800)745-3000 or visit RiverCtr.com or
CagedAggressionEvents.com.
EXHIBIT
EVENTS
16
NEWS
no scenario
will the gastax increase
generate even
$4.3 billion in
funding over
two decades.
So while
Henry wrote
that the
legislature has
substantially
addressed the
critical-need
shortfall with the tax hike, there will still
be a persistent funding gap.
Its bad public policy in the context of
increasing fuel efficiency, increasing road
costs, and a lack of fairness inherent in
the gas tax to continue relying so heavily
on the fuel excise tax, which would have
to be increased regularly to keep up with
road needs and costs.
Continually raising the motor-fuel tax,
of course, is also terrible politics.
the privacy
issue at a cost.
Taxpayers can
pay a flat annual
fee, or they can
pay by the mile
based either on
a mileage diary
or electronic
tracking. But for
average-annualmile drivers, the
per-mile charge
is lowest at the
electronic-tracking level and highest at
the flat fee. Theres a strong trade-off
between peoples privacy and the amount
of money that theyre willing to pay, he
explained. In other words, if you want
more privacy, youll pay more per mile.
Increased use of electronic tolling is
another idea thats getting nationwide
traction, Hanley said: The advantage of
tolling is that you know where the money
is being collected ... and then that could be
funneled back to where the use is actually
being done.
Long-Term Alternatives
to the Gas Tax
Working with
There are different ways.
Perhaps the most intriguing is the idea
What You Have
THEATRE
By Thom White
thomasjasonwhite@gmail.com
Continued From Page 9
How to Build a
Better Mousetrap
for his boisterous performances.
An amiable Chris Tracy is, however,
notable as the effeminate architect
Christopher Wren, a guest enamored
with the manors furnishings. (For its
part, Tristan Layne Tapscotts set design
perfectly captures the rustic look of
an old houses sitting room, one filled
with antique furniture and decorations,
a fireplace, and a floor-to-ceiling
bookcase.) Tracy, more than anyone
here, is allowed to play with the humor of
his character, as he does when speaking
of Mrs. Boyle; Christopher says, That is
a perfectly horrible woman with the first
four words delivered in Tracys airy, jolly
vocal tone, which drops to a gruffer one
on the last two. Mike Kelly also comes off
well as the adroit, poised, contemplative
Detective Sergeant Trotter, who shows up
to investigate the premises.
Without giving away the climax, I do
think its worth noting that the person
who plays the killer, once revealed, alters
his or her countenance and inflection
to reveal someone who is mad without
abandoning his or her normality. Rather
than offering an abrupt about-face,
theres a fluidity between this performers
sane act and crazed one thats believable
and deserving of praise. Overall, though,
the District Theatres The Mousetrap, by
forsaking comedy for caricature, proves
itself a mismatch with Christies playful
script.
The Mousetrap runs at the District
Theatre (1623 Second Avenue, Rock
Island) through March 22, and more
information and tickets are available
by calling (309)235-1654 or visiting
DistrictTheatre.com.
17
18
Ask
the
The Sociopath of
Least Resistance
wqpt.org
Advice
Goddess
BY AMY ALKON
Screening Event
NEXT The
19
by Rob Brezsny
of insight can be highly useful. Thats a good
reminder as you enter a phase when youre likely
to be more imaginative and original than usual.
I expect creative excitement to be a regular
visitor.
CAPRICORN (December
22-January 19): The fictional
detective Sherlock Holmes was a
good Capricorn, born January 6, 1854. In the
course of Arthur Conan Doyles 60 stories about
his life, he revealed his exceptional talent as an
analytical thinker. His attention to details was
essential to his success, and so was his expertise
at gathering information. He did have a problem
with addictive drugs, however. Morphine
tempted him now and then, and cocaine more
often, usually when he wasnt feeling sufficiently
challenged. Let this serve as a gentle warning,
Capricorn. In the coming weeks, seek more
relaxation and downtime than usual. Focus on
recharging your psychic batteries. But please be
sure that doesnt cause you to get bored and then
dabble with self-sabotaging stimuli.
AQUARIUS (January 20-February
18): English is my first language.
Years ago there was a time when I spoke a lot of
French with my Parisian girlfriend, but my skill
faded after we broke up. So Im not bilingual in
the usual sense. But I do have some mastery in
the language of music, thanks to my career as
a singer/songwriter. Having raised a daughter,
I also learned to converse in the language of
children. And Ive remembered and worked
with my nightly dreams every day for decades,
so I speak the language of dreams. What about
you, Aquarius? In the coming weeks, I bet youll
be challenged to make more extensive use of
one of your second languages. Its time to be
adaptable and resourceful in your approach to
communication.
PISCES (February 19-March 20): Do
you need a reason to think sharper
and work smarter and try harder? Ill
give you four reasons. (1) Because youre finally
ready to get healing for the inner saboteur who
in the past has undermined your confidence. (2)
Because youre finally ready to see the objective
truth about one of your self-doubts, which is that
its a delusion. (3) Because youre finally ready to
stop blaming an adversary for a certain obstacle
you face, which means the obstacle will become
easier to overcome. (4) Because youre finally
ready to understand that in order to nurture and
hone your ample creativity, you have to use it to
improve your life on a regular basis.
Homework: See what you can do to influence an
institution that influences you. Report results at
FreeWillAstrology.com.
1-877-873-4888 or 1-900-950-7700
20
ACROSS
1. Sea lettuce, e.g.
5. Titled Brits
10. Bridge
14. Unguent
19. Starr or Simpson
20. Oust
21. Roller
22. Eschew
23. Toward the bounding main
24. Seed coat
25. Ancient instrument
26. Weeds
27. Start of a quip by anonymous:
5 wds.
31. Platters
32. Ordered amount
33. Tuck in
34. _ Lanka
36. Greek poet
39. Sail
42. Cul-de- _
45. Ill at ease
47. Dwindle
48. Part 2 of quip: 2 wds.
50. Eye part
51. Cleave
53. Jansch and Kaempfert
55. Gainful
56. Reddish color
57. Rank
58. Septs
59. Old kind of cap
60. Dinosaurs era
62. Portion
63. Like a mastodon
64. Part 3 of quip: 4 wds.
67. Uprising
71. British poet
72. Plumb
77. Stage remark
78. Blackboard
79. Hepatic secretion
80. Lunar plain
81. Rustic
82. Partner of ways
83. Furniture wood
84. Particular
85. Part 4 of quip: 2 wds.
87. Cattle
88. Old office worker, for short
89. Fed. agcy.
90. Mint-candy brand
92. Join, in a way
95. Container
96. _ Pinafore
97. Pith helmet
99. Solidus
101. End of the quip: 5 wds.
109. Cry
110. Concert venue
111. Western lake
112. Eskers
113. Stir to action
114. Nautical term
115. Wimbledon winner
116. Edges
117. More secure
118. _ Blanc
119. Descartes and Coty
120. _ est percipi
DOWN
1. As blind as _ _
2. Bind
3. Gulosity
4. Early video game maker
5. Unlink
6. Antipathetic
7. _ -en-scene
8. Outer: Prefix
9. Position
10. Influences
11. Sticks
12. Make no bones about
13. Notorious ruler
14. Fill
15. _ -garde
16. Aristocrat
17. Contends
18. Publishing people: Abbr.
28. European dynasty
29. Forfeit
30. Preserves
34. _ und Drang
35. Musical entertainment
37. Knife
38. Glazing item
21
THURSDAY
2015/03/18 (Wed)
00
19
FRIDAY
2015/03/20 (Fri)
00
20
30
2015/03/21 (Sat)
SATURDAY
2015/03/25 (Wed)
2015/03/27 (Fri)
TUESDAY
2015/03/24 (Tue)
21
WEDNESDAY
SUNDAY
2015/03/22 (Sun)
22
24
25
THURSDAY
2015/03/26 (Thu)
00
26
FRIDAY
00
27
Continued On Page 22
QuadCitiesDiningGuide.com
Search Discover Share Review
22
30
SATURDAY
2015/03/28 (Sat)
28
2015/04/01 (Wed)
WEDNESDAY
SUNDAY
2015/03/29 (Sun)
29
MONDAY
2015/03/30 (Mon)
30
TUESDAY
2015/03/31 (Tue)
31
THURSDAY
2015/04/02 (Thu)
FRIDAY
2015/04/03 (Fri)
00
3
Exhibition opEning
Danish MoDern
Design for Living
March 28 June 21, 2015
23
DJs/Karaoke/
Jams/Open Mics
THURSDAYS
THURSDAYS
FRIDAYS
FRIDAYS
SATURDAYS
SATURDAYS
SUNDAYS
SUNDAYS
MONDAYS
MONDAYS
Comedy
TUESDAYS
TUESDAYS
WEDNESDAYS
WEDNESDAYS
THURSDAY
19
MONDAY 23
The Bix Beiderbomb Comedy Workshop (8pm) Boozies Bar & Grill, 114
W. 3rd St., Davenport, IA.
FRIDAY
00
20
WEDNESDAY 25
THURSDAY 19
FRIDAY 20
ComedySportz (7pm) The Establishment, 220 19th St., Rock Island, IL.
Studio Series: Dodgeball (9:30pm)
The Establishment, 220 19th St.,
Rock Island, IL.
The Speakeasy Laugh Hard (8pm)
Circa 21 Speakeasy, 1818 Third
Avenue, Rock Island, IL.
SATURDAY
SATURDAY 21
21
ComedySportz (7pm) The Establishment, 220 19th St., Rock Island, IL.
Hoo Ha Comedy (9pm) The Backroom
Comedy Theater, 1510 N. Harrison
St., Davenport, IA.
Studio Series: The Establishment
Stands Up (9:30pm) The Establishment, 220 19th St., Rock Island, IL.
SUNDAY
SUNDAY 22
22
MONDAY
28
23 SATURDAY
SATURDAY
28
Comedy Open Mic (7:30pm) Penguins Comedy Club, 208 Second Ave.
SE, Cedar Rapids, IA.
Comedy Open Mic Night (7:30pm)
The Backroom Comedy Theater,
1510 N. Harrison St., Davenport, IA.
WEDNESDAY
25
THURSDAY
26
ComedySportz (7pm) The Establishment, 220 19th St., Rock Island, IL.
Studio Series: Survivor (9:30pm) The
Establishment, 220 19th St., Rock
Island, IL.
The Blacklist: Blacklist Against Humanity (9pm) The Backroom
Comedy Theater, 1510 N. Harrison
St., Davenport, IA.
The #soblessed Comedy Show (8pm)
Circa 21 Speakeasy, 1818 Third
Avenue, Rock Island, IL.
30
SUNDAY 29
SUNDAY
29
MONDAY
30
WEDNESDAY
THURSDAY 26
The Bix Beiderbomb Comedy Workshop (8pm) Boozies Bar & Grill, 114
W. 3rd St., Davenport, IA.
FRIDAY
FRIDAY 27
00
27
24
CHILL OUT.
Small businesses want to be near public transportation because
it connects them to customers. In fact, every dollar invested in
public transit generates three dollars in increased business sales.
13