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C O M M U N I C A T I O N
STUDY II
Suggested Readings:
1.
2.
3.
4.
BCBCBCBC-
C O N T E N T S
Page
2
Components of Communication
Communication Process
Principles
Questions
This study note is only Suggestive and not exhaustive. Student MUST drive
his/her own way through attempting any answer; reproducing points as is
will not count for points / credits.
PRELUDE
In many ways, the history of human civilization chronicles the increasing centrality of
communication. Communication establishes relationships and makes human
organization and cooperation possible. Whether you recognize it or not, you have no
choice but to communicate. If you try to avoid communicating by not replying to
messages, you are nevertheless sending a message, but it may not be the one you
want or intend. When you dont say yes, you may be saying no by defaultand vice
versa. The only choice you can make about communication is whether you are going
to attempt to communicate effectively.
COMPONENTS OF COMMUNICATION
1. Context
Every message whether oral or written begins with context. Context includes the
below mentioned aspects. These aspects have their own conventions for processing
& communicating information. This helps PLAN, DESIGN & COMMUNICATE
message successfully.
a. Corporate Culture
Culture is the lens through which one views the world. It is central to: What you see,
how you make sense of what you see and how you express yourself. Corporate
Culture refers to organizations values, beliefs and behaviour.
b. Styles
c. Color
d. Numbers
e. Figures
f. Stimuli
i. External
ii. Internal
2. Sender-Encoder
Responsibility : To Determine purpose of the message. Analyze the point of view /
expectation of the audience / receiver. Choose the medium to get the message
(symbol) across.
3. Message
4. Medium
5. Reciever-Decoder
Responsibility : Analyze the senders background and values to comprehend the
message. Decode the message.
RULE OF FIVE
Keith Davis has set the Rule of five for Receivers:
Receive
Understand
Accept
Use
Feedback
6. Feedback
7. Noise
COMMUNICATION MODELS / COMMUNICATION PROCESS
[A] Laswells Model
Who
Says what
I n what manner
To whom
Figure Id: 1
Eg: Newspaper
[II] Shamon & Weaver (SMCR) Model
Engineers @ Bell Laboratories : Western Electric
NOI SE
Sender
encode
NOI SE
Channel
Message
Receiver
decode
Figure Id: 2
Eg: Telephone Conversation
[III] Weiners Addition
Cybernetics process model based on built-in monitoring of environment & modifying
components of overall system.
Sender
encode
Channel
Message
Receiver
decode
Feedback
Figure Id: 3
[IV] Osgood & Dance
Message
Sender
Receiver
Receiver
Message
Sender
Sender
Figure Id:4
Message
Figure Id:5
Receiver
Sender
encode
Receiver
decode
Feedback
Figure Id:6
Source : Web
+ Communication Skill for Effective Management
by Dr. Anjali Ghanekar
PRINCIPLES OF COMMUNICATION
[I] Tips
1. Be sure of what you want to communicate & why. Be certain of your
objectives.
2. Be clear in the use of language.
3. Watch how much you communicate
4. Use adequate medium
5. Provide right climate
6. Listen alternatively
7. Watch out for unintentional communication
8. Remember that communication is a two-way process. Consider feedback/
9. Be sure that actions do not contradict your communication
10. Provide communication training.
Source: Collection of extracts from suggested readings
[II] Principles of effective communication
1. Completeness
2. Conciseness
3. Consideration
4. Concreteness
5. Clarity
6. Courtesy
7. Correctness
Source: Collection of extracts from suggested readings
Furthermore, decisions that are reached logically are strengthened if the decision is
also emotionally rewarding. Drama has the ability to involve listeners in a range of
emotional experiences as well as to provide them with information to help them to
improve their lives.
3. Clarify the message.
Messages must be clearly understood in order to be effective. Drama allows the
message to be presented by various characters in language and in situations that the
audience can understand and readily recall. By demonstrating the message, rolemodel characters make the message much clearer than any abstract description.
4. Communicate a benefit.
Listeners will be more likely to risk trying a new behaviour if they believe it has real
advantages. Through role modeling by the various characters, drama can
demonstrate to listeners the benefits to be gained from a change in their life styles. It
can quickly illustrate the consequences, both good and bad, of various behaviors.
5. Create trust.
As listeners become personally and emotionally involved with role-model characters
in the drama, they come to see the characters as real people whom they can trust
and rely upon. If the drama features experienced, knowledgeable characters who can
relate to listeners lives, then listeners will trust the message that they are delivering.
6. Call to action.
People need encouragement to discuss new ideas, to make difficult decisions, and to
attempt a new behavior. Characters in dramas have the power to inspire and
motivate listeners to try a new behaviour and to advocate it to their families and
friends.
7. Be consistent.
Because a detailed Writers Brief guides the creation of serial drama for development,
the drama always delivers the message to the listening audience in a consistent,
appropriate, and relevant manner no matter how many characters restate the
message in how many different ways. Consistent repetition of the message helps
listeners to understand new ideas, to learn how to perform a new behaviour, and to
rehearse
mentally
how
they
might
act.
Source: Esta de Fossard, Population Communication Services, Center for Communication
Programs, The Johns Hopkins University School of Public Health: November 1998, pages 4-5.