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2 Characteristics
Suntukan or is the boxing and empty hands striking component of Filipino martial arts. In the central
Philippine island region of Visayas, it is known as Pangamot or Pakamot. It is also known as Mano-mano
and often referred to in Western martial arts circles of
Inosanto lineage as Panantukan. Although it is also
called Filipino Boxing, this article pertains to the Filipino martial art and should not be confused with the
Western sport of Boxing as practiced in the Philippines.
Etymology
While many Filipino boxing champions such as Estaneslao Tanny del Campo[6][7] and Buenaventura Kid Bentura Lucaylucay[1][8] (Lucky Lucaylucays father) practiced olympic and sport boxing, they also used pangamot dirty street boxing which is distinct from Western
Boxing.[9][10] A particular trait of Filipino boxing (as opposed to Western Boxing) is that instead of standing and
trading blows with an opponent, suntukan practitioners
typically circle constantly to avoid getting hit and look
for openings, just like with knife ghting. According to
Lucky Lucaylucay: "...if your practice is based on knife
ghting, you have to become much more sophisticated with
your footwork, evasions and delivery because one wrong
move could mean death... ...Filipino boxing is exactly like
knife ghting, except instead of cutting with a blade, we
strike with a closed st."[11][12]
2.1 Weaponry
Even though suntukan is designed to allow an unarmed
practitioner to engage in both armed and unarmed confrontations, it easily integrates the use of weapons such
as knives, palmsticks (dulo y dulo) and ice picks.[13][14]
These weapons can render suntukans techniques fatal but do not fundamentally change how the techniques are executed. Weapons in suntukan tend to be
small, easily concealed and unobtrusive. Thus, suntukan minimizes contact with the opponent because it is
not always known whether an opponent is armed, and
knives are very often used in ghts and brawls in the
Philippines.[15][16][17][18][19][20][21] As such, parries and
deections are preferred over blocks and prolonged grappling.
1
2.2
Eskrima/Arnis/Kali
3
3.1
Techniques
Speed, ow, and rhythm
DUMOG
3.2 Angles
The angles outlined in eskrima are incorporated to evade
and parry incoming strikes and to attack the opponent
from an outside angle where they are less able to defend
themselves. Constantly switching the ghting lead allows
for the exploitation of attack while maintaining ow. The
ghter will often use a nishing strike or kick in a combination to step into the new lead. Footwork is of utmost importance for these techniques, so in some systems, much time is invested into practicing stick-ghting
drills and combinations.
3.3 Gunting
Some moves which immobilise the limbs are called
gunting (scissors) techniques because of the scissor-like
motions used to stop an opponents limb from one side
while attacking from the other side. Suntukan focuses
on countering an opponents strike with a technique that
will nullify further attack by hitting certain nerve points,
bones, and muscle tissue to cause immediate partial paralysis of the attacking limb. Common limb destructions
include guiding incoming straight punches into the defending ghters elbow (siko) to shatter the knuckles,[29]
or striking the incoming limb in the biceps to inhibit the
opponents ability to use that arm for the remainder of
the ght. Gunting focuses on destroying the opponents
ability to wield their weapon. This term derives from the
word scissors in Filipino, Malaysian and Indonesian. In
Filipino martial arts, gunting can be done by cutting the
hand or wrist with a pair of blades (hence the name), but
it can also be done with a single blade or with the empty
hand by striking nerves and tensed muscles.
4 Dumog
Main article: Dumog
Suntukan also borrows moves from dumog (upright
wrestling) which twist and turn the opponents body with
the goal of exposing a more vulnerable area, such as the
neck, jaw and temples. This is accomplished by the use
of arm wrenching, shoving, shoulder ramming, and other
o-balancing techniques in conjunction with punches and
kicks. For example, the attackers arm could be grabbed
and pulled downward to expose their head to a knee
strike.
See also
[15] Pilipino Star Ngayon - Ex-boxer na hindi kaya sa suntukan, pinatay sa saksak
Eskrima
Sikaran
Dumog
Kuntaw
Kinamotay
Further reading
A Guide to Panantukan, the Filipino Boxing Art, Rick
Faye, Cambridge Academy Publishing, 2000
References
In-
30.^ www.panantukan.it
[8] FMA Pulse - Characteristics of Filipino Boxing Perry Gil 31.^ www.panantukanevolution.it
Mallari, October 20, 2010
[9] Western Boxing vs Filipino Boxing, two similar but distinct arts?, Krishna Godhania
[10] Video: Filipino Street Boxing with Peter Tisoy Sescon,
Jr. Footage of old school Filipino boxer Mang Tisoy
Sescon demonstrating techniques. Note the use of elbows,
shoulders, butting, getting inside the clinch and knees to
control the opponent. Vitalpoints, Mar 28, 2011
[11] ESPN Sports - A look at the history of boxing in the
Philippines Don Stradley, June 25, 2008
[12] Inside Karate Magazine - Did Filipino Martial Arts Revolutionize Boxing?, Lilia Inosanto-Howe
[13] Abante - Agawan o Holdap?
[14] Abante - Ngitngit kinambalan ng ice pick
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Text
8.2
Images
8.3
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