Académique Documents
Professionnel Documents
Culture Documents
4
FEATURED ARTICLES
WEEKLY COLUMNS
3 Dvar Malchus
13 Parsha Thought
32 Tzivos Hashem
BIRTHDAY
10 HAPPY
SURPRISE VISIT
Rocheli Dickstein
TRUE SOLDIER OF
16 ATHE
REBBE IN HER
16
OWN RIGHT
Tami Holtzman
24 HANDPICKED
TO BE A SHLIACH
OF THE REBBE
Nosson Avrohom
DID THE
30 HOW
REBBE KNOW?
Nosson Avrohom
24
744 Eastern Parkway
Brooklyn, NY 11213-3409
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EDITOR-IN-CHIEF:
M.M. Hendel
HEBREW EDITOR:
Rabbi S.Y. Chazan
editorH@beismoshiach.org
ENGLISH EDITOR:
Boruch Merkur
editor@beismoshiach.org
2015-04-20 8:07:21 AM
DVAR MALCHUS
WHAT
TREASURIES
OF HEAVEN?!
At the end of the farbrengen, the Rebbe shlita
spoke, with great emotion and amidst tears,
saying that with regard to the Rebbe Rayatz one
shouldnt use the expression nishmaso bginzei
mromim his soul is in the treasuries of heaven
... * From Chapter Eight of Rabbi Shloma
Majeskis Likkutei Mekoros (Underlined text is
the compilers emphasis.)
7. One time this winter, I
went into the room of the Rebbe
[Rayatz, Rabbi Yosef Yitzchok].
He was sitting there, leaning on
his arm, immersed in thought,
He told me that he wants to go
to Eretz Yisroel. I asked: How is
it possible to go there? There is
so much work to be done here!
He thought for a moment and
said: Nu, it was a nice thought.
In the Rebbes mind he was
already there in Eretz Yisroel.
The bones of Yosef were
brought to Eretz Yisroel.
8. Once, a Chassid came
from far away and requested
that the Rebbe say a maamer
Chassidus. The Rebbe answered
that he says maamarim on
Shabbos. The Chassid replied
that for him when he comes to
the Rebbe, it is Shabbos. The
Rebbe then said Chassidus.
NOTES:
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INTERVIEW
MUSEUM ON
THE STREAM
Daniel von Weinberger, a Lubavitcher Chassid,
plays an active role in the art world in Europe.
Hes a multi-media artist who is known for the
lively designs he makes out of unusual materials.
He also teaches jewelry and fashion design and
his work is exhibited regularly around the globe.
He sees himself as a shliach of the Rebbe MH"M,
not only among Jewish artists, but particularly
(l'havdil) among non-Jews. It is not an easy
assignment and he has plenty of vexing tales to
tell. All this and more in this exclusive interview
he granted to the Beis Moshiach.
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The inset is how the museum looked before the interviewee became involved
and the main picture is after he was commissioned to do his work
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INTERVIEW
several times. Finally, when he
was on his way to our house, he
called my friend pointing out how
overburdened he was and asking
him why he needed to come to
me, as opposed to my coming to
his office in City Hall. This was a
clear sign to me that G-d Himself
was supervising and blessing this
exhibit as my personal shlichus.
In fact, throughout the entire
project, I had a strong sense that
I should abide by the principle
of lchatchilla aribber, asking
straightforwardly for what I
thought was necessary. When
problems arose, they often faded
away without explanation.
When he saw the model
exhibit I had set up on our
dining room table and heard my
passionate plans for the project,
he was very enthusiastic and
immediately gave me the goahead.
Beis M: How did you choose
what to put in the exhibit?
I decided to approach it from
different angles. Although the
name of the exhibit was Life and
Death, my focus was on life.
Since we are called the People
of the Book, I wanted to include
a lot of sfarim, including a Torah
scroll. For obvious reasons, this
simply wasnt practical. Instead,
we placed a huge picture of
sfarim hanging as a backdrop
behind a Torah mantle about nine
feet above the rest of the exhibit.
Some real sfarim have been
included as well. (Our contract
stipulates that if the exhibit is
removed, the sfarim will be
returned to the community.)
I also felt that the whole
installation should be based
around a table. Our table is our
mizbeiach. In addition, so much
of our celebrating happens at the
table. Pesach, Rosh Hashanah
and Sukkos, Chanukah, Purim,
and Shabbos are displayed on
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INTERVIEW
centuries.
Surrounding the bottom edge
of the table are explanatory texts
on each part of the exhibition
displayed in glass cases. Since
museum exhibits are often
protected by glass, I felt that this
created a museumlike feeling of
respect for these Torah concepts,
while making them part of the
whole arrangement. In contrast,
the exhibit itself is completely
visible and exposed, revealing
true life.
This festive table of life and
illumination is flanked on both
sides by what appears to be tall
black tombstones. Numerous lit
memorial candles stand at the
foot of each one, made to look as
if it has been burning for a while.
Inscribed in white letters on each
of these stones is a story. One
story is called A Butterfly and
Divine Providence. The other is a
chassidic story from the Ruzhiner
Rebbe. The theme of both of
these is that our souls come to
this world with a purpose and
that our lives continue after
death.
Beis M: It appears that
you incorporated a ton of
information on this table.
Have you ever seen a drawing
of Mattan Torah? Try to visualize
the triangle shape of Mt. Sinai.
Start at the bottom, where the
Jewish People are standing in
a circle around the mountain.
This is the place for the glass
text boxes. As you look up, you
see the festive illuminated table.
Looking higher, you come to the
film background. At the peak is
the Torah scroll hanging at the
highest central point against the
backdrop of sfarim.
Beis M: Lets talk about
your book. Why was a book so
important? There is obviously
already so much to see in the
exhibit.
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SHLICHUS
HAPPY BIRTHDAY
SURPRISE VISIT
Knock knock. You open the door even though
you arent expecting anyone. You find a lovely
couple at your door, bearing a cake. Did you
forget? Its your birthday! * There are couples
who do this sort of outreach on a weekly basis.
Mrs. Miriam Bitton tells us how it works.
By Rocheli Dickstein
e got married
a year and two
months ago,
says Miriam.
Two weeks after the wedding, R
Dovber Chaviv asked my husband
what he thought of doing mivtzaim
at kibbutzim. This project is over
twenty years old and was initiated
by R Yaakov Ben Ari. R Ben Ari
discovered that there are places
where they wont allow religion to
gain a foothold, whether because
of a lack of connection or because
of antagonistic feelings. So he
came up with a format which says:
We are not coming to you to talk
about religion. We are coming to
say mazal tov on your birthday.
And you know what? It works!
People are moved when someone
remembers their birthday even
though they dont know them.
How does it work? There are
people who signed up and some
supplied the names, addresses,
and birthdates of their friends.
Then we go with a smile and
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Shlichus
Express service
Fully Computerized
331 Kingston Ave.
(2nd Flr) Brooklyn NY 11213
Get your tickets within minutes!
(718) 493-1111
Fax: (718) 493-4444
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PARSHA THOUGHT
WHICH IS SUPERIOR
THE HUMAN
OR THE ANIMAL?
By Rabbi Heschel Greenberg
ORDER COUNTS
Sequence in the Torah is not
only important but it assists us in
gleaning the Torahs message and
instruction with greater integrity.
Not only is it important for us to
know what the Torah says in any
given parsha, chapter or verse; it
is also important for us to know
what lessons we can derive from
the juxtaposition of these sections
of the Torah and the order in
which they are presented.
The importance of order is
underscored by our Sages in
their commentary on this weeks
parsha. In the preceding parsha
of Shmini, the Torah elaborated
on the subject of animals that are
ritually pure and those that are
not.
This weeks double-parsha,
Tazria and Metzora, begins with
the laws concerning the state of
ritual purity with respect to a
human being.
Our Sages make careful note
of this sequence and ask why
the Torah addresses the laws
concerning the purity of animals
before the laws concerning the
purity of humans? They answer
that this parallels the order in
which G-d first introduced
animals and humans. First He
created the animals and only then
did He create Adam and Eve.
Although our Sages answered
PARADOXICAL ANSWERS
This question was discussed
by the sages of the Talmud
and they give two paradoxical
answers:
The first is to impress upon
us that we are inferior to all
other creatures. When we are
inclined to become haughty,
we are reminded that even the
gnats preceded us. The second
answer is that, to the contrary,
G-d wanted us to have the
entire world completed so that
we would be able to enter onto
the scene with the banquet fully
prepared.
Let us now see if either of
these two approaches can also
adequately explain why the order
of the laws of purity also favors
the animals.
It would seem that the
sequence of the creation of
animals and humans can convey
either our lowliness or our
importance, for indeed, both
are true. But prefacing the laws
concerning humans with the
laws concerning animals does
not suggest the inferiority or
superiority of either, because
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Parsha Thought
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EASIER TO
ELEVATE THE ANIMAL
We can now understand
why the Torah places the laws
concerning the purity of animals
before the laws governing the
purity of humans.
When a person deals with an
TWO PHASES OF
EXISTENCE
The two phases represented
by the purity of animals and
human purity in the birth process
reflect the two periods of human
existence. Prior to the Messianic
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OBITUARY
A TRUE SOLDIER
OF THE REBBE IN
HER OWN RIGHT
The Jewish people left Egypt in the merit of the women, who are
reincarnated as the women of today. The Jewish women in Egypt went
out to the field to help their husbands bring forth the next generation.
Mrs. Gita Gansbourg ah, the unforgettable Eim Bayis of Machon Chana
in Crown Heights, was a woman who stood at her husbands side through
thick and thin for the sole purpose of carrying out the orders of the
Commander-in-Chief, the Rebbe MHM.
By Tami Holtzman
FATEFUL ENCOUNTER
I first met Mrs. Gita
Gansbourg ah a few years
ago. Until then, I would see
her in Crown Heights, usually
accompanied by her daughter,
Nechama Chanin. Tall, erect,
serious. I knew that she was the
housemother at Machon Chana
but not much more than that.
At the time, I submitted a
short piece to the publication
BToch Hamishpacha, which
was printed as the lead editorial.
I told about my young children
and how hard it was for them
every Pesach when they saw their
friends enjoying kosher lPesach
treats. I wrote about the deal that
I made with them to compensate
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WIFE OF A SOLDIER
R Itchke Gansbourg was
a high energy person. When it
came to matters of the Rebbe,
he was unwilling to listen to any
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Obituary
SHOCK VALUE
Over the years, he launched
a number of unique hafatza
exhibits with which his wife and
daughters helped him. This is
how R Itchke described it:
Back in the days, when the
approach to the Kosel was still
blocked and the Kosel was in
our enemies hands, thousands
of people would show up on the
three regalim and would look
longingly toward the Temple Mt.
R Yosef Marton put together
a Jewish-Chassidic exhibit, the
first of its kind I think since
the inception of the Chassidic
movement. The exhibit was on
Har Tziyon on Chol HaMoed
Sukkos and was intended to
attract thousands of people.
I was asked to help set it up.
Since Hashem blessed me with
an eishes chayil and talented
daughters, I enlisted them to the
creative effort.
I did not know at the time
that this exhibit would be the first
in a series of many that would
follow, and that exhibits would
become an inseparable part of
my life so that I would become
known as the person who puts
together exhibits.
I think this was the first
time that Jewish concepts were
presented to the public in a
hands-on and visual way. We
set up pictures of the Rebbeim
alongside the sifrei Chassidus
that they wrote and pictures of
the Rebbe MHM at farbrengens
and at events around the year.
All this was accompanied by
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IT WILL BE OKAY
The following is an excerpt
from the book which tells about
arranging a Pesach seder for the
community in Natzrat Illit which
was the next stop for R Itchke
and Gita:
We hadnt rested up from
the work of the exhibit and
were busy with work again.
turn out.
The hall where the Seder
took place, the biggest in town,
was full. At a certain point, we
began removing unnecessary
furnishings to make more room
and people didnt stop coming.
Even that wasnt enough. In
the end, sad to say, there were
people who couldnt come in. In
particular, I remember a father
and daughter who begged to be
allowed in but you couldnt get
even a pin into that room. Until
today, we feel bad about that
father and daughter.
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Obituary
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memory made all who knew her feel that Gita wasnt
going anywhere, even as her body showed the signs of
age. Machon Chana wont be the same place without
her!
FAMILY TRAVELS
When they lived in Natzrat, R
Itchke had a severe heart attack
which had them rethinking what
to do next, because the work he
had done until that point was
too much for a person with heart
disease.
The
following
excerpt
describes
the
reasons
for
the move to America, which
ultimately resulted in the couple
becoming the house parents at
Machon Chana:
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Obituary
After I had to leave Natzrat
because of the heart attack I had,
we went back to live in our house
in Kfar Chabad. As always, we
asked the Rebbe what our next
step should be. The Rebbe told us
to consult with the Reshet.
The heads of the Reshet had
a new job for me, to open a new
school, this time in Ohr Yehuda.
Ohr Yehuda is ten minutes away
from Kfar Chabad, near Ben
Gurion airport.
I got to work with my usual
zeal. I put together a staff and we
began the school with grades one
and two. We taught the students
reading and writing and then had
a Siddur party.
But things in Ohr Yehuda
did not proceed as usual. The
pace was not what I was used
to. This time, the work did not
provide me with the joy and
satisfaction that I wanted. I felt
that no progress was being made,
as though I was on a treadmill.
Maybe it was because of my
health which deteriorated since
my heart attack or maybe because
of the situation in that area.
The population in Ohr
Yehuda consisted primarily of
people down on their luck. The
poverty caused many of the
youth to turn to paths that were
not always legal. Bitterness and
poverty reigned. Those who
brought pride to their families
were drafted into the army and
became know-it-alls, and this
knowledge usually consisted of
religious matters are a waste of
time. Thus, many people refused
to cooperate with us. Some of
our students were influenced by
their brothers views and left.
I felt down. Then, heaven
directed me to something new
which impacted the rest of my
life and my familys life. The lack
of success in Ohr Yehuda was,
like everything else, for G-dly
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vww c
Anywhere, Anytime !
CHITAS
INYONEI GEULA
& MOSHIACH
RAMBAM
SHIURIM IN LIKUTEI
SICHOS KODESH
,ww,j
jhanu vkutd hbhbg
owwcnr
hyuekc ohrugha
asue ,ujha
WWW.770LIVE.COM
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OBITUARY
HANDPICKED
TO BE A SHLIACH
OF THE REBBE
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The Chabad family was saddened to hear about the passing of the shliach, R
Shaul Yosef Benchimol ah of France. He ran the HaAderes VHaEmuna Institute,
the spiritual factory that produced hundreds of baalei tshuva and Chassidishe
families which was founded by direct instruction of the Rebbe. * The story of a
shliach and a shlichus that merited the privilege of having the king himself guide
it every step of the way.
By Nosson Avrohom
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Obituary
he shliach, R Shaul
Yosef Benchimol ah,
passed away at the young
age of 65. Hundreds of
Chassidishe men, educators and
shluchim
throughout
France,
owe him a debt of gratitude for
showing them the beautiful world
of Judaism and Chassidus.
His life story is most unusual.
Despite coming from a family of
mekubalim in Morocco, he left
tradition behind and entered the
Parisian film and theater industry.
When he felt he had reached the
pinnacle of this golden world,
he met the legendary filmmaker
Henri Carmen and began to
work with him. One day, they
began to work together on
Shakespeares play Hamlet. Since
they had heard that Shakespeare
had put mystical motifs with
Jewish sources into his plays,
they thought it would be a good
idea to gain some knowledge in
this area. In their search for a
suitable place to study Judaism,
they found a class on kabbala
which was actually a class on
Chassidus, given by R Pinchas
Pashtar, a shliach in Paris. The
rest is history.
One
class
followed
another and within a short
time, Benchimol shocked the
French film industry when he
announced that he was leaving
it all and returning to his roots.
Oddly enough, it was Henri
Carmen who showed the most
understanding for this major
change in his life. His first visit to
the Rebbe cemented his resolve.
Just one year later, the Rebbe
assigned him the job of opening
an institution to spread Judaism.
I was stunned, he recalled
years later in an interview he gave
Beis Moshiach. I did not know
how to learn Tanya that well at
the time and certainly not other
sifrei Chassidus, but that is what
LIVING MOSHIACH
When
Benchimol
joined
the social scene of the theater,
whose members are not known
as being particularly religious,
and he himself had stopped
living a religious life, he was still
particular about kashrus.
My mother got that into
our veins, he said. At home
we always lived Moshiach. My
maternal
grandmother
who
died on Pesach Sheini at a very
old age was known in Morocco
as someone who had ruach
hakodesh. She told my mother
that she would merit to see
Moshiach. My mother spoke to
me about Moshiach when I was
as young as four. Theres no
question that my grandmothers
bracha was fulfilled when my
mother had yechidus with the
Rebbe. Its interesting that my
uncle, the mekubal R Chazan
Aziza, once told me that
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R Benchimol at a farbrengen in
memory of the Rebbetzin
The opening and dedication of the HaAderes VHaEmuna Institute with the bringing
in of three sifrei Torah with red, white and blue covers, the colors of the French flag
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Obituary
Shabbos which was 12 Tammuz,
the Rebbe told R Leibel Groner
during the farbrengen to call me
up to the farbrengen platform.
The Rebbe opened a bottle and
poured some mashke for me
to say lchaim. Then the Rebbe
arranged for another bottle and
said it was for my friends in Paris.
I had a feeling at that
moment that I cannot describe.
The next day there was another
farbrengen and after the special
niggun for Russian Jews, I heard
the Rebbe suddenly say, There
is a group here from France and
they will probably sing HaAderes
VHaEmuna. The Rebbe looked
at me and waited and R Groner
motioned to me to begin. I
was beside myself; me, sing?! I
wanted R Bitton who had joined
me to sing but he was shy and left
me on my own while the entire
770 waited for me.
I finally began to sing and
afterward I myself was amazed
by how well it turned out. My
wife said that the Rebbe fixed
my voice for the occasion.
Those
were
unforgettable
moments. The Rebbe beamed
and encouraged me by waving
his arms. This is why I decided
to call my organization HaAderes
VHaEmuna.
AMAZING KIRUVIM
FROM THE REBBE
Immediately upon his return
to Paris, R Benchimol began
the new mosad which the
Rebbe asked him to start. They
began with minyanim, shiurim,
mivtzaim, and programs for
mekuravim.
Over the years, R Benchimol
merited unusual kiruvim from
the Rebbe. For example, before
Tishrei 5740, he received a
phone call from R Binyamin
Gorodetzky who told him he had
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SHLICHUS PERMEATED
WITH MOSHIACH
R Benchimol was a shliach
who lived with inyanei Moshiach
and Geula. We asked him what
he thought should be done to
promote the topic of Moshiach,
and he readily answered, We
need to add to and learn inyanei
Moshiach and Geula as they
appear in the Rebbes sichos,
especially the Dvar Malchus.
We can see clearly that the Rebbe
did not speak about the past but
about the present and future. It
is amazing to see each time anew
how the sichos are more relevant
than ever, even when they were
said fifteen and more years ago.
R Benchimol shared an
interesting story with us that
happened with one of his
mekuravim:
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STORY
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www.MoshiachForKids.com
Check it out!! Educational and Fun!!
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TZIVOS HASHEM
THE REBBES
BLESSING
TO THE TAILOR
By Nechama Bar
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He spoke to Shmuel
about this and that,
incorporate
to
trying
matters of kdusha and
yiras Shamayim in the
conversation.
The paint dried, the
mezuza was put up in
its proper place and
Shmuel was happy. At
that point, when everyone
felt comfor table and the
store was still quiet, R
Yaakov stayed on longer
Shmuel
schmooze.
to
warm
have
to
out
turned
things
Jewish
for
s
feeling
and had a great desire to
know more. R Yaakov also
noticed that something
was on Shmuels mind.
He assumed that since it
was a new store, Shmuel
was nervous about it
being successful. R Yaakov
decided he would try
to find another time to
discuss this matter with
him.
Thursday
Every
a
have
we
evening
Kfar
in
farbrengen
Chabad. What do you
think about joining me
this week? suggested R
Yaakov.
Shmuel hesitated at first
but when R Yaakov saw he was
considering it, he urged him on.
They concluded that they would
meet at the farbrengen.
Shmuel did not disappoint.
On Thursday he drove to
Kfar Chabad and sat at the
the
at
gazed
farbrengen,
Chassidim, listened to the
singing, and was mesmerized by
it all. He was very moved by the
brotherly love and the homey
atmosphere, by the simplicity
and the honesty.
R Yaakov looked over at him
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