Académique Documents
Professionnel Documents
Culture Documents
Draft 84
Revised February 6, 2015
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TABLE OF CONTENTS
I. Introduction ............................................................................................................................... 4
II. The Sad Incident That Impaired Ellen ..................................................................................... 5
III. Ellens Language Progress Barred .......................................................................................... 7
Numerous Errors in Ellen Whites Texts ...................................................................................... 9
Among the numerous puzzles and controversies that shadow Ellen G. Whites published
and non-published works, the most debated and unsettled issue seems to be the plagiarism
accusation. A lot has been written in the SDA circles on this topic both against Ellen White and
in her defense, and the debate continues with no definite and final conclusion. This research
paper argues that the plagiarism charges against the alleged SDA prophet have been
exaggerated. Ellen White did not plagiarize the published works credited under her name
because she was illiterate and unskilled and was unable to produce on her own documents that
could be published. She might have stolen some text here and there from certain books and
scrawled things on paper in her unschooled and inept manner, but what she scribbled could not
have been sent to the press and published without her editorial assistants or ghost writers who
plagiarized wholesale and made drastic editorial alterations and thorough grammar corrections
on her scribbles to a degree that forfeits Ellens claims for genuine and true authorship to the
publications for which she took dishonest credit and from which she collected a fortune that she
wasted through lavish real estate purchases, excessive travels, and a profligate life.
Hard and irrefutable facts that leaked to the public through incautious SDA apologetic
documents provide ample evidence that demonstrates that numerous and literate ghost writers
plagiarized full paragraphs and often entire books from various sources and assembled those
stolen texts into new and original works, and also modified, changed, edited, and corrected
Ellen G. Whites plagiarized scribbles into literate and legible paragraphs and chapters, and then
submitted to the press the altered and edited compilations under Ellen Whites name under the
false claim and spurious pretense that all the information that was included in those ghost
publications came straight and unmediated to Ellen G. White through direct visions from God or
through authentic and real-time angelic dictations.
The book Life Sketches of Ellen G. White, though, contains an emotional and detailed
personal account from Ellen White about the consequences that this unexpected and terrible
incident had on her health:
MISFORTUNE
While I was but a child, my parents removed from Gorham to Portland, Maine. Here, at the age of nine
years, an accident happened to me which was to affect my whole life. In company with my twin sister and
one of our schoolmates, I was crossing a common in the city of Portland, when a girl about thirteen years of
age, becoming angry at some trifle, threw a stone that hit me on the nose. I was stunned by the blow, and
fell senseless to the ground.
When consciousness returned, I found myself in a merchant's store. A kind stranger offered to take me
home in his carriage, but I, not realizing my weakness, told him that I preferred to walk. Those present
were not aware that my injury was so serious, and allowed me to go; but after walking only a few rods, I
grew faint and dizzy. My twin sister and my schoolmate carried me home.
I have no recollection of anything further for some time after the accident. My mother said that I noticed
nothing, but lay in a stupor for three weeks. No one but herself thought it possible for me to recover, but for
some reason she felt that I would live. When I again aroused to consciousness, it seemed to me that I had
been asleep. I did not remember the accident, and was ignorant of the cause of my illness. A great cradle
had been made for me, and in it I lay for many weeks. I was reduced almost to a skeleton.
At this time I began to pray the Lord to prepare me for death. When Christian friends visited the family,
they would ask my mother if she had talked with me about dying. I overheard this, and it roused me. I
desired to become a Christian, and prayed earnestly for the forgiveness of my sins. I felt a peace of mind
resulting, and loved every one, feeling desirous that all should have their sins forgiven, and love Jesus as I
did.
I gained strength very slowly. As I became able to join in play with my young friends, I was forced to learn
the bitter lesson that our personal appearance often makes a difference in the treatment we receive from our
companions.2
Those negative health consequences, though, affected also her immediate education and
her future educational prospects. She was too weak to attend school, and had serious and
continuous trouble when she attempted to perform simple student tasks. She could not make
good progress in knowledge acquisition, and no matter how hard she struggled, her English
composition skills remained undeveloped and illiterate. Because she was so weak that school
work seemed impossible for her to perform, her teachers advised her to discontinue school
attendance until her health improved. Continues Ellen White:
EDUCATION
My health seemed to be hopelessly impaired. For two years I could not breathe through my nose, and was
able to attend school but little. It seemed impossible for me to study and to retain what I learned. The same
girl who was the cause of my misfortune, was appointed monitor by our teacher, and it was among her
duties to assist me in my writing and other lessons. She always seemed sincerely sorry for the great injury
she had done me, although I was careful not to remind her of it. She was tender and patient with me, and
seemed sad and thoughtful as she saw me laboring under serious disadvantages to get an education.
My nervous system was prostrated, and my hand trembled so that I made but little progress in writing, and
could get no farther than the simple copies in coarse hand. As I endeavored to bend my mind to my studies,
the letters in the page would run together, great drops of perspiration would stand upon my brow, and a
faintness and dizziness would seize me. I had a bad cough, and my whole system seemed debilitated.
My teachers advised me to leave school, and not pursue my studies further till my health should improve. It
was the hardest struggle of my young life to yield to my feebleness, and decide that I must leave my
studies, and give up the hope of gaining an education. 3
Graybill, assistant secretary to The White Estate and quite familiar with Ellen G. Whites
publications, reiterates Ellen G. Whites statements about her English composition skills and
restates that she needed constant help from others in order to complete her written projects:
Ellen White's facility with language did improve over the course of her life. As a matter of fact, though, she
always felt inadequate in expressing herself verbally in writing. She always had help from her husband and
others. One of the most dramatic statements about this is found in her diary back in 1873. She said that she
was very sad this particular morning; her husband was too feeble to help prepare her writings for the
printer. She says, "Therefore I shall do no more with them at present. I am not a scholar. I cannot prepare
my own writings for the press. Until I can do this I shall write no more. It is not my duty to tax others with
my manuscript." The next morning she wrote: "My mind is coming to strange conclusions. I am thinking I
must lay aside my writing I have taken so much pleasure in, and see if I cannot become a scholar. I am not
a grammarian. I will try, if the Lord will help me ... to become a scholar in the science [of grammar]. God
will help me. I believe He will." Manuscript 3, 1873.2
Olson also comments on a statement that Ellen G. White made two decades later, when
her age was 64, and in which she complained again about her inadequate language skills and
failure to express the Divine truths in the most eloquent manner:
Twenty years later, when Ellen White was 64 years old, she wrote this: "I know not how to speak or trace
with pen the large subject of the atoning sacrifice. I know not how to present subjects in the living power in
which they stand before me. I tremble for fear lest I shall belittle the great plan of salvation by cheap
words." Letter 40, 1892.
She felt the power of the message that she wanted to get across, and felt that she was totally inadequate to
do it. Two years later she lamented, "I am but a poor writer, and cannot with pen or voice express the great
and deep mysteries of God." Letter 67, 1894. Now when I read what she's written, I think it's marvelous.
But she felt she was in adequate. So she was always seeking for something better.3
Olsons equivocal statement appears to suggest that it was the tasks magnitude, and not
Ellen G. Whites English language composition skills deficit, that made Ellen G. White to feel
inadequate in the manuscript preparation for the press, but Arthur White removes this confusion
when he describes in detail the numerous and serious English composition errors in Ellen
Whites documents and the specialized work that the assistants or ghost writers were expected
to do in order to update Ellens scribbles to printing press level:
It was ever a source of regret to Mrs. White that her schooling had been very brief, and her knowledge of
the technical rules of writing was therefore limited. W. C. White says he clearly remembers the earlier
years of her work in Battle Creek, when James White, on coming home from the Review and Herald office,
would be asked to listen to what Mrs. White had written, and to help her in preparing it technically for
publication. Then, as she read to him, he would comment on the matter, rejoicing in the power of the
message, and would point out weaknesses in composition and faulty grammar.
Regarding such experiences, she made a statement in 1906 as follows: While my husband lived, he acted
as a helper and counselor in the sending out of the messages that were revealed to me. We traveled
extensively, sometimes light would be given to me in the night season, sometimes in the daytime before
large congregations. The Instruction I received in vision was faithfully written out by me, as I had time and
strength for the work. Afterward we examined the matter together my husband correcting grammatical
errors, and eliminating needless repetition. Then it was carefully copied for the persons addressed or for the
printer [emphasis added].- Mrs. E. G. White, in "The Writing and Sending Out of the Testimonies to the
Church," p. 4.
As time went on, the making of copies of numerous individual testimonies made it necessary to employ a
copyist, and as her husband could not give time to the technical correction of all her writings, the burden of
making grammatical corrections was often laid upon the copyist. Several persons were employed as literary
assistants in the years that followed. They copied the testimonies, prepared the articles for the periodicals
and the chapters for her books. Conscientious Christians only were chosen as literary assistants, and in their
work they adhered strictly to the instruction, which was given them regarding their part of the work.
It was well understood by the secretaries that only Mrs. White's thoughts were to be used, and even her own
words, as far as grammatically consistent, in expressing those thoughts. In no case was the copyist or editor
allowed to introduce thoughts not found in Mrs. White's manuscripts, in cases where paragraphs and
sentences lost some of their power because of faulty arrangement, the secretaries were expected to make
transpositions. They were also instructed to leave out that which was plainly unnecessary repetition. To
these rearrangements and omissions, Mrs. White gave careful attention.
Regarding the handwritten manuscripts that came from her pen, her literary secretaries say that they varied
markedly in literary perfection. Usually the original manuscripts written when she was not burdened with
travel and preaching, or full of anxieties connected with the conditions of the church, were found to be
beautiful, forceful, eloquent in expression, and with very few grammatical imperfections. But not a few of
the original manuscripts were written hurriedly when she was perplexed by cares and burdens, laboring
under the feeling that the manuscript must be completed quickly. At such times she paid little attention to
the rules of punctuation, capitalization, and spelling. There was much repetition and faulty grammatical
construction. She expected that these matters would be corrected by the copyist. Speaking of the work of
her helpers, Mrs. White, in 1900, made the following interesting statement about the part taken in her work
by Miss Marian Davis, who assisted her for more than twenty-years:
The books are not Marian's productions, but my own, gathered from all my writings. Marian has a large
field from which to draw, and her ability to arrange the matter is of great value to me. It saves my poring
over a mass of matter, which I have no time to do.-Letter 61a, 1900.
Another of her secretaries, at a later time, wrote as follows.
The editors in no wise change Sister Whites expression if it is grammatically correct, and is an evident
expression of the evident thought. Sister White as human instrumentality has a pronounced style of her
own, which is preserved all through her books and articles that stamps the matter with her individuality.
Many times her manuscript does not need any editing, often but slight editing, and again a great deal of
literary work; but article or chapter, whatever has been done upon it, Is passed back Into her hands by the
editor.-Fannie Bolton, in "A Confession Concerning the Testimony of Jesus Christ, written in 1901.
Perhaps in some minds the question may linger as to whether the writings, in passing through the hands of
the literary assistants, may not have been altered somewhat in thought, or have received additions to the
thoughts of the author. This question is clearly answered by written statements from several of Mrs. White's
helpers, found in our files.
D. E. Robinson, for many years a literary assistant, said in 1933:-In all good conscience I can testify that never was I presumptuous enough to venture to add any ideas of
my own or to do other than follow with most scrupulous care the thoughts of the author, 4
English language experts will be able to notice, though, that, in Arthurs Whites own
words, (1) Ellen G. Whites knowledge of the technical rules of writing waslimited, that her
husband, James White, indicated in her pages (2) serious English composition weaknesses, (3)
faulty grammar, and (4) needless repetition, that her editorial secretaries or rather ghost writers
had to search in her hand scribbles for text that was not (5) grammatically consistent, and for all
the written paragraphs and sentences that contained (6) faulty word arrangement and (7)
plainly unnecessary repetition. Arthur White also states that at times Ellen G. White paid little
attention to (8) the rules of punctuation, (9) capitalization, and (10) spelling, and that the pages
showed (11) much repetition and (12) faulty grammatical construction. These sentences and
paragraphs that Ellen G. White passed on to her editorial assistants for improvement required
advanced and comprehensive English language expertise that enabled the ghost writers to edit
and therefore alter Ellen Whites scribbles, and perform the needed error correction in order to
make those texts literate, legible, and so beautiful, which makes certain SDA church members
to consider them at times angelic.
Ellen G. Whites English Summarized
Some readers might doubt that errors such as those mentioned above could be detected in
Ellen G. Whites hand manuscripts, and that, indeed, her English language skills were less than
poor, and suspect that this documents writer must have a strong bias against the SDA prophet
that would make his criticism unreliable and his conclusions about the prophets language
abilities unreasonable. These readers are encouraged to examine Graybills personal conclusions
on the same issue:
With effort, Mrs. White could write neatly and compose clear sentences. Early in her career, most of her
letters went out in her own hand. But with editors to rely on, she devoted less and less attention to style,
grammar, and penmanship. She usually wrote in great haste and deep conviction. The result was a torrent
of thoughts uninhibited by the conventions of complete sentences and compact paragraphs. Robert Peel
said of Mrs. Eddy that Some of the writing seems to be a rush and tumble of words, as though the
writers thoughts were flooding ahead of her pen. Sentences are chaotic, punctuation erratic,
quotations inexact, meanings obscure.22 The words might be applied to Ellen White as well
[emphasis added].5
I had another representation. There was the imbibing of the liquid poison, and the words and actions under
its influence were anything but favorable for serious thoughts, clear perception in business lines, pure
morals, and the uplifting of the participants. . . .
I asked again, Who are these?
The answer came, A portion of the family where you are visiting. The great adversary of souls, the great
enemy of God and man, the head of principalities and powers, and the ruler of the darkness of this world is
presiding here tonight. Satan and his angels are leading on with his temptations these poor souls to their
own ruin: - E. G. White Letter 1, 1893.
In connection with these scenes Mrs. White heard the young men called by name as the heavenly visitor
pointed out the dangers of card playing, gambling, and drinking. Much was said by the angel, which Mrs.
White repeated in her earnest appeal to this family, as she placed before them that which had been revealed
to her in this vivid way.
Reas notorious book, The White Lie, contains multiple pages with testimonies that
provide evidence that numerous and often prominent contemporaneous SDA members and
church leaders were familiar with the massive and shameless theft from various sources in the
books, articles, pamphlets, and even the letters that Ellen G. White had published and had
claimed to have been inspired, unique, and original. States the writer:
No one now defending Ellen and her acts was living at the time of her activity. Not even Grandson Arthur
can be an acceptable witness. His grandmother was past eighty years of age when he was born. Whatever
work she had done for the church had been done without Arthur's observation or knowledge. Certainly
Ronald D. Graybill and Robert W. Olson (both of the White Estate offices) were not present and therefore
must be disqualified as reliable witnesses. Furthermore, all three have built-in biases and conflict of
interest. Their positions, reputations, and monetary compensation make them unacceptable in any court of
arbitration as firsthand or dependable witnesses. The only advantage they may have that others of our times
do not have is their access to material and information that they refuse to divulge.
But there were witnesses who did see and did express themselves They need to have their day in court, if
only in incomplete form.
1. John N. Andrews.
One of the church founders; studious writer; editor. A contemporary of Ellen White's, her friend and helper.
Some of his ideas and words were included in her printed material as she formulated her theology.
J. N. Andrews, who at the time was in Battle Creek, was much interested.
After one of the meetings he told her some of the things she had said were much like a book he had read.
Then he asked if she had read Paradise Lost.... A few days later Elder Andrews came to the home with a
copy Paradise Lost and offered it to her.16
2. Uriah Smith.
Editor of the Review during Ellen White's time, a personal friend of the Whites; a writer whose material
found its way into Ellen's theology in several of her books.
It seems to me that the testimonies, practically, have come into that shape, that it is not of any use to try to
defend the enormous claims that are now put forth for themIf all the brethren were willing to investigate
this matter candidly and broadly, I believe some consistent common ground for all to stand upon could be
found. But some, of the rule or ruin spirit, are so dogmatical and stubborn that I suppose that any effort in
that direction would only lead to a rupture of the body.17
3. George B. Starr.
Evangelist, minister, teacher, administrator. He accompanied Ellen White to Australia and always defended
her writings and reputation.
On leaving my room I passed Sister White's doorway, and the door being ajar, she saw me and called me
into her room, saying, I am in trouble, Brother Starr, and would like to talk with you. I asked her what
was the nature of her trouble, and she replied, My writings, Fannie Bolton.18
4. Fannie Bolton.
Editorial assistant to Ellen White in Australia. Often praised for her editorial and writing ability.
Discharged by Ellen.
I tried for years to harmonize what seemed to me inconsistency in the work with a worldly literary maxim
that requires an author to acknowledge his editors and give credit to all works from which he quotes. In
contending that Sr. White was not open about this matter, I supposed myself standing for a principle of
ordinary justice and literary honesty, and looked upon myself as a martyr for truth's sake. 19
5. Merritt G. Kellogg.
Friend of the Whites; half-brother of John Harvey Kellogg; probably the first Adventist to reach California
and hold evangelistic meetings.
In 1894 [in Australia] Mrs. White told me that in writing the Great Controversy, and preparing it for the
press, Marian Davis and Fanny Bolton had charge of it. She further told me that these girls were
responsible for certain things which went into that book in the shape which they did.... Mrs. White did not
tell me just what wrong was committed by the girls. I suppose the reason why she spoke to me on the
subject was because of the fact that Fanny Bolton had come to me.... I told her just what Fanny had told
me.... Now, said Sister White with some warmth, Fanny Bolton shall never write another line for me....
From that day to this my eyes have been open.20
6. John Harvey Kellogg.
Surgeon, inventor, health advocate, writer, lecturer, teacher, businessman. Longtime personal friend of the
Whites.
I do not believe in her infallibility and never did. I told her eight years ago to her face that some of the
things she has sent to me as testimonies were not the truth, that they were not in harmony with the facts,
and she herself found it out. I have a letter from her in which she explains how she came to send me some
things.... I know people go to Sister White with some plan or scheme they want to carry through under her
endorsement of it and stand up and say, The Lord has spoken, and I know that is fraud, that that is taking
unfair advantage of peoples minds and of people's consciences... and l have no sympathy with that thing,
and I told W. C. White so long ago.21
7. Mary Clough.
Niece; daughter of Ellen White's sister Caroline. Although not herself an Adventist, for a time literary
assistant, publicity agent, and helper with the White writings. Discharged by Ellen.
[George B. Starr quoting Ellen White] I want to tell you of a vision I had about 2:00 oclock this
morning.... There appeared a chariot of gold and horses of silver above me, and Jesus, in royal majesty was
seated in the chariot. I was greatly impressed with the glory of this vision.... Then there came the words
rolling down over the clouds from the chariot from the lips of Jesus, Fannie Bolton is your adversary! . . .
I had this same vision about seven years ago, when my niece, Mary Clough, was on my writings. 22
8. George W. Amadon.
Served fifty years in various capacities in the Review and Herald Publishing Association, and in the church,
in three cities. Friend of the Whites.
I knew a large share of it [How to Live] was borrowed.... [With reference to Sketches from the Life of
Paul] I said that Sister White never writes the prefaces to her books; I happen to know that others write
them; and I said it had been stated formally in the preface of the book that such things had been taken from
other works, that what had been copied verbatim ought to have been in quotation marks, or set in finer type,
or in footnotes or something of the sort the way printers generally do.... She never reads the proof.... Sister
White never in the Office sat down and read proofs properly.... You know in the days of the Elder James
White] how her writings were handled just as well as I do. 23
9. Arthur G. Daniels.
Minister, administrator; noted as one of the strongest leaders of the Adventist Church; president of the
General Conference 1901-22. Close personal friend of the Whites; in Australia.
Now you know something about that little book, The Life of Paul. You know the difficulty we got into
about that. We could never claim inspiration In the whole thought and makeup of the book, because it has
been thrown aside because It was badly put together. Credits were not given to the proper authorities, and
some of that crept into The Great Controversy - the lack of credits.... Personally that has never shaken
my faith, but there are men who have been greatly hurt by it, and I think it is because they claimed too
much for these writings.24
10. Benjamin L. House.
College professor of religion; present at the 1919 Bible Conference.
But such books as Sketches [from] the Life of Paul, Desire of Ages, and Great Controversy, were
composed differently, it seems to me, even by her secretaries than the nine volumes of the Testimonies. 25
11. W. W. Prescott.
One of Adventism's great educators; biblical scholar; Review editor; founder of two colleges, president of
three. Helped in amending and contributing to Ellen White's book material.
It seems to me that a large responsibility rests upon those of us who know that there are serious errors in
our authorized books and yet make no special effort to correct them. The people and our average ministers
trust us to furnish them with reliable statements, and they use our books as sufficient authority in their
sermons, but we let them go on year after year asserting things which we know to be untrue.... It seems to
me that what amounts to deception, though probably not intentional, has been practiced in making some of
her books, and that no serious effort has been made to disabuse the minds of the people. 26
12. Willard A. Colcord.
Minister, editor, religious liberty secretary of the General Conference.
This making use of so much matter written by others, in Sister White's writings, without quotes or credits,
has gotten her and her writings into quite a lot of trouble. One of the chief objects in the late revision of
Great Controversy was to fix up matters of this kind; and one of the chief reasons why Sketches from
the Life of Paul was never republished was because of serious defects in it on this ground.27
13. H. Camden Lacey.
Professor of Bible and biblical languages at five Adventist colleges; minister. Personal friend of the Whites.
Sr. Marian Davis was entrusted with the preparation of Desire of Ages andshe gathered her material
from every available source... She was greatly worried about finding material suitable for the first chapter
(and other chapters too for that matter) and I did what I could to help her; and I have good reason to believe
that she also appealed to Professor Prescott frequently for similar aid, and got it too in far richer and more
abundant measure than I could render.28
within the covers of these books was taken from other authors, and that if there had been no other authors
to copy, these four books could not have been produced with the information they now contain. In the last
year with the additional work done line by line page by page and chapter by chapter, it is now certain that if
every sentence was footnoted as should have been from the beginning, every page would have been proof
that all the material came from the books of Ellen Whites library.
All of this material which is now available to anyone wishing to find out truth for themselves, has been and
will be seen by Adventist and non-Adventist throughout the world by the thousands. The material does not
claim to be exhaustive in the research, but new findings will only add to the proof of how Ellen White used
others material to make her claims that all of it came from GOD. While what material has been found only
deals with a small fraction of the copy work of the life work of Ellen White, what has been discovered does
clearly reveal many things. Some of the conclusions that now have to be faced and still are not being faced
by the church leaders are:
a. That very little if anything in the Conflict Series came from Mrs. White or her visions that was
significant, and had not been expressed by others often in the language she claimed was given her by God
or His angels.
b. That not only the words, thoughts, form, expressions, Bible texts, but the speculations, suppositions,
imaginations, and conjectures of others writers became divine absolutes by carefully calculated and
deliberate design through the pen of Ellen White.
c. That in no way can the book Great Controversy as it was conceived and written by others before Ellen
White, be considered a divine revelation of the future but only a weak apology or justification for the
failures of the Millerite and early Adventist movement.
d. The manuscripts make positive that most if not all the criticism of the pen of Mrs. White and her work
had some validity, and that those [sic!] criticism must now be given new attention and new answers in the
light of the new discoveries.
e. It has been undeniably proven that much of what reached the final stage in the Conflict Series did not
come through the pen, inspiration, or work of Ellen White alone, but was given its final form, beauty and
intelligence by the effort, skills, and expertise of others, and that Mrs. White did not always supervise or
have the final words of what was drafted under her name. Others had enormous latitude and authority to
make changes that were often vital and significant. There is no way the church can prove that those five
books were the sole genius of Mrs. Whites effort or that GOD helped her write them. The church has also
admitted that the original manuscripts have been destroyed.
f. Finally, we must face, correct and change the false information we have been receiving over the last
century and a half, that is:
1. That Mrs. White was original. SHE WAS NOT.
2. That she was not influenced by her time or conditions or others. SHE WAS.
3. That she saw what she wrote from God. SHE DID NOT.
4. That she was truthful when she claimed she had never copied or used materials from others until after
she had written out her own thoughts or visions. SHE WAS NOT TRUTHFUL IN THIS STATEMENT.
5. That she always had the last overview of what she wrote. SHE DID NOT.
6. That everything she wrote came from God and was correct. IT DID NOT AND WAS NOT ALWAYS
CORRECT.
7. That what she did is excusable because of the Scriptures and Bible writers who also copied or because of
the pressures of her contemporary community. IT WAS NOT EXCUSABLE FOR ANY REASON.5
correct spelling and grammar, insert punctuation, reword sentences, and frame paragraphs. Passages were
to be assembled from different letters to form articles, and repetitious and extraneous material was to be
eliminated.25
When she could find enough skilled help, Mrs. White had one secretary to handle her correspondence,
another to transcribe sermons and prepare articles, and still another to prepare her books. From 1879
onward, Marian Davis was her bookmaker. She does her work in this way, Mrs. White explained:
She takes my articles which are published in the papers, and pastes them in blank books. She also has a
copy of all the letters I write. In preparing a chapter for a book, Marian remembers that I have written
something on that special point, and if she finds it, and sees that it will make the chapter more clear, she
adds it.26
Although Mrs. White wrote all the material her secretaries used, they relieved her of the laborious task of
rewriting as well as the creative work of condensing and arranging material for publication. They greatly
expanded the volume of her published writing and enabled her to present her views in clear, correct prose.3
Moon, though, presents a much more thorough editorial assistants list in a Lecture
Online document entitled Ellen G. Whites Use of Literary Assistants, that he introduces with
the statement: During her lifetime, Ellen White employed some 20 paid or unpaid individuals to
help her in preparation of her letters and manuscripts for mailing or publication.5 The editorial
assistants list Moon provides is rather inclusive and provides useful information to the readers
such as the dates within which these ghost writers worked for Ellen White, and the editorial
clearance the prophet gave them for their work, that is, how much independence these people
had to manipulate her illegible manuscripts. Moons chronological list starts with James
White and continues until Ellen Whites death:
IV. Categories of Literary Helpers
A. Family Members
Edson, you are at liberty to select from my writings the matter that is needed for the proposed simple
tracts and booklets for the southern field . . . You will know how simple to make the truth so as to be
understood and what portions to select . . . All that can be done should be done for the southern field
(Letter 86, 1895, in PM 209).
5. Son, W. C. White
a. Third of James and Ellen's 4 sons; younger of the 2 surviving sons (Moon, WCW, xii).
b. Of all the White family, Willie White was the most like his mother in temperament, viewpoints, lifestyle,
and agreement with her on all major issues. She came to trust him implicitly (WCW, 58-59, 66).
c. Ellen White began involving him in secretarial and perhaps editorial responsibilities when he was 19
(WCW, 63).
d. After the death of his father, W. C. White became his mother's most trusted confidant.
e. By 1881, when he was 27, he was acting as general supervisor of Ellen White's editorial staff (WCW,
112-113). He went with her to Europe and to Australia. She appointed him as the one primarily responsible
for the custody of her writings after her death, and he headed the White Estate from 1915 till his own death
in 1937 (See WCW, 451-456).
B. In-House Salaried Staff
1. At any given time, Ellen White would have between 6 and 12 employees working in her publishing
enterprise.
a. They would come, work for a period of time, then leave, and their places would then be taken by other
newcomers.
(1) Yet--significantly--Ellen White's literary style remained consistently unique through the years, though
there was a normal, gradual evolution in her style over her lifetime.5
Moon continues further in the Lecture Online document with an almost identical and
comprehensive editorial assistants list. This time the list focuses on the identities of the
editorial helpers that Ellen G. White used to ghost write her publications:
3. Identity of some of her helpers:
a. Marian Davis [1847-1904]; employed 25 years [1879-1904], and one of the longest serving).
(1) Ellen White called her my chief worker and my bookmaker. Her work is of a different order
altogether (3SM 91).
(a) She directed the Life of Christ (Desire of Ages) project as chief assistant.
(b) She also did major work in compiling MH and Ed.
(2) For biography see:
(a) Eileen M. Lantry, Miss Marian's Gold; PPPA, c1981, 80 pp.
(b) SDAE [1976]: 376, 377.
b. Other workers (during Ellen White's lifetime) included:
(1) Adelia Patten, who later married I. D. Van Horn, an evangelist, entered the White home in 1861 to help
care for the boys and assist Ellen White in preparing her writings for publication. Patten edited the Youth's
Instructor (1864-1867) and served as editor of and contributor to the 1864 composite work Appeal to the
Youth. She wrote the biographical sketch of the life and death of Henry White that preceded an edited
compilation of Ellen White's letters to her sons (See WCW, 3, 9 n. 1, 38 n. 4, and SDA Encyclopedia, art.
Van Horn, Isaac Doren).
(2) Miss E. J. Burnham.
(3) Miss Sarah Peck [1868-1968], SDAE [1976]: 1085.
(4) Miss Maggie Hare.
(5) [Mr.] Dores E. Robinson [1879-1957], SDAE [1976]: 1224.
(6) Miss Minnie Hawkins.
(7) Sister Tenney (wife [?] of George C. Tenney [1847-1921], SDAE [1976]: 1470.
(8) Miss Frances (Fannie) E. Bolton [1859-1926]: see Ron Graybill, The Fannie Bolton Story: A
Collection of Source Documents, White Estate, April, 1982, 122 pp.; see also The Sad Saga of Fannie
Bolton in Appendix A.
(9) Mrs. W. F. Caldwell.
(10) Charles C. Crisler [1877-1936], SDAE [1976]: 358, 359.
C. Professional Colleagues Acting as Consultants
Some read manuscripts and made suggestions on how to explain complex theological ideas insimplified
form; rearranged ideas, did minor rewording:
a. J. H. Waggoner [1820-89], SDAE [1976]:: 1563, 1564.
b. J. N. Loughborough [1832-1924], SDAE [1976]: 815, 816.
c. H. Camden Lacey [1871-1950], SDAE [1976]: 757.
d. Edwin R. Palmer [1869-1931], SDAE [1976]: 1070, 1071.
2. Some read manuscripts on health-related subjects % not to determine their veracity, but, rather, to see if
they could rephrase matters in ways more acceptable with contemporary medical professionals as well as
educated laymen:
a. J. H. Kellogg, see preface to Christian Temperance & Bible Hygiene (1890).
b. Dr. David Paulson [1868-1916], (SDAE [1976]: 1084) helped with MH, ca. 1905.
3. Some did assigned research on specific topics:
a. W. W. Prescott [1855-1944]: Education
(1) Commissioned to provide substitute historical quotations for 1911 ed. GC, to replace similar quotations
in 1888 (and earlier) editions from books now out-of print.
(2) He also presumed to submit a list of suggested changes for theological errors which he presumed to
find in earlier editions of GC.
(3) Ellen White accepted many of his historical suggestions, but rejected his theological suggestions.
(a) See biographical sketch SDA Encyclopedia; Gilbert M. Valentine, W. W. Prescott; SDA Educator,
Ph.D. dissertation, AU (1982, 2 vols, 659 pp.); portion reproduced in The Shaping of Adventism (AU Press,
1992, 307 pp.); Arthur L. White shelf document, The Prescott Letter to W. C. White (April 6, 1915): A
Statement, June 15, 1981, 41 pp.6
The information Moon has provided in his Lecture Online quoted above provides the
readers with a good idea about the editorial slaves Ellen G. White has used through about
seven decades in order to edit, prepare for the press, and publish the books, articles, letters, and
other documents for which she made high claims, took dishonest credit, and from which she
became rich and profligate. Brought together in one place, all these people would make a large
and heterogeneous platoon that stood at attention before her prophetic presence and
submitted themselves to her illegitimate and illegal orders.
grammatical corrections,18 Ellen had to resort to editorial assistants for the same editorial
work, that is, the burden of making grammatical corrections.19 That editorial work was needed
because often her sentences and paragraphs were not grammatically consistent,20 and also were
plagued with faulty arrangement,21and unnecessary repetition.22 Often, she paid little
attention to the rules of punctuation, capitalization, and spelling, 23 and there was much
repetition and faulty grammatical construction [in her paragraphs].24
We need to reiterate again at this point for increased emphasis Graybills expert
conclusion about the illiterate and inept rhetorical and grammatical features that characterized
Ellen Whites handwritten scribbles before the editorial assistants worked their astral and
phenomenal magic on her manuscripts:
With effort, Mrs. White could write neatly and compose clear sentences. Early in her career, most of her
letters went out in her own hand. But with editors to rely on, she devoted less and less attention to style,
grammar, and penmanship. She usually wrote in great haste and deep conviction. The result was a torrent
of thoughts uninhibited by the conventions of complete sentences and compact paragraphs. Robert Peel
said of Mrs. Eddy that Some of the writing seems to be a rush and tumble of words, as though the writers
thoughts were flooding ahead of her pen. Sentences are chaotic, punctuation erratic, quotations inexact,
meanings obscure.22 The words might be applied to Ellen White as well.25
Willie, recalled the early editorial process that took place between his parents. Ellen White would often
read aloud to James what she had just written. If her husband discovered weaknesses in the composition,
such as faulty tenses of verbs, or disagreements between subject, noun, and verb, he would suggest
grammatical corrections. These she would write into her manuscript and then read on.2
Willies first glimpses of the decisions involved in publishing also came in the home. Sometimes after
Mother had read to her husband an important personal testimony, the question would arise, What shall we
do with it? Besides the person for whom it was first written, the instruction it contains will be of service
to many others, he recalled his mother saying. How shall we get it before them? 3 27
wider audience, she specifically directed him to make minor changes as necessary to protect the identity of
the individuals originally addressed: All very personal [references] such as names must be left out (E.G.
White to M. K. White and W.C. White, January 6, 1879). She asked him not to shorten the material merely
for space considerations, but did authorize him to abridge if the composition would be helped by so
doing.
We would say to you, Make what corrections you deem necessary, but Father and I thought you should
not abridge unless the composition would be helped by so doing. That [which] we have received and read is
all right we think. We shall have more matter soon for the second testimony, No. 29, to follow immediately
[after] No. 28. The final product would be safeguarded by her practice of receiving advance proofs for her
approval before publication (E.G. White to W.C. White and M.K. White, January 2, 1879).
She also asked him and Mary to gather materials for her to use in her writing (E.G. White to W.C. White
and M.K. White, October 30, November 7, 1880). While the extent of W.C. Whites editorial involvement
in his mothers work during this period was small, he had already begun most of the editorial functions that
he would perform later.29
She takes my articles which are published in the papers, and pastes them in blank books. She also has a
copy of all the letters I write. In preparing a chapter for a book, Marian remembers that I have written
something on that special point, which may make the matter more forcible. She begins to search for this,
and if, when she finds it, she sees that it will make the chapter more clear, she adds it.
The books are not Marians productions, but my own, gathered from all my writings. Marian has a large
field from which to draw, and her ability to arrange the matter is of great value to me. It saves my poring
over a mass of matter, which I have no time to do (E. G. White to G. A Irwin, April 23, 1900).
When Marian had brought together her compilation of Ellen Whites writings on a topic, she would present
the compiled materials to Ellen White. Ellen White would look it over and write additional material as
required to unite the material compiled from her previous writings (E. G. White, A Tribute to Marian
Davis, MS 95, 1904).35
E. Another motivation was her goal to make her writings as perfect as possible so that educated readers
might not be repelled by deficiencies of grammar and syntax. For this reason, Ellen Whites most
experienced and trusted workers were authorized to rearrange the sequence of words and sentences and
even incorporate clarifying passages from other Ellen White manuscripts in order to improve clarity and
readability.37
(2) In 1888, it came out under the more familiar present title.
(3) In 1911, under the direct supervision of its author, GC was revised to its present form.
b. Twice in one paragraph of this letter she refers to my introduction, and my statement which was
contained within that introduction:
In my introduction to The Great Controversy you have no doubt read my statement regarding the Ten
Commandments and the Bible, which should have helped you to a correct understanding of the matter
under consideration. -- 1SM 24-25.
c. And in a 1900 letter to GC President G. A. Irwin (1897-1901) from Australia, EGW referred to the
literary production of DA, with particular reference to the role of Marian Davis, in these words:
The books are not Marian's productions, but my own, gathered from all my writings. Marian has a large
field from which to draw, and her ability to arrange the matter is of great value to me. It saves my poring
over a mass of matter, which I have no time to do.--Letter 61a, April 23, 1900; cited in 3SM 91.
2. The Testimony of Marian Davis: In a letter to W.C. White, Aug. 9, 1897, Marian Davis, chief project
coordinator of the Life of Christ (DA) Project team, referred to a letter received from C.H. Jones, longtime manager and president of the Pacific Press, who had been hounding her to get the DA manuscript in
to him immediately, as he had an exceedingly tight production schedule at that publishing house and
wanted to fit this book into it. Note, especially, the concluding sentence:
I received notice from C. H. Jones that it was planned to publish Desire of Ages in the spring of '98, and
in order to do this, all the copy must be in the hands of the printers as early as September, '97. From what I
learned of the artist's work, I cannot believe that the printers will be ready for the manuscript by September.
They have now 25 chapters, as finally revised. Twenty-five more we're prepared to send, but a few changes
will have to be made in them, as I finish the later chapters. For this I am holding them. . . .
Sister White is constantly harassed with the thought that the manuscript should be sent to the printers at
once. I wish it were possible to relieve her mind, for the anxiety makes it hard for her to write and for me to
work. . . . Sister White seems inclined to write, and I have no doubt she will bring out many precious
things. I hope it will be possible to get them in the book. There is one thing, however, than not even the
most competent editor could do--that is prepare the manuscript before it is written.--Cited in Sourcebook,
pp. H-6/33, 34.
3. The Testimony of W. C. White
Those who have been entrusted with the preparation of these manuscript[s], have been persons who feared
the Lord, and who sought him [sic] daily for wisdom and guidance, and they have shared much of His
blessing, and the guidance of His Holy Spirit in understanding the precious truths that they were handling.
And in answer to prayer, my memory has been refreshed as to where to find very precious statements
amongst mothers writings, that brought in connection with the manuscript at hand, would make a useful
article.
However thankful the copyist may be for this quickening of the mind and memory, it would seem to me to
be wholly out of place for us to call this inspiration,for it is not in any sense the same gift as that by which
the truths are revealed to mother.
4. Internal and external evidence attests that Ellen White was the real author of the books that bear her
name.2
to him immediately, as he had an exceedingly tight production schedule at that publishing house and
wanted to fit this book into it. Note, especially, the concluding sentence:
I received notice from C. H. Jones that it was planned to publish Desire of Ages in the spring of '98, and
in order to do this, all the copy must be in the hands of the printers as early as September, '97. From what I
learned of the artist's work, I cannot believe that the printers will be ready for the manuscript by September.
They have now 25 chapters, as finally revised. Twenty-five more we're prepared to send, but a few changes
will have to be made in them, as I finish the later chapters. For this I am holding them. . . .
Sister White is constantly harassed with the thought that the manuscript should be sent to the printers at
once. I wish it were possible to relieve her mind, for the anxiety makes it hard for her to write and for me to
work. . . . Sister White seems inclined to write, and I have no doubt she will bring out many precious
things. I hope it will be possible to get them in the book. There is one thing, however, than not even the
most competent editor could do--that is prepare the manuscript before it is written.--Cited in Sourcebook,
pp. H-6/33, 34.9
others material to make her claims that all of it came from GOD. While what material has been found only
deals with a small fraction of the copy work of the life work of Ellen White, what has been discovered does
clearly reveal many things. Some of the conclusions that now have to be faced and still are not being faced
by the church leaders are:
a. That very little if anything in the Conflict Series came from Mrs. White or her visions that was
significant, and had not been expressed by others often in the language she claimed was given her by God
or His angels.
b. That not only the words, thoughts, form, expressions, Bible texts, but the speculations, suppositions,
imaginations, and conjectures of others writers became divine absolutes by carefully calculated and
deliberate design through the pen of Ellen White.
c. That in no way can the book Great Controversy as it was conceived and written by others before Ellen
White, be considered a divine revelation of the future but only a weak apology or justification for the
failures of the Millerite and early Adventist movement.
d. The manuscripts make positive that most if not all the criticism of the pen of Mrs. White and her work
had some validity, and that those [sic!] criticism must now be given new attention and new answers in the
light of the new discoveries.
e. It has been undeniably proven that much of what reached the final stage in the Conflict Series did not
come through the pen, inspiration, or work of Ellen White alone, but was given its final form, beauty and
intelligence by the effort, skills, and expertise of others, and that Mrs. White did not always supervise or
have the final words of what was drafted under her name Others had enormous latitude and authority to
make changes that were often vital and significant. There is no way the church can prove that those five
books were the sole genius of Mrs. Whites effort or that GOD helped her write them. The church has also
admitted that the original manuscripts have been destroyed.11
There is no dispute that the five volumes in the Conflict Series that have been
published and circulated under Ellen Whites name and for which the prophet took undue
credit demonstrate a CONSISTENT LITERARY STYLE, but whose style is that if more than 80
% of the content in the five books, Patriarchs and Prophets, Prophets and Kings, The Desire of
Ages, Acts of the Apostles, and The Great Controversy, was plagiarized from other books? Ellen
Whites writing style? The original writers styles? A ghost writers style? To claim that the
plagiarized or stolen books reflect her writing style would indicate either sheer ineptitude or
blatant deception.
The obvious explanation for the consistent text productions in Ellen Whites published
works is that the same helpers, secretaries, or editorial assistants, compiled the five
volumes in the Conflict Series and therefore generated a consistent literary style all through the
books. There have been two secretaries or editorial assistants who spent almost all their lives
in Ellen Whites ghost writer book shopMarian Davis and Frances Bolton. Marian Davis
worked for Ellen White for 25 years, while Frances Bolton worked in Ellen Whites high-volume
bookshop, with small interruptions, also for a long period of time.12 Between the two of them,
these helpers, editorial assistants, or ghost writers could have insured the consistent and
invariable literary style Moon argues for in the books Ellen White took undue credit for.
While Ellen White herself could have plagiarized in coarse and illiterate longhand the
sentences, paragraphs, and chapters used in the books for which she took credit, her scribbles
still needed to be edited and shaped for the press. We must never forget that Ellen Write was
illiterate, that is, she could not write in a legible and coherent form, and did not have the skills
required to prepare a manuscript for publication. The bare fundamentals of her writing style were
as follows:
Because she acknowledged that she [was] not a scholar, that is, a schooled and literate
person, 13
1. She could not prepare [her] own writings for the press,14
2. Her knowledge of the technical rules of writing was [therefore] limited.15
3. She had weaknesses in composition and faulty grammar.16
4. Her texts contained needless repetition17
5. She paid little attention to the rules of punctuation, capitalization, and spelling, 18
6. There was much repetition and faulty grammatical construction [in her paragraphs].19
7. Because she used helpers, she devoted less and less attention to style, grammar, and
penmanship, and her writing devolved with time.20
8. Some of [Ellen Whites] writing seems to be a rush and tumble of words, as though
the writers thoughts were flooding ahead of her pen [emphasis added].21
9. [Her] Sentences [were] chaotic.22
23
Destroyed!!!!! The original manuscripts for the Conflict Series, states Rea, have been
destroyed, and the SDA church has admitted the fact!!! Where are, then, those preserved
handwritten manuscripts or autographsthe first draft of all her manuscripts [that] was
written in longhand and that are the indisputable evidence, today, that she was, indeed, the
author, that is, that she, indeed wrote ALL the books, articles, pamphlets, and letters published
in her name and for which she took credit? If the autographs for all Ellen Whites writings are
at the White Estate and available, then all the interested researchers should be able to see and
examine them. This is not the case, though! To the question,
Why hasnt Donald McAdams study of the Huss manuscript been released? What about
Ron Graybills similar study of material Mrs. White wrote on Martin Luther? 2The White
Lie, pp. 84, 85, 164.
The White Estate answered:
Ron Graybills Analysis of E. G. Whites Luther Manuscript was advertised in the White Estates catalogue
of Documents Available and was published for general distribution well before The White Lie was
published. Dr. McAdamss study of the Huss chapter in The Great Controversy is likewise available. What
has not been released for publication are a number of the pages of Ellen Whites handwritten draft of the
Huss manuscript as transcribed by Dr. McAdams.
This material was sent to all E. G. White Research Centers where it might be examined by any responsible
researcher. The reason it has not been published is that it was hastily prepared by Ellen White at a time
when she was not at all well. The handwritten draft is perhaps the poorest sample of her handwritten
documents available. If published, it could give a distorted picture of the quality of her work. Her work on
the Luther manuscript is more representative and thus has been published both in facsimile and typed
transcript in the Graybill study.28
The above statement from the White Estate indicates that the claim for unrestricted
access to the Ellen Whites manuscripts or autographs has been a lie, and that the unreleased
documents that are hidden in the vaults cannot be seen unless one is a responsible
researcher. What that means is that the decision who should see the unreleased materials or who
should use them for research is left to the White Estates absolute discretion. Such clandestine
behavior from the Ellen White trustees cannot but raise and augment the suspicions as to what
strange and bizarre testimonies are hidden in the White Estates dark corners.
3. Moon next three claims about Ellen Whites authorship are testimonies, or verbal
statements from Ellen White, Marian Davis, and William White that, indeed, the publications
credited to Ellen White are her own work:
Ellen Whites Claim
The books are not Marian's productions, but my own, gathered from all my writings. Marian has a large
field from which to draw, and her ability to arrange the matter is of great value to me. It saves my poring
over a mass of matter, which I have no time to do [emphasis added].--Letter 61a, April 23, 1900; cited in
3SM 91.29
That Moon resorts to such evidence indicates his desperation to defend a position for
which he has no factual evidence whatsoever. There is no doubt that Ellen White would not
denounce and incriminate herself if she committed an unethical or criminal act, and that William
White would defend his mother whenever he could and no matter what she did. As for Marian
Davis, an obedient slave in Ellen Whites ghost book shop, it would be absurd to believe that
she could report the prophet to the SDA members and reveal the unethical and illegal things
that occurred in the secret shop where blatant and shameless plagiarism occurred and where
Ellen Whites original and inspired books were compiled from multiple sources and
prepared for publication and for remuneration.
Editorial Assistant
James White
Work Span
1840s-1870s
Clearance
Unlimited
2.
Mary Clough
1876-1877
Limited?
3.
1874-1890
Unlimited
4.
1895-1896
Unlimited
5.
W.C. White
1872-1937
Unlimited
6.
Marian Davis
1879-1904
Unlimited
Specific Activities
Schoolteacher
Helped with Spiritual Gifts
Corrected grammatical errors
Eliminated
needless/excessive
repetition
Had written for newspapers
French major at BCC
Typesetter at R&H
Proofreader at R&H
Press worker
Wrote editorials and articles for Signs
Helped prepare for the printer
Testimonies vols. 1-5, as well as other
projects
Christ Our Savior selected chapters
from Ellen Whites Life of Christ
for Christ our Savior he rewrote the
DA chapters in basic English suitable
for beginning readers.
Secretarial and editorial work when he
was 19
Ellen Whites most trusted confidant
General Supervisor of Ellen Whites
editorial staff.
Custody of Ellen Whites writings
after her death
Ellen Whites chief worker
Ellen Whites bookmaker
She directed the Life of Christ
(Desire of Ages) project as chief
assistant.
She also did major work in compiling
MH and Ed.
7.
Adelia Patten
8.
9.
10.
11.
12.
13.
14.
15.
16.
17.
18.
19.
20.
21.
22
23.
Miss E. J. Burnham
Miss Sarah Peck
Miss Maggie Hare
Mr. Dores E. Robinson
Miss Minnie Hawkins
Sister Tenney
Miss Frances E. Bolton
Mrs. W. F. Caldwell
Charles C. Crisler
J. H. Waggoner
J. N. Loughborough
H. Camden Lacey
Edwin R. Palmer
J. H. Kellogg
Dr. David Paulson
W. W. Prescott
1861-
Unlimited
Consultant
Consultant
Consultant
Consultant
Consultant
Consultant
Research
Helped with MH
Commissioned to provide substitute
historical quotations for 1911 ed. GC,
to replace similar quotations in 1888
(and earlier) editions from books now
out-of-print
He also presumed to submit a list of
suggested changes for theological
errors which he presumed to find in
earlier editions of GC.
Ellen White accepted many of his
historical suggestions, but rejected his
theological suggestions.
important contributors to the books she published and from which she profited, Frances (Fannie)
Bolton and Marian Davis. These two women spent decades in Ellen Whites book shop, and
appear to be the ones the most responsible for the compiled works for which the Adventist
prophet took credit,the true book, article, pamphlet, and letter authors.
Fannie Bolton The Rebellious Servant
The little known unauthorized free press supplement to official Seventh-day Adventist
publications, Adventist Currents, whose editor is Douglas Hackleman, published in the Volume
1 Number 2 issue, dated October 1983, the curious, educational, and unauthorized biographical
narrative entitled Fannies Folly: Part I of the Unfinished Story of Fannie Bolton and Marian
Davis, to which Alice Elizabeth Greggretired, Acting Director of Libraries, Loma Linda
Universityis the reported author. This part one deals with what we did not know about Frances
(Fannie) Bolton and her work relationship with Ellen White. Gregg introduces her narrative with
paragraphs calibrated to intrigue the readers and captivate their attention:
Had Ellen White been prescient, she would never have employed Fannie Bolton or Marian Davis as her
editors. Nor would she have written the letters to Fannie and Marian that appeared in "The Fannie Bolton
Story: A Collection of Source Documents" released by the Ellen G. White Estate in 1982. But she did not
know the end from the beginning; and as a result, the struggle over the dark secret they shared was to
belong irrevocably to the annals of the Seventh-day Adventist church.
The barrage of words hurled from typewriter to typewriter, as can be read in that collection, barely gives a
clue that much of the drama took place in the harsh and beautiful continent of Australia - land of the
outback, the billabongs, the coolabah trees, and the koalas. The names of Cooranbong, Melbourne, and
Adelaide, dropped occasionally in the letters, are only incidental to the conflict between the antagonists in
the story.4
The biographical information about Frances Bolton provided in the narrative offers ample
clues for the reasons Ellen White wanted so much to use the talented woman in the ghost writer
book shop:
The Story, a quasi biography of Frances Eugenia Bolton, cites her birthday as August 1, 1859. Her death
certificate indicates that her birthplace was Chicago, Illinois. (1) Her father was a Methodist minister, and
she had at least two brothers. Her picture on the title page of The Story shows an attractive brunette with the
small, chiseled features that might please a cosmetologist.
Fannie was a June 18, 1883, graduate of the Preparatory School (high school) of Northwestern University
in Evanston, Illinois; and she delivered one of the commencement orations, "The Flight of the Gods." (2)
The Story indicates that she attended "Lady's Seminary" and/or "Evanston College." Whether she went
beyond the preparatory school at that time has not yet been substantiated. What is known is that after her
schooling she found work as a correspondent with the [Chicago] Daily Inter-Ocean, one of the predecessors
of the Chicago Tribune.
She was converted to Seventh-day Adventism in 1885 by George B. Starr, a minister at the Chicago
Mission. Fannie first met Ellen Gould White, Seventh-day Adventism's messenger, at the Springfield,
Illinois, campmeeting in 1887 when she was reporting for the paper. She was then twenty-eight years old.
Because of her background it was natural that she be asked to edit Ellen's sermons. According to Fannie's
account to a friend, Ellen was pleased with the way she made the sermons over for the press, and she
wished to employ her. (3)
Ellen had recently returned from Europe filled with ideas for writing books and articles. The Great
Controversy was finished. The Desire of Ages was a dream, and the Adventist periodicals were constantly
clamoring for articles. Marian Davis had been working for Ellen since 1879 and editing for her since the
death of James White, her husband, in 1881. But with the numbers of requests for articles, tracts, books,
and letters, Marian was staggering under the load. Ellen had to have more help, and Fannie was a likely
candidate.
William C. White, Ellen's son, and Dores E. Robinson, her grandson-in-law, recalled many years later that
Fannie "was recommended to her as a young woman of rare talents, of good education, and an earnest
Christian." The arrangement for employment was beneficial for both Ellen and Fannie, they wrote, and
Fannie "proved to be brilliant and entertaining, and, although somewhat erratic at times, was loved by the
other members of the family." (4) 5
The first surprise Frances had right after she was hired as an editorial assistant for Ellen
White was that the prophet did not live up to her own health reform instructions. States Gregg:
When Ellen left the campmeeting circuit to return to her home in California, she arranged for Fannie to
meet her and her party at the Chicago depot so that they could travel together. Ellen was "not with her
party, so Elder Starr hunted around till he found her behind a screen in the restaurant very gratified in
eating big white raw oysters with vinegar, pepper and salt," Fannie wrote; and on the same trip Willie
White brought into the car a "thick piece of bloody beefsteak" for Sara McEnterfer, one of Ellen's valued
employees, to cook on a small oil stove. These incidents were shocking to Fannie, who had "lived up to the
testimonies with all faithfulness discarding meat, butter, fish, fowl and the supper meal, believing that as
the 'Testimonies' say, 'no meat-eater will be translated.'" (5) 6
Due to Marians work overload, Frances had an immediate introduction to the multiple
responsibilities and the specific tasks that she was to perform as an editorial assistant, and
Ellen White was pleased with the manner in which the Frances discharged her duties:
When the party arrived in California, Fannie was given specific instructions regarding her assignment. She
was told at the outset that she was to work under the direction of Marian in preparing letters, or
"testimonies," as they were usually referred to, and in editing articles for publication. She was told also,
according to White and Robinson, that the "matters revealed to Mrs. White in vision, were not a word for
word narration of events with their lessons, but that they were generally flash-light or panoramic views of
various scenes in the experiences of men, sometimes in the past, and sometimes in the future, together with
the lessons connected with these experiences."
Likewise she was told about Ellen's tendency to make errors of mechanic (spelling, capitalization,
punctuation) and of syntax, to be repetitious, and to fall short of organizing her material well - all of which
the editors should correct, modify, or rearrange for clarity and effectiveness. (6)
Fannie enjoyed working on articles for publication, according to White and Robinson, but "she found the
copying of letters of reproof to be distasteful and revolting to her. She was heard to say that she wished
there were no such word as 'don't' in the English language." (7)
The first year of working with Fannie seemed a happy experience for Ellen. She wrote on February 13,
1888: "Fannie Bolton is a treasure to me. We are all harmonious, all working unitedly and in love." (8) 7
Soon after she started her work, though, Frances noticed an unethical practice in Ellen
Whites ghost shop, something that she knew as plagiarism, and she was persuaded that it was
her obligation to talk to the prophet about the matter. Ellens response to Frances honest
action was not praise, but, it appears, instructions to continue the editorial work in the fashion
in which it had been done before:
Fannie, however, was finding some aspects of her work appalling. Early during her employment she
showed Marian some material she was working on, and to her surprise Marian asked if she had compared
the chronology with Eidersheim or another standard religious writer. When Fannie told her that the Lord
was a correct historian, Marian replied that Ellen was not. In recounting the story for his paper, The
Gathering Call, Edward S. Ballenger later wrote that Fannie, on comparing, was "shocked and astonished
to face a paragraph exactly like the one in the articles she was copying, although there was no sign in the
articles of its being a quotation, and on turning a page found a whole page which in the articles was only
changed enough to prevent its being an exact quotation." Ballenger went on to explain that Marian tried to
reassure Fannie by saying that "the earth is the Lord's and the fullness thereof." But Fannie was not
satisfied. (9)
In the days that followed, Fannie found that many authors' works were used without credit. Nor was credit
given to Fannie or to Marian for their original work incorporated in articles going out over Ellen's name
and, moreover, represented as inspired of God. Thus Fannie found herself involved in something she
believed to be dishonest. Conscience-stricken and disillusioned, she brought the matter up with Ellen, in the
conviction that she ought to uphold the "principle of ordinary justice and literary honesty [and be] a martyr
for truth's sake." (10) There were golden rules for writing that were not being followed, she told Ellen.
What Ellen said at that time is not known or included in The Story, but evidently she was intractable,
inasmuch as Fannie retired to the typewriter and to doing the work assigned to her. 8
Ellen Whites improper and dishonest work ethics must have triggered a negative and
rebellious attitude in Frances Bolton. From that time on, the relationship between the two women
was on a roller-coaster. The prophet fired Frances multiple times for her disobedience, and
then rehired the valuable helper but Frances continued her rebellious behavior. What she
expected was to be recognized as the true writer for the books, articles, pamphlets, and letters
that she authored but which were credited to Ellen White:
After the 1888 General Conference meeting in Minneapolis, Ellen went to live in Battle Creek; and in
December Fannie and Marian were called from California. White and Robinson recollected that "on the
way to Battle Creek, Miss Bolton spent a week in Chicago. There she met many of her former
acquaintances, and found many things to remind her of old time experiences and ambitions. Soon after this
she made it known to her fellow-workers that she was not satisfied to spend all her life in handling the
thoughts and writings of another person. She had thoughts and ideas of her own, and longed to give
expression to them." (11)
Although Fannie went on working for Ellen, the situation continued to deteriorate. At last, not yet two
years after Fannie began working, White wrote to Charles H. Jones of the Pacific Health Journal on June
23, 1889, suggesting that it would be profitable for him to employ Fannie. "I believe that Sister Bolton is
much better qualified for work on a journal like the Pacific Health Journal," he wrote, "for in this she would
have more occasion for original work, and it would not demand the accuracy which our work on the Signs
must have." (12)
Since Jones obviously, for whatever reason, did not employ her, Fannie continued working for Ellen, trying
to "harmonize what seemed to [her] an inconsistency in the work with a worldly literary maxim that
requires an author to acknowledge his editors and give credit to all works from which he quotes" and
holding to "the position in [her] mind that Sister White should acknowledge her editors and every source
from which she obtained suggestion or expression." (13)
Fannie must have kept the subject of crediting authors and editors fresh before Ellen during those months,
for by the autumn of 1890 she was fired. Having found some courses that she wanted to take at the
University of Michigan at Ann Arbor, Fannie eased herself out of her job, with the exception of a few of
Ellen's manuscripts that she took with her to edit. About this, Ellen wrote that Fannie "asked for some
articles of mine to take with her to Ann Arbor, saying she loved the work. But I now think that she wished
to use the pretext that she was employed by me in order to gain the confidence of others because I trusted
her as my agent to prepare copy for my books. I see my folly now." (14) 9
Things continued to deteriorate between the two women, but Ellen White could not give
up on Frances Bolton because the editorial assistant was a talented, fast, and productive worker
in the ghost book shop. The things continued to deteriorate, though, between the prophet and
her editorial assistant to the point that Frances began to relate to people how she was the one
who wrote various documents that were published in denominational magazines under Ellen
Whites name:
A year later, in the autumn of 1891, the General Conference asked Ellen White to go to Australia. When
Sara McEnterfer unfortunately became ill with malaria, Ellen, to the surprise of others in the inner circle,
invited Fannie to go with her as a replacement for Sara. Ellen acknowledged later that "Fannie pleaded hard
and with tears to come with me [to Australia] to engage with me in the work of preparing articles for the
papers. She declared she had met with a great change, and was not at all the person she was when she told
me she desired to write herself and could not consent that her talent would be buried up in the work of
preparing my articles for the papers and books. She felt she was full of the matter and had talent she must
put to use in writing which she could not do connected with me." (16)
Once in Australia, Fannie settled into the work with her usual speed and efficiency. In a letter of October 7,
1892, she wrote that she had copied forty-two pages of the mail, had sent off seven articles for the Review
and six for the Signs, and had prepared four articles more since the mail had gone. (17) On May 4, 1893,
she wrote that she had rushed down town the day before and mailed eleven articles to Ellen - seven or eight
for the Youth's Instructor, one for the Signs, and one for the Review. (18)
When campmeeting time came in 1894 (January 5-28), Fannie was ready for a vacation. Campmeetings
were times for refreshing and exchanging experiences and views; and Fannie, a workaholic by nature,
looked forward to them. While she was there, it is likely that friends told Fannie how wonderful it must be
to work for such an inspired and brilliant writer as Ellen; and Fannie would have thought it was important
to put the record straight. "She talked much to friends and acquaintances in Melbourne about the
difficulties attending her work, and the faulty way in which some of the manuscripts were written," recalled
White and Robinson of the occasion. "Her estimate of the great improvements made by the editors was
dwelt upon, and the work of Mrs. White was belittled. Again she expressed her decided conviction that the
talents of the copyists and their work should receive public recognition." (19)
At the same time she told Merritt G. Kellogg, half-brother of John Harvey Kellogg and William K.
Kellogg, that she was "writing all the time for Sister White." Furthermore, she said that most of what she
wrote was "published in the Review and Herald...as having been written by Sister White under inspiration
of God...I am greatly distressed over this matter, for I feel that I am acting a deceptive part. The people are
being deceived about the inspiration of what I write. I feel that it is a great wrong that anything which I
write should go out under Sister White's name as an article specially inspired of God. What I write should
go out over my own signature[;] then credit would be given where credit belongs." (20)
The essence of her complaints, as Fannie would express it to Ellen later when she looked back, was: I
thought as I have always thought before, that you did not see my perplexity, or comprehend my trouble,
that it was your withholding of the truth about your writings in not acknowledging your editorial help, that
was at the bottom of all the perplexity, and that your work was not as you say the work of god ought to be,
as open as sunlight. [emphasis added]. (21) 10
Ellen Whites reaction to the open comments Frances Bolton made about the editorial
work in the ghost writer work shop was immediate, and in a divine form: a vision that the
helper was a danger to Gods work, personal attacks against the ghost writer, and negative
comments about Boltons character and intentions. Still, after Frances repented from the truth
she spoke about the unethical things that were done under Ellen Whites supervision, she was
hired back. The prophet could not give up on a helper or editorial assistant who had
proven herself so intelligent, so talented, and so skilled, and who had written so much and so
well for Ellen:
When Ellen found out that Fannie was revealing her working methods, she had a vision, according to what
she told George B. Starr: "There appeared a chariot of gold and horses of silver above me, and Jesus, in
royal majesty, was seated in the chariot.... Then there came the words rolling down over the clouds from
the chariot from the lips of Jesus, 'Fannie Bolton is your adversary! Fanny Bolton is your adversary!'
repeated three times." (22) Ellen wrote Marian also that she was "warned" that Fannie was her adversary.
(23)
On February 6, 1894, Ellen wrote Fannie: "Now, my sister, I do not want you to be any longer connected
with me in my work. I mean now, for your good, that you should never have another opportunity to do as
you have done in the past." (24)
The only reference Ellen made in that letter to the matter of her "copying" from other authors was: "should
I attempt to vindicate my course to those who do not appreciate the spiritual character of the work which is
laid upon me, it would only expose myself and the work to misconception and misrepresentation. to present
the matter before other minds would be useless, for there are but few who are really so connected with god
[who] see beneath the surface appearance as to understand it. This work is one that I cannot explain." (25)
Since she could not explain the copying - because to do so would disclose it - Ellen wrote ad hominem on
Fannie's character, about which she could say much: You are not a safe and capable worker. Your mind is
subject to changes; first it is elated, then depressed. The impression made by this frequent change is
startling. Self-control is not brought into your life. You choose a life of change, crowded with different
interests and occupations, therefore you cannot possibly put your life, as you suppose you have done, into
this work; you are most wonderfully deceived in thinking you do this.... All you engage in tastes so
strongly of the dish that it is not acceptable to God. (26)
On the same day Ellen wrote to her son Willie: Her love of ambition, her love of praise, and her idea of
her own ability and talent was the open door Satan had entered to not only ruin her soul, but to imperil the
work given me of God.... I am in a very grave perplexity and when I see how Satan works to take the very
ones who ought to be intelligent and sharp as steel to understand their position before God, and their
privileges and honor to have a part in the work, become disloyal, surmising, and whispering evil and
putting the same into other minds, it is time decisive measures are taken that will correct the disaffection
before it shall spread farther. (27)
Ellen spared no rhetoric in her invective during this period. She wrote to O.A. Olsen, the General
Conference president: Her ardent love for praise and ambition was very similar to that presented to me in
regard to the workings of Satan in the heavenly courts to bring disaffection among the angels. (28)
To Marian, she wrote: She becomes at times as verily possessed by demons as were human beings in the
days of Christ. And when these paroxysms are upon her, many think she is inspired of God. She is fluent,
her words come thick and fast, and she is under the control of demons. (29)
If she were converted, she wrote to George A. Irwin, soon to become the General Conference president,
she would have a clear understanding of the influence of her past misrepresentations of the work she has
done for me, and would confess some of her misstatements regarding it, which have been used by the
enemy to unsettle and undermine the faith of many, in the testimonies of the Spirit of God. (30)
To Willie, Ellen likened Fannie to Aaron and Miriam: Aaron had been mouth-piece for Moses, and
Miriam was a teacher of the women. But now come whisperings between the brother and sister in
murmurings and jealousies against Moses, and they were guilty of disloyalty, not only to their Leader
appointed of God but God Himself.... Those who give place to Satan's suggestions in their desperate efforts
in panting for recognition of talents they flatter themselves that they possess, will be so blinded by the
enemy that they will not discern sacred things in distinction from the common. In the same letter to Willie,
she said that Fannie was like Eve: Again the warning came, Fannie is your adversary, and is misleading
minds by entertaining the suggestions of Satan as did Eve in Eden. (31)
To Fannie on the same day she wrote, in the third person singular, about Fannie's likeness to Saul: My
prayer is that God will convert the poor child [Fannie], that she may understand the leadings of His Holy
Spirit. The character of Saul is a marked one. There was strength and weakness combined. Gifts of talent
were bestowed upon him, and had he consecrated these gifts wholly to God, he would not have dishonored
himself by his own transgression. (32)
Impaling Fannie thus on her sharp pen, Ellen was able to divert attention from the copying problem to
Fannie's character. Nowhere in the record does Ellen say to Fannie, Let's give credit where credit is due.
Let's do the right thing. The red herring assault on Fannie's personality was the perfect tactic.
Fannie was remorseful, to say the least, having just lost her job, and she wrote to Ellen: I can see just how
Satan has come and has always found something in me whereby he could work to harass and distress those
with whom I was associated. Self has never died fully and therefore a door was left for the entrance of the
enemy. The bottom of all my trouble has been self, and that is Satanic.... In doing the work, I have looked
at what was perplexing, and handling it day after day, have lost the real sense of its sacredness, and began
to look upon it from a literary standpoint alone. I don't know that it is quite just to put it in that way either;
for I have had a sense of what it was to me, and to all, above that of a mere literary matter.... My faith in the
testimonies is stronger today than ever, and I feel that I want to put my whole influence on the side of
upbuilding the faith of God's people in this great and sacred work. (33)
Ellen wrote back to Fannie the next day, on February 10, 1894: I received and read your letter, and assure
you that my heart is deeply touched by its contents. I accept your confession. As far as yourself and your
connection with me personally is concerned, I have and do freely forgive you. (34) Fannie was rehired on
the spot.
Whether this was startling to Ellen's cadre is not known. They knew that Fannie was good help, and Ellen
needed her help. Willie's letter to Edson, his brother, on October 25, 1895, confirmed that: She [Fannie]
has remarkable talent and handles mother's matters very intelligently and rapidly, turning off more than
twice as much work in a given time as any other editor mother has ever employed. (35)11
There is no doubt that Frances Bolton was traumatized and suffered all the time she
worked as an editorial assistant because she could not agree with Ellen Whites blatant
plagiarism practice and with the fact that the prophet took credit for work she had not
performed. Things got from bad to worse between Ellen White and Frances because Frances was
outspoken about all the conflict in the ghost writer book shop, but still Ellen White was not able
to manage without the editorial assistant that she had fired and hired again and again. In the
meantime Ellen White had to work hard to repair the damage Frances Bolton had caused to the
prophets reputation:
When campmeeting time rolled around in 1895 (October 17 to November 11), Fannie was there to meet her
Waterloo. Again she told her secret. Ellen wrote that she stood like a sheep bleating about the fold. (44)
The bleating and the romantic entanglement were too much for Ellen. Kellogg wrote Ballenger of Fannie's
report that she and Marian Davis had to go over the material copied from the books of other writers and
transpose sentences and change paragraphs and otherwise endeavor to hide the piracy, and as a result of
Fannie's objections, Ellen not only dismissed her but slapped her face. (45)
Finally, on November 12, 1895, Ellen wrote to Marian: I have given nothing into Fannie's hands, and
never expect to give her another chance to seek to betray me and turn traitor. I have had enough of talent
and ability to last me a lifetime. Again on November 29 she wrote to Marian, I have served my time
with Fannie Bolton. (46)
This was to have been the end of Fannie's term of service. Off and on, for a period of seven and a half
years, Fannie had worked for Ellen. Now, the once Christlike, brilliant, entertaining, talented,
educated, and productive Fannie had degenerated, according to Ellen's recriminations, into a poor,
shallow soul, a flashing meteor, a practicer of deception, a lovesick sentimentalist, a pretentious
actor, a poor, deluded, misshapen character, and a farce, and said she had become trying,
provoking, one-sided, impulsive, fickle, unbalanced, depressed, vacillating, and unselfcontrolled. (47)
Incredible as it may seem, Fannie was invited to work for Ellen a fourth time. As Fannie quoted Ellens
words back to her later, Ellen said that she had been told by an unseen presence on March 20, 1895, that
Fannie was to be taken back into the work: If she [Fannie] separates now from you, said the spirit,
Satan's net is prepared for her feet. She is not in a condition to be left to herself now to be consumed of
herself. She feels regret and remorse. I am her Redeemer, I will restore her if she will not exalt and honor
and glorify herself. If she goes from you now, there is a chain of circumstances which will bring her into
difficulties which will be her ruin. (48)
In 1900 Ellen wrote to Irwin giving the reason for asking Fannie back a fourth time: I now see why I was
directed to give Fannie another trial. There are those who misunderstood me because of Fannie's
misrepresentations. These were watching to see what course I would take in regard to her. They would have
represented that I had abused poor Fannie Bolton. In following the directions to take her back, I took away
all occasion for criticism from those who were ready to condemn me. (49)
But Fannie was broken in body and in spirit. The years of overwork and stress had taken their toll of her
less than robust physical and emotional health, leaving Fannie in no condition to work, and she decided to
return to America. Her ship sailed on May 10, 1896. 12
Even in Frances Boltons final confession the readers should be able to discern the
truth about what occurred in Ellen Whites ghost writer book shop, and about all the unfair and
unethical practices that dominated the work there:
The conflict might have died there, but Fannie talked again and again, wavering between loyalty to her
literary maxims and to Ellen and her work. In 1897 Ellen was still smarting from the reports when she
wrote to Fannie in April: I will cut off the influence of your tongue in every way I can, (50) and to the
Tenneys in July: Her imagination is very strong, and she makes such exaggerated statements that her
words are not trustworthy. (51)
Fannie had given the reason for her conflict in 1894. I felt that you were the servant of God, she wrote to
Ellen, and that I should be with you, there would be more hope of my salvation, than if I remained in any
other branch of work. I thought that were I editing your writings, I should be found in the time of judgment
giving meat in due season. (52)
Finally, in 1901, to the great relief of Ellen's supporters, Fannie wrote what they considered to be her true
confession: I thank God that He has kept Sister White from following my supposed superior wisdom and
righteousness, and has kept her from acknowledging editors or authors; but has given to the people the
unadulterated expression of Gods mind. Had she done as I wished her to do, the gift would have been
degraded to a common authorship, its importance lost, its authority undermined, and its blessing lost to the
world. (53)
The last letter Ellen wrote to or about Fannie, according to The Story, was the one to Irwin in 1900. She
was nearing age seventy-three, and Fannie was in her forty-first year. Perhaps Willie took over the
controversy at that time. He wrote to Stephen N. Haskell: It is no doubt a relief to you to write a few lines
in each letter about Sister Bolton [to Ellen], but unless there is some obvious good to be accomplished,
something definite to be done in response to what you write, it would be much pleasanter for Mother and
greatly for the advancement of her work if such unpleasant things were not mentioned. The loss of two or
three night's sleep over such a matter may deprive Mother of the strength which might have been used in
bringing out some very important general matter for the instruction of the churches. (54)
In 1911, when Fannie was fifty-two years of age, her emotional health broke, and she was admitted to the
Kalamazoo State Hospital. She was released after thirteen months (February 20, 1911, to March 18, 1912).
Less than two years before she died, she was admitted again for three months (October 9, 1924, to January
21, 1925). To Fannie's detractors, this was an indication that divine retribution was being meted out in the
here and now, and positive proof that she had been unbalanced all along.
Fannie was heard from off and on during the years following her employment with Ellen. As late as 1914
she wrote: I was with Mrs. White for seven and a half years like a soul on a rock, because of all kinds of
inconsistencies, injustices and chicaneries. (55)13
The SDA church leaders and theologians assure faithful church members that Frances
Boltons account is not credible and reliable because the damage the truth could cause to Ellen
Whites reputation would be too great if Frances statements were accepted. While those who
refuse to accept an inconvenient truth will insist that the facts presented in the above narrative
from Frances are fictional, the intelligent readers will be able to discern the truth and understand
that what caused Frances the distress that affected her health and ended her life too soon were the
lies and falsehood practiced in a place where she had hoped to find blessings and peace.
Marian Davis The Main Ghost Writer
Marian Davis was the second editorial assistant who spent more than two decades in
Ellen Whites book shop. Gregg states that Marian became what Ellen called her the
bookmaker.14
Marian Davis appears to have had unlimited clearance in reference to the editorial
work she performed for Ellen White. Olson describes her tasks as a helper in these words:
Marian Davis was one of those special people to whom Ellen White looked for more than routine copying
and editing. Marian was authorized to drop out needless words (p. 33, par 1) or at times to change words
when necessary (p. 22, par 1) She helped Mrs. White plan a good number of her books, from the first
chapter to the last (p. 39, par. 1).
Marian was Ellen White's "bookmaker" (p. 41, par. 1). She gleaned material, even isolated sentences (p. 28,
par. 6; p. 39, par. 1; p. 30, par. 4), on the life of Christ from Ellen White's diaries, letters, and articles (p. 44,
par. 3; p. 29, par. 0), which she pasted in scrapbooks. She drew material for The Desire of Ages from these
scrapbooks, the bound E. G. White books, and some longer manuscripts (p. 24, par. 4).
In organizing the material into chapters, Marian noted areas on which she had nothing from Ellen White's
pen. Apparently the two women had such a close working relationship that Marian felt free to make
suggestions to Mrs. White as to what she thought might be lacking from the book. Some of these
suggestions Ellen White accepted, but others she rejected. For example, while Marians advice regarding
the rock, when the water flowed, was accepted for an earlier book (p. 21, par. 1), her recommendation
concerning the building a tower and the war of kings was rejected. Ellen White declared she would not
write on these topics unless the Lord's Spirit seems to lead me (p. 25, par. 3).*
Marian also made suggestions to Ellen White with reference to Christ's struggle when tempted to use His
divine power (p. 26, par. 5), and the parables of the pearl and the net (p. 23, par. 6). While Ellen White no
doubt appreciated these suggestions, it was clearly she herself, and not Marian, who decided what topics
she would write on.
Not only did Ellen White do the initial writing, she also took full responsibility for every word which
eventually appeared in her books. She explained to her sister Mary, I read over all that is copied, to see
that everything is as it should be. I read all the book manuscript before it is sent to the printer (p. 44, par.
2). This clearly was her routine method of working. Marian Davis once remarked to Ellen White, Of
course, nothing will go that you do not approve (p. 30, par. 2).15
Gregg continues the same document structure that she has used in the first document that
dealt with Frances Bolton for the second narrative that describes the second principal editorial
assistant, or helper who worked for Ellen White, and starts with Marian Davis biographical
sketch:
The story of Fannie Bolton, Ellen G. White's most controversial literary associate, cannot be told
adequately or completely without the story of Ellen's longtime literary associate, Marian Davis.
Marian was born on August 21, 1847, at North Berwick, Maine, to Obadiah and Elmira O. Davis. Her
given name was Mary Ann, which she used until she was in her thirties. She was the oldest of four children,
Grace being the next younger, then Obadiah, and last Ella. If there are any extant pictures of Marian, none
has been found thus far. If she looked anything like her sister Ella, she had brown hair and a small, serious
face with pleasing features.
When Marian was four years old, her mother became a Seventh-day Adventist; and soon afterward her
father, who had been in California during the gold rush, also accepted the faith. In 1868, the year she was
twenty-one, she went with her family to Battle Creek, Michigan. Shortly after that, Marian accepted a
position teaching in a country school. Teaching proved to be so taxing that her health was affected, and she
had to stay home a year to recuperate. Later she took work as a proofreader at the Review and Herald
publishing plant.
Double tragedy struck the family in 1876. Grace died of "lung fever" on March 17, and then ten days later,
on March 27, their mother died. Marian and her father wrote the obituaries for the Review. (1)
In 1880 Ella married William K. Kellogg, owner of the W.K. Kellogg Cornflakes Company. Obadiah went
into business and became known for the durability of his electric water pumps.
When James and Ellen White took a wagon trip to Colorado in 1879, they invited Marian to accompany
them. Marian went by railway from Michigan to Texas to join the eight wagons already en route. The story
of the trip is told by Eileen E. Lantry in a children's book entitled Miss Marian's Gold. (2) Marian was
thirty-two years of age when she started the journey that was to be the beginning of a quarter century's
adventure to exotic and interesting places. When Ellen traveled - to California in 1882, to Europe in 1885,
again to California in 1887, to Michigan in 1889, to Australia in 1891, and again to California in 1900 Marian accompanied her to do her manuscript editing.16
The bookmaker had a rare dedication for her work, so much so, that she often asked for
clarification from Ellen White for the minutest details. This excessive focus on detail made Ellen
to complain sometimes about her helper to those in her immediate circle:
Marian was extremely conscientious about her work and would be very painstaking about bringing
numerous details to the attention of Ellen or Willie for clarification. This could be very annoying to Ellen at
times, as she wanted to get on with her "own thing," whatever it might be at the time.
On one occasion Ellen wrote to Mary, her daughter-in-law: "Willie is in meeting early and late, devising,
planning for the doing of better and more efficient work in the cause of God.... Marian will go to him for
some little matters that it seems she could settle for herself. She is nervous and hurried and he so worn he
has to just shut his teeth together and hold his nerves as best he can. I have had a talk with her and told her
she must settle many things herself that she has been bringing Willie.... She must just carry some of these
things that belong to her part of the work, and not bring them before him nor worry his mind with them.
Sometimes I think she will kill us both, all unnecessarily, with her little things she can just as well settle
herself as to bring them before us. Every little change of a word she wants us to see. I am about tired of this
business." (6) 18
For book compilations Marian looked for adequate sections or chapters in various
protestant works, and from sermon lectures. Although some narrow-minded church members
looked at her work as nothing more than mechanical, much thought had to be put into the
process that improved form and content for the books that were headed to the press:
Further, Marian herself was clearly searching, studying, and selecting pertinent material not from Ellen's
scrapbooks alone but from the works of other religious writers (Alfred Edersheim, William Hanna, John
Harris, Daniel March, Henry Melvill, to name some) and from various Adventist ministers she heard
lecture or obtained advice from in order to familiarize herself with the subject. Certainly it would follow,
then, that she would be anxious that the manuscript work resulting from her searchings, incorporating, and
organizing be scrutinized thoroughly. Whose work should be more carefully done than that of "the prophet"
speaking for God?
Zealous supporters of Ellen at times referred to Marian, Fannie, and others loosely as "copyists" (which
means their editing would be limited to "mechanics" such as correcting simple grammar, spelling,
punctuation) - thus subtly minimizing the associate. There are numerous pieces of evidence to indicate that
Ellen's literary assistants, by whatever title, in fact did what is called 'substantive editing' - that is, rewriting,
reorganizing, and suggesting ways to reinforce or modify the content - plus much more. Marian, who
researched for content ideas, organization, and expression and who attended to paraphrasing, was not called
"bookmaker" without reason.19
Not much longer after Marian began to work in Ellen Whites book shop, she noticed that
numerous materials that were supposed to be included in the books to be published contained
close paraphrases from different authors, and also direct paragraphs and book sections that Ellen
White had copied word for word from various sources. When the decision was made that the
copied material should not be included within quotation marks, Marian was distressed because
she understood that this was nothing less than blatant plagiarism:
The matter of using quotation marks for material drawn from the work of other religious writers eventually
came up for discussion. William C. White and Dores E. Robinson wrote: Mrs. White made no effort to
conceal the fact that she had copied from other writers, statements that exactly suited her purpose. And in
her handwritten manuscripts, most of the passages that she had copied word for word, were enclosed in
quotation marks. But there were also many passages that were paraphrased.... The question arose, How
shall these passages be handled? Much time would be required to study each passage and mark it
consistently. The printers were waiting for copy, and the public were waiting for the book. Then it was
decided to leave out the quotation marks entirely. And in that way the book was printed. (7)
Vesta J. Farnsworth, who was in Australia during the time Ellen was there, wrote that Marian had shared
in the decision to leave out quotation marks in the early edition of [The] Great Controversy and to the using
of the general acknowledgment in the Preface. Then when there came severe criticism for this, she, with
Sister White and her associates, felt it very keenly. (8)
That Marian was upset and weeping herself to sleep night after night eventually got back to the family,
according to Obadiah, and they worried about her because the health of their sister was not robust. (9)
Dudley M. Canright, one of Ellen's biographers, wrote that Marian was one day heard moaning in her
room. Going in, another worker inquired the cause of her trouble. Miss Davis replied: I wish I could die! I
wish I could die! Why, what is the matter? asked the other. Oh, Miss Davis said, this terrible
plagiarism. (10)
Farnsworth commented on that story: "If this be true, it is only one of the many things connected with her
[Marian's] work over which she was deeply distressed. Sister Marian Davis was exceedingly faithful and
conscientious in her labors, and felt keenly her responsibility in the work entrusted to her in connection
with Sister White's writings. She was frail of body and often low spirited. Many times she besought the
prayers and the counsel of her associates and fellow workers. And by the help of God she did a noble work.
She loved the work better than her life, and anything which affected it affected her." (11)
When Marian talked with Charles E. Stewart, a doctor in Battle Creek, she told him about her problems
with her editing. He referred to this incident, without divulging the person's name, in a lengthy letter that he
wrote to Ellen in 1907: "I am informed by a trustworthy person, that you in the preparation of your various
works, consulted freely other authors; and that it was sometimes very difficult to arrange the matter for
your books in such a way as to prevent the readers from detecting that many of the ideas had been taken
from other authors." (12) 20
When Frances Bolton came to work for Ellen White, she and Marian Davis shared
similar work clearances and assignments and often worked together on various book
assignments. Soon, Frances shared with Marian, her co-worker, the perspective that because the
two wrote in fact the books for which the prophet took credit, it would be right and fair that
their contributions be recognized and mentioned in the published books. This matter upset Ellen
White, and things never improved until Frances left the ghost writer book shop and Marian
worked again alone in the book compilation from different authors:
The work seemed to go fairly smoothly between Ellen and Marian until Fannie joined them. Then things
began to happen. Ellen wrote that Fannie would talk to my workers, especially Marian, and get her stirred
up so that I could hardly get along with Marian. She was like another person, infused with a spirit that was
excitable and unexplainable. (13)
What the editors talked about was the giving of credit to authors and editors. Fannie, according to Ellen in a
letter to Ole A. Olsen, General Conference president at the time, talked these things to Marian and Marian
has been led into much of the same views, but not to the extent of Fannie. (14) Fannie talked to various
ones about how the books were organized and written, and Ellen wrote, she presented the matter to them
in such a way that they thought injustice had been done to Fannie and Marian.... Fannie represented that she
and Marian had brought all the talent and sharpness into my books, yet [they] were both ignored and set
aside, and all the credit came to me. (15)
Fannie had created such a state of things in her representations, Ellen wrote to John Harvey Kellogg,
that you would have supposed her to be the author of the articles she prepared, and maintained that it
should be acknowledged that Marian and Fannie were in co-partnership with me in the publications bearing
my signature. (16)
Ellen finally brought this to a head one day in conversation with Fannie. She recounted the incident thus to
Willie: Should [my writings] be published Mrs. E.G. White, Fannie Bolton, and Marian Davis are a
company concern in these productions? oh, she says, I do not know, I do not know. I have been
tempted. I am full of pride. (17)
After Fannie was discharged, Marian, according to Ellen, became "just as peaceable as she used to be." (18)
However, when Ellen was upset with Marian, she was relegated from the "trustworthy bookmaker" to "poor
little Marian."21
Marian got sick and never recovered. He condition worsened, and she died. The remorse
she felt for the plagiarism she had committed while she worked for Ellen White in the ghost
writer book shop might have well contributed to her death. States Gregg:
Marians father died in Battle Creek on March 1, 1903. In May of the same year Marian attended the
General Conference meeting in Oakland, California. While she was there she caught a cold that settled in
her lungs, and she was hospitalized at the St. Helena Sanitarium and Hospital. Gradually she seemed to
recover from her lung problem, and she went back to work on Ellen's latest tome, The Ministry of Healing.
But her appetite and strength never returned. Finally, when she became so weak that she could no longer sit
at her typewriter, she was hospitalized again. Because she was unable to eat or sleep, she continued wasting
away and never recovered. (19)
According to Canright, it is said that before her death Miss Davis was greatly troubled over the connection
she had had with Mrs. White's plagiarism, for she knew how extensively it had been carried on. (20)
That Marian was troubled can be read in letters written to her during that time by Ellen, who was traveling
in the East. On August 24, 1904: Let not one anxious thought come into your mind. On September 16: I
am grieved that you are troubled in mind.... He [God] has no such feelings of condemnation as you
imagine. I want you to stop thinking that the Lord does not love you.... You need not think that you have
done anything which would lead God to treat you with severity. I know better. (21) Even on October 9,
when Ellen returned to California from her trip, she could not succeed in persuading Marian to eat.
At four oclock on the afternoon of October 25, 1904, Marian - who had made The Desire of Ages sing, and
who had given sinew and beauty to many other works for Ellen - was dead. Her funeral was held the next
day in the St. Helena Church, and she was buried at St. Helena. In attendance were her sister, Ella Kellogg,
and her niece, Beth Kellogg.
Willie wrote the obituary, a full column in length, for the Review. He described her as an efficient laborer
in the literary departments of our work.... [She] has been a most efficient and trusted worker, preparing for
the press tracts, pamphlets, and books, and articles for our numerous periodicals. As for the thoughts that
were troubling Marian at the time, Willie wrote that Sister Davis sometimes, during her sickness, mourned
because the imperfections of her work and experience, but at the last she grasped the firm promises of God,
and found peace and rest and joy in the Lord. (22) 22
The plagiarism suspicions continued to circulate among the SDA church members even
after the two principal editorial assistants died, and therefore much time, effort, and ink was
spent to repair the damage these two have caused to the Ellen White legend and to dispel the
mistrust in the claims that the books published under her name were based on visions and
angelic dictations.
Gregg enumerates nine different approaches that the White Estate took to defend Ellen
Whites plagiarism and to protect her false tale: (1) Ellen did not copy, (2) Ellen used the words
of only historians, (3) Ellen used the ad hominem approach, (4) Paraphrasing was said to be
acceptable a century ago, (5) Bible writers copied, (6) Ellen's copying was not illegal, (7) Ellen
was uninformed about literary standards, (8), God's words belong to everyone, and (9) The
words are not the important part of Ellens writings.23 The author, though, finishes her second
narrative with this thought:
Credit must be given to the White Estate, the Biblical Research Institute, and the President of the General
Conference for conceding that the amount of borrowing was greater than they had previously known.
(39) However, when the officials, apologists, and the Seventh-day Adventist Church at large can go that
one step further and acknowledge that Ellen was wrong to copy without giving credit to the sources used,
then the conflict recounted in The Unfinished Story of Fannie Bolton and Marian Davis will end.24
X. Conclusion
This research document provides adequate and reliable evidence for the conclusion that
the books, articles, pamphlets, letters, and other documents published under Ellen Whites name
and credited to her are not her original work, and their content was not received through divine
visions or through angelic dictations. Those printed materials are plagiarized compilations
derived from numerous and various published works, and those who have edited and organized
the plagiarized sentences, paragraphs, and chapters into new books, articles, pamphlets, and
letters are the Ellen Whites helpers, or editorial assistants who were forced to plagiarize
together with the prophet but did the work Ellen White could not do because she lacked the
English composition and editorial skills for such a workedit, correct, and prepare the
documents for the press and for distribution. The beautiful, or wonderful, language that
numerous SDA members consider the ultimate evidence that Ellen Whites publications are
inspired and divine, is human and natural, and originates from the helpers or editorial
assistants who ghost wrote her books.
In the SDA scholarship and folklore, Ellen White is described as creature larger than
life. The SDA Legend. The SDA Icon. The SDA Saint. The facts, though, are far from the
sectarian fiction that has captivated the SDA members gullible imaginations and has made them
claim absolute uniqueness as nonpareil members of an exclusive remnant that holds the
singular and unadulterated present truth among the past, present, and future religious
denominations.
The sad truth does not match the oversized, unconfirmed, and even bizarre claims that the
SDA church has made about Ellen White. The plagiarism accusations that the Ellen Whites foes
have made against her are also exaggerated. More recent factual evidence shows that Ellen
White plagiarized little and wrote even less because her basic English Composition skills were
far below standard or even average. The prophet could not write in legible longhand, could not
organize text in logical structures, could not edit sentences and paragraphs, could not prepare
documents for the press, and could not publish.
Those who did all the large scale plagiarism, that is, the massive authorial theft, from
countless books and other intellectual under Ellen Whites not so gentle and kind prophetic
guidance and encouragement or rather direct and undisguised coercion, were the more than
two dozen helpers, secretaries, editorial assistantsin fact GHOST WRITERSwho
sweated in Ellen Whites labor camp. The editorial assistants were also those who compiled
and organized the stolen material into books, articles, pamphlets, and letters, edited and prepared
the documents for the press, and readied them for publication.
What Ellen White did was to take undeserved credit for the works published under her
name, and to collect the enormous sums that resulted from the slave labor that took place without
pause in her book shop. The prophet, then made sure to waste her fortune on numerous real
estate assets, on excessive and extravagant travel, and on a lavished and pampered life.
The ghost writers were never credited, and were never rewarded for their massive and
diligent work that made her rich and famous.
In the end, the facts indicate that Ellen White was a guilt-free crook who believed that the
ends justified the means. Under the false claim that she was Gods messenger, Ellen deceived
and manipulated people, offended numerous SDA church members with false personal
testimonies, hated with a passion all those who refused to accept her bogus claims, denounced
all those who opposed her claimed prophetic gift and her lies, and denigrated, threatened, and
often attempted to cause financial ruin to those she considered her enemies.
The truthful and undeniable evidence that supports the statements made in this research
document is in the open and available to all those interested to know the White Truth, about
Ellen White, and the readers are invited to become acquainted with this evidence and accept the
factual and undistorted, but inconvenient and scandalous truth.
References
I. Introduction
1
Denis Fortin, Ellen G Whites Ministry in the Seventh-Day Adventist Church. Paper
presented at the conversation with the World Evangelical Aliance, Andrews University, August
7, 2007. Retrieved on December 30, 2014 from https://adventistbiblicalresearch.org/materials/
conversations-other-christians-world-evangelical-alliance-wea/ellen-g-white%E2%80%99sministry, 9.
2
Ellen G. White Estate. Questions and Answers about Ellen G. White. Retrieved on December
30, 2014 from: http://www.whiteestate.org/issues/faq-egw.html.
3
Idem.
Arthur L. White, Ellen G. White: A Brief Biography. Retrieved on December 30, 2014 from
http://www.whiteestate.org/about/egwbio.asp.
2
Ellen G. White, Life Sketches of Ellen G. White (Mountain View, California: Pacific Press
Publishing Association, 1915), 17-18.
3
Idem, 18-19.
The White Estate. MR No. 657-E. G. White Not a Grammarian. Manuscript Releases Volume
Eight [NOS. 526-663], page 448. Retrieved on December 30, 2014 from
http://text.egwwritings.org/publication.php?pubtype=Book&bookCode=8MR&pagenumber=448
2
J. Robert Spangler (Editor), Ellen White and Literary Dependency, Ministry, June 1980, 5.
Idem.
Arthur L. White, Ellen G White Messenger to the Remnant (Ellen G White Publications, 1956),
67-69.
5
Ronald D. Graybill, The Power of Prophecy: Ellen G. White and the Women Religious
Founders of the Nineteen Century (Unpublished doctoral dissertation). (Baltimore, Maryland:
Johns Hopkins University Press, 1983), 191-192.
Ronald D. Graybill, The Power of Prophecy: Ellen G. White and the Women Religious
Founders of the Nineteen Century (Unpublished doctoral dissertation). (Baltimore, Maryland:
Johns Hopkins University Press, 1983), 191-192.
2
Arthur L. White, Ellen G White Messenger to the Remnant (Ellen G White Publications, 1956),
67-69.
V. Plagiarism - Not Visions and Dictation
1
Walter T. Rea, The White Lie (Turlock, CA: M & R Publications, 1982), 199-200.
Idem, 200-203.
Idem.
Walter T. Rea. (2002, September 14), EGW: The Continuing Saga, San Diego Adventist Forum,
page 4.
5
Idem, 4-5.
Ronald D. Graybill, The Power of Prophecy: Ellen G. White and the Women Religious
Founders of the Nineteen Century (Unpublished doctoral dissertation). (Baltimore, Maryland:
Johns Hopkins University Press, 1983), 191-192.
2
Idem.
Idem, 192-193.
Ellen G. White S.D.A. Research Centre. Northern Caribbean University. Questions and
Answers. Retrieved December 30, 2014 from: http://egw-sdaresearch.ncu.edu.jm/qanda.asp.
5
Jerry Moon (2004), Ellen G. Whites Use of Literary Assistants. Retrieved December 30,
2014 from www.andrews.edu/~jmoon/Documents/.../03.pdf, 1.
6
Idem.
Arthur L. White, Ellen G. White: A Brief Biography. Retrieved on December 30, 2014 from
http://www.whiteestate.org/about/egwbio.asp.
2
Idem.
Ellen G. White, Life Sketches of Ellen G. White (Mountain View, California: Pacific Press
Publishing Association, 1915), 18-19.
4
Idem.
Idem.
Idem.
Idem.
The White Estate. MR No. 657-E. G. White Not a Grammarian. Manuscript Releases Volume
Eight [NOS. 526-663], page 448. Retrieved on December 30, 2014 from
http://text.egwwritings.org/publication.php?pubtype=Book&bookCode=8MR&pagenumber=448
9
Idem.
10
Idem.
11
J. Robert Spangler (Editor), Ellen White and Literary Dependency, Ministry, June 1980, 5.
12
Idem.
13
Arthur L. White, Ellen G White Messenger to the Remnant (Ellen G White Publications, 1956),
67-69.
14
Idem.
15
Idem.
16
Idem.
17
Idem.
18
Idem.
19
Idem.
20
Idem.
21
Idem.
22
Idem.
23
Idem.
24
Idem.
25
Ronald D. Graybill, The Power of Prophecy: Ellen G. White and the Women Religious
Founders of the Nineteen Century (Unpublished doctoral dissertation). (Baltimore, Maryland:
Johns Hopkins University Press, 1983), 191-192.
26
Jerry Moon (2004), The Editorial Process of Ellen G. White and Her Staff. Retrieved
December 30, 2014 from www.andrews.edu/~jmoon/Documents/.../03a.pdf, 1-2.
27
Idem, 2-3.
28
Idem, 3.
29
Idem, 3-4.
30
Idem, 6-7.
31
Idem, 7.
32
Idem, 8.
33
Idem, 9.
34
Idem, 9-10.
35
Idem, 10-11.
36
Idem, 11.
37
Idem.
Jerry Moon (2004), Ellen G. Whites Use of Literary Assistants. Retrieved December 30,
2014 from www.andrews.edu/~jmoon/Documents/.../03.pdf, 1.
2
Idem, 7-10.
Idem, 1.
Idem, 7.
Idem.
Idem, 8.
Idem.
Idem, 8-9.
Idem, 9.
10
Idem.
11
Walter T. Rea. (2002, September 14), EGW: The Continuing Saga, San Diego Adventist
Forum, pages 4-5.
12
Jerry Moon (2004), Ellen G. Whites Use of Literary Assistants. Retrieved December 30,
2014 from www.andrews.edu/~jmoon/Documents/.../03.pdf, 6.
13
The White Estate. MR No. 657-E. G. White Not a Grammarian. Manuscript Releases Volume
Eight [NOS. 526-663], page 448. Retrieved on December 30, 2014 from
http://text.egwwritings.org/publication.php?pubtype=Book&bookCode=8MR&pagenumber=448
14
Idem.
15
Arthur L. White, Ellen G White Messenger to the Remnant (Ellen G White Publications, 1956),
67-69.
16
Idem.
17
Idem.
18
Idem.
19
Idem.
20
Ronald D. Graybill, The Power of Prophecy: Ellen G. White and the Women Religious
Founders of the Nineteen Century (Unpublished doctoral dissertation). (Baltimore, Maryland:
Johns Hopkins University Press, 1983), 191-192.
21
Idem.
22
Idem.
23
Idem.
24
Idem.
25
Idem.
26
Jerry Moon (2004), Ellen G. Whites Use of Literary Assistants. Retrieved December 30,
2014 from www.andrews.edu/~jmoon/Documents/.../03.pdf, 8.
27
Walter T. Rea. (2002, September 14), EGW: The Continuing Saga, San Diego Adventist
Forum, pages 4-5.
28
Ellen G. White Estate. The Truth About The White Lie. Retrieved on January 11, 2015 from
http://text.egwwritings.org/publication.php?pubtype=Book&bookCode=TAWL&lang=en&page
number=12
29
Jerry Moon (2004), Ellen G. Whites Use of Literary Assistants. Retrieved December 30,
2014 from www.andrews.edu/~jmoon/Documents/.../03.pdf, 8-9.
30
Idem, 9.
31
Idem.
Jerry Moon (2004), Ellen G. Whites Use of Literary Assistants. Retrieved December 30,
2014 from www.andrews.edu/~jmoon/Documents/.../03.pdf, 1.
2
Idem, 5.
Idem, 4-7.
Alice Elizabeth Gregg Fannies Folly: Part I of the Unfinished Story of Fannie Bolton and
Marian Davis. Adventist Currents, Volume 1, Number 2, October 1983, 24.
5
Idem.
Idem.
Idem.
Idem, 24-25.
Idem, 25.
10
Idem.
11
Idem, 25-26.
12
Idem, 27.
13
Idem.
14
Alice Elizabeth Gregg Marian the Bookmaker: Part II of the Unfinished Story of Fannie
Bolton and Marian Davis. Adventist Currents, Volume 1, Number 3, February 1984, 23.
15
Robert W. Olsen, How The Desire of Ages was Written. An Introductory Statement to the
Document, Exhibits Relating to the Writing of The Desire of Ages, compiled by Ron Graybill
and Robert Olsen (Silver Spring, MD: Home Study International Press, 1979), 3-4.
16
Alice Elizabeth Gregg Marian the Bookmaker: Part II of the Unfinished Story of Fannie
Bolton and Marian Davis. Adventist Currents, Volume 1, Number 3, February 1984, 23.
17
Idem.
18
Idem.
19
Idem, 23-24.
20
Idem, 24.
21
Idem.
22
Idem.
23
24
Idem, 29.