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‘GEORGIA ONY alleyAn arrangement of a beautiful standard from one of the most
prolific composers of his day
‘oagy Carmichael’s songs nan through
‘the jazz repertoire like a watermark
His contribution was unbelievable:
songs like ‘Stardust’, I Get Along
Without You Very Well, ‘Thanks Eor
the Memory’ and ‘The Nea
You’ have been played and recorded by jazz
anists everywhere.
playing ‘Georgia on my Mind! in my
solo set for ye
ness of
sand it’s one of my favourite
Cammichae! compositions. I've shortened and
simplified ita litle here, but essentially this is the
version I recorded on my Artistry album,
The
to how the melody has a life of its own against
the plodding 4/4 ehythm of the accompaniment —
and you've got to play both pars simultaneously!
One thing a pianist has to cope with early on is
right and leit hand indepenidence; they're nearly
allways playing different parts and so the brain
has to adjust accordingly. But guitarists have an
additional problem; not only have we got
completely different functions to perform with our
left and right hands, we also have to build in
Independence within the right hand fingers and
‘hum. Just something extra to think about, but it
makes all the difference
break it down
‘Georgia on my Mind! is @ good tune with which
to stully basic syncopation — and it's a good
\workeut for the right hand fingers, too. If this sort
of thing is a problem then i's best to try to solve
ic with some technical exercises, rather than by
tuying to play a piece which incorpo
could! Even if you managed to work your wi
through the transcription and incorporated all the
syncopation, its likely thatthe end result would
bie that you could play this piece well, but the
same protilem would dog you when you try 10
play anything else like it Always try to isolate
Copyright 1930 Souther
these areas that need development and deal with
them in a purely businessike, technical way. By
doing this, you are allowing the technical side of
Your musicianship to develop; it will become a
means by which you can access lots of different
areas of music, and it’s important that you
consider it as pure technique and don't just
associate i¢ with a single particular piece.
To tain your right hand to play syncopation,
1 need to start with 2 4/4 thythm, using the
three right hand fingers (index, middle and ring)
with your thumb plucking the strings
simultaneously. Then try alternating between
thumb and! flagers, gradually introducing ‘of?
beats’ along the way. Eventually, it will become
second nature and you won't even have to think
about it But lke everything we learn, the process
has to be fully in the head before it eam start co
feel natural (think about the first time you drove
a cat or rode a bicycle)
See you next month, for
tune — this ime by Lennon a
other standard jazz
1d McCartney, st
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‘Georgia on my Mind: Words by Stuart Gorrell. Music by Hoagy Carmichael
‘eorported, USK CarrgbeConraly& Company Lin ted 8/9 Fri
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lam | september 1999 | guitar techniques | 47hoagy carmichael
“georgia on my mind’
‘guitar techniques | september 19992
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The Complete Guitar ayer AMG2902 published by Musi Sles Lt Avlate from all good muse stores and tet fram Music Sales Line,
{el 07284 725725, or onthe web at wnninteretmusestop com
‘Georgia on my Ming (Carmicnal =)
| september 1999 | guttar techniques | 51