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On: 25 May 2015, At: 16:06
Publisher: Routledge
Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House,
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Curriculum Studies
Publication details, including instructions for authors and subscription information:
http://www.tandfonline.com/loi/rpcs19
To cite this article: Richard Smith (1995) The Rationality of Practice, Curriculum Studies, 3:2, 209-215
To link to this article: http://dx.doi.org/10.1080/0965975950030207
REVIEW ESSAY
RICHARD SMITH
can give some kind of account of his procedures: he knows the how and the
why of what he does, and this makes him eminently suitable to be a teacher
of carpentry as well as a practitioner of it. The attraction of the model of
craftsmanship is partly that what counts as success here has relatively
clear criteria of success. The product is concrete and definable (it may well
be precisely defined by the customer). Outcome is all: you have to make a
good bed, not talk it. The enduring fascination of the 'craft model' can be
followed with no difficulty into modern conceptions of teaching, though
Dunne does not do this. Numerous books of the last twenty years in
particular have (rightly of course, as far as they went) encouraged students
and new teachers to 'hone their skills' and acquire 'the craft of the
classroom'. Most recently the qualities of the teacher have been defined,
officially and authoritatively, in terms of 'competences'.
The trouble with techne, however, is that it is essentially theoretical.
This sounds odd to our ears, used as they are to hearing practical skills
contrasted with the benighted abstractions of woolly theory. What Dunne
has in mind is that, for the Greeks, techne promises access to the universal:
not just that this medicine was good for Brown and Jones when they had this
illness, but that it is good for all relevantly similar persons similarly afflicted.
For many enthusiasts for behavioural objectives techne seems to offer the
same kind of certain knowledge: an algorithm or manual of procedures,
perhaps; at any rate a way of working that leaves 'nothing to chance'.
One of Dunne's central purposes is to restate and clarify what he takes
to be the Aristotelian distinction between techne and phronesis. Phronesis is
practical reasoning or practical wisdom. Its hallmarks are flexibility and
attentiveness to the details of the particular case (what Aristotle calls
aesthesis, translated by modem writers as 'perception' or 'situational
appreciation'; Dunne prefers 'perceptiveness"). It is characterised by
'sensitivity and attunement' towards, rather than a concern for mastery or
domination of, its subject-material (p. 256). Rather than being a purely
intellectual process occurring before, or separable from, experience (such as
we might now mean by 'theorising") it is exercised in the course of experience
and involves being open to experience. To adapt one of Dunne's examples
(p. 304), a teacher shows phronesis when responding to a pupil who is
misbehaving. Is the child bored, insufficiently stimulated, driven by
pathological fear of failure not even to try? No general explanatory knowledge
will suffice here: there is no general principle that all children who misbehave
do so because their work is not interesting enough The teacher must be
responsive to the case of this particular pupil, in this particular class here
and now. And she must be aware too of the quality of her own
responsiveness, conscious that late in a trying day she may be more ready
than usual to see the pupil as merely tiresome. In this way the exercise of
practical wisdom is irreducibly ethical, involving the question of what kind of
character the teacher has, what kind of person he or she is, rather than what
'skills' he or she is exercising. There are no rules to follow here. If the person
of good practical judgement uses principles then it is in the way a judge uses
them: for the judge, laws are best thought of as summaries of previous wise
210
RICHARD SMITH
such action is politics, and Dunne, like some other recent writers, would
have teaching fit the same paradigm: teaching does not, indifferent to the
means, aim at pre-specifiable outcomes. The good of teaching is realised in
teaching, which must be characterised in a certain way as an activity and
not through its 'products' merely. But Aristotle is happy to talk of the
doctor, as well as the navigator, as having a techne: their ends are the
restoration of health or reaching the destination (cp. Mackenzie, 1991). Yet
Dunne seems to regard the doctor and the navigator as major exponents of
phronesis, the latter especially as he must deal with the 'limitless' sea which
is the archetype of that which cannot be brought within the compass of
fixed rules (cp. pp. 362-364). Dunne's proposed solution is to interpret
Aristotle as including under techne some activities 'which can scarcely be
said to be technai at aW (p. 258), as if Aristotle envisaged 'a kind of scale in
respect of the degree of complexity of individual cases within their general
rules and prescriptions', medicine and navigation being at the lower end of
this scale and bearing comparison rather than contrast with phronesis (p.
260). However, there is no real textual warrant for this assertion, and
Aristotle explicitly contradicts it. A related difficulty is that the craftsman is
said to differ from the agent of praxis in that the former is not significantly
'invested' in what he does. The 'practitioner' on the other hand 'is
constituted through the actions which disclose him both to others and to
himself as the person that he is' (p. 263). A teacher, we might say, identifies
herself with her teaching, and her teaching is an expression of herself:
Children learn something of what it is to be a grown-up human being from
their teachers as well as the overt subject-matter of the lesson. The
craftsman does not in the same way 'put himself into his work'. But this is
untrue; it is an instance of the denigration of manual work that haunts our
culture. Our gardens or the rooms we decorate reflect the kind of person we
are, and one reason that we value craft-activity (as hobby or do-it-yourself)
seems to be that we can 'put ourselves into it' in a way that is becoming
increasingly impossible with such paid work, often unskilled, managerial or
supervisory, as we can now find. The craftsman moreover cultivates virtues
such as patience and accuracy, and needs to be aware, at the margins of his
vision, of what qualities he is bringing to the task in hand - a tendency to
dwell overlong on a pleasant part of the work, perhaps - as much as the
teacher whose excellence consists partly in being aware of the quality of
her own responsiveness (see above).
There are grounds, then, for thinking that the notion of techne with
which Dunne wants to contrast phronesis is a misleading one. A further
problem here is that Dunne wants to follow Aristotle and Plato in regarding
techne as 'strikingly theoretical': that is, the person who possesses techne
knows 'the why and the cause', can construct generalisations and spell out
procedures. When Dunne comes to apply all this to the praxis of teaching, it
is an unfortunate consequence that because he does not want to see
teaching as a techne he is led to reject 'educational theory' in favour of
immersion in practice as a solution to the question of how the phronesis of
the teacher is to be acquired, very much as though 'theory' and 'practice'
213
RICHARD SMITH
Correspondence
215