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FABRIC
FORM
SURFACE + STRUCTURE + MATERIAL ASSEMBLY
14
15
2011 SCI-Arc
Southern California Institute of Architecture
All rights reserved.
No part of this book may be reproduced in any form without written
permission of copyright owner except in the context of reviews.
Southern California Institute of Architecture
960 E. 3rd Street
Los Angeles, CA 90013
Main: (213) 613 2200
Fax: (213) 613 2260
www.sciarc.edu
INSTRUCTOR:
Marcelo Spina
TAs:
Al Ataide + Robbie Crabtree
GRAPHIC DESIGNER:
Ryan Tyler Martinez
STUDENTS:
Evan Emery, Benjamin Farnsworth, Ryan Tyler Martinez,
Makenzie Murphy, Stefano Passeri
PRINTING:
Blurb
www.blurb.com
TYPEFACE:
Apex New: Book, Medium
Apex Serif: Book, Book Italic
Soho Gothic Pro: Regular, Medium, Bold
ADVANCED TECTONICS:
FABRIC
FORM
CONTENTS
09
RESEARCH
21
PRECEDENT STUDIES
27
PROCESS
61
FINAL CONSTRUCTION
RESEARCH
By
ROBERT P. SCHMITZ , P . E .
BACKGROUND
in an architectural application was the late Spanish
architect Miguel Fisac with his 1970s design of
the Juan Zurita residence in Madrid, Spain . His
use of rope and plastic sheeting to create these
RESEARCH
09
10
RESEARCH
BASIC PRINCIPLES
11
12
panel.
RESEARCH
13
14
(C.A.S.T. brochure)
INTERNATIONAL RESEARCH
systems.
C.A.S.T. students explore full-scale construction
RESEARCH
15
16
RESEARCH
17
18
flexible formworks.
and is reusable.
filtering action.
prismatic shape.
The development of a fabric formwork system has
Further Information
topic: www.fabric-formedconcrete.com.
Manitoba, Canada.
Fiberglass rebar
E-mail: westm@cc.UManitoba.CA
Carbon-fiber grids
RESEARCH
19
20
PRECEDENTS
14
15
PRECEDENTS
23
24
Brendon Carlin and fellow students at the Architectural Association Design Research Laboratory
PRECEDENTS
25
26
Kyle A. Sturgeon, Chris Holzwart and Kelly Raczkowski from the University of Michigan
PROCESS
14
15
PROCESS
06
07
08
05
04
09
03
29
10
30
01
02
FABRICATED
KIT OF PARTS
FABRIC FORM
PROCESS
31
32
TENSION CABLE
ARMATURES
FINISHED
FRAME WORK
Once we decided on using latex as the main formwork medium, we began exploring the potential of pouring a thick
solution of water and plaster into the membrane. These tests, realised with nDynamics and finished off in Rhino, consider
a play between bulging flexible material and creating a sense of constraint through more rigid components. They also take
into account the possible effect produced by stretching portions of the formwork with string or thin cables.
PROCESS
33
34
CASTING METHODS
+ CONSTRUCTION
TYPICAL FABRIC
BEFORE CASTING
REACTION TO FORCES
BROUGHT ABOUT BY CONCRETE CAST
PROCESS
35
36
ADDITIONAL INTERFERENCE
INTRODUCED BY ADDING
TENSION ELEMENTS
Detail diagrams of connections between formwork, additional constraints and external frame.
PROCESS
37
38
Detail 01
PROCESS
39
40
Detail 02
DuraTex is a medium weight, commercial grade nonpermeable fabric. Developed as our most economical
polyester based fabric
UNITED STATES
Polyesters Strength, durability, cost, and stretch
Monolithic Dome Institute / Monolithic Constructors,
Inc. Website
Arro Design, VT - Sandy Lawton, Architect
(application of fabric form work to
concrete structures)
Ellendale Concrete Products, LLC, Doug Muckey
(application of fabric column forms in
developing countries)
Sure Safe Industries, San Diego - Art Angello
(application of fabric footing forms to HUD Code and
Modular Housing)
CANADA
A successful fabric form member is derived based
Richard Fearn, Fab-Form Industries Ltd. (fabric formed
and durable.
PROCESS
41
42
PROCESS
LATEX GLOVE
MEETS
PLASTER
PROCESS
45
46
PROCESS
47
48
Deformation Armatures
PROCESS
PROCESS
49
50
PROCESS
LATEX SYSTEM
MEETS
PLASTER
PROCESS
53
54
The articulation of the connected gloves required multiple pours to avoid rupturing the
latex. This limit produced an interesting effect where the layering is visible.
PROCESS
55
56
PROCESS
57
58
PROCESS
59
60
FINAL CONSTRUCTION
36 x36 Latex Sheets. Typologies of stitched constraints to control the flow of the plaster
LINE
STITCHING
CROSS POINT
STITCHING
RADIAL
STITCHING
FINAL CONSTRUCTION
TOP
FORM
BOTTOM
FORM
63
64
PERIMETER
STITCHING
INTERIOR
STITCHING
FINAL CONSTRUCTION
ATTACH TO
FRAME
65
66
Conceptual Renderings
FINAL CONSTRUCTION
67
68
FINAL CONSTRUCTION
69
70
FINAL CONSTRUCTION
71
72
Final pour within the formwork. It can be noted how the flat ends of the three legs would
be suitable for assembly in a modular fashion. Turning the object upside-down in the desired
orientation would create an unusual effect by means of inverting the visual effect of gravity. The
most bulged parts would e at the top and sit on thinner legs.
FINAL CONSTRUCTION
73
74
FINAL CONSTRUCTION
75
76
Details of the final pour after the extraction from the formwork. Even though the
overall composition was, our intent is reflected in many of the details that preserve the desired
characteristics. The main issue with the extraction turned out to be the excessive amount of
constraint stitching in the area between the legs and the dome, which made the connection too
thin. However the effect of bulging versus tapering can be understood on p78, while many of the
surface effects that were planned are visible on p.76, 77 and 79
FINAL CONSTRUCTION
77
78
FINAL CONSTRUCTION
79
80