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The
Book 2
The journey continues upwards into the middle register with new notes,
sharps, flats and more great tunes.
Book and
Audio Set
The
Andrew Scott
Flute
Method
Book 2
by
Andrew Scott
Visit me on the web:
andrewscottmusic.com
Contents
Lesson 1
Lesson 8
Lesson 2
Lesson 9
The Note C in the Middle Register .................. 32
The C Major Scale .......................................... 32
10 exercises and songs including
The Ash Grove, The Orange and
the Green and
Sleeping Beauty Waltz ........................... 32-35
Lesson 10
Lesson 3
The Note A in the Middle Register................... 12
The A Natural Minor Scale .............................. 12
10 exercises and songs including
God Rest Ye Merry Gentlemen,
All Through the Night and
Morning Has Broken ................................ 12-15
Lesson 4
Lesson 5
Lesson 6
The Sixteenth
Note (or Semiquaver) ............... 22
2
The 4 (Two Four) Time Signature .................. 23
The Eighth (or Semiquaver) Rest .................... 25
12 exercises and songs including The
Arkansas Traveller, The 1812 Overture
and The William Tell Overture ............... 22-26
Lesson 7
The Dotted Eighth Note (or Dotted Quaver) ... 27
8 exercises and songs including Here
Comes the Bride, Grenadiers March
and English Country Gardens ................. 27-30
Fingering 43
Chart ........................................................... 42
Glossary ...................................................... 43
Tuning the Flute .......................................... 44
Lesson 1
The Note G (in the Middle Register)
space above
the staff
same fingering
Remember to tune your flute to the CD before you begin each playing session.
Forgotten how to tune up? See page 44.
Tuning
Middle G Exercise 1
Track 2
Middle G Exercise 2
Track 3
Middle G Exercise 3
Track 4
Track 5
Waltz Style
Track 6
Botany Bay
5 beats introduction.
Track 7
Beautiful Dreamer
Track 8
Stephen Foster
Country Waltz Style
Scarborough Fair
Track 9
Track 10
Track 11
3 beats introduction.
Track 12
Bossa Nova Style
Lesson 2
top line of
the staff
same fingering
Middle F # Exercise 1
Track 13
Remember that a sharp sign at the beginning of a staff applies to all the F notes in the
piece.
Middle F # Exercise 2
Track 14
Samba Style
The sharp sign in the key signature applies to all F notes on the staff - those on the top
line as well as those in the first space. All the notes in this exercise are F .
Track 15
Track 16
Alberti Style
Sakura
Track 17
Cruisin
Track 18
11
Lullaby
Track 21
Johannes Brahms
Bossa Waltz Style
5 beats count-in.
12
1st ledger
line above
the staff
same fingering
13
14
15
Reville - Key of F
Track 30
March Style
3 Counts Introduction.
Track 31