fl

1
3
=
=

HOT MIKADO

=r

\l

a
a

Music Adapted and Arranged by

ROB BOWMAN

=r
=r

=r

F
F
F
F

Fr

F
F
F

Book and Lyrics adapted by

DAVID H.

BELL

Based on "The lvtikado"

by W.S. Gilbert and Anhur Sullivan

Originally Produced at
Ford's Theatre, Wasfringlon, D.C.
FRANKlE HEWITT,

Producing Director.

P
P

ts

F
F

DRUMS

/ PERCUSSION

Josef Weinberger Limited

12 - 1,4 Mortimer Street, London, W1T 3l]

Tel: 020 7580 2827 Fax: 020 7436 9676

a
DRUMS / PERCUSSION / TIMPANI

=
=

HOT MIKADO

a
=t

a
a
a
=t
=t
=r

t
Y
v

Music Adaptated and Arranged by

ROB BOWMAN

Book and Lyrics adapted by

DAVID H. BELL

Originally Produced at Ford's Theatre, Washington, D.C.,

Frankie Hewitt, Producing Director
Based on "The Mikado" bv WS Gilbert and Arthur Sullivan.

No.

Moderato
lTr'fi:l

l OPENING

Percussion

G&Smoltorit.

=t
=,

sub.p

=t

a
:t
:t

to drums

Fr
F

,6 rit.
|/l

P
F
I

Fr

b
I

ts

rp
L

1995 by

David H. Bell and Rob Bowman

F^

Bluesy 3am
(A. Sax solo)

t..

tG
17

A tempo

(On-Stage Fingersnaps)

a\a

F
\

Bright 2lKrupa-Style

43

E.

r;l

solo
r=------

(1st pose)

Luvm.l

>
I

(2nd pose)

ts

(3rd pose)

(4th)

c
G

ITI

(no-,)

G
G
G

(no accent)

(Black Bottorn)

E---=--l

lL.

ronLl

C
G
F
G
G
G
G
G
G
G
G
G
G

t
G
G

e
e

IB
g3-

(Girls)

,"f Wd

(Trumpet solo)

lE-l @artnering)

sub.

Jf

pp

cresc.

soto

(On-stage

fingersnap)

>>

= directsegue

:
No.2 We Are Gentlemen of Japan

Bright Swing 2

3
E

Percussion

rnf
;

tr @

F
,E

C
C

10

6
7

F
F

C
C

tr

C
C
C
C
C

tr

tr

E@

C
C

tr

67

Dance Break
Solo

C
C

8"'n.1

C
C
C
C
C
C

e
(
(

tr

s
6/

R.sl

t-l

9S

(solos)

?
=
,'
E

=t

tr

99

F
F

?
b
b
F
F
F
F
F
F
I

P
P
P
P
E'

E@

(4)

107?t

ot

(8)

o+

lll?t

ll5

=l
=a

=t

a
?

=a

=l
=l
=l

t3"3'

t-

tr

C
No.3 A Wand'ring Minstrel, I

ts

"Who wants to know?"

"Who am I? Well, I'll tell you."

tr

Rock Croon Moderato

E-rr.--h""]

time

Percussion

tr

t4

PP

F
b

?f

t0

ts

nw

".f

ts

20 (8)

rit.

a tempo
to

sticks

trott tempo

b
(Piano solo - Gospel)

Slower
3

b
b
F

tt

Brite Swing!
(rPt.)

T
s
b

Lfl turt

L
F

It
I
(8)

++

t
,

a
I
:|

I
I

t
t
I
t
)

,)J

)
)
)
)
)
)
)

PP

grad. cresc.

""f
direct segue

\
b

No.3a Minstrel Tap Dance

\
|lF

(On-Stage

trumpe'.)

TACET

TAp

(drums)

Percussion

b-

?
f
F

ttF

accel.

tE

rtE
tr
F
b

F:ast!

!-r

>

l!E
F
lE

(On-Stage
Trurnpet solo)

bdirect. segue

F
L.
-E

r-!F

!H
10

br
-a

a)

?
=D

?
e

No.3b Minstrel Tag

t
I
t

Percussion

I
I
I
)
)

I
I
t
)

(4)
o

I
nw

t
I
I

17i??=??ffi]

t
)
)
)
)
)
)
)
)

(On-stage Tpt. solo)

'F
b

No.4 And The Drums Will Crash

"Willthis do?" "For now."

Easy Shuffle Swing

brushes -time

Percussion

tr

ar}

t?
to sticks

IF

t--

.F

2l

9,Loor.r,

time

E
F

f
26

hip

mf -.=
@)

lstlctcs)

>
h
lF

(homs) >

>
F
IF
IF
lF
Its

UG

=
a

46

time

trme

(sticks)

Vamp ad lib. til cut-off/ad lib. "riffs"

trl
7l*

"Bun'.merl" .
"Sorry!" quasl-segue

(brushes)

poco

Cue:

poco cresc.

No.5 Behold The Lord High Executioner

"l've got to find Yum-Yum and talk to her first." "All right. Suit yourself."

Military

r-3

ffi l

f--J-----l>>>>
-3

-----t

Percussion

to drum
sticks

r--7 --r

r6;'l
nw

tr

OS wing Rock
l-3 -

L3

Lj I

L3

)r3

)L3 r

Lj

--JL 3

)t-3I

L_j

--r r3 -rr3 )-3

)L3 --t r-J--rL

rt-3 J

L-J'--r

J-

-Jr3 JL3,J

t-3

--.r

r- 3

-r-3J

Ljl -r LJ-rr- 3 -Jt-3 ).3

--r L-3r

L3

) r3 ) L3

!--t

(Schmaltzy
Piano arp.)

!F
tF
rF

Guy
?r'lH.H.l

Lombardo soft-shoe

raF
llE

-13 e)

-F
b.
b

I4

U
t

r- 3 --'t

44

poco

|pl a tempo
rit. -time

$n)- -3

->>>

so

{r

@)

--

As before
L3 It-3 tL3 rt3

LJ I

--.t t-J rL3 JL-3rrJ--.t

3 -JL3 I r-jl J

r3 --rt-3 --rr3 r

omslT-J--..l
)

rnf

L-jl

LJIL3

--.r

L-3

)|3

-J|3 )

rt-3 r LJ r LJ r

t-JIL3

)t-3 ).3

t-J r

-JL3 -.-J -

-3 --t

t=------l

lr

-nW

f====

L _l

to ttunps (opt.)

quasi-segue
15

t
I

No.

6 I've Got A Little List

c
" I think that there will

be no

gain to society at large."

Easv

.patier

colla

difficulfy in finding persons whose loss will be a distinct

voce

poco

rit.

a tempo

F
b

Percussion
irimps_(gpQl

tY

Medium

Rag 4

Y
b

g
Tempo

poco

ll r;'

rit.1

a tempo

poco

rit.

c
s

a tempo

s
Presto!

Tempo

poco

rit.

t3

a tempo

b
C
C

tr

s
U, rit.

a tempo

rit.

a tempo

lTtrp, (.ptt

C
C
C
C

?
F
F
F
F
?
F
F
F

No. 6a List Plav-Off

"Now take this list, and put it in

@-

a safe

place."

"Liszt"tempo

Percussion

F
F
F
F
F

rr
rP

P
P
P

F
P
P

F
F
P
ra
ra
=a

=l

it

t7

\ra
l-t
YT

:-

No.7 Three Little Maids

lr-

"Any Little compliment on your part or an abject grovel in a characteristic Japanese

attitude, would be considered a big favour!" "No money, no grovel."

lE'

Medium Swing

lF-D

@radme

Percussion

b-

t\
:b!-

tAl.-lp

l2

r+

L-

?
,-

nw
LBI

?-)
..1
lF

lE
-PP

tlE

Jo,,,n"

F
nur:= p

(brass)

367

.n =lO

(4)

!E

(brass)

e
l-!-

!-

-t

/-r
l-l

AA

F|r
!tl-

F
F'

!-

nf18

EI

[Dl ti-.
(1)

E:-J-:-

(brass)

7s

@)

time

(brass)

| I

lFl0,"uuy

backbeat)

\
\lt
rF
-

No.8 This Is What I'll Never Do

rF
F

"Being engaged to Ko-Ko, you know!"

"Being engaged to Ko-Ko."

[Al Moderato

\
F

Brushes

Percussion

\-

F--

:
-tr
'!i
1

?
z
!

?
a-

I5

Poco

Fast 2

rit.

(Brushes)

lS.D.

(pick up)

rh
>

tr
lr
(4)

b.
tr
br
-

b.
b
-

lr
-

Tempo

b
-

F
l-

30

Lr
-

E
E
-p

non
colla voce
tempo

ll DFast2

to tri. beater

m1f

non

tr;I
tempo
lH.H.
I

il

nme

\r
tl!r/
rt
tlF

No.9 I Am So Proud

lF

"A Substitute? Oh, certainly, nothing easier, Pooh-Bah, I appoint you Lord High Substitute!"
"I second it!"

Medium 4

lH.u.l
o *
-Vamp

til ready
o

Cue:

"l

must declinel"
o

fa]
.-......-o

F(

\
F(

Percussion

\t
-,
:r

--r
>r
\ri
.1

?
(,1
,

(4)
o*

?
1z Lightfitl

E
^a
ZJ

IF

tr

ti

--

-b

b
-

Light

fill

F
br
bt
-

>
tr
b
F
b
l-

b
aY

6
I

F
F
F
F

tr

43

time

F
F
F
I

P
P

F
F
trl
b

poCul,

a poco

rit. a

v
='

=t

a
a
a
a
a
a
=
=
=

=l

3
3
3
i

23

.t

-J
lGiEasy, Srvingy 4

Fril"d-l
Clickl

lRim

nw
ts

E]

Faster

!b

(12)

!F

!-

(16)

F'astr-"r!!

?
tF
tF-F

--f

II

=
h
tmle

=
F{
-l

t-

lfr{
-r

rFa
-a
t-

lFr
-l

lr
-l
\aA
bJ

No.9a Pre-Throng
"Ko-Ko, we came to find out what you mean to do about the Mikado's letter."
"Congratulate me, I've found a volunteer!"

Maestoso "We're all Marzisale

saved!"
lrt-E:l
1
^saved!"
Percussion

quasi-Segue

25

\t
-g

-il
rts

!-

No.10 Let the Throng Our Joy Advance

Fi

"He has agreed to give up his life if I give up Yum-Yum."

"What'i " "Only for a month, mind you."

F{
aA

lEHl Fast Jitterbug 4

Percussion

t:r

IL
-

Etrl

\F
Ui
.-a

7
I

1J4
IF
F

ts
>
-

time

>
IF
b
-

>
>
F
b
F
-

b
26

F
L

=)

=f

=a

3
1

=a

=f

D.t

.,-

1t

lH.H.l

I rme

=l

u
=r
=|

=r

:l

it

Er

t,
.+l

>

=t

=l

rP

45>

tr@

P
P

ts
I

s0

(4)

54

(8)

rP
Fr
L

FT

Er

trt
trr

fa

27

\J
H
rg

rF

57

(vocal

(Piano)

cadenza)

(voice)

tlll
-

tt+r

qt
lFr

?-11
--

Fr
-t
bi

b!F

U-

7
t

>
No. 10a Throng Dance Break

o.,EffiHard&Driving

F
b
-

lrme

>
b
lR^s.l=

b
F
b
b
-

90

b
-

DI;
tsd
94>

E
b
s
F

b
!f

, 3 t t-3

| t-3

t t 3

time

@
time

125

FDI
-='

r_

3 __---

E
S
ra

D
F
F

No.1l Katisha's Entrance

EH.l .

?
L

Percussion

!-

"fi

\\

b
-

:-\-F
7

tr

(
F
F

EE

-!-t
E
b
F
b
b
r-

:b
-

F
:f

b
s
L

a
?

a
a
a
1

=D
=D

=t

a
=r
=r

=l

a
a
rr

rl
t

tsig & vulgar!

=|)

=t

a
=D

t
I

t
=

=l
=|
=|

:t
I
l.

35 $oeo

rit.

\J
-l
Y
.L
fL

rF
No.12 For He's Gonna Marrv Yum-Yum
Freely - colla voce
(voice)

F
\
rH

t;- romlI
lL.

Percussion

ntf

IY
-{
rra
\l

Gaining momentum
A

-l
tli
!l
-i
!l.l

(vocal

!\l

wail)

A. A
Yum-Yum

Bright 4-Gospel Rock

!r
-1

e
?
a
IF
-l

rF
-l
lFi

!itrl
!r
li
br
br

:r

!r
t!

E-

>
E
IF
-

t.

-l

'

time

(12)

Direct Segue

\t
-{
Y
r.r
tF

No. 13 The Hour of Gladness

1218 Gospel Blues

lRjd"l=

i.

a tempo

fii
'iY

rF

Perc.

nf

,1

-\r
\/h

IF

!r
f

'

lDi

time

tlr

?-4
J,tl

tr@

IF

ls5l "

rF

-IF
t>
-

>
r>

>
b
-

>
>
!-

tr

Segue

>
F
F
-

>
-

vtY

No.14 Finale - Act One

a la recit.

lCym.l

t-t
rnl

"He's no musician
whatever jive he's
been feeding you!"
comes

now!"

rt l-^

V.S.

35

=
-"He is the
only son or
your Mi-....."

t3

1v'

>
b

Medium Shuffle
[1I]le

lH*tj
--

!-

,ryr

cross stick

h
.AD

-,

(12)

rb
b
|!F

@1

Moderato poco rit.

"

_HH

E]

u tempo

?
4
lF-

rF

>
l-

poco accel.

=
E

[D] A little faster; groovier!

Fll

=
ltE

t>-

!E
S.D. + B.D. ad lib.

lE

FT

ili
!l

36

4
ir

tf
=l
=)

=l

:l

a
t

filt 2,3,4

=l

tr

@l

il

t
I
I
a
a

I
t
I

I
I

t
I
I
I
l
)

-Ft

__lJl,
,,[-f_:

f- ! + o +

+o*o*o*o

+o*o*o*o

++++JJJJ

]
I
)
I
I
!

(4)

af++++
-r-rff

+o*o*o*o

E
irr

|->

>
lF

>
,)

85

(1)

-br
t'.
\
b
b
2

times-

t-

rF

C
2 times

rF

rF

r>
-

>
t-

!
b
->
>
=_i = =
106 fill
| | .l ..J .f:

38

Down-home Gospel 2
PIay Gospel

4 tinres

F
-

>
>
s

=l

=l

c
a
t
t
t
t

tr

ill

t6

4 times

(4)

:l
:l

I
a
a
a

t
I

a
a
a

j2l

"l'11get you back!"

(Katisha exits. A
moments silence)

3 times

A+

E)-l

Maestoso

6;t

+
^

-\l

I
I
I
I
I
I

t
I
I
I
I
I

@o
@

3'

-ff=

No. 15 Entr'acte
Con rubato
Piano Solo - ad lib.

tLn

Easy late Blues tempo

(piano arp.)

brushes

Percussion

mf ^dta'

Iq
!
F,'l

4
I4--fr

r-3 --

slight

rit.

direct segue

-rll
-tll

sl
arDr

|}
l}r

a\
rlr

.r>f

G
Di
l}r
40

t
:|

I
I
I
I

No. 15A Entr'acte Continued

I
D

t
I
I

Brite driving
ad

lib. solo

Percussion

f -

J --.r L-?

-r t--t -J L-J ---.r

L---J_r L-3---) L--t-J L_.t-_r

)
)
)

I
:|
=a
=a

=l

a
t
a
t
t
I

lstl(Tpt.

solo)

pp

-rnf

[Bl (tun. soto)

i|

I
a

I
I
I
I

4l

{
i-

/t
!b

32 (8)

l-ra

(sa*. solo)

RI

;l

a
-{
Y
-{
Y
[Dj iu,"..;

-J

--r

r-J
-{
I
Er
-<
lDi
tli

?
(.4

(Bass solo)

4
lF{

tF(
iri

llri
-t

tri

>
li
>r
tx
lbi

tr
-

slight rall.
l-...-

>l

>
F
A

tF
42

tF
a-

|b.

No. 16 Braid the Raven Hair

Beguine dtamour
No snares - Fingers

Percussion

mf

tr

(12)

(16)

(20)

(24)

Ertl

:e

(4)

It
Y
1rll

lF
IF

rit.

Freely

A tempo
Sticks

F
-

r
-Fr
\r

L
-

>
>
>
F
|-

F
F

ts
-F

ts

[D.l1i-"
(1)

i; FLH+B,pl

lcy*ln

FreelY

Slower

b
b
F
-

b
F
t-r
b
a-

No. 16.4 Pre-Sun

lib. - optional Mark
iano/flute +

Moderato

A little faster

Percussion

(flute cue)

lcv^l

'a

Direct segue

Fr
IY

tl!
-

>
No. 17 The Sun And
"I

TF

am beautiful!"

Oceanic 4

colla voce

t4

a tempo

Perc.
.L

b-

".....in the +
whole world."

+ Mallets

-.
-r

a-

(vorce cue)

a tempo

mean

lCym. roll with

malletsl

(ad lib.)

>
>
>

rule

rF
recit-like

p
a tempo
(bass

rit. a

-rt

in)

(flute)

t>
lF

-tr

p_<mf>p-<
poco

rit.
(horns)

>

a tempo

b
-

-mf

,rrtr

rit.
<

I
_pp<np>

46

<mp

b
-

b
-

p-f

n"f

Freely
59

4\

b-

b
to Glock.

F
b
b
b
-

No. 18 Swing A Merry Madrigal

''lt's silly to cry!" "Ridiculous!" (They laugh, then sigh......)
Percussion gives "F" bell tone.

tr

Brite Madrigal 4
14

(on cue)

Ict""kl
Percussion

Eve-ning bells

to kit + brushes

A tempo
26

@ nrightty

rit.

JHJII@rushes)

"

r'u

Eti

will

chime ere long.

nw

Glumly,

--

/=

l}

l-}
lF

t
F
(8)

comy!

-FI

-\
L-

r:'

r
F
F
-D
-=
b
-

if

b
-

,i,r,"

b
b
b
-b

-E
(trorns)

97

48

>
ta\

>
t^

D^l
2e

F'reely a
alav*lj.

F
-

Ey"':]

ffl

b
-

(piano)

))

L
-

No. 19 Here's A Howdv-Do

"....if I release you, you marry Ko-Ko at once!"

Presto

tr

Brushes

mf rm.

t3

G2)

nw

le

@)

,f
(horns)

37 (8)

4t

G2)

Etlne

tt
--

C
-

l}

r-F

E
F
-=
-L
t-

=
b
>
l-

l!.

(honns)

r-,
r

F
(voice)

=
-=
(voice)
(horns)

1,.

/>

,l>

b
b
-b

-=
b
F
s
b

b
-

-b
F

No. 19A Entrance of The Mikado

"Nanki-Poo will explain it all later"
"But one moment....."

Fast 4
Perc.

tr tr;*rd
tft";l

"...Get ready,
for here
he comes!"

mf

poco a poco
crescendo

direct segue
to Glock.

It
-U

S:

>
rh

No.20 The Mikado Song

"l'rn herel !! Yo! Chill out!"
to rimps.

Broadly
[G] g
Flrfi;l

Percussion

nf
"Ah-one, two,
three, four.....'j

,. tit.
tul

all

Medium Swing
+ Brushes

[s5l

2I

tr

e)

time

1sp1. scat repeat)

to brushes
+ kit

Slower,
freely

r>
ET

H
-

11
F<
tY
tlr
\r

_lfr
bt>
L

>
F

r
F
F

>
->
(rorns)_ _

L
-

>
b
-

\-

(piano)
>
I

it
+l

f.

F
L

r>
-

-b
F
-

52

=
-b
-b

tF

b
a
a
a
a
a
t

iEl bme
-

nf

=l

a
a

mp<

tr

I
I

time

a
a

il
il

,w

-f

direct segue

=t

a
a
I
I

a
t
t
I

=|
:|

a
t
t
I

:'

53

-L

C
D
-

|-F

C
No. 20A Mikado Dance One

L
t\

L
:t-

r
r
-t

Flay straight time

F
F
t>
-

-D
l}

b
!
-b
b
-b
Tap routine ends.
"Yo! Let's heat up this Place,
Ah-one two three fout!"

Tacet
Tap 1 4;r *
I

-D
f

F
b
:t-

54

b
-

b
=r

a
t

=D

=D

34

solo

(rap

(tap

echo)

echo)

rftn lB.p.l

a
a
a
I
I

a
ir
:l
=l

:t
t
t

(piano solo),

(bass

in)

(on cue)

-ffdirect segue

a
a
I

a
t

=t

t
t

T
t
=t

=l

:t

55

Y
-

C
/h

No.20B T'he Mikado Song

"Now, where
was I?"

>
continued

rF
-

r.-po I
F,
lH.H.l

F
-

Percussion

E
r-

=
:.
L
b
-

>
f

10

r
n-

PP

PP

]
rF

tr

F
--

nw
"If Gilbert & Sullivan
could see me now!"
20

:F-_

lL

-L
-

>
:1-

l>
.L

rnf
Tacet

Erapz

t.l
b
G
-

:t-

56

direct segue

af

No.20C The Mikado Song - continued

Tempo Primo
Perc.

8,

:=

mf

sub.
(horns)

,nf
JJ

f=
-

gtp

E
.J
5

F
>
No.21 Alone and Yet Alive

F
-

"When Katisha is marrjed, I will come miraculously back to life!"

F
-

As before

-t-

Percussion

E
\
t-

Itrtrl

(rePeat

if

necess.)

Medium Ballad 4
A

lb
t-

t-

l-r

Iast time only

Slow
lrDl
lD l(non tempo)

ial

(piano solo)

(bassin)4

,Light tempo

+brushes

F
!F
-

-=
>
/L

Stronger tempo feel

r-ll

|-}
p

time

>
>
-

30 \+.,
/^\

llr
-

l}

accel.
F-:r^l?

p*<

|Dj A little brighter

A little slower

G
b
b
t=
r-

Slowly

Ibp"" Hrrl

tr-

(voice cue)

3 ----r

-.J

---r

-J

--r

tempo
eliberately

J ---lRid;l

Hard
Driving 4

molto rit.

I
-2

(Horns)

f-J

r -------l

----_l

-J

Dictated
Ev-:l

tr
59

No.22 Tit - Willow

"Who knows better than I that no one ever died of

better heart!"

Andante Grazioso (!)

Percussion

a tempo

(voice cue)

gur-gle

Slower

he

lcfi-dttb-:l rit.
gave.Thenhe

p<^f>

Briter rn?i Tempo

34t

I
-\
c
s

Slowly

ilil

Get Duck Call and

Wood Block ready

tc
a

60

t
I

:)

a
a

t
t

I
I
I
a
D
D
D

No. 23 Beauty in the Bellow

"Hate you? Oh, Katisha! Is there not beauty even in blood-thirstiness?"

"\ly idea exactly"

Allegretto
Percussion

D
D

F";l
lBlockl

t
t

t
t
D

I
I
D
D
D
D

I
I
I
I
I
I
I

Freely - colla voce

Rim

Shot


d
!t
lb
I

Funky 4
lH.H. I straight

lb

8th 's

EJ

f,
r-F'
Y

\t-

b-

>
-

th
-

tr

Fr

fl
fl

40

,-f

+ +++

+ +++

Er{

r>i

+ +++

to

Glock. Er"Al

=
\-

!h

mf
Freely - colla voce

F"*l
J5

+++

+++

f,Funky
C,A

lHll.l

lBlockl

++++,,t.

F-Dl
mP'

straight 8th's

Rim
shot

tIE

-tE
rL

b
-

F
tF
-

-b.
Lr
-

(horns)

g
Y
!L

No.24 Finale - Act Two

"I

see.

!H

er

Nothing could possibly be more satisfactory."

lE:+lAs before

tl

nw

"f

F
f,

E!
-t

\"
t-

b-

tr

b-

t-

lh

> > =[c|tm.

nf!

Fr
F{

fi
t{
-

EI
r>i

IE

(voice/piano)

28 g)

=
\-

f
D f.ight 4 - Gospet Rock

IL

/tE
IL
IL
Its

lr

>
-

F
t/bi
-IL
F

b
a
a

oF,

time

I
I
p

D
D

cresc.

52D>>>

)
)

-fp

)
)

)
)
)

5s

(6)

lGllt;,i'n.

Irl es

::

.-

- TACET Ist & 2nd rirne

ili

I
F
!

rD

No.25 Bows
As before
x 3 times

(Girls)
(Lights up)

Perc,

t-

tcfi;l

T j

rt
/|}

,F"-sl

-I

b
j

-t
:-

?
e

c
!(homs enter)

s
s

/|}

s
s

s
f

C
ll)

66

r-t
;!L

$lrrtrl

lE+r.lstruigt't8ttt't

direct segue

Jl
\-F

F
\-F

No.26 Exit Music

Medium Swing

rF
-

r-F
IT

IL

(4)

-\
:=
-:

e Fid"I

F
F
F
tL
tF

F
-

-!>

E
Solo - ad lib.

s
s

S
l}

s
-IL

E
-b

-rlr
-rb
68

-b

tu

a
a
a
a
a

(8)

I
Il

a
a
I

(12)

t
t
t
I
I

t
t
I
I
I
I

t
t
I
I

t
I
I
I
I

t
t
t

Solo - ad lib.

c
i,
!
i-

rF

rF

-rF

I
F
-!