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Roger Martin
we be friends?
we be friends?
we be friends?
we be friends? (War, 1975).
In 1975, the soul band War released this plaintive song that repeated Why cant we be
friends? for 47 of the songs total 61 lines. (War, 1975) It became a Grammy Award nominee
but, more importantly, a timeless cult classic of the Vietnam era. Over three decades later, it
feels like the right theme song for designers and business executives. Even as design has
emerged as a key business theme with business executives broadly wishing for the type of
design successes achieved by Apple, Jet Blue, or Herman Miller, the relationship between
designers and business executives has remained distant if not downright frosty.
Designers make executives nervous by combining what appears to be a lack of interest in
rigorous, quantitative analysis with the inclination to propose, with apparently reckless
abandon, radical departures from the past. While executives love the promise of creativity
and greater attention to design, they find designers hard to take. From the opposite side,
designers find executives strangely wedded to mediocre status quos and inclined to apply
impossibly high standards of proof to design ideas to make sure they do not go anywhere at
all. While designers long for access to the purse strings that executives control, they find
executives almost too conservative to tolerate.
While it is true that some designers and executives engage in love-fests that extend far
beyond the friendship that War asked about 47 times, the dominant mode is a messy
shotgun wedding. Why, when executives need designers to revitalize their businesses and
designers need executives to bring to market and leverage their design ideas, is it so tough
to be friends?
The answer lies in a fundamental schism between designers and executives that is poorly
understood by both sides but drives all involved to engage in behaviors that make the other
side nervous and worried. When designers and executives finally understand the sources
and nature of the schism, they can take five steps to overcome the schism and become
productive friends, outlined below.
PAGE 6
VOL. 28 NO. 4 2007, pp. 6-12, Q Emerald Group Publishing Limited, ISSN 0275-6668
DOI 10.1108/02756660710760890
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Business executives live in an ecosystem that rewards meeting budgets, hitting quarterly
earnings targets and proving in advance that initiatives will succeed. Their number one
analytical tool is linear regression because it helps them substantiate reliability on the basis
of past results; if it has always happened in the past, therefore it will also happen in the future.
That is the primary substantiation for reliability. So the average business executive has the
incentive to be more reliability-oriented and will be trained in methodologies that produce
reliability.
Designers possess an inherent bias toward validity. Great designers seek deep
understanding of the user and the context, which entails consideration of many variables.
They do not limit their considerations to aspects that can be thoroughly quantified. They
worry less about whether they can replicate a particular process and more about producing
a valid solution to the problem before them. The only proof that they tend to accept is
future-oriented, a design that is shown to work with the passage of time.
This reliability orientation causes business executives to say to designers: Youve got to
quantify it; youve got to prove it. The designer responds, Prove it? How can you prove
something that can only be substantiated by future events? You cant! But if you insist on
proof, you will never do anything impressive.
While the means of the distributions are apart, the curves are overlapping because some
designers are highly reliability-oriented and some executives are highly validity-oriented. By
and large, all designers long to work with business executives who are the right side of their
curve and business executives like to work with designers on the left end of the designer
curve. However, these situations, by definition, are not the norm in this dynamic; they are the
statistical outliers. So how do business executives and designers need to think and what do
they need to do in order to overcome this fundamental schism and be the most productive
friends they can be?
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While designers generally love nothing more than a tricky and complicated design challenge
to create a marvelous solution where one does not currently exist, their reaction to the
organizational challenge of dealing with the inattention to validity by corporate executives is
often quite unproductive. Rather than taking this organizational issue as a design challenge
and working on designing a process to solve this problem, they are inclined to simply
complain about reliability-oriented executives and dismiss them as philistines who cannot
appreciate what needs to be done. As such, they define the reliability-orientation of
executives as not their problem just an immovable constraint.
If instead, designers treated the actual existence of design unfriendliness/
inattention-to-validity as a design challenge as important and legitimate as their normal
job of designing an artifact (i.e. product, web site, corporate identify, user interface), they
would be more productive and effective in working with executives. Inattention to validity is
and should be treated as just another challenge for the designer and tackled with the same
gusto and enthusiasm as they apply to their traditional work.
Executive advice no. 1. Take inattention to reliability as a management challenge
While executives generally love nothing more than taking the confusing and ambiguous
world where they operate and organizing it into a reliable operation, their reaction to dealing
with designers inattention to reliability is often quite unproductive. Rather than taking this as
a management challenge and putting their managerial hats on, they complain about flighty
and impractical designers and marginalize their work so that it does not threaten
organizational order. The validity orientation of designers then becomes not a legitimate
management concern, just a threat to security and stability that should be extinguished.
If instead, executives treated the actual existence of inattention to reliability as a
management challenge as important and legitimate as their normal management
responsibilities, they would be more productive and effective in working with designers.
Inattention to reliability is and should be treated as just another managerial challenge for the
executive and tackled with the same fervor and enthusiasm they apply to their traditional
management challenges.
Designer advice no. 2. Empathize with the design unfriendly elements
The only way to design a compelling solution for a user is to understand the user in a positive
way. It is almost impossible to design something compelling for a person who the designer
does not respect nor attempt to understand. The filing cabinets full of un-built houses
designed for clients whom the architects saw as philistines are testament to the limitation
of disrespecting your user. The architect consoles himself or herself with the brilliance of the
design without having any better explanation of its still-born fate than to maintain the client
had no appreciation of architecture.
In contrast, the effective designer aims for deep understanding of the user in order to
uncover the greatest range of options for creating a compelling solution. What are the users
greatest hopes? What keeps the user up at night worrying? What are the minimum
acceptable conditions for the user to embrace a design solution? How much risk is the user
willing to absorb?
The designer can answer these questions either with empathy or disdain. The ineffective
designer sees that what keeps the user up at night is the desire to keep his or her proverbial
ass covered. The effective designer sees what keeps the user up at night is the desire to
protect his or her employees from the consequences of a reckless decision. In the case of
the schism between the world view of the designer and the executive, a better
understanding of and empathy for the executives point of view enables the designer to
probe what constitutes a reckless decision versus a sensibly aggressive decision from the
executives standpoint. Only with such empathy can the designer forge a solution that meets
the executives needs in a productive way.
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To empathize, one needs to communicate. But executives and designers speak different
languages. Executives speak the language of reliability because they put a high priority on
the production of consistent, predictable outcomes. They frequently use words such as
proof, regression analysis, certainty, best practices and deployment. Designers speak the
language of validity because they put a high priority on outcomes that delight, whether they
are consistent and predictable or not. They frequently use words such as visualization,
prototyping, beta-testing and novelty.
However, to executives, these words connote danger, uncertainty and guesswork, things
that encourage, if not compel, them to say No! In such circumstances, the designer must
learn the language of the executive the language of reliability. Otherwise, designers might
as well be speaking Greek to an Italian audience. Just as anybody who takes a job in another
country needs to learn the local language in order to function, designers need to learn the
language of reliability to be successful in communicating with executives.
I know how critical this is. I vividly remember working as a young consultant for a big bank on
a private banking strategy for its high net worth customers. My team came up with a
breakthrough idea, and in due course we were given an audience to present our proposed
strategy to the banks chief executive officer and his six direct reports.
They listened attentively. At the end, the chief operating officer asked one question: Have
any of our competitors done anything like this? Reveling in the unique brilliance of our
solution, I enthusiastically responded: No, not even close! I was too young, foolish, and
design-insensitive to realize that my answer put the final nail in the coffin of our idea. That
was 1988. It is small consolation indeed that I have observed several banks only recently
utilizing the approach we laid out almost two decades ago.
Executive advice no. 3. Learn the language of validity
By the same token, the executive needs to learn and speak the language of validity.
Executives are not going to get productive innovation from designers if they force them to
speak only the language of reliability. Both sides need to engage in the exercise and
discipline to learn one anothers language. Executives need to learn the language of validity
so they can understand what is being said and can actually communicate with designers.
Designer advice no. 4: Use analogies and stories
What tools can help bridge the language gap? It is difficult to provide proof or certainty,
even if designers appreciate that those words loom large in the executives reliability lexicon.
When the executive cares primarily about substantiation based on past events while the
designer cares only about substantiation based on future events, the designer bears the
burden of communicating ideas effectively. The best tool available is analogy: crafting a
story that takes an existing idea in operation elsewhere and shows how it is similar to the
novel idea being proposed not exactly the same, but similar enough.
Had I had more empathy with my banker clients and understood the language of reliability, I
might have responded, None of our domestic competitors have done this. But a variant of
this approach has been used by some of the best-performing European private banks for
some time now. It is not exactly the same, but it bears important similarities. And remember
that our bank has succeeded in the past in taking an idea from outside our home market and
introducing it here.
This does not eliminate the apparent risk of an idea, but it presents it in a reliability-oriented
framework. An analogy or story helps the executive see that this is not a case of
substantiation based exclusively on future events but is also based in part on past events.
And in the end, in order to take action, executives will need to convince themselves that the
idea falls into an acceptable range of reliability.
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Designer advice no. 5. Bite off as small a piece as possible to generate proof
Even with careful use of language and analogies, proof is the biggest problem. Designers
do not traffic in proof of the sort reliability-oriented executives want, which is substantiation
based on past events. Designers simply cannot prove in advance that their ideas will work.
However, there is both good news and bad news about the future. The bad news is that a
year from now is now in the future and from a proof standpoint what happens then is not
relevant proof. The good news is that a year from now that year is in the past. This nuance is
critical to reliability-oriented executives. Designers can convince executives to bite off a
piece of what they would like to do and say, Here is my prediction of what will happen. Lets
watch next year to see what will happen. If they agree to bite off that chunk and the
designers predicted results happen over the year, that builds confidence in the executive
because what was in the future a year ago is in the past today. The key for designers is to turn
the future into the past because future is the enemy for a reliability-oriented executive and
past is a friend.
Designers do not love the notion of biting off a little piece because they think any parsing or
phasing of the solution will destroy its integrity. Most designers would rather have everything
done in one swoop and not look back. They have a problem, however, in this respect with
executives and hence they need to develop skills in biting off as small a piece as possible to
give themselves a chance to turn the future into the past.
Executive advice no. 5. Bite off as big a piece as possible to give innovation a chance
From the other side, executives need to stretch to bite off as big a piece as possible to give
innovation a chance. Executives have to listen to designers insist that they have to do this
much of an idea or they will not really know whether it will work. This much may be a
somewhat frightening notion when not much reliability-oriented proof is offered. However,
just as the designer has to stretch to bite off as small a piece as possible, the executive
needs to stretch to bite off the biggest piece possible without feeling irresponsible.
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Getting along
Keywords:
Design,
Business development,
Conflict,
Senior management,
Conflict management
In many respects, the advice for getting along is quite generic: appreciate the legitimate
differences, empathize, seek to communicate on each others terms, use tools both camps
are familiar with, and stretch out of your comfort zone toward the comfort zone of the other.
Getting along has never been and will never be rocket science. But that does not prevent the
world from being full of conflicts like the uneasy relationship between designers and
business executives. The relationship can be highly productive, though, with attention to a
few key pieces of advice by all involved.
References
Goleman, D. (1995), Emotional Intelligence, Bantam Books, New York, NY.
Higgins, D.M., Peterson, J.B., Lee, A. and Pihl, R.O. (n.d.), Prefrontal cognitive ability, intelligence, Big
Five personality and the prediction of advanced academic and workplace performance, Journal of
Personality and Social Psychology (forthcoming).
War (1975), Why Cant We Be Friends?, Warner Brothers, New York, NY.
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1. Charles Gustina, Rebecca Sweet. 2014. Creatives Teaching Creativity. International Journal of Art & Design Education 33,
46-54. [CrossRef]
2. Ulla Johansson-Skldberg, Jill Woodilla, Mehves etinkaya. 2013. Design Thinking: Past, Present and Possible Futures.
Creativity and Innovation Management 22:10.1111/caim.2013.22.issue-2, 121-146. [CrossRef]
3. Kalika Navin Doloswala, Darrall Thompson, Phillip Toner. 2013. Digital based media design: the innovative contribution
of design graduates from vocational and higher education sectors. International Journal of Technology and Design Education
23, 409-423. [CrossRef]