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TH E LON DON CU R R ICU LU M

ART AN D DE S IG N K EY STAG E 3

T H E A R T O F WA LK I N G
LON DON ART AN D AR CH ITECTU R E:
A LON DON CU R R ICU LU M P R I M E R

LO N D O N C U R R I C U LU M
P LAC I N G LO N D O N AT TH E H E ART O F LE AR N I N G
The capital is the home of innovations, events, institutions and
great works that have extended the scope of every subject on the
school curriculum. London lends itself to learning unlike anywhere
else in the world. The London Curriculum aims to bring the national
curriculum to life inspired by the city, its people, places and heritage.
To find out about the full range of free resources and events
available to London secondary schools at key stage 3 please
go to www.london.gov.uk/london-curriculum.
Art and design in the London Curriculum
London is an international hub of art, home to thousands of artists and a buzzing
network of galleries, art dealers and colleges. London Curriculum art teaching
resources aim to support teachers in helping their students to:

DISCOVE R the art and architecture of London past and present, and how
they reflect and shape the citys story
EXPLOR E the galleries, public art and cultural quarters of the city
CON N ECT learning inside and outside the classroom to develop their own
creative work, inspired by the city and applying ideas generated by the art
and design they studied.

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C O NTE NT S
LO N D O N A R C H I T E CT U R E: AN OVE R V I E W

A R E A S TO E X P LO R E

I N T R O D U CTI O N
2

Kensington and Chelsea

London architecture timeline


Londons architects

4
12

Snapshots of key landmarks


Maps

16

17
18
29

Kings Cross, Fitzrovia and Bloomsbury

31

Snapshots of key landmarks


Maps

32

Skyscrapers and Bank

57

Snapshots of key landmarks


Maps

58

St Pauls and the river

84

Snapshots of key landmarks


Maps

85

56

83

110

Trafalgar Square, Westminster and the Strand 111

Snapshots of key landmarks


Maps
Glossary
Credits

112
131
132


143

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I N T R O D U CT I O N
The London Curriculum aims to draw on the capital
city as a uniquely rich and concrete context to inspire
learning at key stage 3. The art of walking, a London
Curriculum art and design unit, explores the built
environment a natural focus for learning in one
of the most architecturally exciting cities in the world.
This primer has been developed, in partnership with
Open City, to support the unit. It provides a guide
to the movements and architects that have shaped
the city, snapshots of the landmarks in some of the
most architecturally interesting areas of London and
a glossary of terms.

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I N T R O D U CT I O N
Using London architecture and public art when
teaching the Art of walking
The content of this primer supports the Art of walking
learning activities in the following ways:
The London architecture timeline captures the key
features of architectural styles and movements, drawing
on London examples. This can be used by students to
explore the design of Londons buildings throughout the
unit as indicated in the lesson plans.
Londons architects provides short biographies of some
of the men and women who have helped to shape
Londons built environment, and a number of the buildings
that feature in the Art of walking. References to the
architects behind Londons landmarks can be made as
appropriate as students study and explore the buildings.

Areas to explore introduces five architecturally interesting


areas of London. You will need to select one of these
areas in advance when teaching the Art of walking, which
will then become the focus of the units lessons and
class visit. The following resources are provided for each
of the Areas to explore:

A short introduction to the area and its architectural


significance.
Snapshots (image and key facts) of some of the
significant buildings and works of art in the area.
These are used in the lessons as indicated in the
Art of Walking lesson plans.
A map showing the location of the key buildings and
works of art in each area. Again used in the lessons
as indicated.

The Glossary provides definitions of each of the


architectural and technical words highlighted in pink
in the lesson plans.

LO N D O N A R C H IT E CT U R E
TI M E LI N E
A pictorial introduction to the key architectural styles
and movements that have helped shape the design
of Londons buildings.

T I T LE PAG E

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N O R MA N 11th12th century

G OTH I C 12th16th century


Gothic windows
carved patterns
in stone

battlements

Early English
11901300

semicircular
arch

buttress

rose
window
tracery:
stone-work
that supports
the glass

flying
buttress
pinnacle

Decorated
12501400

massive
cylindrical
columns
round
topped
window

Perpendicular
13501500

Cusped
arch

pointed
arch

KEY FEATURES: massiveness, thick flat walls, roundness

KEY SHAPES: pointed arch, narrow triangles


KEY MATERIALS: stone
KEY FEATURES: pointed arches, flying butresses, large windows, rib vaults,
elaborate decoration, gargoyle

KEY BUILDING: The White Tower, Tower of London

KEY BUILDING: Westminster Abbey

KEY SHAPES: semi-circle, cylinder


KEY MATERIALS: stone

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T U D O R 1485 1603

LO N D ON AR CH ITECTU R E:
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J AC O B E A N 16031625

black timber beams


with plaster panels
inbetween

Banqueting House was one


of the first buildings in
England to be influenced
by Italian Renaissance
architecture Indigo Jones,
the architect had studied
in Italy for some years. The
buildings strict classical
details would have looked
alien to Londoners.

Renaissance
balustrade forms
the parapet

bay window
(sticks out from
building)

parapet
(hides the roof)

pier

rusticated
stone blocks

KEY SHAPES: triangles, rectangles


KEY MATERIALS: timber, plaster
KEY FEATURES: timber frame, black & white stripe, upper floors stick out
beyond ground floor

KEY SHAPES: rectangles


KEY MATERIALS: stone
KEY FEATURES: classical detail, symmetry

KEY BUILDING: Staple Inn

KEY BUILDING: Banqueting House

regularly spaced
columns along front

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E N G LI S H B A R OQ U E 17th18th century
lantern

Sir Christopher Wren

dome

carved
decoration
pediment

p ier

classical
column

Window opening
supported by piers
and pediment

KEY SHAPES: rectangles, triangles


KEY MATERIALS: stone
KEY FEATURES: columns, dome, pediment, lantern

KEY BUILDING: Royal Hospital Chelsea

KEY BUILDING: St Pauls Cathedral

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N E O - C L A S S I C A L 18th19th century

G E O R G IA N 1714 18 2 0
The Georgians developed the terraced house and the garden square.
Typical
front door

parapet

Fan light (window


above door)

sash
windows

dome

pediment
parapet

series of columns
identify entrance

4
pier

3
storeys

railings

1
rustication

piano noble:
Most important rooms placed
on first floor, therefore usually
higher than other floors, with
taller windows.

2
bays

KEY SHAPES: rectangles, semi-circles


KEY MATERIALS: brick, stone, wrought iron
KEY FEATURES: classical proportion, piano noble


KEY TERRACES: Bedford Square, Fitzroy Square

examples
of classical
columns
KEY SHAPES: rectangles, triangles, semi-circles
KEY MATERIALS: stone (Portland)
KEY FEATURES: use of columns, repetition of elements such as windows,
reference to classical architechture (Roman and Ancient Greece),
symmetry, proportion

KEY BUILDING: Somerset House

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M O D E R N I ST 1930s 1950s

G OTH I C R E VI VAL 19 t h ce n t ury


A style of architecture
copying the forms of
medieval church architecture
using Victorian engineering
and materials.

Architects no longer
wanted to look to the
past for inspiration.

spire

pinnacle
arched
windows

turret

K E Y B U I LD I N G : Peter Jones Department Store

KEY SHAPES: pointed arch, narrow triangle


KEY MATERIALS: stone, brick, iron metalwork
KEY FEATURES: a mix of materials, vertical emphasis, rich colours
& decoration, irregular appearance

KEY SHAPES: cubes, cylinders, thin long rectangles, gentle curves


KEY MATERIALS: concrete often painted white, steel
KEY FEATURES: metal window frames, minimal or no decoration, flat roofs,
asymmetrical forms, cylindrical columns

KEY BUILDING: St Pancras Renasissance Hotel

KEY BUILDING: R o y a l Fe s t i v a l H a l l

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B R UTA LI ST 1950s1970s

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H I G H TE C H 1940s 1980s
large concrete
form expresses
theatre flytower

The inside-out buildings


pipes on the
outside
stairs on the
outside

Small windows in
relation to other
building parts

KEY SHAPES: large geometric forms, long thin rectangle


KEY MATERIALS: rough textured concrete
KEY FEATURES: massive concrete forms, small windows, geometric shapes
often express buildings function

KEY SHAPES: cubes, cylinders, triangles


KEY MATERIALS: steel, glass
KEY FEATURES: expressed structure, pipeworks, stairs, lifts on the outside
and often brightly coloured, looks lightweight, factory like

KEY BUILDING: The National Theatre

KEY BUILDING: Lloyds of London

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P O ST M O D E R N 1970s1980s
Architects started to refer
back to styles from the past

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C O N TE M P O R A RY 21s t c ent u ry
Compter aided design allows for large unusual
shaped buildings usually all glass facades

K E Y B U I LD I N G : Th e Wa l k i e Ta l k i e

K E Y B U I LD I N G : Th e G e r k i n

K E Y B U I LD I N G : Th e C h e e s e G r a t e r
KEY SHAPES: circles, semi-circles, triangles
KEY MATERIALS: stone, brick, glass, metal
KEY FEATURES: over-sized decorated forms, often classsical, lots of different
shapes and materials, bright colours

K E Y B U I LD I N G: No 1 Poult ry

KEY MATERIALS: glass, steel


KEY FEATURES: large unusual object shapes

LO N D O N S AR C H I T E CT S
An introduction to the lives of some of the people who have
designed the buildings of the capital, from the aftermath of the
Great Fire of London to the London Olympics and Paralympics.

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A RT O F WALK I N G

A R C H I TE CT B I O G R AP H I E S
Sir Christopher Wren (16321723)
Wren is arguably Englands greatest
architect, yet until the age of 30 he was
engrossed in scientific studies and in 1657
was made a Professor of Astronomy. His
career took a new turn when he studied
architecture in France in 16656 and after
the Great Fire in 1666 he was appointed
one of the surveyors to rebuild the city. He

SI R C H R ISTOPH E R WR E N, 1711
Sir Godfrey Knell, Bt National Portrait Gallery, London

was put in charge of constructing churches


in a series of varied and daringly original
designs to replace those lost. He is most
famously known as the architect of the new
St Pauls Cathedral, a unique combination
of classical and Baroque forms that had
never been seen before in England. He lived
to see its completion in 1709.

Sir William Chambers (172396)


Chambers was a man with an international
background: he was born in Sweden, the
son of a Scottish merchant, and aged 16
joined the Swedish East India Company and
travelled to India and China. He trained as
an architect in France and Italy and didnt
settle in England until 1755. Chambers
became one of the best-known architects
working in the Palladian and Neoclassical
styles, and his designs were influenced by
the buildings he had seen abroad. He held
several official positions including Architect
to the King and so was responsible for
many official buildings of the day, most
importantly Somerset House.

SOM E R SET HOUSE

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Sir John Soane (17531837)

Sir George Gilbert Scott (181178)

Alfred Waterhouse (18301905)

Soane is admired as one of Englands most


original architects. The son of a Berkshire
builder, he trained as an architect in England
and then in Italy but his career really only
began when he was appointed Surveyor to
the Bank of England in 1788. He created
some of the most startlingly unusual designs
of the time in the Stock Office and Rotunda
with their extraordinarily plain, simple
forms and shallow domes. His own highly
eccentric house in Lincolns Inn Fields, with
complicated floor levels, clever lighting,
Gothic arches and huge collection of
objects, is now known as Sir John Soanes
Museum and is a fascinating visit today.

Scott was the son of a clergyman and


is most associated with church designs
and restoring a huge number of medieval
cathedrals and churches in England,
although he began his career by designing
workhouses. He was made the Surveyor of
Westminster Abbey in 1849. He worked in
the Gothic style and even wrote a book to
prove that this style was as suited to nonreligious buildings as it was for churches.
He put this theory into practice in the
magnificent Gothic Revival forms of
St Pancras Station Hotel.

Waterhouse began practising as an


architect in Manchester in 1856, where
he designed the Town Hall, but moved
to London in the 1860s. He designed
churches, offices, schools and country
houses and was known for working not only
in the Gothic Revival style but also other
historical styles, such as the Romanesque.
The best-known example of this in London
is the Natural History Museum.

SI R JOH N SOAN E, 1828

ST PANC RAS STATION HOTE L

ALFR E D WATE R HOUSE, 1891

John Jackson, National Portrait Gallery, London

Sir Lawrence Alma-Tadema, National Portrait


Gallery, London

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Richard Rogers, Lord Rogers


of Riverside (born 1933)

Norman Foster, Lord Foster


of Thames Bank (born 1935)

Zaha Hadid, (born 1950)

Born in Italy, Rogers studied at the


Architectural Association School of
Architecture and at Yale University in the
USA, where he met Norman Foster. They
set up the practice Team 4 and worked in
partnership until 1967. He became known
internationally after designing the Pompidou
Centre in Paris (with Renzo Piano, who later
designed The Shard). This building had a
major impact and made Rogers famous for
designing buildings that put the lifts and
services (pipes and shafts for water, air and
heating) on the outside, leaving the internal
spaces uncluttered and open. He used the
same inside-out principle at the Lloyds of
London Headquarters in London.

Foster is one of the leading architects


working in the High-Tech style. He studied
at the University of Manchester and at Yale
University, and worked in partnership with
Richard Rogers in the practice Team 4 until
1967, when he set up Foster Associates
(now known as Foster and Partners). Foster
gained a reputation for designing elegant
office buildings that use a sophisticated
engineering approach. The curving forms of
his buildings 30 St Mary Axe and City Hall
are among the most striking contemporary
additions to the London skyline.

Zaha Hadid was born in Bagdad, Iraq.


She studied mathematics at the American
University of Beirut, before moving to study
at the Architectural Association School
of Architecture in London. In 2004 she
became the first woman to be awarded
the prestigious Pritzker Architecture Prize.
Hadids buildings, characterised by their
curving and futuristic forms, can be seen
in cities all around the world. As well as the
Serpentine Sackler Gallery, featured in the
Art of walking, she designed the London
Aquatics Centre for the 2012 Olympic and
Paralympic Games.

LLOYDS OF LON DON H EADQUARTE R S

30 ST MARY AXE

ZAHA HADI D
Brigitte Lacombe

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AR E AS TO E X P LO R E
Five areas of London in which the capitals architecture
and public art is at its most diverse, iconic or
historically significant:

Kensington and Chelsea


Kings Cross, Fitzrovia and Bloomsbury
Skyscapers and Bank
St Pauls and the River
Trafalgar Square, Westminster and the Strand

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A R E AS TO E X P LO R E

K E N S I N GTO N A N D C H E LS E A
This area is home to some of Londons
most elegant residential streets and
garden squares, and here embassies,
Royal Parks and exclusive shopping
streets sit side by side. Centred on
Exhibition Road is the famous Victorian
quarter of Albertopolis, with its worldrenowned museums, cultural institutes,
universities and scientific organisations,
all the legacy of the vision of Prince Albert
to create an area of the city dedicated to
science, education and the arts.

Landmarks (see map for location, page 29)


9

Natural History Museum,


Darwin Centre

Former Barkers Department Store

Royal Albert Hall

Prince Consort National Memorial


(The Albert Memorial)

10 Victoria and Albert Museum

Serpentine Gallery

12 Embassy of Denmark

Serpentine Sackler Gallery

13 The Royal Hospital Chelsea

Diana Memorial Fountain

14 Peter Jones Department Store

7 July Memorial

15 Embassy of Czech Republic

Natural History Museum,


Waterhouse Building

16 New Design Museum

11 Exhibition Road

Snapshots (image and key facts) provided


for landmarks in bold.

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S NAPS HOT

FO R M E R BAR K E R S
D E PA R TM E NT STO R E
MATE R IALS: Stone, bronze
and glass
ST YLE: Art Deco
AR CH ITECT: Bernard George
DATE: 1938/1958
LOCATION: 63 Kensington High
Street, W8 5SE
F E AT U R E S A N D FACTS :

The Art Deco style reflected the


fast and streamlined new means
of travel of the 1920s and 1930s
such as planes and ocean liners.

The tall, thin, glass and stone


towers are like ocean liners
funnels the building seems
to sail into the street.

The building was begun in the


1930s but wasnt completed until
the 1950s because of World
War II.

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R OYA L A LB E RT H ALL
MATE R IALS: Red brick, terracotta
and glass
ST YLE: Renaissance Revival
AR CH ITECT: Captain Francis Fowke
and General Henry Y D Scott
DATE: 1871
LOCATION: Kensington Gore, SW7 2AP
F E AT U R E S A N D FACTS :

The Victorians reinvented


architectural features from the past.
The Albert Hall is based on a Roman
amphitheatre but with a roof.

It was designed as a hall dedicated


to promoting art and science and
named after Prince Albert.

The outside contains 6 million


red bricks and 80,000 blocks
of decorative terracotta.

A critic of the time described it


as a monstrous cross between
the Colosseum, Rome, and a
Yorkshire pie!

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P R I N C E C O N S O RT NAT I O N AL
M E M O R I A L ( T H E M E M O R IAL)
MATE R IALS: Bronze, marble
and stone
ST YLE: Gothic Revival
ARCHITECT: Sir George Gilbert Scott
(architect), John Henry Foley (sculptor)
DATE: 1872
LOCATION: Kensington Gardens
F E AT U R E S A N D FACTS :

The Memorial commemorates


Albert, Queen Victorias husband,
who died at 42.
The design celebrates Victorian
progress and Alberts interest
in science, industry and the
arts. Around the base there are
187 carvings of artists, poets,
musicians and architects.
Prince Albert was the creative
force behind the Great Exhibition
of 1851. The memorial shows him
holding the exhibition catalogue.

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S E R PE NTI N E
S AC K LE R GALLE RY
MATE R IALS: Glass-fibre fabric,
glass and brick
ST YLE: Neoclassical/Contemporary
AR CH ITECT: Zaha Hadid Architects
DATE: 1805/2013
LOCATION: Kensington Gardens,
W2 2AR
F E AT U R E S A N D FACTS :

The light modern extension was


designed to complement the solid
classical architecture of the original
Magazine building.

The Magazine was a former


gunpowder store and was last used
to store the Malls flagpoles.

Zaha Hadid also designed the


London Aquatics Centre at the
Queen Elizabeth Olympic Park.

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NATU R A L H I STO RY M U S E U M ,
WATE R H O U S E B U I LD I N G
MATE R IALS: Terracotta
ST YLE: Victorian
AR CH ITECT: Alfred Waterhouse
DATE: 1880
LOCATION: Cromwell Road,
SW7 5BD
F E AT U R E S A N D FACTS :

The Museum was designed and


built in the Victorian era to house
the then British Museums growing
collection of animal and plant
specimens from around the world.

Terracotta tiles inside and outside


of the building feature carved
plants and animals.

Terracotta was chosen as it is


both attractive and hardy enough
to resist the industrial pollution of
Victorian London.

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NATU R A L H I STO RY
M U S E U M , DAR W I N C E NT R E
MATE R IALS: Glass and steel
ST YLE: Contemporary
AR CH ITECT: Moller Architects
DATE: 2009
LOCATION: Cromwell Road,
SW7 5BD
F E AT U R E S A N D FACTS :

The Darwin Centre contains a


giant, eight-storey-high cocoon
providing a state-of-the-art science
and collections facility.

The surface is hand-finished


polished plaster, bound in steel
channels resembling a cocoons
silk threads.

The buildings design allows


visitors to see scientists at work.

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VI CTO R I A AN D ALB E RT
MUSEUM
MATE R IALS: Stone and brick
ST YLE: Victorian/Neo-Classical
AR CH ITECT: Aston Webb
(main building)
DATE: 18571909
LOCATION: Cromwell Road, SW7 2RL
F E AT U R E S A N D FACTS :

The Museum was founded in 1852,


funded by profits from the Great
Exhibition.

Its aim was and is to make the best


works of art available to all and
to inspire British designers and
manufacturers.

Much of the Victorian design


features medieval and
Renaissance-inspired designs.

The museum houses a collection


of more than 4.5 million objects.

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E XH I B I TI O N
R OAD
MATE R IALS: Stone and irons
ST YLE: Victorian/contemporary
AR CH ITECT: Dixon Jones
DATE: 20032012
LOCATION: Exhibition Road, SW7
F E AT U R E S A N D FACTS :

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Exhibition Road links the museums


and universities of South
Kensington with Hyde Park and
Kensington Gardens.
The original Victorian street, with
heavy traffic and narrow pavements
was not suitable for the millions of
visitors to this area every year.
A new project created Londons
first road shared by pedestrians,
drivers and cyclists, with priority
given to pedestrians.
The diagonal pattern on the road
surface is made by light and dark
pieces of granite.
EXH I B ITION ROAD
Olivia Woodhouse

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E M B AS SY
O F D E N MAR K
MATE R IALS: Steel and concrete
ST YLE: Functionalist
AR CH ITECT: Arne Jacobsen
DATE: 1977
LOCATION: 55 Sloane Street,
SW1X 9SR
F E AT U R E S A N D FACTS :

This bold modern building was


designed to fit with the traditional
houses on either side.

The buildings five bays are equal


to the widths of the houses. The
top of the building is set back at
the same height as the roofs of
the houses.

The architect also wanted the


outside to be a pale sandy colour to
fit with the neighbouring buildings.

The ground floor has no windows


for security reasons.

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12

TH E LON DON CU R R ICU LU M


K EY STAG E 3

LO N DO N ART AN D
AR CH ITE CTU R E

S NAP S H OT

TH E R OYAL H O S P ITAL
CH E LS EA
MATE R IALS: Red brick and stone
ST YLE: English Baroque
AR CH ITECT: Sir Christopher Wren,
Nicholas Hawksmoor, Sir John
Vanbrugh
DATE: 1682
LOCATION: Royal Hospital Road,
SW3 4SR
F E AT U R E S A N D FACTS :

The Royal Hospital was founded in


1681 for soldiers broken by age
or war.
After 300 years it is still home
to retired soldiers (known as the
Chelsea Pensioners), who wear red
and black uniforms.
The simple classical form was
suited to the functional nature of
the building.
The first women Chelsea
Pensioners were allowed to join
the Hospital in 2009.

KE N S I NGTON AN D CH E LS EA

27

13

TH E LON DON CU R R ICU LU M


K EY STAG E 3

LO N DO N ART AN D
AR CH ITE CTU R E

S NAP S H OT

P E TE R J O N E S
D E PAR TM E NT STO R E
MATE R IALS: Glass and steel
ST YLE: Modernist
AR CH ITECT: William Crabtree/
John McAslan and Partners
DATE: 1936/2004
LOCATION: Sloane Square,
SW1W 8EL
F E AT U R E S A N D FACTS :

The building has a famous curved


steel and glass curtain wall.

The architect William Crabtree


had visited Germany to study
the design of streamlined
department stores.

The store was renovated by John


McAslan and Partners in 2004.

KE N S I NGTON AN D CH E LS EA

28

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30

AR E AS TO E X P LO R E

LO N DO N ART AN D
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TH E LON DON CU R R ICU LU M


K EY STAG E 3

Pic

St

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rid

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TH E LON DON CU R R ICU LU M


K EY STAG E 3

LON DON ART AN D


AR CH ITE CTU R E

AR E AS TO E X P LO R E

31

A R E AS TO E X P LO R E

K I N GS C R O S S , F I T Z R O V I A A N D B LO O M S B U RY
Once the proud centre of Victorian travel;
until recently Kings Cross was notoriously
run down. Now with a major regeneration
programme, the area has been
transformed and historic industrial and
commercial architecture renovated and
put to new uses. Central Saint Martins
School of Art and Design has found
a new home in a refurbished granary
building, while the painstaking restoration
of Kings Cross station and St Pancras
Chambers is complete. Further afield the
built environment reflects Fitzrovia and
Bloomsburys cultural, academic and
scientific life.

Landmarks (see map for location, page 56)


1

Kings Cross Station

13 BT Tower

Kings Cross Square

St Pancras Renaissance Hotel

14 Cavendish Campus,
University of Westminster

St Pancras Station and the Barlow


Train Shed

14a Giant Scientific Instruments

4a The Betjeman Statue

15 Headquarters of the Royal College


of Physicians

Central Saint Martins School


of Art and Design

16 Institute of Education

Granary Square

Kings Cross Filling Station

18 London Central YMCA with the


St Giles Hotel

Gas Holder No. 8

19 Centre Point Tower

St Pancras Old Church

20 Bedford Square

17 Congress House

10 Kings Place

21 British Museum

11 The British Library

22 Brunswick Centre

11a Newton after William Blake

23 Regents Park Outer Circle

12 Fitzroy Square
12a The View Sculpture

Snapshots (image and key facts) provided


for landmarks in bold.

TH E LON DON CU R R ICU LU M


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K I N GS C R O S S STAT I O N
MATE R IALS: Steel, stone, glass
roof panels
ST YLE: Victorian Contemporary
AR CH ITECT: Lewis Cubitt, William
Cubbitt, John McAslan and Partners
DATE: 18512/2012
LOCATION: Euston Road, N1 9AP
F E AT U R E S A N D FACTS :

The station was built as the


terminus and hub of the Great
Northern Railway.

The Victorian building is based on


two great arched train sheds, with
an arched brick structure at the
south end.

From 2007 the building


underwent a major restoration and
improvement programme. It now
has a new Western Concourse
with a spectacular glass-panelled
roof (and a luggage trolley passing
through the wall at platform 9!)

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K I N G C R O S S S Q UAR E
MATE R IALS: Stone
ST YLE: Contemporary
AR CH ITECT: Stanton Williams
DATE: 2014
LOCATION: Euston Road, N1 9AP
F E AT U R E S A N D FACTS :

Kings Cross Square was created


as a new public square in front of
Kings Cross Station.

The square improves public access


to a previously neglected space
occupied by a 1972 building.

The square reveals the original


Victorian faade of the station for
the first time since the 1860s.

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TH E LON DON CU R R ICU LU M


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S T PAN C R AS
R E NA I S S AN C E H OT E L
MATE R IALS: Brick
ST YLE: Victorian Gothic Revival
AR CH ITECT: Sir George
Gilbert Scott
DATE: 1872
LOCATION: Euston Road,
NW1 2AR
F E AT U R E S A N D FACTS :

The architect won a competition


run by the Midland Railway
Company to design a hotel for
railway travellers.

The ornate decoration, with


balconies, arched windows,
patterned brickwork, gargoyles,
towers, spires, a clock tower and
weather vanes, represents the
wealth and power of the Victorian
railway companies.

The bricks were brought from the


Midlands, to reflect the owners
pride in their region.

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TH E LON DON CU R R ICU LU M


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S T PAN C R AS STAT I O N AN D
TH E B A R LOW T R AI N S H E D
MATE R IALS: Red brick, iron work,
concrete
ST YLE: Victorian Gothic Revival
AR CH ITECT: William Barlow
DATE: 1876
LOCATION: Euston Road,
NW1 2AR
F E AT U R E S A N D FACTS :

St Pancras International is one


of the greatest Victorian buildings
in London. Its impressive Gothic
architecture represents the power
and success of the Victorian
railway companies.

When it was completed in 1868,


the Barlow train shed was the
largest enclosed space in
the world.

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TH E LON DON CU R R ICU LU M


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S T PAN C R AS STAT I O N
MATE R IALS: Bronze
S I Z E: 2.6m
AR CH ITECT: Martin Jennings
DATE: 2007
LOCATION: Pancras Station,
NW1 2AR
F E AT U R E S A N D FACTS :

The statue celebrates the famous


poet and railway enthusiast Sir
John Betjeman, who saved St
Pancras station and hotel from
being demolished in the 1960s.

The sculpture shows him looking


up at the splendour of the Barlow
train shed while catching hold of
his hat.

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C E NTR A L SAI NT M ART I N S


S C H O O L O F ART AN D D E S I G N
MATE R IALS: Brick, concrete, steel
and timber
ST YLE: Victorian/contemporary
AR CH ITECT: Stanton Williams
(refurbishment)
DATE: 1852/2011
LOCATION: Granary Building,
1 Granary Square, N1C 4AA
F E AT U R E S A N D FACTS :

The new home of Central Saint


Martins is in a former 19th-century
granary and two former train sheds,
combined with two new blocks.

The architects wanted to keep


the sites industrial feel, so they
used industrial materials such
as concrete and timber.

The old granary building once


stored Lincolnshire wheat for
Londons bakers.

Did you know?


Old horse stables were converted
into student bike sheds.

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G R A NA RY S Q UAR E
MATE R IALS: Concrete and stone
ST YLE: Contemporary
AR CH ITECT: Townshend Landscape
Architects
DATE: 2000
LOCATION: North of Kings Cross
and St Pancras Train Stations,
N1C 4AA
F E AT U R E S A N D FACTS :

Granary Square is roughly equal


in size to Trafalgar Square.

The new square is the heart


of the Kings Cross development,
and events including an ice
cream festival have already
taken place there.

At the centre is one of the


largest water features in Europe,
containing over 1080 water jets.

Look out for: historic features such


as bases that once held cranes to
bring goods up from canal boats.

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TH E K I N GS C R O S S
F I LLI N G STAT I O N
MATE R IALS: Translucent fibreglass
ST YLE: Contemporary
AR CH ITECT: Carmody Groarke
DATE: 1960/2012
LOCATION: Goods Way, N1C 4UR
F E AT U R E S A N D FACTS :

The Filling Station was a derelict


petrol station that has been
converted into an events space
and restaurant, providing a new
social space in Kings Cross.

The fibreglass screen hides


the space from the busy traffic
outside.

When lit up at night the building


becomes a landmark in the Kings
Cross area.

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TH E LON DON CU R R ICU LU M


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S T PAN C R AS LO C K
MATE R IALS: Ironwork
ST YLE: Victorian
AR CH ITECT: Bell Phillips Architects
DATE: 1850s, re-erected in 2013
LOCATION: North side of Regents
Canal, Near St Pancras Lock
N1C 4PN
F E AT U R E S A N D FACTS :

Gasholder No.8 was built in the


1850s to store gas.

This listed structure has been


restored and moved to a new site
alongside the canal.

The frame sits in a new


landscaped setting and houses
a new park and event space, lit
up at night.

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40

TH E LON DON CU R R ICU LU M


K EY STAG E 3

LO N DO N ART AN D
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S T PAN C R AS
O LD C H U R C H
MATE R IALS: Stone
ST YLE: Medieval / Victorian
AR CH ITECT: Alexander Dick Gough
(19th century)
DATE: Medieval, but mostly
19th century
LOCATION: Pancras Road
NW1 1UL
F E AT U R E S A N D FACTS :

Christians have possibly


worshipped on this site for more
than 1500 years.

The fabric of the building contains


fragments of Roman stone but
most of it is Victorian.

Did you know?


Many bodies had to be dug up
and moved when the Midland
Railway line was built through the
churchyard in the 19th century.

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41

TH E LON DON CU R R ICU LU M


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K I N G S P LAC E
MATE R IALS: Glass and limestone
ST YLE: Contemporary
AR CH ITECT: Dixon Jones
DATE: 2008
LOCATION: 90 York Way,
London, N1 9AG
F E AT U R E S A N D FACTS :

The three-layered, very slightly


curving glass facade on York Way
makes this building stand out
when see from far away, but also
stops the building from getting too
hot in summer.

The building contains offices,


music and arts venues, and
restaurants, arranged around
public spaces.

Did you know?


All the oak panels inside Hall One,
the main concert hall, came from
a single 500-year-old German tree.

KI NGS CROSS, FITZROVIA AN D B LOOM S B U RY

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10

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TH E B R I TI S H LI B R ARY
MATE R IALS: Brick
ST YLE: Postmodern
AR CH ITECT: Colin St John Wilson
DATE: 1998
LOCATION: 96 Euston Road,
Camden, NW1 2DB
F E AT U R E S A N D FACTS :

The red bricks of this building


were chosen to match the shade
of nearby St Pancras railway
station.

The site and plans were agreed


in the mid-1970s but funding and
other problems meant it was not
completed for more than 20 years.

Did you know?


The building contains storage
space for 12 million books.

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11

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K EY STAG E 3

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N E WTO N AF T E R
W I LLI A M B LAK E
MATE R IALS: Bronze
ARTI ST: Sir Eduardo Paolozzi
DATE: 1995
LOCATION: British Library,
NW1 2DB
F E AT U R E S A N D FACTS :

This sculpture is of the 17thcentury scientist Sir Isaac Newton.

It is a 3D version of a colour print


by the late 18th-century artist
William Blake.

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11a

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F I T ZR OY S Q UAR E
MATE R IALS: Portland Stone
ST YLE: Georgian
AR CH ITECT: Robert Adam
DATE: Late 18th century
LOCATION: Fitzroy Square,
Fitzrovia, W1T 5HF
F E AT U R E S A N D FACTS :

Fitzroy Square was designed as a


series of elegant, high-quality and
desirable town houses for
rich families.

The symmetrical layout with


a central garden is typical of
Georgian architecture.

Look out for: number 29, where


the writers George Bernard Shaw
and Virginia Woolf both lived at
different times.

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12

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TH E VI E W S C U LPT U R E
MATE R IALS: Bronze Resin
ARTI ST: Naomi Blake
DATE: Late 1977
LOCATION: Fitzroy Square,
W1T 5HF
F E AT U R E S A N D FACTS :

The sculpture is in the middle of


Fitzroy Square.

It was made and placed here


to mark the Silver Jubilee in
1977, when Queen Elizabeth II
celebrated 25 years of her reign.

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12a

TH E LON DON CU R R ICU LU M


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BT TOW E R
MATE R IALS: Concrete, steel
and glass
ST YLE: Post-war
AR CH ITECT: The Ministry of
Public Works
DATE: Late 1965
LOCATION: 60 Cleveland Street,
W1T 4J
F E AT U R E S A N D FACTS :

This tower was the first purposebuilt structure to transmit highfrequency radio waves and is still
a major communications hub.

It was the highest building in


London until the NatWest Tower
was built in 1980.

The top floor of the tower


rotates and originally contained
a restaurant.

Did you know?


The tower can sway up to 20cm in
winds up to 100 miles per hour.

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13

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C AVE N D I S H CAM P U S ,
U N I V E R S IT Y O F W E STM I N S T E R
MATE R IALS: Bronze and glass
curtain walling, concrete
ST YLE: Brutalist
AR CH ITECT: Lyons Israel Ellis Gray
DATE: 1969/70
LOCATION: 115 New Cavendish
Street, W1W 6UW
F E AT U R E S A N D FACTS :

The Cavendish Campus was


developed in the late 1960s
to house a new College of
Engineering and Science for the
University of Westminster (then
the Regent Street Polytechnic).

The design represents the


organisation of the building into
different functions, including labs
and lecture theatres.

The Brutalist style was used for


many higher education buildings
of the 1960s and 1970s, when
the number of universities and
colleges grew quickly.

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14

TH E LON DON CU R R ICU LU M


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G I ANT S C I E NT I F I C
I N S T R U M E NTS
MATE R IALS: Steel (stainless and
brushed) and bronze
ARTI ST: Ben Joiner
DATE: Late 1994
LOCATION: 115 New Cavendish
Street, W1W 6UW
F E AT U R E S A N D FACTS :

These seven sculptures represent


scientific instruments, including
flasks and a funnel.

They relate to the activities that


take place inside the building
behind, which houses the
universitys department of
bio-sciences.

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14a

TH E LON DON CU R R ICU LU M


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H E A DQ UART E R S O F T H E R OYAL
C O LLE G E O F P H YS I C IAN S
MATE R IALS: Concrete
ST YLE: Modernist
AR CH ITECT: Sir Denys Lasdun
DATE: 1964
LOCATION: St Andrews Place,
Regents Park, NW1 4LE
F E AT U R E S A N D FACTS :

Modernist architects of the 1950s


and 1960s believed that design
should always be led by the way
a building would be used.

Lasdun spent a long time watching


the Royal College members
meeting and socialising, which
helped him create the final design.

He chose the colours and shapes


to harmonise with the nearby
Georgian terraces.

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15

TH E LON DON CU R R ICU LU M


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I N STI TUTE O F
E D U C ATI O N
MATE R IALS: Concrete and glass
ST YLE: Brutalist/modernist
AR CH ITECT: Sir Denys Lasdun
DATE: 1977
LOCATION: 20 Bedford Way,
London WC1H 0AL
F E AT U R E S A N D FACTS :

The Institute was designed to


replace a large terrace of buildings
partially destroyed by bombing in
World War II.

Although the building is modern,


it matches the scale and height
of the 19th-century terraces
opposite.

Only one of the five wings of


the original design was ever
completed.

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16

TH E LON DON CU R R ICU LU M


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CONGRESS HOUSE
MATE R IALS: Concrete, glass
and steel
ST YLE: Modernist
AR CH ITECT: David du R. Aberdeen
DATE: 1958
LOCATION: Great Russell Street,
London, WC1B 3LS
F E AT U R E S A N D FACTS :

Congress House was built for


the Trades Union Congress (TUC),
an organisation for Britains
trades unions.

The modernist style of the


building reflects the TUCs aim
of promoting progressive art and
architecture after World War II.

The building incorporates a


memorial to TUC members who
died in both World Wars.

The roof of the Conference Hall


inside features unusual six-sided
glass panels.

KI NGS CROSS, FITZROVIA AN D B LOOM S B U RY

52

17

TH E LON DON CU R R ICU LU M


K EY STAG E 3

LO N DO N ART AN D
AR CH ITE CTU R E

S NAPS HOT

LO N D O N C E NT R AL YM CA H O STE L
W I TH TH E ST G I LE S H OT E L
MATE R IALS: Concrete, glass
ST YLE: Brutalist
AR CH ITECT: Elsworth Sykes
Partnership
DATE: 1977
LOCATION: Bedford Avenue,
WC1B 3GH
F E AT U R E S A N D FACTS :

The Central YMCA, founded


in 1844, was the worlds first
building for the Young Mens
Christian Association (YMCA).

This building replaced an earlier


Edwardian building on this site.

It was built at a time when the


YMCA began to open up to
include women and so needed
more space: it contains 670
guest rooms in 4 tower blocks.

Did you know?


It contains the largest gym facility
in central London.

KI NGS CROSS, FITZROVIA AN D B LOOM S B U RY

53

18

TH E LON DON CU R R ICU LU M


K EY STAG E 3

LO N DO N ART AN D
AR CH ITE CTU R E

S NAPS HOT

C E NTR E P O I NT TOW E R
MATE R IALS: Concrete, steel
and glass
ST YLE: Modernist
AR CH ITECT: Richard Robin Seifert
& Partners
DATE: 1967
LOCATION: New Oxford Street,
WC1A
F E AT U R E S A N D FACTS :

Centre Point was one of the


first skyscrapers in London,
and represented a new mood of
optimism and confidence after
World War II.

The office tower was built of


segments of concrete cast in
Dorset and brought to London
by lorry.

The building has appeared in many


music videos, films and novels.

KI NGS CROSS, FITZROVIA AN D B LOOM S B U RY

54

19

TH E LON DON CU R R ICU LU M


K EY STAG E 3

LO N DO N ART AN D
AR CH ITE CTU R E

KI NGS CROSS, FITZROVIA AN D B LOOM S B U RY

S NAPS HOT

20

B R ITIS H M US E U M,
G R E AT C O U RT
MATE R IALS: Concrete, cast iron,
brick, stone, glass and steel
STYLE: Greek Revival/Contemporary
AR CH ITECT: Sir Robert Smirke/
Foster and Partners
DATE: 1832-52/2000
LOCATION: 91 Great Russell Street,
WC1B 3PS
F E AT U R E S A N D FACTS :

The Great Court brought back into


use the courtyard at the centre of
the British Museum.

The design of the columns and the


pediments were borrowed from
Greek architecture.

The state-of-the-art glass canopy


has a unique geometry designed
to span the irregular gap between
the Reading Room in the centre
and the courtyard facades.

Did you know?


The roof contains 478 tonnes steel
and 315 tonnes of glass.

55

VISITLON DON I MAG ES/ B R ITAI NONVI EW

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56

Re

LO N DO N ART AN D
AR CH ITE CTU R E

TH E LON DON CU R R ICU LU M


K EY STAG E 3

TH E LON DON CU R R ICU LU M


K EY STAG E 3

LON DON ART AN D


AR CH ITE CTU R E

AR E AS TO E X P LO R E

57

A R E AS TO E X P LO R E

S KYS C R A P E R S A N D B A N K
The City is an area of architectural
extremes the Square Mile contains
some of the oldest parts of London
but its skyline is ever-changing, with a
constant stream of ambitious skyscraper
building projects. Soaring glass-and-steel
financial centres stand next to medieval
and Renaissance stone churches and
Georgian town houses, all close to a
2,000 year old Roman wall.

Landmarks (see map for location, page 82)


1

Liverpool Street Station

16 Leadenhall Market

Exchange Square

17 The Leadenhall Building


(The Cheesegrater)

Finsbury Avenue Square

18 30 St Mary Axe (The Gherkin)

Rush Hour

19 Tower 42

1a Kindertransport

4a Bellerophon Taming Pegasus

20 Paleys upon Pilers

Finsbury Circus

21 Spitalfields Market

St Albans Tower

22a A Pear and a Fig

7 Guildhall

21b I Goat

The Bank of England

22 Christ Church, Spitalfields

Royal Exchange

23 Great St Helens Church

10 St Stephen Walbrook Church

24 Guildhall Gallery see no 7

11 Rothschild Bank Headquarters

25 No 1 Poultry

12 20 Fenchurch St (the Walkie Talkie)

26 Holland House

13 The Lloyds Register Group

27 Devonshire Square

14 The Willis Building


15 Lloyds of London

Snapshots (image and key facts) provided


for landmarks in bold.

TH E LON DON CU R R ICU LU M


K EY STAG E 3

LO N DO N ART AN D
AR CH ITE CTU R E

S NAPS HOT

LIVE R P O O L ST R E ET
S TATI O N
MATE R IALS: Iron, glass
ST YLE: Gothic
AR CH ITECT: Edward Wilson
DATE: 1874/1992
LOCATION: Bishopsgate, EC2M 7QH
F E AT U R E S A N D FACTS :

iverpool Street Station was


L
built as a new terminus closer
to the City of London for the
Great Eastern Railway.

The new trainshed had a


magnificent cathedral-like iron
and glass roof and Gothic-style
offices behind.

After World War II bomb damage


there were plans to pull down the
station; instead the building was
saved and refurbished.

S KYSCRAPE R S AN D BAN K

58

TH E LON DON CU R R ICU LU M


K EY STAG E 3

LO N DO N ART AN D
AR CH ITE CTU R E

S NAPS HOT

K I N D E R T R AN S P O RT
MATE R IALS: Bronze
S I Z E: 2.3m
AR CH ITECT: Frank Meisler
DATE: 2006
LOCATION: Liverpool Street Station,
Bishopsgate, EC2M 7QH
F E AT U R E S A N D FACTS :

Trains of children fleeing from Nazi


tyranny arrive at Liverpool Street
Station in the late 1930s.

The sculptor Frank Meisler


was himself a passenger on
a Kindertransport train.

Did you know?


There are three other memorials
at Danzig in Poland, Berlin in
Germany and Rotterdam in the
Netherlands, key points on the
childrens route to safety.

S KYSCRAPE R S AN D BAN K

59

1a

TH E LON DON CU R R ICU LU M


K EY STAG E 3

LO N DO N ART AN D
AR CH ITE CTU R E

S NAPS HOT

B R OAD GAT E C I R C LE
MATE R IALS: Steel, glass
ST YLE: Postmodern
AR CH ITECT: Arup Associates
DATE: 1874/1992
LOCATION: Finsbury Ave, EC2M
F E AT U R E S A N D FACTS :

The Broadgate Circle was


designed as a privately owned
public space with offices around.

In winter the Circle houses


a famous ice rink.

Broadgate Circle is now being


refurbished and will reopen in 2015.

At night, the 100,000 lights set


into the floor produce exciting
displays of different colours, each
lasting as long as it takes you to
cross the square.

Did you know?


In the 1980s Broadgate was
the largest office development
in London.

S KYSCRAPE R S AN D BAN K

60

TH E LON DON CU R R ICU LU M


K EY STAG E 3

LO N DO N ART AN D
AR CH ITE CTU R E

S KYSCRAPE R S AN D BAN K

S NAPS HOT

RUSH HOUR
MATE R IALS: Bronze
ARTI ST: George Segal
DATE: 1987
LOCATION: Finsbury Ave, EC2M
F E AT U R E S A N D FACTS :

Rush Hour shows six London


commuters rushing home in
damp-looking raincoats.

To make the sculpture, Segal


encased live models in wire mesh
and plaster bandages to make a
cast, before cutting each cast open
to free the person inside.

He then joined the two parts of the


mould together and cast bronze
figures from the plaster versions.

61

TH E LON DON CU R R ICU LU M


K EY STAG E 3

LO N DO N ART AN D
AR CH ITE CTU R E

S NAPS HOT

B E LLE R O P H O N TAM I N G
P E GA S U S
MATE R IALS: Bronze
ARTI ST: Jacques Lipchitz
DATE: 1966
LOCATION: Finsbury Ave, EC2M
F E AT U R E S A N D FACTS :

This sculpture of tangled forms


shows the ancient Greek hero
Bellerophon wrestling the mythical
winged horse Pegasus.

Lipchitz believed that this ancient


legend represented the dominance
of man over nature.

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F I N S B U RY C I R C U S
MATE R IALS: Portland Stone
ST YLE: Victorian and Edwardian
AR CH ITECT: Various
DATE: 1890 1925
LOCATION: Finsbury Circus,
EC2M 7AB
F E AT U R E S A N D FACTS :

Finsbury Circus is the largest open


public space in the City of London.

The name Circus is from its oval


shape, like the ancient Roman
chariot-racing venues.

One of the most important


buildings, on the north-west side,
is Britannic House, designed by Sir
Edwin Lutyens in the 1920s for the
Anglo-Persian Oil Company, which
later became BP.

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S T A LB ANS TOW E R
MATE R IALS: Stone
ST YLE: Perpendicular Gothic
AR CH ITECT: Sir Christopher Wren
DATE: 1685
LOCATION: Wood Street, EC2V 7AF
F E AT U R E S A N D FACTS :

There may have been a church on


this site as early as the 8th century.

The church was badly damaged


in the Great Fire of 1666 and was
rebuilt by Wren in the Gothic style,
but it was again burned out during
the Blitz in 1940.

The ruins were cleared, and the


tower left standing on a traffic
island to become one of Londons
most unusual private homes.

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G U I LD H A LL
MATE R IALS: Stone
ST YLE: Gothic
AR CH ITECT: George Dance/Sir
Horace Jones/Giles Gilbert Scott
DATE: 1410/1788/1866/1963
LOCATION: Gresham Street,
EC2V 7HH
F E AT U R E S A N D FACTS :

Guildhall has been the centre


of the City of London government
(the Corporation) since the
Middle Ages.

Giant statues of Gog and Magog,


two legendary giants who are the
traditional guardians of the City,
can be seen inside.

Did you know?


Guildhall is the only non-religious
stone structure to have survived
the Great Fire of London in 1666.

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TH E BAN K O F E NG LAN D
MATE R IALS: Portland Stone
ST YLE: Neoclassical
AR CH ITECT: George Samson/
Sir Robert Taylor/Sir John Soane/
Sir Herbert Baker
DATE: 1734/1781/1828/1939
LOCATION: Threadneedle St,
London EC2R 8AH
F E AT U R E S A N D FACTS :

The Bank of England building may


have been the first purpose-built
bank in the British Isles.

Later Sir John Soane added new


banking halls in a classical style
and a defensive windowless
wall to protect the Bank and its
bullion vaults.

Between 1925 and 1939 a new


seven-storey building was built
as the bank grew.

The building has more space below


ground than in the whole of the
nearby skyscraper Tower 42.

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TH E R OYAL E XC H AN G E
MATE R IALS: Stone
ST YLE: Neoclassical
AR CH ITECT: Sir William Tite
DATE: 1844
LOCATION: 2 Royal Exchange
Steps, EC3V 3DG
F E AT U R E S A N D FACTS :

The Royal Exchange was founded


in the 16th century as a trading
centre for the City of London.
The design is based on the original
layout of four sides around a
central courtyard, where merchants
could trade with one another.

This building is the third on this


site as the previous two were
destroyed by fire.

The building was refurbished in


2001 as a luxury shopping centre.

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S T S TE P H E N
WA LB R O O K C H U R C H
MATE R IALS: Stone
ST YLE: English Baroque
AR CH ITECT: Sir Christopher Wren
DATE: 1680
LOCATION: 39 Walbrook, EC4N 8BN
F E AT U R E S A N D FACTS :

This church was one of the 51 new


churches designed for London by
Sir Christopher Wren after the
Great Fire.

Wren designed an open


symmetrical space so that everyone
present could see and hear the
religious service.

He used St Stephens to test


his design ideas for the dome
of St Pauls Cathedral.

Did you know?


The Samaritans charity was founded
here and a telephone in a glass
case inside serves as a tribute.

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R OTH S C H I LD BAN K
H E A DQ UART E R S
MATE R IALS: Concrete and glass
ST YLE: Contemporary
AR CH ITECT: OMA (Rem Koolhaas)
DATE: 2011
LOCATION: New Court Street
Swithins Lane, EC4N 8AL
F E AT U R E S A N D FACTS :

This building is the fourth


containing the Rothschild Banks
London headquarters, all built
on St. Swithins Lane, a narrow
medieval alley in the heart of
the City.

Part of the building is raised off


the ground to provide a view
through to Wrens St Stephen
Walbrook Church.

The central cube of ten office


floors has a repeated pattern of
structural steel columns embedded
in the faade.

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20 F E N C H U R C H ST R E ET
(TH E WALK I E TALK I E)
MATE R IALS: Steel, glass
and concrete
ST YLE: Contemporary
AR CH ITECT: Rafael Violy
DATE: 2014
LOCATION: 20 Fenchurch Street,
EC3M
F E AT U R E S A N D FACTS :

20 Fenchurch Street is nicknamed


the Walkie Talkie because of its
top-heavy shape.

The shape is partly intended to


provide more floor space at the
top of the building, where rent
is usually higher.

The Sky Garden at the top is open


to the public and offers great views.

Did you know?


The concave shape of the building
has channelled the suns rays into
a beam so hot it has melted parts
of cars!

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LLOYDS R E G I ST E R
GROUP
MATE R IALS: Stone, steel and glass
ST YLE: Neoclassical/High-tech
AR CH ITECT: Thomas Edward
Collcutt/Richard Rogers Partnership
DATE: 1901/2000
LOCATION: 71 Fenchurch Street,
EC3M 4BS
F E AT U R E S A N D FACTS :

In the late 19th century the Lloyds


Register, commissioned a classical,
stone head office.

In the early 1990s the buildings


were redeveloped by the Richard
Rogers Partnership.

The lifts and stairs are on view


at the front of the new glass and
steel towers.

Archaeologists working on the site


during the construction of the new
building found that the Romans
had occupied it as early as the
1st century AD.

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TH E W I LLI S B U I LD I N G
MATE R IALS: Steel and glass
ST YLE: Contemporary
AR CH ITECT: Foster and Partners
DATE: 2007
LOCATION: 51 Lime Street,
EC3M 7DQ
F E AT U R E S A N D FACTS :

This 28-storey skyscraper for


the Willis insurance company
is directly across the street from
the Lloyds building.

The building is shaped like


a series of overlapping, stepped
curved shells.

The fins on the outside of the


building help to reduce glare and
stop heat building up in the
offices inside.

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LLOYDS O F LO N D O N
MATE R IALS: Concrete, glass
and steel
ST YLE: High-Tech
AR CH ITECT: Richard Rogers
Partnership
DATE: 1986
LOCATION: 1 Lime St, EC3M 7HA
F E AT U R E S A N D FACTS :

Lloyds is known as the inside


out building the lifts, toilets and
pipework are on the outside of the
building to allow more space for
work areas inside.

The building houses the worlds


largest insurance market.

Richard Rogers Partnership also


designed the Millennium Dome,
now the 0 2 Arena.

Did you know?


Lloyds earliest home was a
17th-century coffee house.

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LE AD E N H ALL M AR K ET
MATE R IALS: Glass roof, cast
iron columns
ST YLE: Victorian
AR CH ITECT: Horace Jones
DATE: 188081
LOCATION: Gracechurch Street,
EC3V 1LT
F E AT U R E S A N D FACTS :

This ornate glass-roofed building


was designed to house a market for
poultry, which existed on this site since
in the 14th century, in a smart arcade
in keeping with its surroundings.

The market is named after a large


lead-roofed mansion built on the site
in the Middle Ages.

It stands on what was the centre


of Roman London.

Did you know?


Leadenhall Market starred as Diagon
Alley in the Harry Potter films.

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TH E LON DON CU R R ICU LU M


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TH E LE ADE N HALL B U I LDI NG


(TH E CH E E S E G RATE R)
MATERIALS: Concrete, glass and steel
ST YLE: Contemporary
AR CH ITECT: Rogers Stirk Harbour
and Partners
DATE: 2014
LOCATION: 122 Leadenhall Street,
EC3V 1LR
F E AT U R E S A N D FACTS :

One of the latest London


skyscrapers, the Leadenhall Building
is known as the Cheese Grater
because of its sloping south face.

The buildings shape ensures that


the backdrop of St Pauls Cathedral
isnt ruined.

The lower levels of this 48-storey


building are a major new
public space.

Did you know?


The building uses 18,000 tonnes
of steel and 300 miles of cable,
about the same distance from
London to Dublin.

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TH E LON DON CU R R ICU LU M


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30 S T MARY A X E
(TH E G H E R K I N)
MATE R IALS: Steel and glass
ST YLE: Contemporary
AR CH ITECT: Foster and Partners
DATE: 2004
LOCATION: 30 St Mary Axe, EC2
F E AT U R E S A N D FACTS :

The Gherkin is so called because


of its tapering shape, which widens
as it rises through 40 floors before
narrowing at the top.

Its famous shape is due to the need


to create more space and reduce
wind speeds at ground level.

It is 180m tall with fantastic


360-degree views of the city from
the top floor.

Did you know?


The only curved piece of glass in
the building is the lens-shaped cap
at the very top.

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TOW E R 42
MATE R IALS: Concrete, steel, glass
ST YLE: Modernist
AR CH ITECT: Richard Seifert, GMW
DATE: 1981/1995
LOCATION: 25 Old Broad Street,
EC2N 1HQ
F E AT U R E S A N D FACTS :

Tower 42 was built by the NatWest


Bank and was originally called the
NatWest Tower, a name that
has stuck.

In 1993 the tower was badly


damaged by a huge truck bomb in
the Bishopsgate area, and it had to
be completely re-clad and internally
refurbished.

Did you know?


It was the UKs first true skyscraper
and tallest building until 1 Canada
Square at Canary Wharf was
completed in 1990.

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PALEYS U P O N P I LE R S
MATE R IALS: Timber
AR CH ITECT: Studio Weave
H E IG HT: 11m
DATE: 1981/ 1995
LOCATION: Pedestrian island at
junction of Aldgate Street, St Botolph
Street and Aldgate High Street,
EC3N 1AL
F E AT U R E S A N D FACTS :

This timber structure on stilts was


one of several structures that
marked the direct route from the
City of London to the Olympic Park
for the 2012 Games.

Paleys upon Pilers means palace


on pillars.

Did you know?


It was inspired by the dream-like
temples described in two poems
by the famous medieval writer
Geoffrey Chaucer, who lived in
this area.

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S P I TALF I E LD S M AR K ET
MATE R IALS: Brick, stone, glass
and steel
ST YLE: Arts and Crafts/
Contemporary
AR CH ITECT: George Sherrin/
Jestico and Whiles ( refurbishment)
DATE: 1887/2008
LOCATION: Spitalfields, E1 6EW
F E AT U R E S A N D FACTS :

Old Spitalfields Market is one of


Londons finest surviving Victorian
market halls and originally
provided fruit and vegetables
for the whole city.

The market was later redeveloped


and a new glass and steel office
building, Bishops Square, was
completed in 2006.

Did you know?


The first part of the name
Spitalfields comes from the word
hospital, as there was a medieval
hospital on this site.

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A P E AR A N D A F I G
MATE R IALS: Bronze
ARTI ST: Ali Grant
DATE: 2005
S I Z E: 154 183 135cm
LOCATION: Spitalfields, E1 6EW
F E AT U R E S A N D FACTS :

This sculpture of fruits ripe and


ready to eat refers to Spitalfields
history as Londons main fruit
market.

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I G OAT
MATE R IALS: Concrete and
aluminium
ARTI ST: Kenny Hunter
H E IG HT: 5m
DATE: 2011
LOCATION: Spitalfields, E1 6EW
F E AT U R E S A N D FACTS :

This sculpture of a goat stands on


a stack of market packing crates.

The sculptor said that goats are


known to be independently minded
and that he thought that was also
true of London and its people.

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G R E AT S T H E LE NS
CHURCH
MATE R IALS: Stone
ST YLE: Gothic
AR CH ITECT: Quinlan Terry
(restoration)
DATE: 12th 15th century/1997
LOCATION: Great St Helens,
EC3A 6AT
F E AT U R E S A N D FACTS :

The four great arches of the church


date from the late 15th century.

Two bombs near to the building


in 1992 and 1993 caused a huge
amount of damage to the church,
including shattering all its windows.

The architect Quinlan Terry


restored the church, making it up
to date with under-floor heating,
modern lighting and a new gallery.

82

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ld S LO N DO N

High Street

Spirit Quay

400 m

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AR E AS TO E X P LO R E

84

A R E AS TO E X P LO R E

S T PAU L S A N D T H E R I V E R
The famous dome of St Pauls Cathedral
stands as the symbolic heart of the City,
yet around it the embankments of the
Thames have been transformed from an
industrial and trading heartland to an
international cultural and economic hub.
Here is a wealth of post-war architecture
from the stark Brutalist forms of the
National Theatre and Hayward Gallery, to
the bright modernism of the Royal Festival
Hall and the contemporary City Hall and
More London.

Landmarks (see map for location, page 110)


1

St Pauls Cathedral

14 The Shard

City of London Information Centre

15 The Stone Spike

Paternoster Square

16 City Hall

3a Shepherd and Sheep

17 More London

One New Change

18 Tower Bridge

St Brides Church

19 The Tower of London

120 Fleet Street


(former Daily Express)

20 Blackfriars Station

HSBC Gates

22 Hayward Gallery

The Millennium Bridge

23 The Royal Festival Hall

The Tate Modern

10 Bankside

24 The London Pride


(The Southbank Centre)

11 The Globe Theatre

25 The London Eye

12 Borough Market
13 Southwark Cathedral

21 The National Theatre

Snapshots (image and key facts) provided


for landmarks in bold.

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S T PAU LS CAT H E D R AL
MATE R IALS: Portland stone
ST YLE: English Renaissance/
Baroque
AR CH ITECT: Sir Christopher Wren
DATE: 1710
LOCATION: St. Pauls Churchyard,
EC4M 8AD
F E AT U R E S A N D FACTS :

St Pauls Cathedral is the most


famous building designed by Sir
Christopher Wren and the bestknown example of the English
Baroque style.

It is the fourth building on this site


and replaced one destroyed in the
Great Fire.

Views of the dome are protected


by law.

Did you know?


If you whisper on one side of the
Whispering Gallery another person
can hear it clearly 100 feet away
on the other side.

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C I T Y O F LO N D O N
I N F O R MAT I O N C E NT R E
MATE R IALS: Glass and aluminium
ST YLE: Contemporary
AR CH ITECT: Make Architects
DATE: 2007
LOCATION: St Pauls Churchyard,
EC4M 8BX
F E AT U R E S A N D FACTS :

The centre is a contemporary


landmark for visitors opposite
St Pauls Cathedral.

Its folded metallic shape is covered


in 220 stainless-steel panels.

Did you know?


The sloping roof allows rainwater
to be collected to flush toilets and
water plants nearby.

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86

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PATE R N O ST E R S Q UAR E
MATE R IALS: Stone and brick
ST YLE: Postmodern/contemporary
AR CH ITECT: Michael Hopkins
Architects, MJP, Allies and Morrison,
John Simpson, Eric Parry
DATE: 2003
LOCATION: Next to St Pauls
Cathedral, EC4M 8BX
F E AT U R E S A N D FACTS :

Paternoster Square stands on an


area that was destroyed by the
Blitz in World War II.

The buildings, completed in 2003


were built in brick and stone like
the historic buildings around them.

Did you know?


The name Paternoster means
Our Father in Latin. In medieval
times the churchmen of the old
St Pauls Cathedral used to walk
along Paternoster Row, saying the
Paternoster prayer.

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87

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S H E P H E R D AN D S H E E P
MATE R IALS: Bronze
ARTI ST: Dame Elisabeth Frink
DATE: 1975
LOCATION: Paternoster Square,
EC4M 7DX
F E AT U R E S A N D FACTS :

The sculpture refers to the


livestock market that once stood on
this site.

It was commissioned for the


previous Paternoster Square
complex and was placed on a new
plinth when the new buildings were
completed in 2003.

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88

3a

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O N E N E W C H AN G E
MATE R IALS: Glass
ST YLE: Contemporary
AR CH ITECT: Jean Nouvel, Sidell
Gibson Architects
DATE: 2011
LOCATION: 1 New Change,
EC4M 9AF
F E AT U R E S A N D FACTS :

One New Change was the first


building in London by Jean Nouvel,
who heads one of the largest
architectural practices in France.

The building, containing offices


and shops, was the result of an
international competition.

Nouvels buildings have no


common style but he is fascinated
by the effects that the use of glass
can achieve.

Did you know?


It is the largest shopping centre
in the City of London.

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89

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S T B R I D E S C H U R C H
MATE R IALS: Portland stone
ST YLE: English Renaissance/
Baroque
AR CH ITECT: Sir Christopher Wren
DATE: 1672
LOCATION: Fleet Street, EC4Y 8AU
F E AT U R E S A N D FACTS :

Christians have probably


worshipped on this site since the
7th century.

The building was one of the largest


and most expensive of the more
than 50 churches built by Wren
after the Great Fire in 1666.

It is famous for its tapering spire


(added in 17013), which is said
to have inspired the design of
wedding cakes.

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90

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12 0 F LE ET ST R E ET
( F O R M E R DAI LY E X P R E S S )
MATE R IALS: Glass and vitriolite
ST YLE: Art Deco
AR CH ITECT: Sir Owen Williams,
Robert Atkinson
DATE: 1932
LOCATION: 120 Fleet Street,
EC4A 2BB
F E AT U R E S A N D FACTS :

The former Daily Express building


is one of the best examples of the
Art Deco style surviving in London.

The black glass curtain wall


revealed the building lit up at
night, showing that the journalists
were working on the next days
newspaper.

The building contains a dramatic


entrance hall including brightly
coloured wave patterned floor, gold
and silver leaf-covered ceiling, and
decorative wall sculpture, all typical
of the elaborate Art Deco style.

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91

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H S B C GAT E S
MATE R IALS: Steel
ARTI ST: Sir Anthony Caro
DATE: 1999/2000
LOCATION: Peters Hill, EC4V
F E AT U R E S A N D FACTS :

These gates were designed as part


of the approach to the Millennium
Bridge.

There are two pairs of gates,


each consisting of a rectangular
steel tunnel with a narrow and a
wide end, topped by a narrower
rectangular tunnel.

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M I LLE N N IU M B R I D G E
MATE R IALS: Steel
ST YLE: Contemporary
AR CH ITECT: Foster and Partners
with Sir Anthony Caro
DATE: 1999
LOCATION: Bankside SE1
F E AT U R E S A N D FACTS :

The Millennium Bridge was the first


new pedestrian bridge over the
Thames for more than 100 years.

The steel suspension bridge was


designed to create a much-needed
link between Bankside on the south
side of the river and St Pauls
Cathedral on the north side.

Did you know?


When it opened in the year 2000
it became known as the wobbly
bridge but its wobble was soon
corrected.

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93

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TH E TATE M O D E R N
MATE R IALS: Brick
ST YLE: Modernist/contemporary
AR CH ITECT: Sir George Gilbert
Scott/Herzog & De Meuron
DATE: 1963/1999
LOCATION: Bankside, SE1 9TG
F E AT U R E S A N D FACTS :

The Tate Modern building is one


of the best London examples of
how old industrial buildings can
be put to new uses.

The original building was Bankside


Power Station, with a striking
central brick chimney.

Herzog & De Meuron kept the


original structure but inserted new
galleries and a roof light box to
bring more light into the building.

Did you know?


About 4.2 million bricks were
used in the building of Bankside
power station.

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10

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TH E G LO B E T H E AT R E
MATE R IALS: Timber, lime plaster
and water reed thatch
ST YLE: Contemporary
AR CH ITECT: Theo Crosby
DATE: 1963/1999
LOCATION: New Globe Walk,
SE1 9DT
F E AT U R E S A N D FACTS :

The Globe Theatre is a modern


rebuilding of the original 16thcentury theatre connected with
William Shakespeare.

The actor, director and producer


Sam Wanamaker led a campaign
to reconstruct the original theatre
and build an education centre and
exhibition, which was eventually
completed in 1997, not far from the
site of the original theatre.

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11

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B O R O U G H M AR K ET
MATE R IALS: Glass, steel, brick
and iron
ST YLE: Victorian/contemporary
AR CH ITECT: Jestico and Whiles
DATE: 19th century/2013
LOCATION: 8 Southwark Street,
SE1 1TL
F E AT U R E S A N D FACTS :

There has been a food market


in Borough High Street since the
13th century.

Most of the buildings on the site


date from the mid-19th century
and feature typical Victorian
glazed roofs.

A new all-glass structure next to


the new rail bridge provides views
of Southwark Cathedral.

Did you know?


One of the Harry Potter movies
was filmed in the streets around
the market.

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12

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S O UTH WAR K
C ATH E D R AL
MATE R IALS: Stone
ST YLE: Gothic/Victorian
AR CH ITECTS: George Gwilt, Jun,
Robert Wallace, Arthur Blomfield
Richard Griffiths
DATE: 12201420/189097
LOCATION: London Bridge, SE1 9DA
F E AT U R E S A N D FACTS :

Although this has been a place of


Christian worship for 1000 years,
the building has only been
a cathedral since 1905.

The building retains the basic


Gothic form built between the 13th
and 15th centuries, although part
of it was rebuilt in the 19th century
copying the medieval style.

Did you know?


The cathedral was visited by
Shakespeare and scenes from
his plays are shown in the stainedglass windows.

ST PAU LS AN D TH E R IVE R

97

13

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TH E S HAR D
MATE R IALS: Glass and steel
ST YLE: Contemporary
AR CH ITECTS: Renzo Piano
DATE: 2013
LOCATION: 32 London Bridge,
SE1 9SG
F E AT U R E S A N D FACTS :

The Shard is 87 storeys high and


the tallest building in Western
Europe. The viewing platform is
at almost twice the height of any
other in London.

The architect was inspired by the


historic spires of London churches
shown in old paintings.

Angled glass panes reflect the sky


above; the buildings appearance
changes as the weather changes.

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14

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TH E S TO N E S P I K E
MATE R IALS: Portland stone
AR CH ITECTS: Eric Parry Architects
S I Z E: 16m high
DATE: 19971999
LOCATION: London Bridge, SE1 9SG
F E AT U R E S A N D FACTS :

The stone spike is at the south end


of London Bridge.

It was part of a project to make


a new public space and tourist
information centre (now closed)
for this area south of the river
which attracts many visitors.

The spike is a reminder that, in


the Middle Ages, the heads of
executed criminals were placed
on iron spikes on top of the
gatehouse that once stood at this
end of the bridge.

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99

15

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C I T Y HALL
MATE R IALS: Glass and steel
ST YLE: Contemporary
AR CH ITECTS: Foster and Partners
DATE: 2002
LOCATION: The Queens Walk,
SE1 2AA
F E AT U R E S A N D FACTS :

City Hall houses the offices


of the Mayor of London and the
London Assembly (the Greater
London Authority).

This rounded glass building was


created using advanced computer
modelling technology at the
design stage.

The building has many


environmentally friendly features,
including solar panels on the roof.

Inside the building is a huge


spiralling ramp, allowing visitors
to look in on the work inside.

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16

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M O R E LO N D O N
MATE R IALS: Glass and steel
ST YLE: Contemporary
AR CH ITECTS: Foster and Partners
DATE: 2002
LOCATION: More London Riverside,
Tooley Street, SE1 2DB
F E AT U R E S A N D FACTS :

More London regenerated an


undeveloped site on the south
bank of the Thames.

It includes many large glass-sided


office buildings that face the river,
providing views of Tower Bridge
and the Tower of London.

The space between the buildings


includes many pieces of public art
as well as water features.

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17

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TO W E R B R I D G E
MATE R IALS: Cornish granite,
Portland stone and iron
ST YLE: Victorian/Gothic Revival
AR CH ITECTS: Horace Jones,
John Wolfe Barry
DATE: 1894
LOCATION: Tower Bridge Road,
SE1 2UP
F E AT U R E S A N D FACTS :

Tower Bridge was built to create


a river crossing for Londons
growing East End.

The middle of the bridge splits


into two equal sections (bascules),
which can be raised to allow tall
ships through. The high-level
walkways were designed so that
the public could still cross the
bridge when it was raised.

It took 8 years and 432 construction


workers to build the bridge.

The bascules are raised about


1000 times a year.

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18

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TH E TOW E R
O F LO N D O N
MATE R IALS: Stone
ST YLE: Norman, Medieval, Victorian
AR CH ITECTS: Anthony Salvin,
John Taylor (19th century)
DATE: 1070s to Middle Ages/
19th century
LOCATION: Tower Hill, EC2N 4AB
F E AT U R E S A N D FACTS :

The White Tower, the main central


part, was built by William the
Conqueror to show his power
as the new King of England.

The towers main function until the


late 19th century was as a fortress
stronghold, hence the small
windows and high stone walls.

It was a place of execution and still


is the home of the Crown Jewels.

Wild animals, including, lions, polar


bears and elephants were kept at
the Tower for over 600 years.

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19

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B L AC K F R IAR S STAT I O N
MATE R IALS: Steel, glass and
photovoltaic panels
ST YLE: Contemporary
AR CH ITECTS: Jacobs Engineering
DATE: 2012
LOCATION: New Bridge Street,
EC4V 4DY
F E AT U R E S A N D FACTS :

Blackfriars Station is the only


station to span the River Thames.

It is the worlds largest solar


powered bridge.

There are 4400 photovoltaic


panels on the roof, the largest
number on any building in London.

Did you know?


The bridge roof is very low because
it is designed to avoid blocking
views of St Pauls Cathedral.

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20

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TH E NATI O NAL
TH E ATR E
MATE R IALS: Concrete
ST YLE: Brutalist
AR CH ITECT: Denys Lasdun
DATE: 1976
LOCATION: Upper Ground,
South Bank, SE1 9PX
F E AT U R E S A N D FACTS :

The National Theatre was the first


theatre to house Britains first truly
national theatre company, an idea
that had first been suggested
in 1848.

The building comprises a series


of interlocking terraces that
provide great views across and
down the river.

Did you know?


The building actually contains
three theatres, radically different
in design from one another and
following the different types of
historic theatre forms.

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21

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TH E HAY WAR D
GALLE RY
MATE R IALS: Concrete
ST YLE: Brutalist
AR CH ITECT: Dennis Crompton,
Warren Chalk, Ron Herron
DATE: 1968
LOCATION: South Bank Centre,
Belvedere Rd, SE1 8XX
F E AT U R E S A N D FACTS :

Like the National Theatre, the


Hayward Gallery is one of Londons
best-known examples of Brutalist
architecture, with plain and roughly
finished concrete forms.

The galleries inside are lit by glass


pyramids on the flat roofs.

Did you know?


The Neon Tower, an artwork on
the top of the Gallery lift shaft,
changes colour depending on the
strength and direction of the wind.

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22

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TH E R OYAL
F E S TI VAL H ALL
MATE R IALS: Concrete and glass
ST YLE: Post-war
ARCHITECT: London County Council
Architects/Allies and Morrison
DATE: 1951/2007
LOCATION: South Bank Centre,
Belvedere Rd, SE1 8XX
F E AT U R E S A N D FACTS :

The Royal Festival Hall is the only


surviving building of the Festival
of Britain, an exhibition of science,
technology, design and the arts,
in 1951.

Its use of simple forms and


materials symbolised a new,
uplifting mood after World War II.

The building contains a 2,500-seat


concert hall as well as spaces for
dances, talks, bars and restaurants.

Recently the auditorium and


foyers have been restored and
reconfigured, and a new public face
onto the River Thames created.

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23

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T H E LO N D O N P R I D E
( S O UTH BAN K C E NT R E )
MATE R IALS: Bronze
S I Z E: 142 x 140 x 202 cm
ARTI ST: Frank Dobson
DATE: 1951
LOCATION: South Bank Centre,
Belvedere Rd, SE1 8XX
F E AT U R E S A N D FACTS :

This sculpture of two seated


women, like the Royal Festival
Hall, is a reminder of the Festival
of Britain in 1951.

It formed part of an artistic


programme for the Festival that
featured more than 30 sculptures
by leading British artists of
the day.

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24

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TH E LO N D O N EYE
MATE R IALS: Steel and glass
ST YLE: Contemporary
AR CH ITECTS: Marks Barfield
DATE: 2000
LOCATION: Riverside, County Hall,
Westminster Bridge Rd, SE1 7PB
F E AT U R E S A N D FACTS :

This feat of engineering design


has become a feature of the
London skyline since it opened to
celebrate the Millennium in 2000.

The wheel represents the turning


of time into the new millennium.

Passengers in the capsules can


see up to 40km in all directions.

Did you know?


More than 50 million visitors have
taken a ride on the wheel since
it opened.

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25

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TH E LON DON CU R R ICU LU M


K EY STAG E 3

LO N DO N ART AN D
AR CH ITE CTU R E

AR E AS TO E X P LO R E

111

A R E AS TO E X P LO R E

TR AFALG AR S Q UA R E ,
W E S TM I N ST E R A N D T H E S T R A N D
In an area that combines the powers
of government, royalty and the law,
the architecture is naturally majestic
and imposing. The Victorian Gothic
Revival dominates the great buildings
and institutions from the Palace of
Westminster to the Royal Courts of
Justice. Monuments line the streets and
squares, while Trafalgar Squares Fourth
Plinth sparks debate about the place and
value of public art.

Landmarks (see map for location, page 131)


1

Trafalgar Square

12 Somerset House

1a Nelsons Column and Four


Bronze Lions

13 Kings College

1b The Fourth Plinth

15 St Clement Danes Church

The National Gallery

16 Lincolns Inn Fields

National Gallery Sainsbury Wing

17 The Sir John Soane Museum

St Martin in the Fields

18 Royal Opera House

14 Two Temple Place

4a Edith Cavell Memorial

19 St Pauls Church, Covent Garden

Horse Guards

20 The Institute of Contemporary Art (ICA)

Banqueting House

21 Waterloo Place

Portcullis House

The Palace of Westminster

Westminster Abbey

10 The Cenotaph
11 Parliament Square

Snapshots (image and key facts) provided


for landmarks in bold.

TH E LON DON CU R R ICU LU M


K EY STAG E 3

LO N DO N ART AN D
AR CH ITE CTU R E

S NAPS HOT

TR A FA LGAR S Q UAR E
MATE R IALS: Stone
ST YLE: Neoclassical
AR CH ITECTS: Sir Charles Barry
DATE: 1840
LOCATION: Trafalgar Square,
WC2N 5DN
F E AT U R E S A N D FACTS :

In 1838 the architect Sir Charles


Barry presented a plan to develop
the square.

The fountain was originally


intended to reduce the amount of
available space and therefore the
risk of riotous gatherings, though
the square remains a place for
rallies and demonstrations.

At the beginning of the new


millennium the square underwent
another transformation as traffic
was removed from the north side.

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112

TH E LON DON CU R R ICU LU M


K EY STAG E 3

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N E LS O NS C O LU M N AN D
F O U R B R O N Z E LI O N S
MATE R IALS: Stone and Bronze
ST YLE: Neoclassical
AR CH ITECTS: William Railton
DATE: 1843
LOCATION: Trafalgar Square,
WC2N 5DN
F E AT U R E S A N D FACTS :

This classical column and statue


honours the British naval hero
Admiral Horatio Nelson, who died
victorious in the Battle of Trafalgar
in 1805.

The four lions at the base were


added later and were designed
by the famous Victorian artist
Sir Edwin Landseer.

Did you know?


The statues bronze platform
was made from old guns from
the Woolwich Arsenal Foundry
in south-east London.

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1a

TH E LON DON CU R R ICU LU M


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TH E FO U RT H P LI NT H
LOCATION: Trafalgar Square,
WC2N 5DN
F E AT U R E S A N D FACTS :

There is a plinth at each of the


four corners of Trafalgar Square
the one at the northwest corner
was designed to hold a statue
of King William IV on a horse,
but funds for this ran out so it
remained empty.

The Fourth Plinth, as it is known,


is now the site for specially
commissioned contemporary
artworks.

Funded by the Mayor of London,


the programme invites world class
artists to make astonishing new
works for the centre of the
capital city.

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114

1b

TH E LON DON CU R R ICU LU M


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TH E NATI O NAL GALLE RY


MATE R IALS: Portland Stone
ST YLE: Neoclassical
AR CH ITECT: William Wilkins
DATE: 1838
LOCATION: Trafalgar Square,
WC2N 5DN
F E AT U R E S A N D FACTS :

The National Gallery was designed


to house a new national art
collection for everyone to enjoy, in
the very centre of London.

To help save money columns from


the recently demolished Carlton
House nearby were used in the
main faade.

A lot of people criticised the


design when it was built, saying
the dome was too small, and the
columns too short.

Did you know?


The gallery now contains space
big enough to hold 2,000 London
double-decker buses.

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115

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NATI O NA L GALLE RY
S AI N S B U RY W I N G
MATE R IALS: Portland stone
ST YLE: Postmodern
AR CH ITECT: Venturi, Scott-Brown
and Associates
DATE: 1991
LOCATION: Trafalgar Square,
WC2N 5DN
F E AT U R E S A N D FACTS :

The Sainsbury Wing was a new


wing of the National Gallery built
to house the collection of early
Renaissance paintings.

It is the same height and in the


same stone as the main Gallery,
but it combines classical and
modern features, such as the large
rectangular entrances.

The mix of references to other


architectural forms, such
Victorian warehouses and ancient
Egyptian temples, is typical of
Postmodernist design.

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116

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LO N DO N ART AN D
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S T MAR TI N I N
TH E F I E LD S
MATE R IALS: Portland Stone
ST YLE: Neoclassical
AR CH ITECT: James Gibbs/Eric
Parry Architects
DATE: 1726/2009
LOCATION: Trafalgar Square,
WC2N 4JJ
F E AT U R E S A N D FACTS :

The classical design of the church


was influenced by the work of Sir
Christopher Wren.

The churchs impressive portico,


approached by a flight of steps,
consists of eight Corinthian
columns, which support a pediment
decorated with the royal arms of
George I.

The design was later widely copied


in other countries, especially the
United States.

A renewal project, completed in


2009, created a new entrance
pavilion to the crypt below.

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117

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E D I TH C AV E LL M E M O R IAL
MATE R IALS: White marble against
a grey granite cross
S I Z E: 8m high
ARTI ST: Sir George Frampton
DATE: 1920
LOCATION: St Martins Place
WC2
F E AT U R E S A N D FACTS :

Edith Cavell was a British nurse


in World War I who was executed
by the German army for having
helped Allied soldiers to escape.

Many memorials to her were


created around the world.

This memorial has a statue of


Cavell standing against a plinth
with a cross and statue of the
Virgin and Child.

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118

4a

TH E LON DON CU R R ICU LU M


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H O R S E G UAR D S
MATE R IALS: Portland Stone
ST YLE: Palladian
AR CH ITECT: William Kent
DATE: 1759
LOCATION: Whitehall, SW1A 2EU
F E AT U R E S A N D FACTS :

Horse Guards is a large building


between Whitehall and Horse
Guards Parade, designed to
provide accommodation and
stabling for the Household Cavalry.

The rustication on the buildings


facades gives it a plainness and
sense of strength suited to its
military use.

Fun fact
Horse Guards became the back
drop for the beach volleyball
tournament in the London Olympic
Games in 2012.

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119

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B A NQ U ET I N G H O U S E
MATE R IALS: Portland Stone
ST YLE: Jacobean/Palladian
AR CH ITECT: Inigo Jones
DATE: 1622
LOCATION: Whitehall, SW1A 2ER
F E AT U R E S A N D FACTS :

The Banqueting House is the only


surviving part of the old Palace
of Whitehall.

It is considered to be the first


classical-style building in England.

Jones had travelled to Italy to see


its architecture at first hand, and
returned to England with what at
the time were revolutionary ideas.

King Charles I was executed on


a scaffold outside the building
in 1649.

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120

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P O R TC U LLI S H O U S E
MATE R IALS: Sandstone
and metal
ST YLE: Contemporary
AR CH ITECT: Hopkins and Partner
DATE: 2000
LOCATION: Victoria
Embankment, SW1A 0AA
F E AT U R E S A N D FACTS :

Portcullis House provides office


space for more than 200 Members
of Parliament, as there is not
enough space for all MPs in the
Palace of Westminster.

The design with its tall chimneys


was intended to harmonise with
the vertical forms of the Victorian
Gothic Houses of Parliament
opposite.

The chimneys are actually part of


an environmentally-friendly system
that draws in fresh air and expels
stale air naturally from the building.

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121

TH E LON DON CU R R ICU LU M


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TH E PAL AC E O F
W E S TM I N STE R
MATE R IALS: Clipsham stone
ST YLE: Gothic revival
AR CH ITECT: Charles Barry/
Augustus W. N. Pugin
DATE: 1840 1870
LOCATION: Westminster,
SW1A 0AA
F E AT U R E S A N D FACTS :

The Gothic Revival buildings of the


Palace of Westminster are among
the most recognised buildings in
the world.

The Palace we see today was


a rebuilding after a great fire
destroyed almost all of the old
Palace in 1834.

The medieval Westminster Hall,


which had survived the fire of 1834,
was incorporated in Barrys design.

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122

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W E S TM I N ST E R AB B EY
MATE R IALS: Stone
ST YLE: Gothic
AR CH ITECT: Henry of Reyns, John
of Gloucester and Robert of Beverley
(master masons)
DATE: 1269 through to 1745
LOCATION: 20 Deans Yard,
SW1P 3PA
F E AT U R E S A N D FACTS :

The Abbey stands on the site of


a church built by King Edward
(Edward the Confessor) in the
1040s, known as the West Minster
(St Pauls Cathedral was known
as the East Minster). Parts of this
church remain in the foundations.

King Henry III called for an Abbey


to be built for the coronation and
burial of monarchs.

The design is typically Gothic.

Almost every monarch since


William the Conqueror has been
crowned in the Abbey.

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TH E C E N OTAP H
MATE R IALS: Portland stone
ST YLE: Classical
AR CH ITECT: Sir Edwin Lutyens
DATE: 1920
LOCATION: Whitehall, SW1A 2BX
F E AT U R E S A N D FACTS :

The Cenotaph is the main national


war memorial in the UK.

The word cenotaph means empty


tomb in Greek.

The cenotaph was originally a


temporary wood and plaster
structure for the first anniversary
of the Armistice of World War I in
1919, but public support meant
that it was made into a permanent
stone memorial.

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10

TH E LON DON CU R R ICU LU M


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N E LS O N M AN D E LA
S TATU E
MATE R IALS: Bronze
S I Z E: 2.7m high
AR CH ITECT: Ian Walters
DATE: 2007
LOCATION: Parliament Square,
SW1P 3JX
F E AT U R E S A N D FACTS :

This statue of the former South


African President and antiapartheid activist Nelson Mandela
was the result of a campaign from
2001 onwards.

Originally intended for Trafalgar


Square, the statue is located in
Parliament Square alongside other
important political figures such
as the US President Abraham
Lincoln and British Prime Ministers
Benjamin Disraeli and Winston
Churchill.

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11

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S O M E R S ET H O U S E
MATE R IALS: Stone
ST YLE: Neoclassical
AR CH ITECT: Sir William Chambers
and James Wyatt
DATE: 1780 1801
LOCATION: The Strand, WC2R 1LA
F E AT U R E S A N D FACTS :

Somerset House is a large


Neoclassical building situated on
the south side of the Strand and
overlooking the Thames.

The building was designed to be


an object of national splendour
housing many government
departments and learned societies.

When Somerset House was first


built, the River Thames lapped
the South Wing where three great
arches allowed boats and barges
to access landing places.

TRAFALGAR SQUAR E, WE STM I N STE R AN D TH E STRAN D

126

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LO N DO N ART AN D
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S NAPS HOT

K I N G S C O LLE G E
LO N D O N
MATE R IALS: Stone
ST YLE: Neoclassical/Gothic/
Post-war
AR CH ITECT: Sir Robert Smirke
Sir Giles Gilbert Scott
E. D. Jefferiss Mathews
DATE: 1831/1864/1972
LOCATION: The Strand, WC2R 1LA
F E AT U R E S A N D FACTS :

Kings College London is one


of the UKs oldest universities,
founded in 1829.

The front of the building by Smirke


along the Embankment follows
the design of the original architect
Sir William Chambers for the
neighbouring Somerset House.

A new building facing the Strand


was with the expansion of higher
education in the 1960s.

TRAFALGAR SQUAR E, WE STM I N STE R AN D TH E STRAN D

127

13

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AR CH ITE CTU R E

S NAPS HOT

T W O TE M P LE P LAC E
MATE R IALS: Portland Stone
ST YLE: Victorian Gothic
Tudor revival
AR CH ITECT: John Loughborough
Pearson
DATE: 1895
LOCATION: 2 Temple Place,
WC2R 3BD
F E AT U R E S A N D FACTS :

Two Temple Place is a Victorian


mansion built by the wealthy
businessman William Waldorf
Astor, then probably the richest
man in the world.

The building, designed as his


office and residence in London,
was built in the Tudor revival style,
with large windows inspired by
those in Elizabethan houses.

The weather vane represents


the ship Santa Maria in which
Columbus sailed to America.

TRAFALGAR SQUAR E, WE STM I N STE R AN D TH E STRAN D

128

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LO N DO N ART AN D
AR CH ITE CTU R E

S NAPS HOT

S T C LE M E NT
DA N E S C H U R C H
MATE R IALS: Stone
ST YLE: English Baroque
AR CH ITECT: Sir Christopher Wren/
James Gibbs
DATE: 1680; steeple added in 1719
LOCATION: The Strand,
WC2R 1DH
F E AT U R E S A N D FACTS :

St Clement Danes is the


only church designed by Sir
Christopher Wren outside the
City of London.

The church was badly bomb


damaged during the Second
World War with only the steeple
and external walls left standing.

The interior of the church was


entirely rebuilt and dedicated
to the Royal Air Force in 1958.

TRAFALGAR SQUAR E, WE STM I N STE R AN D TH E STRAN D

129

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LO N DO N ART AN D
AR CH ITE CTU R E

S NAPS HOT

LI N C O LN S I N N F I E LD S
MATE R IALS: Brick and stone
ST YLE: Classical/Victorian/post-war
AR CH ITECT: Various including:
Inigo Jones, Sir John Vanbrugh, Sir
John Soane and Sir Edwin Lutyens
DATE: 149018th century
LOCATION: Lincolns Inn Fields,
WC2A 3TL
F E AT U R E S A N D FACTS :

Lincolns Inn Fields is the largest


public square in London and takes
its name from Lincolns Inn, one
of the four Inns of Court to which
barristers in England and
Wales belong.

The square is a good place to view


buildings from different periods
and in different styles.

Look out for: Sir John Soanes


Museum, formerly the home of the
architect, on the north side, with
its round arched windows.

TRAFALGAR SQUAR E, WE STM I N STE R AN D TH E STRAN D

130

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Lambeth
Contains Ordnance
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contributors
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131

LO N DO N ART AN D
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TH E LON DON CU R R ICU LU M
K EY
STAG E 3
Gr e

Farringdo

South

eet

TH E LON DON CU R R ICU LU M


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132

A RT O F WALK I N G

G LO S S ARY
KEYWORDS: Green: styles, periods and movements | Blue: materials | Yellow: historical events/things
360 degree

a complete view all the way around or from a building

accessible

a building or part of a building that can be reached or used by people with disabilities

accommodation

one or more rooms for living in

aesthetic

from the point of view of beauty

altar

the table in a Christian church used in the sacred part of a religious service

aluminium

a silvery white and extremely light metal

amphitheatre

an open, circular or oval building with a central space where theatre or sporting events are held, surrounded
by seating
a curved structure spanning an opening in a building

arch
Art Deco
art gallery

a style of architecture and design popular in the 1920s and 1930s, with geometric shapes, bright colours and
symmetrical forms
a room or building used to display art

Arts and Crafts

a style of architecture and design in the late 19th century, which looked back to the medieval period

avenue

a wide street or approach to a building

backdrop

a setting or background

balustrade

a series of posts supporting a handrail, usually made of metal or wood

Baroque

a style of architecture found mostly in continental Europe from the 16th to the 18th centuries and which has
complex and highly decorated forms

TH E LON DON CU R R ICU LU M


K EY STAG E 3

LO N DO N ART AN D
AR CH ITE CTU R E

G LO S S A RY C O NTI N U E D
battlement

the top of a wall, especially of a fortress or castle, that has squared openings for shooting through

bay

a vertical division on the inside or outside of a building

bay window

a window that projects outwards from a building

the Blitz

air raids by Germany on Britain in 1940-41, during the Second World War

bow-fronted

a curved window projecting outwards

brickwork

the pattern, type or layout of bricks used in a building

bronze

a hard brown metal made by mixing copper with tin

brushed steel

a type of steel with a polished but non-reflective surface

Brutalist

a 20th-century architectural style using plain geometric forms and concrete without any decoration

buttress

a piece of a building projecting from a wall to provide additional strength

cast iron

a type of iron used for buildings, railings and gates

castle

a large medieval building, with thick walls, battlements and towers to protect it against attack

cathedral

the main Christian church in a region, usually very large stone building

chimney stack

the part of a chimney that can be seen above a roof

civic identity

the form or character of a town or city

cladding

the material used on the outside of a building, often to protect it from the weather

classical

a style of architecture inspired by the forms and decoration of ancient Greek and Roman buildings

column

a square, round or rectangular upright, found particularly in classical architecture

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G LO S S A RY C O NTI N U E D
computer modelling
technology
concert hall

computer programs used in the design and construction of a building

concourse

a large, open space in front of or inside a building

concrete

a hard building material made from a mixture of gravel or small stones with sand, cement and water

construction

the process of making a building

contemporary

the architecture of the present or recent past, which often uses innovative styles, materials and technology

Corinthian column

a column with its upper part (capital) carved with large leaves and/or plants and flowers

cornice

a projecting moulding along the top of a building

coronation

the ceremony used for crowning a king or queen

courtyard

a large open area surrounded by walls or buildings

craftsmanship

the skill or quality used in making something

crypt

a room under a church, used for religious services or for burials

cupola

a small dome on a roof or turret

curate

select, organise and present (information, objects, etc) for presentation

curtain walling

a wall, often made of glass, attached to a building that does not support the weight of the building

democracy

a system of government whereby the people chose their leaders by voting

demolished

a building that has been taken down

a building or part of a building where music is performed

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G LO S S A RY C O NTI N U E D
derelict

a ruined or neglected building

dome

the rounded top of a roof or building

Domesday Book

a record of who owned the land in England, made in 1086 on the orders of William the Conqueror

ecological

related to living things and their environment

Edwardian

a style of English architecture from about 1900 to 1914, named after the reign of Edward VII (1901-10)

Elizabethan

a style of English architecture in the 16th century, named after the reign of Elizabeth I (1558-1603)

energy-efficient

designed to reduce the amount of energy (usually gas or electricity) used

engineering

the science and technology of designing, building and using structures

the Enlightenment

an intellectual movement in Europe in the late 17th and 18th centuries

estate

an area of land and property

exemplar

a very good example of its kind

extension

an addition to a building

fabric

the material that is used to make a building

facade

the main front of a building

fibreglass

a type of plastic made of glass fibres mixed with resin

figure ground plan

a view of the layout of a building as if seen from above

flying buttress

an arch attached to a separate column, supporting a wall or roof and usually found on a church

fly tower

the large space above a stage in a theatre where machinery used to move equipment around the stage is stored

135

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LO N DO N ART AN D
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G LO S S A RY C O NTI N U E D
fortress

a defended building

foundation

the lowest part of a building, usually below the ground

functional

useful or designed for a special role

Functionalist

a style of architecture popular in the 20th century featuring simple, plain forms and materials

gargoyle

a water spout in the form of a human or animal, projecting from a roof

Georgian

architecture designed or built in the reigns of George I, II, III and/or IV (from 1714 to about 1830)

Gothic
Gothic Revival

a style of European architecture from the 12th to the 16th centuries, with pointed arches, rib vaults, flying
buttresses, large windows and elaborate decoration
a 19th-century style of architecture copying the forms of medieval church architecture

granary

a building for storing grain

granite

a very hard grey or dark pink building stone

Great Exhibition

the first international exhibition of industrial products, held in London in 1851

Great Fire

the huge fire that destroyed an enormous area of the City of London in 1666

Greek

relating to ancient Greece

Greek Revival

a style of 18th- and 19th-century architecture that used the style and forms of ancient Greek architecture

Gunpowder Plot

the plot by a small group of Catholic men to blow up the king and the Houses of Parliament on 5 November 1605

headquarters

the main central offices of an organisation or company

heritage

buildings and places of special historical value

136

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G LO S S A RY C O NTI N U E D
High-Tech

a style of architecture in the 1970s using new technology and industrial materials

iconic

very important or unusual

innovation

new ideas or the process of making something new

ironwork

a structure or decoration made of iron

Italianate

in the style of Italian architecture, often from the 16th century

Jacobean

a style of English architecture named after the reign of James I (1603-25)

Kindertransport

the rescue of Jewish children from Nazi-occupied countries to Britain from 1938 onwards

landmark

a building or feature that can be easily recognised from a distance or is important historically

lantern

a small tower with windows all around, on a roof or other part of a building

layout

the way in which a building is laid out

light well

an open space in the centre of building that allows light to enter

lime plaster

Natural lime was used traditionally as a binder in mortars, renders and plasters up until the 19th century when
Ordinary Portland Cement was introduced
a hard rock used as a building material and used to make lime plaster

limestone
listed
mansion house

a building recognised by the government as being of special historical or architectural interest and protected
from demolition or alteration
the house of a lord mayor or a rich landowner

marble

a hard form of limestone, typically white or coloured with streaks

market hall

a large building where indoor markets are held

master mason

a man who oversees the construction of buildings

TH E LON DON CU R R ICU LU M


K EY STAG E 3

LO N DO N ART AN D
AR CH ITE CTU R E

G LO S S A RY C O NTI N U E D
Medieval

the period in European history from about 7th to 16th centuries, also known as the Middle Ages

memorial

a structure or statue set up to remind people of an event or a person

mews
millennium

a row of stables with living rooms above, built at the back of a large house but now usually converted
to houses or flats
in or near the year 2000

minimalist

with very little or no decoration

Modernist

a style of 20th-century architecture using geometric shapes, straight lines, and glass, steel and concrete

monument

a statue or structure that represents an important person or event

mullion

an upright bar between panes of glass in a window

Neoclassical

an 18th- or 19th-century architectural style following the forms and decoration of ancient Greek and
Roman buildings
The Nolli map of Rome was produced in 1748. The map is drawn to scale and shows the ground plan
of buildings.
a style of English architecture in the 11th and 12th centuries, named after the kings of England who came
from Normandy in northern France
with a lot of decoration

Nolli plan
Norman
ornate
Palladian
panorama

a style of 18th-century English architecture based on ancient Roman and 16th-century Italian architecture,
and named after the important Italian architect Andrea Palladio
a very wide or completely all around view

pavilion

a small building designed for a particular use such as sport or shelter, or a large block of a building

paving

flat stones arranged in a pattern

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pedestrian island

a stopping point in a road where people can wait to cross, usually a raised area

pediment

a triangular section above a door or window

Perpendicular

a style of medieval architecture with very tall and narrow forms and large windows

photovoltaic

technology that converts sunlight into electricity, usually found in panels on roofs

piano nobile

the main floor of an Italian house, usually higher than the other floors above and below it

pier

a solid part of a building providing strength and support or between doors, windows and other openings

piloti

very narrow round columns supporting a building

plan

the view of the rooms of a building as they are seen directly from above

plaza

a square or large space open to the public

plinth

a low square base or the bottom part of a building

porch

a covered entrance to a building

portico

a structure marking an entrance to a building, often with a roof and columns

Portland stone

a type of white stone from Portland in Dorset, widely used in London

Postmodern
post-war

a style and intellectural movement in international architecture in the 1970s and 1980s with oversized
decorated forms and shapes, in contrast to the earlier Modernist style
after the end of World War II in 1945

proportion

how one thing relates to another in terms of quantity, size or number

public space

an area of the city that is open for everyone to use

purpose-built

made for a particular use

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Queen Elizabeth
Olympic Park
recession

the name of the park where the London 2012 Olympic and Paralympic Games were held

redevelopment

one or more buildings that are completely or partly new, on the same site as an older one

reface

to add a new front or covering to a building

refurbish

to change and/or redecorate a room or building

Regency

renovation

a style of building in England from the 1790s to about 1840, named after the period (1811-20) in which
George, Prince of Wales, became Regent for his father King George III. It has detailed and complex forms
often richly decorated
the reintroduction and rediscovery of ancient Greek and Roman forms in the 16th century, which was very
important for architecture and design after this period
the process of bringing a building back into use or making it up to date

resin

a solid or liquid material used in plastics or as a varnish

restoration

the process of returning a building to its original condition or form

ribbed vaulting

a type of curved ceiling found in medieval architecture divided by ribs or sections

Roman

relating to ancient Rome and its empire

Romanesque
rose window

a style of architecture found in Europe between the 9th and 12th centuries and featuring rounded forms
and thick walls
a round window with stone bars arranged like the spokes of a wheel or petals on a flower

royal arms

symbols or patterns with particular meanings that represent the king or queen

Renaissance

a period of time in which there is reduced trade and industrial activity

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Royal Park

parks like Hyde Park and Richmond Park in London one owned by the monarchy but now open to the public

rustication

a pattern of large stone blocks with rough faces, usually at the lower level of a building

sandstone

a type of stone originally made from sand then compressed to form rock often quartz

scale

the size of something

semi-circular

shaped like half of a circle cut across the middle

shareholder

someone who owns a part or parts of a business or company

skylight

a window in a roof or ceiling

skyline

the shapes of buildings, trees and other forms seen against the sky

skyscraper

a very tall building, often of glass

solar powered

powered by heat or light from the sun, transformed into electricity

Southbank

a cultural area on the south side of the river Thames

spectacle

something that is very impressive

spire

a tall, narrow structure rising from a roof or building, ending in a point and usually found on a church

stabling

buildings where horses are kept

stainless steel

a type of steel that does not change colour or weather

steeple

the tower and the spire of a church

storey

one level of a building

streamlining

making something smooth, narrow and rounded

stucco

a plaster coating used on the inside or outside of a building

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symbolic

representing something else

tapering

becoming narrower from a wider base

terrace

a row of houses joined together

terracotta

reddish-brown pottery used for bricks, roof tiles and decoration on buildings

thoroughfare

a main road in a city or town

town house

a tall, narrow house in a city

train shed

a large building where trains are kept or repaired

translucent

allowing light to pass through

transparent

something that can be seen through

Tudor

a style of architecture built in the period of the Tudor kings of England (1485-1603)

turret

a very small or narrow tower, often found in medieval buildings

veneer

a very thin covering of material

ventilation

the way in which air moves in, around and out of a building

veranda

an open gallery or balcony with a roof

Victorian

architecture built or designed during the reign of Queen Victoria (18371901), often with much decoration

vitriolite

a type of coloured glass used in architecture from the 1920s to the 1950s

warehouse

a building in which goods are stored

weathervane

a metal object that shows which way the wind is blowing

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C R E D I TS
The GLA would like to thank the following organisations for their contribution:

Our collaborators on
the London Curriculum

Photographs Kois Miah (unless otherwise stated)


Design www.thirteen.co.uk

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Copyright
Greater London Authority
September 2014
Greater London Authority
City Hall
The Queens Walk
London SE1 2AA
www.london.gov.uk
enquiries 020 7983 4100
minicom 020 7983 4458

The London Curriculum Lessons are really different because we can see,
touch and interact with our lessons.
key stage 3 student

The idea of using London as a teaching resource has never been explored
much before, so both students and teachers are excited about it
key stage 3 teacher

I think the curriculum is really fun and makes me learn more about
the history of where I live
Key stage 3 student

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