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  • Tentative Syllabus: Wednesday, January 10

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    This document outlines the tentative syllabus for a course titled "Crash: Trauma, Rupture Art" that will examine the representation of trauma and rupture in art through various central texts, accompanying texts, and visual materials over 14 class meetings between January and March. The course will explore topics like versions of hysteria, the media of trauma, trauma as a missed encounter, shock in avant-garde and neo-avant-garde art, the accident of representation, trauma and representations of "the Jews," and post-trauma representations in Germany. Key figures to be discussed include Freud, Benjamin, Lacan, Richter, Kiefer, and Resnais among others.

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    This document outlines the tentative syllabus for a course titled "Crash: Trauma, Rupture Art" that will examine the representation of trauma and rupture in art through various central texts, accompanying texts, and visual materials over 14 class meetings between January and March. The course will explore topics like versions of hysteria, the media of trauma, trauma as a missed encounter, shock in avant-garde and neo-avant-garde art, the accident of representation, trauma and representations of "the Jews," and post-trauma representations in Germany. Key figures to be discussed include Freud, Benjamin, Lacan, Richter, Kiefer, and Resnais among others.

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    11 vues3 pages

    Tentative Syllabus: Wednesday, January 10

    Transféré par

    k1103634
    This document outlines the tentative syllabus for a course titled "Crash: Trauma, Rupture Art" that will examine the representation of trauma and rupture in art through various central texts, accompanying texts, and visual materials over 14 class meetings between January and March. The course will explore topics like versions of hysteria, the media of trauma, trauma as a missed encounter, shock in avant-garde and neo-avant-garde art, the accident of representation, trauma and representations of "the Jews," and post-trauma representations in Germany. Key figures to be discussed include Freud, Benjamin, Lacan, Richter, Kiefer, and Resnais among others.

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    sur 3

    Crash: Trauma, Rupture Art

    (ARTHI 296A/GER 210/COMPLIT200)


    ARTS 2622, W 10-12.30
    Prof. Sven Spieker

    Tentative Syllabus
    Wednesday, January 10:
    Introduction
    Reading:
    D. W. Abse, Historical Survey
    C. Carruth, Introduction

    Wednesday, January 17:


    Versions of Hysteria
    Central text:
    S. Freud, Fragment of an Analysis of a Case of Hysteria
    Accompanying texts:
    S. Freud/Breuer, On the Psychical Mechanism of Hysterical Phenomena: Preliminary
    Communication
    S. Freud, Hysteria
    P. Janet, The Problem of Hysteria; The Troubles of Speech
    E. Showalter, Hysterical Men
    J. Didi-Hueberman, from The Invention of Hysteria
    S. Schade, Charcot and the Spectacle of the Hysterical Body...
    S. Spieker, The Homeless Symptom: Archive and Trauma in Boris Mikhailov
    Visual material:
    A. Londe [Medical photographs taken at his Salptrire studio]
    A. Warburg, Mnemosyne Atlas
    B. Mikhailov, from Case History

    Wednesday, January 24:


    The Media of Trauma
    Continuation

    Wednesday, January 31:


    The Atrophie of Experience
    Central texts:
    S. Freud, Beyond the Pleasure Principle
    W. Benjamin, The Storyteller
    Accompanying texts:
    S. Freud, Note on the Magic Writing Pad
    E. Showalter, Hysterical Men
    R. Barthes, from Camera Lucida
    Visual material:
    D. Graham, Present Past Continuous
    Bruce Connor, TV Assassination (1963-64/1975)

    Monday, February 5/Tuesday, February 6, 9am-6pm:

    Interdisciplinary conference Packrats and Bureaucrats: Study in the


    Archive at the UCSB Interdisciplinary Humanities Center
    Wednesday, February 7:
    Trauma as Missed Encounter
    Central text:
    J. Lacan, from Seminar XI
    Accompanying texts:
    A. Lichtenstein, Die Granate
    A. Stramm, Patrouille; Sturmangriff
    P. Virilio, Speed and Technology

    Wednesday, February 14:


    Shock in Avant-Garde and Neo-Avant-Garde Art
    Central text:
    H. Foster, The Return of the Real
    Accompanying texts:
    P. Buerger, from Theory of the Avant-Garde
    W. Benjamin, The Work of Art in the Age of Technical Reproduction
    Visual material:
    Kurt Schwitters, Hanna Hoech, various examples of photo-montage
    L. Fontana, various works
    D.Vertov, from The Man With a Movie Camera [film]
    A. Warhol, Disaster Series
    Examples of hyper-realism

    Wednesday, February 21:


    The Accident of Representation
    Central film:
    D. Cronenburg, Crash
    Accompanying texts:
    G. Ballard, Crash (excerpts)
    M. Blanchot, from The Writing of Disaster
    Accompanying film:
    L. Godard, The Week-End [movie]

    Wednesday, February 28:


    Trauma and the Jews I
    Central text:
    Freud, from Moses and Monotheism
    Accompanying texts:
    C. Carruth, from Unclaimed Experience. Trauma, Narrative, and History
    Visual material:
    Ch. Boltanski, various works
    H. Haacke, Mariensaeule; Und ihr habt doch gesiegt
    K. Wodiczko, Memorial Projections
    Examples of negative holocaust memorials

    Wednesday, March 7:

    Trauma and the Jews II


    Central text:
    J.-F. Lyotard, from Heidegger and the Jews
    Accompanying film:
    C. Lanzmann, Shoah

    Wednesday, March 14:


    Post-Trauma: Germany
    Central artists:
    A. Kiefer, various works
    G. Richter (Atlas, cycle 18. Oktober, photo paintings)
    Accompanying texts:
    B. Buchloh, Gerhard Richters Atlas
    M. Blanchot, from The Writing of Disaster
    Saltzmann, from Anselm Kiefer and Art After Auschwitz
    Recommended reading:
    S. Felman/Dori Laub, The Return of the Voice
    A.Huyssen, from Twilight Memories. Marking Time in a Culture of Amnesia

    Make up class:
    Hiroshima, mon amour
    Central film:
    A. Resnais, Hiroshima mon amour
    Accompanying texts:
    M. Duras, Hiroshima mon amour

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