Vous êtes sur la page 1sur 22

I300SEY@HAWKES

Violon
Violine
Violn
O

VIOLIN
(itt

44
ci

by

CAROL

BARRATT

More than 25 pieces for violin and piano


Plus de 25 morceaux pour violon et piano

-J

Mehr als 25 Stcke fr Violine und Klavier

Ms de 25 piezas para violn y piano

i~&~
U

C.~

L~5~L~J~

CAROL BARRATT

rayo!

Violin
More than 25 pieces for violin and piano

Edited by Edward Huws Jones

BOOSEY@IIAWKES
London

New York

Berlin

Sydney

PREFACE
The pieces in Bravo! Violin take the student progressively through the
early grades. They consist mainly of original material, with a few
arrangements too sorne well-known, sorne more unusual. These pieces
are intended to encourage the student to perform rather than mereiy play
whenever the opportunity arises.
-

Ah too often, the early stages of leaming an instrument can be a sohitary


process. Wherever possible, these pieces should be played with their
keyboard accompaniments. Hearing the keyboard parts wihi lead to an
awareness and appreciation of different musical styles and a sense of
harmony, not just melody. In addition, playing with an accompaniment
deveiops the pupils ability to maintain his or her own part while histening
to another. And of course, its fun!

PREFACE
Les rnorceaux se trouvant dans Bravo! Violon guident progressivement
ltudiant travers les premiers niveaux. lis consistent surtout en des
morceaux originais, mais u y a galement quelques arrangements
certains clbres, dautres plus iiihabituels. Ces morceaux ont le but
dencourager ltudiant interprter plutt qu se contenter de jouer
ds quil en a ioccasion.
-

Bien trop souvent, les premiers pas de lapprentissage dun instrument


peuvent tre une entreprise bien soiitaire. Ji faudrait jouer ces morceaux
ayee ieur accompagnement au ciavier chaque fois que cest possibie.
Gr~ce lcoute des parties du clavier, ji sera possibie de prendre
conscience et dapprcier djffrents types musicaux et le sens de
iharmonie, et non pas seuiement ceiui de la rnlodie. De plus, en jouant
avec un accompagnement, llve dveioppe sa capacit de maintenir sa
propre partie tout en coutant celle dune autre. Et bien sur, cest trs
amusant!

VORWORT
Die Musikstcke in Bravo! Violine leiten den Schler Schritt ffir Schritt
durch die ersten Stufen. Sie bestehen haupts~ichlich aus Originalmaterial,
aber auch aus einigen Arrangements teils wohlbekannt, teils eher
ungew5hnlich. Diese Musikstcke sollen den Schler ermutigen, wann
immer sich die Gelegenheit bietet, vorzutragen anstatt lediglich zu spielen.
-

Alizu oil ki5nnen die ersten Versuche, em Instrument zu erlernen, em


einsamer Vorgang sein. Diese Stcke sollten nach Mglichkeit mit
Klavierbegleitung gespielt werden. Das Hi5ren der Klavierstimme ffihrt zu
einer erhhten Wahrnehmung und Wrdigung von verschiedenen
Musikrichtungen und zu einer Empfindung fr Harmonie und nicht
allein fr die Melodie. Zus~itzlich hill das Spielen mit Begleitung dem
Schler, seine eigene Stimme zu spielen, whrend er euler anderen zuhrt.
Und nafflrlich machts SpaB!

PREFACIO
Las piezas musicales de Bravo! Violn integran un mtodo progresivo
ideal en las etapas iniciales del aprendizaje musical. La mayora son obras
originales, aunque tambin hay arreglos -algunos famosos, otros menos
conocidos- y estn concebidas para alentar al alumno a interpretar, y no
simplemente tocar, siempre que se presente la oportunidad.
Con demasiada frecuencia las etapas iniciales del aprendizaje de un
instrumento musical se convierten en un proceso solitario. Por ello es
aconsejable interpretar estas piezas con su acompaamiento al teclado
siempre que sea posible. Al or la parte del teclado, el intrprete se
sensibiliza y aprecia los diferentes estilos musicales y la armona, adems
de la meloda. Es ms, al tocar con acompaamiento el alumno desarrolla
la capacidad de interpretar su parte a la vez que escucha otra. Y, por
supuesto es muy divertido!

CONTENTS

Barratt
Round Dance
Barrafl
Quirk
Czerny
Rise and Shine!
Barratt
String Along
French Folk Song
Fais Dodo
Kabalevsky
Polka
Kabalevsky
Rus sian Dance
Barratt
Shortcake-Walk
French-Canadian Folk Song Qn the Wing
Duncombe
Minuet
Barratt
Hunt the Rosin!
Scottish Folk Tune
Torry Burn
Schubert
German Dance
Barratt
Out-of-Step March
Hungarian Folk Song
Sowing Marjoram
Scottish Folk Song
The Night Visiting Song
Barraft
Penny-Stinkards
Barratt
Wimbledon Waltz
Barrafl
Ballyhoo!
Barratt
Harvest Time
Barratt
Fivepins
Swedish Folk Song
Midsummer Fire
Barraft
Barrel Blues
Anon.
English Jig
Tchaikovsky
The Hurdy-Gurdy
Barratt
Three Variations on Cat in the Snow

2
2
3
3
4
4
4
5
5
6
7
7
8
8
9
9
10
11
11
12
13
13
14
14
15
16

IMPORTANT NOTICE: The unauthorised copying of the whole or any part of this publication is illegal.~

ROUND DANCE

Based on a l7th-century tune by Joachim von der Hafe


Carol Barratt

Moderato
2
~
mf

U~~J

p
11

~
mp

QUIRK

With humour

Carol Barratt

L.H. piZZ.

arco

(f)

f
6

}-~r~

p
11

r~

~J~j ~
f
nt.

15

rj~U

~ r
p

a tempo
20

arco

LH.pizz.
,

~r

L:j ~

Fz

f
Copyright 2001 by Boosey & Hawkes Music Publishers Ltd.

11027a

RISE AND SHINE!


Karl Czemy
arr. Carol Barratt

Allegretto

~J4~

mf

~y

(j

:~IU

mf

lo

~
mf

14

~J

:~I
f

STRING ALONG
Ragtime

Carol Barratt

~
f
7

13

nt.

~
f

ff
1 1027a

>

FAIS DODO
(Goodnight, Sleep Tight!)
French Folk Song
arr. Carol Barratt

Like a lullaby

r~

e-,

mf

r~fl~
nt.

13

a tempo

~ H
P

mp

mp

~
~ p

EZZE====r====~~=

)~

TWO DANCES
POLKA
Dniitri Kabalevsky

Allegro non troppo

arr. Carol Barratt

mf

~
f

mp

RUS SIAN DANCE


Con brio

HH~

~
*

~H

~H ~

~
f

-i

Staccato notes to be played on the string

Copyright 1946 by Boosey & Hawkes Music Publishers Ltd for the United Kingdom,
the British Commonwealth (excluding Canada) and the Republic of Ireland.
This edition Copyright 2001 by Boosey & Hawkes Music Publishers Ltd.

11027a

SHORTCAKE-WALK
Moderate ragtime tempo

Carol Barratt

2
1

0)

mp

~i
lo

mf

14

ff

QN THE WING
French-Canadian Folk Song
arr. Carol Barratt

Andante

~
f

10

~rr~r~r

mf

15

r ~

r r
nt.

20

~
0)

mf

11027a

MINUET
Attributed to
William Duncombe (eighteenth century)
arr. Carol Barratt

Allegretto
4

f
8

~r

mf

L~F

Lr r

EJ

12

~
mp

16

~r

~JE_-H

20

~r

IHf

24

nnu

29

~J

mf

34

mp

11027a

2rail.

..~

7
HUNT THE ROSIN!

Carol Barratt

In a frenzy
A
2

>

rrFF~F

f
8

~
sub.p

14

mf

nt.

a tempo

p
20

j~fl~

rrEF~~

FF~~FFr~

f
26

>

ff

>

>

TORRY BURN
Scottish Folk Tune
arr. Carol Barratt

Lively

~a

~ ~

f
7

r~

U ~~WGfl~J

mp
11

mf

~
=~=-

mp

11027a

mf~

GERMAN DANCE
Franz Schubert
arr. Carol Barratt

Moderato

~~Hrr~

mf

~ L~

mp

13

r ~

ILF~

f
19

1.

z~~==mf

mf

OUT-OF-STEP MARCH
Strict march time

Carol Barratt

~
f
mf

~ Wr ~r ~f

F ~P F

========EE=EZ

(r~)

11

r ~r

mp

mf

16

f
11027a

r ~

SOWING MARJORAM
Hungarian Folk Song

Tempo giusto

arr. Carol Barratt

R.H. piano

-j

f
8

~j____
mf

-~

r~

~ILFF~~F

r~ ~ ~

24

~ ~

:~I~ r

L~

THE NIGHT VISITING SONG


Scottish Folk Song
Slowly and calmly

arr. Carol Barratt

mp

~ r.
~mf

mp

~ j.
mf

13

~J
&

J. ~

1
,L

U
~

mp

11027a

nt.
-F-

1.

~LI

ZZEEE=z=z======

lo

PENNY-STINKARDS

Based on an Elizabethan tune

Carol Barratt

In a jovial style

~
f

mf

mf

12

~
17

~r

22

r~nr ~r

~j
27

~
&f

31

~ff r

37

L.H.pizz.

rrrHr
>

Penny-Stinkards were poor (and often smelly!) people around the time of Shakespeare who could only afford a penny in order
to stand below the stage of the theatre for their entertainment.
11027a

11

WIMBLEDON WALTZ
Carol Barratt
With a graceful uit
4

fl~I

H r ~

mf

mp

nt.

atempo
y

16

mf

mf

nt.

22

r ~

mp

BALLYHOO!
Boisterously

Carol Barratt

~
f

ff

ff

14

~
mf

21

~I
f

JHJ~

ii
-~====E

ff
11027a

Cd
>

12

HARVEST TIME
Based on a Latviafl folk-song

Carol Barratt

Moderato
.

r i~r

~ r ~

mf

11

~
16

nt.

a tempo

~
-~
:::EE===r===

pi~z.

H f~

~ H ~

pp

22

~ p

H ~

H ~

27

H p

arco

t~~

f
nt.

32

a tempo

FF~JH~~fl
p

acceL~~

ff~

Ah quavers crisp and detached

l1027a

12

HARVEST TIME
Based on a Latvian folk-song

Carol Barratt
Moderato

mf

rr~

mf

11

~
16

nt.

a tempo

pizz.

~ U

H f~

~
EZ=EEE==r====

~ H

22
>

~
27

arco

~
f

nt.

32

a tempo

~
p

~
*

acceL~>

Ah quavers crisp and detached

II

ff~

11027a

13

FIVEPINS
Carol Barratt

Quite fast with enthusiasm


-

mf

r~HF

~F

11

mf

I~

FFFH
-~1

~r

(ff)

MIDSUMMER FIRE
Swedish Folk Song
Andantino

arr. Carol Barratt

LH
mp cantabile

~Lrr

f agitato

11

~
sub. p cantabile
nt.

15

~ \.

pp

.~

11027a

~~

.......

....

:z==~====

~L1OTT

61
t:1

H
[

H
~

LI

~
L

H ~

1~JJ~t
iinjof

flEJ~I1~H 01E3 JJ1~

i(1fl~U~3 q~9[ UOU~

DIf HSI]DN~E[
c~

dz

i~
6

.fl

.~

tu

W?JJ1~H

IOJ1~3

w~q ziq A4OIS

(~
(q~L p~u~w~jj) ~

:sJ~A1~nb ~un~s qiii~ p~ujd ~q u~ ~id siq~

pui~ (pJ~ pou~un~) ~j ~~id sup rn (oJn3s ~qi jo -pL pui~ ip p~ pou~~jj) so~ou ~
p~ji~-os ~ .ioj mo ~jooj suuoj zzi~C ms~ii~ ~qm jo ouo si ~~sonJq,, ~qj~

~ ~n~q-~j)

S~E[fl1H 1~EI}T~VH
VI

15

THE HURDY-GURDY
Peter Tchaikovsky
arr. Carol Barratt
Moderato

mp

r ~

10

U.

r~

mf

17

~r r r ~
~r
mf

mp

u.

30

~
~

mf

mp

36

(mp)

41

u
poco nt.

47

~
1 1027a

16

THREE VARIATIONS ON CAT IN THE SNOW


(A German Folk Song)
THEME
Stealthily

Carol Barratt

mf

p
7

~f

VARIATION 1. WALTZ
13 Moderately

~IL~

mp

mf

2nd time

(~

19

u ~ ~ u.

:j ~

mp

VARIATION 2. MUSETTE
25

Fairly fast

~tILJfl~flJ~U ~
\___

\__;

sub.mp
2nd time

29

(t?~)

:~I~

VARIATION 3. JIG
~

With a uit

~g IL~ ~

,.---.

mf

38
~

~!
-y

0)

-~fmp

SI
i

-0-

,...

~
1r

fr.

NIfli

112

nt.
1

:~Iflr~
tItj

f
1 1027a


After graduating from the Royal College of Music, Caro
Barratt was awarded a Martin Musical scholarship for
composition by the Philharmonic Society and studied
with Elisabeth Lutyens. Her compositions have often
been performed and broadcast, particularly the Flute
Suite, Brass Quintet, Tuba Sonata, Oboe Sonatina and
the song cycle Love. . .a Strange Disease. Her
Magn~flcat and Nunc dimittis were first performed in
1992 at St Pauls Cathedral in London. In 1995 her Six
Songs for Singing were chosen to be performed as
part of the celebrations of the 5Oth anniversary of the
Composers Guild. A highly respected teacher, Carol
Barratt now presents her unique compositional style in
the Bravo! series of music for young players.

Nach ihrem Abschlui3 am Royal College of Music erhielt


Carol Barratt das Martin Musikstipendium fr
Komposition von der Philharmonischen Gesellschaft
und studierte bei Elisabeth Lutyens. Iher Kompositionen
werden haufig aufgefhrt und im Rundfunk bertragen,
vor allem die Flten-Suite, das Blechbl~serquintett, tie
Tuba-Sonate, die Oboen Sonate und der Lierderzyklus
Love. . .a Strange Disease. Ihr Magn~ficat und Nunc
dimittis erklangen erstmals 1992 in der St. Pauls
Cathedral in London. 1995 wurden ihre Six Songs for
Singing ausgew~hlt, um als em Bestandteil der
Feierlichkeiten zum 5O-j~hrigen Jubilaum der
Composers Guild aufgefhrt zu werden. Carol Barratt,
de auch eme sehr renommierte Lehrerin ist, legt nun in
der Reihe Bravo! Musik fr junge Instrumentalisten vor,
in der ihr einzigartiger Kompositionsstil zum Ausdruck
kommt.

ISMN M-060-11027-6

Il I~I h U IHUN UII~ UII

9 790060 110276

Aprs avoir achev ses tudes au Royal College of


Music de Londres, Carol Barratt obtint de la
Philharmonia Society une bourse de composition
(Martin Musical scholarship) et suivit les cours
dElisabeth Lutyens. Ses compositions ont souvent t
joues et retransmises ~ la radio ou la tlvision,
notamment la Suite pour flte, le Quintette pour
cuivres, la Sonate pour tuba, la Sonatine pour hautbois
et le cycle de chants Love.. .a Strange Disease. Le
Magn~flcat et Nunc Dimittis furent crs en 1992 ~ la
cathdrale Saint Paul de Londres et les Six chants ~
chanter furent excuts dans le cadre des festivits qui
marqurent, en 1995, le cinquantenaire de la Guilde
des compositeurs. Ensegnante de grand renom, Carol
Barratt prsente aujourdhu son style de composition
trs personnel dans la srie Bravo! de pices pour
jeunes instrumentistes.
Tras graduarse en el Royal College of Music, Carol
Barratt obtuvo la beca de composicin Martin Musical,
concedida por la Philharmonia Society, y estudi bajo
la direccion de Elisabeth Lutyens.
Sus obras se tocan en conciertos y se difunden
radiofnicamente con regularidad, especialmente la
Suite para flauta, el quinteto de viento, la sonata para
tuba, la sonatina para oboe y el ciclo de canciones
Love. . .a Strange Disease. Sus obras Magn~ficat y
Nunc dimittis fueron estrenadas en la catedral de S.
Pablo en Londres en 1992.
En 1995 sus Seis canciones para voz fueron elegidas
para ser interpretadas en los actos conmemorativos del
cincuenta aniversario de la sociedad de compositores.
Maestra muy prestigiosa, Carol Barratt presenta en la
actualidad su singular estilo de composicin en la serie
Bravo! para jvenes intrpretes.

BOOSEY@HAWKES
Boosey & Hawkes Music Publishers Limited
295 Regent Street, London W1 B 2JH

www.boosey.com