Académique Documents
Professionnel Documents
Culture Documents
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Plaintiff,
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vs.
JAY-Z(aka SHAWN CARTER),
TIMOTHY MOSELY,KYAMBO
JOSHUA,ROB BOURDON,BRAD
DELSON, MIKE SHINODA,DAVE
FARRELL,JOSEPH HAHN,CHESTER
BENNINGTON,BIG BAD MR.HAHN
MUSIC,CHESTERCHAZ PUBLISHING,
EMI BLACKWOOD MUSIC,INC., EMI
MUSIC PUBLISHING LTD., KENJI
KOBAYASHI MUSIC,LIL LULU
PUBLISHING, MACHINE SHOP
RECORDINGS,LLC, MARCY
PROJECTS PRODUCTIONS II, INC.,
MTV NETWORKS ENTERPRISES INC.,
NONDISCLOSURE AGREEMENT
MUSIC,PARAMOUNT HOME
ENTERTAINMENT,INC.,
PARAMOUNT PICTURES
CORPORATION,RADICAL MEDIA,
ROB BOURDON MUSIC,ROC-AFELLA RECORDS,LLC,TIMBALAND
PRODUCTIONS,INC., UMG
RECORDINGS,INC., UNIVERSAL
MUSIC AND VIDEO DISTRIBUTION,
INC., AND WARNER MUSIC INC.,
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Pretrial Conference:
September 14, 2015, at 11:00 a.m.
Jury Trial Date:
October 13, 2015, at 9:30 a.m.
Defendants.
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A.
Plaintiff plans to pursue a claim that the defendants infringed upon his
Identification of Claim.
B.
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1.
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2.
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14 suffered as a result ofthe infringement and any profits of the defendant attributable
15 to the infringement. Ninth Circuit Model Jury Instruction No. 17.22; see also 17
16 U.S.C. 504.
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C.
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Copyright Ownership.
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(2)
Copying.
"The word `copying' is shorthand for the infringing of any of the copyright
3 ~ owner's five exclusive rights, described at 17 U.S.C. 106." S.O.S., Inc. v. Payday,
4 Inc., 886 F.2d 1081, 1085 n.3 (9th Cir. 1989).'
The evidence will show that a portion ofthe Khosara Khosara composition is
6 "looped" i.e., played over and over again throughout Big Pimpin'. Any
7 reasonable person who hears the two works would reach that conclusion. In
8 addition, there is documentary evidence and testimony from the defendants
9~' themselves proving that each ofthem was involved in creating, performing, and/or
10 distributing the song Big Pimpin' or variations thereof.
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(3)
Damages.
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13 ~ the revenues from exploiting Big Pimpin'. They have also produced documentary
14 evidence of those revenues. They have also produced data indicating. the percentage
15 of downloads ofBig Pimpin'compared to the downloads of other tracks on the
16 relevant albums.
Plaintiff has retained an economic damages expert, Dr. Patrick Kennedy, to
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18 analyze and summarize the defendants' revenue and profit attributable to their
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20 ~ .The(now six) exclusive rights under 17 U.S.C. Section 106 are: "(1)to
reproduce the copyrighted work in copies or phonorecords;(2)to prepare derivative
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works based upon the copyrighted work;(3)to distribute copies or phonorecords of
22 the copyrighted work to the public by sale or other transfer or ownership, or by
rental, lease, or lending;(4)in the case of literary, musical, dramatic, and
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choreographic works, pantomimes, and motion pictures and other audiovisual
24 works, to perform the copyrighted work publicly;(5)in the case of literary, musical,
dramatic, and choreographic works, pantomimes, and pictorial, graphic, or
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sculptural works, including the individual images of a motion picture or other
26 audiovisual work, to display the copyrighted work publicly; and(6)in the case of
sound recordings, to perform the copyrighted work publicly by means of a digital
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audio transmission."
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D.
Defenses.
10 appear inapplicable to the facts at issue herein. At the Rule 16-2 meeting of
11 counsel, defense counsel stated that they had not yet decided if they planned to
12 abandon any of their defenses.
Nevertheless, it seems clear, at this stage, that the primary defense being
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14 relied upon by the defendants is a "license" defense i.e., the defendants contend
15 that, through a series of agreements(or "chain of title"), they have been granted a
16 valid right to exploit Khosara Khosara in Big Pimpin '.2
As noted infra, Plaintiff contends that Egyptian law governs the defendants'
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18 license defense.
The 1954 Egyptian copyright law i.e., the law in effect at the time ofthe
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"An author may transfer to a third party, all or part ofthe financial
its range, its purpose, and the period and place of exploitation." Article
37.
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E.
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Evidentiary Issues.
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4 Article 7, first clause, states that "[t]he author shall along have the right to
introduce whatever modifications or changes he chooses in his compiled work."
26 Article 9 states, in part, that "[t]he author shall alone have the right to relate his
work himself, and to repel any encroachment on such right, as well as prevent any
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deletion or change in his compiled work."
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1 motions in limine. Plaintiff anticipates that all significant evidentiary issues will be
2 raised through those motions.
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F.
Plaintiff submits that the following issues of law are germane to the case.
Issues of Law.
(1)
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(3)
4 wrongful profits attributable to the infringement. See 17 U.S.C. Section 504. Under
5 ~ that section, the plaintiff bears the burden of proving the defendants' sales revenue.
6 ~ The burden then shifts to the defendants to prove the following: (a) any expenses
7 ~ that were incurred to generate the wrongful revenue, and (b) any part of the revenue
8 ~ that is demonstrably not attributable to the use of the copyrighted work. Ninth
9 Circuit Model Instruction No. 17.24. However,the Ninth Circuit has implied,5 and
10 some courts have held,6 that a willful copyright infringer cannot deduct overhead.
11 Some courts have also held that an apportionment between infringing and non12 infringing elements may not be appropriate in cases of willful infringement. Abkco
13 Music, Inc. v. Harrisongs Music, Ltd., 508 F. Supp. 798, 801 n.10(S.D.N.Y. 1981);
14 see also Knitwaves, Inc. v. Lollytogs Ltd., 71 F.3d 996, 1010(2d Cir. 1995).
15 Therefore, this Court must decide whether to follow or reject the cases cited above.
16 Plaintiff submits that this Court should follow those decisions.
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Bifurcation.
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The Court previously denied the defendants' request to bifurcate the trial.
19 Dkt. 418 at pp. 9-10. Plaintiff continues to believe bifurcation is inappropriate. The
20 reasons underlying the Court's prior denial remain sound.
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3.
Jury Trial.
A timely demand for a jury trial was made in Plaintiffs complaint. Plaintiff
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5 Frank Music Corp. v. Metro-Goldwyn-Mayer, Inc., 772 F.2d 505, 515 (9th Cir.
24 1985).
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6 E.g., Saxon v. Blann, 968 F.2d 676, 681 (8th Cir. 1992)("Overhead may not be
26 deducted.from gross revenues to arrive at profits when an infringement was
or willful."); see also Melville B. Nimmer, Nimmer on Copyright,
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1 submits that the issues herein are required to be tried to a jury. See, e.g., Feltner v.
2 Columbia Pictures Television, Inc., 523 U.S. 340, 347-55 (1998)(describing history
3 of trying copyright cases to juries and holding that the Seventh Amendment required
4 trial by jury of statutory damage claim); Sid &Marty Krofft Television Productions,
5 Inc. v. McDonald's Corp., 562 F.2d 1157, 1175 (9th Cir. 1977)(plaintiff has right to
6 jury trial on issue of wrongful profits in copyright infringement case).
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Attorney's Fees.
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Abandonment of Issues.
Plaintiff has not voluntarily abandoned any pleaded claims.
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BY:
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F~ic~
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PROOF OF SERVICE
2 ~ STATE OF CALIFORNIA,COUNTY OF LOS ANGELES
At the time of service, I was over 18 years of age and not a party.to this
action. I am employed in the County of Los Angeles, State of California. My
4 business address is 2121 Avenue ofthe Stars, Surte 2400, Los Angeles, CA 90067.
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I declare under penalty of perjury under the laws of the United States of
America that the foregoing is true and correct and that I am employed in the office
12 of a member of the bar ofthis Court at whose direction the service was made.
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SERVICE LIST
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6 Linda M. Burrow
CALDWELL LESLIE
7 725 South Figueroa Street, 31St Floor
Los Angeles California 90017
8 Tel.: 213 X29-9040
Fax:, ~213~629-9022
9 Email: burrow(a~caldwell-leslie.com
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