Urban Blues and The Golden Age of Rock (Mus 264)

Urban Blues and the Golden Age of Rock
(Spring 2004)
http://www.princeton.edu/~rwegman/mus264.htm
Professor.
Rob C. Wegman <rwegman@phoenix.princeton.edu> x8-4248

Assistant Instructors.
Oscar O. Bettison <bettison@princeton.edu>

Marisa Biaggi <mbiaggi@princeton.edu>
Scott Smallwood <skot@princeton.edu>
Emily Snow <esnow@princeton.edu>
Coursebook. Joe Stuessy and Scott D. Lipscomb, Rock and Roll: Its History and Stylistic
Development, 4th edition (Prentice Hall, 2002); ISBN: 0130993700. Copies can be purchased at
the Princeton University Store.
Listening Assignments. All listening examples can be heard online (as RealAudio files) by
Princeton University students who have enrolled in this course. Go to
https://blackboard.princeton.edu/, log in using your Princeton username and password, and
follow the links to MUS 264 and then Assignments.
Weekly Schedule:
Lecture L01
Tuesday Thursday
11:00 AM - 11:50 AM
McCosh Hall 10
Precept P01
Precept P02
Precept P03
Precept P04
Precept P05
Precept P06
Precept P07
Precept P08
Precept P09
Precept P10
Monday
Monday
Tuesday
Tuesday
Wednesday
Thursday
Monday
Tuesday
TBA
TBA
1:30 PM - 2:20 PM
1:30 PM - 2:20 PM
1:30 PM - 2:20 PM
2:30 PM - 3:20 PM
1:30 PM - 2:20 PM
2:30 PM - 3:20 PM
12:30 PM - 1:20 PM
1:30 PM - 2:20 PM
TBA
TBA
Woolworth 105
Woolworth 102
Woolworth 105
Woolworth 105
Woolworth 102
Woolworth 105
Woolworth 101
Woolworth 104
TBA
TBA
Course Outline 2
Course Information 3
Syllabus 4
Course Packet Readings 27
List of Audio-Visual Material on Reserve 29
Class
Packet
Readings
Coursebook
FEB Tue 3
Thu 5
1
2
1
23
6-11, 31-32, 51-53, 71-75

26-30
Tue 10
Thu 12
3
4
45
678
19-26, 48-51, 84
31-34
Tue 17
Thu 19
5
6
9 10
11 12
34-45
46-48, 55-69
Elvis Presley
The Late Fifties
Tue 24
Thu 26
7
8
13
14 15
53-55, 76-78
83-86, 92-100
Doo Wop
Surf
MAR Tue 2
Thu 4
9
10
16
17 18
207-21, 231-34
The Wall of Sound

Soul
Tue 9
Thu 11
11
12
19
-
221-231
-
Motown
Mid-Term Exam
Date
Topics covered
Pop and Soft Rock
Blues, Rhythm & Blues
Country & Western, Rockabilly
Rock n Roll
SPRING BREAK
Tue 23
Thu 25
13
14
20
21
103-19
86-92, 185-99, 202-6
APR Tue 30
Thu 1
15
16
22
23 24
155-79
235-49
British Blues Rock

The West Coast
Tue 6
Thu 8
17
18
25 26 27
28 29 30
119-41
Acid Rock in the Studio

The Concept Album
Tue 13
Thu 15
19
20
31 32
33
249-52, 304-10
200-2, 336-42
Guitar Kings
Singer Songwriters
Tue 20
Thu 22
21
22
34
35
274-300
257-68, 333-36
Art and Progressive Rock

Jazz Rock and Fusion
Tue 27
Thu 29
23
24
36
37
317-22, 353-54
301-4, 322-23, 327-29
The British Invasion

Folk Rock
Country and Southern Rock

The End of the Sixties
Grading. The final grade will consist of the following components:

20 % responses for classes 2-11
20 % midterm exam
20 % responses classes 14-23
20 % final exam
20 % attendance and participation
Responses. For every class except 1, 12, 13, and 24, responses in hardcopy are due by 11:00
AM on the day the lecture is taught. The questions can be found in Blackboard
(under Assignments) and on http://www.princeton.edu/~rwegman/mus264a.htm. You are
expected to answer the questions to the best of your ability. If you are unable to answer a
question, please explain whydo not just leave a blank. The responses will be read and
evaluated by your preceptor. Late responses will be discounted, unless there are documentable
circumstances explaining the delay as being beyond your control (in which case you must write
immediately to your preceptor). Precepts will be devoted to discussions of the response
questions.
Assignments. You will have to set aside at least 2-3 hours per class to do the reading and
listening assignments. If your schedule does not permit this kind of investment, you may wish
to reconsider taking the course. The reading assignments consist of textbook and course packet
readings; approximate timings of the course packet readings are given below, pp. 27-28. The
listening assignments can be accessed on Blackboard. On average, there is approximately 20-40
minutes of music per class. It is strongly recommended that you familiarize yourself with the
music well before writing the responses.
Precepts. There will be no precepts in Week 1. A sign-up sheet for the precepts will be
circulated during Class 2.
Attendance / Participation. Sign-up sheets for attendance will circulate in the precepts but
not in the lectures. Attendance and participation will make up 20% of your grade. If you
cannot make it to a precept, please write immediately to your preceptor. If you cannot make it
to a lecture, we dont need to know about it.
Exams. A sample mid-term exam will be distributed in one of the lectures of Week 4. The
mid-term exam will cover classes 1-11, the final exam will cover classes 13-24. Both exams are
designed to be finished in 50 minutes, though you may take longer if you wish.
Prerequisites. There are no prerequisites for this class. Knowledge of music theory, and the
ability to read musical notation, will be helpful but are not required for this course. All
technical matters that come up will be explained in the lectures and precepts. Do make sure to
ask questions in the precepts about anything that is unclear or confusing.
Enrolment limit. This course has an enrolment limit of 170. As of February 1, this limit has
been reached. A waiting list will be kept by Gregory D. Smith <gsmith@princeton.edu>;
please contact him if you wish your name to be entered. Vacant spots will be assigned to
students on the waiting list on a first-come-first-serve basis.
Week 1
Class 1 (Tuesday, February 3)
Pop and Soft Rock
Rock and Roll, pp. 6-11, 31-32, 51-53, 71-75
Richard A. Peterson, Why 1955? Explaining the Advent of Rock Music, Popular Music, 9
(1990): 97-116
Listening Assignment 1.
CD-20582 v.15 track 11: Tony Bennett, Because Of You (August 1951); Pop #1 [2:59]
CD-21142 track 5: Patti Page, How Much Is That Doggie In The Window (April 1953); Pop #1 [2:23]
CD-21096 track 6: Doris Day, Secret Love (March 1954); Pop #1 [3:41]
(a) CD-35315 track 2: The Four Aces, Mr. Sandman (December 1954) [2:34]
(b) CD-21102 track 1: The Chordettes, Mr. Sandman (December 1954); Pop #1 [2:26]
CD-21099 track 8: Paul Anka, Diana (August 1957); Pop #1 [2:19]
CD-21099 track 2: Pat Boone, April Love (October 1957); Pop #1 [2:41]
CD-21101 track 14: Johnny Mathis, Chances Are (November 1957); Pop #1 [3:04]
CD-21101 track 1: Frankie Avalon, Venus (February 1959); Pop #1 [2:22]
CD-21152 track 8: Bobby Darin, Dream Lover (March, 1959); R&B #7, Pop #2 [2:33]
Class 2 (Thursday, February 5)

Blues, Rhythm & Blues
Rock and Roll, pp. 26-30
Nelson George, The Death of Rhythm & Blues (New York: Pantheon, 1988), 15-58
Robert C. Kloosterman and Chris Quispel, Not Just the Same Old Show on My Radio: An
Analysis of the Role of Radio in the Diffusion of Black Music Among Whites in the South of the
United States, 1920 to 1960, Popular Music, 9 (1990): 151-64
CD-21155 track 6: Robert Johnson, Cross Road Blues (recorded November 1936) [2:40]
CD-6366 track 7: Muddy Waters, Hoochie Coochie (Im Your Hoochie Coochie Man) (recorded January
1954) [2:53]
CD-13792 track 4: Louis Jordan and His Tympany Five, Caldonia (January 1945); R&B #1, Pop #6 [2:43]
CD-13792 track 3: Louis Jordan and His Tympany Five, Choo Choo ChBoogie (January 1946); R&B #1,
Pop #7 [2:47]
CD-20582q v.13 track 6: Wynonie Harris, Good Rockin Tonight (December 1947) [2:43]
CD-20582q v.14 track 2: Fats Domino, The Fat Man (1949) [2:36]
(a) CD-4162q v.2 track 1: Jackie Brenston With His Delta Cats, Rocket 88 (April 1951); R&B #1 [2:49]
(b) CD-6381 track 4: Bill Haley And The Saddlemen, Rocket 88 (July 1951) [2:18], followed by undated
radio interview with Bill Haley about Rocket 88 [1:14]
CD-35010 track 3: Professor Longhair, Ball The Wall (recorded November 1953) [3:18]
(a) CD-4162q v.2 track 3: Lloyd Price & His Orchestra, Lawdy Miss Clawdy (April 1952); R&B #1 [2:31]
(b) CD-20843 v.2 track 1: Elvis Presley, Lawdy, Miss Clawdy (August 1956) [2:08]
Week 2
Country and Western, Rockabilly
Rock and Roll, pp. 19-26, 48-51, 84
Kent Blaser, Pictures from Lifes Other Side: Hank Williams, Country Music, and Popular
Culture in America, South Atlantic Quarterly, 84 (1985): 12-26

Craig Morrison, Go Cat Go! Rockabilly Music and Its Makers (Urbana and Chicago: University of
Illinois Press, 1996), 1-23

(a) CD-21113 track 8: Gene Autry, Blueberry Hill (recorded August 1940) [2:37]
(b) CD-21095 track 8: Fats Domino, Blueberry Hill (September 1956); Pop #2 [2:21]
CD-6375 v.1 track 10: Bob Wills (King of Western Swing) & His Texas Playboys, Faded Love (April
1946) [3:05]
(a) CD-6375 v.3 track 4: Pee Wee King & His Golden West Cowboys, Tennessee Waltz (February 1948)
[2:59]
(b) CD-21102 track 15: Patti Page, Tennessee Waltz (November 1950); Pop #1 [3:04]
CD-18448 v.3 track 11: Hank Williams, Your Cheatin Heart (September 1952); C&W #1 [2:43]
CD-4319q v.2 track 16: Carl Perkins, Honey, Dont! (December 1955) [2:49]
CD-4319q v.2 track 20: Johnny Cash & The Tennessee Two, I Walk The Line (April 1956); C&W #1,
Pop #17 [2:43]
CD-16693q v.1 track 24: Gene Vincent & His Blue Caps, Be-bop-a-lula (June 1956); Pop #7 [2:36]
CD-2867 track 11: The Everly Brothers, Bye Bye Love (April 1957); C&W #1, Pop #1 [2:23]
CD-9163 track 15: Roy Orbison, Only The Lonely (March 1960); Pop #1 [2:24]

Rock n Roll: Bill Haley
Linda Martin and Kerry Segreve, Anti-Rock: The Opposition to Rock n Roll (Hamden, Conn.:
Archon, 1988), 3-26

William J. Clark, The Kids Really Fit: Rock Text and Rock Practice in Bill Haleys Rock
Around The Clock, Popular Music and Society, 18 (1994): 57-75

Blackboard Jungle and Riots in PrincetonSome Newspaper Clippings:
Blackboard Jungle: Delinquency Shown in Powerful Film, New York Times, March 21, 1955, 21
Student Riot Floods Nassau Street; Damage Slight in One-Hour Melee, The Daily Princetonian, Wednesday, May 18, 1955, pp.
1 and 6
Rioters to Face Action For Tuesday Outbreak, The Daily Princetonian, Thursday, May 19, 1955, pp. 1 and 3
Press Blames Riot on Spring Fervor; Merchants Deplore Tuesdays Outbreak, The Daily Princetonian, Thursday, May 19, 1955,
pp. 1 and 5
Rioters to Face Faculty Group This Afternoon, The Daily Princetonian, Friday, May 20, 1955, p. 1
Rioters Are Suspended For Tuesday Uprising, The Daily Princetonian, Monday, May 23, 1955, p. 1
Dean Hands Out Reprimands To 23 Men in Riot Aftermath, The Daily Princetonian, Wednesday, May 25, 1955, p. 1
Fair Discipline, The Daily Princetonian, Wednesday, May 25, 1955, p. 2
James D. Lynn 55, On the Campus, Princeton Alumni Weekly, June 3, 1955, p. 26
(a) CD-35435 track 1: Jimmy Preston, Were Gonna Rock This Joint (1949) [2:36]
(b) CD-35005 v.1 track 1: Bill Haley And The Saddlemen, Rock The Joint (April 1952) [2:17]
CD-16693q v.4 track 3: Bill Haley and His Comets, Crazy Man, Crazy (April 1953) [2:40]
(a) CD-16693q v.1 track 14: Joe Turner & His Blues Kings, Shake, Rattle and Roll (April 1954); R&B #1,
Pop #22 [2:59]
(b) CD-17861 v.2 track 20: Bill Haley and His Comets, Shake, Rattle and Roll (1954) [2:30]
(a) CD-profcopy track 1: Sonny Dae and His Knights, Rock Around the Clock (1953; excerpt) [0:31]
(b) CD-16693q v.2 track 21: Bill Haley and His Comets, Rock Around the Clock (May 1954); R&B #3,
Pop #1 [2:10]
CD-35333 track 1: Bill Haley and His Comets, Dim, Dim the Lights (1955) [2:32]
(a) CD-35010 track 13: Bobby Charles, Later Alligator (November 1955) [2:50]
(b) CD-16693q v.3 track 5: Bill Haley and His Comets, See You Later, Alligator (January 1956); R&B #7,
Pop #6 [2:46]
Week 3
Elvis Presley
Susan M. Doll, Understanding Elvis: Southern Roots vs. Star Image (New York and London:
Garland, 1998), 51-97

Archon, 1988), 27-58

(a) CD-20582q v.12 track 20: Arthur Big Boy Crudup, Thats All Right (September 1946) [2:56]
(b) CD-4319q, v.2 track 1: Elvis Presley, Thats All Right (July 1954) [1:56]
(a) CD-11071 track 7: Bill Monroe & his Blue Grass Boys, Blue Moon of Kentucky (October 1954) [2:09]
(b) CD-20843q v.1 track 05: Elvis Presley, Blue Moon of Kentucky, B Side of Thats All Right (July
1954) [2:02]
(a) CD-4162q v.2 track 5: Willie Mae Big Mama Thornton, Hound Dog (March 1953); R&B #1 [2:49]
(b) CD-4319 v.1 track 12: Rufus Hound Dog Thomas, Jr., Bear Cat (The Answer to Hound Dog)
(March 1953), R&B #3 [2:51]
(c) CD-20843q v.2 track 4: Elvis Presley, Hound Dog (July 1956); C&W #1, R&B #1, Pop #1 [2:16]
CD-20843q v.2 track 5: Elvis Presley, Dont Be Cruel, B Side of Hound Dog (July 1956) [2:02]
(a) CD-16693q v.3 track 23: Carl Perkins, Blue Suede Shoes (December 1955), R&B #2, Pop #2 [2:16]
(b) CD-20843q v.1 track 25: Elvis Presley, Blue Suede Shoes (August 1956) [1:58]
CD-20843q v.2 track 8: Elvis Presley, Love Me Tender (September 1956), C&W #3, R&B #4, Pop #1
[2:41]
CD-20843 v.3 track 19: Elvis Presley, Jailhouse Rock (September 1957); C&W #1, R&B #1, Pop #1 [2:26]

The Late Fifties: Little Richard, Jerry Lee Lewis, Buddy Holly, Chuck Berry, Bo
Diddley
Rock and Roll, pp. 46-48, 55-69
Archon, 1988), 59-78

Yasue Kuwahara, Im So Glad Im Living in the U.S.A.: Chuck Berrys America, Popular
Music and Society, 13 (1989): 17-34
CD-10448q v.1 track 1: Bo Diddley, Bo Diddley (March 1955) [2:48]
(a) CD-16693q v.3 track 2: Little Richard, Tutti Frutti (December 1955); R&B #17, Pop #17 [2:24]
(b) CD-35150q v.2 track 2: Pat Boone, Tutti Frutti (January 1956); Pop #12 [2:28]
(c) CD-20843 v.1 track 30: Elvis Presley, Tutti Frutti (August 1956) [1:58]
(a) CD-14462 track 4: Fats Domino, Aint That a Shame (April 1955); Pop #10 [2:34]
(b) CD-35150q v.1 track 2: Pat Boone, Aint That a Shame (July 1955); Pop #1 [2:24]
CD-16693q v.1 track 22: Jerry Lee Lewis, Whole Lotta Shakin Goin On (March 1957); R&B #1, Pop #3
[2:53]
(a) CD-12557 v.1 track 15: Buddy Holly, Thatll Be The Day (May 1957); Pop #3 [2:17]
(b) CD-5945 v.1 track 3: The Quarry Men, Thatll Be The Day (recorded spring or summer of 1958)
[2:07]
(a) CD-15945 track 15: Buddy Holly, Not Fade Away (October 1957), B Side of Oh Boy (Pop #10)
[2:21]
(b) CD-16471 track 1: The Rolling Stones, Not Fade Away from the album The Rolling Stones (May 1964)
[1:48]
(a) CD-9167q v.1 track 19: Chuck Berry, Johnny B. Goode (April 1958); R&B #8, Pop #2 [2:39]
(b) CD-7827 v.1 track 29: The Beatles, Johnny B. Goode (BBC live recording, January 7, 1964) [2:51]
(a) CD-9167q v.1 track 24: Chuck Berry, Carol (May 1958) [2:48]
(b) CD-16471 track 8: The Rolling Stones, Carol from the album The Rolling Stones (May 1964) [2:35]
10
Week 4
Doo Wop, Vocal Groups
Anthony J. Gribin and Matthew M. Schiff, Doo-Wop: The Forgotten Third of Rock n Roll (Iola,
Wisc.: Krause, 1992), 16-22, 84-103

CD-9326 v.1 track 1: The Orioles, Its Too Soon to Know (July 1948); R&B #1, Pop #13 [3:01]
CD-9326 v.1 track 4: The Crows, Gee (June 1953); R&B #2, Pop #14 (2:14)
(a) CD-9326 v.1 track 11: The Chords, Sh-Boom (April 1954); R&B #2, Pop #5 [2:27]
(b) CD-21102 track 12: The Crew-Cuts, Sh-Boom (1954); Pop #1 [2:47]
CD-9326 v.1 track 14: The Penguins, Earth Angel (Will You Be Mine) (September 1954); R&B #1, Pop
#8 (2:56)
CD-9326 v.1 track 24: The Platters, The Great Pretender (November 1955); R&B #1, Pop #1 [2:41]
CD-9326 v.2 track 2: The Teenagers, featuring Frankie Lymon, Why Do Fools Fall in Love (December
1955); R&B #1, Pop #6 [2:18]
CD-9326 v.3 track 11: The Elegants, Little Star (June 1958); R&B #1, Pop #1 [2:44]
(a) CD-9326 v.3 track 24: The Mystics, Hushabye (April 1959); Pop #20 [2:32]
(b) CD-35053 track 15: The Beach Boys, Hushabye from the album All Summer Long (July 1964) [2:29]
CD-21136 track 2: The Four Seasons, Big Girls Dont Cry (October 1962); Pop #1 [2:24]
11

Surf: The Beach Boys
R. L. Rutsky, Surfing the Other: Ideology on the Beach, Film Quarterly, 52 (1999): 12-23
Don Cunningham and Jeff Bleiel, Add Some Music to Your Day: Analyzing and Enjoying the
Music of the Beach Boys (Cranberry, Pa.: Tiny Ripple, 2000), 85-94
(a) CD-6519q v.1 track 12: Dick Dale & the Del-Tones, Miserlou (September 1962), [2:13]
(b) CD-35052 track 15: The Beach Boys, Miserlou from the album Surfin USA (March 1963) [2:05]
CD-6519q v.2 track 11: Jan & Dean, Surf City (May 1963) [2:27]
(a) CD-9167q v.1 track 18: Chuck Berry, Sweet Little Sixteen (February 1958); Pop #2 [3:11]
(b) CD-35053 track 13: The Beach Boys, Surfin USA (March 1963); Pop #3 [2:31]
(a) CD-21135 track 15: The Four Freshmen, Graduation Day (April 1956) [3:01]
(b) CD-35055 track 11: The Beach Boys, Graduation Day from the album The Beach Boys Concert
(October 1964) [3:31]
(a) CD-21114 track 5: The Beach Boys, Surfer Girl vocal track, from binaural mix (recorded June 12,
1963) [2:29]
(b) CD-21115 track 23: The Beach Boys, Surfer Girl backing track, from the album Stack-O-Tracks
(August 1968) [2:19]
(c) CD-21147 track 1: The Beach Boys, Surfer Girl (July 1963); Pop #7 [2:26]
CD-35054 track 13: The Beach Boys, Fun, Fun, Fun (February 1964); Pop #5 [2:19]
CD-35057 track 13: The Beach Boys, I Get Around (May 1964); Pop #1 [2:16]
12
Week 5
Class 9 (Tuesday, March 2)
Phil Spector and the Wall of Sound
John Tobler and Stuart Grundy, The Record Producers (New York: St. Martins Press, 1983), 47-
58
CD-8880q v.1 track 17: The Crystals, Da Doo Ron Ron (March 1963) [2:18]
CD-8880q v.2 track 1: The Ronettes, Be My Baby (July 1963) [2:42]
(a) CD-8880q v.2 track 2: The Crystals, Then He Kissed Me (July 1963) [2:37]
(b) CD-21118 track 15: The Beach Boys, Then I Kissed Her from the album Summer Days (And Summer
Nights!!) (June 1965) [2:17]
CD-8880q v.3 track 1: The Righteous Brothers, Youve Lost That Lovin Feeling (August-November
1964) [3:46]
CD-8880q v.3 track 11: Ike & Tina Turner, River Deep - Mountain High (March 1966) [3:37]
(a) CD-21157q v.2 track 17: The Beach Boys, God Only Knows, backing track [3:06]
(b) CD-21157q v.3 track 7: The Beach Boys, God Only Knows, from the vocal track [2:49]
(c) CD-6826 track 8: The Beach Boys, God Only Knows (July 1966) [2:49]
(a) CD-21119 v.2 track 8: The Beatles, The Long and Winding Road, original track (recorded January 31,
1969) [3:42]
(b) CD-21121 track 10: The Beatles, The Long and Winding Road (May 1970), Pop #1 [3:37]
13
Class 10 (Thursday, March 4)

Soul
Rock and Roll, pp. 207-221, 231-234
Portia K. Maultsby, Soul Music: Its Sociological and Political Significance in American Popular
Culture, Journal of Popular Culture, 17 (1983): 51-60

Robert W. Stephens, Soul: A Historical Reconstruction of Continuity and Change in Black
Popular Music, The Black Perspective in Music, 12 (1984): 21-43

(a) CASS-1157 side 1 band 1: What a Friend We Have In Jesus, Victrola recording (1900s or 1910s) [3:36]
(b) CD-6531 track 6: Aretha Franklin, What a Friend We Have In Jesus from the album Amazing Grace
(1972) [6:03]
CD-9165q v.2 track 1: Ray Charles, I Got A Woman (November 1954); R&B #1 [2:50]
CD-6389 track 1: Sam Cooke, You Send Me (October 1957); R&B #1, Pop #1 [2:48]
CD-9165q v.3 track 15: Ray Charles, What Id Say, Parts 1 & 2 (February 1959); R&B #1, Pop #6 [6:26]
CD-18610q v.2 track 2: James Brown, I Got You (I Feel Good) (September 1965) R&B #1, Pop #3 [2:45]
CD-9181 v.1 track 13: Wilson Pickett, Land of 1,000 Dances (May 1966); R&B #1, Pop #6 [2:26]
(a) CD-8913q v.2 track 1: Otis Redding, Respect (August 1965); R&B #4, Pop #35 [2:11]
(b) CD-20730q v.1 track 4: Aretha Franklin, Respect (February 1967); R&B #1, Pop #1 [2:25]
CD-8913q v.3 track 23: Otis Redding, (Sittin On) The Dock of the Bay (January 1968); R&B #1, Pop #1
[2:41]
CD-18610q v.2 track 14: James Brown, Say It Loud - Im Black And Im Proud (August 1968); R&B #1,
Pop #10 [2:59]
14
Week 6
Motown
Suzanne E. Smith, Dancing in the Street: Motown and the Cultural Politics of Detroit (Cambridge,
Mass., and London: Harvard University Press, 1999), 139-80

(a) CD-7423q v.1 track 3: The Marvelettes, Please Mr. Postman (August 1961); Pop #1 [2:29]
(b) CD-21123 track 7: The Beatles, Please Mr. Postman from the album With the Beatles (November 1963)
[2:36]
CD-7423q v.1 track 23: Martha Reeves & The Vandellas, Dancing in the Street (August 1964); Pop #2
[2:38]
CD-16522 track 2: The Supremes, Stop! In the Name of Love (August 1965); Pop #1 [2:54]
CD-7423q v.2 track 21: The Temptations, Aint Too Proud To Beg (May 1966) [2:32]
CD-7423q v.2 track 22: Jimmy Ruffin, What Becomes of the Brokenhearted (September 1966) [3:01]
CD-7423q v.3 track 1: Four Tops, Reach Out, Ill Be There (October 1966) [2:59]
CD-7423q v.3 track 19: Marvin Gaye, I Heard It Through The Grapevine (November 1968) [3:13]
CD-7423q v.4 track 13: Smokey Robinson & The Bandits, Tears Of A Clown (October 1970) Pop #1
[3:04]
15
Week 7
The British Invasion: The Beatles
Charles Gower Price, Sources of American Styles in the Music of the Beatles, American Music,
15 (1997): 208-32
CD-35111 track 1: The Beatles, Love Me Do (October 1962); UK #17 [2:24]
CD-5949 track 7: The Beatles, Please Please Me (January 1963) from the album Please Please Me (March
1963) UK #1 [2:03]
CD-35111 track 2: The Beatles, From Me To You (April 1963); UK #1 [1:57]
CD-35111 track 4: The Beatles, She Loves You (August 1963); Pop #1 [2:21]
CD-35111 track 6: The Beatles, I Want to Hold Your Hand (November 1963); Pop #1 [2:26]
(a) CD-11583 v.5 track 19: The Isley Brothers, Twist and Shout (1962); #17 [2:30)
(b) CD-5949 track 14: The Beatles, Twist and Shout from the album Please Please Me (March 1963) Pop
#1 [2:33]
CD-21120 track 3: The Beatles, Youve Got to Hide Your Love Away from the album Help! (August 1965)
[2:11]
CD-21120 track 13: The Beatles, Yesterday from the album Help! (August 1965) [2:07]
16
Class 14 (Thursday, March 25)

Folk Rock: Bob Dylan
Rock and Roll, pp. 86-92, 185-199, 202-206
Richie Unterberger, Turn! Turn! Turn! The 60s Folkrock Revolution (San Francisco: Backbeat,
2002), 1-20 and 101-32

(a) CD-21131 track 1: Bob Dylan, Blowin in the Wind from the album The Freewheelin Bob Dylan (May
1963) [2:48]
(b) CD-21143 track 12: Peter, Paul and Mary, Blowin in the Wind from the album In The Wind (1963)
[2:57]
(a) CD-21133 track 1: Bob Dylan, The Times They Are A-Changin from the album The Times They Are
A-Changin (January 1964) [3:15]
(b) CD-10449 track 9: The Byrds, The Times They Are A-Changin from the album Turn, Turn, Turn!
(1966) [2:20]
CD-10454 track 1: Bob Dylan, Subterranean Homesick Blues from the album Bringing It All Back Home
(March 1965) [2:24]
(a) CD-10454 track 8: Bob Dylan, Mr. Tambourine Man from the album Bringing It All Back Home
(March 1965) [5:33]
(b) CD-21124 track 1: The Byrds, Mr. Tambourine Man (April 1965); Pop #1 [2:20]
CD-21132 track 1: Bob Dylan, Like A Rolling Stone from the album Highway 61 Revisited (August 1965)
[6:13]
(a) CD-20170 track 6: Simon and Garfunkel, The Sound of Silence from the album Wednesday Morning 3
A.M. (October 1964) [3:05]
(b) CD-6539 track 5: Simon and Garfunkel, The Sounds of Silence (December 1965); Pop #1 [3:05]
CD-21140 track 7: The Mamas and the Papas, California Dreamin from the album If You Can Believe
Your Eyes and Ears (January 1966) [2:42]
(a) CD-10213 track 4: Bob Dylan, All Along the Watchtower from the album John Wesley Harding
(December 1967) [2:31]
(b) CD-9990 track 15: The Jimi Hendrix Experience, All Along the Watchtower from the album Electric
Ladyland (February 1968) [4:00]
17
Week 8
British Blues Rock
John M. Hellmann, Im A Monkey: The Influence of the Black American Blues Argot on the
Rolling Stones, Journal of American Folklore, 86 (1973): 367-73

(a) CD-6366 track 1: Muddy Waters, I Just Want To Make Love To You (recorded April 1954) [2:52]
(b) CD-16471 track 3: The Rolling Stones, I Just Want To Make Love To You from the album The Rolling
Stones (May 1964) [2:19]
(a) CD-10448q v.1 track 2: Bo Diddley, Im A Man (March 1955) [2:59]
(b) CD-9185 track 10: The Yardbirds, Im A Man (October 1965) [2:39]
(a) CD-21155 track 19: T-Bone Walker, Stormy Monday (November 1947); R&B #5 [3:00]
(b) CD-35380 track 3: John Mayall and the Bluesbreakers with Eric Clapton, Stormy Monday from the
album Looking Back (March 1966) [4:23]
CD-16684q v.1 track 19: The Rolling Stones, (I Cant Get No) Satisfaction (May 1965); Pop #1 [3:46]
CD-9185 track 6: The Yardbirds, Shapes of Things (February 1966) [2:40]
CD-21145 track 1: The Rolling Stones, Sympathy for the Devil from the album Beggars Banquet
(November 1968) [6:26]
CD-21148 track 13: The Who, My Generation (November 1965); UK #2; live recording, with sections
from Rock Opera Tommy, from the album Live at Leeds (May 1970) [14:45]
18
Class 16 (Thursday, April 1)

The West Coast
Martin A. Lee and Bruce Shlain, Acid Dreams. The Complete Social History of LSD: The CIA, the
Sixties, and Beyond (New York: Grove Press, 1985), 141-69

Tom Wolfe, The Electric Kool-Aid Acid Test (New York: Farrar, Straus and Giroux, 1968), 229-
48
CD-21138 track 2: Jefferson Airplane, Somebody to Love from the album Surrealistic Pillow (February
1967) [2:43]
CD-21139 track 11: Jefferson Airplane, Wont You Try / Saturday Afternoon from the album After
Bathing at Baxters (December 1967) [5:09]
CD-1402 track 9: Country Joe and the Fish: Bass Strings from the album Electric Music for the Mind and
Body (October 1967) [4:58]
CD-20218 track 4: Big Brother and the Holding Company with Janis Joplin, Piece of My Heart from the
album Cheap Thrills (August 1968) [4:16]
(a) CD-15945 track 13: Bobby Blue Bland, Turn on your love light (1961) [2:36]
(b) CD-20579q v.5 track 4: The Grateful Dead, Turn on your love light from the album Live/Dead
(November 1969) [15:30]
(a) CD-10448q v.1 track 10: Bo Diddley, Who Do You Love (March 1956) [2:29]
(b) CD-21144 tracks 1-3: Quicksilver Messenger Service, Who Do You Love / When You Love / Where
You Love (section) from the album Happy Trails (March 1969) [10:10]
CD-21129 v.2 track 3: The Doors, Light My Fire (live recording 1968-70) [9:54]
19
Week 9
Class 17 (Tuesday, April 6)
Acid Rock in the Studio
Jim Derogatis, Kaleidoscope Eyes: Psychedelic Music from the 1960s to the 1990s (London: Fourth
Estate, 1996), 17-27, 47-77

Ian MacDonald, Revolution in the Head: The Beatles Records & The Sixties (London: Fourth
Estate, 1994), 148-53, 170-75

George Martin with William Pearson, Summer of Love: The Making of Sgt. Pepper (London:
Macmillan, 1994), 13-24

CD-21125 track 7: The Byrds, Eight Miles High (March 1966) [3:34]
CD-21122 track 14: The Beatles, Tomorrow Never Knows from the album Revolver (August 1966) [2:57]
CD-35061q v.2 track 17: The Beach Boys, Good Vibrations (October 1966); Pop #1 [3:38]
(a) CD-5946 v.2 track 1: The Beatles, Strawberry Fields Forever (demo sequence, November 1966) [4:10]
(b) CD-5948 track 8: The Beatles, Strawberry Fields Forever (February 1967) [4:10]
CD-6850 track 4: Pink Floyd, Flaming from the album The Piper at the Gates of Dawn (August 1967) [2:46]
CD-21156q v.2 track 10: Strawberry Alarm Clock, Incense and Peppermints (April 1967, charted
November 1967); Pop #1 [2:47]
CD-19703 track 6: Love, The Red Telephone from the album Forever Changes (November 1967) [4:45]
CD-21151 track 6: The Zombies, Hung Up On A Dream from the album Odessey & Oracle (April 1968)
[3:01]
CD-1416 track 9: Frank Zappa and The Mothers of Invention, Absolutely Free from the album Were Only
In It For The Money (January 1968) [3:24]
20

The Concept Album
Kingsley Abbott, The Beach Boys Pet Sounds: The Greatest Album of the Twentieth Century
(London: Helter Skelter, 2001), 49-77

George Martin, with William Pearson, Summer of Love: The Making of Sgt. Pepper (London:
Macmillan, 1994), 39-62, 100-6

Larry Starr, The Shadow of a Smile: The Beach Boys Album That Refused to Die (1967),
Journal of Popular Music Studies, 6 (1994): 38-59
CD-5950 track 11: The Beatles, In My Life from the album Rubber Soul (December 1965) [2:27]
CD-6826 track 4: The Beach Boys, Dont Talk (Put Your Head On My Shoulder) from the album Pet
Sounds (May 1966) [2:58]
(a) CD-6826 track 11: The Beach Boys, I Just Wasnt Made For These Times from the album Pet Sounds
(May 1966) [3:21]
(b) CD-21157q v.2 track 9: The Beach Boys, I Just Wasnt Made For These Times, backing track [3:47]
(a) CD-35102 track 2: The Beatles, Eleanor Rigby from the album Revolver (August 1966) [2:07]
(b) CD-5946 v.1 track 21: The Beatles, Eleanor Rigby backing track [2:06]
CD-35061q v.2 track 21: The Beach Boys, Wonderful from the unfinished album Smile (recording finished
December 1966) [2:02]
CD-35061q v.3 track 28: The Beach Boys, Surfs Up from the unfinished album Smile (recorded January
1967), version from the album Surfs Up (August 1971) [4:13]
CD-19805 track 3: The Beatles, Lucy in the Sky with Diamonds from the album Sgt. Peppers Lonely
Hearts Club Band [June 1967] [3:28]
CD-19805 tracks 12-13: The Beatles, Sgt. Peppers Longely Hearts Club Band (Reprise) and A Day in
the Life from the album Sgt. Peppers Lonely Hearts Club Band [June 1967] [1:18 + 5:33]
21
Week 10
Guitar Kings: Jimi Hendrix, Eric Clapton
Rock and Roll, pp. 249-252, 304-310
Lauren Onkey, Voodoo Child: Jimi Hendrix and the Politics of Race and Class in the Sixties,
in Peter Braunstein and Michael William Doyle, eds., Imagine Nation: The American
Counterculture of the 1960s and 70s (London and New York: Routledge, 2002), 189-214
Michael Hicks, The Not-So-Average Joe, in Michael Hicks, Sixties Rock: Garage,
Psychedelic, and Other Satisfactions (Urbana and Chicago: University of Illinois Press, 1999), 3957
(a) CD-35001q v.1 track 16: The Leaves, Hey Joe (April 1966); Pop #31 [2:51]
(b) CD-35225 track 8: The Byrds, Hey Joe from the album Fifth Dimension (July 1966) [2:17]
(c) CD-3271 track 3: The Jimi Hendrix Experience, Hey Joe from the album Are You Experienced? (May
1967) [3:30]
(d) CD-1416 track 10: Frank Zappa and The Mothers of Invention, Flower Punk from the album Were
Only In It For The Money (January 1968) [3:03]
(e) CD-9181 v.2 track 8: Wilson Pickett, Hey Joe (Spring 1969); R&B #29, Pop #59 [3:02]
CD-3271 track 1: The Jimi Hendrix Experience, Purple Haze from the album Are You Experienced? (May
1967) [2:50]
CD-3271 track 10: The Jimi Hendrix Experience, Foxey Lady from the album Are You Experienced? (May
1967) [3:18]
CD-6850 track 7: Pink Floyd, Interstellar Overdrive from the album The Piper at the Gates of Dawn
(August 1967) [9:41]
CD-21126 track 2: Cream, Sunshine of Your Love from the album Disraeli Gears (November 1967) [4:10]
CD-9990 track 11: The Jimi Hendrix Experience, 1983 . . . (A Merman I Should Turn To Be) from the
album Electric Ladyland (February 1968) [13:39]
CD-18262 track 1: Led Zeppelin, Whole Lotta Love from the album Led Zeppelin II (October 1969) [5:34]
22

Singer Songwriters
Rock and Roll, pp. 200-202, 336-342
John Rockwell, All American Music: Composition in the Late Twentieth Century (New York:
Knopf, 1983), 221-33

(a) CD-35990q v.1 track 6: Tim Hardin, If I Were A Carpenter, live recording from the Woodstock Music
and Art Fair, August 15-18, 1969 (originally released in 1967 on the album Tim Hardin 2) [2:52]
(b) CD-35045 track 2: Joan Baez, If You Were A Carpenter from the album Joan (1967) [2:07]
CD-20120 track 4: Donovan, Sunshine Superman (1966); Pop #1 [4:35]
CD-20080 track 2: Arlo Guthrie, Chillin Of The Evening from the album Alices Restaurant (1967) [3:01]
CD-21181 track 6: Van Morrison, Madame George from the album Astral Weeks (November 1968) [9:25]
CD-16208q v.4 track 1: Crosby, Stills & Nash: Suite: Judy Blue Eyes, live recording from the Woodstock
Music and Art Fair, August 15-18, 1969 [9:02]
CD-35344 track 6: Crosby, Stills, Nash & Young, Dj Vu from the album Dj Vu (March 1970) [4:10]
CD-4337 track 2: Neil Young, After The Goldrush from the album After The Goldrush (August 1970)
[3:45]
CD-20079 track 4: Joni Mitchell, Carey from the album Blue (June 1971) [3:03]
23
Week 11
Art and Progressive Rock
Edward Macan, Rocking the Classics: English Progressive Rock and the Counterculture (New York
and Oxford: Oxford University Press, 1997), 15-56

CD-2961 tracks 13 and 14: Frank Zappa and The Mothers of Invention: Help, Im a Rock / It Cant
Happen Here from the album Freak Out (July 1966) [4:43 + 3:55]
CD-4622 track 1: Procul Harum, A Whiter Shade of Pale (May 1967); Pop #5 [4:00]
CD-35985 track 3: Mark Wirtz, Grocer Jack (Excerpt From A Teenage Opera) (July 1967) UK Pop #2
[4:40]
CD-21141 track 7: The Moody Blues, Nights in White Satin from the album Days of Future Passed (March
1968) [7:24]
CD-35980 track 1: The Who, Overture from the Rock Opera Tommy (May 1969) [5:21]
CD-21128 track 2: Deep Purple, Second Movement from The Gemini Suite (live recording, September 1970)
[10:18]
CD-21159 track 3: Yes, Siberian Khatru from the album Close To The Edge (September 1972) [8:57]
CD-3955 track 5: Emerson, Lake and Palmer, Karn Evil 9 from the album Brain Salad Surgery (November
1973) [29:39]
24

Jazz Rock and Fusion
Rock and Roll, pp. 257-268, 333-336
Bruce Baugh, Prolegomena to Any Aesthetics of Rock Music, Journal of Aesthetics and Art
Criticism, 51 (1993): 23-29

CD-35125 track 7: Blood, Sweat & Tears, Spinning Wheel (Pop #2) from the album Blood, Sweat And
Tears (January 1969) [4:08]
CD-35125 track 9: Blood, Sweat & Tears, Blues - Part II from the album Blood, Sweat And Tears (January
1969) [11:44]
CD-35230 track 1: Chicago Transit Authority, Introduction from the album Chicago Transit Authority
(September 1969) [6:35]
CD-35230 track 4: Chicago Transit Authority, Questions 67 and 68 (Pop #71) from the album Chicago
Transit Authority (September 1969) [5:02]
CD-1417 track 1: Frank Zappa, Peaches En Regalia from the album Hot Rats (October 1969) [3:37]
CD-1417 track 4: Frank Zappa. Little Umbrellas from the album Hot Rats (October 1969) [3:04]
CD-10458 track 4: Santana, Incident At Neshabur from the album Santana Abraxas (October 1970) [4:57]
CD-10458 track 7: Santana, Samba Pa Ti from the album Santana Abraxas (October 1970) [4:45]
25
Week 12
Country and Southern Rock
Rock and Roll, pp. 317-322, 353-354
Sven Erik Klinkmann, John Fogertys Bayou as an Imaginary Landscape, Ethnologia
Scandinavica, 32 (2002): 35-48

CD-20577q v.2 track 20: Buffalo Springfield, A Childs Claim To Fame from the album Buffalo Springfield
Again (November 1967) [2:10]
CD-35047 track 4: The Band, Caledonia Mission from the album Music From Big Pink (July 1968) [2:59]
CD-35227 track 8: The Byrds, One Hundred Years From Now from the album Sweetheart Of The Rodeo
(August 1968) [2:40]
CD-21001 track 3: Creedence Clearwater Revival, Proud Mary (January 1969), Pop #2 [3:07]
CD-21001 track 4: Creedence Clearwater Revival, Bad Moon Rising (April 1969) [2:18]
CD-20053 v.1 track 1: Flying Burrito Brothers, Christines Tune (aka Devil In Disguise) from the album
The Gilded Palace Of Sin (February 1969) [3:00]
CD-20579q v.7 track 1: The Grateful Dead, Uncle Johns Band from the album Workingmans Dead (May
1970) [4:42]
CD-20579q v.8 track 1: The Grateful Dead, Box of Rain from the album American Beauty (November
1970 [5:17]
CD-21170 track 7: The Allman Brothers Band, Whipping Post from the album Live At Fillmore East
(March 1971) [23:03]
26

The End of the Sixties: Bubblegum, Heavy Metal, Proto-Punk
Rock and Roll, pp. 301-304, 322-323, 327-329
David Pichaske, A Generation in Motion: Popular Music and Culture in the Sixties (New York:
Schirmer, 1979), 179-227

CD-6371 track 14: The Monkees, Valleri (March 1968); Pop #3 [2:21]
CD-21154 track 8: The Banana Splits, Wait Till Tomorrow (1968) [2:34]
CD-21154 track 21: The Rock & Roll Dubble Bubble Trading Card Co. of Philadelphia 19141, Bubble
Gum Music (1969); Pop #74 [2:44]
CD-21137 track 6: Iron Butterfly, In-A-Gadda-Da-Vida from the album In-A-Gadda-da-Vida (June 1968)
[17:10]
CD-21146 track 1: Steppenwolf, Born to be Wild (1968); Pop #2 [3:30]
CD-4328 track 2: Black Sabbath, Paranoid (September 1970) from the album Paranoid (January 1971)
[2:50]
CD-6854q v.2 track 3: The Velvet Underground, Im Waiting For The Man from the album The Velvet
Underground and Nico (January 1967) [4:38]
CD-6854q v.2 track 5: The Velvet Underground, Venus In Furs from the album The Velvet Underground
and Nico (January 1967) [5:10]
CD-6854q v.2 track 8: The Velvet Underground, Heroin from the album The Velvet Underground and Nico
(January 1967) [7:10]
27
1. Richard A. Peterson, Why 1955? Explaining the Advent of Rock Music, Popular Music, 9
(1990): 97-116 [50m]
2. Nelson George, The Death of Rhythm & Blues (New York: Pantheon, 1988), 15-58 [1h 15m]
3. Robert C. Kloosterman and Chris Quispel, Not Just the Same Old Show on My Radio: An
Analysis of the Role of Radio in the Diffusion of Black Music Among Whites in the South of
the United States, 1920 to 1960, Popular Music, 9 (1990): 151-64 [30m]
4. Kent Blaser, Pictures from Lifes Other Side: Hank Williams, Country Music, and Popular
Culture in America, South Atlantic Quarterly, 84 (1985): 12-26 [30m]
5. Craig Morrison, Go Cat Go! Rockabilly Music and Its Makers (Urbana and Chicago: University
of Illinois Press, 1996), 1-23 [50m]
6. Linda Martin and Kerry Segreve, Anti-Rock: The Opposition to Rock n Roll (Hamden, Conn.:
Archon, 1988), 3-26 [55m]
7. William J. Clark, The Kids Really Fit: Rock Text and Rock Practice in Bill Haleys Rock
Around The Clock, Popular Music and Society, 18 (1994): 57-75 [35m]
8. Blackboard Jungle and Riots in PrincetonSome Newspaper Clippings [30m]
9. Susan M. Doll, Understanding Elvis: Southern Roots vs. Star Image (New York and London:
Garland, 1998), 51-97 [1h 25m]
Archon, 1988), 27-58 [1h 10m]
Archon, 1988), 59-78 [35m]
12. Yasue Kuwahara, Im So Glad Im Living in the U.S.A.: Chuck Berrys America, Popular
Music and Society, 13 (1989): 17-34 [25m]
13. Anthony J. Gribin and Matthew M. Schiff, Doo-Wop: The Forgotten Third of Rock n Roll (Iola,
Wisc.: Krause, 1992), 16-22, 84-103 [1h 5m]
14. R. L. Rutsky, Surfing the Other: Ideology on the Beach, Film Quarterly, 52 (1999): 12-23
[40m]
15. Don Cunningham and Jeff Bleiel, Add Some Music to Your Day: Analyzing and Enjoying the
Music of the Beach Boys (Cranberry, Pa.: Tiny Ripple, 2000), 85-94 [20m]
16. John Tobler and Stuart Grundy, The Record Producers (New York: St. Martins Press, 1983),
47-58 [45m]
17. Portia K. Maultsby, Soul Music: Its Sociological and Political Significance in American
Popular Culture, Journal of Popular Culture, 17 (1983): 51-60 [25m]
18. Robert W. Stephens, Soul: A Historical Reconstruction of Continuity and Change in Black
Popular Music, The Black Perspective in Music, 12 (1984): 21-43 [40m]
19. Suzanne E. Smith, Dancing in the Street: Motown and the Cultural Politics of Detroit
(Cambridge, Mass., and London: Harvard University Press, 1999), 139-80 [1h 20m]
20. Charles Gower Price, Sources of American Styles in the Music of the Beatles, American
Music, 15 (1997): 208-32 [40m]
21. Richie Unterberger, Turn! Turn! Turn! The 60s Folkrock Revolution (San Francisco: Backbeat,
2002), 1-20 and 101-32 [2h 10m]
22. John M. Hellmann, Im A Monkey: The Influence of the Black American Blues Argot on the
Rolling Stones, Journal of American Folklore, 86 (1973): 367-73 [20m]
28
23. Martin A. Lee and Bruce Shlain, Acid Dreams. The Complete Social History of LSD: The CIA,
the Sixties, and Beyond (New York: Grove Press, 1985), 141-69 [55m]
24. Tom Wolfe, The Electric Kool-Aid Acid Test (New York: Farrar, Straus and Giroux, 1968),
229-48 [25m]
25. Jim Derogatis, Kaleidoscope Eyes: Psychedelic Music from the 1960s to the 1990s (London: Fourth
Estate, 1996), 17-27, 47-77 [1h 40m]
26. Ian MacDonald, Revolution in the Head: The Beatles Records & The Sixties (London: Fourth
Estate, 1994), 148-53, 170-75 [25m]
27. George Martin with William Pearson, Summer of Love: The Making of Sgt. Pepper (London:
Macmillan, 1994), 13-24 [20m]
28. Kingsley Abbott, The Beach Boys Pet Sounds: The Greatest Album of the Twentieth Century
(London: Helter Skelter, 2001), 49-77 [35m]
29. George Martin, with William Pearson, Summer of Love: The Making of Sgt. Pepper (London:
Macmillan, 1994), 39-62, 100-6 [35m]
30. Larry Starr, The Shadow of a Smile: The Beach Boys Album That Refused to Die (1967),
Journal of Popular Music Studies, 6 (1994): 38-59 [35m]
31. Lauren Onkey, Voodoo Child: Jimi Hendrix and the Politics of Race and Class in the Sixties,
in Peter Braunstein and Michael William Doyle, eds., Imagine Nation: The American
Counterculture of the 1960s and 70s (London and New York: Routledge, 2002), 189-214 [45m]
32. Michael Hicks, The Not-So-Average Joe, in Michael Hicks, Sixties Rock: Garage,
Psychedelic, and Other Satisfactions (Urbana and Chicago: University of Illinois Press, 1999),
39-57 [35m]
33. John Rockwell, All American Music: Composition in the Late Twentieth Century (New York:
Knopf, 1983), 221-33 [30m]
34. Edward Macan, Rocking the Classics: English Progressive Rock and the Counterculture (New York
and Oxford: Oxford University Press, 1997), 15-56 [1h 40m]
35. Bruce Baugh, Prolegomena to Any Aesthetics of Rock Music, Journal of Aesthetics and Art
Criticism, 51 (1993): 23-29 [40m]
36. Sven Erik Klinkmann, John Fogertys Bayou as an Imaginary Landscape, Ethnologia
Scandinavica, 32 (2002): 35-48 [45m]
37. David Pichaske, A Generation in Motion: Popular Music and Culture in the Sixties (New York:
Schirmer, 1979), 179-227 [1h 35m]
29
Audio Cassettes
CASS-1157 Early 1900s Religious Songs On Edison Discs
CDs
CD-1402 Country Joe and the Fish, Electric Music for the Mind and Body
CD-1416 Frank Zappa and The Mothers of Invention, Were Only In It For The Money
CD-1417 Frank Zappa, Hot Rats
CD-2867 The Explosion of American Music 1940-1990: BMI 50th Anniversary Collection
CD-2961 Frank Zappa and The Mothers of Invention, Freak Out
CD-3271 The Jimi Hendrix Experience, Are You Experienced?
CD-3607 Jefferson Airplane, Volunteers
CD-3955 Emerson, Lake, and Palmer, Brain Salad Surgery
CD-4162q The R&B Box: 30 Years of Rhythm & Blues
CD-4319q The Sun Records Collection
CD-4328 Black Sabbath (Paranoid)
CD-4337 Neil Young, After The Goldrush
CD-4622 Billboard Top Top Hits, 1967
CD-5945 The Beatles, The Beatles Anthology 1
CD-5946 The Beatles, The Beatles Anthology 2
CD-5948 The Beatles, Magical Mystery Tour
CD-5949 The Beatles, Please Please Me
CD-5950 The Beatles, Rubber Soul
CD-6366 Muddy Waters, The Best of Muddy Waters
CD-6371 Nuggets
CD-6375 Heroes of Country Music
CD-6381 Nace el Rock
CD-6389 Soul
CD-6519q Cowabunga! The Surf Box
CD-6531 Aretha Franklin, Amazing Grace
CD-6539 Simon and Garfunkel, Greatest Hits
CD-6826 The Beach Boys, Pet Sounds
CD-6850 Pink Floyd, The Piper at the Gates of Dawn
CD-6854q The Velvet Underground, Peel Slowly And See
CD-7423q Hitsville U.S.A.: The Motown Singles Collection 1959-1971
CD-7827 The Beatles, Live at the BBC
CD-8880q Phil Spector, Back to Mono (1958-1969)
CD-8913q Otis! The Definitive Otis Redding
CD-9163 Mastersound Sampler
CD-9165q Ray Charles, The Birth of Soul: The Complete Atlantic Rhythm & BLues Recordings, 1952-1959
CD-9167q Chuck Berry: The Chess Box
CD-9181 Wilson Pickett: A Man and a Half
CD-9185 The Yardbirds, Greatest Hits, Volume One: 1964-1966
CD-9326 The Doo Wop Box: 101 Vocal Group Gems From the Golden Age of Rock N Roll
CD-9976 The Beatles, The Beatles [White Album]
30
CD-9990 The Jimi Hendrix Experience, Electric Ladyland

CD-10213 Bob Dylan, John Wesley Harding
CD-10448q Bo Diddley, Bo Diddley: The Chess Box
CD-10449 The Byrds, Turn, Turn, Turn!
CD-10452 Bob Dylan, Bob Dylan
CD-10454 Bob Dylan, Bringing It All Back Home
CD-10458 Santana, Santana Abraxas
CD-11071 Appalachian Stomp: Bluegrass Classics
CD-11583 Hotdogs, Hits & Happy Days
CD-13792 Louis Jordan and His Tympany Five
CD-14462 Billboard Top Rock n Roll Hits: 1955
CD-15945 The Music Never Stopped: Roots of the Grateful Dead
CD-16208q Woodstock: Three Days of Peace and Music, The 25th Anniversary Collection (Atlantic 826362)
CD-16461 The Rolling Stones, Hot Rocks
CD-16471 The Rolling Stones, The Rolling Stones
CD-16522 Girl Groups: The Story of a Sound
CD-16684q The Rolling Stones, Singles Collections: The London Years
CD-16693q Loud, Fast & Out of Control: The Wild Sounds of 50s Rock
CD-18262 Led Zeppelin, Led Zeppelin II
CD-18448 Hank Williams Sr.: 36 All-Tiime Favorites!
CD-18610q James Brown, Star Time
CD-19703 Love, Forever Changes
CD-19805 The Beatles, Sgt. Peppers Lonely Hearts Club Band
CD-20053 The Flying Burrito Bros, Hot Burritos! Anthology 1969-1972
CD-20080 Arlo Guthrie, Alices Restaurant
CD-20120 Donovan, Donovan
CD-20170 Simon and Garfunkel, Wednesday Morning, 3 A.M.
CD-20218 Big Brother and the Holding Company with Janis Joplin, Cheap Thrills
CD-20577q Buffalo Springfield Box Set
CD-20579q The Grateful Dead, The Golden Years
CD-20582q The History of Pop Radio
CD-20730q Aretha Franklin, Queen of Soul
CD-20843q Elvis, The King of Rock n Roll: The Complete 50s Masters
CD-21095 The Fabulous Fifties: Back to the Fifties
CD-21096 The Fabulous Fifties: Classic Songs
CD-21099 The Fabulous Fifties: Great Memories
CD-21101 The Fabulous Fifties: Those Wonderful Years
CD-21102 The Fabulous Fifties: Unforgettable Fifties
CD-21113 Gene Autry, The Essential Gene Autry, 1933-1946 (Columbia Legacy CK 48957)
CD-21114 The Beach Boys, Endless Harmony Soundtrack (Capitol 7243 4 96391 2 6)
CD-21115 The Beach Boys, Party & Stack-O-Tracks (Capitol CDP 7 93698 2)
CD-21116 The Beach Boys, Little Deuce Coupe & All Summer Long (Capitol CDP 7 93693 2)
CD-21118 The Beach Boys, The Beach Boys Today! & Summer Days (And Summer Nights!!) (Capitol
CDP 7 93694 2)
CD-21119 The Beatles, The Beatles Anthology 3 (Capitol/Apple CDP 7243 8 34451 2 7)
CD-21120 The Beatles, Help! (EMI CDP 7 46439 2)
CD-21121 The Beatles, Let It Be (EMI 0777 7 46447 2 3)
CD-21122 The Beatles, Revolver (EMI CDP 7 46441 2)
CD-21123 The Beatles, With The Beatles (Capitol CDP 7 46436 2)
CD-21124 The Byrds, Original Singles, Vol. 1 (1965-1967) (Columbia CK 37335)
CD-21125 The Byrds, Fifth Dimension (Columbia CK 64847)
CD-21126 Cream, Wheels of Fire (Polygram Polydor)
CD-21127 Cream, Disraeli Gears (Polygram Polydor 31453 1811-2)
CD-21128 Deep Purple, The Gemini Suite (Cleopatra/Purple Pyramid CLP 0234-2)
CD-21129 The Doors, The Doors In Concert (Elektra 9 61082-2)
31
CD-21131 Bob Dylan, The Freewheelin Bob Dylan (Columbia CD 32390)

CD-21132 Bob Dylan, Highway 61 Revisited (Columbia CK 9189)
CD-21133 Bob Dylan, The Times They Are A-Changin (Columbia CK 8905)
CD-21135 The Four Freshmen, Capitol Collectors Series (Capitol CDP 7 93197 2)
CD-21136 Frankie Valli and The Four Seasons, Greatest Hits Volume 1 (Rhino R2 70594 OPCD-1617)
CD-21137 Iron Butterfly, In-A-Gadda-Da-Vida (Rhino R2 72196)
CD-21138 Jefferson Airplane, Surrealistic Pillow (RCA PCD13766)
CD-21139 Jefferson Airplane, After Bathing at Baxters (RCA 66798-2)
CD-21140 The Mamas and the Papas, If You Can Believe Your Eyes and Ears (MCA Records MCAD11739)
CD-21141 The Moody Blues, Days of Future Passed (Decca Deram 42284 4767-2)
CD-21142 Patti Page: Greatest Songs (Curb D2-77749)
CD-21143 Peter, Paul, and Mary, In The Wind (Warner Bros. 9 26224-2)
CD-21144 Quicksilver Messenger Service, Happy Trails (EMI Repertoire REP 4868)
CD-21145 The Rolling Stones, Beggars Banquet (ABCKO 75392)
CD-21146 20th Century Masters, The Millennium Collection: The Best of Steppenwolf (MCA MCAD11954)
CD-21147 The Beach Boys, Surfer Girl & Shut Down (Capitol )
CD-21148 The Who, Live at Leeds (Polydor 527 169-2)
CD-21149 The Who, Tommy (MCA MCAD-11417)
CD-21151 The Zombies, Odessey & Oracle, 30th Anniversary Edition (Big Beat Records CDWIKD 181)
CD-21152 Bobby Darin, Splish Splash: The Best of Bobby Darin, Volume One (Atco 7 91794-2)
CD-21154 25 All-Time Greatest Bubblegum Hits (Varse Sarabande 302 066 132 2)
CD-21155 The Country Blues Roots of Eric Clapton, Under the Influence: Volume 1 (Catfish Records
KATCD159)
CD-21156q Nuggets: Original Artyfacts from the First Psychedelic Era, 1965-1968 (Rhino R2 75466)
CD-21157q The Beach Boys, The Pet Sounds Sessions (Capitol CDP 7243 8 37662 2 2)
CD-21158 Mark Wirtz, A Teenage Opera: The Original Soundtrack Recording (RPM 165)
CD-21159 Yes, Close To The Edge (Atlantic CD 82666)
CD-21170 The Allman Brothers Band, Live at Fillmore East (Capricorn 314 531 260-2)
CD-21171 Joan Baez, The First Ten Years (Vanguard VCD 6560-2)
CD-21172 The Band, Music From Big Pink (Capitol 72435-25390-2-4)
CD-21173 Blood, Sweat & Tears, Blood, Sweat And Tears (Columbia Legacy CK 63986)
CD-21177 The Byrds, Sweetheart of the Rodeo (Columbia Legacy CK 65150)
CD-21178 Crosby, Stills, Nash & Young, Dj Vu (Atlantic 82649-2)
CD-21179 Bill Haley, Dim, Dim the Lights
CD-21181 Van Morrison, Astral Weeks (Warner Bros. 1768-2)
CD-21182 Jimmy Preston: Rock the Joint Vol. 2 (Collectables VCL 5327)
The following call numbers are provisional, pending acquisition and cataloguing by Princeton University Library.
Please consult the Library Catalogue or the course website for information on final call numbers.
CD-35052 The Beach Boys, Surfin Safari & Surfin USA (Capitol CDP 7 93691 2)
CD-21183 Rock the Joint: The Roots & Branches of Rock n Roll (Sanctuary Records PBX CD 345)
CD-35010 Blues Masters: Volume 14, More Jump Blues (Rhino R2 7133)
CD-35055 The Beach Boys, The Beach Boys Concert (Capitol C2 93695)
CD-35061q Beach Boys, Good Vibrations: Thirty Years of the Beach Boys (Capitol C2 0777 7 81294 2 4)
CD-35111 The Beatles, Past Masters Volume 1 (EMI CDP 7 90043 2)
CD-35150q Pat Boone, His Greatest Hits (Laserlight 55 559)
CD-35230 Chicago Transit Authority, Chicago Transit Authority (Rhino R2 76171)
CD-35315 The Four Aces, The Four Aces (Timeless Treasures CD 113)
CD-35380 John Mayall and the Bluesbreakers, Looking Back (Deram 820 331-2 CD)
32

Urban Blues and The Golden Age of Rock (Mus 264)

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Urban Blues and The Golden Age of Rock (Mus 264)

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Urban Blues and the Golden Age of Rock

Rob C. Wegman <rwegman@phoenix.princeton.edu> x8-4248

Oscar O. Bettison <bettison@princeton.edu>

6-11, 31-32, 51-53, 71-75

The Wall of Sound

British Blues Rock

Acid Rock in the Studio

Art and Progressive Rock

The British Invasion

Country and Southern Rock

Grading. The final grade will consist of the following components:

Class 2 (Thursday, February 5)

Culture in America, South Atlantic Quarterly, 84 (1985): 12-26

Illinois Press, 1996), 1-23

Class 4 (Thursday, February 12)

Archon, 1988), 3-26

Around The Clock, Popular Music and Society, 18 (1994): 57-75

Garland, 1998), 51-97

Archon, 1988), 27-58

Class 6 (Thursday, February 19)

Archon, 1988), 59-78

Wisc.: Krause, 1992), 16-22, 84-103

Class 8 (Thursday, February 26)

Class 10 (Thursday, March 4)

Culture, Journal of Popular Culture, 17 (1983): 51-60

Popular Music, The Black Perspective in Music, 12 (1984): 21-43

Mass., and London: Harvard University Press, 1999), 139-80

Class 14 (Thursday, March 25)

2002), 1-20 and 101-32

Rolling Stones, Journal of American Folklore, 86 (1973): 367-73

Class 16 (Thursday, April 1)

Sixties, and Beyond (New York: Grove Press, 1985), 141-69

Estate, 1996), 17-27, 47-77

Estate, 1994), 148-53, 170-75

Macmillan, 1994), 13-24

Class 18 (Thursday, April 8)

(London: Helter Skelter, 2001), 49-77

Macmillan, 1994), 39-62, 100-6

Class 20 (Thursday, April 15)

Knopf, 1983), 221-33

and Oxford: Oxford University Press, 1997), 15-56

Class 22 (Thursday, April 22)

Criticism, 51 (1993): 23-29

Scandinavica, 32 (2002): 35-48

Class 24 (Thursday, April 29)

Schirmer, 1979), 179-227

CD-9990 The Jimi Hendrix Experience, Electric Ladyland

CD-21131 Bob Dylan, The Freewheelin Bob Dylan (Columbia CD 32390)

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