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1 Typology
Puns can be classied in various ways:
The homophonic pun, a common type, uses word pairs
which sound alike (homophones) but are not synonymous.
Walter Redfern exemplied this type with his statement,
To pun is to treat homonyms as synonyms.[5] For example, in George Carlin's phrase Atheism is a non-prophet
institution, the word prophet is put in place of its homophone prot, altering the common phrase "non-prot
institution". Similarly, the joke Question: Why do we
still have troops in Germany? Answer: To keep the Russians in Czech" relies on the aural ambiguity of the homophones check and Czech. Often, puns are not strictly
homophonic, but play on words of similar, not identical,
sound as in the example from the Pinky and the Brain
cartoon lm series: I think so, Brain, but if we give peas
a chance, won't the lima beans feel left out?" which plays
with the similarbut not identicalsound of peas and
peace.[6]
A homographic pun exploits words which are spelled the
same (homographs) but possess dierent meanings and
sounds. Because of their nature, they rely on sight more
than hearing, contrary to homophonic puns. They are
also known as heteronymic puns. Examples in which the
punned words typically exist in two dierent parts of
speech often rely on unusual sentence construction, as in
the anecdote: When asked to explain his large number
of children, the pig answered simply: 'The wild oats of
my sow gave us many piglets.'" An example that combines homophonic and homographic punning is Douglas
Adams's line You can tune a guitar, but you can't tuna
sh. Unless of course, you play bass. The phrase uses
the homophonic qualities of tune a and tuna, as well as the
homographic pun on bass, in which ambiguity is reached
through the identical spellings of /bes/ (a string instrument), and /bs/ (a kind of sh).
KLEPTOROUMANIA
Punch cartoon of the Second Balkan War. King Carol I of Romania points his pistol at King Petar of Serbia and King Constantine
of Greece while he steals Southern Dobrudja from the disarmed
Tsar Ferdinand of Bulgaria. The title KLEPTOROUMANIA is
a pun on kleptomania, the mental disorder of impulsive stealing
for the sake of stealing.
play that suggests two or more meanings, by exploiting multiple meanings of words, or of similar-sounding
words, for an intended humorous or rhetorical eect.[1][2]
These ambiguities can arise from the intentional use of
homophonic, homographic, metonymic, or gurative language. A pun diers from a malapropism in that a
malapropism is an incorrect variation on a correct expression, while a pun involves expressions with multiple correct interpretations. Puns may be regarded as in-jokes or Homonymic puns, another common type, arise from the
idiomatic constructions, as their usage and meaning are exploitation of words which are both homographs and
specic to a particular language and its culture.
homophones. The statement Being in politics is just
Puns have a long history in human writing. Sumerian like playing golf: you are trapped in one bad lie afcuneiform and Egyptian hieroglyphs were originally ter another puns on the two meanings of the word lie
based on punning systems, and the Roman playwright as a deliberate untruth and as the position in which
1
USE
2.2 Literature
Use
Non-humorous puns were and are a standard poetic device in English literature. Puns and other forms of
3
word play have been used by many famous writers, such
as Alexander Pope, James Joyce, Vladimir Nabokov,
Robert Bloch, Lewis Carroll, John Donne, and William
Shakespeare, who is estimated to have used over 3,000
puns in his plays.
2.3
Rhetoric
Paronomasia is prevalent orally as well. Salvatore Attardo believes that puns are verbal humor. He talks about
Pepicello and Weisbergs linguistic theory of humor and
Like other forms of wordplay, paronomasia is occasion- believes the only form of linguistic humor is limited to
ally used for its attention-getting or mnemonic qualities, puns.[26] This is because a pun is play on the word it-
2.4
Design
6 SEE ALSO
self. Attardo believes that only puns are able to maintain humor and this humor has signicance. It is able to
help soften a situation and make it less serious, it can help
make something more memorable, and using a pun can
make the speaker seem witty.
Paronomasia is strong in print media and oral conversation so it can be assumed that paronomasia is strong in
broadcast media as well. Examples of paranomasia in
media are sound bites. They could be memorable because
of the humor and rhetoric associated with paronomasia,
thus making the signicance of the sound bite stronger.
5 History
4
Puns were found in ancient Egypt, where they were heavily used in development of myths and interpretation of
There exist subtle dierences between paronomasia and dreams.[28]
other literary techniques, such as the double entendre.
In China, Shen Dao (ca. 300 BC) used shi, meaning
While puns are often simple wordplay for comedic or
power, and shi, meaning position to say that a king
rhetorical eect, a double entendre alludes to a second
has power because of his position as king.[29]
meaning which is not contained within the statement or
phrase itself, often one which purposefully disguises the In ancient Iraq, about 2500 BC, punning was used by
[30]
second meaning. As both exploit the use of intentional scribes to represent words in cuneiform.
double meanings, puns can sometimes be double enten- The Maya are known for having used puns in their hidres, and vice versa. Puns also bear similarities with eroglyphic writing, and for using them in their modern
paraprosdokian, syllepsis and eggcorns. In addition, ho- languages.[31]
mographic puns are sometimes compared to the stylistic
[32]
device antanaclasis, and homophonic puns to polyptoton. In Japan, graphomania was one type of pun.
Puns can be used as a type of mnemonic device to en- In Tamil, Sledai is the word used to mean pun in which a
hance comprehension in an educational setting. Used dis- word with two dierent meanings. This is also classied
creetly, puns can eectively reinforce content and aid in as a poetry style in ancient Tamil literature.
the retention of material.
4.1
Scientic puns rely on the contrast between precise technical and imprecise informal denitions of the same
word. In statistical contexts, for example, the word signicant is usually assumed to mean "statistically significant", which has a precisely dened technical meaning. Using signicant with the layperson meaning of
practical signicance in such contexts would qualify as
punning, such as the webcomic xkcd's pun statistically
signicant other".[27]
In formal linguistics, puns can often be found embedded within the etymological meaning or usage of words,
which in turn may be buried over time and unknown to
native speakers. Puns may also be found in syntax, where
morphological constructions have derived from what may
have originally been humorous word play, slang, or otherwise idiosyncratic word usage.
In computing, esoteric programming languages (EPLs)
are based in or contain what may be regarded as conceptual puns, as they typically misuse common programming
concepts in ways which are absurd, or functionally useless. Some EPL puns may be obvious, such as in the usage of text images, while other puns are highly conceptual
6 See also
Albur
Alliteration
Antanaclasis
Auto-antonym
Dajare
Double entendre
Eggcorn
Feghoot
Malapropism
Mondegreen
Paraprosdokian
Polyptoton
Satiric misspelling
Syllepsis
Notes
[22] http://leo.aichi-u.ac.jp/~{}goken/bulletin/pdfs/No16/
03AbassF.pdf
[24]
[3] John Pollack (14 April 2011). The Pun Also Rises. Penguin Publishing Group. ISBN 978-1-101-51386-6.
[26] Attardo S. Puns, Relevance and Appreciation in Advertisements. Journal of Pragmatics 37.5 (2005): 707-21.
[30] Mathematics in ancient Iraq: a social history Eleanor Robson, Princeton University Press, 2008, 441 pages, page 31
8 References
Alexander, Richard J. (1997). Aspects of Verbal Humour in English. Narr, Tbingen: Gunter Narr Verlag. ISBN 978-3-823-34936-5.
Augarde, Tony (1984). The Oxford Guide to Word
Games. London: Oxford University Press.
Fontaine, Michael (2010). Funny Words in Plautine
Comedy. Oxford University Press.
Hempelmann, Christian F. (Sep 2004). Script opposition and logical mechanism in punning. Humor
- International Journal of Humor Research 17 (4):
381392. doi:10.1515/humr.2004.17.4.381. (access restricted)
Smyth, Herbert Weir (1920). Greek Grammar.
Cambridge: Harvard University Press.
Tartakovsky, Joseph (28 March 2009). Pun for the
Ages. The New York Times.
9 Further reading
Pollack, John (2011). The Pun Also Rises: How the
Humble Pun Revolutionized Language, Changed History, and Made Wordplay More Than Some Antics.
Penguin. ISBN 978-1-101-51386-6.
10
10
External links
EXTERNAL LINKS
11
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11.2
Images
11.3
Content license